Arch Angel Quotes

We've searched our database for all the quotes and captions related to Arch Angel. Here they are! All 75 of them:

You're mine, Angel," he murmured, brushing the words across my jawbone as I arched my neck higher, inviting him to kiss everywhere. "You have me forever.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Hey, Sydney. I thought I saw your car out there." He glanced around. "Is, uh, Jill with you?" "Not today." I said. New insight struck me as I recalled that Lee attended school in Los Angeles. "Lee, have you ever dated a human girl at your school?" Adrian arched an eyebrow. "Are you asking him out, Sage?" I scowled. "No!
Richelle Mead (Bloodlines (Bloodlines, #1))
Boy, you are a hothead, Bane. Your rage makes you an exceptional warrior but quite a boring conversationalist. Good thing I did not keep you for your manners and charm, eh? Now calm down, your spittle is getting all over me, my feet do not require a shower." -Michael, The ArchAngel
J.B. Lion (The Seventh Spark: Volume One – Knights of the Trinity)
The remnants of my dress hung like tentacles and from my back arched a pari of towering wings, feather-light but suggesting enourmous power. My hair streamed behind me, and I knew that the ring of light around my head would be brighter than ever. “Holy crap!” Xavier blurted
Alexandra Adornetto (Halo (Halo, #1))
She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?" "It's not a bridal gown, it's a skirt for her scabbard. And it's cute." "She hates cute. She wants to maim and scar cute." "Nobody hates cute." "Angel swords do." He arches his brow and stares down at me. I guess I won't tell him how many cutesy angel figurines and pictures we used to have in the World Before.
Susan Ee (World After (Penryn & the End of Days, #2))
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall. 'What are you doing?' A crack of alarm showed in the queen's implacable face. 'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch. The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch. 'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.' 'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.' The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.' The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
He nuzzled her loosened vest off her shoulder and whispered in her ear. “One day soon, when you’re ready, I’m going to mount you like this. I’m going to ride you while you arch your neck for me. I’m going to mark you with my teeth. Fuck you. Mate with you. Then you’ll be mine, Vashti. Irrevocably. Every luscious, stubborn, dangerous inch of you. Mine.
Sylvia Day (A Hunger So Wild (Renegade Angels, #2))
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.
James Thompson (Snow Angels (Inspector Kari Vaara, #1))
The hall they entered had arched ceilings over twenty feet high that were painted in tromp l’oeil, basically a bunch of butt-naked baby angels pointing at each other.’ (Carlos)
Sherrilyn Kenyon (Whispered Lies (B.A.D. Agency, #3))
She walked as if through a forest. The pillars were furrowed like ancient trees, and into the woods the light seeped, colorful and as clear as song, through the stained-glass windows. High overhead animals and people frolicked in the stone foliage, and angels played their instruments. At an even higher, more dizzying height, the vaults of the ceiling arched upward, lifting the church toward God ... The song cut through her like a blinding light. Now she saw how deep in the dust she lay.
Sigrid Undset (Kristin Lavransdatter)
Golden Arches theory: no two countries with a McDonald’s have ever fought in a war.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Above,the fair hall-ceiling stately set Many an arch high up did lift,And angels rising and descending met With interchange of gift.
Alfred Tennyson
neon sign in red letters EXIT TO HELL…A walks under the arch….she seems not to notice where she is going….Just as the angels are preparing to carry the arch away B makes a desperate dash at it and dives through. Everything blacks out… What happens when you start the downward trip?...Of course there isn’t a hope of ever getting out again into the light. Once you’re on your way down, the machinery takes charge of you, you’re caught, trapped, finished for good and all…you might just as well give in and pluck the cruel thorn of hope out of your heart.
Anna Kavan (Sleep Has His House)
Dark'n'd so, yet shon Above them all th' Arch Angel: but his face Deep scars of Thunder had intrencht, and care Sat on his faded cheek, but under Browes Of dauntless courage, and considerate Pride Waiting revenge: cruel his eye, but cast Signs of remorse and passion to behold The fellows of his crime, [...]
John Milton (Paradise Lost)
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
Feathers layered like dragons’ scales, their symmetry perfectly fledged, framing slender shoulders; sublime. A tumble of red tresses shimmer. Soft wings arch toward the sky. Once a cherub, she has grown. A young woman now, strong and lithe. Powerful with stormy eyes alight, windswept in her glory. An angel in body and spirit. - Winged Justice
Mara Amberly (Feathers, Dreams and Faerie Wings: A Fantasy Poetry Collection)
#Scoliosis is not an ailment, yet rather it is a term used to portray any irregular, sideways arch of the spine. Seen from the back, a regular spine is straight.
laspinegroup
the other.  I arched my back for him, pressing them
Angel Winter (Claimed (TABOO MONSTER: First Time and KNOCKED UP! Almost TOO BIG TO FIT!!!) (Monster Menagerie Book 1))
Razor noticed. “You know him,” he said, narrowing his eyes. I nodded. He arched a brow. “Hmm…know him or know-know him?” “That’s none of your business,” I snapped.
Ada Adams (ReAwakened (Angel Creek, #2))
I don’t like the way you argue.” He arched a single eyebrow at me. “With logic?” “Exactly.
