Arabian Horse Quotes

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Izzy was utterly convinced. Never mind Arabian horses, African cheetahs. No creature in the world could bolt so quickly as a rake confronted with the word "marriage". They ought to shout it out at footraces rather than using starting pistols. Ready, steady... matrimony!
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Still later, after the invention of saddles and stirrups, horses allowed the Huns and successive waves of other peoples from the Asian steppes to terrorize the Roman Empire and its successor states, culminating in the Mongol conquests of much of Asia and Russia in the 13th and 14th centuries A.D. Only with the introduction of trucks and tanks in World War I did horses finally become supplanted as the main assault vehicle and means of fast transport in war. Arabian and Bactrian camels played a similar military role within their geographic range. In all these examples, peoples with domestic horses (or camels), or with improved means of using them, enjoyed an enormous military advantage over those without them.
Jared Diamond (Guns, Germs, and Steel)
In 1908, in a wild and remote area of the North Caucasus, Leo Tolstoy, the greatest writer of the age, was the guest of a tribal chief “living far away from civilized life in the mountains.” Gathering his family and neighbors, the chief asked Tolstoy to tell stories about the famous men of history. Tolstoy told how he entertained the eager crowd for hours with tales of Alexander, Caesar, Frederick the Great, and Napoleon. When he was winding to a close, the chief stood and said, “But you have not told us a syllable about the greatest general and greatest ruler of the world. We want to know something about him. He was a hero. He spoke with a voice of thunder; he laughed like the sunrise and his deeds were strong as the rock….His name was Lincoln and the country in which he lived is called America, which is so far away that if a youth should journey to reach it he would be an old man when he arrived. Tell us of that man.” “I looked at them,” Tolstoy recalled, “and saw their faces all aglow, while their eyes were burning. I saw that those rude barbarians were really interested in a man whose name and deeds had already become a legend.” He told them everything he knew about Lincoln’s “home life and youth…his habits, his influence upon the people and his physical strength.” When he finished, they were so grateful for the story that they presented him with “a wonderful Arabian horse.” The next morning, as Tolstoy prepared to leave, they asked if he could possibly acquire for them a picture of Lincoln. Thinking that he might find one at a friend’s house in the neighboring town, Tolstoy asked one of the riders to accompany him. “I was successful in getting a large photograph from my friend,” recalled Tolstoy. As he handed it to the rider, he noted that the man’s hand trembled as he took it. “He gazed for several minutes silently, like one in a reverent prayer, his eyes filled with tears.” Tolstoy went on to observe, “This little incident proves how largely the name of Lincoln is worshipped throughout the world and how legendary his personality has become. Now, why was Lincoln so great that he overshadows all other national heroes? He really was not a great general like Napoleon or Washington; he was not such a skilful statesman as Gladstone or Frederick the Great; but his supremacy expresses itself altogether in his peculiar moral power and in the greatness of his character. “Washington was a typical American. Napoleon was a typical Frenchman, but Lincoln was a humanitarian as broad as the world. He was bigger than his country—bigger than all the Presidents together. “We are still too near to his greatness,” Tolstoy concluded, “but after a few centuries more our posterity will find him considerably bigger than we do. His genius is still too strong and too powerful for the common understanding, just as the sun is too hot when its light beams directly on us.
Doris Kearns Goodwin (仁者无敌:林肯的政治天才)
...The Arabs I rode herding cattle with your father in the fifties and sixties would do a full day’s work for twenty years, seven days a week, and retire sound.” He snorted. “The drive now is for pretty lawn ornaments. The Arabian horses were originally bred as weapons of war, and now they are artwork.
Patricia Briggs (Dead Heat (Alpha & Omega, #4))
She had streaked blonde hair, long and straight, parted in the middle framing high cheek bones, an aquiline nose and beautiful deep blue eyes. She was young, around 30, tall and lithe with a good body, athletic, not skinny. She wore a sleeveless black dress that exposed her toned arms and shoulders, indicating regular workouts or yoga. There was a hint of vein running the length of her lean muscle. This girl stood out like an arabian in a corral full of draft horses.
Nick Hahn
She was a horse lover and she and Whitey kept a mean old paint, a fancy quarter horse/Arabian mix, a roan Appaloosa with one ghost eye named Spook, and a pony. So along with the whiskey and perfume and smoke, she often exuded faint undertones of hay, dust, and the fragrance of horse, which once you smell it you always miss it. Humans were meant to live with the horse.
