Arin Love Quotes

We've searched our database for all the quotes and captions related to Arin Love. Here they are! All 77 of them:

She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Will you come with me?" "Ah, Kestrel, that's something you never need to ask.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin pulled her onto his lap. He held her shaking form, tucked his face into the crook of her cold neck as she sobbed against him. He murmured that he loved her more than he could say. He promised that he would always choose her first.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin. I've wanted to do this for a long time." Her words silenced him, steadied him. Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. "Ready?" He smiled. "Play.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She had done everything she could. And he didn't even know.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Little Fists, what's wrong?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Brother, you are mad,” said the queen. “He loves me,” Roshar protested. The cub was sleeping huddled against Rosher’s leg. “And when it has grown, and is large enough to eat a man?” “Then I’ll make Arin take care of him.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
I won’t play you because even when I win, I lose. It’s never been just a game between us.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Later, Kestrel wished she had spoken then, that no time had been lost. She wished that she’d had the courage that very moment to tell Arin what she’d finally known to be true: that she loved him with the whole of her heart.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
A lover? Maybe. Something tender, anyway. But tender like a bruise.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It was an old Herrani flag, stitched with the royal crest. Arin said, "But the royal line is gone." "They're looking for something to call you, Kestrel said, nudging Javelin forward. "Not this. It's not right." "Don't worry. They'll find the right words to describe you." "And you." "Oh, that's easy." "It is?" It seemed impossible to name every thing she was to him. Kestrel's expression was serious, luminous. He loved to see her like this. "They'll say that I'm yours," she told him, "just as you are mine.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Someone was coming through the velvet. He was pulling it wide, he was stepping onto Kestrel’s balcony—close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows. He was here. He had come. Arin.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
A singer who refused to sing, a friend who wasn't her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin, who had set hooks into her heart and drawn her to him so that she wouldn't see anything but his eyes. Arin was her enemy
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
What did you tell the queen?" "I told Inisha about you." "What, exactly?" He hesitated. "I'm afraid to say." "I want you to." "You might leave." "I won't." He stayed silent. She said, "I give you my word." "I told her that I belong to you, and no other. I said that I was sorry.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She said, I'm going to miss you when you when I wake up. Don't wake up, he answered. But he did. Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to." It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake. "You were sleeping so sweetly," she said. "Dreaming" He touched her tender mouth. "About what?" "Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She remembered her letter confessing every thing to Arin. I am the Moth. I am your country’s spy, she’d written. I have wanted to tell you this for so long. She’d scrawled the emperor’s secret plans. It didn’t matter that this was treason. It didn’t matter that she was supposed to marry the emperor’s son on First-summer’s day, or that her father was the emperor’s most trusted friend. Kestrel ignored that she’d been born Valorian. She’d written what she felt. I love you. I miss you. I would do anything for you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He'll behave. He has a mien and manners of a prince." "Oh, like you?" "I resent your tone." "I'm not sure you can control him." "Has he ever aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you'll get married, and make babies --" "Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
For a moment she didn't understand what he wanted, then she drew the dagger he'd made for her and gave it to him Arin looked it over---surprised, pleased. "You take good care of it." She took it back. "Of course I do." Her voice was rough and wrong. He peered at her. Friendly, he said, "Yes, of course. Is there a saying for it? 'A Valorian always polishes her blade.' Something like that." "I take care of it," she said, suddenly both miserable and angry, "because you made it for me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
As his people positioned themselves in and around the pass, Arin though that he might have misunderstood the Valorian addiction to war. He had assumed it was spurred by greed. By a savage sense of superiority. It had never occurred to him that Valorians also went to war because of love. Arin loved those hours of waiting. The silent, brilliant tension, like scribbles of heat lightning. His city far below and behind him, his hand on a cannon's curve, ears open to the acoustics of the pass. He stared into it, and even though he smelled the reek of fear from men and women around him, he was caught in a kind of wonder.He felt so vibrant. As if his life was fresh, translucent, thin-skinned fruit. It could be sliced apart and he wouldn't care. Nothing felt like this.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Something terrible was clawing up her throat. “I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.” “Damn your god.” Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.” “Why not? I can say anything. Anything except what really matters.” “Kestrel, take it back. You’ll offend him.” “Your god risks you.” “He protects me.” “You’re his plaything.” “You’re wrong. He loves me.” Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe. “It’s true,” Arin insisted. She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