Ella Summers (Vampire's Kiss (Legion of Angels, #1))
have indeed seldom known a eunuch who could confess truly to having no tender feelings for women’s hands and eyes and feet and hair—oh, but especially for their hair! I know many a rich and learned eunuch who spends his leisure time, wantonly and shamefully, in the slow combing of the hair of some frivolous woman of his household! You may laugh, my sisters, but you know it is so, and it is a great sin that you are committing if you pander thus to the ineffectual lusts of the castrated. Angels are no less subject to temptation than eunuchs: the Arch-Fiend himself was an angel who fell from Grace—was it perhaps partly from delight in the hair of some daughter of Earth? Out
Robert Graves (Count Belisarius)
Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover. Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love
Angel Rosa
Shy Gifts Shy gifts that come to us from a world that may not even know we’re here. Windfalls, scantlings. Breaking a bough like breathy flute-notes, a row of puffed white almond-blossom, the word in hiding among newsprint that has other news to tell. In a packed aisle at the supermarket, I catch the eye of a wordless one-year-old, whale-blue, unblinking. It looks right through me, recognising what? Wisely mistrustful but unwisely impulsive as we are, we take these givings as ours and meant for us — why else so leap to receive them? — and go home lighter of step to the table set, the bed turned down, the book laid open under the desk-lamp, pages astream with light like angels' wings, arched for take-off.
David Malouf (Earth Hour)
I have to tell you a joke," James says, and the angel blinks at him, then arches an eyebrow. "I need you to laugh." "James—" "What did the big flower say to the little flower?" The angel glances over at the best friend, and the best friend is stifling laughter, and then the angel focuses on James again. The angel indulges him. "I don't know. What did the big flower say to the little flower?" "Hey there, bud," James tells him, and the mother laughs, and the father laughs, and the best friend laughs, but the angel does not laugh. No, the angel only reaches up to grab his hand, gently pressing a smile to his knuckles. It's a small smile. Lips of an angel. Sweet. James wants to put his mouth on it, and stick his fingers in it, but he's also sad because the angel didn't laugh. "You were supposed to laugh. I told a flower joke. It was funny, and you like flowers." "Mm." The angel's eyes drift shut. The angel is still smiling and cradling his hand. "Better luck next time." "I'll keep trying." "I know.
Zeppazariel (Crimson Rivers)
According to the L.A. news, the explosion at the Santa Monica beach had been caused when a crazy kidnapper fired a shotgun at a police car. He accidentally hit a gas main that had ruptured during the earthquake. This crazy kidnapper (a.k.a. Ares) was the same man who had abducted me and two other adolescents in New York and brought us across country on a ten-day odyssey of terror. Poor little Percy Jackson wasn’t an international criminal after all. He’d caused a commotion on that Greyhound bus in New Jersey trying to get away from his captor (and afterward, witnesses would even swear they had seen the leather-clad man on the bus—“Why didn’t I remember him before?”). The crazy man had caused the explosion in the St. Louis Arch. After all, no kid could’ve done that. A concerned waitress in Denver had seen the man threatening his abductees outside her diner, gotten a friend to take a photo, and notified the police. Finally, brave Percy Jackson (I was beginning to like this kid) had stolen a gun from his captor in Los Angeles and battled him shotgun-to-rifle on the beach. Police had arrived just in time. But in the spectacular explosion, five police cars had been destroyed and the captor had fled. No fatalities had occurred. Percy Jackson and his two friends were safely in police custody.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I shove the wooden debris out of the way until I see the smudged face of the teddy bear. “There she is.” I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard. Raffe stares at the disguised sword for a second before commenting. “Do you know how many kills this sword has?” “It’s a perfect disguise, Raffe.” “This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.” “What, the other swords quake in their scabbards when they see her?” I walk over to the pile of scattered junk by Captain Jake’s boat. “Yes, if you must know,” he says following me. “She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?” “It’s not a bridal gown, it’s a skirt for her scabbard. And it’s cute.” “She hates cute. She wants to maim and scar cute.” “Nobody hates cute.” “Angel swords do.” He arches his brow and stares down at me. I guess I won’t tell him how many cutesy angel figurines and pictures we used to have in the World Before.
Susan Ee (World After (Penryn & the End of Days, #2))
And rivaling the Democratic Peace theory as a categorical factoid about modern conflict prevention is the Golden Arches theory: no two countries with a McDonald’s have ever fought in a war. The only unambiguous Big Mac Attack took place in 1999, when NATO briefly bombed Yugoslavia.234
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
The nearest arched window poured its soft light over him, allowing me to see every inch. Dressed smartly in black loafers and slacks, he wore a thigh-length, black coat. He'd brushed his golden hair back, tucked behind his ears, and his cheeks looked flushed, no doubt due to the bitter, evening air. He looks like an angel in the winter snow. The thought made me growl in irritation. "Hello, Magpie." I couldn't move. "Adrian.
Elizabeth Morgan (Stepping Stones)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Do you mark those two lines between your eyes; and those thick brows that instead of rising arched, sink in the middle; and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes.
