Apt Pupil Quotes

It’s true,” I said softly. “You are stronger, wiser, infinite in experience.” I leaned forward and whispered, my lips brushing the shell of his ear. “But I am an apt pupil.

No,' he said. 'I don't think anyone dies happy...but you could die well.

What does a good man fall back on when the situation is desperate? His faith, of course. The science of a new century. The love of his friends.

Sometimes, the past don't rest so easy. Why else do people study history?

You see something for the first time, and right away you know you have found YOUR GREAT INTEREST. It’s like a key turning in a lock. Or falling in love for the first time.

Maybe we know that under the right set of circumstances the things that live in the catacombs would be glad to crawl out.

Your own politicians make our Dr. Goebbels look like a child playing with picture books in a kindergarten. They speak of morality while they douse screaming children and old women in burning napalm. Your draft-resisters are called cowards and ‘peaceniks.’ For refusing to follow orders they are either put in jails or scourged from the country. Those who demonstrate against this country's unfortunate Asian adventure are clubbed down in the streets. The GI soldiers who kill the innocent are decorated by Presidents, welcomed home from the bayoneting of children and the burning of hospitals with parades and bunting. They are given dinners, Keys to the City, free tickets to pro football games.” He toasted his glass in Todd's direction. “Only those who lose are tried as war criminals for following orders and directives.

people made up politics so they could do things.

A veces el pasado no se queda tranquilo, ¿por qué, si no, estudia historia la gente?

I took another step. He stilled. [...] I reached up and and cupped his cheek with my hand. THis time the flash of confusion on his face was impossible to miss. He held himself frozen, his only movement the steady rise and fall of his chest. Then, as if in concession, he let his eyes close. "It's true," I said softly. "You are stronger, wiser, infinite in experience." I leaned forward and whispered "But I am an apt pupil.

All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. Like Icarus we too have been given gifts: knowledge, education, experience. And with these gifts comes the responsibility of choice. We alone decide how our talents are bestowed upon the world. This is our destiny and we hold it in the palm of our hands.

for a kid the whole world’s a laboratory. You have to let them poke around in it. And if the kid in question has a healthy home life and loving parents, he’ll be all the stronger for having knocked around a few strange corners.

How could anyone stand to eat a fried egg? On the grill of the Jenn-Air for two minutes, then over easy. What you got on your plate at the end looked like a giant dead eye with a cataract over it, an eye that would bleed orange when you poked it with your fork.

Shiloh, but it sorely disappointed the Century editors. Written in Grant’s pithy style, it was arid and compact and read like a bloodless report. Johnson hurried over to Long Branch for a pep talk with his new writer. A gifted editor, he drew Grant into personal reminiscences about Shiloh and made him see the difference between a dry recitation and one enlivened by personal impressions. This came as a revelation to Grant, who was an apt pupil and promised to start anew. As he did so, he felt a spurt of liberating energy. “Why, I am positively enjoying the work,” he told Johnson. “I am keeping at it every night and day, and Sundays.” Under Johnson’s tutelage, Grant discovered new dimensions to his writing,

He wanted to know everything . . . all the gooshy parts. That’s how he put it, yes: “All the gooshy parts.

I think a person can do anything if they try hard enough, you know it? It’s corny but true.

It is very strange to me, you know—the older one becomes, the less one has to lose in matters of life and death . . . and yet, one becomes more and more conservative.

Josef Kramer, he remembered, had been fond of saying that the dead speak, but we hear them with our noses.

It’s depressing, but it’s a fact of life. Usually the ones that are first to get spit out of the machine we’re running here are the class troublemakers, the sullen, uncommunicative kids, the ones who refuse to even try. They are simply warm bodies waiting for the system to buck them up through the grades or waiting to get old enough so they can quit without their parents’ permission and join the Army or get a job at the Speedy-Boy Carwash or marry their boyfriends. You understand? I’m being blunt. Our system is, as they say, not all it’s cracked up to be.