Louise Erdrich
It's one of the things Cam and I discussed last evening- he said it's characteristic of Hathaway women, this need for demonstrations of affection." Amused and fascinated, Poppy made a face. "What else did he say?" Harry's mood altered with quicksilver speed. He threw her a dazzling grin. "He compared it to working with Arabian horses... they're responsive, quick, but they need their freedom. You never master an Arabian... you become its companion." He paused. "At least, I think that's what he said. I was half dead from exhaustion, and we were drinking brandy." "That sounds like Cam." Poppy raised her gaze heavenward. "And after dispensing this advice, he sent you to me, the horse." Harry stopped and pulled her against him, nudging her braid aside to kiss her neck. "Yes," he whispered. "And what a nice ride it was.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
The king took the club and urged his horse after the ball which he had thrown. He struck it, and then it was hit back by the courtiers who were playing with him. When he felt very hot he stopped playing, and went back to the palace, went into the bath, and did all that the physician had said. The next day when he arose he found, to his great joy and astonishment, that he was completely cured. When he entered his audience-chamber all his courtiers, who were eager to see if the wonderful cure had been effected, were overwhelmed with joy.
Anonymous (The Arabian Nights Entertainments)
Kathleen, Lady Trenear, was a petite woman with red hair, tip-tilted eyes and high cheekbones. Phoebe had come to like her very much during the week the Ravenels had stayed at Heron's Point. Kathleen was cheerful and engaging, albeit a bit horse mad, since both her parents had been in the business of breeding and training Arabians. Phoebe liked horses, but she didn't know nearly enough about them to carry on a detailed conversation. Fortunately, Kathleen was the mother of an infant son who was close to Stephen's age, and that had provided ample ground for conversation.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Rothbury inhaled the familiar lemon-tinged air wafting before him. He remained silent, ignoring the zing of awareness thrumming through him, and listened for the sound of footfalls instead. Whoever had entered the room, it was definitely a young woman. He'd bet one of his prized Arabians on it, but it wasn't Cordelia. She smelled perpetually of pungent roses, which he had been partial to in the beginning of their short love affair, but which now merely reminded him that the woman connected to it was just as clingy and thorny as the flower itself. But this scent- he inhaled deeply as it now surrounded him- inspired contentment, which was a miracle in itself, considering all he wanted to do presently was break free, find Lady Gilton, and throttle her elegant neck. "Who's there?" Rothbury demanded, his tone firm but quiet. He pulled at the twisted silk binds holding his wrists together behind him, noting they were finally starting to tear. "Come now," he said in a tone he used on skittish horses. "Tell me who's there.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
What!" said the king; "is that wretch still alive? Go and behead him at once. I authorise you." "Sire," said Saouy, "I thank your Majesty for the justice you do me. I would further beg, as Noureddin publicly affronted me, that the execution might be in front of the palace, and that it might be proclaimed throughout the city, so that no one may be ignorant of it." The king granted these requests, and the announcement caused universal grief, for the memory of Noureddin's father was still fresh in the hearts of his people. Saouy, accompanied by twenty of his own slaves, went to the prison to fetch Noureddin, whom he mounted on a wretched horse without a saddle. Arrived at the palace, Saouy went in to the king, leaving Noureddin in the square, hemmed in not only by Saouy's slaves but by the royal guard, who had great difficulty in preventing the people from rushing in and rescuing Noureddin. So great was the indignation against Saouy that if anyone had set the example he would have been stoned on his way through the streets. Saouy, who witnessed the agitation of the people from the windows of the king's privy chambers, called to the executioner to strike at once. The king, however, ordered him to delay; not only was he jealous of Saouy's interference, but he had another reason. A troop of horsemen was seen at that moment riding at full gallop towards the square.