Emily Brontë (Wuthering Heights)
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
He was twice her weight in muscle and doubly strong. They still fit as if made for each other. She hugged him close. He buried his face in her hair. Her neck. Breathed in her scent. Aroused woman and feminine musk. They moved together. Uninhibited and indulgent. Power and pleasure. He thrust, and she throbbed. She arched against him. He strained against her. A sensation hit him that he hadn't expected. A sense of oneness settled in his soul. His rhythmic pace coaxed her, drove her higher. They climbed fast and were suddenly there. They came undone. Both stiffening. Both shattering. Both boneless. Mindless. Replete.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
Oh, Sam, this is Kate. Kate, meet Sam.’ I wave my hand between the two of them, watching as Kate turns all angelic, putting her hand out to Sam, who grins before clasping it. ‘Nice to meet you, Kate.’ he says smoothly, maintaining his grin and running his free hand through his mousey waves. ‘You too.’ She arches a brow. She’s a brazen hussy! She’s flirting with him. She giggles as Sam compliments her on her wild, red hair, their hands still linked. My phone declares a text. To escape the blatant flirting exchange going on in front of me, I pick it up and open the message with one eye closed. There better be a GOOD f**king reason for you standing me up. Someone had better be dying. I’m going out of my f**king mind, lady. NO KISS
Jodi Ellen Malpas (This Man (This Man, #1))
Pont Saint Benezet.” “What happened to it?” Luce asked. Daniel glanced over his shoulder. “Remember how quiet Annabelle got when I mentioned we were coming here? She inspired the boy who built that bridge in the Middle Ages in the time when the popes lived here and not in Rome. He noticed her flying across the Rhone one day when she didn’t think anyone could see her. He built the bridge to follow her to the other side.” “When did it collapse?” “Slowly, over time, one arch would fall into the river. Then another. Arriane says the boy-his name was Benezet-had a vision for angels, but not for architecture. Annabelle loved him. She stayed in Avignon as his muse until he died. He never married, kept apart from the rest of Avignon society. The town thought he was crazy.” Luce tried not to compare her relationship with Daniel to what Annabelle had had with Benezet, but it was hard not to. What kind of relationship could an angel and a mortal really have? Once all this was over, if they beat Lucifer…then what? Would she and Daniel go back to Georgia and be like any other couple, going out for ice cream on Fridays after a movie? Or would the whole town think she was crazy, like Benezet? Was it all just hopeless? What would become of them in the end? Would their love vanish like a medieval bridge’s arches? The idea of sharing a normal life with an angel was what was crazy. She sensed that in every moment Daniel flew her through the sky. And yet she loved him more each day.
Lauren Kate (Rapture (Fallen, #4))
Bree arched, trying to stretch out her muscles and Alessandro gave her a dirty look as if she was displaying herself to him on purpose. Well, maybe she was a little. Even though he blocked her from the hotel attendant’s gaze with his body in the doorway, Bree was sure to cover herself with the blanket. Alessandro turned around, pulling in the tray with him and his eyes flared hungrily as he looked down at her. “You look like a beautiful debauched angel,” he said, his voice rough with desire. “And you’re what, the demon that’s corrupted me?” Bree asked raising an eyebrow and letting the blanket fall down to her waist, baring her to him. “It’s my life’s work, you know?” Alessandro grinned, going down on to his knees and leaning over her. Bree placed a hand on his chest, halting him. “Is that coffee, I smell?” she asked. “The debauched angel is kind of hungry.” She bit her lip and smiled up at his frustrated face.
E. Jamie (The Betrayal (Blood Vows, #2))
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
Kate Angell (The Cottage on Pumpkin and Vine)
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Her feet now safely planted on level flooring, Willow nervously smoothed her skirts before lifting her head. Turquoise eyes met deep brown. Willow's mouth dropped open in shock. "Lieutenant Numbskull?" Rider stiffened, but recovered quickly. "Freckles?" he pretended surprise. Backing up a step, his appreciative gaze raked her from head to toe. "My God! It is you!" Willow's cheecks burned beneath his conspicuous appraisal. The lieutenant's pleased grin fueled her simmering anger at Miriam's unwelcome matchmaking venture. "What are you doing here?" she huffed. Rider arched a dark brow in ironic amusement. "Is that any way to greet an old friend...Freckles?" "You two know each other?" Miriam interjected, astonished. "You might say that." Rider chuckled. Willow didn't know who she wanted to murder most, Miriam or the lieutenant. But standing here in all her ladylike spendor, she remembered his hurtful maligning of her femininity. For some inexplicable reason she felt compelled to prove that she could be every bit as feminine as any other woman. Despite her stormy emotions, her next words dripped off her lips like warm honey. "Unfortunately, Miriam"-she caressed Rider's coat sleeve and flapped her lashes outrageously-"we were never formally introduced." Rider eyed Willow's hand where it petted his arm, expecting claws to spring from her fingertips at any moment. Then he lifted his gaze to twin pools of mischief. One corner of his mouth crved in a wry grin. "What are you up to, Freckles?" His devastating smile was unnerving. Suddenly all too aware of her ineptitude at coquetry. Willow's confidence slipped a notch. Nevertheless, she was determined not to let him intimidate her. Casting him what she hoped would pass for a coy smile, she answered his question with an innocent shrug. Miriam blinked, agog at Willow s antics. "Well,ah...let me properly introduce you two. Mr. Sinclair, this is Miss Willow Vaughn. Willow, this is Mr. Rider Sinclair." Willow inclined her head with forced politeness. Rider tossed her a sly wink. Befuddled by the stratified undercurrents, Miriam sputtered. "I...ah...I'm sorry to hurry the introductions, but we really are late. My carriage is waiting out front for us. Shall we go?" "But of course." Rider held the door open, indicating they should proceed him. "Ladies..." Willow waited while he closed the door, then draped herself over his proferred arm. Miriam took his other arm and cast a warning glance at the younger woman. The girl smiled back angelically, deciding Miriam deserved to worry-just a little.
