Arctic Dreams Quotes

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Oh, there ain't no love, no Montagues or Capulets Just banging tunes and DJ sets And dirty dancefloors and dreams of naughtiness I Bet that You Look Good on the Dancefloor
Alex Turner (Whatever People Say I Am That's What I'm Not (Guitar Tab): Guitar and Bass TAB)
I lay there knowing something eerie ties us to the world of animals. Sometimes the animals pull you backward into it. You share hunger and fear with them like salt in blood.
Barry Lopez (Arctic Dreams)
No culture has yet solved the dilemma each has faced with the growth of a conscious mind: how to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in all life, when one finds darkness not only in one’s own culture but within oneself.
Barry Lopez (Arctic Dreams)
How is one to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in life, when one finds darkness not only in one’s culture but within oneself? If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox. One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse. There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of leaning into the light.
Barry Lopez
What does it mean to grow rich? Is it to have red-blooded adventures and to make a ‘fortune,’ which is what brought the whalers and other entrepreneurs north? Or is it, rather, to have a good family life and to be imbued with a far-reaching and intimate knowledge of one’s homeland, which is what the Tununirmiut told the whalers at Pond’s Bay wealth was? Is it to retain a capacity for awe and astonishment in our lives, to continue to hunger after what is genuine and worthy? Is it to live at moral peace with the universe?
Barry Lopez (Arctic Dreams)
Because you have seen something doesn't mean you can explain it. Differing interpretations will always abound, even when good minds come to bear. The kernel of indisputable information is a dot in space; interpretations grow out of the desire to make this point a line, to give it direction. The directions in which it can be sent, the uses to which it can be put by a culturally, professionally, and geographically diverse society are almost without limit. The possibilities make good scientists chary.
Barry Lopez (Arctic Dreams: Imagination And Desire In A Northern Landscape)
How do people imagine the landscapes they find themselves in? How does the land shape the imaginations of the people who dwell in it? How does desire itself, the desire to comprehend, shape knowledge?
Barry Lopez (Arctic Dreams)
Men of character continued to sail to their death for men of greed.
Barry Lopez (Arctic Dreams)
I felt a calmness birds can bring to people; and, quieted, I sensed here the outlines of the oldest mysteries: the nature and extent of space, the fall of light from the heavens, the pooling of time in the present, as if it were water.
Barry Lopez (Arctic Dreams)
Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk.
Barry Lopez (Arctic Dreams)
As I walked out one harvest night About the stroke of One, The Moon attained to her full height Stood beaming like the Sun. She exorcised the ghostly wheat To mute assent in Love's defeat Whose tryst had now begun. The fields lay sick beneath my tread, A tedious owlet cried; The nightingale above my head With this or that replied, Like man and wife who nightly keep Inconsequent debate in sleep As they dream side by side. Your phantom wore the moon's cold mask, My phantom wore the same, Forgetful of the feverish task In hope of which they came, Each image held the other's eyes And watched a grey distraction rise To cloud the eager flame. To cloud the eager flame of love, To fog the shining gate: They held the tyrannous queen above Sole mover of their fate, They glared as marble statues glare Across the tessellated stair Or down the Halls of State. And now cold earth was Arctic sea, Each breath came dagger keen, Two bergs of glinting ice were we, The broad moon sailed between; There swam the mermaids, tailed and finned, And Love went by upon the wind As though it had not been. - Full Moon
Robert Graves (Poems Selected by Himself)
At the heart of this story, I think, is a simple, abiding belief: it is possible to live wisely on the land, and to live well. And in behaving respectfully toward all that the land contains, it is possible to imagine a stifling ignorance falling away from us.
Barry Lopez (Arctic Dreams)
Because mankind can circumvent evolutionary law, it is incumbent upon him, say evolutionary biologists to develop another law to abide by if he wishes to survive, to not outstrip his food base. He must learn restraint. He must derive some other, wiser way of behaving toward the land. He must be more attentive to the biological imperatives of the system of sun-driven protoplasm upon which he, too, is still dependent. Not because he must, because he lacks inventiveness, but because herein is the accomplishment of the wisdom that for centuries he has aspired to. Having taken on his own destiny, he must now think with critical intelligence about where to defer.
