Arcadia Quotes

We've searched our database for all the quotes and captions related to Arcadia. Here they are! All 100 of them:

It is a defect of God's humor that he directs our hearts everywhere but to those who have a right to them.
Tom Stoppard (Arcadia)
You deserve all that and more. It made me happy to see you suffer. I would do it all over again if I could." I realized I was shaking as the words tumbled out of me. "I would do it again and again. Every night I would torment you and laugh. Do you understand? You are never safe with me." I drew a shuddering breath, trying to will away the sting of tears. He opened his eyes and stared up at me as if I were the door out of Arcadia and back to the true sky. "That's what makes you my favorite." He reached up and wiped a tear off my cheek with his thumb. "Every wicked bit of you.
Rosamund Hodge (Cruel Beauty)
Then I realize from the hollow sound of her gun's click that her gun isn't loaded. Apparently she just wants to slap me around with it. The Girl doesn't move her gun away. "How old are you?" "Fifteen." "That's better." The Girl lowers her gun a little. "Time for a few confessions.Were you responsible for the break-in at the Arcadia bank?" The ten-second place. "Yes." "Then you must be responsible for stealing sixteen thousand five hundred Notes from there as well." "You got that right." "Were you responsible for vandalizing the Department of Intra-Defense two years ago, and destroying the engines of two warfront airships?" "Yes." "Did you set fire to a series of ten F-472 fighter jets parked at the Burbank air force base right before they were to head out to the warfront?" "I'm kinda proud of that one." "Did assault a cadet standing guard at the edge of the Alta sector's quarantine zone?" "I tied him up and delivered food to some quarantined families.Bite me.
Marie Lu (Legend (Legend, #1))
The ordinary-sized stuff which is our lives, the things people write poetry about—clouds—daffodils—waterfalls—what happens in a cup of coffee when the cream goes in—these things are full of mystery, as mysterious to us as the heavens were to the Greeks.
Tom Stoppard (Arcadia)
When we have found all the mysteries and lost all the meaning, we will be alone, on an empty shore.
Tom Stoppard (Arcadia)
It's the wanting to know that makes us matter.
Tom Stoppard (Arcadia)
Arcadia,” Lon’s voice said from my phone. “Who is this?” I teased. “You can’t take my son on a date.” “I didn’t ask him. He asked me.” “He stole my cell and called without permission.” “Sounds like a personal problem to me.” A low growling noise came out of the phone.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
What are a friend's books for if not to be borrowed?
Tom Stoppard (Arcadia)
It makes me so happy. To be at the beginning again, knowing almost nothing.... A door like this has cracked open five or six times since we got up on our hind legs. It's the best possible time of being alive, when almost everything you thought you knew is wrong.
Tom Stoppard (Arcadia)
It's the best possible time to be alive, when almost everything you thought you knew is wrong.
Tom Stoppard (Arcadia)
The unpredictable and the predetermined unfold together to make everything the way it is.
Tom Stoppard (Arcadia)
We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?
Tom Stoppard (Arcadia)
Septimus. When we have found all the mysteries and lost all the meaning, we will be all alone, on an empty shore. Thomasina. Then we will dance. Is this a waltz?
Tom Stoppard (Arcadia)
He says his aim is poetry. One does not aim at poetry with pistols. At poets, perhaps.
Tom Stoppard (Arcadia)
Arms around me in the dark. Lips against mine in the sunlight. Do you know why I love you? He knew me. And loved me. And he had never asked me for anything. Even Shade wanted me to die for him. Maybe I shouldn’t forgive a monster just because he loved me that way—but— But loving me that way made him a monster. My doom was the price of saving Arcadia, and only a monster would care more about me than saving thousands upon thousands of innocents. Shade was the last prince; of course if he could save only one, he would choose Arcadia. I would do the same.
Rosamund Hodge (Cruel Beauty)
Oh, really? Is that why he’s hot and bothered for Arcadia here?” Kar Yee tossed an accusatory glance my way. She was well aware that honesty wasn’t one of my strong suits. “Probably,” Jupe confirmed. “My dad says he likes her so much that if she kicked him in the balls, he’d just thank her.
Jenn Bennett (Summoning the Night (Arcadia Bell, #2))
Seduced her? Every time I turned round she was up a library ladder. In the end I gave in. That reminds me—I spotted something between her legs that made me think of you.