No man is an island, entire of itself—’ ” Todd began, and Morris laughed. “Donne, he quotes at me! A smart kid! Your friend there, is he very bad off?” “Well, the doctors say he’s doing fine, considering his age. He’s eighty.” “That old!” Morris exclaimed. “He

I am quite safe, I assure you. But, even if I were not, I have the habits of a lifetime to protect me. And Lacey.” “Lacey?” I could not keep incredulity from my voice nor a grin from my face. I turned to exchange a wink with Lacey. Lacey glared at me as if affronted by my smile. Before I could even unfold from the hearth, Lacey sprang up from her rocking chair. A long needle, stripped of its eternal yarn, prodded my jugular vein, while the other probed a certain space between my ribs. I very nearly wet myself. I looked up at a woman I suddenly knew not at all, and dared not make a word. “Stop teasing the child,” Patience rebuked her gently. “Yes, Fitz, Lacey. The most apt pupil that Hod ever had, even if she did come to Hod as a grown woman.” As Patience spoke Lacey took her weapons away from my body. She reseated herself, and deftly rethreaded her needles into her work. I swear she didn’t even drop a stitch. When she was finished, she looked up at me. She winked. And went back to her knitting. I remembered to start breathing again.

All the magazines said it was bad, what had happened. But all the stories were continued at the back of the book, and when you turned to those pages, the words saying it was bad were surrounded by ads, and these ads sold German knives and belts and helmets as well as Magic Trusses and Guaranteed Hair Restorer. These ads sold German flags emblazoned with swastikas and Nazi Lugers and a game called Panzer Attack as well as correspondence lessons and offers to make you rich selling elevator shoes to short men. They said it was bad, but it seemed like a lot of people must not mind.

They had no secrets from each other, none at all (except for the fact that Dick Bowden was sometimes unfaithful with his secretary, but that wasn’t exactly the sort of thing you told your thirteen-year-old son, was it? . . . and besides, that had absolutely no bearing on his home life, his family life).

He supposed he had the boy to thank for this new method of quieting himself, for showing him that the key to the past’s terrors was not in rejection but in contemplation and even something like a friend’s embrace. It was true that before the boy’s unexpected arrival last summer he hadn’t had any bad dreams for a long time, but he believed now that he had come to a coward’s terms with his past. He had been forced to give up a part of himself. Now he had reclaimed it.

Apt Pupil 1 He looked like the total all-American kid as he pedaled his twenty-six-inch Schwinn with the apehanger handlebars up the residential suburban street, and that’s just what he was: Todd Bowden, thirteen years old, five-feet-eight and a healthy one hundred and forty pounds, hair the color of ripe corn, blue eyes, white even teeth, lightly tanned skin marred by not even the first shadow of adolescent acne. He was smiling a summer vacation smile as he pedaled through the sun and shade not too far from his own house. He looked like the kind of kid who might have a paper route, and as a matter of fact, he did—he delivered the Santo Donato Clarion. He also looked like the kind of kid who might sell greeting cards for premiums, and he had done that, too. They were the kind that come with your name printed inside—JACK AND MARY BURKE, OR DON AND SALLY, OR THE MURCHISONS. He looked like the sort of boy who might whistle while he worked, and he often did so.

Why . . . I want to hear about it. That’s all. That’s all I want. Really.” “Hear about it?” Dussander echoed. He looked utterly perplexed. Todd leaned forward, tanned elbows on bluejeaned knees. “Sure. The firing squads. The gas chambers. The ovens. The guys who had to dig their own graves and then stand on the ends so they’d fall into them. The . . .” His tongue came out and wetted his lips. “The examinations. The experiments. Everything. All the gooshy stuff.” Dussander stared at him with a certain amazed detachment, the way a veterinarian might stare at a cat who was giving birth to a succession of two-headed kittens. “You are a monster,” he said softly.

