Arm Candy Quotes

We've searched our database for all the quotes and captions related to Arm Candy. Here they are! All 100 of them:

I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
And this must be Avery?" "Oh, God, no," Cam said. "This is Candy, Mom." His mother's eyes widened and a bit of color infused her cheeks. "Uh, I'm..." "I'm Avery," I said, shooting Cam a look. "You had it right." She spun around, smacking Cam across the arm. Hard, too. "Cameron! Oh my God. I thought..." She smacked him again and he laughed. "You're terrible.
J. Lynn (Wait for You (Wait for You, #1))
I don’t want to be anyone’s arm candy or trophy,” Simone said. “Women can be more than that.
Kailin Gow (Anti-Nice Guy (Anti-Nice Guy Agency, #1))
I’m not now, nor shall I ever be, any man’s arm candy.
J.J. McAvoy (Ruthless People (Ruthless People, #1))
Most girls get flowers or candy. I get a declaration of martial law.
Lisa Shearin (Armed & Magical (Raine Benares, #2))
What has three heads, six arms, and half a brain?" Three asked. One and Two answered in unison. "Nate Sutter.
Brandon Mull (The Candy Shop War (The Candy Shop War, #1))
Gilbert took from his desk a little pink candy heart with a gold motto on it, “You are sweet,” and slipped it under the curve of Anne’s arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
You’re a collected debt, a retaliation, and, quite frankly, pretty decent arm candy. Good night, Miss Rossi.
L.J. Shen (The Kiss Thief)
His(Luc) eyes widened appreciatively as he took in my dress, heels, hair. “You look beautiful.” Ethan beat me to a response. “Thank you. But you should compliment Merit as well. She cleans up nicely.” Luc snorted, glanced at me. “And you don’t look half-bad yourself, Sentinel.” “Thank you, Luc. He’s just jealous. He prefers to be the arm candy.
Chloe Neill (Dark Debt (Chicagoland Vampires, #11))
She knew that women were rarely the centers of such stories. Instead, they were eye candy, arm candy, victims, or love interests. Mostly, they existed to help the great white hetero hero on his fucking epic journey. When there was a heroine, she weighed very little, wore very little, and had had her teeth fixed.
E. Lockhart (Genuine Fraud)
We were in such good moods, we even decided to hit Todd's house for candy. Sam rang the doorbell, and when it opened, this hideous, rubber monster face roared at us. Sam screamed. Todd started laughing and took off the mask. I yelled, "Put it back on! Put it back on! Your hideousness is terrifying!" Todd did a fake yuk-yuk-yuk at my joke. "What are you guys supposed to be? Is it Prom Night Massacre or something?" Sam sighed at Todd's obvious stupidity. "We're zombie princesses, Todd. Can't you tell?" She stuck her arms straight out in front of her and said, "BRAINS! BRAINS!" I patted Sam on the head and said, "Sorry, Sam. You're wasting your time with this one.
Kristin Walker (A Match Made in High School)
We're on vacation, Kaia, Strider grumbled. You weren't invited. She waved away his words as if they were unimportant. Deep down I know you meant to invite me, so ta-da. Here I am. You're welcome. It's scary how well you know us. Here, pay for this, William said, dumping his candy into Strider's arms. We'll be in the care. Making out.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
Being married to Jack Hawthorne had turned out to have its own advantages—apart from the broody eye candy and the almost daily arm porn, I mean.
Ella Maise (Marriage for One)
This is your day." I nodded and tried not to smile. "I'm just your arm candy." She grinned with a sparkle in her eyes. "I do like candy." Holy shit. We were flirting.
Lisa Kessler (Blood Moon (Moon, #3))
My rock candy passion is bittersweet And armed to the teeth Cuz she would rather fall in chocolate Than fall in love.. Especially with me!
Owl City (Owl City - All Things Bright and Beautiful Piano, Vocal and Guitar Chords)
She felt the cold blast from the sterile air conditioning on her bare arms and thighs, as she ambled down the center of the shopping complex's ground floor. The scene was a swirl of candy bright lights--the Victoria's Secret fuchsia signboard, signboards which lured one to purchase "confidence," or "sexual appeal," or whatever it was that was being advertised--the fluorescent lights in each store, contrasting with the shiny, black-tiled walls and eye-catching speckled marble tiles on the ground. One could lick the floor--the tiles were spotless, clean like the fake air she was breathing in, like the atoms and cells in her that were decaying in stale neglect.
Jess C. Scott (Jack in the Box (sexual astrology, factual fiction))
Beautiful girls are not a decoration, arm candy, an object. They are, whether they know it or not, the very essence of our humanity.
Chloe Thurlow (The Secret Life of Girls)
Charlee has my arm. She has my arm—my arm that’s rigid from pleasure, from her touch—in her little fingers. She holds my other one, too and she’s right there, that sweet candy perfume stripping the rest of the strength from my body, and it escapes in a soft, breathy sigh.
