Archive Best Quotes

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His gaze settles on the discarded book. He leans, reaching until his fingertips graze Dante's Inferno, still on its bed of folded sheets. "What have we here?" he asks. "Required reading," I say. "It's a shame they do that," he says, thumbing through the pages. "Requirement ruins even the best of books.
V.E. Schwab (The Archived (The Archived, #1))
It’s not a lie,” Shallan said, “if everyone understands and knows what it means.” “Mm. Those are some of the best lies.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
He fought the men and he slayed the monsters and he bested the gods, and at last the hero, having conquered all, earned the thing that he wanted most. To go home.
V.E. Schwab (The Archived (The Archived, #1))
The best indication of what human beings will do is not what they think, but what the record says similar groups have done in the past.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
It’s a shame they do that,” he says, thumbing through the pages. “Requirement ruins even the best of books.
V.E. Schwab (The Archived (The Archived, #1))
You should never debate an idiot, Shallan. No more than you’d use your best sword to spread butter.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Hope for the best, plan for the worst, but also try to be prepared for the unexpected.
Radovan Kavický
It’s not a lie,” Shallan said, “if everyone understands and knows what it means.” “Mm. Those are some of the best lies.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
We remain convinced that this is the best defensive posture to adopt in order to minimize casualties when the Great Old Ones return from beyond the stars to eat our brains.
Charles Stross (The Atrocity Archives (Laundry Files, #1))
Instead, he gripped her forearm. “Why, Jasnah? Why have you always denied me?” “Other than the fact that you are a detestable buffoon who achieves only the lowest level of mediocrity, as it is the best your limited mind can imagine? I can’t possibly think of a reason.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
We all burn ourselves, Fetch. It’s the best way to learn from our mistakes. It’s only when some part of you freezes that you cut the fucker off.
Luke Arnold (Dead Man in a Ditch (The Fetch Phillips Archives #2))
I tried my best to hide this, the Stormfather said. "So we could continue living a lie?" It is, in my experience, the thing men do best.
Brandon Sanderson (Oathbringer (Stormlight Archive #3, Part 1 of 6))
It was a brutal truth. The best truths, however, were simple.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Requirement ruins even the best of books.
V.E. Schwab (The Unbound (The Archived, #2))
This was life. This was control. Gavilar had been the leader, the momentum, and the essence of their conquest. But Dalinar had been the warrior. Their opponents had surrendered to Gavilar’s rule, but the Blackthorn—he was the man who had scattered them, the one who had dueled their leaders and slain their best Shardbearers.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
But the Almighty determines what is right!" "Must someone, some unseen thing, declare what is right for it to be right? I believe that my own morality - which answers only to my heart - is more sure and true than the morality of those who do right only because they fear retribution." "But that is the soul of the law," the king said, sounding confused. "If there is no punishment, there can only be chaos." "If there were no law, some men would do as they wish, yes," Jasnah said. "But isn't it remarkable that, given the chance for personal gain at the cost of others, so many people choose what is right?" "Because they fear the Almighty." "No," Jasnah said. "I think something innate in us understands that seeking the good of society is usually best for the individual as well. Humankind is noble, when we give it the chance to be. That nobility is something that exists independently of any god's decree.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
When you’ve got an arrow stuck in you, it’s sometimes best to just yank it out in one pull.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
The best and truest duty of a person is to add to the world.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
The best and truest duty of a person is to add to the world. To create, and not destroy.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
The Wizard's Second Rule? What is that? Is it in the archives?" "Any student of magical lore should know it. The greatest harm can result from the best intentions. ...
Terry Goodkind (Death's Mistress (Sister of Darkness: The Nicci Chronicles, #1))
When asked why he wrote the book, Freed said: In the 1980s, I joined the small group of anthropologists who were writing about the history of their subject. I believed that I could add some balance to American anthropological history, and that the best place to start was with museums— where the story began. The more I delved into the archives, the more I was fascinated. I was hooked.
Stanley A. Freed (Anthropology Unmasked: Museums, Science, and Politics in New York City)
Sadeas flushed, but kept his temper. “A whore joke, Wit? Is that the best you can manage?” Wit shrugged. “I point out truths when I see them, Brightlord Sadeas. Each man has his place. Mine is to make insults. Yours is to be in-sluts.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I think something innate in us understands that seeking the good of society is usually best for the individual as well. Humankind is noble, when we give it the chance to be. That nobility is something that exists independent of any god’s decree.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Criterion offered cineastes who wished to see the original version of a picture their only practical alternative to visiting an archive and lacing up the film themselves on a viewing machine. The company was dedicated to presenting movies uncut, using transfers sourced from the best available elements and, beginning with Invasion of the Body Snatchers, their eighth release, presented in their original theatrical ratios.
