Arch Of Triumph Book Quotes

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Who built Thebes of the seven gates? In the books you will find the name of kings. Did the kings haul up the lumps of rock? And Babylon, many times demolished. Who raised it up so many times? In what houses Of gold-glittering Lima did the builders live? Where, the evening that the Wall of China was finished Did the masons go? Great Rome Is full of triumphal arches. Who erected them? Over whom Did the Caesars triumph? Had Byzantium, much praised in song, Only palaces for its inhabitants? Even in fabled Atlantis The night the ocean engulfed it The drowning still bawled for their slaves.
Bertolt Brecht
He looked around. The room, a few suitcases, some belongings, a handful of well-read books— a man needed few things to live. And it was good not to get used to many things when life was unsettled. Again and again one had to abandon them or they were taken away. One should be ready to leave every day. That was the reason he had lived alone— when one was on the move one should not have anything that could bind one. Nothing that could stir the heart. The adventure— but nothing more.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Peace, a fireplace, books, silence ... Before this was seen as one philistinism. Now these are dreams of a lost paradise.
Erich Maria Remarque (Arch of Triumph)
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
Virginia Woolf (To the Lighthouse)
As a boy I slept in a meadow one night. It was summer and the sky was very clear. Before I fell asleep I saw Orion on the horizon, standing above the woods. Then I woke up in the middle of the night—and suddenly Orion was standing high above me. I have never forgotten that. I had learned that the earth is a planet and rotates; but I had learned it as one learns something from books and does not quite realize. But now, for the first time I felt that it really was like that. I felt that the earth was silently flying through the immensities of space. I felt it so strongly that I almost believed I had to hold onto something in order not to be hurled off. Probably it happened because, emerging from a deep sleep and bereft for a moment of memory and habit, I looked into the huge, displaced sky. Suddenly the earth was no longer firm—and since then it has never become wholly firm again—” He
Erich Maria Remarque (Arch of Triumph)
Ravic went into his room to read. He had once bought several volumes of world history and now he took them out. It was not particularly cheerful to read them. The only thing one gained by it was a strangely depressing satisfaction that what was happening today was not new. Everything had happened before dozens of times. The lies, the breaches of faith, the murders, the St. Bartholomew massacres, the corruption through the lust for power, the unbroken chain of wars—the history of mankind was written in blood and tears, and among the thousands of bloodstained statues of the past, only a few wore the silver halo of kindness. The demagogues, the cheats, the parricides, the murderers, the egoists inebriated with power, the fanatic prophets who preached love with the sword, it was the same time and again—and time and again patient peoples allowed themselves to be driven against one another in a senseless slaughter for kaisers, kings, religions, and madmen—there was no end to it.  
Erich Maria Remarque (Arch of Triumph)
The Arch of Triumph.
Molly Guptill Manning (When Books Went to War: The Stories That Helped Us Win World War II)