Arbor Quotes

We've searched our database for all the quotes and captions related to Arbor. Here they are! All 100 of them:

Arbores loqui latine. The trees speak Latin.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Love for us is no paradise of arbors — to us love tells us, humming, that the stalled motor of the heart has started to work again.
Vladimir Mayakovsky
Arboreal, a fine word. Our arboreal ancestors, Crake used to say. Used to shit on their enemies from above while perched in trees. All planes and rockets and bombs are simply elaborations on that primate instinct.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Thanksgiving is the holiday that encompasses all others. All of them, from Martin Luther King Day to Arbor Day to Christmas to Valentine's Day, are in one way or another about being thankful.
Jonathan Safran Foer (Eating Animals)
Then as to churches, they are good, I suppose, else wouldn't good men uphold' em. But they are not altogether necessary. They call 'em the temples of the Lord; but, Judith, the whole 'arth is a temple of the Lord to such as have the right mind. Neither forts nor churches make people happier of themselves. Moreover, all is contradiction in the settlements, while all is concord in the woods. Forts and churches almost always go together, and yet they're downright contradictions; churches being for peace, and forts for war. No, no--give me the strong places of the wilderness, which is the trees, and the churches, too, which are arbors raised by the hand of nature.
James Fenimore Cooper
We shall serve him lies and Arbor gold, and he'll drink them down and ask for more.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Professor O’Leary was Professor of Mediaeval Literature at Ann Arbor University in Michigan, just outside Detroit.
Nevil Shute (Trustee from the Toolroom)
Did he like elms? Did he know Joyce’s poem about the two washerwomen? He did, indeed. Did he like it? He did. In fact he was beginning to like very much arbors and ardors and Adas
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
He watched the sun rise beyond the grape arbor. In the thin golden light the young leaves and tendrils of the Scuppernong were like Twink Weatherby's hair. He decided that sunrise and sunset both gave him a pleasantly sad feeling. The sunrise brought a wild, free sadness; the sunset, a lonely yet a comforting one. He indulged his agreeable melancholy until the earth under him turned from gray to lavender and then to the color dried corn husks.
Marjorie Kinnan Rawlings (The Yearling)
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
How do you raise a house full of psychopaths, Dr. Mulvaney?” she asked, looking back through the glass at the small boy. “Very carefully, Dr. Arbor. Very carefully.
Onley James (Unhinged (Necessary Evils, #1))
Cyrus Shawn O’Leary got that letter on the Friday morning at his home in Ann Arbor near Detroit.
Nevil Shute (Trustee from the Toolroom)
Listen to me," Jordan begged urgently, somehow convinced that she would stay alive if she understood how much she meant to him. "Listen to what my life was like before you hurtled into it wearing that suit of armor— Life was empty. Colorless. And then you happened to me, and suddenly I felt feelings I never believed existed, and I saw things I'd never seen before. You don't believe that, do you, darling? But it's true, and I can prove it." His deep voice ragged with unshed tears, Jordan recited his proof: "The flowers in the meadow are blue," he told her brokenly. "The ones by the stream are white. And on the arch, by the arbor, the roses are red." Lifting her hand to his face, he rubbed his cheek against it. "And that's not all I noticed. I noticed that the clearing by the pavilion—the one where my plaque is—looks like the very same one where we had our duel a year ago. Oh, and darling, there's something else I have to tell you: I love you, Alexandra." Tears choked his voice and made it a tormented whisper. "I love you, and if you die I'll never be able to tell you that.
Judith McNaught (Something Wonderful (Sequels, #2))
You do not recognize what truth is, so you call it a trick. That is why you are not wise, Jenna Zan Arbor. Wisdom is something you cannot identify because you cannot measure it with your instruments. - Qui-Gon Jinn
Jude Watson (The Evil Experiment (Star Wars: Jedi Apprentice, #12))
You are Alayne, and you must be Alayne all the time." He put two fingers on her left breast. "Even here. In your heart. Can you do that? Can you be my daughter in your heart?" "I . . ." I do not know, my lord, she almost said, but that was not what he wanted to hear. Lies and Arbor gold, she thought. "I am Alayne, Father. Who else would I be?
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
I was living and dying in all the fibers of what is chewed and digested and in all the fibers that absorb the sun, consuming and digesting. Under the thatched arbor of a restaurant on a river-bank, where Olivia had waited for me, our teeth began to move slowly, with equal rhythm, and our eyes stared into each other's with the intensity of serpents'—serpents concentrated in the ecstasy of swallowing each other in turn, as we were aware, in our turn, of being swallowed by the serpent that digests us all, assimilated ceaselessly in the process of ingestion and digestion, in the universal cannibalism that leaves its imprint on every amorous relationship and erases the lines between our bodies and sopa de frijoles, huachinango a la vera cru-zana, and enchiladas.
Italo Calvino (Under The Jaguar Sun)
There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child.
Vladimir Nabokov (Lolita)
I will not be sworn but love may transform me to an oyster, but I’ll take my oath on it, till he have made an oyster of me, he shall never make me such a fool. One woman is fair, yet I am well; another is wise, yet I am well; another virtuous, yet I am well; but till all graces be in one woman, one woman shall not come in my grace. Rich she shall be, that’s certain; wise, or I’ll none; virtuous, or I’ll never cheapen her; fair, or I’ll ever look on her; mild, or come not near me; noble, or not I for an angel; of good discourse, an excellent musician, and her hair shall be of what color it please God. Ha! The Prince and Monsieur Love! I will hide me in the arbor.
William Shakespeare (Much Ado About Nothing)
The Unknown Travelers Lugged to the gray arbor, I have climbed this snow-stone on my face, My stick, but what, snapped the avalanche The air filled with slowly falling rocks Breathed in deeply--arrived, The white room, a table covered With a towel, mug of ice--fear Among the legs of a chair, the ashman, Purple and gray she starts upright in her chair.
John Ashbery (The Tennis Court Oath)
IT’S ARBOR DAY! LET’S HUG TREES AND EAT CAKE! COLUMBUS BROUGHT SMALLPOX TO THE NATIVES; WE SHALL RECALL THE OCCASION WITH A PICNIC!, etc.
John Green (The Fault in Our Stars)
Căci dragostea e ca un arbore, ea crește de la sine, își înfige rădăcini adânci în toată ființa noastră și continuă să înverzească pe o inimă distrusă.
Victor Hugo (The Hunchback of Notre-Dame)
Summer in Honolulu brings the sweet smell of mangoes, guava, and passionfruit, ripe for picking; it arbors the streets with the fiery red umbrellas of poincianta trees and decorates the sidewalks with the pink and white puffs of blossoming monkeypods. Cooling trade winds prevail all summer, bringing what the old Hawaiians called makani 'olu' 'olu--- "fair wind".