His brain had been a glass ball. Nothing in it but echoes. His mother’s scent. Father’s voice. How Anireh’s gaze had held him from across the room, and her eyes said, Survive. They said, Love, and I’m sorry. They said, Little brother. And then silence. It became silent in Arin’s head as he stood on the road. He stopped hearing voices. He thought about how it had seemed strange that Risha would plot the emperor’s death, yet refuse to kill him herself. Arin understood now. He knew how it was to have no family: like living in a house with no roof. Even if Kestrel were here, and begged him—Let your sword fall, do it, please, now—Arin wasn’t sure that he could make her an orphan.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Sometimes, Arin almost understood what Kestrel had done. Even now, as he felt the drift of the boat and didn't fight its pull, Arin remembered the yearning in Kestrel's face whatever she'd mentioned her father. Like a homesickness. Arin had wanted to shake it out of her. Especially during those early months when she had owned him. He had wanted to force her to see her father for what he was. He had wanted her to acknowledge what she was, how she was wrong, how she shouldn't long for her father's love. It was soacked in blood. Didn't she see that? How could she not? Once, he'd hated her for it. Then it had somehow touched him. He knew it himself. He, too, wanted what he shouldn't. He, too, felt the heart chooses its own home and refuses reason. Not here, he'd tried to say. Not this. Not mine. Never. But he had felt the same sickness. In retrospect, Kestrel's role in the taking of the eastern plains was predictable. Sometimes he damned her for currying favor with the emperor, or blamed her playing war like a game just because she could. Yet he thought he knew the truth of her reasons. She'd done it for her father. It almost made sense. At least, it did when he was near sleep and his mind was quiet, and it was harder to help what entered. Right before sleep, he came close to understanding. But he was awake now.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he'd wished that it had been real. He tried to imagine the dream, then found himself dreaming.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin took the basket from her. "Coming or going?" "I've a errand here, and won't be home until late." "Shall I guess what brings you to town?" "You can try." He peeked in the basket. Bread, still warm from the oven. A bottle of liquor. Long, flat, pieces of wood. Rolls of gauze. "A picnic...with a wounded soldier? Sarsine," he teased, "is it true love? What's the wood for? Wait, don't tell me. I'm not sure I want to know." She swatted him. "The cartwright's oldest daughter has a broken arm.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Great Universe, Thank you for my many blessings. I thank you for the food I eat, The roof over my head, The comforts I enjoy, The family that supports me, The friends who love me, And the health I enjoy. May I always be grateful for these blessings and all others.
Arin Murphy-Hiscock (The Witch's Book of Self-Care: Magical Ways to Pamper, Soothe, and Care for Your Body and Spirit)
Then she had noticed that Arin’s fingernails were blackened, and how he kept reaching into his pocket as if to reassure himself that something was there. She had told herself not to guess. But she could never help guessing. A smile warmed her face. He shut his eyes in mock chagrin. “Gods, can I keep nothing from you?” “I didn’t mean to.” “Devious thing. I won’t give it to you yet. It’s for Ninarrith.” Time seemed strange; it was as if the ring were already on her smallest finger, the most vulnerable one. “It’s simple,” Arin had hastened to say. “I will love it.” “Will you wear it?” “Yes.” “Always?” “Yes,” she had said, “if you show me how to make one for you, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Loving others is an example of honoring and respecting nature and all nature’s creatures: it is an act of honoring their very existence and their place within nature’s energy.
Arin Murphy-Hiscock (The Green Witch: Your Complete Guide to the Natural Magic of Herbs, Flowers, Essential Oils, and More (Green Witch Witchcraft Series))
Throughout the years, I have found people are confused about my love for both Christianity and Paganism. I tell them what was revealed to me while I lay sleeping in the hospital. The All, whether perceived as a God, or a Goddess, or as one being, or even as an energy field, cares only about one thing: Love. Absolute and unconditional love. --High Priestess Enoch
Arin Murphy-Hiscock (Out of the Broom Closet: 50 True Stories of Witches Who Found and Embraced the Craft)
Her innocence was maddening. She should know. She should know what her steward had done. She should know it to be her fault whether she’d given the order or not–and whether she knew or not. Innocent? Her? Never. He did not want her to know. He did not want her to see. But: Look at me, he found himself thinking furiously at her. Look at me. She lifted her eyes, and did.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I stand now at a crossroads. I see before me the route to virtue, at an intersection with the route to love. Do I step to the left or the right, to the wrong or the right? M foot wavers in the air; where shall I set it down?