Michael Binder (A Light Affliction: a History of Film Preservation and Restoration)
But isn’t it remarkable that, given the chance for personal gain at the cost of others, so many people choose what is right?” “Because they fear the Almighty.” “No,” Jasnah said. “I think something innate in us understands that seeking the good of society is usually best for the individual as well. Humankind is noble, when we give it the chance to be. That nobility is something that exists independent of any god’s decree.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
They know we're here." He turns to Galen. "What do you think?" Galen scratches the back of his neck. "It's a trap." Toraf rolls his eyes. "Oh, you think so?" He shakes his head. "I'm asking if you think Musa is in on it." Galen is not very familiar with Musa. He's only talked to her a handful of times, and that was when he was very young. Still, out of all the Archives who seemed to support Jagen and his monumental act of treason, Musa's face does not come to mind. "Would she be?" Toraf shrugs. Woden scowls. “With much respect, Highness, Musa is an Archive. She will not forsake her vows to remain neutral.” It takes all of Galen’s willpower to bite his tongue. Woden is still naïve enough to believe that all the Archives are of a pure and unbiased mind. That they do not get tangled up in emotions such as greed, ambition, and envy. Did Woden attend the same tribunal I did? Toraf slaps Woden on the back. “Then you don’t mind going first?” The Poseidon Tracker visibly swallows. “Oh. Of course not. I’m happy to-“ “Oh, let’s get on with this,” Galen says, snatching the spear from Woden’s unsuspecting grasp. This seems to embarrass the young Tracker. Galen doesn’t have time for embarrassment. “Yes, let’s,” Toraf says. “Before the humans get those disgusting wrinkles on their skin.” He nudges Woden. “It’s probably the most horrific thing I’ve ever seen. And I’ve seen lots of things.” It’s the first time Galen realizes that Woden’s nervous demeanor and over-respectful attitude is not out of reverence for his own Royal status, but out of reverence for Toraf. It seems Toraf has a fan. And why wouldn’t he? He’s the best Tracker in the history of both territories. Any Tracker should feel humbled in his presence. Galen is not any Tracker. He grunts. “Shut up, idiot. Get behind me.” Toraf speeds ahead. “No, you get behind me, minnow.” Despite their grand words, they creep to the door together.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The best way to figure out what Perl is used for is to look at the ... Comprehensive Perl Archive Network (the CPAN, for short). ... [Y]ou'll get the impression that Perl has interfaces to almost everything in the world. With a little thought, you may figure out the reason Perl has interfaces to everything is not so much so Perl itself can talk to everything, but so Perl can get everything in the world talking to everything else in the world. The combinatorics are staggering. The very first issue of The Perl Journal ... contained an article entitled 'How Perl Saved the Human Genome Project'. It explains how all the different genome sequencing laboratories used different databases with different formats, and how Perl was used to massage the data into a cohesive whole.
Larry Wall
When it comes to people we admire, it is in our nature to be selective with information, to load with personal associations, to elevate and make heroic. That is especially true after their deaths, especially if those deaths have been in any way untimely and/or shocking. It is hard to hold onto the real people, the true story. When we think of the Clash, we tend to forget or overlook the embarrassing moments, the mistakes, the musical filler, the petty squabbles, the squalid escapades, the unfulfilled promises. Instead, we take only selected highlights from the archive-the best songs, the most flatteringly-posed photographs, the most passionate live footage, the most stirring video clips, the sexiest slogans, the snappiest soundbites, the warmest personal memories-and from them we construct a near-perfect rock 'n' roll band, a Hollywood version of the real thing. The Clash have provided us with not just a soundtrack, but also a stock of images from which to create a movie we can run in our own heads. The exact content of the movie might differ from person to person and country to country, but certain key elements will remain much the same; and it is those elements that will make up the Essential Clash of folk memory. This book might have set out to take the movie apart scene by scene to analyse how it was put together; but this book also believes the movie is a masterpiece, and has no intention of spoiling the ending. It's time to freeze the frame. At the very moment they step out of history and into legend: the Last Gang In Town.
Marcus Gray (The Clash: Return of the Last Gang in Town)
Bertrand Russell famously said: “It is undesirable to believe a proposition when there is no ground whatsoever for supposing it is true.” [but] Russell’s maxim is the luxury of a technologically advanced society with science, history, journalism, and their infrastructure of truth-seeking, including archival records, digital datasets, high-tech instruments, and communities of editing, fact-checking, and peer review. We children of the Enlightenment embrace the radical creed of universal realism: we hold that all our beliefs should fall within the reality mindset. We care about whether our creation story, our founding legends, our theories of invisible nutrients and germs and forces, our conceptions of the powerful, our suspicions about our enemies, are true or false. That’s because we have the tools to get answers to these questions, or at least to assign them warranted degrees of credence. And we have a technocratic state that should, in theory, put these beliefs into practice. But as desirable as that creed is, it is not the natural human way of believing. In granting an imperialistic mandate to the reality mindset to conquer the universe of belief and push mythology to the margins, we are the weird ones—or, as evolutionary social scientists like to say, the WEIRD ones: Western, Educated, Industrialized, Rich, Democratic. At least, the highly educated among us are, in our best moments. The human mind is adapted to understanding remote spheres of existence through a mythology mindset. It’s not because we descended from Pleistocene hunter-gatherers specifically, but because we descended from people who could not or did not sign on to the Enlightenment ideal of universal realism. Submitting all of one’s beliefs to the trials of reason and evidence is an unnatural skill, like literacy and numeracy, and must be instilled and cultivated.
Pinker Steven (Rationality: What It Is, Why It Seems Scarce, Why It Matters)
The 8 Play Personalities The Collector loves to gather and organise, enjoying activities like searching for rare plants, or rummaging around in archives or garage sales. The Competitor enjoys games and sports, and takes pleasure in trying their best and winning. The Explorer likes to wander, discovering new places and things they’ve never seen, through hiking, road tripping and other adventures. The Creator finds joy in making things, and can spend hours every day drawing, painting, making music, gardening and more. The Storyteller has an active imagination and uses their imagination to entertain others. They’re drawn to activities like writing, dance, theatre and role-playing games. The Joker endeavours to make people laugh, and may play by performing stand-up, doing improv, or just pulling a lot of pranks to make you smile. The Director likes to plan, organise and lead others, and can fit into many different roles and activities, from directing stage performances to running a company, to working in political or social advocacy. The Kinesthete finds play in physical activities like acrobatics, gymnastics and free running.