Barry Lopez (Arctic Dreams: Imagination And Desire In A Northern Landscape)
A fundamental difference between our culture and Eskimo culture, which can be felt even today in certain situations, is that we have irrevocably separated ourselves from the world that animals occupy. We have turned all animals and elements of the natural world into objects. We manipulate them to serve the complicated ends of our destiny. Eskimos do not grasp this separation easily, and have difficulty imagining themselves entirely removed from the world of animals. For many of them, to make this separation is analogous to cutting oneself off from light or water. It is hard to imagine how to do it.
Barry Lopez (Arctic Dreams)
Many Western biologists appreciate the mystery inherent in the animals they observe. They comprehend that, objectively, what they are watching is deceptively complex and, subjectively, that the animals themselves have nonhuman ways of life. They know that while experiments can be designed to reveal aspects of the animal, the animal itself will always remain larger than the sum of any set of experiments. They know they can be very precise about what they do, but that that does not guarantee they will be accurate. They know the behavior of an individual animal may differ strikingly from the generally recognized behavior of its species; and that the same species may behave quite differently from place to place, from year to year.
Barry Lopez (Arctic Dreams)
the world is ever so slightly but uncorrectably out of focus, that there are no absolutely precise answers. Whatever
Barry Lopez (Arctic Dreams)
I would bow slightly with my hands in my pockets, toward the birds and the evidence of life in their nests--because of their fecundity, unexpected in this remote region, and because the serene arctic light that came down over the land like breath, like breathing.
Barry Lopez (Arctic Dreams)
Lying there, I thought of my own culture, of the assembly of books in the library at Alexandria; of the deliberations of Darwin and Mendel in their respective gardens; of the architectural conception of the cathedral at Chartres; of Bach's cello suites, the philosophy of Schweitzer, the insights of Planck and Dirac. Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?
Barry Lopez (Arctic Dreams)
For some people, who they imagine they are does not end where the boundary of the skin meets the world. It continues with the reach of their senses out into the land. If the land in which they live is summarily disfigured or reorganized by industrial development, it causes them psychological pain.
Barry Lopez (Arctic Dreams)
It never occurred to me that half of the population of Vermont wasn’t experiencing pretty much what I put myself through every night- bone-crackling cold that made my joints ache, cold so relentless I felt it in my dreams: ice floes, lost expeditions, the lights of search planes swinging over whitecaps as I floundered alone Arctic Seas.
Donna Tartt
The land is like poetry: it is inexplicably coherent, it is transcendent inits meaning, and it has the power to elevate a consideration of human life.
Barry Lopez (Arctic Dreams)
I lay there knowing something eerie ties us to the world of animals. Sometimes the animals pull you backward into it. You share hunger and fear with them like salt in blood.
Barry Lopez (Arctic Dreams)
In any new country we want panoramas.
Barry Lopez (Arctic Dreams)
No culture has yet solved the dilemma each has faced with the growth of a conscious mind: how to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in all life, when one finds darkness not only in one’s own culture but within oneself. If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox. One must live in the middle of contradiction because if all contradiction were eliminated at once life would collapse. There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of a leaning into the light.
Barry Lopez (Arctic Dreams)
8. Santa Claus is concerned about the problem of Arctic ice. The ice is the spouse of the elves, and she is sick. She is the primary source of their magic, as the elves cannot be separated from the place where they live. For many years now, this is all they have asked for for Christmas: that the ice should come back
Catherynne M. Valente (The Bread We Eat in Dreams)
To travel alone is risky business, especially into a wilderness; equally risky is to have dreams and not follow them.
Robert Perkins (Into the Great Solitude: An Arctic Journey)
The frozen ocean itself still turns in its winter sleep like a dragon.
Barry Lopez (Arctic Dreams)
They have a quality of nuannaarpoq, of taking extravagant pleasure in being alive; and they delight in finding it in other people.
