Approaching A Girl For The First Time Quotes

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I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
Violet Bonham Carter
Inviting God to write the chapters of our loves story involves work on our part - not just a scattered prayer here and there, not merely a feeble attempt to find some insight by flopping open the Bible every now and then. It's seeking Him on a daily basis, putting Him in first place at all times, discovering His heart.
Eric Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
A young black man, who I think was a summer intern, approached me in the lobby. Without saying so much as “Excuse me,” he sat down next to me in a huff and growled, “Why do black women get so mad when they see us walking down the street with a white girl?” I slowly turned toward this handsome, ebony boy and said, “Do you really want to know the answer to that question?” He said, “Yeah, I really want to know. I get sick of that shit.” I said, “Well, it might have something to do with this. For decades, black men were lynched, often for allegedly looking at a white woman. Our mothers’ mothers cut the black bodies of their sons and husbands down from the trees. But we black women did something we didn’t have to do before we buried them. First, we washed their bodies.” I let my words sink in and continued. “So, little boy, when you see a black woman walking down the street, you tilt your hat and acknowledge her existence. If only for the fact that first, we washed you. And next time you sit down next to me, you say, ‘Excuse me, Miss Lewis.’ Now get the fuck on where you’re going. I’m studying Brecht, little boy.
Jenifer Lewis (The Mother of Black Hollywood: A Memoir)
Knowing a woman's mind and spirit had been allowed me, with dance I discovered my body more intimately than I had imagined possible. With the acceptance of the ethnicity of my thighs and backside, came a clearer understanding of my voice as a woman and poet. The freedom to move in space, to demand of my own sweat perfection that could continually be approached, though never known, waz poem to me, my body and mind ellipsing, probably for the first time in my life. Dance as explicated by Raymond Sawyer and Ed Mock insisted that everything African, everything halfway colloquial, a grimace, a strut, an arched back over a yawn, waz mine. I moved what waz my unconscious knowledge of being a colored woman's body to my known everydayness.
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
No, let’s be fair,” I said. “Being a villain’s an option.” “You did not say that,” Fox-mask said, incredulous, “It’s not an option at all.” The girl in blue looked at Mrs. Yamada, “Ex-villain’s corrupting the kids, and you’re not stopping her?” Mrs. Yamada was frowning at me. “I’m going somewhere with this, honest,” I said. “If you’re sure,” she said. “I can stop you at any time.” “You can.” I looked at the gathered kids. A few of the less successful butterfly catchers had drifted away and approached. “I always hated the speeches when I was in school, the preaching in auditoriums, the one-note message. Stuff like saying drugs are bad. It’s wrong. Drugs are fantastic.” “Um,” Fox-mask said. Mrs. Yamada was glaring at me, but she hadn’t interrupted. “People wouldn’t do them if they weren’t. They make you feel good, make your day brighter, give you energy-” “Weaver,” Mrs. Yamada cut in. “-until they don’t,” I said. “People hear the message that drugs are bad, that they’ll ruin your life if you do them once. And then you find out that isn’t exactly true because your friends did it and turned out okay, or you wind up trying something and you’re fine. So you try them, try them again. It isn’t a mind-shattering moment of horrible when you try that first drug. Or so I hear. It’s subtle, it creeps up on you, and you never really get a good, convincing reason to stop before it ruins your life beyond comprehension. I never went down that road, but I knew a fair number of people who did. People who worked for me, when I was a supervillain.
Wildbow (Worm (Parahumans, #1))
When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud. As the Poet introduced the next performer, all I heard was "bang bang," and when Lana returned to the table reserved for all the performers, with the seat next to her left empty by the singer who had replaced her, I told Bon I would be back in ten minutes. I heard him say, Don't do it, you stupid bastard, but without further thought I began my walk across the lounge. The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
He is totally dreamy Grace. You see that don’t you?” Sarah gave me more Caylie learned lingo. “Oh, don’t I know. I just don’t want anyone else dreaming about him.” “He’s far from ugly Grace. He’s gorgeous.” I gave her a glare. She kept on, “I will tell you this because you are my friend. He is so gorgeous every girl in this court has fantasized about him, including me. But you don’t see the way we see him look at you. The way he stops everything when you come in the room. They way his eyes pop when you speak the first time to him when you approach. It’s how he breathes too Grace. He seems to hold his breath until you are close enough for him to touch. He is completely and utterly in love with you girl.
Cyndi Goodgame
In the twilight and the night the rabbits came regularly and made a hearty meal. All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub oaks, running over the snow-crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were eyed on him—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl—wasting more time in delay and circumspection than would have sufficed to walk the whole distance—I never saw one walk—and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch pine,
Henry David Thoreau (Walden)
The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve. Sitting down next to Lana and thinking of nothing, I merely followed my instincts and my first three principles in talking to a woman: do not ask for permission; do not say hello; and do not let her speak first… Fourth principle: give a woman the chance to reject something else besides me… which gave me a few seconds to say something while she focused on (the original offer).
