Armani Man Quotes

I'd hoped to find some sort of weapons stash under the bed or something, but all I find are a pair of Armani slippers. No guns. No flamethrowers. No ninja stars. What kind of right-hand man is this guy?

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

Wednesday walked out into the firelight, a big old man with a glass eye in a brown suit and an old Armani coat.

Everyone! Can I have your attention please,” Will calls out so that everyone is staring at him. Which was totally unnecessary because everyone already was staring at him. It’s hard not to notice when a six foot two linebacker of a man in an Armani suit stands up on a table in your office. Good thing we have very high ceilings. “This is your doing, Jackie-O,” my father whispers to me. “He was normal before he ever met you.

What the fuck is this thing? Excalibur?” Adam grunted, starting to sweat through his now ruined Armani t-shirt. He gave his brother a disgusted look. “Seriously, man. How did you fuck up this bad?

This man was a high-powered operator, but also prone to overwork. He earned a high salary, but he couldn’t use it now that he was dead. He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning.

This man was a high-powered operator, but also prone to overwork. He earned a high salary, but he couldn’t use it now that he was dead. He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning. The very fact that he existed in this world would eventually be forgotten. “Such a shame, he was so young,” people might say. Or they might not.

In the wake of the Empire Media scandal, the CEO of Townsend’s received a threatening note, which the police deemed to be credible. The note, signed Jennifer, demanded that the lads’ magazines be removed from every branch of Townsend’s and replaced with soft-core gay male porn. The CEO took immediate action. The lads’ magazines were exchanged for those that featured images of buff young men, hairless and muscled and bronzed, with bulging underpants (if they were wearing underpants). The men played with their nipples and flashed their man patches. After the renovation, Townsend’s was filled with women and girls. It was funny to see images of semi-naked, sexed-up men. For women it was like being in a carnival funhouse, where nothing was as it was supposed to be. News reports claimed that men felt uncomfortable going into the shops, since the women were leering and laughing. Businessmen in Armani suits tried to conduct themselves with dignity, but it was difficult to do with all those perfect male butts in their faces, with those men staring at them with a look that said fuck me.

Jonathan Green had a firm handshake, clear eyes, and a jawline not dissimilar to Dudley Do-Right’s. He was in his early sixties, with graying hair, a beach-club tan, and a voice that was rich and comforting. A minister’s voice. He wasn’t a handsome man, but there was a sincerity in his eyes that put you at ease. Jonathan Green was reputed to be one of the top five criminal defense attorneys in America, with a success rate in high-profile criminal defense cases of one hundred percent. Like Elliot Truly, Jonathan Green was wearing an impeccably tailored blue Armani suit. So were the lesser attorneys. Maybe they got a bulk discount. I was wearing impeccably tailored black Gap jeans, a linen aloha shirt, and white Reebok sneakers. Green said, “Did Elliot explain why we wanted to see you?

Cristiano’s grades are excellent. Your parents and I discussed getting you a tutor. Perhaps Cristiano would be just the man.” Armani gave a slight nod. “I would be most honored to do so.” Tutor me in death, maybe. “But we won’t even have the same classes! Wouldn’t another senior be better for him?” “Cristiano has your same classes. He’s a junior.” I gaped. “In what world is Armani here seventeen?” Cristiano shrugged unapologetically. “They feed us better in Italy.

Oh, maybe Leonard Cohen. Leonard Cohen is my hero. He’s like Zorba the Buddha. Bhagwan Shree Rajneesh, the Indian guru who I think was murdered by American government and who later changed his name to Osho, he had this notion of a character called Zorba the Buddha who — we’ll say a man, but it could be a woman too — who was contemplative, led a serene spiritual life, meditated a lot, was a nonviolent, placid person who lived in the spirit but who also knew how to work and make money, knew how to utilize the Internet, knew how much to tip a maître d’ in a Paris nightclub, who was of the world and enjoyed the world and all of its sensual pleasures in terms of food, sex, drink, color, art, but also at the same time was deeply spiritual. And I’ve kind of superimposed that Zorba the Buddha figure onto Leonard Cohen, perhaps unfairly, but he strikes me as someone who is close to that figure. I like the fact that he meditates, that he has spent time alone — a lot of it in anguish in a Buddhist monastery — that he is so adept with language and loves women and wears beautiful Armani suits and will sit and sip wine at a sidewalk café with beautiful girls and yet be able to have this rich inner life, not just creatively but also spiritually.

Luca Armani is a man I know inside and out—even simply watching him from afar.

God, this man is too damn precious. He’s like if a golden retriever came to life and started wearing bespoke Armani suits. And here I was grilling Rachel about needing an exit. What’s the point? No matter where I might take her, this man will just follow us. Jake Compton Price is Rachel’s end game. I have absolutely nothing to worry about by putting her happiness in his hands.

Addison dramatically put a hand to her chest, covering the V-neck of her sleek, green cocktail dress. “If only the world could understand the suffering of this rich white man in his custom Armani suit.

What caught my attention the most was the way he carried himself. It’s hard to put into words. Armani came across as coolheaded, aloof, and calculative, as if every step he took was planned and every word he said had purpose. It gave me the impression that nothing can catch him by surprise, and he’s always in total control of his surroundings. It’s hard to explain. In a nutshell, Armani De Santis impressed me like no man has before. He’s a perfect mixture of a gentleman and a dangerous mafia enforcer.

They’re bratva and mafia enforcers, Miss Sartoni. From left to right, it’s Misha Petrov, Armani De Santis, and Alek Aslanhov,” the guard answers in a professional tone. Misha Petrov. The day I finally learn his name, I also have to find out he’s bratva. And it’s clear he despises me. The man who kissed me so tenderly hates me. The man who saved my life now wants me dead.