Alan Brennert (Honolulu)
It’s Thursday, March twenty-ninth!” she basically screamed, a demented smile plastered to her face. “You are really excited about knowing the date!” I yelled back. “HAZEL! IT’S YOUR THIRTY-THIRD HALF BIRTHDAY!” “Ohhhhhh,” I said. My mom was really super into celebration maximization. IT’S ARBOR DAY! LET’S HUG TREES AND EAT CAKE! COLUMBUS BROUGHT SMALLPOX TO THE NATIVES; WE SHALL RECALL THE OCCASION WITH A PICNIC!, etc.
John Green (The Fault in Our Stars)
WEATHER, n. The climate of the hour. A permanent topic of conversation among persons whom it does not interest, but who have inherited the tendency to chatter about it from naked arboreal ancestors whom it keenly concerned.
Ambrose Bierce (The Devil's Dictionary)
And as John F. Kennedy described the ideals behind what would become the Peace Corps, he issued a challenge to the students who had assembled in Ann Arbor on that October night: “on your willingness to contribute part of your life to this country,” he said, will depend the answer whether a free society can compete. I think it can,” he said.
Barack Obama
She said that the planting of trees, like the education of children, was a gift to the future.
Cassandra Danz
Arboreal-time is cyclical, recurrent, perennial; the past and the future breathe within this moment, and the present does not necessarily flow in one direction; instead it draws circles within circles, like the rings you find when you cut us down.
Elif Shafak (The Island of Missing Trees)
At home, loss was everywhere; she could barely see past it, like trying to look out a windowpane covered in fingerprints. She would always feel trapped behind that window, between her and the rest of the world, but at least in Ann Arbor, the glass was clearer. Whenever
Brit Bennett (The Mothers)
want to thank him. For staying to make sure I wasn’t depleted. For holding his hand to my forehead. For blocking me from the arbor. But more than anything, I want to thank him for letting me make my own decision. Letting me decide if I wanted to try to stop the storm or not.
Rachel Griffin (The Nature of Witches)
Before that first line of pale chalk, before the underdrawing fleshes out into shapes and proportions, there is a stab of grief for all the things she didn't get to paint. The finches wheeling in the rafters of the barn, Cornelis reading in the arbor, Tomas bent over in his roses in the flower garden, apple blossoms, walnuts beside oysters, Kathrijn in the full bloom of her short life, Barent sleeping in a field of lilacs, the Gypsies in the market, late-night revelers in the taverns…. Every work is a depiction and a lie. We rearrange the living, exaggerate the light, intimate dusk when it's really noonday sun.
Dominic Smith (The Last Painting of Sara de Vos)
This isn't D.C., Murrary, this is Ann Arbor, Michigan. This is a long-haired, pot-smoking little college town.
Scott Sigler (Infected (Infected, #1))
She’d just graduated from Ann Arbor
Shelley Noble (Stargazey Point)
Its composure thoroughly disrupted, the little treelet, the picture of arboreal distress, let its branches droop a little, and its green birch leaves fluttered anxiously.
Lev Grossman (The Magicians (The Magicians, #1))
Latet arbore opaca aureus et foliis et lento vimine ramus,
Virgil (The Aeneid (Translated): Latin and English)
Sonya wasn't listening. Her gaze was totally fixated on the road we'd pulled off onto. We came to a red light, where I caught sight of a cheery sign: WELCOME TO ANN ARBOR, MICHIGAN.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
March 6, 1961 I remembered a party in a house outside of Ann Arbor. There was a jazz band -- piano, bass, drums, and sax -- playing in one of the large rooms. A heavy odor of marijuana hung in the air. The host appeared now and then looking pleased, as if he liked seeing strangers in every room, the party out of his control. It wasn't wild, but with a constant flow of people, who knows what they're doing. It became late and I was a little drunk, wandering from one part of the house to another. I entered a long hall and was surprised by the silence, as if I had entered another house. A girl at the other end of the hall was walking toward me. I saw large blue eyes and very black hair. She was about average height, doll-like features delicate as cut glass, extremely pretty, maybe the prettiest girl I'd ever seen. When she came up to me I took her in my arms and kissed her. She let it happen. We were like creatures in a dream. Holding her hand, I drew her with me and we passed through rooms where people stood about, and then left the house. As we drove away, she said her name was Margo. She was a freshman at the university, from a town in northern Michigan. I took her home. It was obvious she'd never gone home with a man. She didn't seem fearful, only uncertain, the question in her eyes: "What happens next?" What happened next was nothing much. We fell asleep in our clothes. I wasn't the one to make her no different from everyone.
Leonard Michaels (Time out of Mind: The Diaries of Leonard Michaels, 1961-1995)
the Ann Arbor, Michigan, School Board, near where I live, had a debate as to whether the primary mission of their schools was imparting knowledge or raising self-esteem. Self-esteem won.
Will Storr (Selfie: How We Became So Self-Obsessed and What It's Doing to Us)
His stone walls are knee-high, not castle-worthy. They have large gaps in them for driveways and paths and grape arbors. And yet every time he drives past a property he's shaped with his own heavy hands, he pictures the parents sitting down to dinner with their children, harmony wrapping the table like mosquito netting as if literal foundations might lay the pattern for emotional ones.
Jodi Picoult (Perfect Match)
From the moment I bought my ticket, I had a premonition I wasn’t returning to New York anytime soon. You Know, this happens a lot to Russians. The Soviet Union is gone, and the borders are as free and passable as they’ve ever been. And yet, when a Russian moves between the two universes, this feeling of finality persists, the logical impossibility of a place like Russia existing alongside the civilized world, of Ann Arbor, Michigan, sharing the same atmosphere with, say, Vladivostok. It was like those mathematical concepts I could never understand in high school: if, then. If Russia exists, then the West is a mirage; conversely, if Russia does not exist, then and only then is the West real and tangible. No wonder young people talk about “going beyond the cordon” when they talk of emigrating, as if Russia were ringed by a vast cordon sanitaire. Either you stay in the leper colony or you get out into the wider world and maybe try to spread your disease to others.
Gary Shteyngart (Absurdistan)
My poor father who is dead" (it is the sacristan who is speaking,) "was in his lifetime a grave-digger. He was of an agreeable disposition, the result, no doubt, of the calling he followed, for it has often been pointed out that people who work in cemeteries are of a jovial turn. Death has no terrors for them; they never give it a thought. I, for instance, monsieur, enter a cemetery at night as little perturbed as though it were the arbor of the White Horse. And if by chance I meet with a ghost, I don't disturb myself in the least about it, for I reflect that he may just as likely have business of his own to attend to as I.