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Because he loves as man only, not as human being, for this reason there is in his sexual feeling something narrow, seeming wild, spiteful, time-bound, uneternal. The girl and the woman, in their new, their own unfolding, will but in passing be imitators of masculine ways, good and bad, and repeaters of masculine professions. After the uncertainty of such transitions it will become apparent that women were only going through the profusion and the vicissitude of those (often ridiculous) disguises in order to cleanse their own most characteristic nature of the distorting influences of the other sex. Women, in whom life lingers and dwells more immediately, more fruitfully and more confidently, must surely have become fundamentally riper people, more human people, than easygoing man, who is not pulled down below the surface of life by the weight of any fruit of his body, and who, presumptuous and hasty, undervalues what he thinks he loves. This humanity of woman, borne its full time in suffering and humiliation, will come to light when she will have stripped off the conventions of mere femininity in the mutations of her outward status, and those men who do not yet feel it approaching today will be surprised and struck by it. Some day (and for this, particularly in the northern countries, reliable signs are already speaking and shining), some day there will be girls and women whose name will no longer signify merely an opposite of the masculine, but something in itself, something that makes one think, not of any complement and limit, but only of life and existence: the feminine human being. This advance will (at first much against the will of the outstripped men) change the love-experience, which is now full of error, will alter it from the ground up, reshape it into a relation that is meant to be of one human being to another, no longer of man to woman. And this more human love (that will fulfill itself, infinitely considerate and gentle, and kind and clear in binding and releasing) will resemble that which we are preparing with struggle and toil, the love that consists in this, that two solitudes protect and border and salute each other.
Rainer Maria Rilke (Rilke on Love and Other Difficulties: Translations and Considerations)
You’re having a bad day. You mess up a few lines. You’re distracted. You’ve had this look about you all afternoon, like you’re not quite there. “Christ, Cunningham, get it together,” Hastings says, running his hands down his face. “If you can’t handle being Brutus—” “Fuck you.” You cut him off. “Don’t act like you’re perfect.” “I don’t make rookie mistakes,” Hastings says. “Maybe if you weren’t so preoccupied with trying to screw the new girl, you might—” BAM. You shut him up mid-sentence with a punch to the face, your fist connecting hard, nearly knocking him off his feet. He stumbles, stunned, as you go at him again, grabbing the collar of his uniform shirt and yanking him to you. “Shut your fucking mouth.” People come between the two of you, forcing you apart. Hastings storms out, shouting, “I can’t deal with him!” Drama Club comes to a screeching halt. You stand there for a moment, fists clenched at your side, calming down. You flex your hands, loosening them as you approach the girl. She’s watching you in silence, expression guarded. You sit down near her. There’s an empty seat between you today. It’s the first time you’ve not sat right beside her in weeks. You’re giving her space. It doesn’t take long before Hastings returns, but he isn’t alone. The administrator waltzes in behind him. The man heads for you, expression stern. “Cunningham, give me one good reason why I shouldn’t expel you.” “Because my father gives you a lot of money.” “That’s what you have to say?” “Is that not a good reason?” “You punched a fellow student!” “We were just acting,” you say. “I’m Brutus. He’s Caesar. It’s to be expected.” “Brutus stabs him. He doesn’t throw punches.” “I was improvising.” The girl laughs when you say that. She tries to stop herself, but the sound comes out, and the administrator hears it, his attention shifting to her. “Look, it won’t happen again,” you say, drawing the focus back to you. “Next time, I’ll stab him and be done with it.” “You better watch yourself,” the administrator says, pointing his finger in your face. “One more incident and you’re gone for good. Understand?” “Yes, sir.” “And rest assured, your father will be hearing about this
J.M. Darhower (Ghosted)
