Are Footnotes Used For Quotes

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Initially, you continue doing what you used to do with her, out of familiarity, love, the need for a pattern. Soon, you realise the trap you are in: caught between repeating what you did with her, but without her, and so missing her; or doing new things, things you never did with her, and so missing her differently. You feel sharply the loss of shared vocabulary, of tropes, teases, short cuts, injokes, sillinesses, faux rebukes, amatory footnotes – all those obscure references rich in memory but valueless if explained to an outsider.
Julian Barnes (Levels of Life)
... there's the fact of her being a hundred and four years old. I keep saying that's her age, but actually I'm just guessing. We don't really know for sure how old she is, and she claims she doesn't remember, either. When you ask her, she says, "Zuibun nagaku ikasarete itadaite orimasu ne." .... (footnote) Zuibun nagaku ikasarete itadaite orimasu ne -- "I have been alive for a very long time, haven't I?" Totally impossible to translate, but the nuance is something like: "I have been caused to live by the deep conditions of the universe to which I am humbly and deeply grateful. P. Arai calls it the "gratitude tense," and says the beauty of this grammatical construction is that "there is no finger pointed to a source." She also says, "It is impossible to feel angry when using this tense.
Ruth Ozeki (A Tale for the Time Being)
Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
You know,” she continued, “I used to feel so smart. Before I got here, you know? I would just blurt out opinions. I believed in what I was thinking. And now, I don’t know. If I don’t have fucking footnotes and firsthand sources and shit ready, I’m afraid to talk.
Xóchitl González (Anita de Monte Laughs Last)
or footnotes, with the desired cross-reference or footnote at the top of the page. You may use the BACK
Anonymous (Holy Bible: English Standard Version (ESV))
You think I hate men. I guess I do, although some of my best friends...I don't like this position. I mistrust generalized hatred. I feel like one of those twelfth century monks raving on about how evil women are and how they must cover themselves up completely when they go out lest they lead men into evil thoughts. The assumption that the men are the ones who matter, and that the women exist only in relation to them, is so silent and underrunning that ever we never picked it up until recently. But after all, look at what we read. I read Schopenhauer and Nietzsche and Wittgenstein and Freud and Erikson; I read de Montherlant and Joyce and Lawrence and sillier people like Miller and Mailer and Roth and Philip Wylie. I read the Bible and Greek myths and didn't question why all later redactions relegated Gaea-Tellus and Lilith to a footnote and made Saturn the creator of the world. I read or read about, without much question, the Hindus and the Jews, Pythagoras and Aristotle, Seneca, Cato, St.Paul, Luther, Sam Johnson, Rousseau, Swift...well, you understand. For years I didn't take it personally. So now it is difficult for me to call others bigots when I am one myself. I tell people at once, to warn them, that I suffer from deformation of character. But the truth is I am sick unto death of four thousand years of males telling me how rotten my sex is. Especially it makes me sick when I look around and see such rotten men and such magnificent women, all of whom have a sneaking suspicion that the four thousand years of remarks are correct. These days I feel like an outlaw, a criminal. Maybe that's what the people perceive who look at me so strangely as I walk the beach. I feel like an outlaw not only because I think that men are rotten and women are great, but because I have come to believe that oppressed people have the right to use criminal means to survive. Criminal means being, of course, defying the laws passed by the oppressors to keep the oppressed in line. Such a position takes you scarily close to advocating oppression itself, though. We are bound in by the terms of the sentence. Subject-verb-object. The best we can do is turn it around. and that's no answer, is it?
Marilyn French (The Women's Room)
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END." footnote ("Good Old Neon")
David Foster Wallace (Oblivion: Stories)
The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. And thus toleration produced not only mutual indulgence, but even religious concord. The
Edward Gibbon (The History of The Decline and Fall of the Roman Empire: Complete and Unabridged (With All Six Volumes, Original Maps, Working Footnotes, Links to Audiobooks and Illustrated))
But to me, each revision of the document simply showed how far the initial Flevel implementation had progressed. Those parts of the language that were not yet implemented were still described in free-flowing flowery prose giving promise of unalloyed delight. In the parts that had been implemented, the flowers had withered; they were choked by an undergrowth of explanatory footnotes, placing arbitrary and unpleasant restrictions on the use of each feature and loading upon a programmer the responsibility for controlling the complex and unexpected side-effects and interaction effects with all the other features of the language.
