Approaching Storm Quotes

He looks up at my approach and the second my eyes meet with his, whatever sense I had just talked myself into, packs its bags and fucks off, leaving me to the mercy of my hormones.

Have you ever been approached by a grim-looking man, carrying a naked sword with a blade about ten miles long in his hand, in the middle of the night, beneath the stars on the shores of Lake Michigan? If you have, seek professional help. If you have not, then believe you me, it can scare the bejeezus out of you.

A thing of beauty, like an approaching storm. It was hard not to respect, even though you knew it was likely to erupt any moment.

A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.

True loneliness is the comet traveling alone through the universe, surrounded by vacuous space and nothingness at absolute zero. It would never have the chance to be seen by someone or approached by another. This dismal silence would simply continue for eons.

But as he stood watching Carthage burn, Scipio reflected on the fate of this once great power. Overcome with emotion, he cried. His friend and mentor Polybius approached and asked why Scipio was crying. "A glorious moment, Polybiius; but I have a dread foreboding that some day the same doom will be pronounced on my own country." Scipio then quoted a line from Homer: "A day will come when sacred Troy shall perish, And Priam and his people shall be slain." Scipio knew that no power endures indefinitely, that all empires must fall.

We always know before the change comes. When a storm approaches, we feel it in the thickness of the air, the tension in the earth awaiting the blanket of snow. We feel the moment the wind changes direction. We sense a shift of power when it is coming. Tonight

She had thought the open sea would be flat, like a mirror or a coin. But it had colors and shapes, turning green or black under approaching storm. Sometimes it was red and purple and silver and white gold. It had sharp hedges. It had its tempers, its blue spells, its fits of laughter

And sometimes a dust storm would stand off in the desert, towering so high it was like another city -- a terrifying new era approaching, blurring our dreams.

In the airport's frenzy, our meeting was a quiet storm of emotions. A million thoughts must have rushed through my mind as I approached him, but I can't, for the life of me, recall anything but a whirlwind humming to the rhythm of my steps—slightly offbeat, like a manic indie song. Heartbeat racing in B minor.

It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.

His hair was think and curly and reddish-brown, his eyes a clear ice blue; Ramona had told him many times that she could see the sky in them, clouds when he was angry and rain when he was sad. Now, if she had looked into his eyes closely enough, she might've seen the approaching storm.

First, the wind would rumble in the distance like an approaching river, then he would see grass bend, pressed by a great invisible hand. The dull rumble would rise in pitch to a swishing, lashing exultation, causing stalks to lie flat against the ground while the tougher branches of shrubs held themselves up and shrieked their defiance in the gusts. Then the first drops, cold and heavy, would plummet from the sky and burst on the ground.

These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape. p. 71

FOR SUFFERING May you be blessed in the holy names of those Who, without you knowing it, Help to carry and lighten your pain. May you know serenity When you are called To enter the house of suffering. May a window of light always surprise you. May you be granted the wisdom To avoid false resistance; When suffering knocks on the door of your life, May you glimpse its eventual gifts. May you be able to receive the fruits of suffering. May memory bless and protect you With the hard-earned light of past travail; To remind you that you have survived before And though the darkness now is deep, You will soon see approaching light. May the grace of time heal your wounds. May you know that though the storm might rage, Not a hair of your head will be harmed.

Pleasures are like poppies spread You seize the flower its bloom is shed Or like the snow falls in the river A moment white, then melts forever Or like the Borealis race That flit ere you can point their place Or like the rainbow's lovely form Evanshing amidst the storm Nae man can tether time nor tide The hour approaches, Tam must ride

And still the storm approaches. And there's nothing I can do. So I wait and watch and feel his breath against my face, cool and brave. His salt licks my skin, his promise brushes my hair. His fury drives the wind to touch my cheek and whisper something I can't hear. I think he loves me. I think he comes to see me. I am young. I will learn

When you're alone, you are in the right place to watch sadness approach like storm clouds over an open field. You can sit in a chair and get ready for it. As it moves through you, you can reach out your hands and feel all the edges. When it passes and you can drink coffee again you even miss it because it has been loyal to you like a boyfriend.

Dark nights are unpleasant," "Yes, for strangers to travel," "The clouds are heavy." "Yes, a storm is approaching.

Do you realize, Tyler,' says Anna-Louise, 'the entire time we were in the forest it rained steadily and not once did we approach a state of moistness? There was a storm and we didn't even know.

Here is an all-too-brief summary of Buffett’s approach: He looks for what he calls “franchise” companies with strong consumer brands, easily understandable businesses, robust financial health, and near-monopolies in their markets, like H & R Block, Gillette, and the Washington Post Co. Buffett likes to snap up a stock when a scandal, big loss, or other bad news passes over it like a storm cloud—as when he bought Coca-Cola soon after its disastrous rollout of “New Coke” and the market crash of 1987. He also wants to see managers who set and meet realistic goals; build their businesses from within rather than through acquisition; allocate capital wisely; and do not pay themselves hundred-million-dollar jackpots of stock options. Buffett insists on steady and sustainable growth in earnings, so the company will be worth more in the future than it is today.

It felt the first indication a violent storm was approaching. The sort where you either stood your ground or ran for cover. It was as if the air between us grew heavy and dark with the promise of nature's fury. If I closed my eyes, I could imagine thunder rattling my teeth as winds whipped around, threatening to drag me into the swirling vortex and devour me whole. It was the kind of storm that broke cities, destroyed realms.

Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss.

There's an emergency link to the defence grid, but that's only for use in the direst emergencies." "And of course a mile-long unknown intruder approaching your main source of power isn't an emergency?" Karan hesitated, his chins wobbling slightly with their own momentum. "It'll take time, but I could access the defence grid's sensor logs for that sector..." "I won't tell if you don't.

Sometimes in storm weather the shore had fluttered with disabled swallows. They crouched lower for his approach, without strength to escape. In his hands they pulsed with that same pulse. He had taken a bird and warmed it between his hands or inside his jacket, brought the life back until it was able to fly. Sometimes, released from his hands, they circled once around him before flying away; in gratitude, or so the child had believed--and the belief had survived all the man's science.

Her true heart, however, was buried so far inside her, so gone beneath the vast blanket of her lies and deceptions and whims. Like her jewels now beneath the snow, it lay hidden until some thaw might some to it. She had no way of knowing, of course, whether this heart she imagined herself to have was, in fact, real in any way. Perhaps it was like the soldier's severed arm that keeps throbbing for years, or like a broken bone that aches at the approach of a storm. Perhaps the heart she imagined was one she had never really had at all. But how did they do it, those women she saw on the street, laughing with their charming or their ill-tempered children in restaurants, in train stations, everywhere around her? Any why was she left out of the whole sentimental panorama she felt eddying around her every day of her life?