What a difference there is between possessing a woman with one’s body alone, because she is no more than a piece of flesh, and possessing the girl one used to see on the beach with her friends on certain days, without even knowing why it was on those days and not on others, so that one trembled to think one might not see her again. Life had been so kind as to reveal the whole extent of this young girl’s life, had lent first one optical instrument, then another, to see her with, and then added to carnal desire the accompaniment, multiplying and diversifying it, of other desires, more spiritual and less easily satisfied, which lie inert and unaffected when it is merely a question of the conquest of a piece of flesh, but which, when they want to gain possession of a whole field of memories from which they have felt nostalgically exiled, surge up wildly around carnal desire, extend it, are unable to follow it to the fulfillment, the assimilation, impossible in the form in which it is sought, of an immaterial reality, but wait for this desire halfway and, the moment the memory of it returns, are there to escort it once more; to kiss, not the cheeks of the first woman who comes along—anonymous, devoid of mystery and glamour, however cool and fresh those cheeks may be—but those of which I had so long been dreaming, would be to know the taste, the savor, of a color I had so often contemplated. One sees a woman, a mere image in life’s scene, like Albertine silhouetted against the sea, and then it becomes possible to detach that image, bring it close, and gradually observe its volume, its colors, as though it had been placed behind the lenses of a stereoscope. For this reason, women who tend to be resistant and cannot be possessed at once, of whom indeed it is not immediately clear that they can ever be possessed at all, are the only interesting ones. For to know them, to approach them, to conquer them is to make the human image vary in shape, in size, in relief, a lesson in relativity in the appreciation of a woman’s body, a joy to see anew when it has regained its slender outline against the backdrop of reality. Women who are first encountered in a brothel are of no interest, because they remain static.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
Henry David Thoreau (Walden or Life in the Woods)
I prepared to explore it as I had done the others; but no sooner had I entered the lodge than my fire failed me, leaving me in total darkness. Handing it out to the doctor to be relighted, I began feeling my way about the interior of the lodge. I had almost made the circuit when my hand came in contact with a human foot; at the same time a voice unmistakably Indian, and which evidently came from the owner of the foot, convinced me that I was not alone. I would have gladly placed myself on the outside of the lodge and there matured plus for interviewing its occupant; but, unfortunately, to reach the entrance of the lodge, I must either pass over or around the owner of the before-mentioned foot and voice. Could I have been convinced that among its other possessions there was neither tomahawk nor scalping-knife, pistol nor war club, or any similar article of the noble red man's toilet, I would have risked an attempt to escape through the low narrow opening of the lodge; but who ever saw an Indian without one or all of these interesting trinkets? Had I made the attempt, I should have expected to encounter either the keen edge of the scalping-knife or the blow of the tomahawk and to have engaged in a questionable struggle for life. This would not do. I crouched in silence for a few moments, hoping the doctor would return with the lighted fire. I need not say that each succeeding moment spent in the darkness of that lodge seemed like an age. I could hear a slight movement on the part of my unknown neighbor, which did not add to my comfort. Why does the doctor not return? At last I discovered the approach of a light on the outside. When it neared the entrance I called to the doctor and informed him that an Indian was in the lodge, and that he had better have his weapons ready for a conflict. With his lighted fire in one hand and docked revolver in the other, the doctor cautiously entered the lodge. And there, directly between us, wrapped in a buffalo robe, lay the cause of my anxiety - a little Indian girl, probably ten years old; not a full blood, but a half-breed. She was terribly frightened to find herself in our hands, with none of her people near. Why was she left behind in this manner? This little girl, who was at first an object of our curiosity, became at once an object of our pity. The Indians, an unusual thing for them to do toward their own blood, had willfully deserted her; but this, alas! was the least of their injuries to her. After being shamefully abandoned by the entire village, a few of the young men of the tribe returned to the deserted lodge, and upon the person of this little girl, committed outrages, the details of which are too sickening for these pages. She was carried to the fort and placed under the care of kind hands and warm hearts, where everything was done for her comfort that was possible.
