Architectural Marvel Quotes

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Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
As Toppers rose from her seat on a sofa to meet him, Storm realized that he was looking at an architectural marvel. She weighed less than a hundred pounds and was under five feet tall, but she was so top-heavy that Storm wondered how she kept herself from tumbling facedown when she reached out to shake his hand.
Richard Castle (A Brewing Storm (Derrick Storm, #1))
I saw cities, and roads of marvelous construction. I saw cruelty and greed, but I've seen them here too. I saw a people live a life that was strange in many ways, but also much the same as anywhere else." "Then why are they so cruel?" There was an earnestness to the girl's face, an honest desire to know. "Cruelty is in all of us," he said. "But they made it a virtue.
Anthony Ryan (Queen of Fire (Raven's Shadow, #3))
Medieval technology could raise marvels of architecture 200 feet in the air, it could conceive the mechanics of a loom capable of weaving patterned cloth, and of a gearshaft capable of harnessing the insubstantial air to turn a heavy millstone, but it failed to conceive the fore-and-aft rig and swinging boom capable of adapting sails to the direction of the wind. By such accident of the human mind, war, trade, and history are shaped.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet)
As an architectural marvel, Bethlem appeared in at least thirty-six tourist guides in 1681.
Catharine Arnold (Bedlam: London and Its Mad)
Believing then … that human life is actually worth living, one can combat one’s natural pessimism by stoicism and the refusal of illusion, while embellishing the scene with any one of the following. There are the beauties of science and the extraordinary marvels of nature. There is the consolation and irony of philosophy. There are the infinite splendors of literature and poetry, not excluding the liturgical and devotional aspects of these, such as those found in John Donne or George Herbert. There is the grand resource of art and music and architecture, again not excluding those elements that aspire to the sublime. In all of these pursuits, any one of them enough to absorb a lifetime, there may be found a sense of awe and magnificence that does not depend at all on any invocation of the supernatural. Indeed, nobody armed by art and culture and literature and philosophy is likely to be anything but bored and sickened by ghost stories, UFO tales, spiritualist experiences, or babblings from the beyond.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
We marvel why, among the most progressive Western nations, architecture should be so devoid of originality, so replete with repetitions of obsolete styles. Perhaps we are passing through an age of democratisation in art, while awaiting the rise of some princely master who shall establish a new dynasty. Would that we loved the ancients more and copied them less! It has been said that the Greeks were great because they never drew from the antique.
Kakuzō Okakura (The Book of Tea)
The Soup and the Clouds My dear little mad beloved was serving my dinner, and I was looking out of the open dining room window contemplating those moving architectural marvels that God constructs out of mist, edifices of the impalpable. And as I looked I was saying to myself: “All those phantasmagoria are almost as beautiful as my beloved’s beautiful eyes, as the green eyes of my mad monstrous little beloved.” All of a sudden I felt a terrible blow of a fist on my back and heard a husky and charming voice, an hysterical voice, a hoarse brandy voice, the voice of my dear little beloved, saying: “Aren’t you ever going to eat your soup, you damned bastard of a cloud-monger?
Charles Baudelaire (Paris Spleen)
The often heard lament, “I have so little time,” gives the lie to the delusion that the daily is of little significance. Everyone has exactly the same amount of time, the same twenty—four hours in which many a weary voice has uttered the gospel truth: “Sufficient unto the day is the evil thereof” (Mt 6:34, KJV). But most of us, most of the time, take for granted what is closest to us and is most universal. The daily round of sunrise and sunset, for example, that marks the coming and passing of each day, is no longer a symbol of human hopes, or of God’s majesty, but a grind, something we must grit our teeth to endure. Our busy schedules, and even urban architecture, which all too often deprives us of a sense of the sky, has diminished our capacity to marvel with the psalmist in the passage of time as an expression of God’s love for us and for all creation: It was God who made the great lights, whose love endures forever; the sun to rule in the day, whose love endures forever; the moon and stars in the night, whose love endures forever. (Ps 136: 7—9, GR) When
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and "Women's Work")
But pass through Copula Hall and she or he might leave Beszel, and at the end of the hall come back to exactly (corporeally) where they had just been, but in another country, a tourist, a marvelling visitor, to a street that shared the latitude-longitude of their own address, a street they had never visited before, whose architecture they had always unseen, to the Ul Qoman house sitting next to and a whole city away from their own building, unvisible there now they had come through, all the way across the Breach, back home.