Barry Lopez (Arctic Dreams)
In its secular rendering the unicorn was a creature of nobility and awesome though benign power. It was a creature of compassion, though solitary, and indomitably fierce
Barry Lopez (Arctic Dreams)
Jerrie Cobb reached down and pulled the heavy layers of arctic clothing over her navy blue linen dress.
Martha Ackmann (The Mercury 13: The True Story of Thirteen Women and the Dream of Space Flight)
There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of a leaning into the light.
Barry Lopez (Arctic dreams imagination and desire in northern landscape (Chinese Edition))
And there was no ultimate reality—any culture that would judge the perceptions of another, particularly one outside its own traditions, should proceed cautiously.
Barry Lopez (Arctic Dreams)
And one can better understand figures in arctic exploration so obsessed with their own achievement that they found it irksome to acknowledge the Eskimos, unnamed companions, and indefatigable dogs who helped them.
Barry Lopez (Arctic Dreams)
Hunting in my experience—and by hunting I simply mean being out on the land—is a state of mind. All of one’s faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something “means” and to be concerned only that it “is.” And then to recognize that things exist only insofar as they can be related to other things. These relationships—fresh drops of moisture on top of rocks at a river crossing and a raven’s distant voice—become patterns. The patterns are always in motion.
Barry Lopez (Arctic Dreams)
Because mankind can circumvent evolutionary law, it is incumbent upon him, say evolutionary biologists, to develop another law to abide by if he wishes to survive, to not outstrip his food base. He must learn restraint.
Barry Lopez (Arctic Dreams)
Because mankind can circumvent evolutionary law, it is incumbent upon him, say evolutionary biologists, to develop another law to abide by if he wishes to survive, to not outstrip his food base. He must learn restraint. He must derive some other, wiser way of behaving toward the land. He must be more attentive to the biological imperatives of the system of sun-driven protoplasm upon which he, too, is still dependent. Not because he must, because he lacks inventiveness, but because herein is the accomplishment of the wisdom that for centuries he has aspired to. Having taken on his own destiny, he must now think with critical intelligence about where to defer.
Barry Lopez (Arctic Dreams)
A Chipewyan guide named Saltatha once asked a French priest what lay beyond the present life. “You have told me heaven is very beautiful,” he said. “Now tell me one more thing. Is it more beautiful than the country of the muskoxen in the summer, when sometimes the mist blows over the lakes, and sometimes the water is blue, and the loons cry very often? That is beautiful. If heaven is still more beautiful, I will be glad. I will be content to rest there until I am very old.” In the reprieve at the end of a day, in the stillness of a summer evening, the world sheds its categories, the insistence of its future, and is suspended solely in the lilt of its desire.
Barry Lopez (Arctic Dreams)
I arrived always at the same, disquieting place: the history of Western exploration in the New World in every quarter is a confrontation with an image of distant wealth. Gold, furs, timber, whales, the Elysian Fields, the control of trade routes to the Orient—it all had to be verified, acquired, processed, allocated, and defended. And these far-flung enterprises had to be profitable, or be made to seem profitable, or be financed until they were. The task was wild, extraordinary. And it was complicated by the fact that people were living in North America when we arrived. Their title to the wealth had to be extinguished.
Barry Lopez (Arctic Dreams)
To grasp the movement of the sun in the Arctic is no simple task. Imagine standing precisely at the North Pole on June 21, the summer solstice. Your feet rest on a crust of snow and windblown ice. If you chip the snow away you find the sea ice, grayish white and opaque. Six or seven feet underneath is the Arctic Ocean, dark, about 29°F and about 13,000 feet deep. You are standing 440 miles from the nearest piece of land, the tiny island of Oodaaq off the coast of northern Greenland. You stand in each of the world’s twenty-four time zones and north of every point on earth. On this day the sun is making a flat 360° orbit exactly 23½° above the horizon.