Anonymous (The Arabian Nights Entertainments)
Marcus released the countess as if he had been burned. His first reaction was a piercing relief that Lillian was still alive. However, the relief was followed immediately by the awareness that she was far from safe. In light of St. Vincent’s need of a fortune, it made perfect sense for him to abduct Lillian. Marcus turned from his mother, never wanting to look at her again, unable to bring himself to speak to her. His gaze locked with Simon Hunt’s. Predictably, Hunt was already making rapid calculations. “He’ll take her to Gretna Green, of course,” Hunt murmured, “and they’ll have to travel east to the main road in Hertfordshire. He won’t risk traveling the back ways and getting mired in mud, or having the wheels damaged from broken road. From Hertfordshire it will be approximately forty-five hours to Scotland… and at a speed of ten miles per hour, with occasional stops for fresh relay horses…” “You’ll never overtake them,” the countess cried with a cackling laugh. “I told you I would have my way, Westcliff!” “Oh, shut up, you evil hag!” cried Daisy Bowman impatiently from the doorway, her eyes huge in her pale face. “Lord Westcliff, shall I run to the stables and tell them to saddle a horse?” “Two horses,” Simon Hunt said resolutely. “I’m going with him.” “Which ones—” “Ebony and Yasmin,” Marcus replied. They were his best Arabians, bred for speed over long distance. They were not as lightning-fast as thoroughbreds, but they would endure a punishing pace for hours, traveling at least three times as fast as St. Vincent’s coach. Daisy disappeared in a flash, and Marcus turned to his sister. “See that the countess is gone by the time I return,” he said curtly. “Pack whatever she needs, and get her off the estate.” “Where do you wish me to send her?” Livia asked, pale but composed. “I don’t give a damn, so long as she knows not to return.” Realizing that she was being banished, and most likely exiled, the countess rose from her chair. “I will not be disposed of in this manner! I won’t have it, my lord!” “And tell the countess,” Marcus said to Livia, “that if the slightest harm comes to Miss Bowman, she had better pray that I never find her.” Marcus strode from the room, shoving through a small crowd that had gathered in the hallway. Simon Hunt followed, pausing only to murmur briefly to Annabelle and press a kiss to her forehead. She stared after him with an anxious frown, biting her lip to keep from calling after him. After a lengthy pause, the countess was heard to mutter, “It matters not what becomes of me. I am content in the knowledge that I have prevented him from befouling the family lineage.” Livia turned to give her mother a half-pitying, half-contemptuous glance. “Marcus never fails,” she said softly. “Most of his childhood was spent learning to overcome impossible odds. And now that Marcus has finally found someone worth fighting for… do you really think he would let anything stop him?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Midwestern farmers bred the horses the city required—haphazardly at first, but with increasing expertise at selective improvement as the century advanced. By far the most popular workhorse in the United States was the Percheron, a breed that originated in the Perche region of France, about fifty miles southwest of Paris. Although it was long claimed that the Percheron breed was shaped in the Middle Ages when native Perche mares were bred with Arabian stallions brought back from the Crusades, no evidence other than oral tradition supports the claim. Some archeological evidence identifies the type as having Neolithic antecedents.8 All modern Percheron bloodlines trace to a warhorse named Jean Le Blanc, foaled in Le Perche in 1823 when Perche breeders were breeding a heavier horse for the American trade.
Richard Rhodes (Energy: A Human History)
As Pharaoh erred in ancient Egypt, so did the Aryans after him who picked up that same theological tradition and activated it anew. The Hippopotamus was no Horse, and the Unicorn was no Arabian Oryx. Taweret and the Unicorn are mythical; and the Hippopotamus and the Rhinoceros have low agility. The universal keys of symbolism however were given to the Arabs; with Arabian horses bred for speed and one mythical horse that leaped right into the horizon(unlike the Egyptian solar barque symbolizing the time of the sundial).
Ibrahim Ibrahim (The Calendar of Ancient Egypt: The Temporal Mechanics of the Giza Plateau)
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ADD US ON TELEGRAM : PETSHOME1 For beginners ,they does good with traffic, 4-wheelers, lawnmowers and other animals. They also drives. In the pasture she will greet you at the gate, picks up all her feet, stands to be saddled/harnessed/brushed,  ADD US ON TELEGRAM : PETSHOME1
TELEGRAM ID: PETSHOME1
ADD US ON TELEGRAM : PETSHOME1 For beginners ,they does good with traffic, 4-wheelers, lawnmowers and other animals. They also drives. In the pasture she will greet you at the gate, picks up all her feet, stands to be saddled/harnessed/brushed,  ADD US ON TELEGRAM : PETSHOME1
ADD US ON TELEGRAM : PETSHOME1
The wind of heaven is that which blows between a horse’s ears
Arabian proverb
❝The Blood Horse❞ GAMARRA is a dainty steed, Strong, black, and of a noble breed, Full of fire, and full of bone, With all his line of fathers known; Fine his nose, his nostrils thin, But blown abroad by the pride within! His mane is like a river flowing, And his eyes like embers glowing In the darkness of the night, And his pace as swift as light. Look,—how ’round his straining throat Grace and shifting beauty float! Sinewy strength is on his reins, And the red blood gallops through his veins; Richer, redder, never ran Through the boasting heart of man. He can trace his lineage higher Than the Bourbon dare aspire,— Douglas, Guzman, or the Guelph, Or O’Brien’s blood itself! He, who hath no peer, was born Here, upon a red March morn: But his famous fathers dead Were Arabs all, and Arab bred, And the last of that great line Trod like one of a race divine! And yet,—he was but friend to one Who fed him at the set of sun, By some lone fountain ’fringed with green: With him, a roving Bedouin, He liv’d,—(none else would he obey Through all the hot Arabian day,)— And died untam’d upon the sands Where Balkh amidst the desert stands!
