Architects Songs Quotes

We've searched our database for all the quotes and captions related to Architects Songs. Here they are! All 16 of them:

The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present. The Mahabharata is not a work of religious instruction. It is much greater. It is a work of art. It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral. It is in this shifting space of uncertitude that men become men. Not animals, not gods. It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served. It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress. But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing. And doing is life. Doing is karma. Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man. You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known. The greatest book in the world rescues volition from religion and gives it back to man. Religion is the disciplinarian fantasy of a schoolmaster. The Mahabharata is the joyous song of life of a maestro. In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles. It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.
Tarun J. Tejpal (The Alchemy of Desire)
Love enters a man through his eyes, a woman through her ears.
A.G. Howard (The Architect of Song (Haunted Hearts Legacy, #1))
Sometimes it’s just lying in bed and staring at the ceiling listening to the same song over and over again as it slowly loses its meaning. Sometimes it’s how people go mad because they couldn’t tame the darkness that was growing within them over time. Some days it’s a girl waking up without her soul. Some nights it’s a boy falling asleep with his spirit crushed. Sometimes it’s someone wanting to lose themselves to a person, but instead, they push that person away. Solitude only becomes a prison when you do not love yourself. And even if you do love yourself it’s still a very dangerous thing, and the very benefits of it are the stars shining in its purest darkness. Solitude isn’t always pretty but also are the truths that we find within ourselves when we learn to find solace in it.
Juansen Dizon (I Am The Architect of My Own Destruction)
The quality of authors determines the quality of books. The quality of musicians determines the quality of songs. The quality of artists determines the quality of paintings. The quality of architects determines the quality of buildings. The quality of generals determines the quality of warriors. The quality of preachers determines the quality of sermons. The quality of scientists determines the quality of inventions. The quality of leaders determines the quality of followers. The quality of scholars determines the quality of lectures. The quality of teachers determines the quality of students. The quality of schools determines the quality of graduates. The quality of graduates determines the quality of nations. The quality of plants determines the quality of air. The quality of air determies the quality of animals. The quality of animals determines the quality of food. The quality of food determines the quality of the planet.
Matshona Dhliwayo
They were looking for a builder to construct the home they thought they wanted, but he was the architect, coming with a new plan that would give them everything they needed, but within quite a new framework. They were looking for a singer to sing the song they had been humming for a long time, but he was the composer, bringing them a new song to which the old songs they knew would form, at best, the background music. He was the king, all right, but he had come to redefine kingship itself around his own work, his own mission, his own fate.
N.T. Wright (Simply Jesus: A New Vision of Who He Was, What He Did, and Why He Matters)
Watching the painter painting And all the time, the light is changing And he keeps painting That bit there, it was an accident But he's so pleased It's the best mistake, he could make And it's my favourite piece It's just great --- excerpt from the song "An Architect's Dream" from the album Aerial
Kate Bush (Kate Bush Book Of Lyrics)
By five minutes of four I was checked into the hotel. They had a lot of room. They had three conventions going and they still had a lot of room. Once inside the hotel, I was right back in Miami. Same scent to the chilled air, same skeptical servility, same glorious decor—as if a Brazilian architect had mated an air terminal with a manufacturer of cotton padding. Lighting, dramatic. At any moment the star of the show will step back from one of the eight (8) bars and break into song and the girlies will come prancing in. Keep those knees high, kids. Keep laughing.
John D. MacDonald (The Deep Blue Good-By)
Then she decided she was ready to die. But before she did, she asked the poets to record these moments in song, and the architects to carve the song in marble, and the marble to be extracted from the most secret veins of the earth and placed where no man could see it, because that is the nature of love, because one walks alone through the ruins of the heart, because the young must sleep with their eyes open, because the angels tremble from so much beauty, because memory moves in orbits of absence, because she holds her hands out in the rain, and rain remembers nothing, not even how it became itself.
Eric Gamalinda
A sailor is distinguished by the number of storms he has overcome. A warrior is distinguished by the number of opponents he has conquered. A doctor is distinguished by the number of patients he has healed. A preacher is distinguished by the number of sermons he has delivered. A ruler is distinguished by the number of lives he has improved. A celebrity is distinguished by the number of hearts he has impressed. A policeman is distinguished by the number of criminals he has arrested. A teacher is distinguished by the number of students he has graduated. An athlete is distinguished by the number of competitions he has won. An author is distinguished by the number of books he has penned. An artist is distinguished by the number of portraits he has painted. An architect is distinguished by the number of buildings he has designed. A sculptor is distinguished by the number of statues he has fashioned. A musician is distinguished by the number of songs he has composed. A lawyer is distinguished by the number of cases he was won. A scientist is distinguished by the number of discoveries he has made. A priest is distinguished by the number of souls he has saved. A guru is distinguished by the number of schools he has established.