George Armstrong Custer (My Life on the Plains: Or, Personal Experiences with Indians)
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
Marcel Proust (In Search of Lost Time: Swann's Way)
Chapter One Vivek Ranadivé “IT WAS REALLY RANDOM. I MEAN, MY FATHER HAD NEVER PLAYED BASKETBALL BEFORE.” 1. When Vivek Ranadivé decided to coach his daughter Anjali’s basketball team, he settled on two principles. The first was that he would never raise his voice. This was National Junior Basketball—the Little League of basketball. The team was made up mostly of twelve-year-olds, and twelve-year-olds, he knew from experience, did not respond well to shouting. He would conduct business on the basketball court, he decided, the same way he conducted business at his software firm. He would speak calmly and softly, and he would persuade the girls of the wisdom of his approach with appeals to reason and common sense. The second principle was more important. Ranadivé was puzzled by the way Americans play basketball. He is from Mumbai. He grew up with cricket and soccer. He would never forget the first time he saw a basketball game. He thought it was mindless. Team A would score and then immediately retreat to its own end of the court. Team B would pass the ball in from the sidelines and dribble it into Team A’s end, where Team A was patiently waiting. Then the process would reverse itself. A regulation basketball court is ninety-four feet long. Most of the time, a team would defend only about twenty-four feet of that, conceding the other seventy feet. Occasionally teams played a full-court press—that is, they contested their opponent’s attempt to advance the ball up the court. But they did it for only a few minutes at a time. It was as if there were a kind of conspiracy in the basketball world about the way the game ought to be played, Ranadivé thought, and that conspiracy had the effect of widening the gap between good teams and weak teams. Good teams, after all, had players who were tall and could dribble and shoot well; they could crisply execute their carefully prepared plays in their opponent’s end. Why, then, did weak teams play in a way that made it easy for good teams to do the very things that they were so good at? Ranadivé looked at his girls. Morgan and Julia were serious basketball players. But Nicky, Angela, Dani, Holly, Annika, and his own daughter, Anjali, had never played the game before. They weren’t all that tall. They couldn’t shoot. They weren’t particularly adept at dribbling. They were not the sort who played pickup games at the playground every evening. Ranadivé lives in Menlo Park, in the heart of California’s Silicon Valley. His team was made up of, as Ranadivé put it, “little blond girls.” These were the daughters of nerds and computer programmers. They worked on science projects and read long and complicated books and dreamed about growing up to be marine biologists. Ranadivé knew that if they played the conventional way—if they let their opponents dribble the ball up the court without opposition—they would almost certainly lose to the girls for whom basketball was a passion. Ranadivé had come to America as a seventeen-year-old with fifty dollars in his pocket. He was not one to accept losing easily. His second principle, then, was that his team would play a real full-court press—every game, all the time. The team ended up at the national championships. “It was really random,” Anjali Ranadivé said. “I mean, my father had never played basketball before.” 2. Suppose you were to total up all the wars over the past two hundred years that occurred between very large and very small countries. Let’s say that one side has to be at least ten times larger in population and armed might
Malcolm Gladwell (David and Goliath: Underdogs, Misfits and the Art of Battling Giants)
Isn’t this the weekend of Xander Eckhart’s party?” “Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone. “So are you bringing anyone?” Melinda asked. Foiled. Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.” Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?” “Because I just met him a few days ago.” Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?” “What does he do?” Melinda asked. “Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?” Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends. With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp. Blame it on Kyle. I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now. Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation. Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.” “Oh, he definitely is that,” Melinda said with a gleam in her eye. Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?” Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.” “He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?” “Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin. “And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said. “I second that,” Jordan said, and the three women clinked their glasses in agreement
Julie James (A Lot like Love (FBI/US Attorney, #2))
When we reach the fence, we see the Dauntless standing in our headlight beams, blocking the gate. Their blue armbands stand out against the rest of their clothing. I try to keep my expression pleasant. I will not be able to fool them into thinking I’m Amity with a scowl on my face. A dark-skinned man with a gun in hand approaches Marcus’s window. He shines a flashlight at Marcus first, then Christina, then me. I squint into the beam, and force a smile at the man like I don’t mind bright lights in the eyes and guns pointed at my head in the slightest. The Amity must be deranged if this is how they really think. Or they’ve been eating too much of that bread. “So tell me,” the man says. “What’s an Abnegation member doing in a truck with two Amity?” “These two girls volunteered to bring provisions to the city,” Marcus says, “and I volunteered to escort them so that they would be safe.” “Also, we don’t know how to drive,” says Christina, grinning. “My dad tried to teach me years ago but I kept confusing the gas pedal for the brake pedal, and you can imagine what a disaster that was! Anyway, it was really nice of Joshua to volunteer to take us, because it would have taken us forever otherwise, and the boxes were so heavy--” The Dauntless man holds up his hand. “Okay, I get it.” “Oh, of course. Sorry.” Christina giggles. “I just thought I would explain, because you seemed so confused, and no wonder, because how many times do you encounter this--””Right,” the man says. “And do you intend to return to the city?” “Not anytime soon,” Marcus says. “All right. Go ahead, then.” He nodes to the other Dauntless by the gate. One of them types a series of numbers on the keypad, and the gate slides open to admit us. Marcus nods to the guard who let us through and drives over the worn path to Amity headquarters. The truck’s headlights catch tire tracks and prairie grass and insects weaving back and forth. In the darkness to my right I see fireflies lighting up to a rhythm that is like a heartbeat. After a few seconds, Marcus glances at Christina. “What on earth was that?” “There’s nothing the Dauntless hate more than cheerful Amity babble,” says Christina, lifting a shoulder. “I figured if he got annoyed it would distract him and he would let us through.” I smile with all my teeth. “You are a genius.” “I know.” She tosses her head like she’s throwing her hair over one shoulder, only she doesn’t have enough to throw. “Except,” says Marcus. “Joshua is not an Abnegation name.” “Whatever. As if anyone knows the difference.