Charlotte McPherren (Song of the Willow)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Admonished by his ear, and straight was known The Arch-Angel Uriel, one of the seven Who in God’s presence, nearest to his throne, Stand ready at command, and are his eyes That run through all the Heavens, or down to the Earth Bear his swift errands over moist and dry, O’er sea and land: him Satan thus accosts. “Uriel, for thou of those seven Spirits that stand In sight of God’s high throne, gloriously bright, The first art wont his great authentic will Interpreter through highest Heaven to bring, Where all his sons thy embassy attend; And here art likeliest by supreme decree Like honour to obtain, and as his eye To visit oft this new creation round; Unspeakable desire to see, and know All these his wonderous works, but chiefly Man, His chief delight and favour, him for whom All these his works so wonderous he ordained, Hath brought me from the quires of Cherubim Alone thus wandering. Brightest Seraph, tell In which of all these shining orbs hath Man His fixed seat, or fixed seat hath none, But all these shining orbs his choice to dwell; That I may find him, and with secret gaze Or open admiration him behold, On whom the great Creator hath bestowed Worlds, and on whom hath all these graces poured; That both in him and all things, as is meet, The universal Maker we may praise; Who justly hath driven out his rebel foes To deepest Hell, and, to repair that loss, Created this new happy race of Men To serve him better: Wise are all his ways.” So spake the false dissembler unperceived; For neither Man nor Angel can discern Hypocrisy, the only evil that walks Invisible, except to God alone,
John Milton (Paradise Lost and Paradise Regained (Collins Classics))
I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.” But even as he groaned, she began to move, like the sensual creature that she was. His sweetheart undulated atop him, her head thrown back and her eyes sliding closed, and for the first time in his life, he was happy to give himself up to someone else’s control. To relish her pleasure, which was also his pleasure. Somehow he’d stumbled into paradise, ruled by his own personal angel. His own personal siren. “You like having me…in your power, do you?” he said. “Yes, oh, yes.” Her eyes brightened as she rode him, harder, faster. “Say it again.” “What?” He could hardly think for watching her take him. For being inside her so deeply he fancied he could feel her heart, her very soul. “Please.” Her face was flushed, rapt. “Say…’please’ again.” “Please.” Why had he never thought to say it before? This was all he’d ever wanted--to have the enthralling, intoxicating Jane in his arms, in his life. Forever. A “please” from time to time was little enough to give for that. “Please, my wanton angel.” He clutched her close, his rhythm quickening. “Please…be mine. Please…marry me.” His release approached like a carriage thundering toward the heavens. Toward paradise. And as the blood roared in his ears, he plunged his cock deeply and emptied himself inside her, crying, “Please…Jane…love me!” “I do.” With a hoarse cry of her own, she strained against him and found her own release, milking his cock with the force of it. “I do, my darling…I do.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?” His cock was a rod of iron. “Jane…” He covered her hand to stay it, but she ignored his attempt. “I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (Henry Rios Mystery, #1))
with the colors of the dawn still in the sky, when right smack-dab in the center of my field of vision I noticed this cloud in the perfect shape of an angel with her wings arched across the sky.
Doreen Virtue (Signs From Above)
Put on the whole armour of God, that ye may be able to stand against the wiles of the devil. For we wrestle not against flesh and blood, but against principalities (arche), against authorities (exhousia), against the rulers (kosmoskrator) of the darkness of this world, against spiritual wickedness in high [places].
Paradox Brown (A Modern Guide to Demons and Fallen Angels)
alleviate the inferno raging on her behind, which was slowly driving her mad. Surely he was some evil wizard disguised in adorable man/boy packaging. “That almost sounds like a challenge,” she snapped. “Baby, if issuing me a challenge makes you happy, I’ll do my best to rise to it. You don’t need to get so worked up. You’re getting all flushed.” He was confident to the point of sounding condescending; self-assured to the point of being smug. She resumed the crossed-arm battle stance in her seat, fighting back tears of frustration at the whole exchange and his ability to roast her derriere without laying a hand on her. And then she caught sight of it, in the far right corner on the digital display in the center of the dashboard. A tiny icon of a car seat appearing, then disappearing, intermittently flashing, and underneath it read, 86 . . . then 87 . . . and then 88. As soon as it fully registered, Amanda dug her feet into the floor mat, heels and all, and arched her body off the seat as best she could. “What’s the big idea!” she shrieked. “Just a little reminder, angel.” He chuckled, depressing
Stephanie Evanovich (The Sweet Spot)
We're greeted by an unimaginable number of domes and columns and arches. Everything is huge and round. Enormous frescoes of saints, warriors, and angels are painted across the walls. We stroll across the marble in awed silence.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Poor little Percy Jackson wasn’t an international criminal after all. He’d caused a commotion on that Greyhound bus in New Jersey trying to get away from his captor (and afterward, witnesses would even swear they had seen the leather-clad man on the bus—“Why didn’t I remember him before?”). The crazy man had caused the explosion in the St. Louis Arch. After all, no kid could’ve done that. A concerned waitress in Denver had seen the man threatening his abductees outside her diner, gotten a friend to take a photo, and notified the police. Finally, brave Percy Jackson (I was beginning to like this kid) had stolen a gun from his captor in Los Angeles and battled him shotgun-to-rifle on the beach. Police had arrived just in time. But in the spectacular explosion, five police cars had been destroyed and the captor had fled. No fatalities had occurred. Percy Jackson and his two friends were safely in police custody.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
But mostly we are made of a heavier stuff, the slow descent of breast, foot-arches flattening towards earth, the hundred ways the body longs for home.