Rebecca Berto (Drowning in You)
She wasn’t all over me because of some bad-boy fetish or because she wanted to be arm candy for Eastside’s resident badass. For the first time in my life, someone looked at me and saw…me.
Anne Hansen (Finally Mine (Finally Love, #1))
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."... It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
Libba Bray (Rebel Angels (Gemma Doyle, #2))
I can’t just give up my life for you. If I turn into arm candy, you’ll get bored real quick. Hell, I’d get sick of myself. It shouldn’t kill us to spend a couple days straightening out other parts of our lives, even if we hate doing it.” His gaze captured mine. “You’re too much trouble to be arm candy.” “Takes a troublemaker to know one.
Sylvia Day (Reflected in You (Crossfire, #2))
Then you can investigate me over dinner." He took her arm, lifting a brow as she stiffened. "I'd think a woman who'd fight for a candy bar would appreciate a two-inch fillet, medium rare." "Steak?" She struggled not to drool. "Real steak, from a cow?" A smile curved his lips. "Just flown in from Montana. The steak, not the cow.
J.D. Robb (Naked in Death (In Death, #1))
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
Crazy, crazy kids on a crazy night, a night for pink balloons all over the sky and a candyfruit tree at the end of the street, and he rocked his girl in his arms, sugartight, and he was king of the moon and the streamers and popcorn.
Jay Gilbert (The Skinner)
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
Italo Calvino (Invisible Cities)
He wagged his finger in my face. "You're not SUPPOSED to do anything. YOU'RE the one trying to change ME. Remember? As far as I'M concerned, YOU can do anything you want." "Except criticize you." "Hey," he said, "if that's how you want to spend your life, getting on my case"--he threw out his arms--"be my guest." He turned his deep blue eyes on me. "And anyway--" He let it hang there. He was smirking. Suddenly I felt as if I were on roller skates. "What?" "I know why you're doing it." I stopped. He walked on. "Doing what?" I said. "What? Why?" I think I was babbling. He flipped his answer as blithely as a candy wrapper over his shoulder: "You know.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
It might seem that being a genius is a golden ticket to a life of glamorous soirees with the intellectual elite, champagne flute in hand, arm candy at your side, surrounded by a throng of smiling sycophants. But you might be confusing this scene with the lifestyle of a diplomat
André de Guillaume (How to Be a Genius: A Handbook for the Aspiring Smarty-Pants)
I don't know if I could deal with a two-armed kid, and now I have to have a kid with only one arm because he wanted to try and feed the gorilla cotton candy? I didn't even want this, but then we're sitting at a restaurant minding our own business when this little boy walks by wearing little checkered Vans, and he was walking and singing a song and dancing. He was dancing and all of a sudden I turned to Otter and DEMANDED he put a baby in me. But I'm a guy, and he's a guy and that's biologically impossible...
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
Quinn, don’t.” I froze. “Don’t?” Her arms tightened around my waist. “Don’t let me go.
Melanie Harlow (Man Candy (After We Fall, #1))
Now, taking books, or anything else, from a little girl is like taking arms from an Arab, or candy from a baby...
James Thurber (Further Fables for Our Time)
You've got an empire to run, I'm just your arm candy.
Lisa Kessler (Ice Moon (Moon #5))
why women agreed to be arm candy. No matter how smart, no matter how successful, there was a heady ego boost and sense of personal power that came with the role. Lee
Rachel Grant (Concrete Evidence (Evidence, #1))
Tapping a little bell, I leaned on the desk and turned to look at a small, traditionally decorated Christmas tree on a table near the entranceway. It was complete with shiny, egg-fragile bulbs; miniature candy canes; flat, laughing Santas with arms wide; a star on top nodding awkwardly against the delicate shoulder of an upper branch; and colored lights that bloomed out of flower-shaped sockets. For some reason this seemed to me a sorry little piece.
Thomas Ligotti (The Nightmare Factory)
She reached for the milk and honey soap, then poured it into the puff, but when she started washing him with it, he chuckled. “Uh, sweetheart?” “Hmm?” Candice mumbled as she stared at some interesting spot on his arm. “Real men don’t use puffs,” he said, amused and turned on by having Candice’s undivided attention. She finally managed to drag her gaze away from his forearm and stared at him as if he’d lost his mind. “You can’t be serious?” When he only shrugged, she rolled her eyes. “What does it matter what I use, so long as you’re clean?” “It matters, believe me.” Blade knew he sounded absurd but he couldn’t help it. It was bad enough he’d let her put bandages on a few measly cuts; if word got out he’d let her use a peach-colored puff and milk-and-honey bath soap he’d never hear the end of it. A man had to put his foot down somewhere.
