Ark Story Quotes

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Ask not of things to shed their veils. Unveil yourselves, and things will be unveiled.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Often you shall think your road impassable, sombre and companionless. Have will and plod along; and round each curve you shall find a new companion.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
How much more infinite a sea is man? Be not so childish as to measure him from head to foot and think you have found his borders.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
The more elaborate his labyrinths, the further from the Sun his face.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Logic is immaturity weaving its nets of gossamer wherewith it aims to catch the behemoth of knowledge. Logic is a crutch for the cripple, but a burden for the swift of foot and a greater burden still for the wise.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
So think as if your every thought were to be etched in fire upon the sky for all and everything to see. For so, in truth, it is.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
No love is Love that subjugates the Lover. No love is Love that feeds on flesh and blood. No love is Love that draws a woman to a man only to breed more women and men and thus perpetuate their bondage to the flesh.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Too vast is Man and too imponderable his nature. Too varied are his talents, and too inexhaustible his strength. Beware of those who attempt to set him boundaries.Live as if your God Himself had need of you His life to live. And so, in truth, He does.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Vast is the difference between ‘holding’ and ‘being held’. You hold, only what you love. What you hate holds you. Avoid being held.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
The really poor is he who misuses what he has. The really rich is he who well uses what he has.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
إذا كنتم عبيداً في الأرض وقيل لكم: ازهدوا في حرية الأرض،ففي السماء تنتظركم حرية لاتوصف. اجيبوه: من لم يتذوق الحرية في الأرض لن يعرف طعمها في السماء If you are slaves on Earth & you were told: “Renounce Earthly Freedom, for in Heaven awaits you unimaginalbe Freedom!” Answer him: “He who did not taste Freedom on Earth, will not know it in Heaven!
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
My Sunday school teachers had turned Bible narrative into children's fables. They talked about Noah and the ark because the story had animals in it. They failed to mention that this was when God massacred all of humanity.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
Whoever cannot find a temple in his heart, the same can never find his heart in any temple.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Love is the law of God. You live that you may learn to love. You love that you may learn to live. No other lesson is required of Man.You are the tree of Life. Beware of fractionating yourselves. Set not a fruit against a fruit, a leaf against a leaf, a bough against a bough; nor set the stem against the roots; nor set the tree against the mother- soil. That is precisely what you do when you love one part more than the rest, or to the exclusion of the rest. No love is possible except by the love of self. No self is real save the All-embracing Self. Therefore is God all Love, because he loves himself. So long as you are pained by Love, you have not found your real self, nor have you found the golden key of Love. Because you love an ephemeral self, your love is ephemeral.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Except you be fed with the grapes of Love you shall no be filled with the wine of Understanding.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
To the unspoiled, even a snikebite is a loving kiss. But to the spoiled even a loving kiss is a snake bite.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery Which Was Once Called The Ark)
Men and women yearners must realize their unity even while in the flesh; not by communion of the flesh, but by the Will to Freedom from the flesh and all the impediments it places in their way to perfect Unity and Holy Understanding
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
You broke Octava’s Ancient Code when you entered his story.
Lucian Bane (The Scribbler Guardian (Arks of Octava #1))
When I was a little girl,' I said, sitting down, 'the wallpaper in my room had pictures of Noah's story.' [...] You know what's weird though? It's weird that the ark would be such a kids' story, you know? I mean, it's...really a story about death. Every person who isn't in Noah's family? They die. Every animal, apart from two of each on the boat? They die. They all die in the flood. Billions of creatures. It's the worst tragedy ever,' I finished, my voice tied off by a knot in my chest.[...] 'What the hell,'I said, 'pardon my language, was that doing on my wallpaper?
Adam Rex (The True Meaning of Smekday)
Not celibate are they who wear monastic garb and shut themselves away behind thick walls and massive iron gates, But celibate are they whose hearts and minds are celibate, whether they be in cloisters or in the public marts.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery Which Was Once Called The Ark)
Look not into a passion’s mouth to see if it have fangs or honeyed mandibles. The bee that gathers up the nectar of the flowerers gathers their poison, too.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
I promise to write your story, I’m sorry I stopped. I’ll write you the best story, I-I’ll make you a classic, the most famous ever and you’ll never die!
