Ark Love Quotes

sometimes life isn’t worth the pain. i’m going for a swim. goodbye, my love.

No love is Love that subjugates the Lover. No love is Love that feeds on flesh and blood. No love is Love that draws a woman to a man only to breed more women and men and thus perpetuate their bondage to the flesh.

If you have been brave enough to love, and somtimes you won and sometimes you lost; if you have cared enough to try, and sometimes it worked and sometimes it didn't; if you have been bold enough to dream and found yourself with some dreams that came true and a lot of broken pieces of dreams that didn't, that fell to earth and shattered,then you can look back from the mountaintop you now find yourself standing on, like Moses contemplating the tablets that would guide human behavior for a millenia, resting in the Ark alongside the broken fragments of an earlier dream. And you, like Moses, can realize how ful your life has been and how richly you are blessed.

You know that moment when you hug somebody, when your heart feels warm and high in your chest and tingly? When you feel just for a second like a baby in a womb... that nothing matters? That's how I want you to feel. That's what a girlfriend should do, I think.

Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...

Vast is the difference between ‘holding’ and ‘being held’. You hold, only what you love. What you hate holds you. Avoid being held.

Faith in God is an opening up, a letting go, a deept trust, a free act of love- but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up. At such moments I tried to elevate myself. I would touch the turban I had made with the remnants of my shirt and I would say aloud, "THIS IS GOD'S HAT!" I would pat my pants and say aloud, "THIS IS GOD'S ATTIRE!" I would point to Richard Parker and say aloud, "THIS IS GOD'S CAT!" I would point to the lifeboat and say aloud, "THIS IS GOD'S ARK!" I would spread my hands wide and say aloud, "THESE ARE GOD'S WIDE ACRES!" I would point at the sky and say aloud, "THIS IS GOD'S EAR!" And in this way I would remind myself of creation and of my place in it. But God's hat was always unravelling. God's pants were falling apart. God's cat was a constant danger. God's ark was a jail. God's wide acres were slowly killing me. God's ear didn't seem to be listening. Despair was a heavy blackness that let no light in or out. It was a hell beyond expression. I thank God it always passed. A school of fish appeared around the net or a knot cried out to be reknotted. Or I thought of my family, of how they were spared this terrible agony. The blackness would stir and eventually go away, and God would remain, a shining point of light in my heart. I would go on loving.

Love is the law of God. You live that you may learn to love. You love that you may learn to live. No other lesson is required of Man.You are the tree of Life. Beware of fractionating yourselves. Set not a fruit against a fruit, a leaf against a leaf, a bough against a bough; nor set the stem against the roots; nor set the tree against the mother- soil. That is precisely what you do when you love one part more than the rest, or to the exclusion of the rest. No love is possible except by the love of self. No self is real save the All-embracing Self. Therefore is God all Love, because he loves himself. So long as you are pained by Love, you have not found your real self, nor have you found the golden key of Love. Because you love an ephemeral self, your love is ephemeral.

Except you be fed with the grapes of Love you shall no be filled with the wine of Understanding.

Well, you can’t love everything equally,” she said. “You just can’t—and if you did, then it’s the same as loving nothing at all. So you have to hold just a few things dear, because that’s what love is. Particular. Specific.

To the unspoiled, even a snikebite is a loving kiss. But to the spoiled even a loving kiss is a snake bite.

The commonplace becomes exceptional when God is involved.

But in the end, black can never be white, one plus one must always equal two, and Mara Lynn was a normal little girl.

Good for Christmas-time is the ruddy colour of the cloak in which--the tree making a forest of itself for her to trip through, with her basket--Little Red Riding-Hood comes to me one Christmas Eve to give me information of the cruelty and treachery of that dissembling Wolf who ate her grandmother, without making any impression on his appetite, and then ate her, after making that ferocious joke about his teeth. She was my first love. I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be; and there was nothing for it but to look out the Wolf in the Noah's Ark there, and put him late in the procession on the table, as a monster who was to be degraded.

Every time I think about that girl, my mind commits a sin.

Fiction is just a mirror of reality for the most part. Many things that happen in fiction don’t even happen here. But as far as pain and sadness. Joy and love, life and death, it’s all real here. Here it’s real.

Well, you can’t love everything equally,” she said. “You just can’t—and if you did, then it’s the same as loving nothing at all.

Judge that boy if you must; for debauchery, for objectifying innocence... but before you finalize your verdict, oh innocent reader, I beg you to scan again that last stanza. What you and I overlooked in our cloud of perversion and nasty objectification was the unrestrained joy of a little girl playing dress-up for the very first time.

[Concerning the Word preached:] Do we prize it in our judgments? Do we receive in into our hearts? Do we fear the loss of the Word preached more than the loss of peace and trade? Is it the removal of the ark that troubles us? Again, do we attend to the Word with reverential devotion? When the judge is giving the charge on the bench, all attend. When the Word is preached, the great God is giving us his charge. Do we listen to it as to a matter of life and death? This is a good sign that we love the Word.