Jane Hirshfield (Of Gravity & Angels (Wesleyan Poetry Series))
They went at it. Their mouths a frantic, searching quest. As though they were trying to make up for thirty years of longing in this one kiss. He bit her lower lip and she raked her nails down his back. They tumbled to the bed, and his body was finally, deliciously covering hers. She arched. He surged. They rocked. She dug her nails into the base of his back. His hand came up to cup her breast, his thumb stroking over the nipple. She cried out, and he caught the sound with his lips. He ripped away from her, slid down her body, and captured her nipple with his lips, while his free hand snaked down into her yoga pants. He licked at the hard bud. Sucked. Her hips arched off the bed as he tugged harder and harder. When his teeth scraped over her oversensitive flesh, she keened and she couldn't stop the words from falling from her lips. "Jack. God. Jack. Yes. More." He groaned, the sound vibrating over her skin. He pulled her deeper into his mouth. His fingers slid down her waistband and into her panties. Her legs parted. His fingers brushed her clit. She bowed off the bed. He circled the bundle of nerves and lifted his head. "So damn wet." She could feel how wet she was, how slippery. "More." He pushed one long finger inside her, and kissed her, brushing his mouth over her lips. "You feel like heaven." She arched into his touch as his thumb relentlessly circled her clit. Around and around. Over and over. Until she thought she'd go mad with sheer need. "Jack. Please." He plunged two fingers inside her, hooking on a spot so good she lost focus. "Please what, Chlo?" His voice, oh God, his voice. Achingly familiar and yet strange all at once. He swiped over her flesh and she keened again as her body tightened. "Stop." Her head rolled back. "I'm going to come." He increased his pressure and whispered against the shell of her ear, "Then come.
Kate Angell (The Cottage on Pumpkin and Vine)
Nothing on this earth had ever felt as good as being inside Chloe. He gritted his teeth, hanging on to the last remnants of sanity he possessed, as he tried to calm enough not to take her like some primal beast. The grip of her. The silky heat. He braced his elbow next to her head and their eyes locked. He was fucking Chloe. This was going to change them forever. He experienced a rush of panic that quickly dimmed as her thighs clasped his hips and she arched to meet him, gasping. Her hands fell to his waist, nails digging into his skin. He moved, gripped her wrists, and brought them up over her head. They were touching everywhere, the length of him sliding into her. Her breasts against his chest. Her inner muscles clamped around him and he cursed, thrusting inside her. He'd think later. Much, much later. He covered her mouth with his, his tongue sliding against hers. The air grew thick and humid. Tinged with a desperate, urgent lust. He ripped away and groaned. Pumped harder inside her. Her head pressed into the pillow and her neck arched. He held her wrists tighter, he bit her exposed throat, before soothing the skin with his tongue. She cried out. Her nails dug harder. Her thighs clenched. Their movements deepened. Quickened. He let her go, levered up, and rammed hard inside her, circling his hips. Grinding against her. Thrusting harder. Faster. Deeper. The bed frame banged its frantic beat against the wall. Over and over and over again. Her body rippled down the length of his cock. He jerked, losing what little control he had as he came in a loud shout, just as her orgasm rushed through her, milking him for everything he was worth, his vision dimming as intense pleasure tore through him in endless waves. He had no idea how long they went on like that. Pushing and pulsing together mindlessly, lost in the aftershocks of bone-deep satisfaction. He collapsed on top of her, burying his face in the crook of her neck, inhaling that special scent, unique to Chloe. He licked her skin. Tasting salt and sex.
Kate Angell (The Cottage on Pumpkin and Vine)
He stretched out his long legs under the table, settled on his tailbone. He shook his foot, rotated his ankle, as if he'd sat too long. The movement caught the cat's attention. Archie's back arched, his tail swung, ready to pounce. A long lunge, and Cade stiffened. "Dude, I'm not a scratching post." "Archibald Reginald Rose," Amelia called him by his full name. She clapped her hands. "No!" Grace tipped on her chair, caught the action under the table. This was no sweet kneading from the Maine coon. He bared his claws on Cade's thigh, close to the man's groin. Cade inched back, avoided kicking the cat. His jeans were white-seamed and laddered. Archie swatted, then latched on to the loose, swaying threads. He tugged. Denim split, shredded, leaving a sizable hole. No underwear for this man. A shift of his weight, and Cade flashed Grace. Not purposely, yet she got an eyeful. In that moment, she learned more about him than she ever needed to know. He tucked left. His sex, substantial.