Barry Lopez (Arctic Dreams)
Whatever evaluation we finally make of a stretch of land, however, no matter how profound or accurate, we will find it inadequate. The land retains an identity of its own, still deeper and more subtle than we can know. Our obligation toward it then becomes simple: to approach with an uncalculating mind, with an attitude of regard. To try to sense the range and variety of its expression—its weather and colors and animals. To intend from the beginning to preserve some of the mystery within it as a kind of wisdom to be experienced, not questioned. And to be alert for its openings, for that moment when something sacred reveals itself within the mundane, and you know the land knows you are there.
Barry Lopez (Arctic Dreams)
It was as if she had spoken slightingly of a woman he loved. For he dreamed of peace by day and night. Once in sleep it had appeared to him as the great glowing shoulder of the moon heaving across his window like an iceberg, arctic and destructive in the moment before the world was struck: by day he tried to win a few moments of its company, crouched under the rusting handcuffs in the locked office, reading the reports from the sub-stations. Peace seemed to him the most beautiful word in the language: My peace I give to you, my peace I leave with you: O Lamb of God, who takest away the sins of the world, grant us thy peace. In the Mass he pressed his fingers against his eyes to keep the tears of longing in.
Graham Greene (The Heart of the Matter)
There is a word from the time of the cathedrals: agape, an expression of intense spiritual affinity with the mystery that is "to be sharing life with other life." Agape is love, and it can mean "the love of another for the sake of God." More broadly and essentially, it is a humble, impassioned embrace of something outside the self, in the name of that which we refer to as God, but which also includes the self and is God. We are clearly indebted as a species to the play of our intelligence; we trust our future to it; but we do not know whether intelligence is reason or whether intelligence is this desire to embrace and be embraced in the pattern that both theologians and physicists call God. Whether intelligence, in other words, is love.
Barry Lopez (Arctic Dreams)
Russians live in a country that has borders with Europe at one end of their map and with Mongolia, China, Japan, and America at the other. Travel to the Inuit community living on Little Diomede Island in the Bering Strait and you can see Russia’s Great Diomede Island just two and a half miles away. Russians still dream of an undersea rail tunnel linking the two continents.
Alun Anderson (After the Ice: Life, Death, and Geopolitics in the New Arctic)
Our first wisdom as a species, that unique metaphorical knowledge that distinguishes us, grew out of such an intimacy with the earth; and, however far we may have come since that time, it did not seem impossible to me that night to go back and find it. I wanted to enquire among these people, for what we now decide to do in the North has a certain frightening irrevocability about it.
Barry Lopez (Arctic Dreams)
bring our own worlds to bear in foreign landscapes in order to clarify them for ourselves. It is hard to imagine that we could do otherwise. The risk we take is of finding our final authority in the metaphors rather than in the land. To inquire into the intricacies of a distant landscape, then, is to provoke thoughts about one’s own interior landscape, and the familiar landscapes of memory. The land urges us to come around to an understanding of ourselves.
Barry Lopez (Arctic Dreams)
A Chipewyan guide named Saltatha once asked a French priest what lay beyond the present life. 'You have told me heaven is very beautiful,' he said. 'Now tell me one more thing. Is it more beautiful than the country of the muskoxen in the summer, when sometimes the mist blows over the lakes, and sometimes the water is blue, and the loons cry very often? That is beautiful. If heaven is still more beautiful, I will be glad. I will be content to rest there until I am very old.
Barry Lopez
He lifted one bottle into the light. " 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.' "Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' " He picked up the other bottle. "This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland." He put the two bottles on the bed. "One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.