C.A.R. Hoare
relating to the ESV® translation. Sign Up Here How to Use the ESV Bible, Kindle Edition Thank you for downloading the ESV Bible, Kindle Edition. This edition is designed to provide all of the contents of the print edition of the ESV Classic Reference Bible, optimized for your Amazon Kindle device or app. Accessing Cross-References and Footnotes
Anonymous (Holy Bible: English Standard Version (ESV))
The Arden Shakespeare is intended both as a student text and as a revision of traditional scholarship. If it is to be used in the first way, then the often narrow thread of text above a sediment of footnotes, something Dr Leavis so deplored, can prove debilitating. Poems, especially the classics of our language, should be read headlong. Dubieties may be looked up later.
Peter Porter
The Claude glass was also known as the ‘black mirror’ and was responsible for a number of minor mishaps. This is where history catches up with us. Our version of the black mirror, carried in the pocket, used by millions to ‘see’ rock concerts, fireworks displays and sunsets, is the smartphone. We look through it to make sure we are catching grainy footage of the wondrous thing we are missing.
Vybarr Cregan-Reid (Footnotes: How Running Makes Us Human)
pathar pocha’, a leaf-wiper, an Adivasi. The manner of cleaning one’s bottom is stronger than any other custom in a culture. Most Adivasi people, left to themselves, use leaves. I pursued the rather neglected science of examining the qualities of various species of leaves; even sent my findings to the Kew Bulletin for publication but was turned down as their editorial board found it ‘rather inappropriate’.
Madhu Ramnath (Woodsmoke and Leafcups: Autobiographical Footnotes to the Anthropology of the Durwa People)
cross-references and footnotes in the ESV Bible, Kindle Edition, are represented as links. Following the links will take you to a listing of cross-references or footnotes, with the desired cross-reference or footnote at the top of the page. You may use the BACK button to return to the Bible text, or you may follow the link back to the original verse at the beginning of the cross-reference or footnote. A superscript letter (a) links to a cross-reference list.
Anonymous (Holy Bible: English Standard Version (ESV))
Just under a thousand pages long (to say nothing of the endnotes, to say nothing of the footnotes that accompany many of the endnotes), it is a book written, in one sense, for a pre-iPhone brain, minutely detailed, endlessly populated, a novel that moves in millimeters. On the other hand, Infinite Jest is perfectly, almost uncannily suited for our digital age, its fragmented narrative jumping from one stream of ideas to the next. Wallace mirrors back to us exactly the kind of splintered thinking we’ve now grown used to through all the hours we spend online.
Casey Schwartz (Attention: A Love Story)
What really happened to JonBenet Ramsey? Was her death intentional or an accident, covered up to look like a botched kidnapping? What are the facts about the case DNA? What does it really tell us? Is it relevant to the crime or is it contamination? Can it be tied to an intruder, or was Mary Lacy’s attempt at exoneration of the Ramseys based on faulty interpretation of the actual lab results? “Listen Carefully: Truth and Evidence in the JonBenet Ramsey Case” contains 16 pages of explosive DNA reports from Bode Cellmark Forensics that had been hidden until recently, as well details of the 2013 shocking revelation John and Patsy Ramsey were indicted by a Grand Jury in 1999, but the district attorney declined to prosecute. Exposing the many myths and misrepresentations of facts in the Ramsey case, the book uses documented evidence and detailed research, as well as extensive interviews with many who were involved in the case, to present the truth surrounding JonBenet’s death and the 20-year investigation. With a thorough linguistic analysis of the ransom note, as well as handwriting comparisons, crime-scene photos, footnotes, a bibliography for further reading and five appendices (including timelines, Ramsey house plans, and a guide to understanding DNA), the book is essential for anyone interested not only what happened to JonBenet, but why.
True Crime Detectives Guild
Joy of Cooking you will not find a footnote that says “Pepperidge Farm is perfectly fine if you’re tight on time.” No, you will get a recipe for dressing, and if you follow it, step by step, you’ll wind up with something delicious. On that freezing holiday weekend when my adult life began, I not only learned to cook, I learned to read. I didn’t improvise. If the recipe said “Two teaspoons of chopped fresh sage,” that’s what went in the pot. Beat the egg whites for seven minutes? I looked at my watch and went to work. I did not glance at the instructions, I followed them, so that even now when someone claims they don’t know how to cook, I find myself snapping, “Do you know how to read?” Paying close attention to the text, and realizing that books can save you, those were the lessons I learned my freshman year of college when school was closed. I then went on to use
Ann Patchett (These Precious Days: Essays)
I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'.