Veronica Roth (Insurgent (Divergent, #2))
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I thought I explained this,” Luke said, sounding annoyed. “She’s a beautiful young girl. She might be a chronological twenty-five, but subtract a few years of her being tied to an invalid. She would be carded in most bars. I was almost her first flirt! She should do things! Experience things! She’s been patient and dedicated a long time—she has to get out there and…” “And not take a chance on you and then realize in a couple years that she was hasty,” Aiden supplied. “Aw, what the hell,” Luke said, standing up and running a hand across the back of his neck. “She’s not ready to make that kind of choice. She might think she is, but she’s not!” “Because you weren’t?” “She’s too young!” “Because you were?” Luke didn’t respond. He turned his back on his brother. Aiden stood up and approached Luke’s back. He put a hand on his shoulder and squeezed. “You weren’t too young when you married Felicia. You weren’t too naive or inexperienced when you were twenty-five. You had it all—you were sharp and loyal and you knew how you felt. You had enough passion and commitment to never change your mind. You got screwed up by someone who wasn’t your match. I’m sorry, buddy, but it wasn’t your fault. Jesus, will you ever let yourself off the hook for that? You didn’t cheat on her! She went out on you!” “She wasn’t enough,” he said. Then he laughed ruefully and shook his head. “That’s what she said to me….” “Felicia?” Luke turned around. “Shelby. She said she knew she wasn’t enough….” “Oh, Christ,” Aiden said in a breath.
Robyn Carr (Temptation Ridge)
There were dozens of theories about what it was, that dome. Every scientist in the world, it seemed, had made a pilgrimage to the site. Tests had been conducted, measurements taken. They had tried drilling through it. Under it. Had flown over it. Had dug beneath it. Had approached it by submarine. Nothing worked. Every species of doomsayer from Luddite to End Times nut had had his say. It was a judgment. On America’s technological obsession, on America’s moral failure. This. That. Something else. Then the twins had popped out. Just like that. First Emma. Then, a few minutes later, Anna. Alive and well at the exact moment of their fifteenth birthday. They told tales of life inside the bowl. What they called the FAYZ. Connie Temple’s heart had swelled with pride for what she had learned of her son, Sam. And crashed into despair with tales of her other son, her unacknowledged child, Caine. Then, nothing. No other kids arrived for a while. Black despair settled over the families as they realized that it would be only these two. Months passed. Many lost faith. How could kids survive alone? But then, the Prophetess had reached into their dreams. One night Connie Temple had a lurid, incredible dream. She’d never had such a detailed dream. It was terrifying. The power of it took her breath away. There was a girl in that dream. This girl spoke to her in the dream. It’s a dream, the girl said. Yes, just a dream, Connie had answered. Not just a dream. Never say “just” a dream, the girl had corrected. A dream is a window to another reality. Who are you? Connie had asked. My name is Orsay. I know your son. Connie had been about to say, Which one? But some instinct stopped her. The girl did not look dangerous. She looked hungry. Do you have a message for Sam? the girl asked. Yes, Connie said. Tell him to let them go. Let them go. Let them go off into the red sunset.
Michael Grant (Lies (Gone, #3))
She went silent but shuddered again. When it happened a third time, he realized the woman he was holding was near tears, and he forgot all about thunder, artillery, and infantry. “Miss Farnum?” She burrowed into his chest. “Emmaline?” The crying was still not audible, but her body gave off heat, and when he bent his face to her, his nose grazed her damp cheek. “Hush, now.” He gathered her into his embrace and stroked her hair back from her face in a long, slow caress. “You mustn’t take on. Winnie won’t go anywhere for many years, and you will always be dear to her.” He pattered on, no longer aware of the storm outside, so wrapped up was he with this much more personal upheaval. Her words came back to him, the words about Winnie’s deserving and not having a papa’s affections, Winnie’s not being able to trust a gentleman’s advances, Winnie’s being sent away. Winnie, indeed. He let her cry, and soothed and comforted as best he could, but eventually she quieted. “I am mortified,” she whispered, her face pressed to his chest. “You will think me an unfit influence on Bronwyn.” “I think you very brave,” he said, his nose brushing her forehead. “Very resourceful but also a little tired of being such a good girl and more than a little lonely.” She said nothing for a moment but stopped her nascent struggle to get off his lap. “You forgot, a lot embarrassed,” she said at length. “I get like this—” She stopped abruptly, and he felt heat suffuse her face where her cheek lay against his throat. “You get like this when your menses approach. I have five sisters, if you will recall.” He tried without much success to keep the humor from his voice. “And do they fall weeping into the lap of the first gentleman to show them simple decency?” Emmie asked sternly. “If he were the first gentleman in years of managing on their own, then yes, I think they would be moved to tears.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
A great story about a big company’s ability to do this comes from one of the world’s biggest businesses, General Electric. I learned about Doug Dietz a few years ago when I saw him speak to a group of executives. Doug leads the design and development of award-winning medical imaging systems at GE Healthcare. He was at a hospital one day when he witnessed a little girl crying and shaking from fear as she was preparing to have an MRI — in a big, noisy, hot machine that Dietz had designed. Deeply shaken, he started asking the nurses if her reaction was common. He learned that 80 percent of pediatric patients had to be sedated during MRIs because they were too scared to lie still. He immediately decided he needed to change how the machines were designed. He flew to California for a weeklong design course at Stanford’s d.school. There he learned about a human-centric approach to design, collaborated with other designers, talked to healthcare professionals, and finally observed and talked to children in hospitals. The results were stunning. His humandriven redesigns wrapped MRI machines in fanciful themes like pirate ships and space adventures and included technicians who role-play. When Dietz’s redesigns hit children’s hospitals, patient satisfaction scores soared and the number of kids who needed sedation plummeted. Doug was teary-eyed as he told the story, and so were many of the senior executives in the audience. Products should be designed for people. Businesses should be run in a responsive, human-centric way. It is time to return to those basics. Let TRM be your roadmap and turn back to putting people first. It worked for our grandparents. It can work for you.