Tom Stoppard (Arcadia)
Childhood is such a delicate tissue; what they had done this morning could snag somewhere in the little ones, make a dull, small pain that will circle back again and again, and hurt them in small ways for the rest of their lives.
Lauren Groff (Arcadia)
»Eines Tages«, sagte sie, »fange ich Träume ein wie Schmetterlinge.« »Und dann?«, fragte er. »Lege ich sie zwischen die Seiten dicker Bücher und presse sie zu Worten.« »Was, wenn jemand immer nur von dir träumt?« »Dann sind wir beide vielleicht schon Worte in einem Buch. Zwei Namen zwischen all den anderen.«
Kai Meyer (Arcadia Awakens (Arcadia, #1))
I stumbled through the dark underbrush again crying out as I plunged through a thick spiderweb. My arms frantically brushed away the clinging web as irrational fear made me batshit-crazy for a moment. Scared of a damn spider when a bloodthirsty demon was chasing me down. Ridiculous.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
VALENTINE: Are you talking about Lord Byron, the poet? BERNARD: No, you fucking idiot, we're talking about Lord Byron, the chartered accountant.
Tom Stoppard (Arcadia)
When you stir your rice pudding, Septimus, the spoonful of jam spreads itself round making red trails like the picture of a meteor in my astronomical atlas. But if you stir backwards, the jam will not come together again. Indeed, the pudding does not notice and continues to turn pink just as before. Do you think this is odd?
Tom Stoppard (Arcadia)
Carnal embrace is the practice of throwing one's arms around a side of beef.
Tom Stoppard (Arcadia)
If knowledge isn't self-knowledge it isn't doing much, mate. Is the universe expanding? Is it contracting? Is it standing on one leg and singing 'When Father Painted the Parlour'? Leave me out. I can expand my universe without you. 'She walks into beauty, like the night of cloudless climes and starry skies, and all that's best of dark and bright meet in her aspect and her eyes.
Tom Stoppard (Arcadia)
The universe is deterministic all right, just like Newton said, I mean it's trying to be, but the only thing going wrong is people fancying people who aren't supposed to be in that part of the plan.
Tom Stoppard (Arcadia)
We're better at predicting events at the edge of the galaxy or inside the nucleus of an atom than whether it'll rain on auntie's garden party three Sundays from now.
Tom Stoppard (Arcadia)
Chater: You dare to call me that. I demand satisfaction! Septimus: Mrs Chater demanded satisfaction and now you are demanding satisfaction. I cannot spend my time day and night satisfying the demands of the Chater family.
Tom Stoppard (Arcadia)
You trusted me.' 'You drugged me!' He grinned. 'Yeah, I did.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
Turn left in two hundred feet ” the computerized voice said in a cheery voice. “There is no turn in two hundred feet you bitch ” I yelled toward the screen. “Zoom out.” Nothing happened. “ZOOM. OUT ” I said again louder before the screen responded to the voice-activated command.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
Why is some accident of uncontrolled neurochemistry the ‘real me,’ and a carefully reasoned system of priorities somehow false?
Mishell Baker (Borderline (The Arcadia Project, #1))
Maybe it involved a woman. Oh, maybe even a nun—ooh! Wouldn’t that be scandalous?” “Indeed, but no.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
It is one thing to study war and another to live the warriors life.
Telamon of Arcadia
Oh! Do you have a pocketknife?" He narrowed his eyes at me. "Pocketknife?" "Don't men your age always have pocketknives?" I asked in a high-pitched voice. "My age? I'm not a fucking grandfather," he snapped.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
One day," she said, "I'll catch dreams like butterflies." "And then what?" he asked. "Then I'll put them between the pages of big, fat books and press them until they're words." "Suppose there's someone who never dreams of anything but you?" "Maybe then we're both words in a book. Two names among all the others.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
He keeps his deepest belief tight to him: that people are good and want to be good, if only you give them a chance.
Lauren Groff (Arcadia)
Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in. That's why you can't believe in the afterlife, Valentine. Believe in the after, by all means, but not the life. Believe in God, the soul, the spirit, the infinite, believe in angels if you like, but not in the great celestial get-together for an exchange of views. If the answers are in the back of the book I can wait, but what a drag. Better to struggle on knowing that failure is final.