Anne Rainey (Tasting Candy (Vaughn, #2))
On hurricane days, when most women are filling their grocery carts with bread and milk, Miss Lana loads ours with candy, cakes, and tapered candles. If I die in the storm, I'll drift away in the arms of a sugar coma and candlelight, she always says.
Sheila Turnage (Three Times Lucky (Mo & Dale Mysteries, #1))
Jule watched a shit-ton of movies. She knew that women were rarely the centers of such stories. Instead, they were eye candy, arm candy, victims, or love interests. Mostly, they existed to help the great white hetero hero on his fucking epic journey.
E. Lockhart (Genuine Fraud)
When Sacha peeled off his shirt and began smothering the cream onto his freckle-spotted shoulders, arms, chest, neck and even the shell of his ears… I was entranced. It was like seeing a meteor shower. Or having candy for the first time after you’d tried going on a diet.
Mariana Zapata (Rhythm, Chord & Malykhin)
Then my cell phone buzzes again. I can’t quite get it out of my pocket because my arm is so bloody. Astley reaches down and pulls it out for me. “You’re blushing,” he says. “You just reached in my pocket. It’s kind of intimate.” He smiles a wicked smile and hands me the phone. “There is candy in here as well.” “Skittles,” I explain. “I like them.
Carrie Jones (Captivate (Need, #2))
Agatha pinched her arm playfully. 'I really do like this new Sophie who eats honeycake, is the queen of candy, and makes feasting a priority while in the throes of danger.' 'You know how one day you woke up and discovered boys aren't the toxic poison you thought they were? Well, boys and cake have a lot in common, it turns out," Sophie said with a wink.
Soman Chainani (One True King (The School for Good and Evil: The Camelot Years, #3))
Her hands moved up his arms and tried to ignore the tingling zapping her skin like the metal edges of the Operation game.
Shannyn Leah, Lakeshore Candy
It's okay to learn on the person you love. It's okay to be vulnerable. It's okay to fight and have uncomfortable conversations about our future.
Jessica Lemmon (Arm Candy (Real Love, #2))
For every hundred-dollar cock in Candy's cunt, Candy needs a two-hundred-dollar jab in the arm. And I'm Prince Pimp, welcome to the show. I would vomit up my life if I could.
Luke Davies (Candy)
Do they float?' 'Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm.
Stephen King (It)
We need to learn how to navigate our minds, both the good and the bad, the light and the dark, so that ultimately, we can create acceptance and open our arms and come home to ourselves.
Candy Leigh (Finding Life In Between: A Journal For Me…To You)
...he knows it is a city, but he thinks of it as a camel from whose pack hang wineskins and bags of candies fruit, date wine, tobacco leaves, and already he sees himself as the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees' jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, half-revealed.
Italo Calvino (Invisible Cities)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Have you ever been in love, Alison?" He leaned in and draped his arm along the back of her chair. "I'm not talking about a crush or infatuation. I'm talking about where you'd do anything for someone. Can't stop thinking about them. Be there if they were sick or just needed a shoulder to lean on. Someone you wanted to wake up to every single day and couldn't wait until you saw them again at night. Someone who made you feel like you're everything you've ever wanted to be.
Candis Terry (Something Sweeter (Sweet, Texas, #3))
So the fact tht anyone would ever suggest that Arab women are dominated and demeaned is really quite ludicrous. In this part of the world, She's just Not That Into Him. We're the ones who make a pantomime of the wedding, and play at happily ever after....The men might think they have the upper hand, they may believe they've nabbed themselves a prime piece of arm candy, but we've got his 'potential as a provider' wrapped around our little fingers. Oh yes, we're the smart ones.
Amy Mowafi (Fe-mail 2)
A walk is exploring surfaces and textures with finger, toe, and—yuck—tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird’s song; pointing. Pointing!— using the arm to extend one’s fallen gaze so someone else can see what you’ve seen. It is a time of sharing. On our block,
Alexandra Horowitz (On Looking: A Walker's Guide to the Art of Observation)
I forget who I am and the world around me whenever I am in his arms. It’s almost as if he holds some higher power which only someone like him can possess. His lips are like candy, and his tongue is like luscious, velvety chocolate. I am simply drunk on him.
Jaimie Roberts (Scars)
She held out the box of fudge. “I made this. I don’t know if you like chocolate. If not, you could take it into the office or…” Instead of taking the candy, he grabbed her wrist and pulled her inside. The second the door closed behind her, she was in his arms, his mouth on hers.
Susan Mallery (High-Powered, Hot-Blooded)
He tugged her over the threshold with his good arm, barely cognizant of her startled squeak before his mouth swooped down to cover hers. She tasted pepperminty, as if she’d been sucking on a candy cane again. He swept his tongue between her lips to taste more of her while her arms locked around his neck.