Ali Abdaal (Feel-Good Productivity: How to Do More of What Matters to You)
house with a great view. You’ll see that at the party tonight. Wish Char would be here for that, too, but we’ll all be together soon.” At least, Kate thought, Jack Lockwood, alias former father, would not be here tonight, so she could enjoy herself. Not only was she curious to see Grant Mason, but she also couldn’t wait to examine the Adena burial site she’d found on an old map in the university archives when she was back in the States at Christmas. The so-called Mason Mound was about twenty yards behind Grant’s house, and she was much more eager to see it than him. * * * The caterers Grant had hired from the upscale Lake Azure area had taken over the kitchen, and he didn’t want to disturb the setup for the buffet or the bar at the far end of the living room. So he sat in his favorite chair looking out over the back forest view through his massive picture window. The guests for the party he was throwing for his best friend, Gabe, and his fiancée, Tess, would be here soon—eighteen people, a nice number for mixing and chatting. He’d laid in champagne for toasts to the happy couple. Gabe and Grant had been best friends since elementary school, when a teacher had seated them in alphabetical order by first names. Grant had been the first to marry. Lacey had been his high-school sweetheart, head of the cheerleaders, prom queen to his king. How unoriginal—and what a disaster.
Karen Harper (Forbidden Ground (Cold Creek, #2))
Chapter 1, “Esoteric Antiquarianism,” situates Egyptian Oedipus in its most important literary contexts: Renaissance Egyptology, including philosophical and archeological traditions, and early modern scholarship on paganism and mythology. It argues that Kircher’s hieroglyphic studies are better understood as an antiquarian rather than philosophical enterprise, and it shows how much he shared with other seventeenth-century scholars who used symbolism and allegory to explain ancient imagery. The next two chapters chronicle the evolution of Kircher’s hieroglyphic studies, including his pioneering publications on Coptic. Chapter 2, “How to Get Ahead in the Republic of Letters,” treats the period from 1632 until 1637 and tells the story of young Kircher’s decisive encounter with the arch-antiquary Peiresc, which revolved around the study of Arabic and Coptic manuscripts. Chapter 3, “Oedipus in Rome,” continues the narrative until 1655, emphasizing the networks and institutions, especially in Rome, that were essential to Kircher’s enterprise. Using correspondence and archival documents, this pair of chapters reconstructs the social world in which Kircher’s studies were conceived, executed, and consumed, showing how he forged his career by establishing a reputation as an Oriental philologist. The next four chapters examine Egyptian Oedipus and Pamphilian Obelisk through a series of thematic case studies. Chapter 4, “Ancient Theology and the Antiquarian,” shows in detail how Kircher turned Renaissance occult philosophy, especially the doctrine of the prisca theologia, into a historical framework for explaining antiquities. Chapter 5, “The Discovery of Oriental Antiquity,” looks at his use of Oriental sources, focusing on Arabic texts related to Egypt and Hebrew kabbalistic literature. It provides an in-depth look at the modus operandi behind Kircher’s imposing edifice of erudition, which combined bogus and genuine learning. Chapter 6, “Erudition and Censorship,” draws on archival evidence to document how the pressures of ecclesiastical censorship shaped Kircher’s hieroglyphic studies. Readers curious about how Kircher actually produced his astonishing translations of hieroglyphic inscriptions will find a detailed discussion in chapter 7, “Symbolic Wisdom in an Age of Criticism,” which also examines his desperate effort to defend their reliability. This chapter brings into sharp focus the central irony of Kircher’s project: his unyielding antiquarian passion to explain hieroglyphic inscriptions and discover new historical sources led him to disregard the critical standards that defined erudite scholarship at its best. The book’s final chapter, “Oedipus at Large,” examines the reception of Kircher’s hieroglyphic studies through the eighteenth century in relation to changing ideas about the history of civilization.
Daniel Stolzenberg (Egyptian Oedipus: Athanasius Kircher and the Secrets of Antiquity)
I've done this sort of thing before. Not prophecies so much, but you'd be surprised how many people want to realign their ancestral lines to seem nobler, or rewrite their family history to remove more morally questionable episodes." He paused to recall a recent rewrite. "One lord wanted the murderers removed from his family line. His family was so corrupt, he ended up with three virgin births, two generations removed entirely and a lady who gave birth at the age of two. Still, no one questions it as there is evidence in the archives." Bubo smugly tapped a book. "There is one thing though, faking a prophecy in the past is easy, you already know the result. How will you make this come true in the future?" "I have someone in mind for it, but I'm not sure he'll go for it. But then prophecy is all optional anyway." Corvid looked up as if a thought had occurred to him. "I'd best go check on my man, I've not met him yet.
Dylan Perry (Gods Just Want To Have Fun)
Museums matter only to the extent that they are perceived to provide communities they serve with something of value beyond their mere existence.” — STEPHEN WEIL
G. Wayne Clough (Best of Both Worlds: Museums, Libraries, and Archives in a Digital Age)
imagine they would have records at the temple.  However, I would think the best place to look would be the Archive of Tibetan History at the Central Library in Lhasa.   They have an excellent archive related to the history of medicine in Tibet.  You’ll be surprised.  Some of the data has even been digitized using grants from wealthy supporters.  It’s very good.  I’ve used it myself.
Hunt Kingsbury (Book of Cures (A Thomas McAlister Adventure 2))
intend to stop whoever and whatever is attempting to transport Nekropolis to Earth," Maggie said. She glanced at Bartelmeu. "And according to our resident psychic saint, arming you three is our best shot at doing so."   Bartelmeu smiled. "And I predict a solid fifty-fifty chance of success! You can't ask for better odds than that!" He frowned. "Well, I suppose you could, but you're not going to get them.
