Arizona Sky Quotes

We've searched our database for all the quotes and captions related to Arizona Sky. Here they are! All 29 of them:

For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Arizona is beautiful. The sky is beautiful. But it isn’t what sets me alight. Micky is my fire, my sun, my sky, my world. With
Suki Fleet (Foxes)
Her voice was polished with a hint of a New England-boarding-school accent that shouted refinement over geographic locale. I was trying not to stare. She saw that and smiled a little. I don't want to sound like some kind of pervert because it wasn't like that. Femal beauty gets to me. I don't think I'm alone in that. It gets to me like a work of art gets to me. It gets to me like a Rembrandt or Michelangelo. It gets to me like night views of Paris or when the sun rises on the Grand Canyon or sets in the turquoise Arizona sky. My thoughts were not illicit. Ther were, I self-rationalized, rather artistic.
Harlan Coben (The Woods)
They hike almost three miles without incident, and it's amazing to watch the colors leach back into the desert after the day's blanching. There's a moment, Lydia realizes, or no, more than a moment - a span of perhaps fifteen minutes just at twilight - when the desert is the most perfect place that exists. The temperature, the light, the colors, all hang and linger at some unflawed precipice, like the cars of a roller coaster ticking ever so slowly over their apex before the crash. The light droops ever farther from the sky, and Lydia can smell the heat of the day wicking away from her skin.
Jeanine Cummins (American Dirt)
I tried to describe impossible things like the scent of creosote - bitter, slightly resinous, but still pleasant - the high, keening sound of the cicadas in July, the feathery barrenness of the trees, the very size of the sky, extending white-blue from horizon to horizon, barely interrupted by the low mountains covered with purple volcanic rock. The hardest thing to explain was why it was so beautiful to me - to justify a beauty that didn't depend on the sparse, spiny vegetation that often looked half dead, a beauty that had more to do with the exposed shape of the land, with the shallow bowls of valleys between the craggy hills, and the way they held on to the sun. I found myself using my hands as I tried to describe it to him.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
The sky is scrubbed fresh and stark blue by the gone rain, but every trace of that water has evaporated from the earth around them. It feels like a dream, all that rainfall. 'This is a cycle,' she thinks. Every day a fresh horror, and when it's over, this feeling of surreal detachment. A disbelief, almost, in what they just endured. The mind is magical. Human beings are magical.
Jeanine Cummins (American Dirt)
Any landscape under moonlight is a beautiful mystery. The high desert of southern Arizona, with its hills and black mountain silhouetted against a star-salted sky, was no exception.
William Kent Krueger (Sulfur Springs (Cork O'Connor, #16))
Lydia can't see it from the dark place where she is, but she can sense it. She knows that it's the perfect time of day out there in the desert. She imagines the colors making a show of themselves outside. The glittering gray pavement, the aching red land. The colors streaking flamboyantly across the sky. When she closes her eyes, she can see them, the paint in the firmament. Dazzling. Purple, yellow, orange, pink, and blue. She can see those perfect colors, hot and bright, a feathered headdress. Beneath, the landscape stretches out its arms.
Jeanine Cummins (American Dirt)
The sun rises in a clear sky that moves from black to gray to white to deep, pure crystal blue. One in Georgia packs his things he’s going to take a bus. Four in Mexico walk across scorched earth water in packs on their back. Two in Indiana best friends coming together they pack their best clothes while their parents wait to take them to the airport. One in Canada drives south. Sixty from China in a cargo container sail east. Four in New York pool their cash and buy a car and drop out of school and drive west. Sixteen cars of a passenger train crossing the Mojave only one stop left. One in Miami doesn’t know how she’s going to get there. Three in Montana have a truck none of them have any idea what they’re going to do once they arrive. A plane from Brazil sold out landing at LAX. Six in Chicago dreaming on shared stages they rented a van they’ll see if any of them can make it. Two from Arizona hitchhiking. Four more just crossed in Texas walking. Another one in Ohio with a motorcycle and a dream. All of them with their dreams. It calls to them and they believe it and they cannot say no to it, they cannot say no. It calls to them. It calls. Calls.