Cari Quinn (Virgin Territory)
Ah, yes, but then you say: No?’ Steeply said. ‘No? you say, not children? You say: What is the difference, please, if you make a recorded pleasure so entertaining and diverting it is lethal to persons, you find a Copy-Capable copy and copy it and disseminate it for us to choose to see or turn off, and if we cannot choose to resist it, the pleasure, and cannot choose instead to live? You say what your Fortier believes, that we are children, not human adults like the noble Québecers, we are children, bullies but still children inside, and will kill ourselves for you if you put the candy within the arms’ reach.
David Foster Wallace (Infinite Jest)
Candied Sin I can hold you in my arms Feeling your soul’s embrace I can make it hard to breath Standing face to face Lips of sweetest candied sin Wisps of thoughts ignite within Makes the hours infinite Observations intricate Touch of skin, heat and lace Skimmed upon a jaded face Into your depths, here I go Swept into my very soul.
Alexia Purdy (Whispers of Dreams (A Poetic Collection))
I just meant that a guy who's guarded his heart for so long might not be in the best position to judge." "Ouch." "Sorry." She reached across the cab of the truck and caressed his arm. "I promise to take the sting out of that owie remark as soon as I get you naked." A grin shot to his face. "Now you're talkin' my kind of language.
Candis Terry (Sweetest Mistake (Sweet, Texas, #2))
His eyes were wide with disbelief. "A stranger approaches you for help in a dark parking lot and you go and help him? That has to be one of the most careless things I've heard in a long time." He crossed his arms and stared down at me. "I bet you think things through, right? Accept candy from strangers and get into vans with a sign that reads free Kittens?" I gasped.
Jennifer L. Armentrout (Obsidian (Lux, #1))
He was nice in the carriage. I didn't know he knew how to be nice.' That makes me laugh. At the door to my chambers, she puts her hand on my arm. 'He was trying to impress you, you know. Talking to me.' I frown. 'I think he just wanted to hear about weird candy.' She shakes her head. 'He wants you to like him. But just because he wants you to doesn't mean you should.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
We keep marching, our feet trampling over Principal Wilson’s threats and our teachers’ warnings. We are marching because those words deserve to be run over. Steamrolled. Flattened to dust. We are marching in our Converse and our candy-colored flip-flops and our kitten heels, too. Our legs are moving, our arms are swinging, our mouths are set in lines so straight and sharp you could cut yourself on them. Maybe we hope you do.
Jennifer Mathieu (Moxie)
She pushed him away from her. The rain swept over her face as she lifted her emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. ”Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.” The dark, malevolent feeling had faded away. Whoever it was no longer was watching them. She could tell. “I feel another argument coming on.” His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder. “No way, you wild man. You aren’t Tarzan. I don’t like heights. Put me down.” “Close your eyes. Who is Tarzan? Not another male, I hope.” The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy. Tarzan is the ultimate male. He swung through trees and carries his woman off into the jungle. He patterns himself after me. She nuzzled his neck. He tries.
Christine Feehan (Dark Desire (Dark, #2))
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
My mother’s true appeal went beyond the clash of the beautiful trust fund darling as the arm candy of an overweight trailer salesman. Carl grew up in harsh, chaotic poverty. His escape was the alcoholism that was conceived during puberty and flourished throughout adulthood. His initial career was a diesel mechanic wearing faded coveralls with oil up his nails and sweat on his brow. His earliest homes were the dingy trailers he would later profit from. His first marriage was doused with benders, acid trips, and sex crazed parties packed with orgies with a first wife who’d lost track of number of dicks shoved down her throat in the midst of intoxication. I don’t know what sparked his revelation, but at some point, Carl decided to fiercely pursue the world he envied. He wanted a life of starched, white shirts, ties, SUVs, and picket fences. He ached for the scent of steaks grilling on his sunny patio. He dreamed of white-collar southern beauty and my mother, in all her naïve innocence, was the loveliest possession he could ever obtain.
Magda Young
After they buy their tickets, Emma pulls him to the concession line. "Galen, do you mind?" she says, drawing a distracting circle on his arm with her finger, sending fire pretty much everywhere inside him. He recognizes the mischief in her eyes but not the particular game she's playing. "Get whatever you want, Emma," he tells her. With a coy smile, she orders seventy-five dollars worth of candy, soda, and popcorn. By the cashier's expression, seventy-five dollars must be a lot. If the game is to spend all his money, she'll be disappointed. He brought enough cash for five more armfuls of this junk. He helps Emma carry two large fountain drinks, two buckets of popcorn and four boxes of candy to the top row of the half-full theater. When she's situated in her seat, she tears into a box and dumps the contents in her hand. "Look, sweet lips, I got your favorite, Lemonheads!" Sweet lips? What the- Before he can turn away, she forces three of them into his mouth. His instant pucker elicits an evil snicker from her. She pops a straw into one of the cups and hands it to him. "Better drink this," she whispers. "To take the bite out of the candy." He should have known better. The drink is so full of bubbles it turns clear up to his nostrils. Pride keeps him from coughing. Pride, and the Lemonhead lodged in his throat. Several more heaping gulps and he gets it down. After a few minutes, a sample of greasy popcorn, and the rest of the soda, the lights finally dim, giving Galen a reprieve. While Emma is engrossed in what she calls "stupid previews," Galen excuses himself to vomit in the bathroom. Emma wins this round.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
Jane Jacobs (The Death and Life of Great American Cities)
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
Poets may be the “unacknowledged legislators” but I don’t know if we’re that important. My fear overwhelms me at times; I gave you my fear, a withered gift. You are the true poet of the family. You gave me the cry of a baby in its mother’s arms, cotton candy at the circus, John Cage exhibits at the museum, lying under the light of the full moon. You gave me Fellini films and old Romances, a glass of Burgandy in a darkened restaurant where lovers cling to hope of passion and contentment. You gave me hope and love, but most of all, you gave me poetry.