Lise Arin (Matilda Empress)
If she had to choose which aspect of the suite she despised most, it would have been a hard call between the lock and the garden, though these days she nursed a particular grudge against the curtains. She hid behind them to watch Arin leave the house, and return--very often on her horse. Despite the way he had looked after the battle, his injuries weren’t serious. His limp lessened, the bandage on his neck disappeared, and the raging bruises muted into ugly greens and violets. Several days passed without any words between him and her, and that set Kestrel on edge. It was hard to rub out the memory of his smile--exhausted, sweet. And then that waterfall of relief. Kestrel sent him a letter. Jess was likely to recover, she wrote. She asked to visit Ronan, who was being held in the city prison. Arin’s reply was a curt note: No. She decided not to press the issue. Her request had been due to a sense of obligation. She dreaded seeing Ronan--even if he agreed to speak with her. Even if he did not loathe her now. Kestrel knew that to look upon Ronan would be to come face-to-face with her failure. She had done everything wrong…including not being able to love him. She folded the one-word letter and set it aside.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin wanted to insist that if a secret concerned Kestrel, it concerned the emperor, and that concerned Herran. This was why he asked for Deliah’s help. It was for his country. Only for that. It was not out of worry for Kestrel. Not out of love. Not because the description of that dress made Arin try to imagine every possible thing that had been done to Kestrel while she wore it, or everything she might have tried to do. In the end, none of this was easy for him to say. He was silent as he made to leave Deliah’s workshop. “She cares for you,” Deliah said suddenly. “I know that she does.” It was so blatantly untrue that it almost seemed like a cruel joke. Arin laughed.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The light dimmed. The sky through the windows turned emerald. It was the first green storm of the season, and as Kestrel heard the wind pummel the house, she knew that Arin was wrong. He had wanted to punish her for months now. Hadn’t she bought him? Didn’t she own him? This was his revenge. That was all. The rain drove nails against the windowpanes. The room grew almost black. Kestrel heard Arin’s voice again in her mind and felt suddenly broken. Even if she didn’t doubt her feelings for Enai, there had been truth in his words. She didn’t notice him return. This storm was loud, the room was dark. She sucked in her breath when she realized he stood next to her. For the first time, it occurred to her to be afraid of him. But he merely struck a match and touched it to the wick of a lamp. He was soaked with rain. His skin glittered with it. When she looked at him, he flinched. “Kestrel.” He sighed. He rubbed a hand through his wet hair. “I shouldn’t have said what I did.” “You meant it.” “Yes, but--” Arin looked weary and confused. “I would have been angry if you did not weep for her.” He held out the hand that rested at his side in the shadows, and for an uncertain moment Kestrel thought he would touch her. But he was only offering something on his uplifted palm. “This was in her cottage,” he said. It was a braid of Kestrel’s hair. She took it carefully; even so, her smallest finger brushed his wet palm. His hand instantly fell. She considered the braid, turning the bright ring in her fingers. She knew that it didn’t choose sides between her truth and Arin’s. It wasn’t proof of Enai’s love. Yet it was a comfort. “I should go,” Arin said, though he didn’t move. Kestrel looked at his face glowing in the lamplight. She became aware that she was close enough to him that her bare foot rested on the damp edge of carpet where Arin stood, seeping rainwater. A shiver traveled up her skin. Kestrel stepped back. “Yes,” she said. “You should.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Something terrible was clawing up her throat. “I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.” “Damn>/i> your god.” Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.” “Why not? I can say anything. Anything except what really matters.” “Kestrel, take it back. You’ll offend him.” “Your god risks you.” “He protects me.” “You’re his plaything.” “You’re wrong. He loves me.” Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe. “It’s true,” Arin insisted. She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
As he rowed the launch toward Wensan’s ship, which was Herrani-made and studded with Valorian cannon, Arin remembered the exhaustion of that work, but also how it had corded his muscles until the ache in his arms became stone. He was grateful to the Valorians for having made him strong. If he was strong enough, he might live through this night. If he lived, he could reclaim the shreds of who he had been, and explain himself to Kestrel in a way she would understand. She sat silent next to him in the launch. The other Herrani at the oars watched as she lifted her bound hands to tug at the black cloth covering her hair. It was an awkard business. It was also necessary, since a new twist in the plan called for Kestrel to be seen and recognized. The Herrani watched her struggle. They watched Arin drop an oar in its lock to offer a hand. She flinched hard enough that her shifted weight shook the boat It was only a slight tremor along wood, but they all felt it. Shame ate into his gut. Kestrel pulled the cloth from her head. Even though clouds swelled in the sky, swallowing the moon and deepening the dark around them, Kestrel’s hair and pale skin seemed to glow. It looked like she was lit from within. It wasn’t something Arin could bear to see. He returned to the oars and rowed. Arin knew, far better than any of the ten Herrani in the launch, that Kestrel could be devious. That he shouldn’t trust her plan any more than he should have fallen for her ploys at Bite and Sting, or followed her blindly into the trap she had set and sprung for him the morning of the duel. Her plan to seize the ship was sound. Their best option. Still, he kept examining it like he might a horse’s hoof, tapping the surface for a flaw, a dangerous split. He couldn’t see it. He thought that there must be one, then realized that the flaw he sensed lay inside him. Tonight had cracked Arin open. It had brought the battle inside him to a boiling war. Of course he was certain that something was wrong. Impossible. It was impossible to love a Valorian and also love his people. Arin was the flaw.