Bryan Waller Procter (The Poetical Works of Barry Cornwall)
the Arabians were placed last and behind them so as not to frighten the horse troops,
Paul Cartledge (Thermopylae: The Battle That Changed the World)
The Arabians had the same equipment as their infantry, but they all rode racing camels that were no whit slower than horses.
Paul Cartledge (Thermopylae: The Battle That Changed the World)
In 1973, the Kenyan government banned elephant hunting and the club fell on hard times. Holden brought in two minority partners, Don Hunt and Julian McKeand. Together they created the Mount Kenya Game Ranch with captive breeding programs for thirty-seven African species, and an orphanage for rescued animals. There were fifty types of exotic birds, including sacred ibises, marabou storks, peacocks and Egyptian geese. One of the rarest species at the game ranch was the East African Bongo – a critically endangered red and white-striped antelope, which became the ranch’s mascot. Holden showed Powers the club’s first-class amenities. They visited the Arabian horse stables, and walked down a garden path to the guest cottages, dubbed Millionaire’s Row.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
Arabian in a snake pit.
Dandi Daley Mackall (Midnight Mystery (Winnie the Horse Gentler Book 4))
Bolshevik marauders in 1917 raided most of the large Polish stud farms and slaughtered the horses, which they viewed as playthings of princes. Horses hung from the barn rafters, their throats slit. Stable courtyards turned into lakes of blood. Of the five hundred registered purebred Arabians in Poland prior to 1917, only fifty survived the raids.
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
The dam, a gray mare, had a rare marking called “the bloody shoulder.” According to Arabian lore, a mare with this distinctive patch of reddish hair would give birth to horses that would win glory in battle. At
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
THE HORSES Lotnik: Gray Arabian stallion foaled in Poland. Neapolitano Africa: Austrian Lipizzaner performing stallion, one of Alois Podhajsky’s personal mounts. Pluto Theodorosta: Austrian Lipizzaner performing stallion, one of Alois Podhajsky’s personal mounts. Witez: /Vee-tezh/ Bay Arabian stallion foaled in Poland in 1938. His official registered name was Witez
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
Let me look to your pistols,' said Jack, as the trees came closer to the road. 'You have no notion of hammering your flints.' 'They are very well,' said Stephen, unwilling to open his holsters (a teratoma in one, a bottled Arabian dormouse in the other). 'Do you apprehend any danger?' 'This is an ugly stretch of road, with all these disbanded soldiers turned loose. They made an attempt upon the mail not far from Aker's Cross. Come, let me have your pistols. I thought as much: what is this?' 'A teratoma,' said Stephen sulkily. 'What is a teratoma?' asked Jack, holding the object in his hand. 'A kind of grenado?' 'It is an inward wen, a tumour we find them, occasionally, in the abdominal cavity Sometimes they contain long black hair, sometimes a set of teeth this has both hair and teeth. It belonged to a Mr Elkins of the City, an eminent cheese-monger. I prize it much.' 'By God,' cried Jack, thrusting it back into the holster and wiping his hand vehemently upon the horse, 'I do wish you would leave people's bellies alone. So you have no pistols at all, I collect?' 'If you wish to be so absolute, no, I have not.
Patrick O'Brian
Outside the classroom, you don’t get to sit next to your readers and explain little things you left out, or fill in details that would have made the action more interesting or believable. The material has got to work on its own, and the dream must be vivid and continuous. Think of your nightly dreams, how smoothly one scene slides into another, how you don’t roll your closed eyes and say, “Wait just a minute—I’ve never shot drugs with Rosalyn Carter, and I don’t even own any horses, let alone little Arabians the size of cats.” You mostly go along from scene to scene simply because it’s all so immediate and compelling. You simply have to find out what happens next, and this is how you want your reader to feel.