Arthur Machen (Famous Modern Ghost Stories)
As the carriage proceeded past the main gate, the estate mansion came into view. Contrary to Pandora's expectations, it wasn't at all cold and imposing. It was a gracious, low-slung residence of two stories, inhabiting its surroundings with comfortable ease. Its classic lines were softened by an abundance of glossy green ivy that mantled the cream stucco façade, and arbors of pink roses that arched cheerfully over the courtyard entrance. Two extended wings curved around the front gardens, as if the house had decided to fill its arms with bouquets. Nearby, a slope of dark, dreaming forest rested beneath a blanket of sunlight.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
As he ran through the dense understory, he could read the signs of arboreal intrigue, the drama and power struggles as species vied for control over a patch of sunlight, or giant firs and fungal spores opted to work together for their mutual benefit. He could see time unfolding here, and history, embedded in the whorls and fractal forms of nature, and he would come home, sweating and breathless, and tell her what he’d seen.
Ruth Ozeki (A Tale for the Time Being)
And now I need To do something Excessively Indian So I will name All of the pine trees On the reservation. That one is Mother And that one over There is Mother And so is that third Pine in the valley And that tall one On the ridge is Mother. Okay, I’m either lazy Or I have an arboreal strain Of Oedipus complex. So let me take this down A few degrees. That pine, the closest one To my mother’s grave— I imagine its roots Will eventually feed On what my mother Will become After many years In the earth. So let my mother Be that tree And let that one tree Be my mother. And let my Mother Tree Turn every toxin Into oxygen So that my siblings And I can finally And simply breathe.
Sherman Alexie (You Don't Have to Say You Love Me)
When Gertrude Stein came to Ann Arbor, my mother said that all she said was, a rose is a rose is a rose is a rose. When Dylan Thomas came to Ann Arbor, my father said that he was a terrible man. And that is how I was brought up.
Carol Emshwiller (Joy In Our Cause: Short Stories)
It became a game that I took to with immense gusto: to see how much I could remember about dandelions themselves, or picking wild grapes with my father and brother, rediscovering the mosquito-breeding ground rain barrel by the side bay window, or searching out the smell of the gold-fuzzed bees that hung around our back porch grape arbor. Bees do have a smell, you know, and if they don't they should, for their feet are dusted with spices from a million flowers.
Ray Bradbury (Dandelion Wine)
The American chestnut may well be the greatest and most useful forest tree to ever grow on this Earth. Its decline is considered by many ecologists to be one of the greatest ecological disasters to strike the US since European contact.
Akiva Silver (Trees of Power: Ten Essential Arboreal Allies)
We are the ironborn, and once we were conquerors. Our writ ran everywhere the sound of the waves was heard. My brother would have be content with the cold and dismal north, my niece with even less ... but I shall give you Lannisport. Highgarden. The Arbor. Oldtown. The riverlands and the Reach, the kingswood and the rainwood, Dorne and the marches, the Mountains of the Moon and the Vale of Arryn, Tarth and the Stepstones. I say we take it all! I say, we take Westeros.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
In a matter of seconds, the sky darkened and the first fat drops of rain splashed around us. We went from table to table to gather our guests, smiling to mask our nervousness as the wind blew harder. As I watched the empty chairs overturning and the linens on the grape arbor flapping like sails, I was seized with a sudden fear. The wind whipped the trees; the creak of branches presaged the first sharp flash of lightning, followed by a thunder crack that set my heart pounding.
Rosie Genova (A Dish Best Served Cold (An Italian Kitchen Mystery, #3))
On one side of the road was an attractive white arched arbor at the entrance to the grounds. Fields of flowers, shrubs, and a nursery of trees lined either side. A neatly painted sign on the arbor read: Jardin des Fleurs Juliette Fleur, Prop.
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
of tall poplars. At the rear things were on even a more spacious scale than at the front. There were great stables, where a dozen grooms and boys held forth, rows of vine-clad servants' cottages, an endless and orderly array of outhouses, long grape arbors, green pastures, orchards, and berry patches. Then there was the pumping plant for the artesian well, and the big cement tank where Judge Miller's boys took their morning plunge and kept cool in the hot afternoon. And over this great demesne Buck ruled. Here
Jack London (The Call of the Wild / White Fang)
It stood on the east side of Ten Broeck Street, a three-block street in Arbor Hill named for a Revolutionary War hero and noted in the 1870s and 1880s as the place where a dozen of the city’s arriviste lumber barons lived, all in a row, in competitive luxury.
William Kennedy (Ironweed (The Albany Cycle #3))
Knowing that there was such a thing as outdoors bred in us a hunger for property, for ownership. The firm possession of a yard, a porch, a grape arbor. Propertied black people spent all their energies, all their love, on their nests. Like frenzied, desperate birds, they overdecorated everything; fussed and fidgeted over their hard-won homes; canned, jellied, and preserved all summer to fill the cupboards and shelves; they painted, picked, and poked at every corner of their houses. And these houses loomed like hothouse sunflowers among the rows of weeds that were the rented houses.
Toni Morrison (The Bluest Eye (Vintage International))
Visenya and Rhaenys, took a special delight in arranging these matches. Through their efforts, young Ronnel Arryn, Lord of the Eyrie, took a daughter of Torrhen Stark of Winterfell to wed, whilst Loren Lannister’s eldest son, heir to Casterly Rock, married a Redwyne girl from the Arbor. When three girls, triplets, were born to the Evenstar of Tarth, Queen Rhaenys arranged betrothals for them with House Corbray, House Hightower, and House Harlaw. Queen Visenya brokered a double wedding between House Blackwood and House Bracken, rivals whose history of enmity went back centuries, matching a son of each house with a daughter of the other to seal a peace between them. And when a Rowan girl in Rhaenys’s service found herself with child by a scullion, the queen found a knight to marry her in White Harbor, and another in Lannisport who was willing to take on her bastard as a fosterling.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
Nancy went to the front door, opened it, and walked outside. She breathed deeply of the lovely morning air and headed for the rose garden. She let the full beauty of the estate sink into her consciousness, before permitting herself to think further about the knotty problem before her. Long ago Mr. Drew had taught Nancy that the best way to clear one’s brain is to commune with Nature for a time. Nancy went up one walk and down another, listening to the twittering of the birds and now and then the song of the meadow lark. Again she smelled deeply of the roses and the sweet wisteria which hung over a sagging arbor.