Brian de Haaff (Lovability: How to Build a Business That People Love and Be Happy Doing It)
The next time we met up he’d arrived in Lycra running gear, a zip-up jacket, a black beanie hat. I didn’t know it was him at first because his face was covered by a balaclava. As he approached, he pulled it down and I saw his smiling face emerge. He said, “What do you think? Invisible enough?” I pointed at the balaclava and laughed and said, “Where’d you get that scary-assed shit from?” He shrugged. “Found it in my dad’s drawer.
Lisa Jewell (Invisible Girl)
helps enormously to save the fun stuff for after they’ve taken care of their responsibilities. In my home, this means that screen time comes after my girls put away their backpacks, feed the cats, empty the dishwasher, and set the table. It could be that dessert happens after your child clears and wipes the table. Whatever it is for you, your parenting life will be easier if you establish a culture of responsibilities before privileges. Please don’t use this approach as a threat, as in: “If you don’t do , you won’t get .” Instead, think of it as, “First we do [responsibility], then we do [fun thing].
Hunter Clarke-Fields (Raising Good Humans: A Mindful Guide to Breaking the Cycle of Reactive Parenting and Raising Kind, Confident Kids)
We pulled up behind a huge red barn where we were met by two young women. They greeted us with friendly smiles. I noticed the taller of the two had her blond hair braided perfectly over her shoulders. Dale waved as he walked past them into the barn. “Morning, ladies.” “Morning, Dale,” they said in unison. “I’m Nate.” I put my hand out as I approached, but they started laughing. The shorter, dark-haired girl looked away shyly. “We know,” the girl with braids said. “You’re the doctor.” “Yes, I’m a doctor.” “I’m a doctor, too,” my father interrupted wryly, but the girls didn’t seem to care. They followed us into the barn where we found Dale in one of the stalls looking over a mare. “Get in here, Nate, and put on one of those gloves.” He pointed to a long plastic glove hanging out of his case. My father leaned over the stall door and watched the show. “Go on, Nate. Get the glove on, son.” I moved into the stall, took the glove in hand, and proceeded to pull it all the way up to my shoulder. The girls watched and tried to suppress their laughter. “What’s going on?” “Come on, Nate. You can’t be that clueless,” my dad said. Dale turned to him. “See how smart that fancy college made your boy?” I looked to the girls for a clue. The short one laughed into her hands before the one in braids said, “You’re gonna have to stick your hand up the horse’s ass and pull out the poo.” She burst into laughter and then they scurried away. “What? No. No. I can’t. Do you know how much these hands are worth?” “Come on, Nate, give me a break. Nothing is going to happen to your hand, just be gentle with her. You don’t want to get kicked in the balls. I can’t imagine it feels very good to have a bony arm like yours up her ass.” My father was really enjoying himself. “Why do I have to do this?” “Because we’ve both paid our dues.” “Dear god.” I moved toward the rear of the mare and looked up to Dale. “Pet her real nice, right there on her behind. Let her know you come in peace.” “Jesus Christ.” “And a horse’s ass.” “Stop it, Dad!” Dale came over with a large milk jug full of clear gel. “Hand out, son. Got to lube her up first.” “You’ve got to be kidding me. You two are enjoying this.” “Immensely,” my father said. Uncle Dale continued petting the mare’s head and trying to calm her. “Nate, I’ve done this a million times. Dolly here is constipated. She needs us to help her out. Now work your way in there and see if you can’t find the blockage.” I hesitated, staring at Dolly’s hindquarters as she whipped her tail around. “She seems pissed,” I said. “She’s just really uncomfortable. You’ll see once you grow a set and get this procedure under way.” “I don’t know if I should be doing this. This horse isn’t familiar with me.” “What do you want to do, take her out on a date? You’re a doctor, kid. Buck up.” With no expression on my face, I looked back toward the stall door and my father’s smug grin. “No more talking, Dad.” I pushed my hand into poor Dolly’s backside and immediately discovered the culprit. The odor alone could have killed a small animal. Gagging, I pulled handful after handful of . . . well . . . poo, out of the horse’s enormous anal cavity. About ten minutes into the procedure, Dolly seemed to relax and feel better. “She likes you, Nate,” my uncle said. I’d had too many encounters with shit since I’d been on the ranch to find humor in anything my father or uncle said. “That’s it. She’s good,” I mumbled as I pulled the disgusting glove off my hand. I walked out into the main part of the barn to a sink where I attempted to wash the skin off my hands.