James Frey (Bright Shiny Morning)
To the man standing on the corner holding the sign that said “God hates gays.” I’ve never seen, exactly who it is that you paperclip your knees, meld your hands together and pray to But I think I know what he looks like: I bet your God is about 5’10”. I bet he weighs 185. Probably stands the way a high school diploma does when it’s next to a GED. I bet your god has a mullet. I bet he wears flannel shirts with no sleeves, a fanny pack and says words like “getrdun.” I bet your god—I bet your god—I bet your god watches FOX news, Dog the Bounty Hunter, voted for John McCain, and loves Bill O’Reilly. I bet your god lives in Arizona. I bet his high school served racism in the cafeteria and offered “hate speech” as a second language. I bet he has a swastika inside of his throat, and racial slurs tattooed to his tongue just to make intolerance more comfortable in his mouth. I bet he has a burning cross as a middle finger and Jim Crow underneath his nails. Your god is a confederate flags wet dream conceived on a day when the sky decided to slice her own wrists, I bet your god has a drinking problem. I bet he sees the bottom of the shot glass more often than his own children. I bet he pours whiskey on his dreams until they taste like good ideas, Probably cusses like an electric guitar with Tourette’s plugged into an ocean. I bet he yells like a schizophrenic nail gun, damaging all things that care about him enough to get close. I bet there are angels in Heaven with black eyes and broken halos who claimed they fell down the stairs. I bet your god would’ve made Eve without a mouth and taught her how to spread her legs like a magazine that she will never ever ever be pretty enough to be in. Sooner or later you will realize that you are praying to your own shadow, that you are standing in front of mirrors and are worshipping your own reflection. Your God stole my god’s identity and I bet he’s buying pieces of heaven on eBay. So next time you bend your knees, next time you bow your head I want you to tell your god— that my god is looking for him.
Rudy Francisco (Helium (Button Poetry))
Not infrequently in the wide skies over Yuma and other parts of the arid Southwest, residents watch sheets of rain begin to unfurl from auspicious purple storm clouds, backlit by the sun. But the rain stops halfway, hanging mid-horizon like a magician's trick. Known as rain streamers or by their scientific name VIRGA, the half-sheets evaporate into the dry air before the rain can reach the ground.
Cynthia Barnett (Rain: A Natural and Cultural History)
The captain’s and admiral’s bridge—and those inside, were incinerated as the explosive fire enveloped the starboard director, shot over the sky control platform, wrapped itself around the port-side director, and then climbed the main mast and beyond, as it chased the acrid, black, mushroom cloud—and created the perfect fire storm.
Edward McGrath (Second to the Last to Leave USS Arizona - SIGNED Copy - Interactive Edition: Memoir of a Sailor - The Lauren F. Bruner Story)
Meanwhile, John Barentine, an astronomer with the Arizona-based dark-sky conservation organization Dark Sky Consulting, found a more accidental finding in one of JWST's first photographs. The image of the Southern Ring Nebula, which is 2,500 light-years away from Earth, was exceptionally clear. A fascinating galaxy seen on the edge-on (a unique vantage position for examining the galaxy's core bulge) popped into view off to the side, earlier misunderstood as part of the nebula itself. "We have this extremely sensitive equipment that will disclose stuff we didn't even know we were searching for," Barentine said. "It's worth looking about in the backdrop of practically every photograph Webb shoots.
William Thurmond (The Unique Story Of The James Webb Space Telescope: A detailed look at the future of Astronomy)
The light above has grown so dim that it’s hard to believe that just minutes earlier, the sunrise was setting the Arizona sky ablaze and Eek was still in my arms.
Kit Vincent (Us, Et Cetera)
The light above has grown so dim that it’s hard to believe that just minutes earlier, the sunrise was setting the Arizona sky ablaze and Eke was still in my arms.
Kit Vincent (Us, Et Cetera)
At last count, eight-hundred and fifty-nine travelers had stepped off Trans-Continental Airlines at Sky Harbor International Airport, Phoenix, Arizona, at high noon in Mid-August without sunglasses. No one has ever done it twice. The desert sun, at high noon in Mid-August, rains down a torrent of silver needles. The sky burns white. The mountains that ring the city - Maricopas, White Tanks, Superstitions - flatten into dusty, two-dimensional mounds. Desert plants turn pale. Crawling, slithering, running creatures surrender to the heat and hide. The air shimmers on the horizon and flows in sluggish currents along the airport tarmac. Tires go soft. The odor of melting tar lies heavy along the ground. Light explodes in tinsel stars from moving glass and chrome. Phoenicians huddle indoors around their air conditioners and wait for the time of long shadows. Sky Harbor International Airport, Phoenix, Arizona, at high noon in mid-August is a white-hot Hell.