Lucian Bane (Arks Of Octava (Scribbler Guardian, #1))
The story of Eve and the serpent, and of Noah and his ark, drops to a level with the Arabian Tales, without the merit of being entertaining, and the account of men living to eight and nine hundred years becomes as fabulous as the immortality of the giants of the Mythology.
Thomas Paine (The Age of Reason)
Once again, I am sorry to take a sledgehammer to so small and fragile a nut, but I have to do so because more than 40 per cent of the American people believe literally in the story of Noah’s Ark.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
A vast tenderness swept him, and a great reverence. Now she belonged to him and her face was his to shield. In regret and joy he draped her, his personal Torah, which now must be returned to the ark to await their covenant.
Marjorie Holmes (Two from Galilee: The Story of Mary and Joseph)
Where I'm at is a big Episcopal church in downtown Newark, New Jersey, sitting in the dark while I try to rescue the doomed bits and pieces of life, in the hope that a mere story can become Noah's Ark and deliver all the living things of the past to a bright and glorious immortality?
Chuck Palahniuk (Invisible Monsters Remix)
Less possessing – less possessed. More possessing – more possessed. More possessed – less assessed. Less possessed – more assessed.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Be steady. Make ready. Keep your eyes, and ears, and tongues on fast so that your hearts may know that holy hunger which, once appeased, leaves you forever full. You
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Once Understanding is unveiled, then victory is won and Peace established in the heart for ever and anon. An understanding heart is ever at peace even amid a war-dazed world. An ignorant heart is a dual heart. A dual heart makes for a dual world. A dual world breeds constant strife and war. Whereas an understanding heart is a single heart. A single heart makes for a single world. A single world is a world at peace. For it takes two to make a war.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Go! Pray as you have been taught to pray. Pray anyway – for anything. Go! Do all the things commanded you to do till you become self-taught and self-commanded, and till you learn to make each word a prayer, each deed a sacrifice. Go in peace. Mirdad must see that your morning meal be plentiful and sweet.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Yours is a world of cradles turning into tombs, and tombs becoming cradles; of days devouring nights, and nights regurgitating days; of peace declaring war, and war suing for peace; of smiles afloat on tears, and tears aglow with smiles.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Our Master puts the desire to procreate in us to be sure that we are fruitful and multiply. He knows how important animals are to the planet because most animals He allows to reproduce in great number. He put every one of us on the ark for a reason. Do you think it’s a mistake that dogs and cats have litters of 8, 9, 10 or more and people typically only have one or maybe two? It’s no mistake. It’s because God intends that there is more than enough four-legged love to go around.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Some serious Christians may possibly tremble for the Ark, and think the Christian religion in danger when divested of the patronage of civil power. They may fear inroads from licentiousness and infidelity, on the one hand, and from sectaries and party divisions on the other. But we may dismiss our fears, when we consider that truth can never be in real hazard, where there is a sufficiency of light and knowledge, and full liberty to vindicate it.
David McCullough (The Pioneers: The Heroic Story of the Settlers Who Brought the American Ideal West)
I always liked the story of Noah's Ark and the idea of starting anew by rescuing the things you like and leaving the rest behind.
Zach Braff
He smirked. “Decision time, pretty lady... back to reality?” She touched his cheek. “Or down the rabbit hole?
Jake Vander-Ark (Fallout Dreams)
It’s hard, since Noah, not to see a rainbow as a sign of hope.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
In that, you take seven loaves of bread for a seven lives journey" Should I take seven thousand then ? "Not even one
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
You must not impose yourselves on any man. For that which is imposed by force is soon or late deposed by force
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
The ark was like a portable computer hard drive and Noah was a one-man Geek Squad, and he dumped God's most important files onto it before he zorched the virus-ridden computer that was the world.
BikeSnobNYC (The Enlightened Cyclist: Commuter Angst, Dangerous Drivers, and Other Obstacles on the Path to Two-Wheeled Trancendence)
To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Robert Graves
The biblical account of Noah's Ark and the Flood is perhaps the most implausible story for fundamentalists to defend. Where, for example, while loading his ark, did Noah find penguins and polar bears in Palestine?