Renee Carlino (After the Rain)
Onward Christian Lawyers KELLY SHACKELFORD, LIBERTY LEGAL INSTITUTE, PLANO, TEXAS Kelly Shackelford founded Liberty Legal Institute in 1997 to fight for the protection of religious freedoms and First Amendment rights for individuals, groups, and churches. Shackelford clerked for a federal judge after law school. "When their freedoms are taken away, the average person isn't 0. J. Simpson and can't just go out and hire the dream team. My heart has always been to make sure that those people have the best representation possible so that the government can't erode all of our freedoms by picking on the people who don't have the money to fight. "Religion is the new pornography. If somebody says something religious, the average government official feels like he or she has to run from the room, screaming with their hair on fire. Religion is treated like pornography would be treated if you brought it into the school. I mean, there's a fear. There's a shame, almost, directed toward it. "The ACLU is mainly operating on remote control. They've injected this chilling atmosphere that's antireligious in the schools and they don't even have to do anything in most instances to effectuate a religious cleansing in the schools. They've managed to scare and intimidate and the lore in school districts is religion is bad, religion will get you in trouble. ''I'd say a decent percentage of the time, the person who engages in the violation of our clients' rights is somebody who later will tell us, Tm a religious person.' They just didn't know any better, and what they're doing is reacting. They go to the kneejerk, shut-it-down action. 'Oh, it's religion? We must shut it down .' That is the general approach. "These are young kids. They're in third grade or fourth grade or fifth grade. And the lesson they learn is there are words you can't say. You can't say these curse words, and then you can't say your religion. You can't talk about your religion. And it's a very powerful message. "We had a case where the kids could could draw a tracing of their foot, then put a message on the drawing of their foot, and then put it up on the board in class. And all these kids had all these very innocuous messages, 'Jenny loves Johnny' and 'Peace' and such. A girl very innocently wrote 'Jesus Loves Me.' And the teacher ripped it down, and said to her, 'Don't you ever do this again.' The girl went home crying and wondering what she'd done wrong. "The father was just infuriated. We called the school. And that time, the school had already realized they were in big trouble. And so they went back to this little girl and they told her, unbeknownst to any of us, 'Go ahead and do another - go ahead and do another one and put it up.' She redrew her foot. And instead of writing 'Jesus Loves Me' in the innocent and pure way she did before, she put a little tiny cross up in the very top corner that you could just barely see. ''And I thought, 'There's the picture of what happens inside to these little kids.' She's learned the lesson. Don't be open about your faith. Don't be honest about your faith. Hide it. You can still be whoever you are as long as you'll hide it. They taught her selfoppression and self-censorship through this hysterical reaction to her. They robbed her of that innocence and of that purity of being open about her faith. "That's the sort of thing I decided to fight.
John Gibson (The War on Christmas: How the Liberal Plot to Ban the Sacred Christian Holiday Is Worse Than You Thought)
There are two themes I wish to illustrate through this almost entirely true short story. The first is that God compensates women He does not endow with good looks in His own mysterious ways. A plain-looking, homely type of girl need not envy her better-looking sisters because men are more likely to make passes at her than at girls who resemble Marilyn Monroe or Prema Narayan. He makes good-looking lasses haughty and arrogant and only gigolo types have the confidence to approach them. That is why the plainer-looking have a better time with men and end up making better marriages than pretty ones who seldom have a satisfying sex life and usually make disastrous marriages.