Scott C. Holstad (Places)
Want your boat, Georgie?” Pennywise asked. “I only repeat myself because you really do not seem that eager.” He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. “Yes, sure,” George said, looking into the stormdrain. “And a balloon? I’ve got red and green and yellow and blue. . . .” “Do they float?” “Float?” The clown’s grin widened. “Oh yes, indeed they do. They float! And there’s cotton candy. . . .” George reached. The clown seized his arm.
Stephen King (It)
Oh, Jack,” she said, leaning against him again. “Please, I don’t want to ever fight with you.” He lifted her chin with a finger. “Don’t be a candy ass. You fought good. You won, as a matter of fact.” “But it was awful. There have been times since this thing with Brie that you’ve been so far away. It just… It frightens me.” “You should never be afraid. Not while you’re my wife. It’s my job to make sure you’re never afraid.” “Then know this—all I want is to die in your arms. I can’t live a day without you. Do you get that?” He nodded, but he said, “No dying allowed. We’re going to get old and very wrinkly together. I insist on it.” *
Robyn Carr (Whispering Rock (Virgin River, #3))
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clamour of her laugh, to sit with her once more for a pot of chai and left over halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much, to be old and play with Aziza's children. Near the goalpost, the man behind her asked her to stop. Mariam did. Through the crisscrossing grid of the burqa, she saw his shadow arms lift his shadow Kalashnikov. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira and look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
This arm devoid of a hand was for me a great mystery, almost as puzzling as Jesus. I wanted to know how the hand had come off (perhaps she had taken it off herself) and where it was now, and especially whether my own hand could ever come off like that; but I never asked, I must have been afraid of the answers. Going down the steps, I try to remember what the rest of her was like, her face, but I can see only the potent candies, inaccessible in their glass reliquary, and the arm, miraculous in an unspecified way like the toes of saints or the cut-off pieces of early martyrs, the eyes on the plate, the severed breasts, the heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
Margaret Atwood (Surfacing)
Gregory gazed, transfixed, as snow swarmed down upon him like space junk; like disarranged flocks of birds; like the universe emptying itself. He knew what the vision meant: human lives past and present, around him, inside him. He opened his mouth and eyes and arms and drew them into himself, feeling a surge of discovery—of rapture—that seemed to lift him out of the snow. He wanted to laugh or shout. Finish your book! Here was his father’s parting gift: a galaxy of human lives hurtling toward his curiosity. From a distance they faded into uniformity, but they were moving, each propelled by a singular force that was inexhaustible. The collective. He was feeling the collective without any machinery at all. And its stories, infinite and particular, would be his to tell.