Judith Hayes
Much of [John Hanning] Speke's Journal of the Discovery of the Source of Nile is devoted to descriptions of the physical and moral ugliness of Africa's "primitive races," in whose condition he found "a strikingly existing proof of the Holy Scriptures." For his text, Speke took the story in Genesis 9, which tells how Noah, when he was just six hundred years old and had safely skippered his ark over the flood to dry land, got drunk and passed out naked in his tent. On emerging from his oblivion, Noah learned that his youngest son, Ham, had seen him naked; that Ham had told his brothers, Shem and Japheth, of the spectacle; and that Shem and Japheth had, with their backs chastely turned, covered the old man with a garment. Noah responded by cursing the progeny of Ham's son, Canaan, saying, "A slave of slaves shall he be to his brothers." Amid the perplexities of Genesis, this is one of the most enigmatic stories, and it has been subjected to many bewildering interpretations--most notably that Ham was the original black man. To the gentry of the American South, the weird tale of Noah's curse justified slavery, and to Spake and his colonial contemporaries it spelled the history of Africa's peoples. On "contemplating these sons of Noah," he marveled that "as they were then, so they appear to be now.
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
Rejoice, Micayon. Yours is a prophet’s dream. The Great Nostalgia has made your world too small, and made you a stranger in that world. It has unloosed your imagination from the grip of the despotic senses; and imagination has brought you forth your Faith. And Faith shall lift you high above the stagnant, stifling world and carry you across the dreary emptiness and up the Rugged Mountains where every faith must needs be tried and purified of the last dregs of Doubt. And Faith so purified and triumphant shall lead you to the boundaries of the eternally green summit and there deliver you into the hands of Understanding. Having discharged its task, Faith shall retire, and Understanding shall guide your steps to the unutterable Freedom of the Summit which is the true, the boundless, and all-including home of God and the Overcoming Man.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
I was not a great man whose history has been recorded for children to study in school. No bells will ring for me, no flags descend upon their mast. For I was an ordinary man, my son, one of many, with ordinary hopes and ordinary dreams and ordinary fears. I, too, dreamed of wealth and riches, health and strength. I, too, feared hunger and poverty, war and weakness. I was the neighbour who lived in the next house. The man standing in the subway on his way to work: who held a match to his cigarette: who walked with his dog. I was the soldier shaking with fear: the man berating the umpire at the ball game: the citizen in the privacy of the voting booth, happily electing the worthless candidate. I was the man who lived a thousand times and died a thousand times in all man’s six thousand years of record. I was the man who sailed with Noah  in his ark, who was the multitude that crossed the sea that Moses held apart, who hung from the cross next to Christ. I was the ordinary man about whom songs are never written, stories are never told, legends are never remembered.
Harold Robbins (A Stone for Danny Fisher)
No hells or heavens has Mirdad to offer you, but Holy Understanding which lifts you far beyond the fire of any hell and the luxuriance of any heaven. Not with the hand, but with the heart must you receive the gift. For that the heart must needs be disencumbered of every stray desire and will, save the desire and will to understand.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
A perfect unit is the Earth. Why do you persist in disremembering her with swords and boundary marks?
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
All Time is lifetime, my Companions.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Time is a continuity which overlaps itself. Its rear is coupled to its van. Nothing is ended and dismissed in Time; and nothing is begun and finished.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Stories were fictional in Octava—that was the law.
Lucian Bane (The Scribbler Guardian (Arks of Octava #1))
The story of Noah's Ark illustrates that only the few selected animals, as well as human beings, will ever see the gates of paradise.
Mwanandeke Kindembo
Would you were always so blind as to behold no fault in anything.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
إن وراء كل هدف تخطئونه، هدفاً آخر تدركونه، وهو الأصلح لكم والأهم، فلا تجدنّ الخيبة إلى قلوبكم سبيلاً.
ميخائيل نعيمة (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
It is my light that sees me in your eye. It is your light that sees you in my eye. Were I a total darkness your eye, looking at me, would be a total darkness.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Creep where you cannot walk. Walk where you cannot run. Run where you cannot fly. Fly where you cannot bring the whole universe to a standstill within you.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
For Man is held by everything he holds. Release your grip on things if you would not be in their grip.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
I love how you say conquer when you mean erase. Let me borrow from their sayings here: they who rewrite stories are doomed to create monsters.
Suyi Davies Okungbowa (Lost Ark Dreaming)
Man, too, therefore, is such an holy triune; a consciousness, a word, an understanding. Man, too, is a creator like his God. His I is his creation. Why is he not so balanced as his God?
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Every story you believe, that you incorporate within the self, decides who you are. And the greatest weapon against freedom is to believe stories that plant a seed in your heart yet have no place growing there.