Carolyn Keene (The Hidden Staircase (Nancy Drew, #2))
He scans the horizon from his arboreal vantage point, but he can’t see anything that looks like smoke. Arboreal, a fine word. Our arboreal ancestors, Crake used to say. Used to shit on their enemies from above while perched in trees. All planes and rockets and bombs are simply elaborations on that primate instinct.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
I don't think Gregori really knows what to do with you." Gary's heart jumped. He cleared his throat. "I hope you mean that positively." Savannah's eyes laughed at him. "Do you really think he'll harm you? He can read your mind. If you were an enemy, he would've killed you back in that warehouse." Wickedly she leaned across the table. "Of course, ie really is afully unpredictable, so you never know what he might do or where he is-" She broke off, laughing, as her arm wasflung into the air as if something had shackled her wrist and jerked her backward. Savannah was dragged by something unseen from the kitchen. She was laughing, her blue eyes dancing with mischief. Gregori tugged at her wrist, taking her out into the sanctuary of the courtyard with its dense, overgrown plants. Flowers tumbled from the overhead arbors and trailingalong his shoulders as he emerged fully into the night. "You are deliberately scaring that young man to death," he accused. She lifted her face to his, stars from the night sky in the centers of her eyes."Well,really, how could anyone doubt you?" As her palm caressed the hard line of his jaw,one fingertip touched his perfect mouth. "Stop thinking you have to protect me, Savannah. It is enough that I have you. I do not need anyone else.
Christine Feehan (Dark Magic (Dark, #4))
Finally, he got up from the couch and walked into the kitchen. He rummaged through an overflowing junk drawer and came up with a plain, white business card showing only a number. With a shaky hand, he dialed the number on his mobile phone. When the other party answered, he said simply, “I know where Mikhail Asimov will be.
Jack Arbor (The Russian Assassin (Max Austin #1))
Two billion years ago, our ancestors were microbes; a half-billion years ago, fish; a hundred million years ago, something like mice; ten million years ago, arboreal apes; and a million years ago, proto-humans puzzling out the taming of fire. Our evolutionary lineage is marked by mastery of change. In our time, the pace is quickening. —CARL SAGAN
Ray Kurzweil (The Singularity is Near: When Humans Transcend Biology)
The Ann Arbor superintendent ridicules what he describes as “simple-minded solutions [that attempt] to make things equal.” But, of course, the need is not “to make things equal.” He would be correct to call this “simple-minded.” Funding and resources should be equal to the needs that children face. The children of Detroit have greater needs than those of children in Ann Arbor. They should get more than children in Ann Arbor, more than kids in Bloomfield Hills or Birmingham. Calling ethics “simple-minded” is consistent with the tendency to label obvious solutions, that might cost us something, unsophisticated and to favor more diffuse solutions that will cost us nothing and, in any case, will not be implemented.
Jonathan Kozol (Savage Inequalities: Children in America's Schools)
As soon as you plant a tree a day. Really, you leave doctors away! But rest a week, Oh, do so like a geek. Right then you surely enrich your way!
Ana Claudia Antunes (ACross Tic)
Plant a tree today so that a child may enjoy it tomorrow.
Debasish Mridha
How could I say I felt uneasy for no apparent reason along the dusty road where ancient umbrella pines stretched across the shadowy path as if a handshake were being offered? I felt fear for no cause. But somehow I knew that somewhere close, peril awaited us. Looking at the arbor of trees overhead—joined limbs in prayerful attitude—I was wary, yet excited at the unknown.
Nina Romano (Lemon Blossoms (Wayfarer Trilogy, #2))
Some mycelium will actually insinuate itself into the grain of trees, taking up residence and forming a symbiotic relationship with the tree. Stamets believes the mycelium functions as a kind of immune system for its arboreal host, secreting antibacterial, antiviral, and insecticidal compounds that protect the trees from diseases and pests, in exchange for nourishment and habitat.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
Your namesake dwelt on this holy mountain three thousand years ago. He came here to listen for the voice of God.” Elijah waited, knowing there would be more forthcoming. The wind rummaged uneasily in the grape arbors. “He heard it in a gentle breeze, not in rushing about the world looking for projects. Our vocation is a call to listening. To adoration of the One who dwells among us. That is why you came here. That is why you were born.” Elijah
Michael D. O'Brien (Father Elijah: An Apocalypse)
Children" Years back here we were children and at the stage of running in gangs about the meadows-- here to this one, there to that one. Where we picked up violets on lucky days, you can now see cattle gadding about. I still remember hunching ankle deep in violets, squabbling over which bunches were fairest. Our childishness was obvious-- we ran dancing rounds, we wore new green wreaths. So time passes. Here we ran swilling strawberries from oak to pine through hedges, through turnstiles-- as long as day was burning down. Once a gardener rushed from an arbor: "O.K. now, children, run home." We came out in spots those yesterdays, when we stuffed on strawberries; it was just a childish game to us. Often we heard the herdsman hooing and warning us: "Children, the woods are alive with snakes." And one of the children breaking through the sharp grass, grew white and shouted, "Children, a snake ran in there. He got our pony. She'll never get well. I wish that snake would go to hell!" "Well then, get out of the woods! If you don't hurry away quickly, I'll tell you what will happen-- if you don't leave the forest behind you by daylight, you'll lose yourselves; your pleasure will end in bawling." Do you know how five virgins dawdled in the meadow, till the king slammed his dining-room door? Their shouting and shame were outrageous: their jailor tore everything off them, down to their skins they stood like milk cows without any clothes.
Robert Lowell
The reason we personify things like cars and computers is that just as monkeys live in an arboreal world and moles live in an underground world and water striders live in a surface tension-dominated flatland, we live in a social world. We swim through a sea of people -- a social version of Middle World. We are evolved to second-guess the behavior of others by becoming brilliant, intuitive psychologists. Treating people as machines may be scientifically and philosophically accurate, but it's a cumbersome waste of time if you want to guess what this person is going to do next. The economically useful way to model a person is to treat him as a purposeful, goal-seeking agent with pleasures and pains, desires and intentions, guilt, blame-worthiness. Personification and the imputing of intentional purpose is such a brilliantly successful way to model humans, it's hardly surprising the same modeling software often seizes control when we're trying to think about entities for which it's not appropriate, like Basil Fawlty with his car or like millions of deluded people with the universe as a whole. If the universe is queerer than we can suppose, is it just because we've been naturally selected to suppose only what we needed to suppose in order to survive in the Pleistocene of Africa? Or are our brains so versatile and expandable that we can train ourselves to break out of the box of our evolution? Or, finally, are there some things in the universe so queer that no philosophy of beings, however godlike, could dream them? Thank you very much.