Ray Bradbury (Dandelion Wine)
My seams gape wide so I'm tossed aside To rot on a lonely shore, While the leaves and mould like a shroud unfold, For the last of my trails are o'er, But I float in dreams on Northland streams That never again I'll see, As I lie on the marge of the old portage With grief for company. When the sunset gilds the timbered hills That guard Timagami, And the moon beams play on far James Bay By the brink of the frozen sea, In phantom guise my spirit flies As the dream blades dip and swing Where the waters flow from the Long Ago In the spell of the beck'ning spring. Do the cow-moose call on the Montreal When the first frost bites the air, And the mists unfold from the red and gold That the autumn ridges wear? When the white falls roar as they did of yore On the Lady Evelyn, Do the square-tail leap from the black pool deep Where the pictured rocks begin? Oh! the fur fleet sings on Temiscaming As the ashen paddles bend, And the crews carouse at Rupert's House At the sullen winter's end; But my days are done where the lean wolves run, And I ripple no more the path, Where the grey geese race 'cross the red moon's face From the white winds Arctic wrath. Tho' the death-fraught way from the Saguenay To the storied Nipigon, Once knew me well, now a crumbling shell I watch as the years roll on, And in memory's haze I live the days That forever are gone from me, As I rot on the marge of the old portage With grief for company.
George Marsh
The landscape conveys an impression of absolute permanence. It is not hostile. It is simply there—untouched, silent and complete. It is very lonely, yet the absence of all human traces gives you the feeling you understand this land and can take your place in it. EDMUND CARPENTER Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk. N. SCOTT MOMADAY
Barry Lopez (Arctic Dreams)
Crucially, the invasion of Afghanistan also gave hope to the great Russian dream of its army being able to ‘wash their boots in the warm waters of the Indian ocean’, in the words of the ultra-nationalistic Russian politician Vladimir Zhirinovsky, and thus achieve what it never had: a warm-water port where the water does not freeze in winter, with free access to the world’s major trading routes. Some of the ports on the Arctic, such as Murmansk, freeze for several months each year: Vladivostok, the largest Russian port on the Pacific Ocean, is ice-locked for about four months and is enclosed by the Sea of Japan, which is dominated by the Japanese. This does not just halt the flow of trade; it prevents the Russian fleet from operating as a global power. In addition, water-borne transport is much cheaper than land or airborne routes.
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
The cold in the warehouse was like nothing I’ve known before or since. I suppose if I’d had any sense I’d have gone out and bought an electric heater, but only four months before I had come from one of the warmest climates in America and I had only the dimmest awareness that such appliances existed. It never occurred to me that half the population of Vermont wasn’t experiencing pretty much what I put myself through every night—bone-cracking cold that made my joints ache, cold so relentless I felt it in my dreams: ice floes, lost expeditions, the lights of search planes swinging over whitecaps as I floundered alone in black Arctic seas. In the morning, when I woke, I was as stiff and sore as if I’d been beaten. I thought it was because I was sleeping on the floor. Only later did I realize that the true cause of this malady was hard, merciless shivering, my muscles contracting as mechanically as if by electric impulse, all night long, every night.
Donna Tartt (The Secret History)
Owen couldn’t believe his luck. Candice Mayfair was the beautiful white wolf he’d seen that day so long ago. Not that she looked like a wolf right now. He only knew she was the wolf, unequivocally, because he recognized her scent. After the initial shock of seeing an unfamiliar and intriguing Arctic she-wolf, he’d gone after her. The whole pack had gone on a run that night, but they knew to stay far away from any campsite. He and the other guys had swum across the river to explore a bit. Cameron and his mate had stayed on the other side with the kids. He’d even swum back across the river to find her and discovered her scent had led right to one of the tents. Since she had moved into the tent, he knew she had to be one of their shifter kind. He’d even hung around the next day, waiting to catch a glimpse of her, but there were several women, and he had no idea which one had been her. Two blonds, a couple of brunettes, and a red-haired woman—none of whom looked like the picture he had of Clara Hart, though. Being a white wolf in summer had made it difficult to blend in, so he’d had to keep well out of sight. Candice Mayfair was definitely the author of the books on the website, though she didn’t look like the photo her uncle had of her, if she was Clara Hart. She had the same compelling eyes, different color, but they got his attention, grabbed hold, and wouldn’t let go. He carried her to her couch and set her down, staying close, his hand still on her arm until she seemed to regain her equilibrium. “The wolf pup was yours,” she accused, jerking her arm away from him. “Wolf pup?” “Yeah, wolf pup. Don’t pretend you don’t know about your own wolf pup.” Then all the pieces began to fall into place. Campers. Campfire. Food. Corey, the wolf pup she had to be referring to, hadn’t just found the food like they’d thought. Candice must not have been a wolf until that night. “You fed him? Corey? His mom wondered why he smelled of beef jerky that night. We thought he’d found some at the campsite. Don’t tell me…he bit you.