Suyi Davies Okungbowa (Lost Ark Dreaming)
About 4,400 years ago 8 people stepped off Noah’s ark. According to the United Nations Population Growth Statistics, the world’s population grows at about .47% per year. That is the growth rate for all civilizations who kept records. Suppose you put $8.00 in the bank 4,400 years ago and received .47% a year. How much money would you have? What a coincidence! It would be about $7,000,000,000. That’s kind of odd, because 4,400 years ago 8 people stepped off the ark and now we have about 7,000,000,000 people on planet earth. God’s math works! Compound interest is something we teach to seventh-graders. You don’t have to be a professor to figure this out. A twelve-year-old can do the calculation. Ask any seventh-grader, the algebraic equation looks like this: A=P (1+r/n)t . . . where "A " is the ending amount (about 7,000,000,000 in this case), "P " is the beginning amount (8 in this case), "r " is the interest rate (.47% in this case), "n " is the number of compoundings a year (1 in this case), and "t " is the total number of years (4,400 in this case).
Michael Ben Zehabe (Unanswered Questions in the Sunday News)
Because of their lust for authority men are in constant turmoil. Those in authority are ever fighting to maintain it. Those out of authority are ever struggling to snatch it from the hands of those who hold it. While Man, the God in swaddling-bands, is trampled under foot and hoof and left on the field of battle unnoticed, unattended and unsolved. So furious is the fight, and so blood crazed the fighters that none, alas, would stop to lift the painted mask off the face of the spurious bride and expose her monstrous ugliness to all. Believe, O monks, that no authority is worth the flutter of an eyelash, except the authority of Holy Understanding which is priceless. For that no sacrifice is great. Attain it once, and you shall hold it to the end of Time. And it shall charge your words with more power than all the armies of the world can ever command; and it shall bless your deeds with more beneficence than all the world authorities combined can ever dream of bringing to the world.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Resting in the calm eye of a storm raging all around him, Noah is saved in the ark as the flood surges over the land. In the flood narrative it is God who saves Noah from God. In the midst of the torrent of his own raging justice God places a floating ship of mercy.
Christopher Watkin (Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture)
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
Naimy writes, ‘As a living branch of a living vine, when buried in the ground, strikes root and ultimately becomes an independent grape-bearing vine like its mother with which it remains connected, so shall Man, the living branch of the Vine Divine, when buried in the soil of its divinity, become a God, remaining permanently one with God.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.
Brian Koppelman
Let not your hearts be faint. But like the Sea be broad and deep, and give a blessing unto him that gives you but a curse. And like the Earth be generous and calm, and turn impurities of men’s hearts into pure health and beauty. And like the Air be free and supple. The sword that would wound you would finally tarnish and rust. The arm that would harm you would finally weary and halt.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Collapse is the constant state of humanity, she tells herself; the story of the flood and the great ark that saved the creatures two by two is only the first refrain of a song that is to be sung over and over, the earth's gradual and repeated diminishment, civilization foundering to dust, until the final death of the children of Eve with the apocalypse, the seven seals, the seven trumpets, the seven angels, the seven bowls.
Lauren Groff (Matrix)
Seek no authority over the lives of men; of that the Omniwill is master. Nor seek authority over the goods of men; for men are chained so much to their goods as to their lives, and they distrust and hate the meddlers with their chains. But seek a way into the hearts of men through Love and Understanding; for once installed therein you can and better work to loose men of their chains. For love will guide your hand, while Understanding holds the lantern.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Let things alone and labour not to change them. For they seem what they seem only because you seem what you seem. They neither see nor speak except you lend them sight and speech. If they be harsh of speech, look only to your tongue. If they be ugly of appearance, search first and last your eye. Ask not of things to shed their veils. Unveil yourselves, and things will be unveiled. Nor ask of things to break their seals. Unseal your selves, and all will be unsealed.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Normally, you don’t think about how many times you do laps. If you do, you start to get a little dizzy, go all Camus about the futility of the situation. Your laces on the right side start to get loose from always turning against them. Normally I switch it up, do a little fancy footwork and skate backward for a bit, but what if that messed up the youth magic? What if I sped up time instead of reversing it and my face melted off like the Nazis when they opened the Ark of the Covenant?