Let me guess, you’ve wanted to build your own ark ever since you learned about the guy you were named after?

his stubble was cut smooth. he smelled of aftershave, dry deodorant and sex-tarnished bedsheets. those eyes--grey, strong, inlaid beneath a firm brow that displayed such hate and SUCH love--they seduced her every time... but not tonight.

What’s so beautiful about girls?” I would implore. And the secret society of adults would reply with a smirk and wink as if I was merely a boy who couldn’t possibly have the mental maturity to comprehend such grown-up concepts as love and bleeding vaginas; “You’ll understand someday, James.

Water always flows downhill. So does my love. Are you prepared for a flood? You’d better build an ark.

You have to hold just a few things dear, because that’s what love is. Particular. Specific.

Our Master puts the desire to procreate in us to be sure that we are fruitful and multiply. He knows how important animals are to the planet because most animals He allows to reproduce in great number. He put every one of us on the ark for a reason. Do you think it’s a mistake that dogs and cats have litters of 8, 9, 10 or more and people typically only have one or maybe two? It’s no mistake. It’s because God intends that there is more than enough four-legged love to go around.

She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.

God is always pressing forward with His people. The Ark of the Covenant represents the "Glory and Presence" of God.

The Ark was build to hold the humility of Gods favors and the flood took place to wash away His anger

you'll love it

He smirked. “Decision time, pretty lady... back to reality?” She touched his cheek. “Or down the rabbit hole?

Whether [..] arrogance is born of fear, love, anger, hatred or anything else, it is still arrogance.

To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.

Lord, you have granted me your secret friendship by opening the sacred ark of your divinity, your deified heart, to me in so many ways as to be the source of all my happiness; sometimes imparting it freely, sometimes as a special mark of our mutual friendship. You have so often melted my soul with your loving caresses that, if I did not know the abyss of your overflowing condescensions, I should be amazed were I told that even your Blessed Mother had been chosen to receive such extraordinary marks of tenderness and affection (Adapted from The Life and Revelations of Saint Gertrude).

Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.

I saw them,” he said. I frowned. “Saw what?” He took a deep breath as he eyed me. “The paintings.” For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me. “The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?” “Of me?” he supplied. I squeezed my eyes shut. “Oh my God. Seriously?” “Yes.” Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?” “Looking for a psycho stalker,” he answered. My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.” Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.” “Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.” “I don’t think you’re a stalker, babe.” His voice was dry. I screwed up my face. “I can’t believe you saw them.” He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.” My brows flew up. “I thought you were all-knowing.” Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes on me.” “Oh dear baby Jesus in a manger,” I muttered. “But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.

Revenge is a color, a color that never fades. A beautiful color. It is the color of the sky at dawn when lovers are hauled out of their beds and garroted in the middle of the street; the color of the ancient sea when Noah’s Ark has been breached below the water line; the color of Jacob’s Ladder as it collapses while Jacob has climbed only half-way to heaven. But it is more than that, much more. It contains the pigment that colors the eyes of the lovers that betray you.

Behold, Mr. Clavain: Chasm City. A place I have to come to know and, while not actually love, perhaps not to detest with quite the same missionary zeal as when I first arrived.

It was the titanic that sank and the ark that floated.

Noah's ark is on the tombstone of drowning desire and I am walking furiously on water.

She closed her heart As tight as Noah's ark So nothing could get in or out I forgot where we begin So she let it all end And left our love alone in the dark

A person devolves his or her hardiness from the ark-like powers of love to create, protect, and destroy. When we are in love, we discover what we long to become, we also discover what we lack. When we are in love, we are empowered to seek out our destiny. When we lose at love, our confidence is devastated. In the wake of a breakup with a lover, we languish in solitude. Caught in the riptide of incompleteness, we suffer terribly.

THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.

Because of their lust for authority men are in constant turmoil. Those in authority are ever fighting to maintain it. Those out of authority are ever struggling to snatch it from the hands of those who hold it. While Man, the God in swaddling-bands, is trampled under foot and hoof and left on the field of battle unnoticed, unattended and unsolved. So furious is the fight, and so blood crazed the fighters that none, alas, would stop to lift the painted mask off the face of the spurious bride and expose her monstrous ugliness to all. Believe, O monks, that no authority is worth the flutter of an eyelash, except the authority of Holy Understanding which is priceless. For that no sacrifice is great. Attain it once, and you shall hold it to the end of Time. And it shall charge your words with more power than all the armies of the world can ever command; and it shall bless your deeds with more beneficence than all the world authorities combined can ever dream of bringing to the world.

Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.

