Appropriate Funny Quotes

There are times when it is appropriate, even preferable, to get an erection when someone's face is in close proximity to your penis. This was not one of those times.

Connor and Cameron look wide-eyed at the carnage. Cameron slowed the speedboat down to a crawl. She and Connor looked at Jason. “Oops,” Jason said meekly. Nothing else seemed appropriate. “Oops?” Connor shouted. “You blew up half the town.

I stuff another handful of Raisinets in my mouth. What gets me is the 'pretty face' bit. 'Cause I won't mind being reminded I'm fat as long as you water it down first. Why not say, Hey I'm going to insult you, but first I will congratulate your fortunate genetics and appropriate appliclation of Bobbi Brown cosmetics to prevent you from hitting me. Sh*t; I kind of prefer being called a 'fat bitch.' At least it doesn't pull any punches.

The smell of burning firewood and the molding of organic, earthy substances reminded her of jumping wildly into the enormous leaf piles of autumns past and she suddenly wished that it was appropriate for someone her age to do such a thing.

I think you need to give me a pet name—a term of endearment." His face was its typical impassive mask, but I could tell that I’d surprised him. Finally, he said, “Like…babe?” “No—that feels awkward and wrong and has undertones of pedophilia. I’m thinking of something more age appropriate, yet affectionate.

Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.

Life happens. That was much more appropriate. Unfortunately, many of us found that out earlier than some. We found out just how awful life could really be. We found out that monsters were, indeed, real. They walked among us. They looked just like you and me. They came in the form of the people that we loved and trusted the most. The people whose only job was to love and protect us. Funny thing about life is that it never turns out the way you want it to. It’s never fair. It’s harsh and brutal. It kicks you when you’re down. It makes you wish you could give up and part with it just to have a semblance of peace.

Somehow, having a deer preside over the ceremony of a werewolf and a girl seems oddly appropriate.

Here is an appropriate use of the exclamation mark: The last thing he expected when the elevator door opened was the snarling tiger that leapt at him. "Ahhhhh!" ... In almost all situations that do not involve immediate physical danger or great surprise, you should think twice before using an exclamation mark. If you have thought twice and the exclamation mark is still there, think about it three times, or however many times it takes until you delete it.

It may be appropriate to quote a statement of Poincare, who said (partly in jest no doubt) that there must be something mysterious about the normal law since mathematicians think it is a law of nature whereas physicists are convinced that it is a mathematical theorem.

Not one word about proposals, no matter how much she pushes,” I told my friends. “No matter what she says or how loud she cries, don’t try to throw that up as a distraction.” Gabriel’s lips twitched. “I don’t think it’s going to be that bad. It’s one woman against five supernatural creatures... And Zeb.” “You laugh because you haven’t heard my mother’s thirty-minute verbal dissertation on appropriate seasonal flower choices. We’re better off letting her yell at us for being dirty, premarital fornicators.

The sad rocking chair in the corner was actually a joke of a chair: if one started laughing at it, one could die laughing. It was too low for a grown man, and besides, it was so tight, one needed a shoehorn to get back out of it. In short, this room was simply not furnished in a way appropriate to intellectual effort, and I did not intend to keep it any longer.

I'm so proud of you, and so amused at your discomfort in being recognized for you dedication and skill." "Amused? Here's another funny for you. You're getting a medal, too." He dropped her hand. "What? I'm a civilian, as you continually remind me." "The Civilian Medal of Merit, and they don't given them out like candy, pal, especially to shady characters." "I don't think it's appropriate." She loved it, just loved when he turned all dignified. "Oh, it is, and how I get to be amused. You're the one who started sticking his nose in, then his whole body. Now you're going to have to stand up there on Wednesday afternoon - fourteen hundred, so put that in your book - and take what you get. And I'm pretty damn proud of you, too, so suck it up.

Chuckling, Jason picked up the bucket of explosives. Rachel felt the moment slipping away. There was so much she wanted to say. What if something happened to him? What if she never told him how much she appreciated his coming back to Lyrian for her? How much she cared about him? There were too many feelings to translate into words. "See you later," she managed. "Not if I see you first," Jason said, starting toward the main doors of the temple. She watched him walking away. Were those the last words he would say to her? She stalked after him. "You can't leave with a joke." He glanced back. "Why not?" "What if I die?" "Then at least I cheered you up before the end." "That wasn't a cheerful joke. It was a teasing joke. And not even a very good one." "Fine. Why did the baby cross the road?" "No jokes," Rachel complained, striding alongside him. "I guess it's more fitting that we should end with an argument." "I just mean there are certain times when jokes aren't appropriate." "Which makes them more needed and funny.