Terry Spear (Dreaming of a White Wolf Christmas (Heart of the Wolf #23; White Wolf #2))
Hunting in my experience—and by hunting I simply mean being out on the land—is a state of mind. All of one’s faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something “means” and to be concerned only that it “is.” And then to recognize that things exist only insofar as they can be related to other things. These relationships—fresh drops of moisture on top of rocks at a river crossing and a raven’s distant voice—become patterns. The patterns are always in motion. Suddenly the pattern—which includes physical hunger, a memory of your family, and memories of the valley you are walking through, these particular plants and smells—takes in the caribou. There is a caribou standing in front of you. The release of the arrow or bullet is like a word spoken out loud. It occurs at the periphery of your concentration. The mind we know in dreaming, a nonrational, nonlinear comprehension of events in which slips in time and space are normal, is, I believe, the conscious working mind of an aboriginal hunter. It is a frame of mind that redefines patience, endurance, and expectation. The focus of a hunter in a hunting society was not killing animals but attending to the myriad relationships he understood bound him into the world he occupied with them. He tended to those duties carefully because he perceived in them everything he understood about survival. This does not mean, certainly, that every man did this, or that good men did not starve. Or that shamans whose duty it was to intercede with the forces that empowered these relationships weren’t occasionally thinking of personal gain or subterfuge. It only means that most men understood how to behave.
Barry Lopez (Arctic Dreams)
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
Anna Kavan (Ice)
Everyone longs for a secret door, an opening to a world beyond loneliness — it’s part of the human imagination. But stand under the lowering baskets in Naples all you want — you can’t climb in, or be the women lowering them or the youths catching them and hoisting them to market. And these Arctic hills, gold, blue, and purple, were achingly remote: our ship floated past and they lay just beyond reach. Each breath was a cold shock and the land was magnetic, like an encounter with someone who truly sees you: yet we were offshore.
House of Anansi Press (Boundless: Tracing Land and Dream in a New Northwest Passage)
There was something humiliating, too, in a display of grief when the relationship had been unwitnessed. No, this was to be a private suffering, like lust or literature, lived out mostly in his dreams.
Damon Galgut (Arctic Summer)
My foggy Arctic dreams were crystallizing. I would point my compass north and follow in the footsteps of those who first came this way over a thousand years ago.
Damjan Končnik (Greenland: The End of the World)
Perhaps (another hypothesis) it was the disease of Latin American immigrants in the first world: the desperate need to embrace the rich country with all their might and say I want a piece. My story isn’t just mine. It’s yours too. For example: where does your cocaine come from? The meat on your barbecue? The illegal wood in your shelves? Your story isn’t just yours. It’s mine too. Our American dream. After all, America is a chunk of land that stretches from the Arctic Ocean down to Cape Horn, isn’t it?
Adriana Lisboa (Crow Blue: A Novel)
For Zugunruhe is the word describing what's inside a bird that makes it want to spread its wings and cherish flight above all things.
Michael C. Kinsey (Dreams of Zugunruhe)
With Zugunruhe comes the sign that you can trust your heart and mind.
Michael C. Kinsey (Dreams of Zugunruhe)
Right now, our model is the culture of exhaustion. We need to be exhausted before we can fall asleep, so we keep pushing and pushing ourselves. But if a society can't rest, how can it sleep?