Wendy Wimmer (Entry Level (Autumn House Press Fiction Prize))
is the “waters” of the celestial “ocean” which come to mind, in which Noah’s Ark now swims as a constellation. In the Indian version of this story the ark is a boat on which the Seven Rishis (better known to us as the Big Dipper, or Ursa Major), and the Vedic culture that they represent, are ferried to safety by a giant Fish (the constellation Pisces). Gazing on myth from this angle we can find in the skies many of the cast of characters of “The Greatness of Saturn.” Aditi [* FOOTNOTE: A well-thought-out cosmology which catalogues such extensions of ‘Earth’ into ‘Space’ is presented by Giorgio de Santillana and Hertha von Dechend in Namlet’s Mill, and the interested reader will find a wealth of detail worth pondering in that book.] (‘The Unbroken, Unbounded One’; by extension, eternity) is the mother of the devas, the ‘shining celestials,’ and Diti (‘The Bound, Divided, Cut One’) is the mother of the asuras, the enemies of the devas. There is good reason to believe that Aditi represents the northern celestial hemisphere and the zodiac, which being the part of the heavens that is visible throughout the year
Robert E. Svoboda (The Greatness of Saturn: A Therapeutic Myth)
This unusual situation is due to the fact that the tablet omits all outbreaks of the conventional literary structure – Anu opened his mouth to speak, saying to the lady Ishtar … followed by Ishtar opened her mouth to speak, saying to her father, Anu … Gilgamesh VI: 87–88; 92–93 – with which Babylonian narrative literature is, not to put too fine a point on it, slightly tiresomely littered. In fact, I cannot come up with another example of Babylonian mythological or epic literature that is devoid of this characteristic speech-linking device. Its repetitive nature at first sight looks like a remnant of oral literature, where things are repeated more than we would repeat them today, which the modern connoisseur of cuneiform literature just has to accept, or appreciate as atmospheric and authentic. On reflection, however, it is just the opposite. The characteristic dependence on this formula originates in the very transition from oral to written literature, for who is speaking at any one time will always be clear in a storyteller’s presentation, but the process of writing down what has previously been spoken aloud creates ambiguity for the reader unless each speaker is clearly identified.
Irving Finkel (The Ark Before Noah: Decoding the Story of the Flood)
Do you know the story of Noah and his sons, child? How they filled their ship with everything to start the world anew? For a thousand years your city, this crumbling capital”—he waves a hand toward a window—“was like that ark. Only instead of two of every living creature, do you know what the good Lord stacked inside this ship?” Beyond the shuttered window the first cocks crow. She can feel Himerius twitching beside the fire, all his attention on the silver. “Books.” The scribe smiles. “And in our tale of Noah and the ship of books, can you guess what is the flood?” She shakes her head. “Time. Day after day, year after year, time wipes the old books from the world. The
Anthony Doerr (Cloud Cuckoo Land)
Maybe! That’s the moral of many, many stories. Chaos emerges in a household, bit by bit. Mutual unhappiness and resentment pile up. Everything untidy is swept under the rug, where the dragon feasts on the crumbs. But no one says anything, as the shared society and negotiated order of the household reveals itself as inadequate, or disintegrates, in the face of the unexpected and threatening. Everybody whistles in the dark, instead. Communication would require admission of terrible emotions: resentment, terror, loneliness, despair, jealousy, frustration, hatred, boredom. Moment by moment, it’s easier to keep the peace. But in the background, in Billy Bixbee’s house, and in all that are like it, the dragon grows. One day it bursts forth, in a form that no one can ignore. It lifts the very household from its foundations. Then it’s an affair, or a decades-long custody dispute of ruinous economic and psychological proportions. Then it’s the concentrated version of the acrimony that could have been spread out, tolerably, issue by issue, over the years of the pseudo-paradise of the marriage. Every one of the three hundred thousand unrevealed issues, which have been lied about, avoided, rationalized away, hidden like an army of skeletons in some great horrific closet, bursts forth like Noah’s flood, drowning everything. There’s no ark, because no one built one, even though everyone felt the storm gathering.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
But surely the commute that defines the era was Noah's voyage aboard his eponymous ark, and to this day it remains the most epic commuting story ever told. As most people know, God felt that Earth had essentially "jumped the shark" (or "raped the angel" as they used to say back then), so rather than try to fix it, He instead decided to simply wash everyone away in a great flood and start over from scratch--just as you might do to your computer's hard drive if it has a really bad virus. So God spoke to Noah and commanded him to build an ark, aboard which he'd carry two of every animal in the world....Thus was born humankind's lust for gigantic vehicles, for God's instructions to Noah were basically the world's first car commercial, and the sales pitch was this: Large vehicles are your salvation.