Anne Lamott (Bird by Bird)
Asad waited in one of the end stalls, watching alertly as Kathleen approached. His head lifted, his ears perking forward in recognition. He was a compact gelding with powerful hindquarters, an elegant conformation that afforded both speed and endurance. His coloring was a shade of chestnut so light it appeared golden, his mane and tail flaxen. "There's my boy," Kathleen exclaimed gently, reaching out to him with her palm upward. Asad sniffed at her hand and gave her a welcoming nicker. Lowering his finely modeled head, he moved to the front of the stall. She stroked his nose and forehead, and he reacted with pure gladness, blowing softly and nudging closer. "I shouldn't have waited so long to see you," she said, overcome with remorse. Clumsily she leaned to kiss the space between the horse's eyes. She felt him nibble delicately at the shoulder of her dress, trying to groom her. A crooked grin twisted her lips. Pushing his head away, she scratched his satiny neck in the way she knew he liked. "I shouldn't have left you alone, my poor boy." Her fingers tangled in the white-blond mane. She felt the weight of his head come to rest on her shoulder. The trusting gesture caused her throat to cinch around a quick breath.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Do you . . . is there fondness between you?” The hesitant question provoked a laugh as dry as the rustle of corn husks. “I don’t know, actually. Neither of us is exactly comfortable with affection.” “She’s a bit more comfortable with it than you, I think.” Glancing at her warily, Harry saw that there was no censure on her face. “I’m trying to improve,” he said. “It’s one of the things Cam and I discussed last evening—he said it’s characteristic of Hathaway women, this need for demonstrations of affection.” Amused and fascinated, Poppy made a face. “What else did he say?” Harry’s mood altered with quicksilver speed. He threw her a dazzling grin. “He compared it to working with Arabian horses . . . they’re responsive, quick, but they need their freedom. You never master an Arabian . . . you become its companion.” He paused. “At least, I think that’s what he said. I was half dead from exhaustion, and we were drinking brandy.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
What worries me is that common sense seems to be dwindling to the point of extinction. The minds of men whom our contemporaries consider educated are regressing to the level of the most ignorant peasant on a Mediaeval manor. There is something terrifying in the spectacle of men who hold degrees in the genuine sciences and assemble vast arrays of elaborate scientific equipment to “prove” the authenticity of a “Holy Shroud,” and thus make it necessary to assemble more equipment and conduct long and painstaking research to prove what any half-way educated and rational man would have known from the very first. And the same sotie is performed whenever some prestidigitator claims that he can bend spoons by thinking about them. Is there any limit to the gullibility of “highly qualified scientists”? I sometimes have a vision of scores of great scientists and tons of elaborate and very expensive laboratory equipment assembled about a pond into which they drop horsehairs to determine whether the percentage that turn into tadpoles is significant by the binomial formula. If hairs from Standard-breeds don’t work, get some from Appaloosas. Then try Percherons and Arabians: their hairs may make tadpoles better. And no one can say that the hairs of horses do not turn into tadpoles until you have made exhaustive scientific tests of hairs from every known breed of horses – and then someone will turn up to prove that the negative results are all wrong, because tadpoles come from the hairs of horses who eat the variety of four-leaved clover that grows in a hidden valley in Afghanistan, so the assembled scientists and their equipment will start all over.
Revilo P. Oliver (Is There Intelligent Life on Earth?)
Kathleen and Devon managed to focus most of the conversation on one of Lady Berwick's favorite subjects: horses. Both Lord and Lady Berwick were keen horse enthusiasts, occupying themselves with the training of thoroughbreds at their Leominster estate. In fact, that was how they had originally become acquainted with Kathleen's parents, Lord and Lady Carbery, who had owned an Arabian stud farm in Ireland. Lady Berwick displayed a lively interest upon learning that Kathleen would inherit at least two dozen horses of purebred Arabian stock, and a parcel of land comprising a riding school, stables, paddocks, and an arena.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
My name is Kathleen." An Irish name. "Why do you have no accent?" "I was sent to England as a child, to live with family friends in Leominster." "Why?" A frown knit between her winged brows. "My parents were very much occupied with their horses. They spent several months of each year in Egypt to purchase Arabian bloodstock for their farm. I was... an inconvenience. Their friends Lord and Lady Berwick, who were also horse people, offered to take me in and raise me with their two daughters.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Will you want an estimate of all the livestock, my lord?” “Naturally.” “Not my horse.” A new voice entered the conversation. All four men looked to the doorway, where Kathleen stood as straight and rigid as a blade. She stared at Devon with open loathing. “The Arabian belongs to me.” Everyone rose to his feet except for Devon, who remained seated at the desk. “Do you ever enter a room the ordinary way?” he asked curtly, “or is it your usual habit to slink past the threshold and pop up like a jack-in-the-box?
