Arc Shared Quotes

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To me it seems that too many young women of this time share the same creed. 'Live, laugh, love, be nothing but happy, experience everything, et cetera et cetera.' How monotonous, how useless this becomes. What about the honors of Joan of Arc, Beauvoir, Stowe, Xena, Princess Leia, or women that would truly fight for something other than just their own emotions?
Criss Jami (Killosophy)
I have a few regrets. There was a girl I should have married, a war in which I should never have fought, a loaf of bread I should have shared, a lie to which I should never have listened. And there is a story I should have told.
Michael Scott (The Death of Joan of Arc (The Secrets of the Immortal Nicholas Flamel, #4.5))
A scythe could share their bed with anyone, but their life with no one.
Neal Shusterman (Gleanings (Arc of a Scythe, #3.5))
The soul is symphonic. Such is the sweetness of music that it banishes human weakness and fear, and draws us back to our original state of grace, reuniting us with heaven. All creation seemed to share our joy, the sky a pure and cloudless arc above our heads, the rising sun filling the leaves with gold.
Mary Sharratt (Illuminations: A Novel of Hildegard von Bingen)
Tyger Salazar had been his best friend—but such designations meant little after one has spent a year learning how to kill. Rowan imagined it must be what mortal-age soldiers felt when they returned from war. Old friendships seemed trapped behind a clouded curtain of experiences that old friends didn’t share.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
Tyson emails back: “I’m going to tell you the same thing that I told Henry Louis Gates” (Gates had asked Tyson to appear on his show Finding Your Roots): My philosophy of root-finding may be unorthodox. I just don’t care. And that’s not a passive, but active absence of caring. In the tree of life, any two people in the world share a common ancestor—depending only on how far back you look. So the line we draw to establish family and heritage is entirely arbitrary. When I wonder what I am capable of achieving, I don’t look to family lineage, I look to all human beings. That’s the genetic relationship that matters to me. The genius of Isaac Newton, the courage of Gandhi and MLK, the bravery of Joan of Arc, the athletic feats of Michael Jordan, the oratorical skills of Sir Winston Churchill, the compassion of Mother Teresa. I look to the entire human race for inspiration for what I can be—because I am human. Couldn’t care less if I were a descendant of kings or paupers, saints or sinners, the valorous or cowardly. My life is what I make of it.
A.J. Jacobs (It's All Relative: Adventures Up and Down the World's Family Tree)
The power of her climax rolled over him, firing his senses. If he’d had any doubts, this would have blown them all away. He was blown away by the experience. Everything was new again—with her. “Mmm. I’m glad you feel that way.” Her sexy tone whispered through his mind. “I feel the same.” “I know, my love.” He eased away after licking the wounds on her neck closed with a little zap of his magic. “You are my light, Megan. My sun. My world.” Her breath caught, and he knew she was as touched by what they shared as he was. All was finally right with his world. She was the center of his universe, and he’d never be alone again. They’d never be alone again. It was a calming, sustaining thought.
Bianca D'Arc (Inferno (Tales of the Were, #2))
people in hunter-gatherer communities shared about 25 percent, while people in societies who regularly engage in trade gave away about 45 percent. Although religion was a modest factor in making people more generous, the strongest predictor was “market integration,” defined as “the percentage of a household’s total calories that were purchased from the market, as opposed to homegrown, hunted, or fished.” Why? Because, the authors conclude, trust and cooperation with strangers lowers transaction costs and generates greater prosperity for all involved, and thus market fairness norms “evolved as part of an overall process of societal evolution to sustain mutually beneficial exchanges in contexts where established social relationships (for example, kin, reciprocity, and status) were insufficient.”57
Michael Shermer (The Moral Arc: How Science and Reason Lead Humanity Toward Truth, Justice, and Freedom)
We shrink therefore from God, knowing that He wants to enrich our being, rather than our having—that He wishes to elevate our nature, not to submerge and lose it in trifles. He has called us to the superior vocation of being His children, of partaking of His nature, and of being related to Him as branches to a vine. Few of us completely want that elevation; it is our petty desire to have more,not to share the glory of being more.We want the poor shadows, not the light—the sparks, and not the sun—the arc, and not the circle. As the desire for the world and things increases in us, God makes less and less appeal. We hold back, our fists closed about our few pennies, and thus lose the fortune He holds out to us. That is why the initial step of coming to God is so hard. We cling to our nursery toys and lose the pearl of great price.
