Aquatic Plants Quotes

We've searched our database for all the quotes and captions related to Aquatic Plants. Here they are! All 20 of them:

Until then I had floated at random, like a rootless aquatic plant, relying entirely on the opinions of others.
Natsume Sōseki
At the pet store he picked out two painted turtles, each about as big around as a mayonnaise-jar lid. He bought them a large kidney shaped dish that had its own little island, a plastic palm tree, some aquatic plants, and a snail. The snail, presumably, to bolster the self-esteem of the turtles: "You think we're slow? Look at that guy." To store up the snail's morale in the same way, there was a rock.
Christopher Moore
Her body swayed, while she danced, as a plant sways in the water.
Oscar Wilde (The Picture of Dorian Gray)
Compared to forest or aquatic ecosystems, grassland is unstable. It requires rather precise geological and climatic conditions, and if these conditions are not maintained--if too much rain falls, or too little--it quickly turns into forest or desert, both of which are dominated by woody plants. This instability is reflected in the spectacular but brief careers of various grassland faunas. Humanity, with its dazzling symbioses, preadaptations, and neoteny, is the most spectacular of these--and may well be the briefest.
David Rains Wallace (The Klamath Knot: Explorations of Myth and Evolution)
It came to me in whole form… that the energy of the Universe swirled and coalesced and formed into suns and cooling planets orbiting those suns. And on the planets (one specifically that I know of) the energy started swirling and coalescing into electrons and forming molecules and those merged and joined and formed microscopic life, that in turn gave rise to aquatic things, and plants and animals and beings that walked on two legs that loved and had children that in turn loved. So that all the planet is connected by the energy of the Universe, and I am part of it.
Robin Rumi (Naked Morsels: short stories of spiritual erotica)
We cannot take leave of the aquatic plants without briefly mentioning the life of the most romantic of them all: the legendary Val­lisneria, an Hydrocharad whose nuptials form the most tragic episode in the love-history of the flowers. The Vallisneria is a rather insignificant herb, possess­ing none of the strange grace of the Water-lily or of certain submersed comas. But it seems as though nature had delighted in giving it a beautiful idea. The whole existence of the little plant is spent at the bottom of the water, in a sort of half-slumber, until the moment of the wedding-hour in which it aspires to a new life. Then the female flower slowly uncoils the long spiral of its peduncle, rises, emerges and floats and blossoms on the sur­face of the pond. From a neighbouring stem, the male flowers, which see it through the sunlit water, soar in their turn, full of hope, towards the one that rocks, that awaits them, that calls them to a magic world. But, when they have come half-way, they feel themselves suddenly held back: their stalk, the very source of their life, is too short; they will never reach the abode of light, the only spot in which the union of the stamens and the pistil can be achieved! .
Maurice Maeterlinck (The Intelligence of the Flowers)
In the midst of all this talk about husbands and babies, we mustn’t forget about finding a gentleman for Daisy.” The dark-haired girl sent her an affectionate grin. “You’re a dear, Evie. And I don’t mind having waited for my turn. After all, someone had to be the last wallflower. But I am beginning to wonder if I’ll ever find a suitable man to marry.” “Of course you will,” Annabelle said reasonably. “I don’t foresee any difficulty, Daisy. We’ve all broadened our circle of acquaintances quite a bit, and we’ll do whatever is necessary to find the perfect husband for you.” “Just keep in mind that I don’t want to marry a man like LordWestcliff,” Daisy said. “Too overbearing. And not one like Lord St.Vincent either. Too unpredictable.” “What about one like Mr. Hunt?” Annabelle asked. Daisy shook her head firmly. “Too tall.” “You’re becoming a bit particular, aren’t you?” Annabelle pointed out mildly, her eyes twinkling. “Not in the least! My expectations are quite reasonable. I want a nice man who likes long walks, and books, and is adored by dogs, children—” “And all the superior forms of aquatic and plant life,” Lillian said dryly. “Tell me, dear, where are we to find this paragon?” “Not at any of the balls I’ve been to so far,” came Daisy’s glum reply.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The ocean made space for me, pressing against the blackness of my assumed skin, buoying me and counter-acting the heaviness of the lead fastened around my waist. I kicked and continued my initial dive, feeling the pressures sliding back against my belly and legs, the quiet acceptance of the seas. Space and oceans have much in common, both are alien to us, not our element, both contain mysteries, dangers, sudden beauties of their own and beyond our land-bound experience. But space is a container of nothingness, a vacuum, a void of immeasurable loneliness and occasional transcendence. Water is a repository of life, and the life asserts itself as you move through the ocean; creatures large and small, beautiful or stunningle grotesque according to their custom, aquatic forests and microscopic landscapes, beings caught between the layers of life, rocks made of living creatures and living creatures made of stone, vegetable animals and animated plants and sudden deep, heart-breaking, lovely jewels that flick their trailing rainbows and dart away from you between the fronds of weeds, leaving shimmering mysteries that can be pursued, but never truly caught and comprehended. Space does not care whether you are there or not, and the struggle to survive between worlds is a fight to avoid being sucked into a vacuum, into an ultimate nil. Implacable in its indifference, it kills you simply because it is, and crushes you with the weight of your knowledge of its indifference. But the ocean is not indifferent. It reacts and shapes itself to your presence or absence, presents its laws as implacable realities, but an instant later displays the very non-exemplar of that rule swimming calmly through the depths. Accept the strangeness and the ocean opens to you, gives you freedom and beauty, a hook into otherness. But wonder approached in fear is cancelled, disappears into threathening shiverings of distant plants, into terrifying movements of bulky darkness through the rocks.