Khushwant Singh (On Love and Sex)
Daddy!” she called out. Nerissa laughed as her niece approached and stood up straight. “Good morning to you, too,” I chuckled. “Yeah, yeah, that,” Marella panted. “I just had a vision, but I have no idea what it means. It’s the first time something like that’s happened to me.” “Tell us about it, child,” Nerissa ordered quickly. “I just saw fire,” Marella said as her brow furrowed. “A lot of it. It burned along the ocean water, which shouldn’t be possible, but somehow it did. It was like the water was its fuel. And then I saw you.” “Uh, was I on fire?” I clarified. If I was about to be lit on fire somehow, I definitely needed to know. “No.” My kid shook her head vigorously. “But I felt this urge. I can’t explain it, but all of a sudden, I just knew I needed to tell you it’s time to leave. You need to travel, because that’s how you’ll find the fire.” “And I’m supposed to find the fire that burns on water?” I asked with a raised eyebrow. “Because that’s not what most people want to seek out in life.” “Daddy, I’m serious.” Marella rolled her eyes in a fashion that was so spot on American teenager, I had to cover my mouth with my hand to hold back the laughter.
Logan Jacobs (Monster Girl Islands 5 (Monster Girl Islands, #5))
Afterwards I could not help admiring the discrimination of the host and hostess in the distribution of the children’s presents. The little girl, who had already a portion of three hundred thousand roubles, received the costliest doll. Then followed presents diminishing in value in accordance with the rank of the parents of these happy children; finally, the child of lowest degree, a thin, freckled, red-haired little boy of ten, got nothing but a book of stories about the marvels of nature and tears of devotion, etc., without pictures or even woodcuts. He was the son of a poor widow, the governess of the children of the house, an oppressed and scared little boy. He was dressed in a short jacket of inferior nankin. After receiving his book he walked round the other toys for a long time; he longed to play with the other children, but did not dare; it was evident that he already felt and understood his position. I love watching children. Their first independent approaches to life are extremely interesting. I noticed that the red-haired boy was so fascinated by the costly toys of the other children, especially by a theatre in which he certainly longed to take some part, that he made up his mind to sacrifice his dignity.
Fyodor Dostoevsky (El árbol de navidad y otros cuentos)
I was studying at Besant Girls’ School at Mangalore. The teachers were also training us in various extracurricular activities. Some of us friends were in the dance and drama training class. Shivarama Karanth was our dance teacher! The appointed day for staging some play was approaching. We were rehearsing hard for the day. That was not the first time I had seen Karanth. Many a time I had been the target of his short temper during our drama rehearsals. I had also argued back with him more than any other student in the class. On this day he had called all the girls to help him in making the costumes and jewellery needed for the play. Lots of gold and silver foils, coloured crepe papers and beads were spread out before him. With his nimble fingers literally dancing, Karanth wielded the scissors to cut out papers and foil, sticking them to create crowns, waistbands, armbands and such other costumes. He was so fast and so deft! I was mesmerised by those artistic hands. In the past, I had argued as well as chatted with him happily, along with my friends, without feeling such an emotion. But this was a very decisive, strange moment in my life. Until then I did not know what I really wanted to possess in my life … On that day, at that moment, I felt I had to possess those magical hands, forever. A strong desire filled my heart to make those hands exclusively mine. Those magical hands began to haunt me day and night after that moment. Being a girl, the only way I could possess them was to marry the man. Traditionally, a girl’s mother is the conduit to carry a daughter’s desires to her father. I wasn’t that fortunate: I had already lost my mother. How I wished my mother were alive! After brooding over my dilemma for two days, I could see no other option than boldly opening my heart to my father.
Ullas K Karanth (Growing Up Karanth)
As for the genitals, just as he first cut them off with his instrument of adamant and threw them from the land into the surging sea, even so they were carried on the waves for a long time. About them a white foam grew from the immortal flesh, and in it a girl formed. First she approached holy Cythera;* then from there she came to sea-girt Cyprus. And out stepped a modest and beautiful goddess, and the grass began to grow all round beneath her slender feet. Gods and men call her Aphrodite, because she was formed in foam,* and Cytherea, because she approached Cythera, and Cyprus-born, because she was born in wave-washed Cyprus, and ‘genial’,* because she appeared out of genitals.
Hesiod (Theogony and Works and Days)
As for the genitals, just as he first cut them off with his instrument of adamant and threw them from the land into the surging sea, even so they were carried on the waves for a long time. About them a white foam grew from the immortal flesh, and in it a girl formed. First she approached holy Cythera;* then from there she came to sea-girt Cyprus. And out stepped a modest and beautiful goddess, and the grass began to grow all round beneath her slender feet. Gods and men call her Aphrodite, because she was formed in foam,* and Cytherea, because she approached Cythera, and Cyprus-born, because she was born in wave-washed Cyprus, and ‘genial’,* because she appeared out of genitals. Eros and fair Desire attended her birth and accompanied her as she went to join the family of gods.
Hesiod (Theogony and Works and Days)
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