Kate Angell (The Cottage on Pumpkin and Vine)
She stood for a time, still and meditative, with her face held up to the arch of sky, seeking a shooting star in that illimitable field above her. The stars glittered and winked as if they were live, sentient beings, the angels themselves, watching the doings of earth, not in the serene manner of celestial beings but excited and interested in what they saw below. Their colours flashed in red and ice-blue and dazzling green and amber. There was Auriga with its bright Capella, a star Susan always recognised since her father long pointed out its bright flame. "That's the one I knows well. It's always been in the sky. I've watched it when I've been going to milking and coming home on winter nights, and it's been a kind of companion to me." The Great Bear swung over the house top, guarding Windystone from harm. Orion was hidden, but if she walked along by the yew trees, she could see his fiery stars and steel-green Riga, and the belt like a jewel. But she stayed where she was, alone, quiet, giving herself up to the movement of the rolling heavens, and she was caught up in that heavenly motion and whirled like a dark atom with the swinging earth.
Alison Uttley (The Farm on the Hill)
We shall judge the fallen angels at the last great day, and meanwhile a believing life is a life of triumph over the arch enemy. In the power of the Spirit it shall be proven that truth is mightier than error, love is stronger than hate, and holiness is higher than sin; for the Lord’s right hand and his holy arm have gotten him the victory.
Charles Haddon Spurgeon (Knowing the Holy Spirit: Ten Classic Sermons by Charles Spurgeon)
City of Angels.
Michael Arches (Snatched (Vanished #1))
I stood under the arch and absorbed the image. Rose and blue and ancient oriental rugs held pale pink loveseats with curved arms and perfectly faded silk upholstery. Sheer white-winged angels floated on a ceiling of baby-blue sky with clouds of spun gold. And eastern-facing windows of blue stained glass held paler blue stained-glass crosses in the middle. Daylight and streetlamps were obliterated by thick velvet curtains with gold tasseled ropes, and a small, dusty beam of faded light managed to seep past the heavy drapes, making it look like the tail end of the day instead of the early part of the afternoon. His home was lavish and seductive, and I thought it rare that a man living alone could create a thing of such intensity. For the second time in two days I found myself having to adjust my opinion of Michael Bon Chance. It was a marble fountain that ended my reverie and brought me back down to earth. It was the true centerpiece of the room, with water slowly seeping from a cracked jug and dripping over a statue of a nude couple, bathing. I cringed at the sound. Michael looked at me. "Something wrong?" "It's the dripping." He went over to the bar and poured me a glass of wine. "You're tense. Maybe this will help." I took a sip from the glass and put it down on the fireplace mantel. I caught a glimpse of Michael and myself in the mirror above the fire and felt trapped by how beautiful we looked in the rose glow of the dragon's-head lamps with pale pink bulbs.
Margot Berwin (Scent of Darkness)
After a long silence, she turned to him with a serious gaze that made him tense. “We are here now. We might as well make the best of it.” He arched a brow at her resigned, morose tone. “That’s the spirit,” he teased.
Bella Moxie (The Duke's Defiant Angel (Dukes Gone Dirty, #1))
His mind burned with random glory. Sunsets over La Paz. The shadows in a ruined Mexican cathedral after the workers had shoveled out the dead pigeons and dung. The infinity of folded shadows between his wife’s thighs. The whale he saw in the Sea of Cortez, rising from the water and hanging there in shattered glass skirts of sea water as if the air itself held its impossible bulk aloft, and flying fish as tiny and white as parakeets passing under its arched belly and vanishing in foam.
Luis Alberto Urrea (The House of Broken Angels)
Brrr,” Nic complained, her voice drifting across the darkness. “It’s so cold. Do you have a spare bearskin over there?” An image of naked limbs on a bear skin rug flashed through his mind. He cleared his throat. “I thought you were asleep.” “I dozed for a bit. My boots were killing me, so I took them off. Now my feet are cold, and that makes me uncomfortable and cranky.” Gabe hesitated a moment before saying, “Well, we can’t have cranky. Scoot them over here. I’ll rub your feet for you.” “God bless you, Gabe Callahan.” She whipped her legs out from beneath her covers and set them in his lap. She wore thin trouser socks, and when he took her right foot between his hands, he sucked in a breath. “You have ice cubes for feet.” “I told you so.” He tugged off her sock and began rubbing her bare, freezing foot. While he tried to keep his touch clinical and his thoughts impersonal, he couldn’t help noticing her foot’s slender width, the graceful arch of her instep, the softness of her skin. It was the most personal touch he’d shared with a woman in months, and damn his soul, he enjoyed it. While he massaged her right foot, her left foot crept up and rested on his thigh, inches from his torso. Inches from his erection. He should put her ice cubes right on his crotch, but he settled for the next best thing. He tugged his shirttail from his jeans and yanked her sock off her left foot. “Look, don’t take this personally. Consider it payback for doctoring my scratches that day.” He took both her feet and tucked them against his belly, sucking in an audible breath. It truly was like putting ice on his stomach. “Whoa. Have you no circulation in your feet whatsoever?” “Oh, you feel good, Callahan,” she purred. “How can you be so warm? Are you hiding a heater or something?” A heater? Was that a come-on? Or was she just clueless? He wished he could see her expression to help him judge. Wryly he replied, “Or something.” Gabe
Emily March (Angel's Rest (Eternity Springs, #1))
Clare's dark brows arched. "How can one piece of wood be more moral than another?" "The mace saves a lady from bending over and exposing her ankles to whatever depraved males are present," he explained.