Thus God will destroy the wicked from off the earth. But the righteous will be preserved in the midst of these commotions, as Noah was preserved in the ark. God will be their refuge, and under his wings shall they trust. Says the psalmist: “Because thou hast made the Lord, which is my refuge, even the Most High, thy habitation; there shall no evil befall thee.” Psalm 91:9, 10. “In the time of trouble he shall hide me in his pavilion: in the secret of his tabernacle shall he hide me.” Psalm 27:5. God’s promise is, “Because he hath set his love upon Me, therefore will I deliver him: I will set him on high, because he hath known My name.” Psalm 91:14. [111]

Those who floated in the ark were weightless and had weightless thoughts. They were neither hungry nor satisfied. They had no happiness and no fear of losing it. Their heads were not filled with petty official calculations, intrigues, promotions, and their shoulders were not burdened with concerns about housing, fuel, bread, and clothes for the children. Love, which from time immemorial has been the delight and the torment of humanity, was powerless to communicate to them its thrill or its agony. Their prison terms were so long that no one even thought of the time when he would go out into freedom. Men with exceptional Intellect, education, and experience, but too devoted to their families to have much of themselves left over for their friends, here belonged only to friends.

Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.

Žmogus-nei dievų marionetė, nei savo likimo šeimininkas. Jis turi truputį ir vieno, ir kito. Per gyvenimą mes šuoliuojame lyg cirko artistai, raiti ant dviejų šalia lekiančių arklių: viena koja - ant vieno arklio, vadinamo "likimu", kita - ant arklio, vadinamo "laisva valia". Kiekvieną dieną reikia klausti, kuris arklys "likimas", o kuris - "laisva valia", dėl kurio arklio nereikia jaudintis, o kurį turi paspausti.

And so my Master, who is the great ark of salvation, did not come into this world to save only a few little sinners. “He is able to save to the uttermost those who draw near to God through him.” Look on him there. See him on the cross, in extreme agony, enduring countless griefs and torments, and sweating in agony, all because of his love for you who were his enemies. Trust him. Trust him, because there is hope, there is restoration

Seek no authority over the lives of men; of that the Omniwill is master. Nor seek authority over the goods of men; for men are chained so much to their goods as to their lives, and they distrust and hate the meddlers with their chains. But seek a way into the hearts of men through Love and Understanding; for once installed therein you can and better work to loose men of their chains. For love will guide your hand, while Understanding holds the lantern.

This rain is crazy, huh?" "Yeah. Hope your ark-building skills are decent, or we could be in trouble." "We don't need an ark. I have some inflatable pool lounges. They have cup holders." "Fancy." "No expense spared to save my woman from the watery apocalypse." "Nothing says 'I love you' more than quality recreational inflatables." He makes a noise. "Now I have visions of that inflatable sheep Avery bought for his pool." "We said we'd never discuss that.

He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.

In fact, in recent years I have become more and more didactic about pubic hair - to the point where I now believe that there are only four things a grown, modern woman should have: a pair of yellow shoes (they unexpectedly go with everything), a friend who will come and post bail at 4 a.m., a fail-safe pie recipe, and a proper muff. A big, hairy minge. A lovely furry moof that looks - when she sits, naked - as if she has a marmoset sitting in her lap. A tame marmoset, that she can send of to pickpocket things, should she so need it - like that trained monkey in Raiders of the Lost Ark.

But Hannah's friend didn’t understand the volatile balancing act between art and sanity, that the act of creation was like walking a tightrope during an earthquake. She didn’t understand Hannah’s stupid need for validation, or that the size of the audience increased the stakes and multiplied the fear. She didn’t understand that creativity was dangerous, that, yes, there were some people who could stand before a canvas, paint a sunset that would bring the world to its knees, and return to their loved ones as a complete person who didn’t hurt, didn’t cry, didn’t spill blood to appease the host of fickle muses. But Hannah did. Hannah’s best ideas—sometimes her only ideas—were buried beneath the skin.

Beautiful Maria, how Sweet are your hips... Is the man whom you love never to find that out? Beautiful Maria, listen to what I say to you: only a little to one side of this way, a flight of stairs leads steeply upward, leading to freedom... Your knees are trembling... how sweet that is! Do you think to overcome your weakness by clasping your hands? You call upon God, but believe me: God does not hear you! Since I came upon the earth as the great flood, to destroy all in existence but Noah’s ark, God has been deaf to the scream of His creatures.  Or did you think I had forgotten how the mothers screamed then? Have you more responsibility on your conscience than God on His? Turn back, beautiful Maria, turn back!

know, would be ready to break with grief if you thought this was the last day that I would be with you. But, my child, though you now think yourself mighty happy because you have hold of my hand, you are now in the hands and under the tender care of a much greater Father and Friend than I am, whose love to you is far greater than mine, and from whom you receive such blessings as no human being can give. This is the God whom you have seen me daily worship, whom I daily call upon to bless both you and me, and all mankind, whose wondrous acts are recorded in those Scriptures which you constantly read. This is that God who created the heavens and the earth, who brought a flood upon the whole world, who saved Noah in the ark, who

In can feel God in everything, but especially in nature. But man needed to have a place to see the Lord, and thus the churches were built. It started with Solomon's temple so that the ark of the covenant had a place of quiet and rest, as well as the Israelites. I love churches – those places of encounter, exchange, community, and kindred spirits. But nonetheless, God shines the brightest in nature, and it's manifold beauty. He is everywhere. God is love. And if you feel love for another person, the revelation of God is revealed in its most beautiful way – it resembles the beauty of a flower or the swelling and swaying of a willow tree. Christian faith is gentle and kind. It is full of hope and love and tolerance for all the people wandering this earth. That's what I believe in, and that's what I have experienced.

Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.

Being a fan isn't always about the thing you're a fan of. Okay well, it sort of is, but there is much more to it than just going online and screaming that you love something. Being a fan has given me people to talk to about the things that I like for the past five years. Being a fan has made me better friends online than I've ever encountered in real life; it has entered me into a community where people are joined in love and passion and hope and joy and escape. Being a fan has given me a reason to wake up, something always to look forward to, something to dream about while I'm trying to fall asleep. And people sneer. Sure. I get it. Adults especially. They see all these teenage girls and they think it's because we're stupid. They only see the tiny percentage of fans who take it too far – the stalkers – and they think we're all like that. They think we only love the band because of their looks; they think we only like their music because it's relatable. They think all of us are girls. They think all of us are straight. They think we're dumb little girls who spend all our time screaming because we want to marry a musician. They don't understand half of it. Any of it. How could they? Adults don't think teenagers can do anything, anyway. But despite everything in the world being terrible, we choose to stand by The Ark. We choose hope, light, joy, friendship, faith, even when our lives aren't perfect, or exciting, or fun, or special, like the boys from The Ark. I might be a disappointing student, without many close friends, with a life of mediocrity waiting for me back at home – an average degree from an average university, an average job and an average life – but I will always have this. In an otherwise mediocre existence, we choose to feel passion.

Begin in Genesis with the well-loved story of Noah, derived from the Babylonian myth of Uta-Napisthim and known from the older mythologies of several cultures. The legend of the animals going into the ark two by two is charming, but the moral of the story of Noah is appalling. God took a dim view of humans, so he (with the exception of one family) drowned the lot of them including children and also, for good measure, the rest of the presumably blameless) animals as well. Of course, irritated theologians will protest that we don't take the book of Genesis literally any more. But that is my whole point! We pick and choose which bits of scripture to believe, which bits to write off as symbols or allegories. Such picking and choosing is a matter of personal decision, just as much, or as little, as the atheist's decision to follow this moral precept or that was a personal decision, without an absolute foundation. If one of these is 'morality flying by the seat of its pants,' so is the other.

Each one of us has to save his own soul, and has to do God's work himself, but instead of that we busy ourselves saving other people and teaching them. And what do we teach them? We teach them now, at the end of the nineteenth century, that God created the world in six days, then caused a flood, and put all the animals in an ark, and all the rest of the horrors and nonsense of the Old Testament. And then that Christ ordered everyone to be baptized with water; and we make them believe in all the absurdity and meanness of an Atonement essential to salvation; and then that he rose up into the heavens which do not really exist, and there sat down at the right hand of the Father. We have got used to all this, but really it is dreadful! A child, fresh and ready to receive all that is good and true, asks us what the world is, and what its laws are; and we, instead of revealing to him the teaching of love and truth that has been given to us, carefully ram into his head all sorts of horrible absurdities and meannesses, ascribing them all to God.

Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.

See? I long to be your spiritual guide. I really do, and I will. Love is my motive, rather than any elevated belief in my own knowledge, contemplative work, experience, or maturity. And may God correct what I get wrong. For he knows everything, and I only know in part.1 Now to satisfy your proud intellect, I will praise the work of contemplation. You should know that if those engaged in this work had the linguistic talent to express exactly what they’re experiencing, then every scholar of Christianity would be amazed by their wisdom. It’s true! In comparison, all theological erudition would look like total nonsense. No wonder, then, that my clumsy human speech can’t describe the immense value of this work to you, and God forbid that the limitations of our finite language should desecrate and distort it. No, this must not and will not happen. God forbid that I would ever want that! For our analysis of contemplation and the exercise itself are two entirely different things. What we say of it is not it, but merely a description. So, since we can’t define it, let’s describe it. This will baffle all intellectual conceit, especially yours, which is the sole reason I’m writing this letter. I want to start off by asking you a question. What is the essence of human spiritual perfection, and what are its qualities? I’ll answer this for you. On earth, spiritual perfection is only possible through the union between God and the human soul in consummate love. This perfection is pure and so sublime that it surpasses our human understanding, and that’s why it can’t be directly grasped or observed. But wherever we see its consequences, we know that the essence of contemplation abounds there. So, if I tell you that this spiritual discipline is better than all others, then I must first prove it by describing what mature love looks like. This spiritual exercise grows virtues. Look within yourself as you contemplate and also examine the nature of every virtue. You’ll find that all virtues are found in and nurtured by contemplation with no distortion or degeneration of their purposes. I’m not going to single out any particular virtue here for discussion. I don’t need to because you can find them described in other things I’ve written.2 I’ll only comment here that contemplative prayer, when done right, is the respectful love and ripe fruit that I discuss in your little Letter on Prayer. It’s the cloud of unknowing, the hidden love-longing offered by a pure spirit. It’s the Ark of the Covenant.3 It’s the mystical theology of Dionysius, the wisdom and treasure of his “bright darkness” and “unknown knowing.” It takes you into silence, far from thoughts and words. It makes your prayer very short. In it, you learn how to reject and forget the world.