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It was late afternoon and she was sitting alone in her breakfast room, blankly staring out a window at bad weather, when she heard rapid, fierce footfalls striding toward her. “Stop crying.” Arin’s tone was brutal. Kestrel lifted fingertips to her cheek. They came away wet. “You shouldn’t be here,” she said, her voice hoarse. The breakfast room was one into which men were not allowed. “I don’t care.” He tugged Kestrel to her feet, and the shock of it forced her gaze to his. The blacks of his eyes were blown wide with feeling. With anger. “Stop it,” he said. “Stop pretending to mourn someone who wasn’t your blood.” His hand was iron around her wrist. She pulled free, the cruelty of what he had said bringing fresh tears to her eyes. “I loved her,” Kestrel whispered. “You loved her because she did anything you wanted.” “That’s not true.” “She didn’t love you. She could never love you. Where is her real family, Kestrel?” She didn’t know. She had been afraid to ask. “Where is her daughter? Her grandchildren? If she loved you, it was because she had no choice, and there was no one else left.” “Get out,” she told him, but he was already gone.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Tch. Lovely lady, won’t you hear my plan? It is the very best. You’ll like it. Here it is: I am waiting.” “Sunbathing.” “Waiting, I say, for you to tell me what to do.” She told him exactly what he could do. “Such language. Did you learn that from Arin? Stop kicking, little ghost. We’re in full view of the camp. Weren’t you just haranguing me about my honor? How can I cultivate respect in the rank and file if you kick me? Now. Truly. Look at my absolutely serious face as I say this. What would you have me do? More to the point, what will your father do?” Kestrel went still. “A move must be made,” said the prince. *
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.” He stopped spinning the tile in his fingers. “You’ll marry, then.” “Yes. But at least I will have six months of peace first.” Arin dropped the tile to the table. “Let’s play again.” This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph. Arin stared at the tiles. His mouth thinned to a line. A thousand questions swam into Kestrel’s mind, nudging, fighting to be first. But she was as taken aback as Arin seemed to be by the one that slipped out of her mouth. “Why were you trained as a blacksmith?” For a moment, Kestrel thought he wouldn’t answer. His jaw tightened. Then he said, “I was chosen because I was the last nine-year-old boy in the world suited to be a blacksmith. I was scrawny. I daydreamed. I cringed. Have you looked at the tools in the forge? At the hammer? You’d want to think carefully about what kind of slave you’d let pick that up. My first slaver looked at me and decided I wasn’t the type to raise my hand in anger. He chose me.” Arin’s smile was cold. “Well, do you like your answer?” Kestrel couldn’t speak. Arin pushed his tiles away. “I want to go into the city.” Even though Kestrel had said that he could, and knew that there was nothing wrong with a slave hoping to see his sweetheart, she wanted to say no. “So soon?” she managed. “It’s been a month.” “Oh.” Kestrel told herself that a month must be a long time to go without seeing the person one loves. “Of course. Go.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Lady Kestrel?” said an anxious voice. Kestrel opened her eyes to see a girl dressed in a Herrani serving uniform. “Yes?” “Will you please follow me? There is a problem with your escort.” Kestrel stood. “What’s wrong?” “He has stolen something.” Kestrel rushed from the room, wishing the girl would move more quickly down the villa’s halls. There must be some mistake. Arin was intelligent, far too canny to do something so dangerous. He must know what happened to Herrani thieves. The girl led Kestrel into the library. Several men were gathered there: two senators, who held Arin by his arms, and Irex, whose expression when he saw Kestrel was gloating, as if he had just drawn a high tile in Bite and Sting. “Lady Kestrel,” he said, “what exactly did you bring into my house?” Kestrel looked at Arin, who refused to return her gaze. “He wouldn’t steal.” She heard something desperate in her voice. Irex must have, too. He smiled. “We saw him,” said one of the senators. “He was slipping that inside his shirt.” He nodded at a book that had fallen to the floor. No. The accusation couldn’t be true. No slave would risk a flogging for theft, not for a book. Kestrel steadied herself. “May I?” she asked Irex, nodding at the fallen book. He swept a hand to indicate permission. Kestrel stooped to retrieve the book, and Arin’s eyes flashed to hers. Her heart failed. His face was twisted with misery. She considered the closed, leather-bound book in her hands. She recognized the title: it was a volume of Herrani poetry, a common one. There was a copy