BikeSnobNYC
Collapse is the constant state of humanity, she tells herself; the story of the flood and the great ark that saved the creatures two by two is only the first refrain of a song that is to be sung over and over, the earth’s gradual and repeated diminishment, civilization after civilization foundering to dust, until the final death of the children of Eve with the apocalypse, the seven seals, the seven trumpets, the seven angels, the seven bowls. In the end, the earth will crack and the wicked will be cast into the lake of fire. Marie suspects this fiery end would be the stone and the soil and the waters of the earth itself, through human folly and greed made too hot for it to be willing to bear any more life upon its back. So it will go, and so it would be; and Marie cannot stop it, even if she had the force of will any longer to do so. 7.
Lauren Groff (Matrix)
Of the many wonderful tales Moor told me, the most wonderful, the most delightful one, was “Hans Röckle.” It went on for months; it was a whole series of stories... Hans Röckle himself was a Hoffman-like magician, who kept a toyshop, and who was always “hard up.” His shop was full of the most wonderful things—of wooden men and women, giants and dwarfs, kings and queens, workmen and masters, animals and birds as numerous as Noah got into the Ark, tables and chairs, carriages, boxes of all sorts and sizes. And though he was a magician, Hans could never meet his obligations either to the devil or to the butcher, and was therefore—much against the grain—constantly obliged to sell his toys to the devil. These then went through wonderful adventures—always ending in a return to Hans Röckle’s shop. —Eleanor Marx, on her father Karl’s bedtime stories (in Stallybrass 1998:198)
David Graeber (Toward An Anthropological Theory of Value: The False Coin of Our Own Dreams)
Marie sighs and rubs her weary face with her two hands. Collapse is the constant state of humanity, she tells herself; the story of the flood and the great ark that saved the creatures two by two is only the first refrain of a song that is to be sung over and over, the earth’s gradual and repeated diminishment, civilization after civilization foundering to dust, until the final death of the children of Eve with the apocalypse, the seven seals, the seven trumpets, the seven angels, the seven bowls. In the end, the earth will crack and the wicked will be cast into the lake of fire. Marie suspects this fiery end would be the stone and the soil and the waters of the earth itself, through human folly and greed made too hot for it to be willing to bear any more life upon its back. So it will go, and so it would be; and Marie cannot stop it, even if she had the force of will any longer to do so.
Lauren Groff (Matrix)
Begin in Genesis with the well-loved story of Noah, derived from the Babylonian myth of Uta-Napisthim and known from the older mythologies of several cultures. The legend of the animals going into the ark two by two is charming, but the moral of the story of Noah is appalling. God took a dim view of humans, so he (with the exception of one family) drowned the lot of them including children and also, for good measure, the rest of the presumably blameless) animals as well. Of course, irritated theologians will protest that we don't take the book of Genesis literally any more. But that is my whole point! We pick and choose which bits of scripture to believe, which bits to write off as symbols or allegories. Such picking and choosing is a matter of personal decision, just as much, or as little, as the atheist's decision to follow this moral precept or that was a personal decision, without an absolute foundation. If one of these is 'morality flying by the seat of its pants,' so is the other.
Richard Dawkins (The God Delusion)
…для прочтения клинописного текста надо сначала идентифицировать определенный знак, затем понять, использован ли он как логограмма, силлабограмма, фонетический комплемент или детерминатив, и только после этого окончательно выбрать правильное звучание (если знак распознан как силлабограмма). Начинающие писцы, как теперь начинающие ассириологи, должны были сразу понять, что любой клинописный знак может иметь несколько звуковых значений; и наоборот — что любой звук может быть записан различными знаками; другими словами, поливалентность — наше всё. На практике, однако, не всякое использование знаков допускалось традицией. Поскольку слова обычно делятся на слоги, глазами мы быстро научаемся выбирать наиболее гармоничное и грамматически правильное прочтение последовательности знаков, отметая маловероятные или попросту невозможные варианты прочтения. С самых древнейших времен месопотамские писцы начали составлять списки слов (словники), потребность в которых была связана с необходимостью зафиксировать значения новообразованных знаков, чтобы избежать путаницы и чтобы легче было их заучивать.