Saul Bellow (Ravelstein)
Who do I write for? I thought about this again and again over the next few days until the answer crystalized in my consciousness. I write for all readers. But my primary interest is in representing the complex but universal experience of Somalis. I do this because the media representation of the global Somali community is one that is carved out of derivative clichés crammed with pirates, warlords, terrorists, passive women and girls whose entire existence seems to be nothing more than a footnote on the primitive dangers of female genital mutilation. I write because I want to give a long-overdue voice to a community that has experienced a tremendous array of challenges but who constantly face these challenges with the most wicked sense of humour, humility and dignity. My father always used to tell me that in our culture, the done thing when you’re facing hardship and your belly is empty is to moisturize your face, comb your hair, press your clothes and step out into the sun with your sense of humanity intact. It’s a lesson I’ve carried with me to this day.
Diriye Osman
Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish. I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Boswell, like Lecky (to get back to the point of this footnote), and Gibbon before him, loved footnotes. They knew that the outer surface of truth is not smooth, welling and gathering from paragraph to shapely paragraph, but is encrusted with a rough protective bark of citations, quotations marks, italics, and foreign languages, a whole variorum crust of "ibid.'s" and "compare's" and "see's" that are the shield for the pure flow of argument as it lives for a moment in one mind. They knew the anticipatory pleasure of sensing with peripheral vision, as they turned the page, gray silt of further example and qualification waiting in tiny type at the bottom. (They were aware, more generally, of the usefulness of tiny type in enhancing the glee of reading works of obscure scholarship: typographical density forces you to crouch like Robert Hooke or Henry Gray over the busyness and intricacy of recorded truth.) They liked deciding as they read whether they would bother to consult a certain footnote or not, and whether they would read it in context, or read it before the text it hung from, as an hors d'oeuvre. The muscles of the eye, they knew, want vertical itineraries; the rectus externus and internus grow dazed waggling back and forth in the Zs taught in grade school: the footnote functions as a switch, offering the model-railroader's satisfaction of catching the march of thought with a superscripted "1" and routing it, sometimes at length, through abandoned stations and submerged, leaching tunnels. Digression—a movement away from the gradus, or upward escalation, of the argument—is sometimes the only way to be thorough, and footnotes are the only form of graphic digression sanctioned by centuries of typesetters. And yet the MLA Style Sheet I owned in college warned against lengthy, "essay-like" footnotes. Were they nuts? Where is scholarship going?
Nicholson Baker (The Mezzanine)
In writing The Exciting Story of Cuba I tried not to judge or take sides. I tell the events as they happened and attempt to take a neutral or reasonable political position; however I am also convinced that both sides will disagree with some of my views. Hopefully this is not just one more dry history book, but rather a presentation of interesting stories of Cuba. Unfortunately, Cuba is still a divided country with extreme political leanings and loyalties. Cubans, in both the United States and on the island, are a proud people who frequently find it difficult to reach a middle ground. Research into recent history demonstrates that the people who fled from Castro, and those who still support him, see things in a very different light. It is said that, “To the victor go the spoils,” and in this case, both sides have experienced both victory and defeat. Thus, events are recorded in two very different ways. Americans have also played a major role in Cuban history. However, to be very clear, not everything America has done was right, nor was it always wrong, since special interest groups frequently influenced events in Washington. The consequential actions of the United States as they pertain to Cuban affairs reflect this. In the end, it is the reader’s conclusion that counts, but my attempt is to separate the wheat from the chaff and to clarify the brine as much as possible, but always with a sense of responsibility mixed with humor. The nature of this book is definitely historical and therefore can be used as a reference source that, although not footnoted, can easily be cross-referenced with standard textbooks as well as historical novels. It contains photographs, stories and information not readily found in other books about Cuban history.
Hank Bracker
a man named Aristocles, whose very broad shoulders got him the nickname Plato. One of the most influential minds in human history – Alfred North Whitehead, himself no intellectual slouch, characterized all of Western philosophy as a series of footnotes to Plato8 – he played a central role in redirecting philosophy away from arbitrary speculations about the nature of existence, and toward close attention to how human beings know what exists and what doesn’t. Even if you’ve never read a word Plato wrote, you use concepts he invented practically every time you think.