Jennifer Egan (The Candy House)
Laila grinned widely. “My hero.” She kissed him on the cheek, and Enrique beamed. He wasn’t quite like the heroes he’d dreamed of becoming. He hadn’t saved a country from oppression or rescued anyone on his white horse … but he still felt rather impressive. He turned to Zofia, about to congratulate her, when she crossed her arms over her chest. “I’m not going to kiss you like Laila did.” Black ash streaked Zofia’s arms and the tops of her cheekbones. It made her eyes look like blue fire, her hair a wisp of candlelight. The farthest thing from his mind was her mouth on his, but when she said it, he couldn’t help but look at her lips. They were red as candy. Abruptly, Enrique pinched the bridge of his nose. He must have hit his head because the strangest thoughts kept darting through it.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
Anosognosia sufferers are paralyzed but won’t admit it. They tell their doctors and loved ones they have severe arthritis or need to watch their weight if asked to move their incapacitated arm to take a piece of candy. They lie, but they don’t know they are lying. The deception is only directed inward. They truly believe the fiction. • A person with Capgras delusion believes their close friends and family have been replaced by impostors. The part of the brain that provides an emotional response when you see someone you know stops functioning properly in those with this dysfunction. They recognize their loved ones, but don’t feel the spark. They make up a story to explain their confusion and accept it entirely. • Those with Cotard’s syndrome believe they have died. Those with this affliction will assume themselves to be spirits in an afterlife and believe the delusion so strongly they sometimes die of starvation.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
Trina, I never expected to fall in love again. I thought I got my shot, and I was okay with that, because I had my girls. I didn’t realize anything was missing. Then came you.” Ms. Rothschild’s hands are covering her mouth. She has tears in her eyes. “I want to spend the rest of my life with you, Trina.” Ms. Rothschild starts choking on her candy, and Daddy leaps up off his knee and starts pounding her on the back. She’s coughing like crazy. From his tree Peter whispers, “Should I go do the Heimlich on her? I know how to do it.” “Peter, my dad’s a doctor!” I whisper back. “He’s got it.” As her coughing subsides, she stands up straight and wipes her eyes. “Wait. Were you asking me to marry you?” “I was trying to,” Daddy says. “Are you all right?” “Yes!” She claps her hands to her cheeks. “Yes, you’re all right, or yes, you’ll marry me?” Daddy asks her, and he’s only half kidding. “Yes, I’ll marry you!” she screams, and Daddy reaches for her, and they kiss. “This feels private,” I whisper to Kitty. “It’s all part of the show,” she whispers back. Daddy hands Ms. Rothschild the ring box. I can’t quite make out what he says next, but whatever it was, it makes her double over laughing. “What’s he saying?” Kitty asks me, just as Peter says, “What did he say?” “I can’t hear! Both of you be quiet! You’re ruining the video!” Which is when Ms. Rothschild looks over in our direction. Shoot. We all pop back behind our respective trees, and then I hear Daddy’s wry voice call out, “You can come out, guys. She said yes!” We run out from behind the trees; Kitty launches herself into Ms. Rothschild’s arms. They fall over onto the grass, and Ms. Rothschild is laughing breathlessly, her laughter echoing through the woods. I hug Daddy, and meanwhile Peter’s still playing videographer, recording the moment for posterity like the good boyfriend he is. “Are you happy?” I ask, looking up at my dad. His eyes brimming with tears, he nods and hugs me tighter. And just like that, our little family grows bigger.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Then she took my hand and led me away from my friends and her friends. I’d expected to spend the evening at a distance from her, stealing glances across the fairground, maybe having a brief conversation. Now my hand was in hers, our fingers entwined like they had been that one night we’d walked home from the movies together. The night I’d been sure we would be together. it was like a montage out of a film, everything seen as if through a filter. We wandered the fairground for hours, me with my arm around her waist, and she didn’t even seem to care that people would see us. That night, Grace was not Grace; she was effervescent, lighthearted, a character out of a book. We competed against each other at bumper cars. Fed each other cotton candy. At the top of the Ferris wheel, we took swigs of straight vodka from her flask. The city, sprawled out in the distance, looked small from up there, a collection of toy buildings in a tilt-shift photograph. I even won her a prize at the laughing clowns. And I lapped it up, every moment of it, thinking that this was how things would be from now on.
Krystal Sutherland (Our Chemical Hearts)