Irving Finkel (The Ark Before Noah: Decoding the Story of the Flood)
My father may not hear voices but he also has an impossible project, he’s also filled with a force larger than himself. In nearly every letter my father has sent me for the last twenty-five years he tells me his writing is going very, very well. His novel, such as it is, if it is at all, written in blackout and prison, is his ark, the thing that will save him, that will save the world. His single-mindedness impresses most, his fathomless belief in his own greatness, in his powers to transform a failed world, to make it whole again by a word, by a story. That if you stick with your vision long enough you will be redeemed. All this in the face of near-constant evidence to the contrary. The actual circumstances of his life—his alcoholism, the crimes he’s committed, his homelessness and decades of poverty—these are mere tests, and what is a faith not tested? Noah needed to gather nails, to sort the animals, to convince his sons. He planed his timber and laid out the ribs. His ark would be bigger than the temple. We all need to create the story that will make sense of our lives, to make sense of the daily tasks. Yet each night the doubts returned, howling through him. Without doubt there can be no faith. At daybreak Noah looked to the darkening sky and vowed to work faster. My father cannot die, he tells me, will not, until his work is completed. But is there a deadline inside him for when he must finish, a day, like Noah, when the rains begin? When the boat, finished or not, begins to rise from the cradle?
Nick Flynn (Another Bullshit Night in Suck City)
I will not delay the reader with lengthy quotations from the very many Taiwanese flood myths that were collected from amongst the indigenous population, primarily by Japanese scholars, in the nineteenth and early twentieth centuries. Typically they tell a story of a warning from the gods, the sound of thunder in the sky, terrifying earthquakes, the pouring down of a wall of water which engulfs mankind, and the survival of a remnant who had either fled to mountain tops or who floated to safety on some sort of improvised vessel. To provide just one example (from the Ami tribe of central Taiwan), we hear how the four gods of the sea conspired with two gods of the land, Kabitt and Aka, to destroy mankind. The gods of the sea warned Kabitt and Aka: 'In five days when the round moon appears, the sea will make a booming sound: then escape to a mountain where there are stars.' Kabitt and Aka heeded the warning immediately and fled to the mountain and 'when they reached the summit, the sea suddenly began to make the sound and rose higher and higher'. All the lowland settlements were inundated but two children, Sura and Nakao, were not drowned: 'For when the flood overtook them, they embarked in a wooden mortar, which chanced to be lying in the yard of their house, and in that frail vessel they floated safely to the Ragasan mountain.' So here, handed down since time immemorial by Taiwanese headhunters, we have the essence of the story of Noah's Ark, which is also the story of Manu and the story of Zisudra and (with astonishingly minor variations) the story of all the deluge escapees and survivors in all the world. At some point a real investigation should be mounted into why it is that furious tribes of archaeologists, ethnologists and anthropologists continue to describe the similarities amongst these myths of earth-destroying floods as coincidental, rooted in exaggeration, etc., and thus irrelevant as historical testimony. This is contrary to reason when we know that over a period of roughly 10,000 years between 17,000 and 7000 years ago more than 25 million square kilometres of the earth's surface were inundated. The flood epoch was a reality and in my opinion, since our ancestors went through it, it is not surprising that they told stories and bequeathed to us their shared memories of it. As well as continuing to unveil it through sciences like inundation mapping and palaeo-climatology, therefore, I suggest that if we want to learn what the world was really like during the meltdown we should LISTEN TO THE MYTHS.
Graham Hancock (Underworld: The Mysterious Origins of Civilization)
In the same way we automatically adjust our expectations when a story begins with “Once upon a time” versus “The Associated Press is reporting . . . ,” we instinctively sense upon reading the stories of Adam and Eve and Noah’s ark that these tales of origin aren’t meant to be straightforward recitations of historical fact.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
الخيبة غُداف تحتضنه القلوب الضعيفة المائعة وتغذّيه بجيف آمالها الجهيضة.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Forty, that is, gives a new lease on life, and this is how the number consistently appears in the sacred books that came out of the Middle East. The duration of the great flood waited out in Noah’s ark, the years of Israelite wandering in the desert after the exodus, the nights Moses spent on Mount Sinai, the days and nights Jesus spent in the wilderness—all forty, the number signifying a time of struggle and displacement in preparation for a new beginning
Lesley Hazleton (The First Muslim: The Story of Muhammad)
marvels of equal strangeness. I found another way to help Wilda understand our brotherhood: I told her a story. Since I had left Nazareth, I had heard so many new tales of history and fantasy. Some of them were obviously the same yarn spun on the loom of different cultures. I heard a few versions of the Moses story: a baby boy floated downriver in a basket, rescued by a princess, and raised in the royal palace. There were various stories of a hero who built an ark to rescue a mating pair of all the land creatures and carry them above a world-destroying flood. And I counted a half-dozen variations of the god-man tale, in which a deity mates with a mortal virgin who then gives birth to a divine son, who, through some type of sacrifice, saves mankind from its sins.