China Miéville (The City & the City)
We entered the Taj Mahal, the most romantic place on the planet, and possibly the most beautiful building on earth. We ate curry with our driver in a Delhi street café late at night and had the best chicken tikka I’ve ever tasted in an Agra restaurant. After the madness of Delhi, we were astonished that Agra could be even more mental. And we loved it. We marvelled at the architecture of the Red Fort, where Shah Jahan spent the last three years of his life, imprisoned and staring across at the Taj Mahal, the tomb of his favourite wife. We spent two days in a village constructed specifically for tiger safaris, although I didn’t see a tiger, my wife and son were more fortunate. We noticed in Mussoorie, 230 miles from the Tibetan border, evidence of Tibetan features in the faces of the Indians, and we paid just 770 rupees for the three of us to eat heartily in a Tibetan restaurant. Walking along the road accompanied by a cow became as common place as seeing a whole family of four without crash helmets on a motorcycle, a car going around a roundabout the wrong way, and cars approaching towards us on the wrong side of a duel carriageway. India has no traffic rules it seems.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Precedent forces us to suppose that later generations will one day walk around our houses with the same attitude of horror and amusement with which we now consider many of the possessions of the dead. They will marvel at our wallpapers and our sofas and laugh at aesthetic crimes to which we are impervious. This awareness can lend to our affections a fragile, nervous quality. Knowing that what we now love may in the future, for reasons beyond our current understanding, appear absurd is as hard to bear in the context of a piece of furniture in a shop as it is in the context of a prospective spouse at an altar.
Alain de Botton (The Architecture of Happiness)
the architecture of our brains was born from the same trial and error, the same energy principles, the same pure mathematics that happen in flowers and jellyfish and Higgs particles. Viewed in this way, our human aesthetic is necessarily the aesthetic of nature. Viewed in this way, it is nonsensical to ask why we find nature beautiful. Beauty and symmetry and minimum principles are not qualities we ascribe to the cosmos and then marvel at in their perfection. They are simply what is, just like the particular arrangement of atoms that make up our minds. We are not observers on the outside looking in. We are on the inside too.
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
Life, a miracle of nature, an evolved molecule of matter, blossomed in the vast expanse of oceans. Methane, ammonia, hydrogen and water vapor When joined under the radio-active sun, The molecules of non living matter underwent massive changes and became live. It's this accident that made the molecule of protein, Which even Stanley Miller reproduced in lab. Evolution went on, and on and changed , from amoeba to dinosaurs, from ape to man, It was an amazing architecture of nature , Which still continue improving human brain. The amazing creation nature, the man, kept on exploring the mysteries of nature, and succeeded in duplicating nature's marvel through his latest invention - the cloning, and succeeded in decoding even the genetic code. Still we have to salute the mother nature, which has many more mysteries in store!.
V.A. Menon
Using a newspaper, sugar packets, and animated hand motions, Callegari reenacts the creation of the Trapizzino, a pocket of crispy dough that eats like the love child of pizza and tramezzino, Italy's triangular sandwich. Skeptics might see in the Trapizzino the sad pizza cone found on food trucks in the United States and beyond, but this is no half-hearted gimmick: crispy and tender, light but resilient, it is an architectural marvel of pizza ingenuity. Not content with traditional pizza toppings, Callegari instead ladles slow-cooked stews of meat and vegetables- tongue in salsa verde, pollo alla cacciatora, artichokes and favas with mint and chili- that perform magnificently against the crunch and comfort of this warm pizza pocket. "The best of old Roman cooking is like great ethnic food- slow-cooked, humble ingredients with big flavor.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
This state of equilibrium is only attractive when we walk a tightrope; sitting on the ground there is nothing marvellous about it.” 12
Bjørn N. Sandaker (The Structural Basis of Architecture)
Just look at the architecture," Dr Hartmann explained. Blueprint your feet, and you'll find a marvel that engineers have been trying to match for centuries. Your foot's centerpiece is the arch, the greastest weight-bearing design ever created. The beauty of any arch is the way it gets stronger under stress. The harder you push down, the tighter its parts mesh. No stonemason worth his trowel would ever stick a support under an arch; push up from underneath, and you weaken the whole structure. Buttressing the foot's arch from all sides is a high-tensile web of twenty-six bones, thirty-three joints, twelve rubbery tendons, and eighteen muscles, all stretching and flexing like an earthquake resistant suspension bridge.
Christopher McDougall
Petra is one of the densest palimpsests of human history. Layer upon layer of archaeological remains provide evidence of a fascinating story that stretches back for thousands of years. It is a masterpiece of human achievement, an aesthetic and architectural marvel, and the source of a huge amount of inspiration since the 19th century. One of the oldest settlements in the region, the site has a long biography tracing Neolithic, Graeco-Roman, Byzantine, and Crusader periods of history. Petra acquired a cosmopolitan atmosphere, as local communities were exposed to a number of different cultural influences. Petra’s
Charles River Editors (Petra: The History of the Rose City, One of the New Seven Wonders of the World)
The Oasis compound was a fortress and an encampment for high Turkish army officials, long ago. Built around the late 1600s, it became a command post for the Ottoman Empire, hence, the beautifully ornate Moorish mosaic inlays around the Bahriji buildings. Since photography of the school was not allowed, I can only describe the school's marvelous historical architecture by reference to other structures that vaguely resembled the school’s architectural splendor.