John Michael Greer (The Blood of the Earth: An essay on magic and peak oil)
Human bodies are extremely complicated and over the years I learned three important things about them, none of which I had been taught by lecturers or professors at my medical school. First, I learned that no two bodies are identical and there are an infinite number of variations. Not even twins are truly identical. When I first started to study medicine I used to think how much easier it would be for us all (doctors and patients) if bodies came with an owner's manual, but the more I learned about medicine the more I realised that such a manual would have to contain so many variations, footnotes and appendices that it wouldn't fit into the British Museum let alone sit comfortably on the average bookshelf. Even if manuals were individually prepared they would still be too vast for practical use. However much we may think we know about illness and health there will always be exceptions; there will always be times when our prognoses and predictions are proved wrong. Second, I learned that the human body has enormous, hidden strengths, and far greater power than most of us ever realise. We tend to think of ourselves as being delicate and vulnerable. But, in practice, our bodies are tougher than we imagine, far more capable of coping with physical and mental stresses than most of us realise. Very few of us know just how strong and capable we can be. Only if we are pushed to our limits do we find out precisely what we can do. Third, I learned that our bodies are far better equipped for selfdefence than most of us imagine, and are surprisingly well-equipped with a wide variety of protective mechanisms and self-healing systems which are designed to keep us alive and to protect us when we find ourselves in adverse circumstances. The human body is designed for survival and contains far more automatic defence mechanisms, designed to protect its occupant when it is threatened, than any motor car. To give the simplest of examples, consider what happens when you cut yourself. First, blood will flow out of your body for a few seconds to wash away any dirt. Then special proteins will quickly form a protective net to catch blood cells and form a clot to seal the wound. The damaged cells will release special substances into the tissues to make the area red, swollen and hot. The heat kills any infection, the swelling acts as a natural splint - protecting the injured area. White cells are brought to the injury site to swallow up any bacteria. And, finally, scar tissue builds up over the wounded site. The scar tissue will be stronger than the original, damaged area of skin. Those were the three medical truths I discovered for myself. Over the years I have seen many examples of these three truths. But one patient always comes into my mind when I think about the way the human body can defy medical science, prove doctors wrong and exhibit its extraordinary in-built healing power.
Vernon Coleman (The Young Country Doctor Book 7: Bilbury Pudding)
The Lean Startup: How Today’s Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses by Eric Ries, Crown Business, September 12, 2011 The Black Swan: The Impact of the Highly Improbably, Second Edition, by Nassim Nicolas Taleb, Random House, May 11, 2010 Footnotes 1 The Black Swan, Second Edition, by Nassim Nicolas Taleb, Random House, May 11, 2010
Mario E. Moreira (The Agile Enterprise: Building and Running Agile Organizations)
This is it,” Orion breathed and we turned to read the words as he held out the book. A spell was laid out to strip the newly acquired Elements from King, the answer right there before us. We needed Vampire blood to pull it off as part of a potion which Ryder immediately started writing down the ingredients to. To speed the process up, a Vampire could feed on the vessel once the Elements had been stripped away while the spell was being chanted to draw the stolen magic out of them faster, but it wasn’t necessary. But if a Vampire didn’t do that then it would take a lot longer to rip the stolen magic out of the host and that would give King more time to fight back. One glance at Elise told me she was fully planning to drain every last drop of stolen power out of King the moment she could and I swallowed down the fear that sparked in me. “There’s a warning here,” Orion said gravely, pointing to a small footnote at the base of the page. “It says that though a Vampire can drain the stolen power faster, they must act quickly to release it into the sky where it belongs. If not, the power will work to corrupt them, feeding into their bloodlust and making a demon out of them.” “We shouldn’t risk it,” I said, reaching for Elise’s hand. “We can just contain King and use the spell to force the magic out of them without you draining it.” “And what if that takes too long?” Elise demanded. “Our girl won’t be corrupted by the power,” Leon said confidently, reaching out to brush his fingers through her hair. “I just have to release it the moment I steal it. Simple,” she agreed but as I cast a look at Orion he didn’t seem at all convinced. “Dark magic lures you in unlike anything you could possibly understand without having experienced it,” he warned. “I’d think very carefully about doing this before you charge in and attempt it.” “Okay,” Elise agreed, raising her hands in surrender. “I won’t bite the fucker to drain them unless everything starts going to shit and I don’t have any other choice.” “I think that’s for the best, bella,” Dante agreed.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
The procedure followed in this egalitarian claim troubles me more than most of the other claims that I consider in this book. When no explanations or disclaimers are made alerting readers to the uniform lack of support from scholarly specialists for such an interpretation, this wild speculation (or so it seems to me, after reading these other articles) is taken as truth by unsuspecting readers. Cindy Jacobs, for example, simply trusts Kroeger’s interpretation of this fresco as truthful, and counts it as evidence for women’s participation in high positions of governing authority in the early church.6 Thousands of readers of Jacobs’s book will also take it as true, thinking that since it has a footnote to a journal on church history, there must be scholarly support for the idea. And so something that is a figment of Catherine Kroeger’s imagination, something that no scholar in the field has ever advocated, is widely accepted as fact. The requirements of truthfulness should hold us to higher standards than this. Kroeger’s article therefore uses apparently untruthful claims based on obscure material outside the Bible in order to turn people away from being obedient to the Bible in what it says about restricting the office of pastor and elder to men. And turning people away from obeying the Bible is another step on the path toward liberalism.