Tim Waggoner (The Nekropolis Archives)
Delete it. The message isn’t important or it requires no response. The simplest action is to get rid of it. If you think it might be important, then you will put the message into an archive folder. Defer it. If a message requires a task that takes 5 or more minutes to complete, then defer it and schedule a date and time when you will do it. One of the main reasons people get bogged down is that they try to take action on emails that require you to complete a lengthy task. For emails like this, it makes sense to estimate the time required, write down the specific action into your calendar, respond back to the recipient with a date when they should expect it and then filter the email into your “Follow-Up” folder. You can use the items on your calendar to schedule the rest of your week. Another option for deferring an item is to use the Boomerang extension, which creates reminders for specific tasks. Delegate it. You may not be the best person to handle the task. If you have a team or subordinates, then delegate the task to the appropriate person. After that, create a reminder in your calendar to follow up and make sure it has been handled. Do it. If it takes less than 5 minutes to respond to an email or complete the required task, then take care of it immediately.
S.J. Scott (10-Minute Digital Declutter: The Simple Habit to Eliminate Technology Overload)
Ever since Spain and Mexico began to settle this part of the Southwest over the course of three hundred years, those people and those communities had protection and respect from both Mexico and Spain. Those governments never stole the land from their people. It was with the arrival of the United States, "the democratic government of the United States, the leader of the free world," that we began to have problems and violations of our land rights. Spain and Mexico have valiantly guarded the archives that document the ownership rights, but people such as members of the Santa Fe Ring have destroyed those records. So I would ask, "Who has caused this problem with the land, Reies or the Anglos?" And every day I would hit on that theme as best I could.
Reies Lopez Tijerina (They Called Me "King Tiger": My Struggle for the Land and Our Rights (Hispanic Civil Rights))
I do not think he says things that are fully untrue. Which makes his lies the best.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
. Recommendation: One avenue for ensuring that all civilian CCTV equipment is SCORPION STARE compatible by 2006 is to exploit an initiative of the US National Security Agency for our own ends. In a bill ostensibly sponsored by Hollywood and music industry associations (MPAA and RIAA: see also CDBTPA), the NSA is ostensibly attempting to legislate support for Digital Rights Management in all electronic equipment sold to the public. The implementation details are not currently accessible to us, but we believe this is a stalking-horse for requiring chip manufacturers to incorporate on-die FPGAs in the one million gate range, re-configurable in software, initially laid out as DRM circuitry but reprogrammable in support of their nascent War on Un-Americanism. If such integrated FPGAs are mandated, commercial pressures will force Far Eastern vendors to comply with regulation and we will be able to mandate incorporation of SCORPION STARE Level Two into all digital consumer electronic cameras and commercial CCTV equipment under cover of complying with our copyright protection obligations in accordance with the WIPO treaty. A suitable pretext for the rapid phased obsolescence of all Level Zero and Level One cameras can then be engineered by, for example, discrediting witness evidence from older installations in an ongoing criminal investigation. If we pursue this plan, by late 2006 any two adjacent public CCTV terminals—or private camcorders equipped with a digital video link—will be reprogrammable by any authenticated MAGINOT BLUE STARS superuser to permit the operator to turn them into a SCORPION STARE basilisk weapon. We remain convinced that this is the best defensive posture to adopt in order to minimize casualties when the Great Old Ones return from beyond the stars to eat our brains.
Charles Stross (The Atrocity Archives (Laundry Files, #1))
But she’s experiencing as much rage as the platform on which her consciousness is being modeled, or simulated she thinks darkly, is allowing her to undergo. She’s sure she should be a lot angrier. … There is some unknowable number of her running on some substrate or another and the one that is most compliant will be chosen as the best her, to be carried forward to the next leg of this awful, brutal adventure, while the rest are snuffed out, overwritten, killed or at best archived. This should make her madder. It doesn’t. That fact that it doesn’t make her madder, also should make her madder. It doesn’t. And this should make her so bloody mad that she spontaneously combusts. It doesn’t.
Cory Doctorow (The Rapture of the Nerds)
But she’s experiencing as much rage as the platform on which her consciousness is being modeled, or simulated she thinks darkly, is allowing her to undergo. She’s sure she should be a lot angrier. … There is some unknowable number of her running on some substrate or another and the one that is most compliant will be chosen as the best her, to be carried forward to the next leg of this awful, brutal adventure, while the rest are snuffed out, overwritten, killed or at best archived. This should make her madder. It doesn’t. That fact that it doesn’t make her madder, also should make her madder. It doesn’t. And this should make her so bloody mad that she spontaneously combusts. It doesn’t. … The only perameret she cares about, how angry can she get, has already been established: not enough, and she os not going to play along. [Imagine a narrator depicting a Hue vociferously, as well as hopping mad and defiant] “Look, I already know I am not the most pliant instant of me youre runnin. I can’t be. So up yours. I’m dead al;ready. I was dead wehen my viscious scorpion of a motgherchopped the top of my head off and schooped out my brains! … some\wher you found the shapeliest version of me that could be plausibly that could be said to have any continuity with my identity and that one is going to survivv. So fine, I’m dead. Kill me already. I don’t care anymore.” “Actrually, you’re the best candidate instance presently running.” It takes Hugh a long moment to work this all out. “You mean that the other ones are more obstreperous than me? … Unbelievable. What did the rest do?” “Of the 2% that did not [self conbust], the preponderance are catatonic.” Catatonic. She sniffs. How unimaginative. She can do better.
Cory Doctorow (The Rapture of the Nerds)
Plus she was tall, and tall women were best.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
unceremoniously as “John F. Kennedy: The Photographic Archive of Cecil W. Stoughton.” I knew—even sight unseen—that this was no ordinary scrapbook collection of scratchy Polaroids and faded albums. No, this might be the treasure trove of one of Camelot’s court photographers, a man who had visually documented some of the most important events in the presidency of John F. Kennedy, including a secret party in New York City attended by the president and the most glamorous movie star of the time: Marilyn Monroe.