The computer started to sing. “‘When you walk through the storm …’” it whined nasally, “‘hold your head up high …’” Zaphod screamed at it to shut up, but his voice was lost in the din of what they quite naturally assumed was approaching destruction.

Such are the limitations of the human mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps. Prophets, indeed, were abundant before the war; but who cares for prophets while their predictions remain unfulfilled, and the calamities of which they tell are masked behind a blinding blaze of national prosperity?

In truth, Serenus, I have for a long time been silently asking myself to what I should liken such a condition of mind, and I can find nothing that so closely approaches it as the state of those who, after being released from a long and serious illness, are sometimes touched with fits of fever and slight disorders, and, freed from the last traces of them, are nevertheless disquieted with mistrust, and, though now quite well, stretch out their wrist to a physician and complain unjustly of any trace of heat in their body. It is not, Serenus, that these are not quite well in body, but that they are not quite used to being well; just as even a tranquil sea will show some ripple, particularly when it has just subsided after a storm. What you need, therefore, is not any of those harsher measures which we have already left behind, the necessity of opposing yourself at this point, of being angry with yourself at that, of sternly urging yourself on at another, but that which comes last -confidence in yourself and the belief that you are on the right path, and have not been led astray by the many cross- tracks of those who are roaming in every direction, some of whom are wandering very near the path itself. But what you desire is something great and supreme and very near to being a god - to be unshaken.

Approaching forty, George felt as though his world had been slowly drained of all its colors. He’d passed that age when he could reasonably expect to fall madly in love with someone and raise a family, or to take the world by storm, or to have anything surprising lift him out of his day-to-day existence.

The avatar smiled silkily as it leaned closer to him, as though imparting a confidence. "Never forget I am not this silver body, Mahrai. I am not an animal brain, I am not even some attempt to produce an AI through software running on a computer. I am a Culture Mind. We are close to gods, and on the far side. "We are quicker; we live faster and more completely than you do, with so many more senses, such a greater store of memories and at such a fine level of detail. We die more slowly, and we die more completely, too. Never forget I have had the chance to compare and contrast the ways of dying. [...] "I have watched people die in exhaustive and penetrative detail," the avatar continued. "I have felt for them. Did you know that true subjective time is measured in the minimum duration of demonstrably separate thoughts? Per second, a human—or a Chelgrian—might have twenty or thirty, even in the heightened state of extreme distress associated with the process of dying in pain." The avatar's eyes seemed to shine. It came forward, close to his face by the breadth of a hand. "Whereas I," it whispered, "have billions." It smiled, and something in its expression made Ziller clench his teeth. "I watched those poor wretches die in the slowest of slow motion and I knew even as I watched that it was I who'd killed them, who at that moment engaged in the process of killing them. For a thing like me to kill one of them or one of you is a very, very easy thing to do, and, as I discovered, absolutely disgusting. Just as I need never wonder what it is like to die, so I need never wonder what it is like to kill, Ziller, because I have done it, and it is a wasteful, graceless, worthless and hateful thing to have to do. "And, as you might imagine, I consider that I have an obligation to discharge. I fully intend to spend the rest of my existence here as Masaq' Hub for as long as I'm needed or until I'm no longer welcome, forever keeping an eye to windward for approaching storms and just generally protecting this quaint circle of fragile little bodies and the vulnerable little brains they house from whatever harm a big dumb mechanical universe or any conscience malevolent force might happen or wish to visit upon them, specifically because I know how appallingly easy they are to destroy. I will give my life to save theirs, if it should ever come to that. And give it gladly, happily, too, knowing that trade was entirely worth the debt I incurred eight hundred years ago, back in Arm One-Six.

He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss.

Such are the limitations of the common mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps.

A panther poised in the cypress tree about to jump is a panther poised in a cypress tree about to jump. The panther is a poem of fire green eyes and a heart charged by four winds of four directions. The panther hears everything in the dark: the unspoken tears of a few hundred human years, storms that will break what has broken his world, a bluebird swaying on a branch a few miles away. He hears the death song of his approaching prey: I will always love you, sunrise. I belong to the black cat with fire green eyes. There, in the cypress tree near the morning star.

Punctuation has been defined many ways. Some grammarians use the analogy of stitching: punctuation as the basting that holds the fabric of language in shape. Another writer tells us that punctuation marks are the traffic signals of language: they tell us to slow down, notice this, take a detour, and stop. I have even seen a rather fanciful reference to the full stop and comma as “the invisible servants in fairy tales – the ones who bring glasses of water and pillows, not storms of weather or love”. But best of all, I think, is the simple advice given by the style book of a national newspaper: that punctuation is “a courtesy designed to help readers to understand a story without stumbling”.

Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.

I didn’t expect anyone to be out so early—or so late depending on the circumstances—especially with the threat of another storm approaching. I should have known better than to apply that rule to Audrey Rose. Nothing as pedestrian as the weather would keep her caged when she had a goal to achieve and a young woman’s murder to solve.

The Chicken: As I was walking down Stanton Street early one Sunday morning, I saw a chicken a few yards ahead of me. I was walking faster than the chicken, so I gradually caught up. By the time we approached Eighteenth Avenue, I was close behind. The chicken turned south on Eighteenth. At the fourth house along, it turned in at the walk, hopped up the front steps, and rapped sharply on the metal storm door with its beak. After a moment, the door opened and the chicken went in. (Linda Elegant, Portland, Oregon)

But as he stood watching Carthage burn, Scipio Aemilianus reflected on the fate of this once great power. Overcome with emotion, he cried. His friend and mentor Polybius approached and asked why Aemilianus was crying—what better outcome could any man hope for? Aemilianus replied, “A glorious moment, Polybius; but I have a dread foreboding that some day the same doom will be pronounced on my own country.” According to Roman tradition Aemilianus then quoted a line from Homer: “A day will come when sacred Troy shall perish, And Priam and his people shall be slain.” Aemilianus knew that no power endures indefinitely, that all empires must fall, and that there is nothing mortals can do about it.

A rapidly approaching jackass armada.

As the storm approaches, the trees cannot escape, they just stand there and wait to face the storm! If you don't have the option to escape, your courage is worthless!

I had ceded all control of my life to this feeling of a storm approaching and the glad certainty it would demolish everything I knew.