Tom Stoppard (Arcadia)
...it isn’t other people who decide if you feel alone, it’s yourself. Only I didn’t know that yet.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
Carnal embrace is sexual congress, which is the insertion of the male genital organ into the female genital organ for purposes of procreation and pleasure. Fermat’s last theorem, by contrast, asserts that when x, y and z are whole numbers each raised to power of n, the sum of the first two can never equal the third when n is greater than 2.
Tom Stoppard (Arcadia)
He gathered me closer, kissed my neck, then spoke in a low voice next to my ear. “I figure, see, if you find yourself getting more attached to the two of us than you planned, maybe you won’t think about picking up and leaving to start another life somewhere else.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
Home’, it had struck her on the torturous drive back to London, wasn’t Egerton Gardens, wasn’t even Fox Corner. Home was an idea, and like Arcadia it was lost in the past.
Kate Atkinson (Life After Life)
Sometimes you have to let time carry you past your troubles.
Lauren Groff (Arcadia)
Pay attention, he thinks. Not to the grand gesture, but to the passing breath.
Lauren Groff (Arcadia)
However we feel about this, Arcadia was built with pure autonomy in mind. Autonomy is only true autonomy when you allow others to go in directions you don’t condone. All else is just ethical masturbation.
Exurb1a (Logic Beach: Part I)
HANNAH: ....English landscape was invented by gardeners imitating foreign painters who were evoking classical authors. The whole thing was brought home in the luggage from the Grand Tour. Here, look -- Capability Brown doing Claude, who was doing Virgil. Arcadia! And here, superimposed by Richard Noakes, untamed nature in the style of Salvator Rosa. It's the Gothic novel expressed in landscape. Everything but vampires.
Tom Stoppard (Arcadia)
That's the way it is. If you believe in something your very belief renders you unqualified to do it. Your earnestness will come across. Your passion will show. Your enthusiasm will make everyone nervous. And your naivety will irritate. Which means that you will become suspect. Which means you will be prone to disillusionment. Which means that you will not be able to sustain your belief in the face of all the piranha fish which nibble away at your idea and your faith, 'till only the skeleton of your dream is left. Which means that you have to become a fanatic, a fool, a joke, an embarrassment. The world - which is to say the powers that be - would listen to your ardent ideas with a stiff smile on its face, then put up impossible obstacles, watch you finally give up your cherished idea, having mangled it beyond recognition, and after you slope away in profound discouragement it will take up your idea, dust it down, give it a new spin, and hand it over to someone who doesn't believe in it at all.
Ben Okri
Even when you think you can't bear it, you can bear it.
Lauren Groff (Arcadia)
THOMASINA: But then the Egyptian noodle made carnal embrace with the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue!
Tom Stoppard (Arcadia)
Suicide is not a way of ending pain; it's just a way of redistributing it.
Mishell Baker (Borderline (The Arcadia Project, #1))
His hand dove beneath my seat and surfaced with the sawed-off vintage Lupara. "I distinctly remember telling you not to bring that thing," I complained. "Felt like you were daring me.
Jenn Bennett (Binding the Shadows (Arcadia Bell, #3))
They sit here in the darkness, trusting. That the coffee will be hot and unpoisoned. That no raging madman will come in with a gun or bomb. It leaves him breathless at times, how much faith people put in one another. So fragile, the social contract: we will all stand by the rules, move with care and gentleness, invest in the infrastructure, agree with the penalties of failure. That this man driving his truck down the street won't, on a whim, angle into the plate glass and end things. That the president won't let his hand hover over the red button and, in moment of rage or weakness, explode the world. The invisible tissue of civilization: so thin, so easily rendable. It's a miracle that it exists at all.
Lauren Groff (Arcadia)
So..."he whispered huskily in my ear, "we've discovered that you can arouse me." He demonstrated this fact by pressing harder against me, just in case I'd forgotten. "However, we don't know about you. And there is the small matter of Heka.
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
In a world of chemically induced sanity, a little lunacy confers immense advantages.
Iain Pears (Arcadia)
Tenemos la obligación de convertirnos en nuestra propia leyenda" Arcadia de Samantha Devin
Samantha Devin (Arcadia: Una tragedia moderna)
I bet a lot of couples have wondered, if they’d met under different circumstances, perhaps they would’ve taken a different path and never ended up together. And in a way, you got that opportunity. You chose me twice. If that’s not meant to be, then I don’t know what is.
Jenn Bennett (Banishing the Dark (Arcadia Bell, #4))
He came off so lost, which of course hit all my buttons because who doesn’t dream of finding an incredibly hot boy and fixing him? Straight guys may have cars and gadgets, but girls and gay boys, we like to fix broken boys.