Wayne Grudem (Evangelical Feminism: A New Path to Liberalism?)
Jacob was a crafty supplanter, but Laban was more subtle than Jacob. This was sovereignly arranged by God. Everything Laban did to cheat and to “squeeze” Jacob (31:7, 40-42), plus the competition, envy, and wrestling between Jacob’s wives in their bearing children (29:31 — 30:24), were sovereignly used by God to deal with Jacob’s natural disposition so that God could transform him. Jacob’s history shows that God sovereignly arranges each aspect of the environment of His chosen ones so that He may carry out His work of transformation in them (Rom. 8:28-30).
Living Stream Ministry (Holy Bible Recovery Version (contains footnotes))
Now, it may be objected that Orwell was no Borges, that Nineteen Eighty-Four is no postmodern literary experiment, and that I am considering the Appendix too curiously. Perhaps the Newspeak essay should be seen simply as a parody 'presented in the form of a mock-survey, scientific and historical, of the language of Oceania,' whose purpose is to illustrate 'how a totalitarian oligarchy uses the rational tools of science as the instrument of power.' Or perhaps the problem I have identified could be explained as one more manifestation of 'the generic contradiction between naturalism and satire that is the basic formal determinant of the book.' Furthermore, it is pointless to second-guess an author; there are commonsense explanations for Orwell's decision to place the Newspeak essay in an Appendix, and for his failure to identify precisely the essay's author; the incongruities between the Appendix and the novel proper do not reduce the political urgency of the total work; it is a mistake to come to Nineteen Eighty-Four with expectations derived from more conventional novels; paradoxes are the stuff of futuristic stories; readers have a duty to suspend their disbelief; even Homer nods. But, if it was unlike Orwell to lure us deliberately into a hall of mirrors, he certainly did not lack ingenuity. And, even if he encountered difficulties he was unable to solve, his imperfect solutions were consonant with the plan to convey a world deprived of 'objective truth.' Even though his handling of the Appendix may have had unforeseen consequences for the book as a whole, the confusion raised by the document nevertheless 'works.' The footnote's implied promise of verification is hollow, and the reader's attempts to determine the 'objective truth' about Oceania—its social and political structure, its language, its fate—are frustrated. By trying to reconcile the novel and the Appendix, we experience for ourselves—'outside' the novel, as it were—what it might be like to inhabit a world in which the authenticity (never mind the accuracy or objectivity) of all documents is in doubt, in which documents are almost dreamlike, unfixed in time, infused with self-contradiction, at once recognisable and cryptic. Those who keep a checklist of Orwell's 'prophecies' may credit him with anticipating and dramatising the age of 'disinformation.
Richard K. Sanderson
This article describes the use and the implementation of the multicols environment. This environment allows switching between one and multicolumn format on the same page. Footnotes are handled correctly (for the most part), but will be
Anonymous
An Adivasi home fashions several kinds of leafcups each day: dokpa for rice; chokni for the side dish; koondu for the chava; and chipdi for the mel. If there are any ceremonies, there is the kadan chokni, in which rice contributions are served, and the addom chokni, made of two sal leaves placed across each other and used to make offerings in a shrine.
Madhu Ramnath (Woodsmoke and Leafcups: Autobiographical Footnotes to the Anthropology of the Durwa People)
The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. And thus toleration produced not only mutual indulgence, but even religious concord.