I watched the storm as I might have watched the approach and passing of a fierce and beautiful animal. The

As always when he worked with this much concentration he began to feel a sense of introverting pressure. There was no way out once he was in, no genuine rest, no one to talk to who was capable of understanding the complexity (simplicity) of the problem or the approaches to a tentative solution. There came a time in every prolonged effort when he had a moment of near panic, or "terror in a lonely place," the original semantic content of the word. The lonely place was his own mind. As a mathematician he was free from subjection to reality, free to impose his ideas and designs on his own test environment. The only valid standard for his work, its critical point (zero or infinity), was the beauty it possessed, the deft strength of his mathematical reasoning. THe work's ultimate value was simply what it revealed about the nature of his intellect. What was at stake, in effect, was his own principle of intelligence or individual consciousness; his identity, in short. This was the infalling trap, the source of art's private involvement with obsession and despair, neither more nor less than the artist's self-containment, a mental state that led to storms of overwork and extended stretches of depression, that brought on indifference to life and at times the need to regurgitate it, to seek the level of expelled matter. Of course, the sense at the end of a serious effort, if the end is reached successfully, is one of lyrical exhilaration. There is air to breathe and a place to stand. The work gradually reveals its attachment to the charged particles of other minds, men now historical, the rediscovered dead; to the main structure of mathematical thought; perhaps even to reality itself, the so-called sum of things. It is possible to stand in time's pinewood dust and admire one's own veronicas and pavanes.

[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.

When most people envision giving no fucks whatsoever, they imagine a kind of serene indifference to everything, a calm that weathers all storms. They imagine and aspire to be a person who is shaken by nothing and caves in to no one. There’s a name for a person who finds no emotion or meaning in anything: a psychopath. Why you would want to emulate a psychopath, I have no fucking clue.

Therefore, when I approach God with my petitions I need to be aware that ultimately He must decide what needs to stay and what needs to go in order that I can become the person He created me to be. 

But young men have not only this frivolous ambition of being thought masters of execution, inciting them on the one hand, but also their natural sloth tempting them on the other. They are terrified at the prospect before them, of the toil required to attain exactness. The impetuosity of youth is disgusted at the slow approaches of a regular siege, and desires, from mere impatience of labour, to take the citadel by storm. They wish to find some shorter path to excellence, and hope to obtain the reward of eminence by other means, than those which the indispensable rules of art have prescribed.

Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.

The sun can make you take off your coat more quickly than the wind; and kindliness, the friendly approach and appreciation can make people change their minds more readily than all the bluster and storming in the world. Remember

Xenia was still laughing at us when her brother walked over. "Georgi, do you remember when Katerina Alexandrovna and Dariya Yevgenienva brought the kitten to the ball?" I hadn't noticed the grand duke approaching. Dariya curtsied prettily. "Katiya's mother wouldn't let us play together anymore after that." "I thought your mother disallowed it," I said, surprised. "Both mothers were very wise," George Alexandrovich said, his lips pressed tightly together, almost as if he was trying not to smile. "You two are an extremely dangerous duo." "Nonsense." Dariya smiled. "Nothing bad has happened tonight." The grand duke was looking straight at me when he said, "But the night is young.

Works of art are of an infinite solitude, and no means of approach is so useless as criticism. Only love can touch and hold them and be fair to them. — Always trust yourself and your own feeling, as opposed to argumentations, discussions, or introductions of that sort; if it turns out that you are wrong, then the natural growth of your inner life will eventually guide you to other insights. Allow your judgments their own silent, undisturbed development, which, like all progress, must come from deep within and cannot be forced or hastened. Everything is gestation and then birthing. To let each impression and each embryo of a feeling come to completion, entirely in itself, in the dark, in the unsayable, the unconscious, beyond the reach of one’s own understanding, and with deep humility and patience to wait for the hour when a new clarity is born: this alone is what it means to live as an artist: in understanding as in creating. Being an artist means: not numbering and counting, but ripening like a tree, which doesn’t force its sap, and stands confidently in the storms of spring, not afraid that afterward summer may not come. It does come. But it comes only to those who are patient, who are there as if eternity lay before them, so unconcernedly silent and vast. I learn it every day of my life, learn it with pain I am grateful for: patience is everything!

Because we approach the gospel with preconceived notions of what it should say rather than what it does say, the Word no longer falls like rain on the parched ground of our souls. It no longer sweeps like a wild storm into the corners of our comfortable piety. It no longer vibrates like sharp lightning in the dark recesses of our nonhistoric orthodoxy. The gospel becomes, in the words of Gertrude Stein, … a pattering of pious platitudes spoken by a Jewish carpenter in the distant past.

Darks drifts covered the horizon. A strange shadow approaching nearer and nearer, was spreading little by little over men, over things, over ideas; a shadow which came from indignations and from systems. All that had been hurriedly stifled was stirring and fermenting. Sometimes the conscious of the honest man caught its breath, there was so much confusion in that air in which sophisms were mingled with truths. Minds trembled in the social anxiety like leaves at the approach of the storm. The electric tension was so great that at certain moments any chance-comer, thought unknown, flashed out. Then the twilight darkness fell again. At intervals, deep and sullen mutterings enabled men to judge of the amount of lightning in the cloud.

It’s as if we are the sky—always blue, always clear, with the sun always shining. That is our never-wavering spiritual essence. And our human experience is weather. Weather (thought, emotion, behavior) rolls in and covers up the blue sky at times. The storms can be so violent that they are all we can see; the clouds can be so thick that we forget the sun is there. But the weather doesn’t disturb the sky. The sky contains the weather but is not affected by it, just like our spiritual nature contains our human experiences but is not affected by them. And the weather, like thought and emotion, is always temporary. Sometimes it comes and goes quickly. Other times, it lingers. Sometimes the weather is pleasant, and sometimes we curse it. But it is all surface-level and temporary.

He had approached the villa on that night of the storm not out of curiosity about the music but because of a danger to the piano player. The retreating army often left pencil mines within musical instruments. Returning owners opened up pianos and lost their hands.

He locked the doors and windows and sat in the middle of a room afraid of going out there in the storm and rain, in the darkest night he had ever seen. All of a sudden there were knocks everywhere and the walls turned into the glass so that he could helplessly witness his fears approach him like the ghosts. He saw them crawling on the wall and climbing the roof staring into his eyes, in no time the walls disappeared and they stood around him laughing and consuming him one by one at a time. all he saw, in the end, was the ugly and scary faces of himself.

Wisdom in Pain.-In pain there is as much wisdom as in pleasure: like the latter it is one of the best self-preservatives of a species. Were it not so, pain would long ago have been done away with ; that it is hurtful is no argument against it, for to be hurtful is its very essence. In pain I hear the commanding call of the ship's captain : " Take in sail!" " Man," the bold seafarer, must have learned to set his sails in a thousand different ways, otherwise he could not have sailed long, for the ocean would soon have swallowed him up. We must also know how to live with reduced energy : as soon as pain gives its precautionary signal, it is time to reduce the speed-some great danger, some storm, is approaching, and we do well to "catch" as little wind as possible.-It is true that there are men who, on the approach of severe pain, hear the very opposite call of command, and never appear more proud, more martial, or more happy than when the storm is brewing; indeed, pain itself provides them with their supreme moments! These are the heroic men, the great pain-bringers of mankind: those few and rare ones who need just the same apology as pain generally,-and verily, it should not be denied them! They are forces of the greatest importance for preserving and advancing the species, be it only because they are opposed to smug ease, and do not conceal their disgust at this kind of happiness.