Patricia Morrisroe (Wide Awake: What I Learned About Sleep from Doctors, Drug Companies, Dream Experts, and a Reindeer Herder in the Arctic Circle)
Foes I sniff, when I have less to shout or murmur. Pals alone enormous sounds downward & up bring real. Loss, deaths, terror. Over & out, beloved: thanks for cabbage on my wounds: I'll feed you how I feel:-- of avocado moist with lemon, yea formaldehyde & rotting sardines O in our appointed time I would I could a touch more fully say my countless mind. The senses are below, which in this air sublime do I repudiate. But foes I sniff! My nose in all directions! I be so brave I creep into an Arctic cave for the rectal temperature of the biggest bear, hibernating -- in my left hand sugar. I totter to the lip of the cliff.
John Berryman (The Dream Songs)
Ancorammo la barca al riparo dal vento, entrammo nella baracca, ci cambiammo e preparammo la cena. Il nostro sollievo si espresse in una serie di battute scherzose, a spese l'uno dell'altro. Mangiammo in silenzio, andammo a letto e dormimmo come orsi d'inverno.
Barry Lopez (Arctic Dreams)
on my right Baker Creek has cut a steep-banked gash into the badlands to the west.
Barry Lopez (Arctic Dreams)
Every life she had tried so far since entering the library had really been someone else’s dream. The married life in the pub had been Dan’s dream. The trip to Australia had been Izzy’s dream, and her regret about not going had been a guilt for her best friend more than a sorrow for herself. The dream of her becoming a swimming champion belonged to her father. And okay, so it was true that she had been interested in the Arctic and being a glaciologist when she was younger, but that had been steered quite significantly by her chats with Mrs Elm herself, back in the school library. And The Labyrinths, well, that had always been her brother’s dream.
Matt Haig (The Midnight Library)
The kind of dreams that give a whole life its bearing, what a person intends it should be, having seen those coasts.
Barry Lopez (Arctic Dreams)
The pillow is that devil thing to give us dreams at night so we don’t have to follow our real ones in the day. The blanket is that ghost who gives us a glimpse of what it’s like to be dead—peaceful, but too early. So run away. Turn left. Shiver in the arctic. Burn in the Sahara. Sweat in a subway. Anything, but the sheets.
Kristian Ventura (The Goodbye Song)
Seven Devils” by Florence + The Machine “Paint it, Black” by Ciara “Monsters” by Ruelle “One Way or Another” by Until The Ribbon Breaks “Paranoid” by Post Malone “Royals” by Lorde “So Thick” by Whipped Cream featuring Baby Goth “Sweet But Psycho” by Parker Jenkins “My Blood” by Twenty One Pilots “Candy” by Guccihighwaters “Birthday Cake” by Rihanna “Horns” by Bryce Fox “No One” by Mothica “All The Time” by Jeremih, Lil Wayne and Natasha Mosley “I Wanna Be Yours” by Arctic Monkeys “Monster” by Meg Myers “Soldier” by Fleurie “Fuck It I Love You” by Lana Del Rey “Kill Our Way to Heaven” by Michl “Sweet Dreams” by Emily Browning “Everybody Wants to Rule The World” by Lorde
Ivy Fox (See No Evil (The Society, #1))
Because mankind can circumvent evolutionary law, it is incumbent upon him, say evolutionary biologists, to develop another law to abide by if he wishes to survive, to not outstrip his food base. He must learn restraint. He must derive some other, wiser way of behaving toward the land.
Barry Lopez (Arctic Dreams)
Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?
Barry Lopez (Arctic Dreams)
There was a deep river of kindness flowing through the arctic tundra of Tiernan’s heart,
Giana Darling (Beautiful Nightmare (Dark Dream, #2))
One Ship made a turn in the Sea and hears an Albatros.
Petra Hermans (Voor een betere wereld)
You can sit for a long time with the history of man like a stone in your hand. The stillness, the pure light, encourage it.
Barry Lopez (Arctic Dreams)
Happiness, I thought, is a discipline as well as an occasional gift.
Jean Aspen (Arctic Son: Fulfilling the Dream)
And of the Thule, who carried large stones into their camps and set them up in a pattern for a jumping game, like hopscotch.
Barry Lopez (Arctic Dreams)
Or what if I’m in a coma? What if I died in the Arctic and I’m living an eternity in a single moment, a delusion of all my dreams come true?