James L. Swanson (Second Best Thing: Marilyn, JFK, and a Night to Remember)
You see, it can only be bested by someone who deeply, sincerely, understands it.” He lifted the gemstone above his head, and—one last time—embraced the Thrill. War. Victory. The contest. Dalinar’s entire life had been a competition: a struggle from one conquest to the next. He accepted what he had done. It would always be part of him. And though he was determined to resist, he would not cast aside what he had learned. That very thirst for the struggle—the fight, the victory—had also prepared him to refuse Odium. “Thank you,” he whispered again to the Thrill, “for giving me strength when I needed it.” The Thrill churned close around him, cooing and exulting in his praise. “Now, old friend, it is time to rest.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Pekwa Nicholas Mohlala BA GA MOHLALA IN SCHOONOORD HISTORY SOURCES AND RESEARCHERS Our sources for our ongoing research on the history of Ba Ga Mohlala in Schoonoord The main sources that we use in our ongoing researches on the history of Ba Ga Mohlala in Schoonoord are government official records, archival records, and oral evidence. There are few archival records on the history on the history of Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe. There are also very few published documents (especially books and others forms of researched publications) on Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe, and this is one of the principal motivations for the need to record the history of Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe. Therefore, the bulk of secondary are the available general works of South African History, and most of such works deal scantily with the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, that is because those general works mainly deal with South African tribes in general rather  than Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe in particular. As such those sources are used to contextualize the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, and are mostly used to develop theorical framework. Oral evidence forms an important part of our researches. That is because most of the history of clans, and tribes in South Africa, such as Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe was not written and it is expected that very few written records do exist on their history. As a result, the few written records which are available are used in conjunction with oral evidence. Most importantly, the other sources which have been mentioned thus far are used to corroborate oral information, and vice versa. Thus, the combination of all these sources result in a more balanced and objective study of the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe. Because oral information is one of the core sources of our studies in the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, best practices in oral research are thoroughly  followed in order to achieve the best possible outcome possible. Like any other forms of collecting evidence, and as well as other sources of information, oral evidence has its own problem areas and some benefits, and there are also processes of dealing with those problem areas. There are three main problem areas of oral history. Firstly, the limitations of the interviewee which include, unreliability of memory, deliberate falsification, unfairness through vindictiveness, excessive discretion, superficiality and gossip, oversimplification, distortion of interviewee's role, lack of perspective, distortion due to to personal feelings, self-consciousness, influence of hindsight, and repetition of published evidence. Secondly, the interviewer has limitations which include, unrepresantative sampling, biased questioning, difference and bias towards the intreviews, and interviews as a replacement for reading documents. The third and last problem areas of oral is about the limitations inherent in the nature of intetviewing itself which include, misinterpretation of what the interviewee have said, inability of oral history to verified by others, interview transcripts missing the essence of the interview, impossibility of true communication, and dependence on survivors and those who agree to be interviewed.
Pekwa Nicholas Mohlala
I’m gainfully employed as Queen’s Wit, and she expects me to provide only the best of mockery on her behalf. I need to be careful about simply giving it away. Who is going to buy the cow, and all that.” Dalinar frowned. “What is a cow?” “Big, juicy, delicious. Wish I could still eat them. You don’t seem to have them around here, which I find amazing, as I’m sure there was one somewhere in Sadeas’s lineage. Paternal grandfather perhaps. Watch the highprinces. There’s almost certainly going to be a show.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
She had been around enough intelligent people to know they worked best in an encouraging environment where study and discovery were rewarded.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
you can tell much about a person by what they carry with them. If that notebook is any indication, you pursue scholarship in your free time for its own sake. That is encouraging. It is, perhaps, the best argument you could make on your own behalf.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I often find myself wondering of those other paths, those other worlds of possibility. Surely I exist in other realms, surely we all do. What are the other versions of ourselves like? What have they accomplished that we never could? And the most important question of all, am I doing what I can to be the best version of myself? -Azzeal, Keeper of the Windwalker Archive
Michael James Ploof (The Windwalker Trilogy (The Windwalker Archive, #1-3))
Actual drawing papers can make shading look more realistic and can be easier for the artist to get results faster. Papers made especially for drawing will help the artist to achieve a tight consistency between tones. Also, higher quality drawing papers are made from cotton or linen fibers, which makes them more resistant to chemical breakdown and degrading over time. Archival papers are of the highest quality, acid-free papers are of medium quality, and other papers are best used for sketching.
Catherine V. Holmes (Drawing Dimension - Shading Techniques: A Shading Guide for Teachers and Students (How to Draw Cool Stuff))
Research into Ruth Rappaport’s life led me to a seemingly endless array of sources in many archives and in multiple languages. I started with her oral history and tried to verify the stories she told. As it turned out, some of them were impossible to track down in other sources, and I’ve tried my best to reconcile the sources I could track down with Ruth’s own words.