The name meant "Angel of Victory," which Jaffa supposed was appropriate enough. The Divine Hand himself had started the fashion for taking the names of angels when he'd called himself Vale-dan-Rahksa, the Angel of Vengeance. At the rate the Council was expanding, there would soon be a serious shortage of angels. Jaffa wondered what would happen when they ran out of manly, intimidating names and were reduced to naming themselves after the Angel of Sisterly Affection or the Angel of Small Crafts.

He’s sitting casually at my kitchen table peeling the skin off an apple with a pocket knife, a red apple that he has quite obviously appropriated from my fruit bowl, might I add.

He laughs under his breath, though I’m not sure what is so funny about that. Maybe it’s evil laughter? There’s no dramatic dom dom dom like Anna would provide in the background to steer me toward the appropriate conclusion in a time like this. I really did grow entirely too reliant on her ghostly cues and tension breakers.

Imagine what it would be like if we went through life never encountering an enemy, or any other obstacles for that matter, if from the cradle to the grave everyone we met pampered us, held us, hand fed us (soft bland food, easy to digest), amused us with funny faces and the occasional ‘goo-goo’ noise. If from infancy we were carried around in a basket (later on, perhaps on a litter), never encountering any challenge, never tested – in short, if everyone continued to treat us like a baby. That might sound good at first. For the first few months of life it might be appropriate. But if it persisted it could only result in one becoming a sort of gelatinous mass, a monstrosity really – with the mental and emotional development of veal. It’s the very struggle of life that makes us who we are. And it is our enemies that test us, provide us with the resistance necessary for growth.

Thanks to Marcel Duchamp, men get to appropriate modern art with decorative urine every time they pee.

One thing that I used to believe that has stuck with me is, of course, that farts are funny. Burps, too. Sneezes, even. Pretty much the whole gamut of bodily noises is a treasure trove of ready-made comedy. You gather a handful of small boys together and let them entertain themselves and there will be more sharp honks than an angry L.A. freeway. But there's a time and place for such fun, and every second of every day, no matter the location or company, turns out not to be the appropriate venue for a gastrointestinal symphony.

whichever was appropriate.  Up and down, she smiled for the reporters, turned to the right, turned to the left.  Smiling, looking directly into their lenses, pretending their jokes were funny, that their cameras weren’t creating a heat so intense it competed with the desert

She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.” She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?” “I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed. “And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe. “Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching. Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.” She didn’t mind begging if it meant getting her way. Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply. He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt. Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now. “Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers. She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time. He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering. He reached around for his wallet. “I have a condom.” His voice was rough. Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.” He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head. Violet thought he was beautiful. He was right for her; he always had been. And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.

We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.

When the sun peeped into the girls' room early next morning...he saw a comical sight. Each had made such preparation for the fete as seemed necessary and proper. Meg had an extra row of little curl papers across her forehead, Jo had copiously anointed her afflicted face with cold cream. Beth had taken Joanna to bed with her to atone for the approaching separation, and Amy had capped the climax by putting a clothespin on her nose, to uplift the offending feature. It was one of the kind artists use to hold their paper on the drawing boards, therefore quite appropriate and effective for the purpose to which it was now put. This funny spectacle appeared to amuse the sun, for he burst out with such radiance that Jo woke up, and roused the girls with a hearty laugh at Amy's ornament.

Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist. 'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms. Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.' The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold. 'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.' I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.' Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.' 'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.' There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken... Awoken on that couch, and then decided I wasn't returning home. Decided that, perhaps, the Spring Court might not be my home.

I try to act normal. Unfortunately I can do multiple different impressions of normal, and I can't figure out the appropriate one for the moment. I'm dangerously close to simply having to "be myself".

The DJ announced the couple. As Alfie took Camila in his arms and spun her around, the strains of Kanye West's "Gold Digger" blasted across the tent. Camila and Alfie stood paralyzed on the dance floor, staring at us with horror on their faces. Mary Ellen just about leapt on top of the DJ's equipment in an attempt to shut it off. He immediately understood he was in huge trouble, and after a few seconds of fumbling, Lonestar started to play. Although we tried to recover the best we could, the damage was done. The couple danced together, but Camila's face was ashen as she clearly fought back tears. Mary Ellen and I cornered the DJ to threaten his life, but he told us the groom's daughters had given him the orders, telling him it was a funny joke that their future stepmother would love. How could anyone believe jokes were ever appropriate at weddings? Apparently they had also given him $500 to play the song, which really sealed the deal. There was nothing scarier than a mean girl with a boatload of cash.

You're going to be a High Lord's wife,' Rhys said. 'You'll be expected to maintain your own correspondences, perhaps even give a speech or two. And the Cauldron knows what else he and Ianthe will deem appropriate for you. Make menus for dinner parties, write thank-you letters for all those wedding gifts, embroider sweet phrases on pillows... It's a necessary skill. And, you know what? Why don't we throw in shielding while we're at it. Reading and shielding- fortunately, you can practice both together.' 'They are both necessary skills,' I said through my teeth, 'but you are not going to teach me.' 'What else are you going to do with yourself? Paint? How's that going these days, Feyre?