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Will you want an estimate of all the livestock, my lord?” “Naturally.” “Not my horse.” A new voice entered the conversation. All four men looked to the doorway, where Kathleen stood as straight and rigid as a blade. She stared at Devon with open loathing. “The Arabian belongs to me.” Everyone rose to his feet except for Devon, who remained seated at the desk. “Do you ever enter a room the ordinary way?” he asked curtly, “or is it your usual habit to slink past the threshold and pop up like a jack-in-the-box?” “I only want to make it clear that while you’re tallying the spoils, you will remove my horse from the list.” “Lady Trenear,” Mr. Fogg interceded, “I regret to say that on your wedding day, you relinquished all rights to your movable property.” Kathleen’s eyes narrowed. “I’m entitled to keep my jointure and all the possessions I brought to the marriage.” “Your jointure,” Totthill agreed, “but not your possessions. I assure you that no court in England will regard a married woman as a separate legal being. The horse was your husband’s, and now it belongs to Lord Trenear.” Kathleen’s face went skull-white, and then red. “Lord Trenear is stripping the estate like a jackal with a rotting carcass. Why must he be given a horse that my father gave to me?” Infuriated that Kathleen would show him so little deference in front of the others, Devon stood from the desk and approached her in a few strides. To her credit, she didn’t cower, even though he was twice her size. “Devil take you,” he snapped, “none of this is my fault.” “Of course it is. You’ll seize on any excuse to sell Eversby Priory because you don’t want to take on a challenge.” “It’s only a challenge when there’s some small hope of success. This is a debacle. The list of creditors is longer than my bloody arm, the coffers are empty, and the annual yields have been cut in half.” “I don’t believe you. You’re planning to sell the estate to settle personal debts that have nothing to do with Eversby Priory.” Devon’s hands knotted with the urge to destroy something. His rising bloodlust would only be satisfied with the sound of shattering objects. He had never faced a situation like this, and there was no one to give him trustworthy advice, no kindly aristocratic relation, no knowledgeable friends in the peerage. And this woman could only accuse and insult him.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Keeping his movements relaxed, Devon went to the Arabian’s stall. Asad turned his head sideways to view him, his teacup muzzle tightening in a sign of unease. “No need for concern,” Devon murmured. “Although one can’t blame you for wrinkling your nose at a Ravenel’s approach.” Asad shuffled and swished his tail nervously. Slowly he came to the front of the stall. “Look sharp, milor’” came Mr. Bloom’s calm voice from somewhere behind Devon. “The lad’s a biter--he may take a nip of tha, if he doesn’t know tha. He prefers a lass’s company to a man’s.” “That shows your judgment is sound,” Devon told the horse. He extended a hand palm-up, as he had seen Kathleen do earlier. Carefully Asad sniffed. His eyes half closed. Working his mouth, he lowered his head in submission and pressed his muzzle against Devon’s hands. Devon smiled and stroked the horse’s head on both sides. “You’re a handsome fellow, aren’t you?” “And well he knows it,” the stable master said, approaching with a chuckle. “He smells her ladyship on thee. Now he’ll take to thee like ha’penny sweets. Once they know they’re safe with thee, they’ll do anything tha asks.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
When a man is in a fair way and sees all life open in front of him, he seems to himself to make a very important figure in the world. His horse whinnies to him; the trumpets blow and the girls look out of windows as he rides into town before his company; he receives many assurances of trust and regard - sometimes by express in a letter - sometimes face to face, with persons of great consequence falling on his neck. It is not wonderful if his head is turned for a time. But once he is dead, were he as brave as Hercules or as wise as Solomon, he is soon forgotten. It is not ten years since my father fell, with many other knights around him, in a very fierce encounter, and I do not think that any of them, nor so much as the name of the fight, is now remembered. No, no, madam, the nearer you come to it, you see that death is a dark and dusty corner, where a man gets into his tomb and has the door shut after him till the judgment day. I have a few friends just now, and once I am dead I shall have none.
Robert Louis Stevenson (New Arabian Nights)