The arrangement of the ark in the tabernacle emphasized the fact that our sin separates us from a holy God. After Jesus died to pay for the sins of the world, that separation was no longer necessary. God took on human form and sacrificed himself so that we can come near to him. If we’ve accepted God’s gift of salvation, we’ve been cleansed of our sins and have free access to God’s throne room. Through Jesus Christ, God did all that was necessary to remove the barrier between us and him. The natural response to such a great love is to walk right into his presence.

Legacy of Love In the future, when your children ask you, “What do these stones mean?” tell them that the flow of the Jordan was cut off before the ark of the covenant of the LORD. When it crossed the Jordan, the waters of the Jordan were cut off. These stones are to be a memorial to the people of Israel forever. —JOSHUA 4:6-7     In your family’s history there are probably many examples of sacrifice—some you may know about, but many other sacrifices probably took place and were not recorded, mentioned, or elaborated on in family stories and journals. Consider how you have learned life lessons from those who did make sacrifices. What pleasures or luxuries or privileges do you enjoy today because of the toils and trials of past generations? How you honor such sacrifices becomes a part of your legacy to the next generation. If you are raising a family with God’s love and truth, that is honoring your life and the lives of those before you. If you are mentoring other women or girls, that is honoring the labor of many women of the past. When you have compassion on a stranger, that is honoring the acts of service that took place before you were born. We never want to let future generations forget what great sacrifices were made in order for us to be the persons, the families, and the nation we are. That’s why traditions are so important in life. They are attempts to pass on to future generations what of value has been passed on to us today. Joshua built a monument of stones so that the children of the future would ask about them and about their own heritage. What will your legacy be? What do you hope your children or your friends or your loved ones will carry with them after you are gone? Commit your ways to the ways of God, and your legacy will endure. It will become a heritage of faith and faithfulness that will help to encourage and inspire others. Your legacy won’t be in material possessions or in the details of a will. Your legacy will be discovered in the stones…the stepping stones…that created your path—each stone carved and polished by the Creator Himself. Prayer: Father God, remind me of the sacrifices made by those believers who persevered before

What the Church is sent apostolically to do is to make saints, i.e., to make humans completely human. This phrase, completely human, is often misused today to mean its exact opposite, to reduce the Church’s supernatural task to a merely natural one. But the Church betrays her mission and her Lord if she lets psychologists and sociologists who do not know Christ as her source dictate her end. We are sent to be completely human as Christ was, to love as he loved, not to be nice, not to “have a nice day”, not to pitch in a little bit to help build what everyone else is building. No, we are sent with a distinctive task: to build an eternal kingdom, a different building. We live in two worlds, and we rightly cooperate in building this one too, but the Church’s raison d’être is not to be one more social service agency but to be the one and only ark of eternal salvation, to be Christ to the world. This includes social service and liberation of the poor. Christ healed some bodies, but as a sign of his essential mission to heal all souls. Christ loved and liberated the poor, but as a sign of his love and liberation of our spiritual poverty. His work in time was a sign of his work for eternity. Even

By reintroducing the Commandments of God into the world,” he said, nonchalantly. “If I’m right, the ark hasn’t held the Commandments inside for four thousand years. By placing them inside, we send the power of God’s Commandments to everyone and renew the freedom from sin. God puts His law in the hearts of all who believe. Don’t ask me how that works. I have a feeling God has it all under control.” “I believe you can return the Commandments to the ark, Sam my love,” she said, as she kissed him. “With God’s help.” “Without the law, we have no idea how to show the love of God to our neighbors,” he said. “It is almost a code of love.

That depends on how well a story’s life is loved by those in the Scribbler’s realm. The more people like it, the longer the story is kept alive. And if you’re really loved, you can become a classic and never die.

January 25 MORNING “I will mention the lovingkindnesses of the Lord, and the praises of the Lord, according to all that the Lord hath bestowed on us.” — Isaiah 63:7 AND canst thou not do this? Are there no mercies which thou hast experienced? What though thou art gloomy now, canst thou forget that blessed hour when Jesus met thee, and said, “Come unto me”? Canst thou not remember that rapturous moment when He snapped thy fetters, dashed thy chains to the earth, and said, “I came to break thy bonds and set thee free”? Or if the love of thine espousals be forgotten, there must surely be some precious milestone along the road of life not quite grown over with moss, on which thou canst read a happy memorial of His mercy towards thee? What, didst thou never have a sickness like that which thou art suffering now, and did He not restore thee? Wert thou never poor before, and did He not supply thy wants? Wast thou never in straits before, and did He not deliver thee? Arise, go to the river of thine experience, and pull up a few bulrushes, and plait them into an ark, wherein thine infant-faith may float safely on the stream. Forget not what thy God has done for thee; turn over the book of thy remembrance, and consider the days of old. Canst thou not remember the hill Mizar? Did the Lord never meet with thee at Hermon? Hast thou never climbed the Delectable Mountains? Hast thou never been helped in time of need? Nay, I know thou hast. Go back, then, a little way to the choice mercies of yesterday, and though all may be dark now, light up the lamps of the past, they shall glitter through the darkness, and thou shalt trust in the Lord till the day break and the shadows flee away. “Remember, O Lord, thy tender mercies and thy lovingkindnesses, for they have been ever of old.