Young (Initiation (A Harem Boy's Saga Book 1))
Three generations later, viewed from the standpoint of the digital age, a structure such as Hoover can appear to suffer from a kind of vulgarity of size—a thing so enormous and monolithic as to seem preindustrial, almost primitive. Like fascist architecture, that soaring wall of concrete, for all its Art Deco adornments, can strike the postmodern eye as embarrassingly elephantine and childishly simplistic. Yet one only need page through the dam’s elegant blueprints to realize that this is a machine that, in its own way, is as sophisticated as a Boeing 747—a marvel of engineering, of mathematics, of human thinking, of vision, and, yes, of art. For all these reasons, Hoover is regarded by many civil engineers as one of America’s most impressive achievements. It may not be much of an overstatement to say that, along with splitting the atom and sending the Voyager spacecraft beyond the solar system, Hoover is the most remarkable thing this country has ever pulled off. Unlike
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd. It is a special kind of enlightenment to have this feeling that the usual, the way things normally are, is odd - uncanny and highly improbable. G. K. Chesterton once said that it is one thing to be amazed at a gorgon or a griffin, creatures which do not exist; but it is quite another and much higher thing to be amazed at a rhinoceros or a giraffe, creatures which do exist and look as if they don’t. This feeling of universal oddity includes a basic and intense wondering about the sense of things. Why, of all possible worlds, this colossal and apparently unnecessary multitude of galaxies in a mysteriously curved space-time continuum, these myriads of differing [...] species playing frantic games of one-upmanship, these numberless ways of “doing it” from the elegant architecture of the snow crystal or the diatom to the startling magnificence of the lyrebird or the peacock?
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
For the first day of your trip to Istanbul, you will be wandering around Sultanahmet, the historical peninsula and the old city of Istanbul. Here, you get to feast your eyes on a breathtaking collection of architectural marvels, such as the Hippodrome, Topkapi Palace, Blue Mosque and Hagia Sophia.
3 Day City Guides (Turkey Travel: 3 Day Guide to Istanbul, A 72-hour Definitive Guide on What to See, Eat and Enjoy in Istanbul, Turkey (3 Day Travel Guides Book 6))
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Vietnam
Hugh leaned back. “Well, isn’t it about perception? How do we know whether, for instance, the ruby-throated hummingbird doesn’t consider her nest a towering architectural achievement? Gyrfalcons return to the same nests again and again, year after year. One might consider that tradition. Generations of falcon may in fact use the same nest for thousands of years.” “A thousand years!” Delacorte marveled. “Imagine how much bird shite is in those nests by then!
Julie Anne Long (I'm Only Wicked With You (The Palace of Rogues, #3))
Jacoby, as had become his habit, sat in the last row of pews and breathed the sacred air. He was not becoming religious so much as he was connecting with the spirituality offered within the churches themselves. He, of course, marveled at the architecture and opulence, even if the latter struck him as somewhat over the top, but he most appreciated the serenity. Churches in Italy felt so safe, as if he could appreciate the solace they provided over the centuries. It was a similar sentiment he enjoyed in museums, surrounded by the blessings of humanity in all its glory. It affirmed his faith, so often challenged, in mankind and of what they were capable.
Andrew Cotto (Cucina Romana: Another Italian Adventure (The Italian Adventures Book 2))
Regardless of how your designs were created, InVision and Marvel allow you to easily turn them into functional prototype websites. With InVision, you upload your page designs, and then link them together to make the website navigable. Then, you can carry out user tests on what, to the users, appears to be a real website, even though it hasn’t seen a smidgen of code. InVision also allows other people to give written feedback on your work-in-progress designs. You upload your designs, and then invite others to annotate them with whatever type of feedback you desire. Notable has similar functionality. Alternatives include Firefly and BugHerd. The Composite app connects to Photoshop files, turning them into clickable prototypes. To gather feedback on your work-in-progress videos, you can use Frame.io, a fantastic web-based platform. Alternatives include Wipster, Symu, Vidhub, and Kollaborate. Such services provide great benefits; it’s hard to gather and record such feedback even when everyone’s in the same room. Optimal Workshop provides several tools (OptimalSort, Treejack, and Chalkmark) to help you optimize your website’s navigation and information architecture. The tools are described in our article about card sorting. Alternatives for card sorting include SimpleCardSort, UsabiliTEST, and Xsort.