Even though you know whom to ask and, ultimately, already know the right answer, you understand nothing because you don't have the appropriate question ready... That sounds funny, but living is a string of such encounters.

As I gather my thoughts here in order to get to the point, I am reminded of a joke Zafar made when he was still in banking. I say joke, but Zafar was always rather serious about banking and often talked about accountability, as he called it. This stuff is so esoteric, he once said, that the only people who understand it are in the business. What about regulators? I asked. Regulators, he replied, have one eye on the revolving door. Academics make money teaching traders their latest research, and politicians don’t know their arses from their elbows. Can you imagine the people on a march against finance? The guy on a megaphone shouting: What do we want? And everyone answering: Specific curbs on short selling in certain circumstances. When do we want it? In phases and at appropriate times. That’s the joke. It was funny at the time.

Where are the ethical concerns, that so many people called animal lovers invoke, when you steal the children of wild dog mothers and other family members from right before their eyes? Do ethics always refer only to what people think appropriate for purely subjective reasons? Ultimately, our long-term research resulted in a very sad picture: With the exception of the random puppy, who today as an adult actually is interested in people, neither male Maccia nor the most of the other "rescued" dogs are socially and environmentally secure, but had remained shy and partly vegetate in kennels with empty eyes. Such dogs are neither fish nor fowl, although taken from the wild population in the early age of about eight to twelve weeks (except Maccia, whom Funny "rescued" at the age of four months, which is even more irresponsible).

The material must be appropriate to the interests of the audience (or readers), and each must relate to the persona of the performer (or writer). Throughout the book, we’ll show you how to create and follow the MAPP to successful humor writing.

Regression Sigmund Freud’s theory of humor contended that humor, like sleep, is therapeutic. But even more important, he argued, wit can express—in a relatively appropriate way—urges and feelings that can’t otherwise be let loose, such as the desire to act on regressive infantile sexual or aggressive behavior. More to the point, Freud believed that a lack of humor can be a sign of mental illness.

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

pictures. She hadn’t run into Paul all day, and Ian told her he’d gone to the market in Cyangugu. At least they had a little space from each other, which was rare here. For the past week, they had been constantly running into each other everywhere. And the next day, when she was getting dressed, there was a funny knock on the pole that supported her tent. She looked out the flap as she zipped up her jeans. She was standing there barefoot, just as they had told her not to do, and her hair was hanging loosely and framed her face with blond silk as she saw who was out there. It was Paul. “Put your shoes on.” “I am.” “You’re going to get stung by something.” “Thanks for the warning.” It was still early and she was not in the mood to see him. He could see it on her face. “I was wondering if you wanted to go to Bujumbura for a couple of hours. We have to pick up some supplies there. You’d get some great pictures.” She hesitated, looking at him. He was right. It would be good for her story. But it was also a lot of Paul. She wasn’t sure which she wanted, the pictures, or time without him. In the end, she opted for her story. “Okay. Thanks for asking. When are you leaving?” “In ten minutes.” He grinned. He was glad she was going with him. He even liked it when she was rude to him, it reminded him of Serena. She had always been feisty, and normally India wasn’t. But it chafed her in a thousand ways to be in such close quarters with him, and most of them were still very painful. “I’ll hurry. Do I have time for coffee?” “We can wait a couple of minutes. This isn’t British Air.” “Thanks. I’ll meet you at the jeep.” “I’ll see you there,” he said, and then walked away with his head down. She had no idea what he was thinking. Probably about the supplies they were picking up, she told herself, as she picked up her camera, and hurried to the mess tent, which was a singularly appropriate name for it in this case. The food was the same every day. She knew she wouldn’t gain weight on this trip. And Paul hadn’t either. They were both thinner than they had been before, but for other reasons. She grabbed a cup of coffee and drank it quickly, and a handful of damp crackers that tasted like they’d been there forever, and ran to meet him. He was

Just Right Café, Theo said, “Another business with a cute name.” “Hey, easy on the sarcasm. I resemble that remark. Besides, the woman who runs it has the last name Behr, so it’s appropriate.” “Does she have golden locks?” “Very funny.” “Sorry,

letter, we have added a short alliterative rhyme to each page. The purpose of each rhyme is to bombard children with the appropriate sound while they are looking at the picture and the letter. This technique aids memory and helps children discriminate speech sounds. Also, care was taken to write funny or seemingly impossible rhymes because children remember and like absurd associations better than commonplace ones. Added to the alphabet pages of the book are 26 different sound games to play with your child. These games were carefully developed to appeal to children and to be easy

She was babbling out words as she worked. Seemed appropriate. When he grew nervous he grew even more quiet. She would do the opposite.