in her library as well. Kestrel held the book, not understanding, not seeing anything worth the risk of theft--at least not here, from Irex’s library, when her own could easily serve Arin’s purposes. A suspicion whispered in her mind. She recalled Arin’s odd question in the carriage. Where are we going? His tone had been incredulous. Yet he had known their destination. Now Kestrel wondered if he had recognized something in the passing landscape that she hadn’t, and if his question had been less a question than the automatic words of someone sickened by a sudden understanding. She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I’d better have a glass then. To complete my ensemble.” Kestrel didn’t quite forget her promise to Arin not to drink, but rather willed it away along with everything else about him. “Oh, yes,” said Jess. “You must. Don’t you think so, Ronan?” “I don’t think. I am thinking of nothing other than what Kestrel could be thinking, and whether she will dance with me. If I’m not mistaken, there is one final dance before this legendary wine is served.” Kestrel’s happiness faltered. “I’d love to, but…won’t your parents mind?” Ronan and Jess exchanged a glance. “They’re not here,” Ronan said. “They’ve left to spend the winter season in the capital.” Which meant that, were they here, they would object--as would any parents, given the scandal. Ronan read Kestrel’s face. “It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Later, when they were quiet, he looked down at her where she lay. Stretched out alongside her, Arin propped himself up on one elbow. “I think that I’m not awake.” His fingertips floated over her: nose, eyelashes, messy braid, shoulder. “Beautiful.” She smiled. “Like you.” Arin made a skeptical cough, scrunched his face. He found the end of her braid and paintbrushed it across her cheek. “It’s true,” she told him. “You never believe me when I say it.” The lamp’s wick fizzed and sparked in its oil. It would soon go out. “I love your eyes,” she said. “I have from the start.” “They’re common.” “No, they’re not.” She traced his scarred face. “This.” He shivered. “I love this.” She bit him on the jaw. “And this.” She continued to touch him. “Really?” “Yes.” “This, too.” Not quite a question. “That, too.” She felt laughter travel through him, and something else, quieter and more intense. “Your mouth,” she said, “is not bad.” “Not bad?” “Quite tolerable.” He cocked one brow. “I’ll show you.” They stopped talking. In the morning, when Roshar saw their faces he rolled his eyes. “I want my tent back,” he said. Kestrel laughed.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Then she had noticed that Arin’s fingernails were blackened, and how he kept reaching into his pocket as if to reassure himself that something was there. She had told herself not to guess. But she could never help guessing. A smile warmed her face. He shut his eyes in mock chagrin. “Gods, can I keep nothing from you?” “I didn’t mean to.” “Devious thing. I won’t give it to you yet. It’s for Ninarrith.” Time seemed strange; it was as if the ring were already on her smallest finger, the most vulnerable one. “It’s simple,” Arin had hastened to say. “I will love it.” “Will you wear it?” “Yes.” “Always?” “Yes,” she had said, “if you show me how to make one for you, too.” Kestrel gave her horse a final caress. It was full night. She left the stables. Fireflies spangled the black lawn. She thought about Arin’s expression when she’d asked if he would teach her how to forge a ring for him, and the whole conversation glowed within her like one of those fireflies. Watching them, you’d almost think that a firefly winks out of existence, then comes to life, vanishes again, returns. That when it’s not lit, it’s not there at all. But it is.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
There was an awful tension in Arin, one that reminded Kestrel of his childhood violin. He had been strung too hard for far too long. When he finally spoke, his reply came in a low growl. “I agree.” “Then give orders to open the gate. My father will enter and escort all Valorians in your city back to the capital.” “I agree,” Arin said, “under one condition. You mentioned emissaries. There will be one emissary from the empire. It will be you.” “Me?” “You, I understand. You, I know how to read.” Kestrel wasn’t so sure of that. “I think that will be acceptable,” she said, and wanted to turn away from how much she wanted this condition. How she would seize any chance to see him, even with the purpose of enforcing the emperor’s will. Since she could not turn away from her own wanting, she turned away from him. “Please don’t do this,” he said. “Kestrel, you don’t know. You don’t understand.” “I see things quite clearly.” She began to walk to meet her father, in whose eyes she had, at last, done something to make him proud. “You don’t,” Arin said. She pretended not to hear him. She watched the white sky dissolve into snow and shiver apart over the leaden sea. She felt icy sparks on her skin. The snow fell on her, it fell on him, but Kestrel knew that no single flake could ever touch them both. She didn’t look back when he spoke again. “You don’t, Kestrel, even though the god of lies loves you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I could stay,” he said. “I could leave tomorrow.” “No. I want you to go now.” “Do you?” “Yes.” “Ah, but what about what I want?” The softness in his voice made her lift her gaze. She would have answered him--how, she wasn’t sure--if Javelin’s attention hadn’t turned to him. The stallion began nuzzling Arin as if he were the horse’s favorite person in the world. Kestrel felt a pang of jealousy. Then she saw something that sent thoughts of jealousy and loneliness and want right out of her head, and