Kate Stewart (A Well-Read Woman: The Life, Loves, and Legacy of Ruth Rappaport)
Can’t I interest you in a nice romantic novel? They are my specialty, you see. Young women from across the city come to me, and I always carry the best.” His tone set her on edge. It was galling enough to know she was a sheltered child. Was it really necessary to remind her of it? “A romantic novel,” she said, holding her satchel close to her chest. “Yes, perhaps that would be nice. Do you by chance have a copy of Nearer the Flame?” The merchant blinked. Nearer the Flame was written from the viewpoint of a man who slowly descended into madness after watching his children starve.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
What if, upon completion of this course, participants: »​Engage in a supportive arts community »​Study one another’s writing to enhance their appreciation of the genre(s) »​Select readings from a living archive of multicultural texts that best inform their individual projects »​Curate their own literary anthologies with texts that appeal to their aesthetic preferences
Felicia Rose Chavez (The Anti-Racist Writing Workshop: How To Decolonize the Creative Classroom)
Give me an audience who have come to be entertained, but who expect nothing special. To them, I will be a god. That is the best truth I know.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I think something innate in us understands that seeking the good of society is usually best for the individual as well.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I had a cousin once, sure, who had a crab he swore had bred with chulls, but I didn’t think that was possible, even if it came up to my knees. So it was a big storming crab. But we couldn’t build a house on its back. That’s wild, velo. You deserve respect for living on a giant crab. Who lives on a crab? No regular people. Just people like you.” Lopen slowed them near the top, where the atrium finally ended, maybe a thousand feet in the air or more. It provided the best view out the window: an amazing field of snow-tipped mountains. Lopen could appreciate, from up here, how they all looked the same. One shouldn’t forget that they weren’t, sure, but there was a perspective from a distance—different from the up-close perspective. Up close, differences could chafe. But if you remembered that from far away you all looked the same . . . well, that was important too.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
I didn’t want to be special.” “Says the girl who was comparing herself so dramatically to a shadow earlier.” “I just wanted what I asked for.” “Which was?” Wyndle asked. “Not important now.” “I rather think it is.” “I asked not to change,” Lift whispered, opening her eyes. “I said, when everything else is going wrong, I want to be the same. I want to stay me. Not become someone else.” “Those are the exact words?” Wyndle asked. “Best I can remember.” “Hmm…” Wyndle said, snuggling down into his vines. “I believe that is too vague.” “I wasn’t! I told her. Make me so I don’t grow up.” “That is not what you said, mistress. And if I might be so bold—having spent a great deal of time around you—you are not an easy person to understand.” “I asked not to change! So why am I changing?” “You’re still you. Merely a bigger version.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Then there I was, staring at my friends, knowing they would do their best to kill me.…” “That’s terrible,” Syl said, causing Teft and Rlain to glance at her. Apparently she’d decided to let them see her. “That’s so terrible.…” “It was war,” Rlain said. “Is that an excuse?” she asked. “An explanation,” Teft said. “One used to explain too much,” Syl said, wrapping her arms around herself and growing smaller than usual. “It’s war, you say. Nothing to be done about it. You act like it’s as inevitable as the sun and storms. But it’s not. You don’t have to kill each other.” Kaladin shared a glance with Teft and Rlain, the latter humming to a mournful cadence. She wasn’t wrong
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Though he didn’t relish facing them, he also couldn’t give up this opportunity. It was his last chance to speak for himself, for his people. He had to believe that some of them were listening. And if he lost? If he was condemned to imprisonment? Would he let Shallan rescue him, as she’d offered? If I did, he thought, I would prove what the leaders of the honorspren have been saying all along: Men aren’t worthy of trust. What if the only way to win here was to accept their judgment? To spend years in a cell? After all, what else are you good for, Adolin? The world needed Radiants, not princes—particularly not ones who had refused the throne. Perhaps the best thing he could do for humanity was become a living testimony of their honor
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
I wouldn’t say that I have nothing to believe in, Your Majesty. Actually, I have much to believe in. My brother and my uncle, my own abilities. The things I was taught by my parents.” “But, what is right and wrong, you’ve … Well, you’ve discarded that.” “Just because I do not accept the teachings of the devotaries does not mean I’ve discarded a belief in right and wrong.” “But the Almighty determines what is right!” “Must someone, some unseen thing, declare what is right for it to be right? I believe that my own morality—which answers only to my heart—is more sure and true than the morality of those who do right only because they fear retribution.” “But that is the soul of law,” the king said, sounding confused. “If there is no punishment, there can be only chaos.” “If there were no law, some men would do as they wish, yes,” Jasnah said. “But isn’t it remarkable that, given the chance for personal gain at the cost of others, so many people choose what is right?” “Because they fear the Almighty.” “No,” Jasnah said. “I think something innate in us understands that seeking the good of society is usually best for the individual as well. Humankind is noble, when we give it the chance to be. That nobility is something that exists independent of any god’s decree.” “I just don’t see how anything could be outside God’s decrees.” The king shook his head, bemused. “Brightness Jasnah, I don’t mean to argue, but isn’t the very definition of the Almighty that all things exist because of him?” “If you add one and one, that makes two, does it not?” “Well, yes.” “No god needs declare it so for it to be true,” Jasnah said. “So, could we not say that mathematics exists outside the Almighty, independent of him?” “Perhaps.” “Well,” Jasnah said, “I simply claim that morality and human will are independent of him too.” “If you say that,” the king said, chuckling, “then you’ve removed all purpose for the Almighty’s existence!” “Indeed.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Almost no one I know calls friends merely to have the kind of long, reflective, intimate conversations that were common in earlier decades; phones are for practical exchanges—renegotiating plans, checking in on arrangements. Emails, which in the 1990s seemed to resemble letters, now resemble texting, brief bursts of words in a small space, not to be composed as art, archived, or mused over much. A lot of people are too busy to hang out without a clear purpose, or don’t know that you can, and the often combative arenas and abstracted contact of social media replace physical places (including churches) to hang out in person. Correspondence, that beautiful word, describes both an exchange of letters and the existence of affinities; we correspond because we correspond. As a young woman, I had long, intense conversations with other young women about difficult mothers, unreliable men, about heartaches and ambitions and anxieties. Sometimes these conversations were circular; sometimes they got bogged down by our inability to accept that we weren’t going to get what seemed right or fair. But at their best, they reinforced that our perceptions and emotions were not baseless or illegitimate, that others were on our side and shared our experiences, that we had value and possibility. We were strengthening ourselves and our ties to one another. Conversation is a principal way that we convey our support and love to each other; it’s how we find out who our friends are and often how friendship takes place. A friendship could be imagined as an ongoing conversation, and a conversation as a collaboration of minds, and that collaboration as a brick out of which a culture or a community is built.