Aubade with a Broken Neck" The first night you don’t come home summer rains shake the clematis. I bury the dead moth 1 found in our bed, scratch up a rutabaga and eat it rough with dirt. The dog finds me and presents between his gentle teeth a twitching nightjar. In her panic, she sings in his mouth. He gives me her pain like a gift, and I take it. I hear the cries of her young, greedy with need, expecting her return, but I don’t let her go until I get into the house. I read the auspices the way she flutters against the wallpaper’s moldy roses means all can be lost. How she skims the ceiling means a storm approaches. You should see her in the beginnings of her fear, rushing at the starless window, her body a dart, her body the arrow of longing, aimed, as all desperate things are, to crash not into the object of desire, but into the darkness behind it.

And then, he was not there. A terrible storm came over her, as if she were drowning. She was possessed by a devastating hopelessness. And she approached mechanically to the altar. Never had she known such a pang of utter and final hopelessness. It was beyond death, so utterly null, desert.

The wind spoke. The water sang. All sound had purpose. When an Anishinaabe approached the wigwam of another, he respectfully made noise to announce his coming. Thunder, therefore, was the respectful way of the storm in announcing its approach. Spirit and purpose in all things. For all creation, respect.

The sun can make you take off your coat more quickly than the wind; and kindliness, the friendly approach and appreciation can make people change their minds more readily than all the bluster and storming in the world. Remember what Lincoln said: ‘A drop of honey catches more flies than a gallon of gall.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

As Nancer approached the skull shaped object, he saw that it had two eye-sockets, brow ridges, a forehead, a nose with nostrils, obvious cheek bones and an upper jaw. The edge of the upper jaw was marked with a red and white striped band running horizontally along the edge. The skull itself was metallic gray in color.

For centuries, the devastating scourge of lightning had generally been considered a supernatural phenomenon or expression of God’s will. At the approach of a storm, church bells were rung to ward off the bolts. “The tones of the consecrated metal repel the demon and avert storm and lightning,” declared St. Thomas Aquinas.

in my voyages, when I was a man and commanded other men, I have seen the heavens overcast, the sea rage and foam, the storm arise, and, like a monstrous bird, beating the two horizons with its wings. Then I felt that my vessel was a vain refuge, that trembled and shook before the tempest. Soon the fury of the waves and the sight of the sharp rocks announced the approach of death, and death then terrified me, and I used all my skill and intelligence as a man and a sailor to struggle against the wrath of God. But I did so because I was happy, because I had not courted death, because to be cast upon a bed of rocks and seaweed seemed terrible, because I was unwilling that I, a creature made for the service of God, should serve for food to the gulls and ravens. But now it is different; I have lost all that bound me to life, death smiles and invites me to repose; I die after my own manner, I die exhausted and broken-spirited, as I fall asleep when I have paced three thousand times round my cell.

In pain there is as much wisdom as in pleasure: like the latter it is one of the best self-preservatives of a species. Were it not so, pain would long ago have been done away with; that it is hurtful is no argument against it, for to be hurtful is its very essence. In pain I hear the commanding call of the ship's captain: "Take in sail!" "Man," the bold seafarer, must have learned to set his sails in a thousand different ways, otherwise he could not have sailed long, for the ocean would soon have swallowed him up. We must also know how to live with reduced energy: as soon as pain gives its precautionary signal, it is time to reduce the speed—some great danger, some storm, is approaching, and we do well to "catch" as little wind as possible.

Thanks to the heroism of the Allies, the hour is approaching when the hordes of William the Madman will quit the soil of afflicted Belgium. After what they have done in cold blood, what excesses, what disasters must we not expect of the last convulsions of their rage? Our anguish is all the more poignant in that they are at this moment fighting in the most ancient and most precious portion of Flanders.

Breitbart’s genius was that he grasped better than anyone else what the early twentieth-century press barons understood—that most readers don’t approach the news as a clinical exercise in absorbing facts, but experience it viscerally as an ongoing drama, with distinct story lines, heroes, and villains. Breitbart excelled at creating these narratives, an editorial approach that lived on after his death.

David?" she asked as they approached an elevator. She was a little uncertain about doors that opened and closed by themselves and little boxes that went up and down. She supposed she'd just have to cope. "Yes?" he asked. She rested her head on his shoulder. "How should we celebrate our eight hundredth wedding anniversary?" "Hmm? How about with a good night's sleep?" "Suits me." Together they walked into the little moving box.

I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.

The rain had abated. The sails were hoisted, and the barrels we had placed everywhere filled with that precious gift from the sky. Calm reigned during a botched dawn in which pitch black shaded off into dark grey. Isolated sunrays pierced the clouds to shed light on a terribly flat sea like a lake of tar. Far, very far away, cracked muted peals of thunder. The storm approached quickly, lightning streaking the leaden ceiling while the sea shivered and quivered under a fresh wind.

TRADITIONALLY THE ANISHINAABE were a quiet people. Before the whites came, they lived in the silence of great woods and more often than not, the voices they heard were not human. The wind spoke. The water sang. All sound had purpose. When an Anishinaabe approached the wigwam of another, he respectfully made noise to announce his coming. Thunder, therefore, was the respectful way of the storm in announcing its approach. Spirit and purpose in all things. For all creation, respect.

A small group of horsemen were approaching the house, their pace slow enough to match Javelin, whose rider slumped over his neck. Surely the Herrani wouldn’t cheer if Arin was dead, or dying? Fool, Kestrel told herself. Dead men can’t ride. A storm of feeling confused her, and Kestrel didn’t know if her emotions were what they ought to be, because she didn’t know what she felt. She couldn’t even think. Then the horses stopped. Arin slipped off Javelin, and there was a scuffle among the Herrani as each fought to get to him first. People supported him, nudged shoulders under his arms. Arin’s face was white with pain and blackened with patches of dirt and bruises. His torn clothes were stained crimson. Bright, bloody flags. One foot was bare. He tipped his head back, caught Kestrel’s gaze, and smiled. Kestrel shut the window and shut her heart, for what she felt when she saw Arin limp up the path wasn’t anything she had expected. She shouldn’t feel this, not this: A stark, shattering relief.

gene plays a role, are quite tractable, but anything entailing higher dimensionality falls apart. Understanding the genetic makeup of a unit will never allow us to understand the behavior of the unit itself. A reminder that what I am writing here isn’t an opinion. It is a straightforward mathematical property. The mean-field approach is when one uses the average interaction between, say, two people, and generalizes to the group—it is only possible if there are no asymmetries. For instance, Yaneer Bar-Yam has applied the failure of mean-field to evolutionary theory of the selfish-gene narrative trumpeted by such aggressive journalistic minds as Richard Dawkins and Steven Pinker, with more mastery of English than probability theory. He shows that local properties fail and the so-called mathematics used to prove the selfish gene are woefully naive and misplaced. There has been a storm around work by Martin Nowack and his colleagues (which include the biologist E. O. Wilson) about the terminal flaws in the selfish gene theory.fn2

You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.