Well, you can't love everything equally," she said. "You just can't - and if you did, then it's the same as loving nothing at all. So you have to hold just a few things dear because that's what love is. Particular. Specific.

I admire thee, master of the tides, Of the Yore-flood, of the year's fall; The recurb and the recovery of the gulf's sides, The girth of it and the wharf of it and the wall; Staunching, quenching ocean of a motionable mind; Ground of being, and granite of it: past all Grasp God, throned behind Death with a sovereignty that heeds but hides, bodes but abides; With a mercy that outrides The all of water, an ark For the listener; for the lingerer with a love glides Lower than death and the dark; A vein for the visiting of the past-prayer, pent in prison, The-last-breath penitent spirits—the uttermost mark Our passion-plungèd giant risen, The Christ of the Father compassionate, fetched in the storm of his strides. Now burn, new born to the world, Doubled-naturèd name, The heaven-flung, heart-fleshed, maiden-furled Miracle-in-Mary-of-flame, Mid-numbered he in three of the thunder-throne! Not a dooms-day dazzle in his coming nor dark as he came; Kind, but royally reclaiming his own; A released shower, let flash to the shire, not a lightning of fíre hard-hurled. Dame, at our door Drowned, and among our shoals, Remember us in the roads, the heaven-haven of the Reward: Our Kíng back, Oh, upon énglish sóuls! Let him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east, More brightening her, rare-dear Britain, as his reign rolls, Pride, rose, prince, hero of us, high-priest, Our hearts' charity's hearth's fire, our thoughts' chivalry's throng's Lord.

MIRDAD: Love is the Law of God. You live that you may learn to love. You love that you may learn to live. No other lesson is required of Man.

with our fellow creatures. But the good news is that an Ark awaits us to carry us to a new tomorrow. Covid-19 is our Noah moment, as long as we can find our way to the Ark of the ties that unite us: of love, and of a common belonging. The Noah story in Genesis is not just about how God offered a path out of destruction, but about all that followed. The regeneration of human society meant a return to respecting limits, curbing the reckless pursuit of wealth and power, looking out for the poor and those living on the edges. The introduction of the Sabbath and the Jubilee—moments of recovery and reparation, forgiving debts and restoring relationships—were key to that regeneration, giving time for the earth to bounce back,

I often hear you say that Love is blind, meaning that it can see no fault in the beloved. That kind of blindness is the height of seeing. Would you were always so blind as to behold no fault in anything. Nay, clear and penetrating is the eye of Love. Therefore it sees no fault. When Love has purged your sight, then would you see nothing at all unworthy of your love. Only a love-shorn, faulty eye is ever busy finding faults. Whatever faults it finds are only its own faults.

Well, you can’t love everything equally,” she said. “You just can’t— and if you did, then it’s the same as loving nothing at all. So you have to hold just a few things dear, because that’s what love is. Particular. Specific.

They could see the hills now; they were almost there—the long lift of the first pine ridge standing across half the horizon and beyond it a sense a feel of others, the mass of them seeming not so much to stand rush abruptly up out of the plateau as to hang suspended over it as his uncle had told him the Scottish highlands did except for this sharpness and color; that was two years ago, maybe three and his uncle had said, 'Which is why the people who chose by preference to live on them on little patches which wouldn't make eight bushels of corn or fifty pounds of lint cotton an acre even if they were not too steep for a mule to pull a plow across (but then they dont want to make the cotton anyway, only the corn and not too much of that because it really doesn't take a great deal of corn to run a still as big as one man and his sons want to fool with) are people named Gowrie and McCallum and Fraser and Ingrum that used to be Ingraham and Workitt that used to be Urquhart only the one that brought it to America and then Mississippi couldn’t spell it either, who love brawling and fear God and believe in Hell——' and it was as though his uncle had read his mind, holding the speedometer needle at fifty-five into the last mile of gravel (already the road was beginning to slant down toward the willow-and-cypress bottom of the Nine-Mile branch) speaking, that is volunteering to speak for the first time since they left town: 'Gowrie and Fraser and Workitt and Ingrum. And in the valleys along the rivers, the broad rich easy land where a man can raise something he can sell openly in daylight, the people named Littlejohn and Greenleaf and Armstead and Millingham and Bookwright——' and stopped, the car dropping on down the slope, increasing speed by its own weight; now he could see the bridge where Aleck Sander had waited for him in the dark and below which Highboy had smelled quicksand. 'We turn off just beyond it,' he said. 'I know,' his uncle said. '—And the ones named Sambo, they live in both, they elect both because they can stand either because they can stand anything.' The bridge was quite near now, the white railing of the entrance yawned rushing at them. 'Not all white people can endure slavery and apparently no man can stand freedom (Which incidentally—the premise that man really wants peace and freedom—is the trouble with our relations with Europe right now, whose people not only dont know what peace is but—except for Anglo Saxons—actively fear and distrust personal liberty; we are hoping without really any hope that our atom bomb will be enough to defend an idea as obsolete as Noah's Ark.); with one mutual instantaneous accord he forces his liberty into the hands of the first demagogue who rises into view: lacking that he himself destroys and obliterates it from his sight and ken and even remembrance with the frantic unanimity of a neighborhood stamping out a grass-fire. But the people named Sambo survived the one and who knows? they may even endure the other.