Sarah Dreher (Gray Magic (Stoner McTavish Mystery Book 3))
bear Indian names such as Yukon, Ontario, Manitoba, and Saskatchewan in the north, and Alabama, Mississippi, Texas, and Arizona in the south. Often these names reflect the tribal names of the people who lived in an area. Such names might be a tribe’s own name for itself, or it might be the name given them by a neighboring group. We have states named for the Dakota, the Kansa, the Massachuset, the Illini, and the Utes. Some are names that describe the land or the water. Iowa is a Siouan word for “beautiful land,” Wyoming derives from the Algonquian for a large prairie, Michigan is Ojibwa for “great water,” and Minnesota is Siouan for “waters that reflect the sky.” The original meanings are often rather straightforward, but translators and local boosters have usually worked to derive the most poetic name possible. Nebraska means “flat” or “broad river” in the Omaha language; this makes it similar in meaning but not pronunciation to the Algonquian term for “long river” that eventually became Connecticut. Ohio means “good river” in Iroquoian languages, and Oregon means “beautiful water” in Algonquian. Kentucky has one of the more mysterious meanings: “dark and bloody ground.
Jack Weatherford (Native Roots: How the Indians Enriched America)
water. Another sailor rescued him. But Carson refused to sit onshore and recover. Instead he answered a bugler’s call for help on the Tennessee. He went to that ship’s battle station, which was located at the same place on the Tennessee as it was on the Arizona. At the air bases, US soldiers reacted swiftly, too. They were unable to use the antiaircraft guns because the ammunition had been locked away for protection. So they fought back with whatever weapons they could find. Some entered the smoking cockpits of damaged planes, ripped out the machine guns, and started firing them at the enemy in the sky. One soldier was able to down a low-flying Japanese plane
Patricia Brennan Demuth (What Was Pearl Harbor?)
America, built on religious contrarianism, has incubated a far wider and more exotic range of votive beliefs than anywhere else on earth, with the possible exception of India. And without wanting to disparage anyone’s fondest faith, America’s big sky and bigger spiritual yearning has led to some truly eye-bulging and belief-suspending premises for salvation. It’s difficult to imagine that the golden plates engraved with the book of Mormon could have been found anywhere but in the New World, or that L. Ron Hubbard would have found a congregation for Scientology. The fervor of religious experience has been a constant throttle and brake on American life, from the witch hunts of seventeenth-century Massachusetts to the New Age pantheistic hedonism and self-help of twenty-first-century Arizona.
A.A. Gill (To America with Love)
Once every few weeks, beginning in the summer of 2018, a trio of large Boeing freighter aircraft, most often converted and windowless 747s of the Dutch airline KLM, takes off from Schiphol airport outside Amsterdam, with a precious cargo bound eventually for the city of Chandler, a western desert exurb of Phoe­nix, Arizona. The cargo is always the same, consisting of nine white boxes in each aircraft, each box taller than a man. To get these pro­foundly heavy containers from the airport in Phoenix to their des­tination, twenty miles away, requires a convoy of rather more than a dozen eighteen-wheeler trucks. On arrival and family uncrated, the contents of all the boxes are bolted together to form one enormous 160-ton machine -- a machine tool, in fact, a direct descendant of the machine tools invented and used by men such as Joseph Bramah and Henry Maudslay and Henry Royce and Henry Ford a century and more before. "Just like its cast-iron predecessors, this Dutch-made behemoth of a tool (fifteen of which compose the total order due to be sent to Chandler, each delivered as it is made) is a machine that makes machines. Yet, rather than making mechanical devices by the pre­cise cutting of metal from metal, this gigantic device is designed for the manufacture of the tiniest of machines imaginable, all of which perform their work electronically, without any visible mov­ing parts. "For here we come to the culmination of precision's quarter­millennium evolutionary journey. Up until this moment, almost all the devices and creations that required a degree of precision in their making had been made of metal, and performed their vari­ous functions through physical movements of one kind or another. Pistons rose and fell; locks opened and closed; rifles fired; sewing machines secured pieces of fabric and created hems and selvedges; bicycles wobbled along lanes; cars ran along highways; ball bearings spun and whirled; trains snorted out of tunnels; aircraft flew through the skies; telescopes deployed; clocks ticked or hummed, and their hands moved ever forward, never back, one precise sec­ond at a time."Then came the computer, then the personal computer, then the smartphone, then the previously unimaginable tools of today -- and with this helter-skelter technological evolution came a time of translation, a time when the leading edge of precision passed itself out into the beyond, moving as if through an invisible gateway, from the purely mechanical and physical world and into an immobile and silent universe, one where electrons and protons and neutrons have replaced iron and oil and bearings and lubricants and trunnions and the paradigm-altering idea of interchangeable parts, and where, though the components might well glow with fierce lights send out intense waves of heat, nothing moved one piece against another in mechanical fashion, no machine required that mea­sured exactness be an essential attribute of every component piece.