The evening was gloomy. As the car approached the river, dark storm clouds scudded across the sky. “There’s the house—beyond this pine grove. Turn here,” Mr. March directed. He was in the front seat of the convertible. “It’s called Pleasant Hedges.” The name hardly suited the estate, for the hedges were untrimmed and entangled with weeds and small stray bushes. Long grass and weeds covered the lawn. Several tall pine trees stood near the house. The wind whispered dismally through the swaying boughs. “It’s spooky,” Bess said in a hushed voice to George, who was next to her in the rear seat.

Have you ever watched a storm approaching on a hot summer’s day? It’s especially spectacular in the mountains. At first there’s nothing to see, but you feel a sort of weariness that tells you something is in the air. Then you hear thunder - just a rumble here and there- you can’t quite tell where it is coming from. All of a sudden, the mountains seem strangely near. There isn't a breath of wind, yet dense clouds pile up in the sky. And now the mountains have almost vanished behind a wall of haze. Clouds rush in from all sides, but still there’s no wind. There’s more thunder now, and everything around looks eir and menacing. You wait and wait. And then, suddenly, it erupts. At first it is almost a release. The storm descends into the valley. There’s thunder and lightning everywhere. The rain clatters down in huge drops. The storm is trapped in the narrow cleft of the valley and thunderclaps echo and reverberate off the steep mountain sides. The wind buffets you from every angle. And when the storm finally moves away, leaving in its place a clear, still, starlit night, you can hardly remember where those thunderclouds were, let alone which thunderclap belonged to which flash of lightning.

You need a battle plan,” Matt advised. “I never left the base without detailed reconnaissance and a battle plan. It’s why I came home alive.” Tate chuckled in spite of himself. “She’s a woman, not an enemy stronghold.” “That’s what you think,” Matt said, pointing a spoon in the other man’s direction before he lowered it into his cup. “Most women are enemy strongholds,” he added, with a wicked glance at his smiling wife. “You have to storm the gates properly.” “He knows all about storming gates, apparently,” Leta said with faint sarcasm. “Otherwise, we wouldn’t be expecting a grandchild…” She gasped and looked at Matt. “A grandchild. Our grandchild,” she emphasized with pure joy. Matt glanced at Tate. “That puts a whole new face on things, son,” he said, the word slipping out so naturally that it didn’t even seem to surprise Tate, who smiled through his misery. “You go to Tennessee and tell Cecily she’s marrying you,” Leta instructed her son. “Sure,” Tate said heavily. “After all the trouble I’ve given her in the past weeks, I’m sure she can’t wait to rush down the aisle with me.” “Honey catches more flies than vinegar,” Matt said helpfully. “If I go down there with any honey, I’ll come home wearing bees.” Leta chuckled. “You aren’t going to give up?” Matt asked. Tate shook his head. “I can’t. I have to get to her before Gabrini does, although I’m fairly sure he has no more idea where she really is than I did until today. I just have to find a new approach to get her back home. God knows what.” He sipped more coffee and glanced from one of his parents to the other. He felt as if he belonged, for the first time in his life. It made him warm inside to consider how dear these two people suddenly were to him. His father, he thought, was quite a guy. Not that he was going to say so. The man was far too arrogant already.

If someone dies of anything other than extreme old age and natural causes, and often even then the death leaves a great void in the lives of the survivors, an emptiness like an abandoned mine that can never be filled. A deep chasm. If you're lucky, you might be able to cover it with plywood and rebar, to surround it with chain link and "Danger" signs, but at best, these are only ever temporary remedies, patches that might briefly hold up to the storms that will come and come again until the ground around the chasm grows so weakened and diminished that to approach the emptiness becomes ever more dangerous. And that's if you're lucky. If you're not, then the loss leaves a void as dark and desolate as a black hole, with a gravity so great that no light can escape.

I say this—after six million years of evolution, is there anything else more in tune with the planet than the human body? We grow muscles to withstand fourteen pounds of air pressure per square inch at sea level. We develop senses to detect changes in wind patterns and know when a storm is approaching. We can hear threatening footsteps approaching and feel the stares of an angry ex-girlfriend as her eyes burn a hole in our back. We have millions of nerve endings in our skin to feel our environment. In short, we evolve. We become more in tune with the world, like birds that use the Earth’s magnetic field to help guide them on their long migration or mammals that can feel winter coming and prepare for hibernation. So when my body tells me there’s a spirit present, I trust it.

native nostalgia, a prelude to the now when will we ever feel safe in the Mother City’s nest? Neng? Nini? i long for a time when harmony between humans and nature was not a utopian dream scattered by the patter of raindrops that threaten rooftops. the rain that is no longer euphony or lullaby to hush you to slumber. a storm is fast approaching, stay on higher ground, dig up trenches and unclog the drains wailing voices choking within the Mother City echo code red, declare this a national emergency belligerent tempest(s) warn of a time to come, a treaty between the mortals and the natural environment is needed! displaced, confused, we’ve become strangers to the Mother City are you going to listen to the wind, or are you going to wait for floating lilies to deliver seeds of condolences?

The academic movement known generally as ‘theory’ had taken social history ‘by storm’ – her phrase. Since she had studied at a traditional university which offered old-fashioned narrative accounts of the past, she was having to take on a new vocabulary, a new way of thinking. Sometimes, as we lay side by side in bed (the evening of the tarragon chicken had been a success) I listened to her complaints and tried to look and sound sympathetic. It was no longer proper to assume that anything at all had ever happened in the past. There were only historical documents to consider, and changing scholarly approaches to them, and our own shifting relationship to those approaches, all of which were determined by ideological context, by relations to power and wealth, to race, class, gender and sexual orientation.

Now while I sat in the day and look'd forth, In the close of the day with its light and the fields of spring, and the farmers preparing their crops, In the large unconscious scenery of my land with its lakes and forests, In the heavenly aerial beauty, (after the perturb'd winds and the storms,) Under the arching heavens of the afternoon swift passing, and the voices of children and women, The many-moving sea-tides, and I saw the ships how they sail'd, And the summer approaching with richness, and the fields all busy with labor, And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages, And the streets how their throbbings throbb'd, and the cities pent—lo, then and there, Falling upon them all and among them all, enveloping me with the rest, Appear'd the cloud, appear'd the long black trail, And I knew death, its thought, and the sacred knowledge of death.