Matshona Dhliwayo
In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Why a Book about Worship Design? Vast numbers of Christian corporate worship services are designed and led weekly all around the world. They appear on every continent on the earth and in most languages under heaven. Indeed, “From the rising of the sun to its setting the name of the LORD is [being] praised” (Ps. 113:3) somewhere among faithful Christians. Yet for as many services as we design, and for as many occasions of public worship as are offered, worship leaders still struggle with how to go about planning worship. Is it simply a matter of selecting the right songs to sing and programming the right “special music”? Is it a matter of shuffling the cards and laying them out in new configurations so as to intrigue worshipers from week to week? Do we adopt one tried-and-true order of service and stick with it, come what may? Or is worship design a free-for-all that requires little or no preparation, where the Spirit is expected to deliver the order of service on demand?
Constance M. Cherry (The Worship Architect: A Blueprint for Designing Culturally Relevant and Biblically Faithful Services)
My mouth drained of moisture. I never realized a threat could double as an enticement.
A.G. Howard (The Architect of Song (Haunted Hearts Legacy, #1))
You never know just how much someone loves you.  Even if they say it—“I love you this much”—how much?  It’s not enough.  Words are so faulty and frail.  They only ever convey half of what you’re thinking.  They’re manmade, after all.  They’re doomed to fail by virtue of their architect.
Rose Christo (Wandering Spirit's Last Song)
Love is inside each of us... a dormant seed. Once it has been planted, whether in the soils or the fallows, it will take root and either flourish to something beautiful and dramatic, or grow dormant, content in its stasis. But there’s no right or wrong season for it to bloom.
A.G. Howard (The Architect of Song (Haunted Hearts Legacy, #1))
This has been a long and imperfect journey. It is a journey I am still on. I will always be on. And it is one I would like to share with you. I want company along my road. This is an invitation to question your life and, should you desire, to find the courage to erase the lines that imprison you and to reimagine a better you. And if you do not get it just right (none of us do), you are invited to keep redrawing and redrawing until you feel your outer world matches your inner life. If falling short of our goals is truly what terrifies us, then we should do away with half measures. The notion that dipping a toe in the water somehow protects us is nothing short of fear propagation—and in fact guarantees the hurt we fear. Be bold. Name what you want. Give it voice and then give it action. Success is not guaranteed but commitment and courage are the only insurance we have. This is serious. Every day that passes is another day closer to looking back on your life and seeing whether you have done something meaningful. Don’t let the days pass without doing something great. Be the architect of your dreams.
Jewel (Never Broken: Songs Are Only Half the Story)
I tugged her body against mine, tits pressing to me and damn near making me groan with longing before she slid her hands up my chest as we began to dance with one another. My body fell into a rhythm with hers so naturally that I swear even my heart was pounding to the tune. Her chest brushed mine, fingers skimming up my neck as my hand fell to the round curve of her ass and I tugged her closer. My gaze was on her mouth as the heat between us built in time with the movements of our bodies and our breaths mingled in the small space left dividing us. But just as I was starting to give serious consideration to an absolutely terrible idea, she turned in my arms, her ass pushing back into my crotch as she hooked one arm around the back of my neck. A real growl escaped me then as she ground herself against me, making my cock swell and my thoughts scatter as I lost all sense of everything other than this fucking girl in my arms as we danced together. I was vaguely aware of Seth dancing with Gwen beside us, but I couldn't tear my eyes from this perfect temptation in my arms. It was hotter than any sex I could ever remember having and neither of us had removed so much as a single item of clothing. Roxy kept dancing with her hand clasped around the back of my neck, the arch of her spine giving me a view down her shirt which I was having a damn hard time tearing my attention from. The fabric shifted and slipped across her skin, offering me the barest glimpse of her hardened nipples with every thump of the music and I licked my lips with the desire to suck on them. My dick was definitely letting itself be known as she continued to grind herself against me and as much as I was enjoying that friction, I really needed to make some effort to control myself. I grasped her hip and turned her around, the beast in me purring as she instantly looped her arms around my neck to draw me closer. I didn't even know how many songs had played while we'd been dancing and I didn't care because I knew it wasn't enough. Not nearly enough. My gaze met hers and the fire in her was enough to set me alight too as she tilted her chin up and bit down on that full bottom lip. My attention was instantly hooked on her mouth, our bodies still moving together in this hot, endless friction which was begging for some relief. My resolve was snapping, all the reasons I had to pull away falling from my mind like flakes of snow trying to land on an inferno and I found myself leaning in, devouring the distance that parted us like I wanted to devour this beautiful creature in my arms. I tightened my grip on her waist, letting her feel the throbbing press of my dick driving into her and making it more than clear what I wanted to spend the rest of the night doing to her. I didn't care if she was a Vega, a princess, the architect of my fall from power, none of that mattered. Because all there was in that moment was her and me and the press of the heavens above us driving us together like we might burn up in the fire which blazed between us if we didn't just dive into it now. (Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))