Karl Blanks (Making Websites Win: Apply the Customer-Centric Methodology That Has Doubled the Sales of Many Leading Websites)
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
The second map is of Sardinia itself: the main island with its many islets. It is not a floating green mountain with a defining valley that splices along the south by southwest, as a topographical map would show. Instead, this map is as colorful as a neon strip of nightlife you might download on a cell phone for the latest cultural events. In fact, devised as a geoportal and online app by a volunteer organization called Nurnet in 2013, the map pinpoints the thousands of Neolithic and Bronze Age monuments across the islands with the fanfare of an open museum. As part of Nurnet’s mission to “promote a different image of Sardinia in the world,” the map is nothing less than astounding. If you actually illuminated all of these ancient monuments, from the Neolithic array of Stonehenge-like dolmens and menhir stone formations to the thousands of burial tombs, Bronze Age towers and complexes called nuraghes or nuraghi, the entire island would light up like a prehistoric hotspot. The vastness of the uninterrupted cycles of civilizations and their architectural marvels still standing today would be incomparable with any place in Europe on that first Mediterranean map. The Sardinians call it the “endless museum.
Jeff Biggers (In Sardinia: An Unexpected Journey in Italy)
The high road from the south, the Via Appia, expertly paved with basalt blocks fitted together without mortar, was an architectural marvel in itself, cutting straight as an arrow through mountains, marshes, and valleys. Of still more interest were the 300,000 sepulchers that still lined the road for miles, the products of an ancient law that had prevented anyone except the vestal virgins and the emperors from being buried within the walls of Rome.
Ross King (Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture)
There is undoubtedly something utterly strange about the interior of a place of worship. You talk quietly, if you talk at all, and whether the architecture is wondrous or mundane, as was the case here, you still marvel at the scale and sense of something being different.
Al K. Line (Wildcat Wizard Complete Collection)
Though it lay several miles to the west, she felt the high school as she passed by. Without even laying eyes on that place, she could feel it like an ache. Some institutional slab of crap architecture with that sixties-era authoritarian aura to its brick Lego look. She marveled at the power the American high school experience holds on the imagination. She’d always noticed how people tended to view their high school days as foundational even if they didn’t realize it. Get them talking about those years, and they suddenly had all these stories of dread and wonder you could wrap whole novels around.
Stephen Markley (Ohio)
Here's a question : can you create a marvellous science of your own to study God ? [...] Be polymaths. Knit together different disciplines, synthesize, don't just focus on religion. In fact, stay away from religion, it only divides and muddles. Go to mathematics, physics, music, painting, poetry, art, architecture. Approach God through unlikely channels." Peri felt a swell of excitement. Could she create her own marvellous science ? How wonderful would that be. Could she throw into the mixture her love of books, her passion for learning and for poetry, her unfailing melancholy, and also add in her elder brother's broken spirit and lacerated flesh, her father's drinking and blasphemies, her mother's prayers and bleeding hands, her other brother's seething anger, and blend them all into something solid, reliable, whole ? Was it possible to make something delicious of poor ingredients ?
Elif Shafak (Three Daughters of Eve)
Satisficing is a valuable idea for design practice, because it reminds us that users use what we design. They don’t typically ponder it, analyze it, or come to know all its marvelous secrets. They act in the world based on the most obvious information available and with as little concentration as possible.
Andrew Hinton (Understanding Context: Environment, Language, and Information Architecture)
Precedent forces us to suppose that later generations will one day walk around our houses with the same attitude of horror and amusement with which we now consider many of the possessions of the dead. They will marvel at our wallpapers and our sofas and laugh at aesthetic crimes to which we are impervious. This awareness can lend to our affections a fragile, nervous quality.
Alain de Botton (The Architecture of Happiness)
We are a boutique art and design firm. We live at the nexus of art design and architecture, specifically by creating customized ceilings and walls for commercial spaces with fully integrated, backlit, recessed LED lighting. The combination of our art direction, architectural fabric mediums, and LED integration consistently results in marvelous results for our satisfied commercial and residential clients.
Awake Graphics Designer Products
Only a madman would try to market headache medicine today under the name John's Headache Pills. This would be insufficiently techno-marvelous. No, the name must sound like it carne out of a laboratory yesterday ... Zantistat 100, or something like that.
Douglas Wilson (Angels in the Architecture: A Protestant Vision for Middle Earth)
A love affair was another amazing product of human ingeniousness, like art, like scholarship, like architecture. It was a created thing with rules, language, and reference. When it was finished it lived on in its artifacts: a million memories and gestures.
Laurie Colwin (Another Marvelous Thing)