Fulton J. Sheen (Lift Up Your Heart)
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley. A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears. The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas. “’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!” “Stay back,” Merripen murmured. Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them. He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents. “My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped. The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed. Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.” “Bugger you!” one of the men said, and butted forward like a deranged goat. Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground. His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades. Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I want to lie beside you and know the weight of your dreams,” he said, brushing his lips against my knuckles. “I want to share whole worlds with you and write your name in the stars.” He moved closer and a chorus of songbirds twittered silver melodies. “I want to measure eternity with your laughter.” Now, he stood inches from me; his rough hands encircled my waist. “Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals.” I grinned. “Not my soul then, Dharma Raja?” “Would you entrust me with something so precious?” I was silent for a moment before reaching for my foot and slipping off the worn slipper. “Here, my love, the dowry of a sole.” I began to laugh, giddily, drunkenly, before he swallowed my laughter in a kiss. I melted against him, arcing into the enclosure of his arms, my breath catching as his fingers entwined in the down of my hair. The music of the songbirds could not compare to the euphony billowing inside me, pressing against my bones and manifesting in a language of gentle touch. In Naraka, he drew me into the small universe of his embrace, laying kisses at my neck, the inside of my wrists, the dip in my abdomen. Now, the hum had settled to a lustrous melody, ribboning us like silk. And when we clung together, we drank in the other’s gaze, reveling in the secret hope and happiness that blossomed in the space between our lips.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
All the great cat goddesses such as Isis, Bast, Diana and Hecate, with their eternal Moon link, combine woman with Cat. Emphasising this empathy, the mysterious feline has always been construed as woman and vice versa. Since time immemorial, women have been thought to possess an ability as mediums, with a talent for soothsaying and clairvoyance. Second sight, too, is deemed to be a natural female attribute. Cats, silently wise and 'knowing', with eyes reflecting the secrets of time itself, arc said to be 'old souls', and the attraction of woman to Cat could be seen to represent a look back to an ancient part of the human soul. And what woman deep within her Moon-centred self doesn't nurture a fascination with the past — the 'unknown'; ancient, forbidden secrets; and the mystical world of the occult? Perhaps, at some distant point in time, Cat and woman with their beguiling ways and inbuilt urge to procreate underwent a transmigration of souls, each now sharing the ' complex psyche of the other. Both are symbols of fertility; both project innate feminine traits of intuitive sensuality and nurture and cherish their young. The female cat, both domestic and in the wild, is known to be a caring, efficient mother and the old French proverb, Jamais chatte qui a des petits n'a de bans morceaux, (a cat with little ones has never a good mouthful) illustrates the devotion and selflessness of the maternal feline.
Joan Moore
...my racial identity is a concept that escapes intellectual conversations about race. My personal experiences contradict the idea that Latino is only an ethnicity and not a race. But suggesting that Latino should be a race confounds the situation even more, because we are all so different and experience the world differently, though the same could be said of any other racial group. When others state, 'Latino is not a race, it's an ethnicity,' they ignore that not all Latinos have the same ethnicity, either. And though we don't all share the same ethnicity, the exact language, religion, customs, culture, food, and so forth, and though we are not the only ethnic group in America, we are the only people who are singled out by our ethnicity.
Julissa Arce (You Sound Like a White Girl: The Case for Rejecting Assimilation)
Being an ARC reader is more than just a hobby; it's a passion that intertwines my love for literature with the thrill of discovery. There's something truly magical about delving into the pages of a book before it reaches the hands of the masses, experiencing its narrative unfold like an exclusive journey just for me. But what truly warms my heart is the connection forged with authors. To receive their work before the world does and to have the opportunity to offer my thoughts is an honor in itself. Yet, it's the gesture of appreciation that follows which truly makes my day. When authors take the time to send me a complimentary signed copy of their book after my review, it's a testament to the bond between reader and writer, a token of gratitude that resonates deeply. Each signed book I receive holds not just a story within its pages, but also the author's acknowledgment of my contribution to their journey. It's a tangible reminder of the impact words can have, both in the creation and reception of art. To hold such a book in my hands is to feel the weight of appreciation, the validation of my perspective, and the joy of being a part of something bigger than myself. In those moments, I'm reminded of the power of literature to connect us, to bridge the gap between creator and consumer, and to remind us all of the beauty in sharing stories. It's a feeling that leaves me humbled, grateful, and eager to continue my journey as an ARC reader, cherishing each signed book as a cherished token of the bond between author and reader.
Chantelle Blackburn
Six months after Rhoades published his paper, Ian Baldwin and Jack Schultz, then young researchers at Dartmouth College, published a very similar finding. It isn’t always clear why fortune favors some and not others in the arc of scientific history. In this case, it’s likely a combination of luck and study design. Their work was done in the safety of a lab. The outdoors are a messy place to do science; lab work is clean, controlled, specific. Baldwin and Schultz placed pairs of sugar maple seedlings inside the sterility of a growth chamber. The seedlings shared the same air but didn’t touch. Then the researchers ripped the leaves of one and measured the response in the other. Within thirty-six hours, the untouched maple seedling loaded up its leaves with tannin. In other words, despite not experiencing damage itself, the untouched maple went to work making itself extremely unpalatable.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
Love, look at me. Are you happy? Do you still want your freedom… or do you want us?” “Are those my only two choices?” she queries, and then glances away for a moment, the light of the city arcing across her heartbreakingly beautiful face. “I don’t know. If you asked me a week ago, I would have taken my freedom… but you’ve gotten under my skin. You’ve got your venom in me, and in this last week, I have felt more alive than I ever have. D keeps telling me I belong, Garrett is finally letting me in, and Kenzo is so sweet and shared his past with me…
K.A. Knight (Den of Vipers)
The language they used to talk about the issues showed that they thought of them as their own. “Is there a way, other than Braintrust notes, that we could do a better job of teaching our directors the importance of an emotional arc?” asked one person. “I feel like I should be formally sharing my experience with other people,” said another. I could not have been prouder.