Simon Wincheter
Under African Skies" "Joseph's face was black as night The pale yellow moon shone in his eyes His path was marked By the stars in the Southern Hemisphere And he walked his days Under African skies This is the story of how we begin to remember This is the powerful pulsing of love in the vein After the dream of falling and calling your name out These are the roots of rhythm And the roots of rhythm remain In early memory Mission music Was ringing 'round my nursery door I said take this child, Lord From Tucson Arizona Give her the wings to fly through harmony And she won't bother you no more This is the story of how we begin to remember This is the powerful pulsing of love in the vein After the dream of falling and calling your name out These are the roots of rhythm And the roots of rhythm remain Joseph's face was as black as the night And the pale yellow moon shone in his eyes His path was marked By the stars in the Southern Hemisphere And he walked the length of his days Under African skies
Paul Simon
Years ago, I earned a pilot’s license. Right after my check ride an old pilot named Roy came up to me and congratulated me. Roy has tens of thousands of hours in the sky and in 2004 he was inducted into the hall of fame at the Pima Air & Space Museum in Tucson, Arizona. He is literally a living legend, so his words bear a certain weight. He said one thing that has stuck with me: “Now you have a license to learn.
Jason Youn (Jason Youn's 99c Photography Guide)
The two bodies lay in plain sight of the shuttered Salt Bingo Casino, though there are no witnesses other than a coyote and its jackrabbit prey. The two bodies lay still until the sun-cracked it is light over the Arizona desert like a sky egg.
Jennifer Leeper (The Poison of War)
Where was he staying?” Rice said, “We checked at El Tovar, Bright Angel, Thunderbird, and the rest of the possible places. He wasn’t booked at any of them.” “He had to stay somewhere.” “It could have been at one of the campgrounds, either inside the park or nearby,” noted Lambert. “Okay, he took the train up here. But if he came from DC he probably first flew into Sky Harbor. He might have stayed somewhere there until he went to Williams, Arizona. That’s where the train leaves from, right?” Lambert nodded. “There’s a hotel at the train depot. He might have stayed there.” “Have you made a search down here?” “We covered as much ground as we could. No trace so far. And we’re losing the light.” Pine took all this in. In the distance came the sharp bark of a coyote followed by the echoing rattle of a snake. There might be a standoff going on out there between predators as the lights of nature grew dim, thought Pine. The muscular walls of the canyon held a complex series of fragile ecosystems. It was the human factor that had intruded here. Nature always seemed to get on all right until people showed up. She turned her head to the left, where a long way away
David Baldacci (Long Road to Mercy (Atlee Pine, #1))
This is a song the Papago Indians like to sing when they go traveling around somewhere: They have gone, The birds of the sky. They have gone, The animals of the earth, They have returned Along their own trail. On a white rock under the Moon, On a red rock under the Sun, On a black rock they sat, On a yellow rock they rested And looked back and saw butterflies, They looked behind them and saw A whirlwind, And they watched the whirlwind And it was a tree Standing in a cool shadow. They sit under the tree in the shadow, They sit under the still tree. (page 68, The Great Wheat Harvest)
George Webb (A Pima Remembers)
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