Mark Canter (The Bastard)
Men say, “I don’t believe in the story of the flood.” Christ connected His own return to this world with that flood: “And as it was in the days of Noah, so shall it be also in the days of the Son of man. They did eat, they drank, they married wives, they were given in marriage, until the day that Noah entered into the ark, and the flood came, and destroyed them all.” I believe the story of the flood just as much as I do the third chapter of John. I pity any man that is picking the old Book to pieces. The moment that we give up any one of these things, we touch the deity of the Son of God. I
Dwight L. Moody (The Overcoming Life and Other Sermons)
Given the number of species in the world, aren't there others who want to get high, or stoned, or drunk? This question set him on a path that would take twenty-five years of his life, studying the drug-taking habits of animals from the mongooses of Hawaii to the elephants of South Africa to the grasshoppers of Soviet-occupied Czechoslovakia. It was such an implausible mission that in one marijuana field in Hawaii, he was taken hostage by the local drug dealers, because when he told them he was there to see what happened when mongooses ate marijuana, they thought it was the worst police cover story they ever heard. What Ronald K. Siegel discovered seems strange at first. Noah's Ark, he found, would have looked a lot like London on a Saturday night.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Flood legends are an excellent confirmation of what we expected to find in a biblical worldview. Consider the converse. In an evolutionary story with millions of years where there was supposedly no global flood, there shouldn’t be any global flood stories. So why would anyone have a massive global flood account in their history?
Ken Ham (A Flood of Evidence: 40 Reasons Noah and the Ark Still Matter)
If you would truly govern men, dive to their utmost depths. For men are more than foaming waves. But to dive to the utmost depts of men, you must first dive to your own utmost depth.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
The truly high is ever low. The truly swift is ever slow. The highly sensitive is numb. The highly eloquent is dumb. The ebb and flow are but one tide. The guideless has the surest guide. The very great is very small, And he has all who gives his all.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
I am come to gather up all shadows and burn them in the Sun.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Would you be free from the clutches of Duality? Then pluck its tree – the tree of Good and Evil – out of your hearts. Aye, pluck it root and branch that the seed of Life Divine, the seed of Holy Understanding which is beyond all good and evil, may germinate and sprout instead thereof.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Comte de Saint-Germain
Edward D. Hoch (City of Brass: And Other Simon Ark Stories)
dreamy instrumental of an old song called Dancing On The Ceiling. The party was breaking up now,
Edward D. Hoch (City of Brass: And Other Simon Ark Stories)
The Deuteronomist (Dtr) edited various traditions into a single, running historical account. In 1 Samuel some scholars have posited hypothetical source documents behind 4.1–7.1 (the “Ark Narrative,” possibly continued in 2 Sam 6), chs 8–15 (the “Saul Cycle”), and chs 16–31 (the “Story of David’s Rise”).
Michael D. Coogan (The New Oxford Annotated Bible with the Apocrypha: New Revised Standard Version)
Accept a misfortune as if it were a fortune. For a misfortune, once understood, is soon transformed into a fortune. While a fortune misconstrued quickly becomes a misfortune.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
One is the road of Life and Death, O monks, upon the rim of the wheel of Time. For motion in a circle can never reach an end, nor ever spend itself. And every motion in the world is a motion in a circle. Shall Man, then never free himself of the vicious circle of Time? Man shall, because Man is heir to God’s holy Freedom.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
As Death shall deliver you from Death, and Life shall release you from Life, so shall Time emancipate you from Time.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
Are you not growing by continually decaying? Are you not decaying by continually growing?
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)
If every season carry in itself the other three, then verily were all the seasons one at every point of Time and Space. Aye, Time is the greatest juggler, and men are the greatest dupes.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery which was Once Called The Ark)