Anonymous
When I first learned of the existence of pi, I knew immediately that we had something in common. We share a parallel path. Certainly there are many times when I too have been considered irrational. Often when alone in my room, I silently ponder the equation for the area of a circle. Area (A) equals R-squared (RR) times the constant pi (C). Then I thought, by assigning the designation (K) and assuming there was an nth or final numeric digit to pi, it all might somehow become rational. The random rolling numbers that could at some point define that ultimate integer, passed through my mind. To me they were like the consecutive series of episodes that define my life. It seemed that it was more than a coincidence that when I took the variables and the constants from the equation and put them all together, A-R-R-C-K, it spells my name. That is why I need to get to the truth.
John Lack (Tempest's Arc)
But sharing has its limits. It might make you famous, but chances are it won’t earn you a buck. It might find you new people to connect with, but it won’t make it any easier to click with them. And it might let you tell the world what’s on your mind; but it won’t make the world listen.
China Miéville (Arc, Vol. 1)
This is not every man. Dao is in another place, another time. The savagery of his ejection may have triggered some deep rooted trauma. In 1975, Saigon had fallen. His home was no longer his home. Dao was forced to flee as a refugee, and he and his wife raised their family of five kids in Kentucky, a new home that – if reports are to be believed about his checkered history – had its own share of absurd hardships. Dao was caught trafficking prescription drugs for sex and lost his medical license, after which he earned his income as a poker player. While I agree with his defenders that his rap sheet is irrelevant to the United Airlines incident, it's relevant to me, since it helps us to see Dao in a more complex, realistic light. Dao is not a criminal nor is he some industrious automaton who could escape the devastation of his homeland and, through a miraculous arc of resilience, become an upstanding doctor whose kids are also doctors. For may immigrants, if you move here with trauma, you're going to do what it takes to get by. You cheat. You beat your wife. You gamble. You're a survivor and, like most survivors, you are a god-awful parent.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
To suggest that we look to the past, to Freud and Lacan, in order to find a new ethical code may seem counterintuitive, but when capital reterritorializes the psyche into systems based on their compatibility with viral market shares of the mental health topographical map, it is hard to argue for an ever-forward, arc of history that always bends toward justice. This is where ethics must come into play.
Eliot Rosenstock (Žižek in the Clinic: A Revolutionary Proposal for a New Endgame in Psychotherapy)
Junior used to long to play with the black boys. More than anything in the world he wanted to play King of the Mountain and have them push him down the mound of dirt and roll over him. He wanted to feel their hardness pressing on him, smell their wild blackness, and say “Fuck you” with that lovely casualness. He wanted to sit with them on curbstones and compare the sharpness of jackknives, the distance and arcs of spitting. In the toilet he wanted to share with them the laurels of being able to pee far and long. Bay Boy and P. L. had at one time been his idols. Gradually he came to agree with his mother that neither Bay Boy nor P. L. was good enough for him. He played only with Ralph Nisensky, who was two years younger, wore glasses, and didn’t want to do anything. More and more Junior enjoyed bullying girls. It was easy making them scream and run. How he laughed when they fell down and their bloomers showed. When they got up, their faces red and crinkled, it made him feel good. The nigger girls he did not pick on very much. They usually traveled in packs, and once when he threw a stone at some of them, they chased, caught, and beat him witless. He lied to his mother, saying Bay Boy did it. His mother was very upset. His father just kept on reading the Lorain Journal.
Toni Morrison (The Bluest Eye (Vintage International))
Pain, of course, is intimately linked with fear. “Fear isolates,” writes Rivera Garza. “Fear teaches us to distrust. Fear makes us crazy.” If we follow the arc of her argument, we see that pain has the power to destroy and to produce its own reality, a reality in turn legitimized and given further meaning through the politics and policies that shape our society. This reality is quite often a reality of fear, a reality that makes us—individually and as a society—crazy, isolated, filled with distrust for our fellow human beings, the people who share our neighborhoods, our cities, our country, our borders, our intractably and intimately interwoven global community—the people with whom we share our very lives.
Francisco Cantú (The Line Becomes a River: Dispatches from the Border)