just made her mad. Javelin was nibbling a certain part of Arin, waffling around a pocket exactly the right size to hold a-- “Winter apple,” Kestrel said. “Arin, you have been bribing my horse!” “Me? No.” “You have! No wonder he likes you so much.” “Are you sure it’s not because of my good looks and pleasing manners?” This was said lightly--not quite sarcastically, yet in a voice that nevertheless told Kestrel that he doubted he possessed either of these things. But he was pleasing. He pleased her. And she could never forget his beauty. She had learned it all too well. She blushed. “It’s not fair,” she said. He took in her rising color. His mouth curved. And although Kestrel wasn’t sure that he could interpret what effect he was having on her simply by standing there and saying the word pleasing, she knew that he always knew when he had an advantage. He pressed it. “Doesn’t your father’s theory of war include winning over the other side by offering sweets? No? An oversight, I think. I wonder…might I bribe you?” Kestrel’s fingers clenched. It probably looked like anger. It wasn’t. It was the instinctive gesture of someone dangerously tempted. “Open your hands, Little Fists,” said Arin. “Open your eyes. I haven’t stolen his love for you. Look.” It was true that in the course of their conversation, Javelin had turned away from Arin, disappointed by the empty pocket. The horse nosed Kestrel’s shoulder. “See?” Arin said. “He knows the difference between an easy mark and his mistress.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The god of souls…Kestrel’s throat closed as she remembered Arin invoking that god, who ruled love. My soul is yours, he had said. You know that it is. His expression had been so open, so true. Frightened, even, of what he was saying. And she had been frightened, too, by how he had spoken what she felt. It frightened her still.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
She couldn’t believe it. The mere fact of Arin’s asking was so reckless. No matter that his trust didn’t extend quite so far as to admit the truth of the situation: that Thrynne had been a spy sent to gather information on the emperor, and must be assumed caught. It was nevertheless clear that Arin was the sort of person who would dash safety to pieces. No one with any sense of self-preservation would inquire after the whereabouts of his spy from the emperor’s future daughter-in-law, who had already betrayed Arin once. But self-preservation had never been Arin’s strong suit. What would he do with the truth of Kestrel’s engagement? Where is my honor in all this? he’d asked her once. She didn’t know what honor was to him. She thought that it wasn’t the same as her father’s: monumental, marble-cut. No, Arin’s honor was alive. She sensed the way it moved. She couldn’t see its face--maybe it had many faces--but she believed that Arin’s honor was the kind that would hold its breath and bite its lip until it bled. If she told Arin the truth, he’d wreck the peace she’d bought. It almost didn’t matter whether he loved her. Arin wouldn’t let someone imprison herself so that he could go free. He’d find a way to end her engagement…and she would let him. She’d felt it before, she felt it now: the pull to fall in with him, to fall into him, to lose her sense of self. There would be scandal, and then there’d be war.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
A cloth dropped onto his head from above, from a window of one of the tall, narrow homes near the market. Startled, blind, Arin tugged it from his face, his horse shying beneath him. It was an old Herrani flag, stitched with the royal crest. Arin said, “But the royal line is gone.” “They’re looking for something to call you,” Kestrel said, nudging Javelin forward. “Not this. It’s not right.” “Don’t worry. They’ll find the right words to describe you.” “And you.” “Oh, that’s easy.” “It is?” It seemed impossible to name everything she was to him. Kestrel’s expression was serious, luminous. He loved to see her like this. “They’ll say that I’m yours,” she told him, “just as you are mine.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Although Arin was eager to see Kestrel, he would have to wait. He caught threads of music from far away. As he came across the grass, the piano’s melody strengthened. It opened within him a happiness that gathered and gleamed…glossy, but the way water is, with weight. A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he’d wished that it had been real. He tried to imagine the dream, then found himself dreaming. Everything made sense in his dream yet he felt the tenuousness of this perfect reason. The arch of Kestrel’s bare foot. An old tale about the god of death and the seamstress. Arin would lose, upon waking, his understanding of why touching Kestrel would arouse the memory of a story he’d not thought about in a long time. He dreamed: one stocking balled in his fist, and the stray question of how it had been made, who had sewn this? He saw his hands--though they did not look like his hands--measuring and cutting fabric, sewing invisible stitches. A dark-haired boy tumbled from a room, a god-mark upon his brow. When a guest entered and said, Weave me the cloth of yourself, Arin thought that he was the forbidding guest and the child and the sewing girl all at once. She said, I’m going to miss you when I wake up. Don’t wake up, he answered. But he did. Kestrel, beside him on the grass, said, “Did I wake you? I didn’t mean to.” It took him a velvety moment to understand that this was real. The air was quiet. An insect beat its clear wings. She brushed hair from his brow. Now he was very awake. “You were sleeping so sweetly,” she said. “Dreaming.” He touched her tender mouth. “About what?” “Come closer, and I’ll