Tal Bauer (Stars (Executive Power #2))
I allowed myself a microscopic view into his ice-colored eyes. It was like viewing one of those photographs of the Arctic region – very foreign, exotic, clearly a place you’ve never dreamed of going.
Vicki Covington (Bird of Paradise (Voices of the South))
Gentle Sir Conan, I'll venture that few have been Half as prodigiously lucky as you have been. Fortune, the flirt! has been wondrously kind to you. Ever beneficent, sweet and refined to you. Doomed to the practise of physic and surgery, Yet, growing weary of pills and physicianing, Off to the Arctic you packed, expeditioning. Roving and dreaming, Ambition, that heady sin, Gave you a spirit too restless for medicine: That, I presume, as Romance is the quest of us, Made you an Author-the same as the rest of us. Ah, but the rest of us clamor distressfully, "How do you manage the game so successfully? Tell us, disclose to us how under Heaven you Squeeze from the inkpot so splendid a revenue!" Then, when you'd published your volume that vindicates England's South African raid (or the Syndicate's), Pleading that Britain's extreme bellicosity Wasn't (as most of us think) an atrocity Straightaway they gave you a cross with a chain to it (Oh, what an honor! I could not attain to it, Not if I lived to the age of Methusalem!) Made you a knight of St. John of Jerusalem! Faith! as a teller of tales you've the trick with you! Still there's a bone I've been wanting to pick with you: Holmes is your hero of drama and serial: All of us know where you dug the material! Whence he was moulded-'tis almost a platitude; Yet your detective, in shameless ingratitude Sherlock your sleuthhound with motives ulterior Sneers at Poe's "Dupin" as "very inferior!" Labels Gaboriau's clever "Lecoq," indeed, Merely "a bungler," a creature to mock, indeed! This, when your plots and your methods in story owe More than a trifle to Poe and Gaboriau, Sets all the Muses of Helicon sorrowing. Borrow, Sir Knight, but in decent borrowing! Still let us own that your bent is a cheery one, Little you've written to bore or to weary one, Plenty that's slovenly, nothing with harm in it, Give me detective with brains analytical Rather than weaklings with morals mephitical Stories of battles and man's intrepidity Rather than wails of neurotic morbidity! Give me adventures and fierce dinotheriums Rather than Hewlett's ecstatic deliriums! Frankly, Sir Conan, some hours I've eased with you And, on the whole, I am pretty well pleased with you
Arthur Guiterman
Il geografo americano Yi-Fu Tuan distingue nei suoi scritti tra i concetti di spazio e un senso di luogo. Gli esseri umani, dice, partono da luoghi dove provano un senso di attaccamento, di protezione e di comprensione, e si avventurano in spazi amorfi, caratterizzati da un senso di libertà, di avventura e d'ignoto. "Nello spazio aperto," scrive Tuan, "si può diventare intensamente consci di un luogo (ricordato); e nella solitudine d'un luogo protetto l'immensità dello spazio acquista una presenza ossessiva." Noi trasformiamo in geografia questi luoghi nuovi, esaltanti e a volte spaventosi, estendendo i confini dei nostri vecchi luoghi nel tentativo di includerli. Inseguiamo un desiderio di equilibrio e di armonia tra i nostri luoghi familiari e gli spazi sconosciuti. Ci comportiamo così per rendere comprensibile, o almeno più accettabile, ciò che è estraneo.
Barry Lopez (Arctic Dreams)
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
For he dreamed of peace by day and night. Once in sleep it had appeared to him as the great glowing shoulder of the moon heaving across his window like an iceberg, Arctic and destructive in the moment before the world was struck: by day he tried to win a few moments of its company, crouched under the rusting handcuffs in the locked office, reading the reports from the sub-stations. Peace seemed to him the most beautiful word in the language: My peace I give you, my peace I leave with you: O Lamb of God, who takest away the sins of the world, grant us thy peace. In the Mass he pressed his fingers against his eyes to keep the tears of longing in.
Graham Greene (The Heart of the Matter)