Edward Gibbon (The History of The Decline and Fall of the Roman Empire: Complete and Unabridged (With All Six Volumes, Original Maps, Working Footnotes, Links to Audiobooks and Illustrated))
English mathematician Ada Lovelace and scientist Charles Babbage invented a machine called the “Difference Engine” and then later postulated a more advanced “Analytical Engine,” which used a series of predetermined steps to solve mathematical problems. Babbage hadn’t conceived that the machine could do anything beyond calculating numbers. It was Lovelace who, in the footnotes of a scientific paper she was translating, went off on a brilliant tangent speculating that a more powerful version of the Engine could be used in other ways.13 If the machine could manipulate symbols, which themselves could be assigned to different things (such as musical notes), then the Engine could be used to “think” outside of mathematics. While she didn’t believe that a computer would ever be able to create original thought, she did envision a complex system that could follow instructions and thus mimic a lot of what everyday people did. It seemed unremarkable to some at the time, but Ada had written the first complete computer program for a future, powerful machine—decades before the light bulb was invented. A
Amy Webb (The Big Nine: How the Tech Titans and Their Thinking Machines Could Warp Humanity)
Translators of the Apocrypha faced a more complicated set of choices. Translators generally used the base text presented in the Göttingen Septuagint. For those books not yet published in the fascicles of the Göttingen Septuagint, translators used the 2006 revised edition of Rahlfs' Septuaginta, edited by Robert Hanhart. However, in those instances in which Hebrew texts have survived and offer a better reading (e.g., in Sirach and Tobit), the translator noted alternative readings to the Greek Septuagint. Second Esdras presents a special problem, explained in a footnote about the Latin text.
Anonymous (Ceb Common English Bible Catholic Edition)
As we mentioned in chapter 4, any accounting change that is “material” to the bottom line must be footnoted in this manner. But who decides what is material and what isn’t? You guessed it: the accountants. In fact, it could very well be that recognizing 75 percent up front presents a more accurate picture of the software division’s reality. But was the change in accounting method due to good financial analysis, or did it reflect the need to make the earnings forecast? Could there be a bias lurking in here? Remember, accounting is the art of using limited data to come as close as possible to an accurate description of how well a company is performing. Revenue on the income statement is an estimate, a best guess. This example shows how estimates can introduce bias.
Karen Berman (Financial Intelligence: A Manager's Guide to Knowing What the Numbers Really Mean)
Jane and Noah fell silent as she opened it to the first page, a vibrant watercolor of a forest-green shrub laden with dark purple fruits, with the fruits shown in detail in a separate drawing. 'Aristotelia chilensis--- maqui berries,' said Jane. 'Full of antioxidants and touted as a "superfood" now.' There was a note in pencil at the bottom of the page. 'Leaves used for brewing chicha,' Noah read. 'Whatever that is. "Sore throats, heals wounds, painkiller",' he continued. 'Extraordinary. I can't believe the condition it's in. It's scarcely aged at all.' He turned the page to find a painting of a tall, oak-like tree with dark brown bark, oval-shaped green leaves and dense white flowers. 'Quillaja saponaria--- soapbark,' he read. 'Native soap, for the lungs and good health.
Kayte Nunn (The Botanist's Daughter)
Love has a cost. If people love you then they have power over you. They can hurt you, break you, use that love against you.
Maya Jean (Just a Footnote)
Roku has a free online view of your TV video for its customers. Smartphone apps such as Itunes, ITunes, Spotify, Sling TV, and YouTuber offer Footnote 1 internet and video service. Through apps like Sling TV, consumers can watch live video as well. You can remove the authorized Roku Streaming connection. Below are the following links: /url.roku.com. Use the Roku activation code to activate Roku Stream or TV. This guide is used by nearly any customer of Roku.
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Only more-or-less unbreakable?”. “It is done very, very rarely, and the result tends to be ostracism. There was a ship called the Grey Area, once. It used to do that sort of thing. It became known as the Meatfucker as a result. When you look up the catalogs that’s the name it’s listed under, with its original, chosen name as a footnote. To be denied your self-designated name is a unique insult in the Culture, Ziller.
Iain M. Banks (Look to Windward (Culture, #7))
By entering into the arena of argument and counter-argument, of technical feasibility and tactics, of footnotes and citations, by accepting the presumption of legitimacy of debate on certain issues, one has already lost one’s humanity. This is the feeling I find almost impossible to repress when going through the motions of building a case against the American war in Vietnam. Anyone who puts a fraction of his mind to the task can construct a case that is overwhelming: surely this is now obvious. In a way, by doing so he degrades himself, and insults beyond measure the victims of our violence and our moral blindness. There may have been a time when American policy in Vietnam was a debatable matter. This time is long past. It is no more debatable than the Italian war in Abyssinia or the Russian suppression of Hungarian freedom. The war is simply an obscenity, a depraved act by weak and miserable men, including all of us, who have allowed it to go on and on with endless fury and destruction – all of us who would have remained silent had stability and order been secured. It is not pleasant to use such words, but candour permits no less.