Do you always wake up so sweet?” I ask. She’s like cotton candy in my arms. She smells soft and clean, and she’s not shoving me away. “I’m not awake yet,” she says. She spins over in my arms, facing away from me. My forearm is under her head and her bottom is tucked against my groin. Her head is beneath my chin, and I can’t see her face anymore. But I doubt she’s talking. She’s soft in my arms, and her breath rushes out of her open mouth with every exhale, searing my forearm with every breath. The bottoms of her feet are cold against the tops of mine, so I pull the blanket over us both, tucking it around her and throwing it over our feet. I don’t want to let her go, but I know I need to get up. I need to go back to the couch. I close my eyes and brush her hair down between us. She lets me wrap around her, and I’m willing to pretend she’s still asleep. Will it hurt to stay there? I keep holding her. I’ve never had a girl sleep the whole night in my bed before. Ever. I’ve never woken up with someone. I’ve never wanted to. Until now. I settle my arm around her waist. I’ll just stay a few more minutes.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
We’re moving up in the line, and I realize I’m nervous, which is strange, because this is Peter. But he’s also a different Peter, and I’m a different Lara Jean, because this is a date, an actual date. Just to make conversation, I ask, “So, when you go to the movies are you more of a chocolate kind of candy or a gummy kind of candy?” “Neither. All I want is popcorn.” “Then we’re doomed! You’re neither, and I’m either or all of the above.” We get to the cashier and I start fishing around for my wallet. Peter laughs. “You think I’m going to make a girl pay on her first date?” He puffs out his chest and says to the cashier, “Can we have one medium popcorn with butter, and can you later the butter? And a Sour Patch Kids and a box of Milk Duds. And one small Cherry Coke.” “How did you know that was what I wanted?” “I pay a lot better attention than you think, Covey.” Peter slings his arm around my shoulders with a self-satisfied smirk, and he accidentally hits my right boob. “Ow!” He laughs an embarrassed laugh. “Whoops. Sorry. Are you okay?” I give him a hard elbow to the side, and he’s still laughing as we walk into the theater.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
So, about your classes,” said Doug. “I put in the requirements already. History of Woodsmen and Pirates, Safety Rules for the Internet, and”—he cleared his throat—“Remedial Goodness 101.” “Let me guess...” said Mal. She popped a piece of candy into her mouth. “New class?” Doug nodded sheepishly. “Come on, guys,” Mal said, dropping the wrapper on the floor. “Let’s go find our dorms.” She started up a flight of stairs. Carlos, Jay, and Evie followed her. “Oh! Uh, yeah, your dorms are that way, guys,” said Doug, pointing in the opposite direction. As Mal and her friends came back down the stairs and headed in the direction he indicated, Doug hung back, counting through the dwarves again. “Dopey, Doc, Bashful, Happy, Grumpy, Sleepy, and...” “Sneezy,” said Carlos, passing him and ascending the opposite staircase. Doug sighed and looked at the ceiling. Upstairs, Mal and Evie opened the door to their dorm room. It was light and airy and dappled in sunlight. The white canopy beds were covered with pink pillows, and flowery curtains fluttered gently in the fresh breeze from the open windows. Evie’s eyes widened with delight as Mal’s narrowed in horror. “Wow,” said Evie. “This place is so amazing—” “Gross,” said Mal. “I know, right?” said Evie, changing her tune. “Amazingly gross. Ew!” When Mal wasn’t looking, Evie couldn’t help giving a silent gasp of joy at her new crib. “I am going to need some serious sunscreen,” said Mal, arms crossed. “Yeah,” said Evie. “E,” said Mal, pointing to the windows. She closed the curtains as Evie moved to other windows in the room and did the same, plunging the dorm into darkness. “Whoa!” said Mal. “That is much better.
Walt Disney Company (Descendants Junior Novel)
My God. How can people be so cruel and thoughtless? They should be thanking you for your service!” “That’s even worse! What the fuck do they think they’re thanking me for? They don’t know what I did over there! They don’t understand that I’ve got seconds to make a judgment call that will either save my guys or end someone’s life—and that someone could be an enemy combatant or it could be a civilian. A farmer. A woman. A child. Or it could be both! That’s the real fucked-up part of it. It could be both a child and the enemy. That kid you’ve been giving candy and comic books to? The one that brought you fresh bread and knows your name and taught you a few words in his language? Is he the one reporting your position? Did he pull the trigger wire on the IED that killed your friend and wounded every single guy in your squad? Has he been the enemy all along? Is it your fault for talking to him?” I was so shocked, I didn’t know what to say. Tears burned my eyes, and my chest ached as I raced along beside him. “Oh, Ryan, no. Of course it isn’t.” “It is. I should have known. I let them down.” “You didn’t,” I said, trying to touch his arm, but he shrugged me off, refusing to be comforted. “And how about the time Taliban fighters lined up women and children as shields behind a compound wall while they fired at you, only you didn’t realize what they’d done until after you’d fired back, killing dozens of innocents?” The tears dripped down my cheeks, but I silently wiped them away in the dark. This wasn’t about me, and I didn’t want him to stop if he needed to get these things out. “Or how about the farmer I killed that didn’t respond to warning shots, the one whose son later told us was deaf and mute? Should I be thanked for that?” I could see how furious and heartsick he was, and I hated that I’d brought this on. “Yes,” I said firmly, although I continued to cry. “Because you’re brave and strong and you did what you were trained to do, what you had to do.