The things that happened in those camps still have power enough to make the stomach flutter with nausea. I feel that way myself, although the only close relative I ever had in the camps was my grandfather, and he died when I was three. But maybe there is something about what the Germans did that exercises a deadly fascination over us—something that opens the catacombs of the imagination. Maybe part of our dread and horror comes from a secret knowledge that under the right—or wrong—set of circumstances, we ourselves would be willing to build such places and staff them. Black serendipity. Maybe we know that under the right set of circumstances the things that live in the catacombs would be glad to crawl out.

But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.

We are living in Roy Cohn’s America, directed by his apt pupil, with the aid of a crime syndicate that does not recognize law, freedom, or the sanctity of human life.

A Chinese Zen master[FN#230] tells us that the method of instruction adopted by Zen may aptly be compared with that of an old burglar who taught his son the art of burglary. The burglar one evening said to his little son, whom he desired to instruct in the secret of his trade: "Would you not, my dear boy, be a great burglar like myself?" "Yes, father," replied the promising young man." "Come with me, then. I will teach you the art." So saying, the man went out, followed by his son. Finding a rich mansion in a certain village, the veteran burglar made a hole in the wall that surrounded it. Through that hole they crept into the yard, and opening a window with complete ease broke into the house, where they found a huge box firmly locked up as if its contents were very valuable articles. The old man clapped his hands at the lock, which, strange to tell, unfastened itself. Then he removed the cover and told his son to get into it and pick up treasures as fast as he could. No sooner had the boy entered the box than the father replaced the cover and locked it up. He then exclaimed at the top of his voice: "Thief! thief! thief! thief!" Thus, having aroused the inmates, he went out without taking anything. All the house was in utter confusion for a while; but finding nothing stolen, they went to bed again. The boy sat holding his breath a short while; but making up his mind to get out of his narrow prison, began to scratch the bottom of the box with his finger-nails. The servant of the house, listening to the noise, supposed it to be a mouse gnawing at the inside of the box; so she came out, lamp in hand, and unlocked it. On removing the cover, she was greatly surprised to find the boy instead of a little mouse, and gave alarm. In the meantime the boy got out of the box and went down into the yard, hotly pursued by the people. He ran as fast as possible toward the well, picked up a large stone, threw it down into it, and hid himself among the bushes. The pursuers, thinking the thief fell into the well, assembled around it, and were looking into it, while the boy crept out unnoticed through the hole and went home in safety. Thus the burglar taught his son how to rid himself of overwhelming difficulties by his own efforts; so also Zen teachers teach their pupils how to overcome difficulties that beset them on all sides and work out salvation by themselves. [FN#230]

In the climactic moments of that spiritual testament to Hitch’s own soul, Scottie (James Stewart) confronts Judy (Kim Novak) about her exploitative lover, who turned her into the replica of another woman: “He made you over, didn’t he? He made you over just like I made you over—only better. Not only the clothes and the hair, but the looks and the manner and the words. Did he train you? Did he rehearse you? Did he tell you exactly what to do and what to say? You were a very apt pupil!

Excellent, Miss Taverner!' murmured Mr Brummel. 'You are so apt a pupil that if I were only ten years younger I believe I should propose for your hand.' She laughed. 'I cannot suppose it possible. Did you ever propose to any lady, sir?' 'Yes, once,' replied Mr Brummel in a voice of gentle melancholy. 'But it came to nothing. I discovered that she actually ate cabbage, so what could I do but cut the connection?

He lifted a naked kindjal from the table and held it up. “This in the hand of an enemy can let out your life’s blood! You’re an apt pupil, none better, but I’ve warned you that not even in play do you let a man inside your guard with death in his hand.” “I guess I’m not in the mood for it today,” Paul said. “Mood?” Halleck’s voice betrayed his outrage even through the shield’s filtering. “What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood’s a thing for cattle or making love or playing the baliset. It’s not for fighting.