Know your times and its designs. Swordplay is exacting. Thrus, be shrewd with your jianqizhe ‘swordpraying.’ Much is needed. —Fencing Metaphor on Prayer Martial Arts on Noah's Ark

Though continental division and shifting in the days of Peleg appears feasible from a superficial reading of Genesis 10:25 in isolation, this concept has some major problems associated with it: 1. When Genesis 10:25 is read within the context of the whole of Genesis 10, the four other verses (5, 18, 20, and 32) speaking of the division clearly emphasize that this was a linguistic and family division of all post-Flood people into different lands (geographical locations). 2. Had the division of continents occurred during the days of Peleg, then the associated catastrophism would have resulted in another worldwide Flood, in violation of God's specific promise to Noah. 3. Had the division of continents occurred during the days of Peleg, then the ark (with Peleg's ancestors) would have had no place to land, as the mountains of Ararat produced by continental collisions would not have yet existed. 4. There is tremendous fossil and geologic evidence for continental division having occurred only during the Flood. We, therefore, gently and lovingly encourage our brothers and sisters in Christ to refrain from claiming the division of continents occurred during the days of Peleg. The phrase "for in his days the earth was divided" in Genesis 10:25 needs to be kept and read within its context of Genesis 10 to give the statement its correct meaning.

The Virgin birth’s a way of thinking about women and about love. The ark is a far more bloody logical way of thinking about the question of animal husbandry than the delightful ad hoc thuggery we’ve instituted. Creationism’s a way of thinking I am not worthless at a time when people were being told and shown they were.

Seek no reward for any labour done. The labour itself is reward sufficient to the labourer who loves his labour.

Father had been away in the country for three or four days. All Peter's hopes for the curing of his afflicted Engine were now fixed on his Father, for Father was most wonderfully clever with his fingers. He could mend all sorts of things. He had often acted as veterinary surgeon to the wooden rocking-horse; once he had saved its life when all human aid was despaired of, and the poor creature was given up for lost, and even the carpenter said he didn't see his way to do anything. And it was Father who mended the doll's cradle when no one else could; and with a little glue and some bits of wood and a pen-knife made all the Noah's Ark beasts as strong on their pins as ever they were, if not stronger.

I love you, Evie. Especially when you’re fucking dripping for me like this.” Luke bent down to lay an impossibly chaste kiss on my pussy lips. “When the Almighty promised He’d never flood the world again, He obviously miscalculated how wet your cunt gets.” “Better build yourself an ark, then.” I closed my eyes and bucked my hips up toward him. Luke released my ankles and took my hips into his hands instead. He shoved them down onto the mattress brutally. “Think I’d rather drown,” he growled—then, he got to work.

You just can’t—and if you did, then it’s the same as loving nothing at all. So you have to hold just a few things dear, because that’s what love is. Particular. Specific.

I love how you say conquer when you mean erase. Let me borrow from their sayings here: they who rewrite stories are doomed to create monsters.

Love is the only freedom from attachment. When you love everything, you are attached to nothing.

For the first time, possibly ever, she felt fragile, beautiful, and she loved

And God shall embrace you with infinite Love, and straightway shall lead you unto His Tree of Life.

If we built a boat out of our love, she’d build an ark, while I’d build a canoe.

The ache of marriage: thigh and tongue, beloved, are heavy with it, it throbs in the teeth We look for communion and are turned away, beloved, each and each It is leviathan and we in its belly looking for joy, some joy not to be known outside it two by two in the ark of the ache of it.