Noam Chomsky (American Power and the New Mandarins: Historical and Political Essays)
Skin in the game can make boring things less boring. When you have skin in the game, dull things like checking the safety of the aircraft because you may be forced to be a passenger in it cease to be boring. If you are an investor in a company, doing ultra-boring things like reading the footnotes of a financial statement (where the real information is to be found) becomes, well, almost not boring. But there is an even more vital dimension. Many addicts who normally have a dull intellect and the mental nimbleness of a cauliflower—or a foreign policy expert—are capable of the most ingenious tricks to procure their drugs. When they undergo rehab, they are often told that should they spend half the mental energy trying to make money as they did procuring drugs, they are guaranteed to become millionaires. But, to no avail. Without the addiction, their miraculous powers go away. It was like a magical potion that gave remarkable powers to those seeking it, but not those drinking it. A confession. When I don’t have skin in the game, I am usually dumb. My knowledge of technical matters, such as risk and probability, did not initially come from books. It did not come from lofty philosophizing and scientific hunger. It did not even come from curiosity. It came from the thrills and hormonal flush one gets while taking risks in the markets. I never thought mathematics was something interesting to me until, when I was at Wharton, a friend told me about the financial options I described earlier (and their generalization, complex derivatives). I immediately decided to make a career in them. It was a combination of financial trading and complicated probability. The field was new and uncharted. I knew in my guts there were mistakes in the theories that used the conventional bell curve and ignored the impact of the tails (extreme events). I knew in my guts that academics had not the slightest clue about the risks. So, to find errors in the estimation of these probabilistic securities, I had to study probability, which mysteriously and instantly became fun, even gripping. When there was risk on the line, suddenly a second brain in me manifested itself, and the probabilities of intricate sequences became suddenly effortless to analyze and map. When there is fire, you will run faster than in any competition. When you ski downhill some movements become effortless. Then I became dumb again when there was no real action. Furthermore, as traders the mathematics we used fit our problem like a glove, unlike academics with a theory looking for some application—in some cases we had to invent models out of thin air and could not afford the wrong equations. Applying math to practical problems was another business altogether; it meant a deep understanding of the problem before writing the equations.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life (Incerto))
Here’s what you do during a light (or baseline) edit: Correct inconsistencies in the mechanics of the body text — spelling, capitalization, punctuation, abbreviations, use of hyphenation and dashes, font and font sizes, and everything else your eyes take in. Correct inconsistencies in the other parts of the document — footnotes and endnotes; tables of content and page numbers; placement of page numbers, headers, and footers; and charts, graphs, and maps. Correct grammar and usage errors, but do not change anything that is not an outright error. Flag awkward or confusing language, but do not revise it. Bypass benign areas of wordiness and jargon, but query unusual words that may not be accessible to the audience. Flag information that seems incorrect or is not factual. Flag information that may require permission for use, as well as statements or language that may expose the author or publisher to lawsuits. During a heavy edit — the kind that may require a backhoe — you do the following: Correct all errors and inconsistencies in grammar, syntax, and usage. Rewrite areas of wordiness or confusing or awkward construction. Flag and query inappropriate or overused figures of speech, jargon, or sentiment. Check and revise information that seems incorrect or is not factual. Query and suggest changes or fix discrepancies and conflicts in content (or, if fiction, in plot, setting, and character details). Flag and suggest changes in language that promotes bias or stereotyping or is otherwise insensitive to a particular section of the readership. For fiction, query the intent of bias-heavy language if it is difficult to discern a reason for the language in the context of the piece. Suggest changes to the layout or order of information for clarity or a more logical progression of an argument.