Richard Dawkins
They'd long ago crossed the Canadian border, but the nature of the land below had changed little. It was a great arboreal wilderness, and the boundary lines politicians had drawn on maps were meaningless. Those lines might change. Who knew? But the land itself had been as it was for millions of years and would continue for millions more. There was comfort it this, in the knowledge that whatever humans did, in the very long run their impact was small when compared with the vast patience that was the spirit of the earth.
William Kent Krueger (Manitou Canyon (Cork O'Connor, #15))
She gasps at the sight that greets her. The florists have gone to town. There are wild meadow flowers everywhere, in pinks and whites and blues, all lit by tiny fairy lights and soft pink lanterns. Yes. This will do. Ana is stunned. She whips around and gapes at me. "You wanted hearts and flowers." She stares at me in disbelief. "You have my heart." And I wave at the room. "And here are the flowers," she murmurs. "Christian, it's lovely." Her voice is hoarse and I know she's close to tears. Plucking up my courage, I lead her farther into the room. In the center of the arbor, I sink onto one knee. Ana catches her breath, and her hands fly to her mouth. From my inside jacket pocket, I pull out the ring and hold it up for her. "Anastasia Steele. I love you. I want to love, cherish, and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me." She is the love of my life. It will only ever be Ana. Her tears start to fall in earnest but her smile eclipses the moon, the stars, the sun, and all the flowers in the boathouse.
E.L. James (Darker)
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
...had the management of The Enchanted Hunters lost its mind one summer day and commissioned me to redecorate their dining room with murals of my own making, this is what I might have thought up, let me list some fragments: There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies: a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smearing pink, a sigh, a wincing child.
Vladimir Nabokov
There were whole habitats where people had had their higher brain functions disengaged, so that they could live like sheep under the care of machines. In others, they’d had their minds implanted into monkeys or dolphins: lost in intricate arboreal power struggles or sorrowful sonar fantasies. Elsewhere, groups of scientists who’d had their minds reshaped by Pattern Jugglers plunged deep into the metastructure of spacetime, concocting elaborate experiments which tinkered with the very fundamentals of existence. One day, it was said, they’d discover a technique for faster-than-light propulsion, passing the secret to their allies who would install the necessary gadgetry in their habitats. The first anyone else would know about it would be when half the Glitter Band suddenly winked out of existence. The Glitter Band, in short, was a place where a reasonably curious human being could easily squander half a lifetime. But I didn’t think Reivich would spend much time there before making his way down to Yellowstone’s surface. He would want to lose himself in Chasm City as quickly as possible. Either way, I wouldn’t be far behind him. Still
Alastair Reynolds (Chasm City (Revelation Space))
So it is that the average life expectancy, the relative longevity, of memories being much greater for those that commemorate poetic sensation than for those left by the pains of love, the heartbreak I suffered at that time because of Gilberte has faded forever, and has been outlived by the pleasure I derive, whenever I want to read off from a sundial of remembrance the minutes between a quarter past twelve and one o’clock on a fine day in May, from a glimpse of myself chatting with Mme Swann, sharing her sunshade as though standing with her in the pale glow of an arbor of wisteria.
Marcel Proust (In the Shadow of Young Girls in Flower)
I took a cautious step inside, marveling at the sight before me. A vast conservatory awaited, or what 'once' was a conservatory. Sunlight beamed through the enormous glass roof. I realized that its position at the center of the house precluded its visibility from below. In awe, my heart beating wildly, I lingered in an arbor covered with bright pink bougainvillea, with a trunk so thick, it was larger than my waist. Most of it had died off, but a single healthy vine remained, and it burst with magenta blossoms. I could smell citrus warming in the sunlight, and I immediately noticed the source: an old potted lemon tree in the far corner. 'This must have been Lady Anna's.' I walked along the leaf-strewn pathway to a table that had clearly once showcased dozens of orchids. Now it was an orchid graveyard. Only their brown, shriveled stems remained, but I could imagine how they'd looked in their prime. I smiled when I picked up a tag from one of the pots. 'Lady Fiona Bixby. She must have given them her own names.' Perhaps there hadn't been anything sinister going on in the orchard, after all. Lady Anna was clearly a creative spirit, and maybe that played out in her gardens and the names she gave to her flowers and trees.
Sarah Jio (The Last Camellia)
I was too awestruck to speak. Vines of bright pink flowers danced over a wrought-iron arbor. I recognized them immediately as the very same variety, bougainvillea, that grew in Greenhouse No. 4 at the New York Botanical Garden. Just beyond, two potted trees stood at attention- a lemon, its shiny yellow globes glistening in the sunlight, and what looked like an orange, studded with the tiniest fruit I'd ever seen. "What is this?" I asked, fascinated. "A kumquat," she said. "Lady Anna used to pick them for the children." She reached out to pluck one of the tiny oranges from the tree. "Here, try for yourself." I held it in my hand, admiring its smooth, shiny skin. I sank my teeth into the flesh of the fruit. Its thin skin disintegrated in my mouth, releasing a burst of sweet and sour that made my eyes shoot open and a smile spread across my face. "Oh, my," I said. "I've never had anything like it." Mrs. Dilloway nodded. "You should try the clementines, then. They're Persian." I walked a few paces further, admiring the potted orchids- at least a hundred specimens, so exquisite they looked like Southern belles in hoop skirts. On the far wall were variegated ferns, bleeding hearts, and a lilac tree I could smell from the other end of the room.
Sarah Jio (The Last Camellia)
Darwin's Ark The fact is, I know those ancestors floating through my sleep: an animal that breathed water, had a great swimming tail, an imperfect skull, undoubtedly hermaphrodite . . . I slide through all the oceans with these kin, salt water pulsing in my veins, and aeons follow me into the trees: a hairy, tailed quadruped, arboreal in its habits, scales slipping off my flanks . . . . I have sailed the ancients seas to come to the bones of Megatherium. . . . The thing I want to father most is the rarest, most difficult thing of all. Though knee-deep in these rivers of innocent blood, I want to be - a decent animal.
Philip Appleman
House of Angels" Where San Juan and Chacabuco intersect I saw the blues houses, the houses that wear the color of adventure. They were like banners and deep as the dawn that frees the outlying quarters. Some are daybreak color, and some are dawn color: their cool readiance is a passion before the oblique face of any drab, discouraged corner. I think of the women who will be looking skyward from their burning dooryards. I think of the pale arms that make evening glimmer and of the blackness of braids: I think of the grave delight of being mirrored in their deep eyes, like arbors of night. I will push the gate of iron entering the dooryard and there will be a fair girl, already mine, in the room. And the two of us will hush, trembling like flames, and the present joy will grow quiet in that passed.