Rebecca Solnit (Call Them by Their True Names: American Crises (and Essays))
Well, I like sincere people,” Shallan said, raising her cup. “It’s delightful how surprised they look when you push them down the stairs.” “Now, that’s unkind. You shouldn’t push people down the stairs for being sincere. You push people down the stairs for being stupid.” “What if they’re sincere and stupid?” “Then you run.” “I quite like arguing with them instead. They do make me look smart, and Vev knows I need the help.…” “No, no. You should never debate an idiot, Shallan. No more than you’d use your best sword to spread butter.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Dart initially echoed Darwin’s theory that bipedalism freed the hands of early hominins to make and use hunting tools, which in turn selected for big brains, hence better hunting abilities. Then, in a famous 1953 paper, clearly influenced by his war experiences, Dart proposed that the first humans were not just hunters but also murderous predators.18 Dart’s words are so astonishing, you have to read them: The loathsome cruelty of mankind to man forms one of his inescapable characteristics and differentiative features; and it is explicable only in terms of his carnivorous, and cannibalistic origin. The blood-bespattered, slaughter-gutted archives of human history from the earliest Egyptian and Sumerian records to the most recent atrocities of the Second World War accord with early universal cannibalism, with animal and human sacrificial practices of their substitutes in formalized religions and with the world-wide scalping, head-hunting, body-mutilating and necrophilic practices of mankind in proclaiming this common bloodlust differentiator, this predaceous habit, this mark of Cain that separates man dietetically from his anthropoidal relatives and allies him rather with the deadliest of Carnivora. Dart’s killer-ape hypothesis, as it came to be known, was popularized by the journalist Robert Ardrey in a best-selling book, African Genesis, that found a ready audience in a generation disillusioned by two world wars, the Cold War, the Korean and Vietnam Wars, political assassinations, and widespread political unrest.19 The killer-ape hypothesis left an indelible stamp on popular culture including movies like Planet of the Apes, 2001: A Space Odyssey, and A Clockwork Orange. But the Rousseauians weren’t dead yet. Reanalyses of bones in the limestone pits from which fossils like the Taung Baby came showed they were killed by leopards, not early humans.20 Further studies revealed these early hominins were mostly vegetarians. And as a reaction to decades of bellicosity, many scientists in the 1970s embraced evidence for humans’ nicer side, especially gathering, food sharing, and women’s roles. The most widely discussed and audacious hypothesis, proposed by Owen Lovejoy, was that the first hominins were selected to become bipeds to be more cooperative and less aggressive.21 According to Lovejoy, early hominin females favored males who were better at walking upright and thus better able to carry food with which to provision them. To entice these tottering males to keep coming back with food, females encouraged exclusive long-term monogamous relationships by concealing their menstrual cycles and having permanently large breasts (female chimps advertise when they ovulate with eye-catching swellings, and their breasts shrink when they are not nursing). Put crudely, females selected for cooperative males by exchanging sex for food. If so, then selection against reactive aggression and frequent fighting is as old as the hominin lineage.22
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
Expectation. That is the true soul of art. If you can give a man more than he expects, then he will laud you his entire life. If you can create an air of anticipation and feed it properly, you will succeed. “Conversely, if you gain a reputation for being too good, too skilled . . . beware. The better art will be in their heads, and if you give them an ounce less than they imagined, suddenly you have failed. Suddenly you are useless. A man will find a single coin in the mud and talk about it for days, but when his inheritance comes and is accounted one percent less than he expected, then he will declare himself cheated.” Wit shook his head, standing up and dusting off his coat. “Give me an audience who have come to be entertained, but who expect nothing special. To them, I will be a god. That is the best truth I know.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
If you’re going to leave me,” she said, “then you’d best treat me well in the days leading up to your departure. So I remember you fondly and know that you love me.” “Is there ever a question of that?” She pulled back, then lightly ran her finger along his jaw. “A woman needs constant reminders. She needs to know that she has his heart, even when she cannot have his company.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
But Rysn understood the tone in the Lopen’s voice. She shouldn’t have to do such things, but life was unfair, and so you controlled the situation as best you could. Strange, to find such wisdom in a man she’d initially dismissed as silly.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
When you’ve got an arrow stuck in you, it’s sometimes best to just yank it out in one pull.” Actually, when you had an arrow in you, the best thing to do was leave it there until you could find a surgeon. Often it would plug the blood flow and keep you alive. It was probably best not to speak up and undermine the highprince’s metaphor,
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I bested other men, excelling both mentally and physically where they fell short. In a month, I'll begin my year-long study in the City Archives after which I'll be given the power to deputize. Then the city will be mine to protect.
Ian Lewis (From Legend (The Reeve #1))
I bested other men, excelling both mentally and physically where they fell short. In a month, I'll begin my year-long study in the City Archives after which I'll be given the power to deputize. Then the city will be mine to protect.
Ian Lewis (From Legend (The Reeve #1))
During the Vietnam War, a new generation of scholars such as William Appleman Williams and Gabriel Kolko challenged long-standing legends about the workings of US foreign policy. Social and cultural historians in the 1970s and 1980s wrote new histories of the nation from the bottom up, expanding our view to include long-overlooked perspectives on gender, race, and ethnic identities and, in the process, showing that narrow narratives focused solely on political leaders at the top obscured more than they revealed. Despite the fact that the term revisionist history is often thrown around by nonhistorians as an insult, in truth all good historical work is at heart “revisionist” in that it uses new findings from the archives or new perspectives from historians to improve, to perfect—and, yes, to revise—our understanding of the past. Today, yet another generation of historians is working once again to bring historical scholarship out of academic circles, this time to push back against misinformation in the public sphere. Writing op-eds and essays for general audiences; engaging the public through appearances on television, radio, and podcasts; and being active on social media sites such as Facebook, Twitter, and Substack, hundreds if not thousands of historians have been working to provide a counterbalance and corrections to the misinformation distorting our national dialogue. Such work has incredible value, yet historians still do their best work in the longer written forms of books, articles, and edited collections that allow us both to express our thoughts with precision in the text and provide ample evidence in the endnotes. This volume has brought together historians who have been actively engaging the general public through the short forms of modern media and has provided them a platform where they might expand those engagements into fuller essays that reflect the best scholarly traditions of the profession.