John Goode (Distant Rumblings (Lords of Arcadia, #1))
Samantha sent in mercenaries so fingers could not be pointed at the Minton Mining Company,” Morley replied. “Okay. Where is this leading?” “The operation was a total disaster. The Fyfield Valley is the homeland of The Great Ones. They learnt of her plans and prepared an ambush. The only survivor is Claire Hyndman. She was the woman you just saw in the suspension unit.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
She sighed. “Go on, say it. I shouldn’t have come.” “You shouldn’t have come.” He looked sideways at her and gave her a fleeting grin. “But I’m glad you did.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
Poetry is what he turns to these days, finding in its fragmentation the proper echo of the disintegrating world.
Lauren Groff (Arcadia)
How disappointing, when people succumb to what is expected of them.
Lauren Groff (Arcadia)
You're my favorite person, you know...you're my favorite person, too.
Jenn Bennett (Binding the Shadows (Arcadia Bell, #3))
In this moment that blooms and fades as it passes, he is enough, and all is well in the world.
Lauren Groff (Arcadia)
Sometimes I think I might die if I can't touch you.
Jenn Bennett (Summoning the Night (Arcadia Bell, #2))
Freedom or community, community or freedom. One must decide the way one wants to live. I chose community.
Lauren Groff (Arcadia)
THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! -- can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides -- thousands of poems -- Aristotle's own library!....How can we sleep for grief? SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?
Tom Stoppard (Arcadia)
They can wound, stories, they can blister.
Lauren Groff (Arcadia)
Best to distrust this retrospective radiance: gold dust settles over memory and makes it shine.
Lauren Groff (Arcadia)
It wasn’t the first time I’d run across sex spells: they were just as common as electricity-kindled spells. They just aren’t convenient for your average on-the-go magical needs. “Do all the memory spells require that?” I asked. “I don’t think so. I just noticed it on the last couple of retrieval ones.” “Uh, maybe I could just get myself, you know, privately …?” I suggested. I regretted it immediately, and felt my face flush with warmth. What the hell was I going to do? Ask Lon if he had any porn I could borrow and hole up in his library’s washroom?
Jenn Bennett (Kindling the Moon (Arcadia Bell, #1))
I swore to myself I would never be that guy, the guy who loses his shit for the first pretty face he sees. And yet my shit was truly lost.
John Goode (Distant Rumblings (Lords of Arcadia, #1))
Fear is more pain than is the pain it fears
Philip Sidney
After running her eyes over pulsing LEDs on the suspension unit, Samantha glanced through a small port at Claire Hyndman’s limp body. She looked expectantly at Mih Valanson, one of her senior technicians. “Well? How’s it going? Are you succeeding?” Valanson looked uncomfortable. “Well?” “I shouldn’t be doing this. Brain-stripping is illegal.” “I do wish you wouldn’t call it that,” Samantha scolded. After following Samantha’s gaze and looking at Claire Hyndman’s pale face, Valanson secretly hoped his efforts would be in vain.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
We shed as we pick up, like travelers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again.
Tom Stoppard (Arcadia)
Frankly, I was just thrilled to be going out into the real world again and would have been satisfied with a trip to the grocery store.
Jenn Bennett (Banishing the Dark (Arcadia Bell, #4))
He will miss this quiet full of noise: the nighthawks, the way the woods breathe, the things moving unsuspected through the dark. But he will take with him the canisters full of blasted images and have the pleasure of living them again. They are not nothing, the memories.
Lauren Groff (Arcadia)
Hey." Lon said to Kar Yee, towering over her. "Hanging in there?" "This? Pfft. It's nothing." Kar Yee said with a silly grin. "How's my favorite pirate captain? Did you come to give me something nice to look at? A little pirate booty?" She snorted a laugh at her own joke.
Jenn Bennett (Binding the Shadows (Arcadia Bell, #3))
Doing as he was told, Lars called out, “I’m looking at a woman in a suspension unit. I think she’s dying.” He ripped the helmet off again and glared at Morley. “Why do I have to watch somebody dying?” “The person you saw was Claire Hyndman. Her father is Alan Hyndman. He’s a big wheel on Arden.” “So?” “The RTTC suggests the real Claire Hyndman died and Samantha brain-stripped her and created a substitute.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
Bind Merrimoth," he finally said, "and I'll do that think you like later." "It's not like my power reacts to the reward system," I said, then added, "What thing?" The corner of his mouth quirked. "On the chair." "You mean the thing you like?" "We both like," he corrected. "Win-win.