Jorge Luis Borges (Selected Poems)
Is it possible that, not content with inveigling Caliban into Ariel's kingdom, you have also let loose Ariel in Caliban's? We note with alarm that when the other members of the final tableau were dismissed. He was not returned to His arboreal confinement as He should have been. Where is He now? For if the intrusion of the real has disconcerted and incommoded the poetic. that is a mere bagatelle compared to the damage which the poetic would inflict if it ever succeeded in intruding upon the real. We want no Ariel here, breaking down our picket fences in the name of fraternity, seducing our wives in the name of romance. and robbing us of our sacred pecuniary deposits in the name of justice. Where is Ariel? What have you done with Him? For we won't, we daren't leave until you give us a satisfactory answer.
W.H. Auden (Selected Poems)
Burlington, Vermont, is an example of a certain kind of small city that David Brooks calls “Latte Towns,” enclaves of affluent and well-educated people, sometimes in scenic locales such as Santa Fe or Aspen and sometimes in university towns such as Ann Arbor, Berkeley, or Chapel Hill. Of Burlington, Brooks writes: Burlington boasts a phenomenally busy public square. There are kite festivals and yoga festivals and eating festivals. There are arts councils, school-to-work collaboratives, environmental groups, preservation groups, community-supported agriculture, antidevelopment groups, and ad hoc activist groups.… And this public square is one of the features that draw people to Latte Towns. People in these places apparently would rather spend less time in the private sphere of their home and their one-acre yard and more time in the common areas.
Charles Murray (Coming Apart: The State of White America, 1960-2010)
At the lawn's edge, a grand set of graystone stairs led into Lady Ashbury’s rose garden. Pink blooms hugged the trellises, alive with the warm drone of diligent bees hovering about their yellow hearts. I passed beneath the arbor, unlatched the kissing gate and started down the Long Walk: a stretch of gray cobblestones set amongst a carpet of white alyssum. Halfway along, tall hornbeam hedges gave way to the miniature yew that bordered the Egeskov Garden. I blinked as a couple of topiaries came to life, then smiled at myself and the pair of indignant ducks that had wandered up from the lake and now stood regarding me with shiny black eyes. At the end of the Egeskov Garden was the second kissing gate, the forgotten sister (for there is always a forgotten sister), victim of the wiry jasmine tendrils. On the other side lay the Icarus fountain, and beyond, at the lake’s edge, the boathouse.
Kate Morton (The House at Riverton)
In the courtyard, jasmine sugared the air, great white sprays tumbling from the top of a wooden arbor at the side of the lawn. Huge goldfish swam slowly near the surface of the pool, listing their plump bodies backwards and forwards to court the afternoon sun. It was heavenly, but I didn't stick around; a distant band of trees was calling to me and I wove my way towards it, through the meadow dusted with buttercups, self-sown amid the long grass. Although it wasn't quite summer, the day was warm, the air dry, and by the time I reached the trees my hairline was laced with perspiration. I spread the rug in a patch of dappled light and kicked off my shoes. Somewhere nearby a shallow brook chattered over stones and butterflies sailed the breeze. The blanket smelled reassuringly of laundry flakes and squashed leaves, and when I sat down the tall meadow grasses enclosed me so I felt utterly alone.
Kate Morton (The Distant Hours)
In my life, whenever an inexplicable, illogical, disturbing event takes place (I’m not saying that it happens often, but it has a few times), I always come back to that circle—the circle with many centers but no circumference. And, as I did when I was eighteen, on that arbor bench, I close my eyes and listen to the beating of my heart. Sometimes I feel that I can sort of grasp what that circle is, but a deeper understanding eludes me. This happens again and again. This circle is, most likely, not a circle with a concrete, actual form but, rather, one that exists only within our minds. That’s what I think. When we truly love somebody with all our heart, or feel deep compassion, or have an idealistic sense of how the world should be, or when we discover faith (or something close to faith)—that’s when we understand the circle as a given and accept it in our hearts. Admittedly, though, this is nothing more than my own vague attempt to reason it out.
Haruki Murakami (First Person Singular: Stories)
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night. Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior. “Absolutely exquisite,” Duncan agreed. “She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.” “To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.” That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.” “I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
Judith McNaught (Almost Heaven (Sequels, #3))
Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?” The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand. “I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.” “I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them. Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time. “Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.” That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?” Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?” Her gaze fell from his, and she nodded at his frilled white shirtfront. “What is it you want?” “You.” Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?” She raised her eyes to his. “I said I want you, only I’m afraid that I-“ Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?” Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire. “Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction. “No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing. His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
Judith McNaught (Almost Heaven (Sequels, #3))
He’d promised she would be “safe,” which she now realized left a great deal of room for personal interpretation. “If I’m going to remain,” she said uneasily, “I think we ought to agree to observe all the proprieties and conventions.” “Such as?” “Well, for a beginning, you really shouldn’t be calling me by my given name.” “Considering the kiss we exchanged in the arbor last night, it seems a little absurd to call you Miss Cameron.” It was the time to tell him she was Lady Cameron, but Elizabeth was too unstrung by his reference to those unforgettable-and wholly forbidden-moments in his arms to bother with that. “That isn’t the point,” she said firmly. “The point is that although last night did happen, it must not influence our behavior today. Today we ought-ought to be twice as correct in our behavior,” she continued, a little desperately and illogically, “to atone for what happened last night!” “Is that how it’s done?” he asked, his eyes beginning to glint with amusement. “Somehow I didn’t quite imagine you allowed convention to dictate your every move.” To a gambler without ties or responsibility, the rules of social etiquette and convention must be tiresome in the extreme, and Elizabeth realized it was imperative to convince him he must yield to her viewpoint. “Oh, but I am,” she prevaricated. “The Camerons are the most conventional people in the world! As you know from last night, I believe in death before dishonor. We also believe in God and country, motherhood and the king, and…and all the proprieties. We’re quite intolerably boring on the subject, actually.” “I see,” he said, his lips twitching. “Tell me something,” he asked mildly, “why would such a conventional person as yourself have crossed swords with a roomful of men last night in order to protect a stranger’s reputation?” “Oh, that,” Elizabeth said. “That was just-well, my conventional notion of justice. Besides,” she said, her ire coming to the fore as she recalled the scene in the card room last night, “it made me excessively angry when I realized that the only reason none of them would try to dissuade Lord Everly from shooting you was because you were not their social equal, while Everly is.” “Social equality?” he teased with a lazy, devastating smile. “What an unusual notion to spring from such a conventional person as yourself.” Elizabeth was trapped, and she knew it. “The truth is,” she said shakily, “that I am scared to death of being here.” “I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.