Suzanne Gilad (Copyediting and Proofreading For Dummies)
Look into the bastard's mind." "I can't do that, Ziller." "Why not?" "It is one of the very few more-or-less unbreakable rules of the Culture. Nearly a law. If we had laws, it would be of the first on the statue book." "Only more-or-less unbreakable?" "It is done very, very rarely, and the results tend to be ostracism. There was a ship called the Grey Area, once. It used to do that sort of thing. It became known as the Meatfucker as a result. When you look up the catalogs that's the name it's listed under, with its original, chosen name as a footnote. To be denied your self-designated name is a unique insult in the Culture, Ziller. The vessel disappeared some time ago. Probably killed itself, arguably as a result of the shame attached to such behavior and resulting disrespect." "All it is is looking inside an animal brain." "That's just it. It is so easy, and it would mean so little, really. That is why the not-doing of it is probably the most profound manner in which we honor our biological progenitors. This prohibition is a mark of our respect. And so I cannot do it." "You mean you won't do it." "They are almost the same thing." "You have the ability." "Of course.
Iain M. Banks (Look to Windward (Culture, #7))
Throughout the Sermon on the Mount Jesus expounded the perfect Law of a perfect Creator. God’s work is perfect (Deuteronomy 32:4), His way is perfect (Psalm 18:30), and His Law is perfect (Psalm 19:7; James 1:25). Jesus then climaxes His exposition with the demand of the Law—perfection in thought, word, and deed. In magnifying the Law and making it honorable, He put righteousness beyond the reach of sinful humanity. He destroyed the vain hope that we can get right with a perfect Creator by our own Imperfect efforts, i.e., by the works of the Law. (See Mark 7:5-13 footnote.) Instead, we must seek righteousness by another means—through faith alone in the Savior (Romans 3:21, 22). In doing so, Jesus was showing us the right use of the Law—as a “schoolmaster to bring us to Christ” (Galatians 3:24).
Ray Comfort (The Evidence Bible: Irrefutable Evidence for the Thinking Mind)
The Lord indicates the increasing intensity and proximity of the effects of this plague, but when Pharaoh uses the same phrase to qualify his repentance (v. 27) it is clear that he has still not taken any of the plagues to heart. The Hebrew phrase translated “on you yourself” is literally “on your heart” (see esv footnote) and is likely an intended wordplay with the continued reference to the state of Pharaoh’s heart (vv. 34–35) and the hearts of his servants (v. 34; see vv. 20–21).
Anonymous (ESV Study Bible)
I don’t think you were even with us that night we used ropes, to get up Lady de Marre’s tower at that horrible old estate of hers…Calo and Galdo and I nearly got pecked to bloody shreds by pigeons working that one. Must’ve been five, six years ago.” “Oh, I was with you, remember? On the ground, keeping watch. I saw the bit with the pigeons. Hard to play sentry when you’re pissing yourself laughing.” “Wasn’t funny at all from up top. Beaky little bastards were vicious!” “The Death of a Thousand Pecks,” said Jean. “You would have been legends, dying so gruesomely. I’d have written a book on the man-eating pigeons of Camorr and joined the Therin Collegium. Gone respectable. Bug and I would’ve built a memorial statue to the Sanzas, with a nice plaque.” “What about me?” “Footnote on the plaque. Space permitting.” “Hand over the rope or I’ll show you the edge of the cliff, space permitting.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Before concluding the discussion on Partridge’s connection to the Stoic tradition, I present what is probably the greatest proof Partridge was a Stoic: he suffered the public doom of one. Ironically, Partridge may have missed a powerful warning about his own fate within one of the key texts he used in his academies. A footnote within William Duncan’s translation of Cicero’s orations recalls the ill fortune of Quintus Aelius Tubero in the eyes of the people of Rome caused by his Stoic behavior at the funeral of Scipio Africanus: "[It was the same from the study of Tubero] Cicero here ridicules the doctrine of the Stoics, shows the absurdities into which it may betray a man and paints the ill consequences that often arise from it. [Quintus Aelius] Tubero, of whom he speaks here had professed himself a Stoic and resolved to regulate his conduct by the tenets of that sect. Accordingly, in an entertainment he gave the Roman people on occasion of the death of the great Scipio Africanus he made use of plain wooden beds, goat skin covers, and earthen dishes. But this ill-timed parsimony was so displeasing to the Roman people that when he afterwards stood for the prætorship they refused him their suffrages though a man of illustrious birth and the most distinguished virtue." Is there a passage more fitting for the legacy of Partridge and his Stoic behavior? Even when Partridge had built an ideal model for educating a complete virtue-driven citizen worthy of the Republic, few would find the lifestyle required appealing. Being a virtuous man with a sufficient plan for American education was not enough to guarantee his acceptance among the masses.
Franklin C. Annis (Controversial History & Educational Theories of Captain Alden Partridge (Marching with Spartans))