John Noa moved slowly toward the window. Old age had not been kind to him, and though he could still sit a horse, his rigid joints grew more painful by the day. Looking down from his lofty vantage point, he could see the town below on the cusp of waking. A lone wolf stood in the square, his head tilted to one side. The old man smiled. He had always loved animals and none more than the gray wolf. Before the Melting, they had been almost eradicated, hunted to extinction. Extinction: the saddest word of all. Using science and with great care and attention, they had bred five pairs of wolves in captivity, producing fifteen new cubs, and then released them into the wild. Since then, the wolves had thrived. Amid all the destruction, it had seemed like a miracle to him. He loved the view from the high window at this time of day. The workers not yet awake and only the comforting sound of the water bubbling in the great tank. He sighed. Sadly, he couldn’t stay. He had work to do. Work! Always work. Problems to be solved, plans to be made. He had never expected it to be this difficult. On his bad days, he wondered if it had been worth it at all. Another glance at the wolf brought a smile to his lips. Yes. It was all worth it. He firmly believed that it was his passion for Ark that had kept him alive when so many had been lost. The images of death and destruction were always with him. Floods, earthquakes, famine, as livid in daylight as they were in his nightmares. Images of the past. But there were nightmares in the present too. Bandits. Desecrators. Tintown. People intent on destroying what he had built. People intent on going their own way regardless of the price. He felt the old rage stir in his heart. They would be dealt with. In the end, they would find

you can now take the remains of your cremated loved one and have their remaining carbon pressed into a diamond! Companies like LifeGem or Algordanza are currently doing this. The whole process only takes months. Writing about Algordanza’s work, Rae Ellen Bichell comments: Swiss company Algordanza takes cremated human remains and — under high heat and pressure that mimic conditions deep within the Earth — compress them into diamonds. . . . Each year, the remains of between 800 and 900 people enter the facility. About three months later, they exit as diamonds, to be kept in a box or turned into jewelry.7 There are also companies (like DNA2Diamonds or Pet-Gems) that specialize in turning your beloved pet’s ashes or hair into diamonds. The point is, it doesn’t take millions or billions of years to form diamonds, but rather days and weeks.

Here are a few mind teasers to help you think in unexpected ways (see answers at end of chapter). • A bus with 15 passengers crashed and all but 9 people were killed. How many survivors were there? • How many animals of each species did Moses take on the ark? • I have 2 coins that total $.35 in value. One is not a quarter. What are the 2 coins?

Our Lord further instructed Ven. Conchita on the fact that the closer we draw to Mary, the more she helps us to imitate Christ. Jesus said: “In my life for souls, My daughter, My Mother is never separated from Me; that is, the imitation of our lives on earth has to be simultaneous, although hers was founded on Mine. Moreover, just as I was the Redeemer, she was the Co-Redeemer; and the souls that love her more, and that make themselves more like her, are those that most perfectly take on My likeness.

Do not love, sir, do not love. Woman is a pitfall – a pitfall, a hole, a ditch. Woman is a sharp iron dagger that cuts a man’s throat.

Throughout her life Conchita grew in the understanding of this grace of graces. Our Lord taught her that it was an actual sharing in the grace given to Mary. Our Lord described it as a “Mystical Incarnation”. She described it as follows: This Mystical Incarnation is an imitation of that which was brought about in Mary, but an imitation in the divine sense, through the same Divinity. It is a unitive, transformative, and mutually penetrative grace in which the Most Holy Trinity takes part, for it is a participation in the fruitfulness of the Father that the Holy Spirit achieves in order to make a Jesus out of the soul. It is the union of the Word Incarnate with a soul in order to reproduce the mystery of Christ, taking a creature as an instrument of sacrifice and immolation, making it a victim in union with Jesus and associating it to the redemption in order to accomplish His plans of love.               Our Lord clearly tells Conchita that many other souls will follow her and become “golden links” in a chain to give God the glory He wants through the gift of this grace of graces. He explained this to Conchita: You must forget yourself, throw yourself into My arms and offer it all, day and night, for the salvation and perfection of souls. You see, you are going to make a chain. Each hour of your life is going to be a golden link, being offered with that intention; I wish that it not be broken until your death and this will be your own self-examination… Give yourself to souls as I gave Myself, so you can assimilate yourself with Me. And how did I give Myself? With love, with sacrifice, and without interruption. This is the way I wish your life to be in the future. I want more. I will choose souls that continue these golden hours that I wish you to begin without interruption.

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.

I didn’t believe that God told some guy, however many thousands of years ago, “Hey, build a ginormous boat in this desert over here.” I liked it as a story, though, because it seemed like the kind of thing God ought to say. There were crazy stupid things that needed to get done, or should have gotten done, or turned out to be wonderful when they did get done. And maybe, if God ever did tell people what to do, it was to stick up for these crazy stupid things that no one in their right mind would ever do otherwise.

The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!

There were other reasons you liked him, some actually quite pure, e.g. his dry humour and his shared assessment that you were both a great deal smarter than anyone else you knew. All couples thought things like that about themselves, but you hoped for their sake that the rest of your relationship was nothing they saw in their own, because you didn’t want to identify with most of it and you were one half of that actual couple. Mathematically if you didn’t want to be ‘most’ of a couple, as in over 50 per cent of an entity of two, then that did not commend your practice of self-love. You were twisted individuals successfully mated, like Noah’s Ark for sociopaths. Alternatively, you were well-meaning albeit imperfect humans with uncommonly scarce emotional resources at their disposal.

When Indiana Jones shoots the huge sword fighter in Raiders of the Lost Ark, it became one of the most iconic duels ever primarily because the outcome was totally unexpected. It broke the rules. It wasn’t fair. And we loved it because of that.