Judith McNaught (Almost Heaven (Sequels, #3))
His smile, at the thought of the departed salon which he could see once more, let me understand what it was that Brichot, perhaps unconsciously, preferred about the old room: not its big windows, not the youthful gaiety of the Patrons and their friends, but that unreal part (which I had reconstructed myself from a few similarities between La Raspelière and the Quai Conti) of which, in a drawing-room as in everything, the outer part, present and observable by everyone, is simply an extension: that part which had become purely spiritual, whose color existed only in the mind of my old companion, who could not show it to me, that part which detaches itself from the outer world to find refuge in our souls, which it enhances, and with whose normal substance it merges, transforming itself there—vanished houses, people of former days, dishes of fruit from remembered suppers—into the translucent alabaster of our memories, whose color we cannot show to others as only we can see it (so that we can truthfully say to them that they cannot imagine the past, that it was nothing like anything they have seen), and which we cannot contemplate inwardly without being moved, when we think that the existence of our thought is the condition of these things’ continued survival, for a little while, the light of lamps that have gone out and the scent of arbors that will flower no more.
Marcel Proust (The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition))
Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.” “Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’” “You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.” “We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there. “Did you mind?” “You know I didn’t,” she returned, walking beside him up the curving staircase. He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want.
Judith McNaught (Almost Heaven (Sequels, #3))
Would she have enjoyed a more natural parent-child fit if she’d been an introvert herself? Not necessarily. Introverted parents can face challenges of their own. Sometimes painful childhood memories can get in the way. Emily Miller, a clinical social worker in Ann Arbor, Michigan, told me about a little girl she treated, Ava, whose shyness was so extreme that it prevented her from making friends or from concentrating in class. Recently she sobbed when asked to join a group singing in front of the classroom, and her mother, Sarah, decided to seek Miller’s help. When Miller asked Sarah, a successful business journalist, to act as a partner in Ava’s treatment, Sarah burst into tears. She’d been a shy child, too, and felt guilty that she’d passed on to Ava her terrible burden. “I hide it better now, but I’m still just like my daughter,” she explained. “I can approach anyone, but only as long as I’m behind a journalist’s notebook.” Sarah’s reaction is not unusual for the pseudo-extrovert parent of a shy child, says Miller. Not only is Sarah reliving her own childhood, but she’s projecting onto Ava the worst of her own memories. But Sarah needs to understand that she and Ava are not the same person, even if they do seem to have inherited similar temperaments. For one thing, Ava is influenced by her father, too, and by any number of environmental factors, so her temperament is bound to have a different expression. Sarah’s own distress need not be her daughter’s, and it does Ava a great disservice to assume that it will be. With the right guidance, Ava may get to the point where her shyness is nothing more than a small and infrequent annoyance.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
They won’t do it, Ian,” Jordan Townsende said the night after Ian was released on his own recognizance. Pacing back and forth across Ian’s drawing room, he said again, “They will not do it.” “They’ll do it,” Ian said dispassionately. The words were devoid of concern; not even his eyes showed interest. Days ago Ian had passed the point of caring about the investigation. Elizabeth was gone; there had been no ransom note, nothing whatever-no reason in the world to continue believing that she’d been taken against her will. Since Ian knew damned well he hadn’t killed her or had her abducted, the only remaining conclusion was that Elizabeth had left him for someone else. The authorities were still vacillating about the other man she’d allegedly met in the arbor because the gardener’s eyesight had been proven to be extremely poor, and even he admitted that it “might have been tree limbs moving around her in the dim light, instead of a man’s arms.” Ian, however, did not doubt it. The existence of a lover was the only thing that made sense; he had even suspected it the night before she disappeared. She hadn’t wanted him in her bed; if anything but a lover had been worrying her that night, she’d have sought the protection of his arms, even if she didn’t confide in him. But he had been the last thing she’d wanted. No, he hadn’t actually suspected it-that would have been more pain than he could have endured then. Now, however, he not only suspected it, he knew it, and the pain was beyond anything he’d ever imagined existed. “I tell you they won’t bring you to trial,” Jordan repeated. “Do you honestly think they will?” he demanded, looking first to Duncan and then to the Duke of Stanhope, who were seated in the drawing room. In answer, both men raised dazed, pain-filled eyes to Jordan’s, shook their heads in an effort to seem decisive, then looked back down at their hands. Under English law Ian was entitled to a trial before his peers; since he was a British lord, that meant he could only be tried in the House of Lords, and Jordan was clinging to that as if it were Ian’s lifeline. “You aren’t the first man among us to have a spoiled wife turn missish on him and vanish for a while in hopes of bringing him to heel,” Jordan continued, desperately trying to make it seem as if Elizabeth were merely sulking somewhere-no doubt unaware that her husband’s reputation had been demolished and that his very life was going to be in jeopardy. “They aren’t going to convene the whole damn House of Lords just to try a beleaguered husband whose wife has taken a start,” he continued fiercely. “Hell, half the lords in the House can’t control their wives. Why should you be any different?” Alexandra looked up at him, her eyes filled with misery and disbelief. Like Ian, she knew Elizabeth wasn’t indulging in a fit of the sullens. Unlike Ian, however, she could not and would not believe her friend had taken a lover and run away. Ian’s butler appeared in the doorway, a sealed message in his hand, which he handed to Jordan. “Who knows?” Jordan tried to joke as he opened it. “Maybe this is from Elizabeth-a note asking me to intercede with you before she dares present herself to you.” His smile faded abruptly. “What is it?” Alex cried, seeing his haggard expression. Jordan crumpled the summons in his hand and turned to Ian with angry regret. “They’re convening the House of Lords.” “It’s good to know,” Ian said with cold indifference as he pushed out of his chair and started for his study, “that I’ll have one friend and one relative there.