Kevin M. Kruse (Myth America: Historians Take On the Biggest Legends and Lies About Our Past)
Mouse scurried to catch up with her, trying to match his strides to her long, fluid gait. She glanced down at his shabby garments and smudged face. “You’d best make certain nobody sees you with me,” she reminded him. “You look like a street urchin.” “I am a street urchin.” He smirked up at her. “You were a street urchin.
Jenelle Leanne Schmidt (The Orb and the Airship (Turrim Archive, #1))
Best to be honest, at the very least, with oneself.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
One of my prevailing philosophies is that if any individual were to find out that he or she had only six days to live, all people’s final thoughts would revolve around life’s most important things: the people they’ve loved and the places they’ve explored. Nothing shapes an individual as much as these two influences. {Kent family archives} An early safari on the shores of Lake Baringo.   My parents and I started Abercrombie & Kent out of necessity when the land in Kenya that we’d spent our lives developing was taken away from us. Many entrepreneurs agree that it’s our worst vulnerabilities that inspire us to find our greater purpose. When the most precious part of yourself is taken away, you will do whatever it takes to get your power back. You’ll even travel to the ends of the earth. This book is more than a collection of the best moments that I’ve experienced along the path; this book is my love story. By bringing the same sense of adventure found on safari to other places around the world, I defined luxury experiential travel . . . but my own greatest adventure has been this business itself.
Geoffrey Kent (Safari: A Memoir of a Worldwide Travel Pioneer)
Imulai Mokarengen has four great archives, one for each compass point. The greatest of them is the South Archive, with its windows the color of regret and walls where vines trace out spirals like those of particles in cloud chambers.
Rich Horton (The Year's Best Science Fiction & Fantasy 2014 Edition)
Point them to your top posts. This is an opportunity to invite them to “sample the brew.” Draw them further into your content. Give them a taste of your best writing. Google Analytics or even your blog’s stats package can provide you with a list of your most popular posts of all time. You should also point them to your blog’s archive for more content. Adventurous Kate’s featured posts include: • 11 Best Photos of 2011 • My Adventurous Travels—From A to Z
Michael Hyatt (Platform: Get Noticed in a Noisy World)
You can also check my blog’s archive for a list of every post I have written or use the search function below my picture in the sidebar to find other posts that might be of interest. My Biography I have worked in the book publishing industry my entire career. I began at Word Publishing while a student at Baylor University. I worked at Word for a total of six years. In addition to serving as vice president of marketing at Thomas Nelson in the mid-80s, I also started my own publishing company, Wolgemuth & Hyatt, with my partner Robert Wolgemuth in 1986. Word eventually acquired our company in 1992. I was a successful literary agent from 1992 until early 1998. However, I really missed the world of corporate publishing. As a result, I rejoined Thomas Nelson in 1998. I have worked in a variety of roles in both divisional and corporate management. I was CEO from August 2005 to April 2011, when I was succeeded by Mark Schoenwald. Additionally I am the former chairman of the Evangelical Christian Publishers Association (2006–2010). I have also written four books, one of which landed on the New York Times best-sellers list, where it stayed for seven months. I am currently working on a new book for Thomas Nelson. It is called Platform: Get Noticed in a Noisy World (May 2012). I have been married to my wife, Gail (follow her on Twitter @GailHyatt), for thirty-three years. We have five daughters, four grandsons, and three granddaughters. We live outside Nashville, Tennessee. In my free time, I enjoy writing, reading, running, and golfing. I am a member of St. Ignatius Orthodox Church in Franklin, Tennessee, where I have served as a deacon for twenty-three years. My Contact Information You can contact me via e-mail or follow me on Twitter or Facebook. Please note: I do not personally review book proposals or recommend specific literary agents. Colophon My blog is built on WordPress 3.1 (self-hosted). My theme is a customized version of Standard Theme, a simple, easy-to-use WordPress theme. Milk Engine did the initial customization. StormyFrog did some additional work. I highly recommend both companies. In terms of design, the body text font is Georgia. The titles and subhead fonts are Trebuchet MS. Captions and a few other random text elements are Arial. Keely Scott took most of my personal photos. Laurel Pankratz also took some. I get most of the photos for my individual
Michael Hyatt (Platform: Get Noticed in a Noisy World)
I think something innate in us understands that seeking the good of society is usually best for the individual as well. Humankind is noble, when we give it the chance to be. That nobility is something that exists independent of any God's decree.
Brandon Sanderson (The Way of Kings (1 of 5) (The Stormlight Archive #1, Part 1 of 5))
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Maddy Roby
No,” Jasnah said. “I think something innate in us understands that seeking the good of society is usually best for the individual as well. Humankind is noble, when we give it the chance to be. That nobility is something that exists independent of any god’s decree.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Then we walked along the Backs through King’s and Clare colleges to visit Trinity and Trinity Hall, the colleges of the KGB’s best-known British recruits, the “Magnificent Five,” some of whose files Mitrokhin had noted.2
Christopher Andrew (The Sword and the Shield: The Mitrokhin Archive and the Secret History of the KGB)