Jenn Bennett (Binding the Shadows (Arcadia Bell, #3))
If he cannot be infinite - his lov emeeting its eventual exhaustion, his light its shadows - this is the nature of landscapes. The forest meets mountain, the sea the shore. Brain meets bone, meets skin, meets hair; meets air. Day would not be, without night. Every limit, a wise woman once wrote, is a beginning as well as an ending.
Lauren Groff (Arcadia)
HANNAH: Don't let Bernard get to you. It's only performance art, you know. Rhetoric, they used to teach it in ancient times, like PT. It's not about being right, they had philosophy for that. Rhetoric was their chat show. Bernard's indignation is a sort of aerobics for when he gets on television.
Tom Stoppard (Arcadia)
Even if what you said was true, that only makes it worse. Truth should be left in wrapped boxes for people to open when they’re ready. When it’s used as a blade, they vacuum-seal the pain somewhere deep inside, sealing the truth in with it, until it’s time to turn it inside out and cut someone else. I
Mishell Baker (Borderline (The Arcadia Project, #1))
This time they picked up their hand luggage and moved away from their son, following Lieges towards the air-van. But instead of changing his stance, Alain Pen just dug in hull-down. “They won’t go without me,” he told Morley confidently. “So what are you really up to, eh? I know we’re not going to Bull Crater on holiday.” “You’ve got a vivid imagination, kid.” “Stop calling me kid,” Alain objected. “I know something’s going on and I’ve reported it to my section leader.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
A seductive female voice added, “Hello Henry, I’m the deputy director. But you can call me Samantha.” Henry’s response was accusing. “You’re a droid!” “I’m an R9054, one of the most powerful robotic systems devised by Ingermann-Verex, my makers. And I prefer the term humanoid if you don’t mind.” Locking onto her image, Henry noted the strange wrap-round view panel enshrouding the top part of the body shell. Inside, there was a human face seemingly trapped inside an electronic body. Although he’d seen a number of droids with similar face screens, Samantha’s was the most realistic, so he guessed her claims of being top of her range were probably right.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
The stories themselves aren't what moves him now...What moves him are the shadowy people behind the stories, the workers weary from their days, gathering at night in front of a comforting bit of fire...The world then was no less terrifying than it is now, with our nightmares of bombs and disease and technological warfare. Anything held the ability to set of fear...a nail dropped in a the hay, wolves circling at the edge of the woods...
Lauren Groff (Arcadia)
But there was only so much worrying you could do before you just had to accept what life throws at you and move on, because some things were going to be out of your control, and others can’t be fixed or changed. And for everything I’d lost over the last couple of months, I still had a lot. More than I expected, actually.”.
Jenn Bennett (Summoning the Night (Arcadia Bell, #2))
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink. Suddenly I felt the slight weight go this body against my back and the corner of his mouth brushed adjacent my ear. "How human you are," he whispered.
Jes Dory (Isle (Isle #1))
He clasped her fingers, not so she could pull him up but clearly because he wanted to touch them. She wanted it too, way too much, and then he stood there right in front of her, the abyss beside them, and she could smell his skin and his hair, and let go of his hand, even though she secretly wanted something quite different.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
It was the people, the interconnection, everyone relying on everyone else, the closeness. The villages are all dying now, small-town America is dying, and the only place where the same feeling exists now is here, in the city, millions of people all breathing the same air. This, here, now, is more utopia than utopia, more than your pretty little house out in the middle of the forest with only woodchucks for neighbors. Can't you see? All of we kids are here, almost all of the kids from Arcadia, are here in the city. We've gone urban because we're all looking for what we lost. This is the only place that approximates it. The closeness. The connection.
Lauren Groff (Arcadia)
Morley shrugged. “Who knows? Who cares? It’s not our problem. If everything works out as planned, in a few hours, we’ll be off-moon. And goodbye Arden.” He attached a distorter to his own collar and turned to face Liege. “So what do you think?” “You look different,” Lieges confirmed. Then pessimism returned. “Let’s hope we don’t get caught wearing these distortion collars. We could get two years.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
LADY CROOM: You have been reading too many novels by Mrs Radcliffe, that is my opinion. This is a garden for The Castle of Otranto or The Mysteries of Udolpho -- CHATER: The Castle of Otranto, my lady, is by Horace Walpole. NOAKES: (Thrilled) Mr Walpole the gardener?! LADY CROOM: Mr Chater, you are a welcome guest at Sidley Park but while you are one, The Castle of Otranto was written by whomsoever I say it was, otherwise what is the point of being a guest or having one?