Now I'll have no excuse to touch you inappropriately in an appropriate setting.' 'I'm sure you'll find another way,' Coulton remarked. 'That is true,' Casteel bit his lower lip. 'I am very inventive.

You're going to be a High Lord's wide,' Rhys said. 'You'll be expected to maintain your own correspondences, perhaps even give a speech or two. And the Cauldron knows what else he and Ianthe will deem appropriate for you. Make menus for dinner parties, write thank-you letters for all those wedding gifts, embroider sweet phrases on pillows... It's a necessary skill. And, you know what? Why don't we throw in shielding while we're at it. Reading and shielding- fortunately, you can practice both together.' 'They are both necessary skills,' I said through my teeth, 'but you are not going to teach me.' 'What else are you going to do with yourself? Paint? How's that going these days, Feyre?

Honestly, the term 'cougar' perplexes me, making me wonder why men don't have a spirit animal, thinking 'old dog' or 'jackass' often highly appropriate.

My husband and son are at the movies, and the hellhounds, appropriately named Duvel (Duch/Belgian dialect for ''devil'') and Hexe (German for ''witch''), are in the backyard for the evening. Only the cat, Vegas (I know, right? Totally doesn't fit the theme, but she came with the name) is running around the house, She gives the newcomers a bored look before heading to the bedroom to get white fur all over my pillow. What grows on Vegas does not stay on Vegas.

THE KINGDOM OF HEAVEN. ITS CITIZENS ARE DRUNK ON WONDER. Consider the case of Sarai.1 She is in her golden years, but God promises her a son. She gets excited. She visits the maternity shop and buys a few dresses. She plans her shower and remodels her tent . . . but no son. She eats a few birthday cakes and blows out a lot of candles . . . still no son. She goes through a decade of wall calendars . . . still no son. So Sarai decides to take matters into her own hands. (“Maybe God needs me to take care of this one.”) She convinces Abram that time is running out. (“Face it, Abe, you ain’t getting any younger, either.”) She commands her maid, Hagar, to go into Abram’s tent and see if he needs anything. (“And I mean ‘anything’!”) Hagar goes in a maid. She comes out a mom. And the problems begin. Hagar is haughty. Sarai is jealous. Abram is dizzy from the dilemma. And God calls the baby boy a “wild donkey”—an appropriate name for one born out of stubbornness and destined to kick his way into history. It isn’t the cozy family Sarai expected. And it isn’t a topic Abram and Sarai bring up very often at dinner. Finally, fourteen years later, when Abram is pushing a century of years and Sarai ninety . . . when Abram has stopped listening to Sarai’s advice, and Sarai has stopped giving it . . . when the wallpaper in the nursery is faded and the baby furniture is several seasons out of date . . . when the topic of the promised child brings sighs and tears and long looks into a silent sky . . . God pays them a visit and tells them they had better select a name for their new son. Abram and Sarai have the same response: laughter. They laugh partly because it is too good to happen and partly because it might. They laugh because they have given up hope, and hope born anew is always funny before it is real. They laugh at the lunacy of it all. Abram looks over at Sarai—toothless and snoring in her rocker, head back and mouth wide open, as fruitful as a pitted prune and just as wrinkled. And he cracks up. He tries to contain it, but he can’t. He has always been a sucker for a good joke. Sarai is just as amused. When she hears the news, a cackle escapes before she can contain it. She mumbles something about her husband’s needing a lot more than what he’s got and then laughs again. They laugh because that is what you do when someone says he can do the impossible. They laugh a little at God, and a lot with God—for God is laughing too. Then, with the smile still on his face, he gets busy doing what he does best—the unbelievable.

It is eerie, watching the shots of the audience. You never see anyone just plain laughing, as if they’d heard something that was funny. You see, instead, behavior more appropriate at a fascist rally, as his fans stick their fists in the air and chant his name as if he were making some kind of statement for them. Perhaps he is. Perhaps he is giving voice to their rage, fear, prejudice, and hatred. They seem to cheer him because he is getting away with expressing the sick thoughts they don’t dare to say.

Comrades, we are going to try to cheer you up, and our sense of humor will help us in this endeavor, although the phrase gallows humor has never seemed so logical and appropriate. The external circumstances are exactly in our favor. We need only to take a look at the barbed wire fences, so high and full of electricity. Just like your expectations. And then there are the watchtowers that monitor our every move. The guards have machine guns. But machine guns won’t intimidate us, comrades. They just have barrels of guns, whereas we are going to have barrels of laughs. You may be surprised at how upbeat and cheerful we are. Well, comrades, there are goods reasons for this. It’s been a long time since we were in Berlin. But every time we appeared there, we felt very uneasy. We were afraid we’d get sent to the concentration camps. Now that fear is gone. We’re already here.