tell you.” But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I have fought for Arin, bled for him. I hold him in my heart. I have even named my tiger after him--no small honor. And yet, we have a problem. Arin of Herran was not always my friend, and once committed an offense against me that caused my queen to award me control over all he owns: his life, his belongings, and--since you say he possesses it--his country. I’ve been told to take from Arin what is due to me. I’ve been told it is mine by law. Must I? Yes. Will my people support my claim, with force if necessary? They will. Will my queen rise in admiration of me? Oh, indeed. And so I must. “No, Arin. Sit down. Otherwise you’ll make an ass out of yourself, and that role is mine. I see my tiger’s meal is here. You, there. Yes, you. With the platter. Bear it forth.” Kestrel laughed. Arin felt rather than saw that she had relaxed beside him, aglow with mirth. He sank back into his chair, because now he too understood Roshar’s game. He wanted to sag with relief. He wanted to strangle the prince. And thank him. “There.” Roshar flourished a hand at the platter. “Arin the tiger’s meal. Since I’ve ordered to take from Arin what belongs to Arin, I shall.” Roshar returned to his seat, platter in hand, and commenced cutting the meat. He took a bite. “Mmm. This is excellent. So well done. Now, as for what belongs to Arin the human, I relinquish any claim to it. Nothing of his was ever mine to take, nor will ever be. What belongs to him, I defend his right to keep, out of my love for him, and his for me.” He looked directly at the queen as he ate. “This is delicious. Exactly the way I like it.” The queen forced a smile. “Oh, and would someone bring another slice of loin? Raw, please. My tiger is hungry.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Although Arin was eager to see Kestrel, he would have to wait. He caught threads of music from far away. As he came across the grass, the piano’s melody strengthened. It opened within him a happiness that gathered and gleamed…glossy, but the way water is, with weight. A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he’d wished that it had been real. He tried to imagine the dream, then found himself dreaming.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Yes, I agreed to marry the prince so that you could have your independence. Yes, I was Tensen’s spy. Yes, I loved you.” There was a silence. Fireflies lit the distance. “Why didn’t I say that then? I wonder what would have happened if I had.” And now? he wanted to ask. Do you love me now? He felt her uncertainty. He felt--as if it had already happened, and he’d already asked--the damage of forcing the question. She spoke as if she’d heard it anyway. “You are important to me,” she said, and touched his face. Important. The word swelled and deflated. More than he’d thought. Less than he wanted. But this: her touching him. How his blood jumped. He stayed very still. No more mistakes. He couldn’t afford any. He would do nothing. Something. No. She found the curves of his closed eyelids, the shape of his nose, the divot above his mouth, the rasp along his jaw where he hadn’t shaved. His skin began to dream. Then his pulse. His flesh. Right down to the bones. She shifted on the grass. Green and orange perfumed the air. It was on her skin. She tasted like it, too, when her mouth brushed his, and their noses bumped awkwardly, and he wished he could see her as she breathed a laugh and his hands went into her hair despite himself, despite what he’d told her the night before he’d left his home about what was enough and what wasn’t. The tang of citrus on her tongue. He forgot himself. He moved her beneath him and felt their bodies mark the grass. A fluffy breeze stirred the heavy air, floating over the arch of his back. She tugged up his shirt and he went down onto his elbows. The hilt of her dagger dug into his belly. He stayed where he was, her palms warm water flowing over his skin. He didn’t want to make a sound. Even his blood seemed loud as he kissed her. Then a campfire lit the near dark. Startled, he pulled away. He could see her face better now. Slow eyes, a blurry mouth, and a question stealing across her expression. He’d imagined this before, or something close to it. Close enough, he decided, but then had the sudden worry that if before she had come to him in his suite because she had wanted to remember, maybe this time, knowing what she knew now, he was just a way for her to forget. He pushed himself up. He heard a rustle as she sat up, too, and wrapped her arms around her trousered knees. He kept his eyes off her. He straightened his shirt, but it felt odd, like it didn’t fit him anymore. The sticky air cooled between them. He pushed damp hair off his brow. His limbs--so certain of themselves only moments ago--became an awkward jumble. Kestrel said, “Will you tell me about the day we met?” This was unexpected. “It wasn’t a nice day.” “I want to know everything from then until now.” Still unsure, Arin said, “But you haven’t before.” “I trust you. You won’t lie to me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Where is my honor in all this? he’d asked her once. She didn’t know what honor was to him. She thought that it wasn’t the same as her father’s: monumental, marble- cut. No, Arin’s honor was alive. She sensed the way it moved. She couldn’t see its face— maybe it had many faces— but she believed that Arin’s honor was the kind that would hold its breath and bite its lip until it bled. If she told Arin the truth, he’d wreck the peace she’d bought. It almost didn’t matter whether he loved her. Arin wouldn’t let someone imprison herself so that he could go free. He’d fi nd a way to end her engagement . . . and she would let him.