Judith McNaught (Almost Heaven (Sequels, #3))
Behind her, where Tony had been standing, shadows moved, then a hand gently grasped Elizabeth’s elbow, and a deep, husky voice said near her ear, “Dance with me, Elizabeth.” Shock stiffened her body, slamming against the barricade of numbness that Elizabeth was trying to keep intact. Still gazing straight ahead, she said very calmly and politely, “Would you do me a great service?” “Anything,” he agreed. “Go away. And stay away.” “Anything,” he amended with a solemn smile in his voice, “but that.” She felt him move closer behind her, and the nervous quaking she’d conquered hours before jarred through her again, awakening her senses from their blissful anesthesia. His fingers lightly caressed her arm, and he bent his head closer to hers. “Dance with me.” In the arbor two years ago, when he had spoken those words, Elizabeth had let him take her in his arms. Tonight, despite the fact that she was no longer being totally ostracized, she was still teetering on the edge of scandal, and she shook her head. “I don’t think that would be wise.” “Nothing we’ve ever done has been wise. Let’s not spoil our score.” Elizabeth shook her head, refusing to turn, but the pressure on her elbow increased until she had no choice. “I insist.” Reluctantly she turned and looked at him. “Why?” “Because,” he said, smiling tenderly into his eyes, “I’ve already danced seven dances, all of them with ugly women of unimpeachable reputations, so that I’d be able to ask you, without causing more gossip to hurt you.” The words, as well as his softness, made her wary. “What do you mean by the last part of that?” “I know what happened to you after the weekend we were together,” he said gently. “Your Lucinda laid it all out for Duncan. Don’t look so hurt-the only thing she did wrong was to tell Duncan rather than me.” The Ian Thornton who was talking to her tonight was almost achingly familiar; he was the man she’d met two years ago. “Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.
Judith McNaught (Almost Heaven (Sequels, #3))
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.
Carl Sagan (Cosmos)
Ben ducked beneath the arbor and paused by the fishpond when a memory crept upon him like a shadow. This was the spot where Alice had first read to him from her manuscript. He could still hear her voice, as if it had somehow been captured by the leaves around them and was being played back now, just for him, like a gramophone recording. "I've had a brilliant idea," he heard her say, so young and innocent, so full of joy. "I've been working on it all morning and I don't like to boast, but I'm quite sure it's going to be my best yet." "Is it?" Ben had said with a smile. He'd been teasing, but Alice had been far too excited to notice. She'd leapt on with telling him about her idea, the plot, the characters, the twist, and the intensity of her focus- her passion- changed her face completely, bringing an animated beauty to her features. He hadn't noticed she was beautiful until she spoke to him of her stories. Her cheeks flushed and her eyes shone with intelligence. And she was 'very' clever. It took a certain kind of clever to figure out a puzzle- to look ahead and see through all the possible scenarios, to be so strategic. Ben didn't have that kind of brain. In the beginning he'd simply enjoyed her enthusiasm, the indulgence of being told a story while he worked, the chance to bat ideas back and forth, which was so much like play. She made him feel young, he supposed; her youthful preoccupation with her work, with the very moment they were in, was intoxicating. It made his adult worries disappear.
Kate Morton (The Lake House)
I have questions," she said. "Ask away." Poppy decided to be blunt. "Are you dangerous? Everyone says you are." "To you? No." "To others?" Harry shrugged innocently. "I'm a hotelier. How dangerous could I be?" Poppy gave him a dubious glance, not at all deceived. "I may be gullible, Harry, but I'm not brainless. You know the rumors... you're well aware of your reputation. Are you as unscrupulous as you're made out to be?" Harry was quiet for a long moment, his gaze fixed on a distant cluster of blossoms. The sun threw its light into the filter of branches, scattering leaf shadows over the pair in the arbor. Eventually he lifted his head and looked at her directly, his eyes greener than the sun struck rose leaves. "I'm not a gentleman," he said. "Not by birth, and not by character. Very few men can afford to be honorable while trying to make a success of themselves. I don't lie, but I rarely tell everything I know. I'm not a religious man, nor a spiritual one. I act in my own interests, and I make no secret of it. However, I always keep my side of a bargain, I don't cheat, and I pay my debts." Pausing, Harry fished in his coat pocket, pulled out a penknife, and reached up to cut a rose in full bloom. After neatly severing the stem, he occupied himself with stripping the thorns with the sharp little blade. "I would never use physical force against a woman, or anyone weaker than myself. I don't smoke, take snuff, or chew tobacco. I always hold my liquor. I don't sleep well. And I can make a clock from scratch." Removing the last thorn, he handed the rose to her, and slipped the knife back into his pocket. Poppy concentrated on the satiny pink rose, running her fingers along the top edges of the petals.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
This saying good-bye on the edge of the dark And cold to an orchard so young in the bark Reminds me of all that can happen to harm An orchard away at the end of the farm All winter, cut off by a hill from the house. I don't want it girdled by rabbit and mouse, I don't want it dreamily nibbled for browse By deer, and I don't want it budded by grouse. (If certain it wouldn't be idle to call I'd summon grouse, rabbit, and deer to the wall And warn them away with a stick for a gun.) I don't want it stirred by the heat of the sun. (We made it secure against being, I hope, By setting it out on a northerly slope.) No orchard's the worse for the wintriest storm; But one thing about it, it mustn't get warm. "How often already you've had to be told, Keep cold, young orchard. Good-bye and keep cold. Dread fifty above more than fifty below." I have to be gone for a season or so. My business awhile is with different trees, Less carefully nourished, less fruitful than these, And such as is done to their wood with an axe-- Maples and birches and tamaracks. I wish I could promise to lie in the night And think of an orchard's arboreal plight When slowly (and nobody comes with a light) Its heart sinks lower under the sod. But something has to be left to God.
Robert Frost
Larry Brilliant: And then Steve Jobs happened to come to Ann Arbor. He stayed with me, and he had given me the first $5,000 to start Seva, and I started to hit him up for some money to analyze the data from the survey, and he said, “Well, show me what you’ve done.” And I showed him Seva-Talk, and I showed him how we could talk to each other all over the country, and then when I asked him for the money he said, “Look, Larry, instead of asking me for money, why don’t you take your own fucking software, make your own fucking company, make your own fucking money, endow your own fucking NGO, and get rid of blindness yourself! I’ll help you. I’ll help you build what you’ve got into a company, and find you investors to take it public.” And he did, and that’s what happened.
Adam Fisher (Valley of Genius: The Uncensored History of Silicon Valley (As Told by the Hackers, Founders, and Freaks Who Made It Boom))
rooms. Four flights of
Jack Arbor (The Pursuit (Max Austin #2))
Mountain Jacks in Ann Arbor, Michigan.
Elle Wright (Made To Hold You (Decades: A Journey of African American Romance, #9))
Everything’s subject to humor. Nothing’s sacred. At a funeral, he’ll put on a somber face and remark, ‘Well, Uncle Joe finally escaped the IRS.’ Or in the middle of a wedding, he’ll comment, “Everyone in her family looks alike. How can he be sure which one he’s marrying?’” —Carol, Ann Arbor, MI
Merry Bloch Jones (I Love Him, But . . .)
You said you didn’t know where I came from.” Verity met his gaze. “Ann Arbor, Michigan. I’m an assistant professor of Art History at the University of Michigan.
Adrienne Bell (Jake (The Sinner Saints, #3))