Mary Jo Putney (Thunder & Roses (Fallen Angels, #1))
When Tina walks closer, as if smelling her scent––the creature's long neck juts up from lapping at Adam's ale. It has a face that is too wide for a human being's and its eyes are like perfectly round fish-eyes! Its gaze is so terrifying that Juniper arches her back instinctively, but is so scared that she is essentially paralyzed by its wide-eyed stare. Those empty crystalline eyes looking unwaveringly forward!   The creature that had once been perceivably angelic is now a walking horror show. Its nose is melded into its face, like a replica of the tender pink nose of a rabbit, and its lips are petite and taut. Drops of dew solidify on its mane, like a fleece of pearls. Juniper feels warm liquid running down her leg. This is the first time, since her dance with near-death, during her early childhood––that she has felt true fear. It looks straight at her, unblinking, like a deer in headlights would. But––the look isn't comparable to the livelihood of a stag or deer or anything resembling an animal or human! The vacant stare is beyond stomach churning. Even when the daylight's reflection on the water casts a shimmer upon its face: the eyes are endlessly deep and abyssal. Feeling as though they completely consume whoever they cast a glance upon. Consuming all of a person's essence, in a single gaze!
H.E. Rodgers (Juniper's Tree, Pt. 1: Apotheosis)
And she said it in her essay “On Keeping a Notebook”—which has obvious appeal as a how-to primer for any aspiring writer who likes to eavesdrop but which also delivers an unexpected meditation on identity and place. I was in the right place until it was the wrong place, she says of herself. Or to me: There is nothing wrong with you; you are just in the wrong place. This idea that there is a right place and time for each of us, and you can vacate it by mistake and return to it only at great expense, fills much of her work with a kind of anticipatory nostalgia—looking backward even as she projects into the future. It’s an example of what Shakespeare called the “preposterous,” which as his scholars love to point out literally describes a condition where “before” follows “after” or “pre” follows “post”—a state of chronological, and often psychological, confusion. Remember the scene in “On Keeping a Notebook” when Didion sees a blonde in a Pucci bathing suit at the Beverly Hills Hotel surrounded by fat men? The blonde does the one thing that a blonde in a Pucci bathing suit was born to do: she “arches one foot and dips it into the pool.”2 There, she’s in her element. Right time, right place. It has a cinematic or photographic quality, like Henri Cartier-Bresson’s decisive moment.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
The Marble Tombs that rise on high, Whose Dead in vaulted Arches lye, Whose Pillars swell with sculptur'd Stones, Arms, Angels Epitaphs and Bones, These (all the poor Remains of State) Adorn the Rich, or praise the Great; Who while on Earth in Fame they live, Are senseless of the Fame they give.
Thomas Parnell
Bringing the horse to a stop, Lucetta leaned forward and looked down a well-maintained lane that led directly to what seemed to be some type of a gatehouse, but a gatehouse built to look exactly like a mausoleum, complete with stained-glass windows, stone sculptures on either side of it—not of the expected angels, but of . . . ravens. Turning to Abigail, Lucetta arched a brow. “Should we drive closer?” “I don’t think this could possibly be the lane leading to Bram’s castle,” Abigail said. “I mean, why would anyone build a mausoleum to mark the entrance to their home?” “I have numerous answers to that, but none I’m going to voice until we discover whether or not your grandson resides here. Which, I’m sorry to say, could be a distinct possibility, since the castle’s name is Ravenwood and there are two ravens guarding that building, and . . . if you look over the door, Ravenwood is etched into the stone.” “Oh . . . dear.” Abigail pulled a pair of spectacles out of her pocket, shoved them on, and then looked closely at the building in front of them before immediately pulling the spectacles off again and repocketing them, shuddering ever so slightly as she did so. “Would it be safe to say that your grandson possesses a slightly morbid nature?” Lucetta asked. “Of course not. Bram’s charming, and . . . the ladies find him to be completely delightful, from what I’ve been told—as I do believe I’ve mentioned to you a few times.” Before Lucetta could reply to that, the door to the mausoleum opened with an ominous creak. Abigail grabbed hold of Lucetta’s hand and squeezed it, the squeezing becoming more pronounced as a man stepped through the door—a man who just happened to be carrying a rifle.