Tom Stoppard (Arcadia)
LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed? NOAKES: The hermitage, my lady? LADY CROOM: It is a cowshed. NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney -- LADY CROOM: And who is to live in it? NOAKES: Why, the hermit. LADY CROOM: Where is he? NOAKES: Madam? LADY CROOM: You surely do not supply an hermitage without a hermit? NOAKES: Indeed, madam -- LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have? NOAKES: I have no hermits, my lady. LADY CROOM: Not one? I am speechless. NOAKES: I am sure a hermit can be found. One could advertise. LADY CROOM: Advertise? NOAKES: In the newspapers. LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.
Tom Stoppard (Arcadia)
Watching the lecture hall fill for a while longer, Rummings picked up the gun, rested the barrel on the parapet and waited expectantly. A senior mining executive walked up to a rostrum and began to talk to the waiting audience. Rummings took careful aim and squeezed the trigger. A large hole appeared in the curtain glazing surrounding the building and the executive staggered sideways. After pumping a few more bullets into the dying man’s body, Rummings abandoned the rifle, ran back to the exit door, paused long enough to strip off the coveralls and then raced down the stairs. Once in the corridor, he deliberately slowed himself down, calmly called a lift and went down to the ground floor again.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
If it is true that there are books written to escape from the present moment, and its meanness and its sordidity, it is certainly true that readers are familiar with a corresponding mood. To draw the blinds and shut the door, to muffle the noises of the street and shade the glare and flicker of its lights—that is our desire. There is then a charm even in the look of the great volumes that have sunk, like the “Countess of Pembroke’s Arcadia”, as if by their own weight down to the very bottom of the shelf. We like to feel that the present is not all; that other hands have been before us, smoothing the leather until the corners are rounded and blunt, turning the pages until they are yellow and dog’s-eared. We like to summon before us the ghosts of those old readers who have read their Arcadia from this very copy—Richard Porter, reading with the splendours of the Elizabethans in his eyes; Lucy Baxter, reading in the licentious days of the Restoration; Thos. Hake, still reading, though now the eighteenth century has dawned with a distinction that shows itself in the upright elegance of his signature. Each has read differently, with the insight and the blindness of his own generation. Our reading will be equally partial. In 1930 we shall miss a great deal that was obvious to 1655; we shall see some things that the eighteenth century ignored. But let us keep up the long succession of readers; let us in our turn bring the insight and the blindness of our own generation to bear upon the “Countess of Pembroke’s Arcadia”, and so pass it on to our successors.
Virginia Woolf
Other girls carried tasers or pepper spray for safety. Rosa had bought herself a stapler in a hardware store on the corner of Baltic and Clinton Streets. Her thinking was simple. An electric shock is nasty but leaves no marks. With her method, though, she could put two or three staples into any attacker’s body. Then he’d have to stop and decide whether to tangle with her or start getting the staples out of his skin.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
Do you still have the revolver you were going to shoot me with?” asked the old man on the telephone. “Yes, I have it here.” “How much ammunition?” “No idea. How do I find out?” He explained. In the moonlight, she felt the bulges of the cartridges in the cylinder. “Six,” she said. “And you don’t know how to use it?” “No.” “But you are American.” “Ha-ha.” “If you do as I say, and go about it cleverly, I hope you won’t need it. Unless Cesare Carnevare crosses your path, in which case please be kind enough to shoot him.” “How about the concordat?” He laughed. “Shoot him when no one’s looking.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
SEPTIMUS: My lady, I was alone with my thoughts in the gazebo, when Mrs Chater ran me to ground, and I being in such a passion, in an agony of unrelieved desire -- LADY CROOM: Oh....! SEPTIMUS: -- I thought in my madness that the Chater with her skirts over her head would give me the momentary illusion of the happiness to which I dared not put a face. (Pause.) LADY CROOM: I do not know when I have received a more unusual compliment, Mr Hodge. I hope I am more than a match for Mrs Chater with her head in a bucket. Does she wear drawers? SEPTIMUS: She does. LADY CROOM: Yes, I have heard that drawers are being worn now. It is unnatural for women to be got up like jockeys. I cannot approve.