Marta Randall (Islands)
papyrus n. (pl. papyri or papyruses) 1 [mass noun] a material prepared in ancient Egypt from the pithy stem of a water plant, used in sheets throughout the ancient Mediterranean world for writing or painting on and also for making articles such as rope. [count noun] a document written on papyrus. 2 the tall aquatic sedge from which papyrus is obtained, native to central Africa and the Nile valley. Cyperus papyrus, family Cyperaceae. late Middle English (in sense 2): via Latin from Greek papuros. Sense 1 dates from the early 18th cent.
Angus Stevenson (Oxford Dictionary of English)
He inquired one evening about the crunchy white disks in his chop suey. A man told him they were tubers called water chestnuts, although they weren't nuts. They were an aquatic vegetable with the rare culinary quality of never getting soggy, even when cooked. "Worthy of consideration as a plant for cultivation in the swamps of the South," Fairchild scrawled. His shipment of water chestnuts indeed made it to the South. But they never caught on. They had to be grown in muddy swamps, which wasn't a fatal flaw, but it was inconvenient and dirty, all for a small food with little flavor. If the United States had had more land or been at a point in its history when it valued more efficient use of land, farmers might have begun producing water chestnuts just because. But as with many of Fairchild's crops, the timing just wasn't right, and thus, water chestnuts remained an Asian food. The best evidence of this may be that in America ten decades later, water chestnuts tend to play little more than a humdrum role as supporting actors in Chinese takeout.
Daniel Stone (The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats)
What is your main reason for raising ducks? Is it for pets, eggs, meat, feathers, decoration, exhibition, insect and slug eradication, aquatic plant and algae control in ponds, or a combination of these and other aims?
Dave Holderread (Storey's Guide to Raising Ducks: Breeds, Care, Health)
Kelp forests could be one way to expand the seas’ annual carbon absorption capacity. Their near-surface seaweeds capture CO2 through photosynthesis. One of the fastest-growing forms of plant life, kelp expands by up to two feet in length per day. As Charles Darwin commented upon his kelp encounters during his mid-nineteenth-century voyage on the HMS Beagle: “I can only compare these great aquatic forests with terrestrial ones. The number of living creatures of all orders, whose existence depends on kelp, is wonderful.
John Doerr (Speed & Scale: An Action Plan for Solving Our Climate Crisis Now)
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Arthur Farris
As will be demonstrated in subsequent chapters, for the vast majority of Earth history, photosynthetic organisms were limited to aquatic environments, and a green pigment works very well in aquatic environments because blue and red wavelengths penetrate water better than green. Land plants are green because their aquatic ancestors were green, and why else would land plants have an aquatic-adapted photosynthetic pigment?
Joseph E. Armstrong (How the Earth Turned Green: A Brief 3.8-Billion-Year History of Plants)
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Beverly Cleary (Henry Huggins (Henry Huggins, #1))
Here it says that snapping turtles eat crayfish, snails, insects, fish, frogs, salamanders, reptiles, birds, mammals, and aquatic plants. Gee, with a diet like that, we ought to be able to argue that they won’t be eating many fish.” “That’s good,” Greta agreed. “We could also make the case that they control snakes. My mom would go for that.
Hope Ryden (Backyard Rescue)
My point is that plants readily take up ammonium from aquarium water and probably grow better using ammonium. This means that biological filtration (nitrification) can be de-emphasized in aquariums that contain healthy aquatic plants.
Diana Walstad (Ecology of the Planted Aquarium)
When radioactivity falls onto the surface of water, it subsides quickly and is seized by the aquatic plants at the bottom. They cling to the smallest particles of nuclear fuel that were expelled with the explosion. This can be perfectly seen from a helicopter during measurements. When a helicopter passes the territory of the power plant, all instruments show high contamination. Hardly is the helicopter above the water when all indicators decrease by hundreds of times. Radiation from the plant is absorbed by the water, but the water itself is comparatively clear. As for the banks, though, where there is silt and river dust cast up by waves, they are highly contaminated by radioactivity.
Alexander Borovoi (My Chernobyl: The Human Story of a Scientist and the nuclear power Plant Catastrophe)
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