Jen Turano (Playing the Part (A Class of Their Own, #3))
Here’s to your recovery, bud. It’s going to be quick and powerful.” “Hope God heard that,” Mike said, and took a long, refreshing pull. “The doc said I’d need three months to start feeling better and I’ve only given it six weeks, but...” And then she came out from the kitchen. Mike almost choked on his words. She smiled at him and said, “Hello. You must be Mike.” She went to stand next to Preacher, and he, with his eyes focused on the shine in Mike’s, dropped an arm around her shoulders, claiming her. God, Mike thought. Preacher has a woman. And what a woman. “Yeah,” Mike said slowly. She was gorgeous. Soft, light brown hair fell in silky curves to her shoulders. She had skin like creamy satin and peach-colored lips, a little line, a scar in her lower lip. He knew what that was about, he remembered better now. And warm, sexy green eyes surrounded by a lot of dark lashes and perfectly arched brows. With Preacher’s arm around her, she leaned against him. “I just don’t get it,” Mike said with a laugh. “You two somehow found the most beautiful, sexiest women in the state right here in the backwoods. Shouldn’t there be at least one of you in Los Angeles?” “Actually, we were both from Los Angeles,” Mel said. “And fortunately, both found our way to the backwoods.” No way Preacher knows what he’s holding, Mike thought. And Preacher, knowing Mike’s careless ways with women, just about anyone’s woman, might feel a little threatened at the moment, even given the crippled hand and cane. Little did he know... “Well, damn,” Mike said, lifting his glass. “To your good fortune. All of you.
Robyn Carr (Shelter Mountain (Virgin River, #2))
I have to carve the gargoyles, because I can carve nothing else; I leave to others the angels and the arches and the spires. But I am very sure of the style of the architecture, and of the consecration of the church.27
G.K. Chesterton (The Complete Father Brown Stories)
Michael supposed this ship might be considered ArchAngel 0, since the original, ArchAngel I, had gone to the stars and was far superior to this craft. He guessed he was being a little romantic in wanting a ship named after one his love had flown out into the beyond. Or he really was self-absorbed, to name a ship after himself. While the information was belated, he preferred to think he was romantic over the truth.
Michael Anderle (The Darkest Night (The Second Dark Ages #2))
Try this prayer to help you relinquish the illusion of control. Dear Lord, You are perfect. You could not be better than you are. You are self-created. You exist because you choose to exist. You are self-sustaining. No one helps you. No one gives you strength. You are self-governing. Who can question your deeds? Who dares advise you? You are correct. In every way. In every choice. You regret no decision. You have never failed. Never! You cannot fail! You are God! You will accomplish your plan. You are happy. Eternally joyful. Endlessly content. You are the king, supreme ruler, absolute monarch, and overlord of all history. An arch of your eyebrow and a million angels will pivot and salute. Every throne is a footstool to yours. Every crown is papier-mâché next to yours. No limitations, hesitations, questions, second thoughts, or backward glances. You consult no clock. You keep no calendar. You report to no one. You are in charge. And I trust you.
Max Lucado (Trade Your Cares for Calm: Finding Peace in the Midst of Chaos)
He showed her things she'd never known about things she'd always thought she understood. And she adored it... even as it terrified her. Even as it made her question everything she thought true. She resisted the thought, her gaze rising to one large wall of the club, where the Angel's namesake fell in beautiful glass panels from Heaven to Hell, from good to evil, from sainthood to sin. It was the most beautiful window Pippa had ever seen, the work of true artisans, all reds and golds and violets, at once hideous and holy. It was the angel himself who fascinated her, the enormous, beautiful man crashing to Earth, without the gifts he'd had for so long. In the hands of a poorer artist, the detail of him would have been less intricate, the hands and feet and face would have been shaped with glass of a single color, but this artist had cared deeply for his subject, and the swirls of darks and lights in the panels were finely crafted to depict movement, shape, and even emotion. She could not help but stare at the face of the fall- inverted as he fell to the floor of the hell- the arch of his brow, the complex shade of his jaw, the curve of his lip. She paused there, thinking on another pair of lips, another fall. Another angel. Cross. Emotion flared, one she did not immediately recognize. She let out a long breath. She wanted him- in a way she knew she should not. In a way she knew she should want another. A man destined to be her husband. To be the father of her children. And yet, she wanted Cross. This angel.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Lava, flowing into the sea, cools with an eruption of steam, leaving arches, bridges, structures that endure when the heat’s gone. Lava wasn’t often sentient, and volcanoes didn’t talk much, but Kai wondered, sometimes, if they ever felt embarrassed by the visible aftermath of their eruption.
Max Gladstone (The Ruin of Angels (Craft Sequence, #6))
No one has ever encountered the full burning ecstatic beauty of a seabird quite in the way the twenty-two-year-old Herman Melville, crewing as a green hand on board a New Bedford whaler deep in the South Pacific at some time in 1841, first met an albatross. It was during a prolonged gale, in waters hard upon the Antarctic seas. From my forenoon watch below, I ascended to the overclouded deck; and there, dashed upon the main hatches, I saw a regal, feathery thing of unspotted whiteness, and with a hooked, Roman bill sublime. At intervals, it arched forth its vast archangel wings, as if to embrace some holy ark. Wondrous flutterings and throbbings shook it. Though bodily unharmed, it uttered cries, as some king’s ghost in supernatural distress. Through its inexpressible, strange eyes, methought I peeped to secrets which took hold of God. As Abraham before the angels, I bowed myself; the white thing was so white, its wings so wide, and in those for ever exiled waters, I had lost the miserable warping memories of traditions and of towns. Long I gazed at that prodigy of plumage
Adam Nicolson (The Seabird's Cry: The Lives and Loves of the Planet's Great Ocean Voyagers)
These were angels, Laura was convinced, sent to speak to her directly. About what it takes to understand someone, as they are—not as they were or might someday be. What it takes to hold two lives together.
Jeff Arch (Attachments)