Civil war had ignited, deadly as that storm in the sky. Families were being torn asunder, from the Citadel itself down to the meanest homes of the commons. And blood painted Kharkanas and there was nowhere to run. Through the gate, and then, even as despair choked all life from Endest Silann, he saw him approaching. From the city below. His forearms sheathed in black glistening scales, his bared chest made a thing of natural armour. The blood of Tiam ran riot through him, fired to life by the conflation of chaotic sorcery, and his eyes glowed with ferocious will. Endest fell to his knees in Anomander's path. 'Lord! The world falls!' 'Rise, priest,' he replied. 'The world does not fall. It but changes. I need you. Come.' And so he walked past, and Endest found himself on his feet, as Lord Anomander's will closed about his heart like an iron gauntlet, pulling him round and into the great warrior's wake.

golden opportunity to learn to cope with criticism and anger effectively. This came as a complete surprise to me; I hadn't realized what good fortune I had. In addition to urging me to use cognitive techniques to reduce and eliminate my own sense of irritation. Dr. Beck proposed I try out an unusual strategy for interacting with Hank when he was in an angry mood. The essence of this method was: (1) Don't turn Hank off by defending yourself. Instead, do the opposite—urge him to say all the worst things he can say about you. (2) Try to find a grain of truth in all his criticisms and then agree with him. (3) After this, point out any areas of disagreement in a straightforward, tactful, nonargumentative manner. (4) Emphasize the importance of sticking together, in spite of these occasional disagreements. I could remind Hank that frustration and fighting might slow down our therapy at times, but this need not destroy the relationship or prevent our work from ultimately becoming fruitful. I applied this strategy the next time Hank started storming around the office screaming at me. Just as I had planned, I urged Hank to keep it up and say all the worst things he could think of about me. The result was immediate and dramatic. Within a few moments, all the wind went out of his sails—all his vengeance seemed to melt away. He began communicating sensibly and calmly, and sat down. In fact, when I agreed with some of his criticisms, he suddenly began to defend me and say some nice things about me! I was so impressed with this result that I began using the same approach with other angry, explosive individuals, and I actually did begin to enjoy his hostile outbursts because I had an effective way to handle them. I also used the double-column technique for recording and talking back to my automatic thoughts after one of Hank's midnight calls (see Figure 16–1, page 415).

Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain traveling across the vast dry field toward him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding on the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn't know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew that he had started his entire time at Aglionby certain all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan's first kiss. "I'm gonna go downstairs," Ronan said.

Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good. Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel. Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind. And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones. Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm. Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi. I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.

The Chaonians and the other Barbarians advanced in the centre; on the right wing were the Leucadians, Anactorians, and their auxiliaries; on the left was Cnemus with the Peloponnesians and Ambraciots.The three divisions were a long way apart, and at times not even in sight of one another. The Hellenic troops maintained order on the march and kept a look out, until at length they found a suitable place in which to encamp; the Chaonians, confident in themselves, and having a great military reputation in that part of the country, would not stop to encamp, but they and the other Barbarians rushed on at full speed, hoping to take the place by storm and appropriate to themselves the glory of the action. The Stratians perceiving their approach in time, and thinking that, if they could overcome them before the others arrived, the Hellenic forces would not be so ready to attack them, set ambuscades near the city. When they were quite close, the troops came out of the city and from the ambuscades and fell upon them hand to hand.Whereupon the Chaonians were seized with a panic and many of them perished; the other Barbarians, seeing them give way, no longer stood their ground, but took to flight. (Book 2 Chapter 81.3-6)

house, already worrying my car might get stuck and what would happen if my car got stuck. From behind the storm clouds, the late afternoon sun arrived just in time to blind me as I slammed the door shut and walked toward the house, my gut cold. As I neared the front steps, a big momma possum shot out from under the porch, hissing at me. The thing unnerved me, that pointy white face and those black eyes looking like something that should already be dead. Plus momma possums are nasty bitches. It ran to the bushes, and I kicked the steps to make sure there weren’t more, then climbed them. My lopsided right foot swished around in my boot. A dreamcatcher hung near the door, dangling carved animal teeth and feathers. Just as the rain brings out the concrete smells of the city, it had summoned up the smell of soil and manure here. It smelled like home, which wasn’t right. A long, loose pause followed my knock on the door, and then quiet feet approached. Diondra opened the door, decidedly undead. She didn’t even look that different from the photos I’d seen. She’d ditched the spiral perm, but still wore her hair in loose dark waves, still wore thick black eyeliner that made her eyes look Easter-blue, like pieces of candy.

Soviets had their own atomic bomb, Kennan argued that it made no sense for the United States to get into a spiraling nuclear arms race. Like Oppenheimer, he believed that the bomb was ultimately a suicidal weapon and therefore both militarily useless and dangerous. Besides, Kennan was confident that the Soviet Union was politically and economically the weaker of the two adversaries, and that in the long run America could wear down the Soviet system by means of diplomacy and the “judicious exploitation of our strength as a deterrent to world conflict. . . .” Kennan’s eighty-page “personal document” might well have been coauthored with Oppenheimer, reflecting as it did so many of Robert’s views. Indeed, both he and Kennan took its reception as a plunging barometer, indicating the approach of violent political storms. Circulated within the State Department, Kennan’s memo was quietly and firmly rejected by all who read it. Acheson called Kennan into his office one day and said, “George, if you persist in your view on this matter, you should resign from the Foreign Service, assume a monk’s habit, carry a tin cup and stand on the street corner and say, ‘The end of the world is nigh.’ ” Acheson didn’t even bother to show the document to President Truman.

marveling, as he always did in the aftermath of his spells, just how much they resembled tropical storms. As they approached, he often could sense the change in barometric pressure, as he had done on the ferry, even though the storm was still far out at sea, churning away, gathering force, bearing down. When it finally came ashore there wasn’t much to do but ride it out, just let it howl and rage and do its worst. At some point his buffeted, terrified psyche simply gave way to a profound sense of calm, there in the storm’s gentle eye. It wasn’t unlike what people coming down from acid trips often described—the self simply dissipating. To Teddy, a breathtaking moment of splendid, weightless drifting away. In another second or two the world and its cares would cease to matter. In their place, blessed oblivion. But then the winds returned, the shard pierced flesh, and he would know the truth—that escape was yet another false narrative. Later, bloodied and chastened and exhausted, he would do what he always did—claw up into the light, blinking, and survey the damage. Make an inventory of what was irretrievably lost, what was merely damaged and in need of mending, and then, most vitally, somehow locate and reestablish that charmless but necessary even keel that allowed for smooth, if unadventurous, sailing. What he called his life.