Anonymous
I don’t want you to go.” Waves rocked against the pier. The sun was too bright. Weathered boards creaked beneath Arin’s feet. “Only because you enjoy a good bully. Someone to make you behave as you ought.” “No, Roshar.” “You know well enough what to do now. You’ll be fine.” “That’s not why.” “Why you’ll miss me? I admit that the impending absence of my keen wit would make anyone sad.” “Not exactly.” “Now I’m getting sad, just thinking about how it would feel to be parted from my sweet self. Lucky me: I will always have my own company.” “What you said at the banquet was true.” “Everything I say is true.” “That I love you.” Roshar’s face went still. “I said that?” “You know that you did.” “That was more for the drama of the moment.” “Liar.” “I am, aren’t I?” Roshar said slowly. “I really am. Arin.” His voice roughened. “You’ll see me again.” “Soon,” Arin told him, and embraced him.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He glimpsed Sarsine as he walked through the city. She had a laden basket--it dragged at her arm, making its weight known even from far away. Her faintly harried expression softened at the sight of him. Arin took the basket from her. “Coming or going?” “I’ve an errand here, and won’t be home until late.” “Shall I guess what brings you to town?” “You can try.” He peeked in the basket. Bread, still warm from the oven. A bottle of liquor. Long, flat pieces of wood. Rolls of gauze. “A picnic…with a wounded soldier? Sarsine,” he teased, “is it true love? What’s the wood for? Wait, don’t tell me. I’m not sure I want to know.” She swatted him. “The cartwright’s oldest daughter has a broken arm.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel waited outside Arin’s tent. It was a muzzy sort of night, too warm for a fire. The camp was a dark terrain. He didn’t see her clearly, just the shape of her. “I brought you something.” She held out her hand and dropped a round object into his. I knew it instantly. He ran fingers over its firm, lightly pebbled surface. “An orange.” “I found a tree not far from camp and took as many as I could carry. Most I gave away. This one, I thought we could share.” He jumped the orange from one hand to the other, marveling at it. She said, “I didn’t know whether you like them.” “I do.” “Did you tell this to me once? Did I forget?” “I never told you. Actually…” He rolled it in the well of one palm. “I love them.” He could have sworn that she smiled in the dark. “Then what are you waiting for?” He dug his thumb in and peeled it open. Its perfume sprayed the air. He halved it and gave Kestrel her share. They sat on the grass outside his tent. They’d camped in a meadow not far from the road. He touched the grass, sleek beneath his fingers. He ate. The fruit was vibrant on his tongue. It had been years. “Thank you.” He thought he saw her mouth curve, and he was washed by a breathless nervousness. He spat a seed into his palm and wondered what little kernel lay in the folds of this moment. Then he told himself to stop thinking. An orange. A rare enough pleasure. Just eat.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
If you love and respect the world around you, you will not abuse it. The more empathy and sympathy you have for your surroundings, the better you will treat them. This is tied in to the basic Golden Rule found in several religions. It’s ethical reciprocity: if you treat those around you with courtesy, they will extend the same to you. What you put out into the world returns to you, and that goes for thoughts, acts, and energy.
Arin Murphy-Hiscock (The Green Witch: Your Complete Guide to the Natural Magic of Herbs, Flowers, Essential Oils, and More (Green Witch Witchcraft Series))
Kestrel atesoraba el recuerdo de la canción de Arin. Era como miel en la colmena de su corazón.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))