Melanie Harlow (Only Love (One and Only, #3))
You only like white guys?” “Stop that,” I say through gritted teeth. “What?” he says, getting all serious. “It’s the truth, ain’t it?” Mrs. Peterson appears in front of us. “How’s that outline coming along?” she asks. I put on a fake smile. “Peachy.” I pull out the research I did at home and get down to business while Mrs. Peterson watches. “I did some research on the hand warmers last night. We need to dissolve sixty grams of sodium acetate and one hundred millimeters of water at seventy degrees.” “Wrong,” Alex says. I look up and realize Mrs. Peterson is gone. “Excuse me?” Alex folds his arms across his chest. “You’re wrong.” “I don’t think so.” “You think you’ve never been wrong before?” He says it as if I’m a ditzy blond bimbo, which sets my blood to way past boiling. “Sure I have,” I say. I make my voice sound high and breathless, like a Southern debutante. “Why, just last week I bought Bobbi Brown Sandwash Petal lip gloss when the Pink Blossom color would have looked so much better with my complexion. Needless to say the purchase was a total disaster,” I say. He expected to hear something like that come out of my mouth. I wonder if he believes it, or from my tone realizes I’m being sarcastic. “I’ll bet,” he says. “Haven’t you ever been wrong before?” I ask him. “Absolutely,” he says. “Last week, when I robbed that bank over by the Walgreens, I told the teller to hand over all the fifties he had in the till. What I really should have asked for was the twenties ‘cause there were way more twenties than fifties.” Okay, so he did get that I was putting on an act. And gave it right back to me with his own ridiculous scenario, which is actually unsettling because it makes us similar in some twisted way. I put a hand on my chest and gasp, playing along. “What a disaster.” “So I guess we can both be wrong.” I stick my chin in the air and declare stubbornly, “Well, I’m not wrong about chemistry. Unlike you, I take this class seriously.” “Let’s have a bet, then. If I’m right, you kiss me,” he says. “And if I’m right?” “Name it.” It’s like taking candy from a baby. Mr. Macho Guy’s ego is about to be taken down a notch, and I’m all too happy to be the one to do it.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Noah smiled at her, then his smile froze. He looked her slowly up and down. And again. “What?” she demanded hotly, hands on her hips. “Nothing,” he said, turning away. “No. What? What’s the matter?” He turned back slowly, put his tools down on top of the ladder and approached her. “I don’t know how to say this. I think it would be in the best interests of both of us if you’d dress a little more…conservatively.” She looked down at herself. “More conservatively than overalls?” she asked. He felt a laugh escape in spite of himself. He shook his head. “Ellie, I’ve never seen anybody look that good in overalls before.” “And this is a bad thing?” she asked, crossing her arms over her chest. “It’s provocative,” he tried to explain. “Sexy. People who work around churches usually dress a little more… What’s the best way to put this…?” “Frumpy? Dumpy? Ugly?” “Without some of their bra showing, for one thing.” “Well now, Reverend, just where have you been? Because this happens to be in style. And I’ll do any work you give me, but you really shouldn’t be telling me what to wear. The last guy I was with tried to do me over. He liked me well enough when he was trying to get my attention, but the second I married him, he wanted to cover me up so no one would notice I had a body!” “The husband?” “The very same. It didn’t work for him and it’s not going to work for you. You didn’t say anything about a dress code. Maybe I’ll turn you in to the Better Business Bureau or something.” “I think you mean the Equal Employment Opportunity Commission. Or maybe you should go straight to the American Civil Liberties Union.” He stepped toward her. “Ellie,” he said, using his tender but firm minister voice. “I’m a single man. You’re a very beautiful young woman. I would like it if the good people of Virgin River assumed you were given this job solely because of your qualifications and not because you’re eye candy. Tomorrow, could you please wear something less distracting?” “I’ll do my best,” she said in a huff. “But this is what I have, and there’s not much I can do about that. Especially on what you’re paying me.” “Just think ‘baggy,’” he advised. “We’re going to have a problem there,” she said. “I don’t buy my clothes baggy. Or ugly. Or dumpy. And you can bet your sweet a…butt I left behind the clothes Arnie thought I should wear.” She just shook her head in disgust. “I don’t know what you’re complaining about. You know how many guys would rather have something nice to look at than a girl in a flour sack? Guess you didn’t get to Count Your Blessings 101.” She cocked her head and lifted her eyebrows. “I’m counting,” he said. But his eyes bore down on hers seriously. He was not giving an inch. “Just an ounce of discretion. Do what you can.” She took a deep breath. “Let’s just get to work. Tomorrow I’ll look as awful as possible. How’s that?” “Perfect.
Robyn Carr (Forbidden Falls)
I can believe that things are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I," she told him, "can believe anything. You have no idea what I can believe." "Really?" "I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath. Shadow almost took his hands off the wheel to applaud.
Neil Gaiman (American Gods)
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I have been lusting after my wife’s son since the day I met him. Tall and thin, the boy has yet to grow into his long arms and legs. Jet black hair like his biological father, it falls just to below his collar. His eyes are so blue I could see myself in them if I allowed myself to get close enough. I haven’t done that. Yet.
Candi Kay (Taking Lance (Taking Lance, #1))
The horse gave his arm a nudge when he reached to remove the headstall. With his large hand, he gave the animal an affectionate stroke on the neck that gave Charli a tug way deep down in her lemon yellow panties.
Candis Terry (Anything but Sweet (Sweet, Texas, #1))
The arms, legs, and torso with head were dragged away in sections as the children were captivated by the drama, zealously chewing their candies with sticky teeth.
Wyatt Michael (Revenge of the Wolf)
Did he ever look at Lance Scott the way he looks at me? Did he ever just hold him and call him beautiful when he thought Lance was asleep and couldn't hear him? Did he whisper in Lance's ear how much he loved waking up each morning in his arms? Or falling asleep next to him each night?
Candi Kay (Saving Travis (Taking Lance, #3))