Tom Stoppard (Arcadia)
Generally speaking, our minds impose an entirely artificial order on the world. It is the only way that such an inadequate instrument as our brain can function. It cannot deal with the complexity of reality, so simplifies everything until it can, putting events into an artificial order so they can be dealt with one at a time, rather than all at once as they should be. Such a way of interpreting existence is learnt, rather in the way that our brain has to turn the images which hit our retinas upside down in order to make sense of them. Children
Iain Pears (Arcadia)
After changing shape several times, the ball eventually turned into a huge face. It floated alongside the air-car. This time, time instead of sending him a mental message, the face spoke out aloud and the whole air-car vibrated with its intensity. “If you are foolish enough to renege on your contract, you will be severely punished. For your sake, I hope you wouldn’t do such a thing.” When Tarmy made no attempt to respond, the face turned and pressed itself against the millipede-free window. A moment later, Tarmy felt the fat slug entering his mind, the sign that the face was attempting to use its powers to obtain his response by other means. But as the slug dug deeper, Samantha’s cover stories began springing out of the corners of his mind. Instead of obtaining Tarmy’s agreement, all that the face saw was a burning army transporter surrounded by bodies. Undeterred, the face continued its assault. Samantha had anticipated that Tarmy might come up against an adept, so the mental images of death and destruction flowed unchecked. After failing to break Tarmy’s defences, the face removed the slug and tried reason. “You can’t win, Mr Tarleton, so why don’t you do yourself a favour and cooperate? It will be better for you in the long run. Now, where is the miniature pulse drive engine?” Tarmy realised why the millipedes hadn’t been allowed to attack. It was obvious that the Great Ones were hoping to retrieve the engine. When Tarmy didn’t respond, the face said, “I am prepared to overlook your desertion if you agree to tell us where the engine is and also honour your contract by showing us how to convert the engine into a bomb.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
Coming back, he took the tracker out of Morley’s hand, slid back into the car and flipped a switch. An internal Mannheim, a force shield, flared into life, dividing the front of the car from the rear. Once he was satisfied the Mannheim would prevent the sound of their voices being picked up by any undiscovered bugs he spoke. “I have a plan, a way to turn the tables on them.” “How?” Instead of explaining, Lieges waved his hand at the stray dog. Thinking it was going to be fed, the mutt came over. Lieges grabbed it, removed some of the gum he was chewing, fixed the bug to it and stuck the gum under the dog’s collar. Picking the dog up, he placed it in the front of the air-car. Morley hissed. “What the hell are you doing?” “Thinking laterally,” Lieges replied. “We’ll fly a few kilometres from here and push the dog out. The BlackClads will then lock onto the dog and not us. No doubt they’ll realise something is wrong after they’ve been tracking it for a while, but it will probably buy us some time.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath. He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.
Lauren Groff (Arcadia)
It's all trivial-your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in. That's why you can't believe in the afterlife, Valentine. Believe in the after but not the life. Believe in god, the solid, the spirit, the infinite, believe in angels if you like, but not in the great celestial get-together for an exchange of view. If the answers are in the back of the book I can wait, but what a drag. Better to struggle on knowing that failure is final.
Tom Stoppard (Arcadia)
She struggled to find words, and then all the anger she had been damming up for the last few minutes broke out. It made no difference that none of what had happened was his fault. Nor did the fact that he’d saved her, or what he had sacrificed to do it. He was a Carnevare. He was one of them. And he was preventing her from going to her sister’s aid when Zoe needed her. “The girl that Cesare killed … ,” she snapped, “her name was Lilia. She … she loved my sister. Do you understand that? Zoe has just lost the person who probably meant more to her than anything else. And Lilia sacrificed herself for me. How can you think that—” “I’d have done the same thing,” he interrupted her calmly. “I’d have died for you up on that mountain.” That took her breath away. For a moment it deprived her not only of her self-control, but of the ability to utter another syllable. After endless seconds, she stammered, “That—that’s nonsense.” “It’s the truth.” He turned his head and looked at her. “I’m in love with you, Rosa.” She hesitated, fighting for composure. “Oh, hell,” she whispered. He smiled sadly. Then neither of them said anything, until finally she took his cell phone and called Zoe.
Kai Meyer (Arcadia Awakens (Arcadia, #1))