If I walk along a shore towards a ship which has run aground, and the funnel or masts merge into the forest bordering on the sand dune, there will be a moment when these details suddenly become part of the ship, and indissolubly fused with it. As I approached, I did not perceive resemblances or proximities which finally came together to form a continuous picture of the upper part of the ship. I merely felt that the look of the object was on the point of altering, that something was imminent in this tension, as a storm is imminent in storm clouds. Suddenly the sight before me was recast in a manner satisfying to my vague expectation. Only afterwards did I recognize, as justifications for the change, the resemblance and contiguity of what I call ‘stimuli’— namely the most determinate phenomena, seen at close quarters and with which I compose the ‘true’ world. ‘How could I have failed to see that these pieces of wood were an integral part of the ship? For they were of the same colour as the ship, and fitted well enough into its superstructure.’ But these reasons for correct perception were not given as reasons beforehand. The unity of the object is based on the foreshadowing of an imminent order which is about to spring upon us a reply to questions merely latent in the landscape. It solves a problem set only in the form of a vague feeling of uneasiness, it organizes elements which up to that moment did not belong to the same universe and which, for that reason, as Kant said with profound insight, could not be associated. By placing them on the same footing, that of the unique object, synopsis makes continuity and resemblance between them possible. An impression can never by itself be associated with another impression.

Hey,” Chase said as he approached. “The rain sucks.” “Agreed.” His younger brother settled on a log. “I checked on the cattle. They’re fine. The clouds don’t look like there’s going to be any lightning or thunder, but they look plenty wet.” Zane nodded. “Storm’s supposed to last two days. I was hoping it would hold off until Saturday.” Chase sipped his coffee. “Everybody okay?” There was something about the question. Zane stared at him. “What do you mean?” “Nothing. Just checking.” Had Chase heard something in the night? Zane shook his head. Not possible. His tent had been some distance from the others, and the rain had blocked out a lot of noise. Nothing about his brother’s expression told what he was thinking. “We’re heading back today, right?” Chase said. “That’s the plan. I wish it wasn’t a two-day ride.” “There’s--” Chase stopped speaking and stared at his coffee. Zane knew what he’d been about to say. Reilly’s place. It was only about an hour’s ride. The old man would give them shelter until the worst of the storm passed, and even send out a few of his men to watch over the cattle until then. But Zane wasn’t about to impose on his neighbor. Not now and not ever. He glanced at the sky and wondered how long he could take a stand in weather like this. Whatever his issues with Reilly, his guests’ safety came first. “I better see how everyone’s doing,” he said as he tossed the rest of his coffee into the fire. “Before you go,” Chase said and held out something in his hand. “I wasn’t sure if you had enough with you.” Zane stared at the three condoms resting on his brother’s palm. Then he glanced at Chase, who was grinning. “Way to go, big brother.” Not knowing what to say, Zane rose and stalked off. But not before he took the condoms. He might be stubborn, but he wasn’t a fool.

Each year before the first rain after the harvest in Spring, I would look at the dry peach tree that I know so well at our backyard and anticipating that in summer it will be covered in an overgrown hedge unless my father who was a committed gardner of note take a weekend off from Jo'burg during the pruning season to prune it. Even now, I still remember with crystal clarity my childhood mood - warm days in Schoonoord with rich nostalgia of green scenery and flowers flowering everywhere.  One evening I was sitting at the veranda of our firehut looking at the orange tree between the plat (flat - roofed) house and the big L - shaped house - the tree served as a shelter from the sun for the drinking water pot next to the plat house - suddenly the weather changed, the wind howled, the tree swayed, the loose corrugated iron sheets on roof of he house clattered and clanged, the open windows shuts with a bang and the sky made night a day, and I was overwhelmed with that feeling of childhood joy at the approaching rain. All of a sudden, the deafening of steady pouring rain. The raging storm beat the orange tree leaves while I sat there remembering that where the orange tree stood used to be our first house, a small triangular   shaped mokhukhu ((tin house) made of red painted corrugated iron sheets salvaged from demolishing site in Witbank, also remembering that my aunt's mokhukhu was also made of the same type and colour of corrugated iron sheets. The ashen ground drunk merily until it was quenched and the floods started rolling down Leolo Mountains, and what one could hear above the deafening steady pouring rain was the bellowing of the nearby Manyane Dale, and if it was daylight one could have seen the noble Sebilwane River rolling in sullen glide. After about fifteen minutes of steady downpour, and rumbling sounds, the storm went away in a series of small, badly lit battle scenes.

Raging storm. The universe booms around me. She approaches. Frightfully, I stand. Yes. Stuck. Stuck in wonderment. Something so strong, so beautiful. Swirling around me. Will it absorb me? Maybe. Or might it pass by? It could. Rolling waves of rage and chaos. Cracks of thunder echo in my chest. I am in the storm now. How? Dancing in the wind. In her chaos. Can I become a part of her forever? I must be able to. This feeling, so wonderful. Maybe she will only pass me by. Leave me to fall from the sky? I hope not. This raging storm around me. So dangerous. So pure. Nothing but nature in her utter glory. Pushing me into motion. I spin in the midst of her, taking in the power. The walls of motion. Confusion surrounds me. Particles forcing together and cracking apart. I’m frightful again, the noise overpowering me. I hunch into a ball, scared of what will become of me. Still suspended in the air. But she silences. The sky clears around me. It must be the eye of the storm. The center of everything. The center of her. Yes. The sunshine blinds me. I raise my hand to shield my face. The silence a melody in my ear. Ah, finally soothed. How extraordinary this is, floating and rising. It overcomes me. This space. Joy? But then I feel the air shift. The power making my hair rise. And suddenly, I’m moving again. She moves along. This raging, rolling storm. The air sucking me up and down. Ripping me apart. Spinning. Spinning. Spinning. Fear consumes me again as the storm takes hold. Confusion. So much confusion. I cry, thinking I might die. But it’s over. I look at my hands. My feet. Back on the ground. She rolls away. Spinning beautifully onward. My, the power. But the question. Always the question. Do I love? Do I hate? Her beautiful, frightening glory. My dear raging storm. I drop the note into my lap. My hand comes up, covering my mouth in shock. I blink down at the note, trying to slow down my heart rate. Because Noah wrote this. He wrote all of this. And he wrote it about me. About how I make him feel. I think back to his project. How he told me it was about me. The eye of the storm. Chaos. Confusion. Awe.

You’re having a bad day. You mess up a few lines. You’re distracted. You’ve had this look about you all afternoon, like you’re not quite there. “Christ, Cunningham, get it together,” Hastings says, running his hands down his face. “If you can’t handle being Brutus—” “Fuck you.” You cut him off. “Don’t act like you’re perfect.” “I don’t make rookie mistakes,” Hastings says. “Maybe if you weren’t so preoccupied with trying to screw the new girl, you might—” BAM. You shut him up mid-sentence with a punch to the face, your fist connecting hard, nearly knocking him off his feet. He stumbles, stunned, as you go at him again, grabbing the collar of his uniform shirt and yanking him to you. “Shut your fucking mouth.” People come between the two of you, forcing you apart. Hastings storms out, shouting, “I can’t deal with him!” Drama Club comes to a screeching halt. You stand there for a moment, fists clenched at your side, calming down. You flex your hands, loosening them as you approach the girl. She’s watching you in silence, expression guarded. You sit down near her. There’s an empty seat between you today. It’s the first time you’ve not sat right beside her in weeks. You’re giving her space. It doesn’t take long before Hastings returns, but he isn’t alone. The administrator waltzes in behind him. The man heads for you, expression stern. “Cunningham, give me one good reason why I shouldn’t expel you.” “Because my father gives you a lot of money.” “That’s what you have to say?” “Is that not a good reason?” “You punched a fellow student!” “We were just acting,” you say. “I’m Brutus. He’s Caesar. It’s to be expected.” “Brutus stabs him. He doesn’t throw punches.” “I was improvising.” The girl laughs when you say that. She tries to stop herself, but the sound comes out, and the administrator hears it, his attention shifting to her. “Look, it won’t happen again,” you say, drawing the focus back to you. “Next time, I’ll stab him and be done with it.” “You better watch yourself,” the administrator says, pointing his finger in your face. “One more incident and you’re gone for good. Understand?” “Yes, sir.” “And rest assured, your father will be hearing about this

Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!

In Being and Event and elsewhere throughout his philosophy, Alain Badiou grants love an evental status, locating it among what he calls the four truth procedures. This inclusion of love seems anomalous. In comparison with the other three truth procedures, love doesn’t fit in. When one reads Being and Event for the first time, one can’t help but feel that the conception of the love event represents a philosophical misstep on Badiou’s part, a case where he allowed his own private emotions to have an undue impact on his philosophy. Though Badiou may like the feeling of being in love, this hardly justifies its status as a truth procedure. Unlike politics, art, and science, love seems to be an isolated phenomenon. A love event—the relationship of Jill and Dave, for instance—doesn’t have the same world-historical impact as the French Revolution or the invention of twelve-tone music (examples of the political and artistic event from Badiou). Even a love event that garners great attention, like the affair between Héloïse d’Argenteuil and Peter Abélard, fails to produces the type of substantive changes accomplished by the storming of the Bastille. But Badiou classifies love alongside the other truth procedures for its disruptiveness of everyday life and—which is in some sense to say the same thing—for its ability to arouse the subject’s passion. Love may be an anomalous truth procedure, but perhaps this is because it is the paradigmatic truth procedure. Love’s disruption of our everyday life is much more palpable than that of politics, art, or science. The subject in love feels as if it can’t exist without the beloved, while even Galileo himself didn’t feel this strongly about the scientific event in which he participated. It is much easier to imagine subjects dying for the sake of love than for the sake of the twelve-tone system of modern music. This is because love has a disruptiveness that transcends the other truth procedures. The cynical approach to love fails to register this disruptiveness. According to Badiou, the cynic contends that “love is only a variant of generalized hedonism,” and this cynicism enables one to avoid “every profound and authentic experience of otherness from which love is woven.” Dismissing the reality of love—seeing it as just a capitalist plot—is a way of avoiding the transformation that it demands, but it also leaves one’s existence bereft of significance. The passion that love arouses impels subjects to continue to go on.

THE INSTRUCTION OF PTAHHOTEP Part III Report your commission without faltering, Give your advice in your master’s council. If he is fluent in his speech, It will not be hard for the envoy to report, Nor will he be answered, "Who is he to know it ?” As to the master, his affairs will fail If he plans to punish him for it. He should be silent upon (hearing): "I have told.” If you are a man who leads. Whose authority reaches wide, You should do outstanding things, Remember the day that comes after. No strife will occur in the midst of honors, But where the crocodile enters hatred arises. If you are a man who leads. Listen calmly to the speech of one who pleads; Don’t stop him from purging his body Of that which he planned to tell. A man in distress wants to pour out his heart More than that his case be won. About him who stops a plea One says: “Why does he reject it ?” Not all one pleads for can be granted, But a good hearing soothes the heart. If you want friendship to endure In the house you enter As master, brother, or friend, In whatever place you enter, Beware of approaching the women! Unhappy is the place where it is done. Unwelcome is he who intrudes on them. A thousand men are turned away from their good: A short moment like a dream, Then death comes for having known them. Poor advice is “shoot the opponent,” When one goes to do it the heart rejects it. He who fails through lust of them, No affair of his can prosper. If you want a perfect conduct, To be free from every evil, Guard against the vice of greed: A grievous sickness without cure, There is no treatment for it. It embroils fathers, mothers, And the brothers of the mother, It parts wife from husband; It is a compound of all evils, A bundle of all hateful things. That man endures whose rule is rightness, Who walks a straight line; He will make a will by it, The greedy has no tomb. Do not be greedy in the division. Do not covet more than your share; Do not be greedy toward your kin. The mild has a greater claim than the harsh. Poor is he who shuns his kin, He is deprived of 'interchange' Even a little of what is craved Turns a quarreler into an amiable man. When you prosper and found your house, And love your wife with ardor, Fill her belly, clothe her back, Ointment soothes her body. Gladden her heart as long as you live, She is a fertile held for her lord. Do not contend with her in court, Keep her from power, restrain her — Her eye is her storm when she gazes — Thus will you make her stay in your house. Sustain your friends with what you have, You have it by the grace of god; Of him who fails to sustain his friends One says, “a selfish ka". One plans the morrow but knows not what will be, The ( right) ka is the ka by which one is sustained. If praiseworthy deeds are done, Friends will say, “welcome!” One does not bring supplies to town, One brings friends when there is need. Do not repeat calumny. Nor should you listen to it, It is the spouting of the hot-bellied. Report a thing observed, not heard, If it is negligible, don’t say anything. He who is before you recognizes worth. lf a seizure is ordered and carried out, Hatred will arise against him who seizes; Calumny is like a dream against which one covers the face. If you are a man of worth, Who sits in his master’s council. Concentrate on excellence, Your silence is better than chatter. Speak when you know you have a solution, It is the skilled who should speak in council; Speaking is harder than all other work. He who understands it makes it serve.