Appointment In Samarra Quotes

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When Caroline Walker fell in love with Julian English she was a little tired of him. That was in the summer of 1926, one of the most unimportant years in the history of the United States, and the year in which Caroline Walker was sure her life had reached a pinnacle of uselessness.
John O'Hara (Appointment in Samarra)
Death speaks: There was a merchant in Bagdad who sent his servant to market to buy provisions and in a little while the servant came back, white and trembling and said, Master, just now when I was in the market-place I was jostled by a woman in the crowd and when I turned I saw it was Death that jostled me. She looked at me and made a threatening gesture; now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to Samarra and there Death will not find me. The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the market-place and he saw me standing in the crowd and he came to me and said, Why did you make a threatening gesture to my servant when you saw him this morning? That was not a threatening gesture, I said, it was only a start of surprise. I was astonished to see him in Bagdad, for I had an appointment with him tonight in Samarra.
W. Somerset Maugham
I love you? Yes, I love you. Like saying I have cancer.
John O'Hara (Appointment in Samarra)
A merchant in Baghdad sends his servant to the marketplace for provisions. Shortly, the servant comes home white and trembling and tells him that in the marketplace he was jostled by a woman, whom he recognized as Death, and she made a threatening gesture. Borrowing the merchant's horse, he flees at top speed to Samarra, a distance of about 75 miles (125 km), where he believes Death will not find him. The merchant then goes to the marketplace and finds Death, and asks why she made the threatening gesture. She replies, "That was not a threatening gesture, it was only a start of surprise. I was astonished to see him in Baghdad, for I had an appointment with him tonight in Samarra.
John O'Hara
God help us all but he was right. It was time for him to die. There was nothing for him to do today, there was nothing for him to do today.… There, that was settled. Now let the whole thing begin again.
John O'Hara (Appointment in Samarra)
I told you when you were married, I told you to take a firm stand on certain things.” “You never told me what things, though.” “Well, dear, a nice girl. I couldn’t very well tell you some things till the matter came up.
John O'Hara (Appointment in Samarra)
The liquor, that is, the rye, was all about the same: most people bought drug store rye on prescriptions (the physicians who were club members saved 'scrips' for their patients), and cut it with alcohol and colored water. It was not poisonous, and it got you tight, which was all that was required of it and all that could be said for it.
John O'Hara (Appointment in Samarra)
Out story never ends. You pull the pin out of a hand grenade, and in a few seconds it explodes and men in a small area get killed and wounded. That makes bodies to be buried, hurt men to be treated. It makes widows and fatherless children and bereaved parents. It means pension machinery, and it makes for pacifism in some and for lasting hatred in others. Again, a man out of the danger area sees the carnage the grenade creates, and he shoots himself in the foot. Another man had been standing there just two minutes before the thing went off, and thereafter he believes in God or in a rabbit’s foot. Another man sees human brains for the first time and locks up the picture until one night years later, when he finally comes out with a description of what he saw, and the horror of his description turns his wife away from him....
John O'Hara (Appointment in Samarra)
He stood at the table, looking down at the handkerchief case and stud box, and was afraid. Upstairs was a girl who was a person. That he loved her seemed unimportant compared to what she was. He only loved her, which really made him a lot less than a friend or an acquaintance. Other people saw her and talked to her when she was herself, her great, important self. It was wrong, this idea that you know someone better because you have shared a bed and a bathroom with her. He knew, and not another human being knew, that she cried “I” or “high” in moments of great ecstasy. He knew, he alone knew her when she let herself go, when she herself was not sure whether she was wildly gay or wildly sad, but one and the other. But that did not mean that he knew her. Far from it. It only meant that he was closer to her when he was close, but (and this was the first time the thought had come to him) maybe farther away than anyone else when he was not close. It certainly looked that way now.
John O'Hara (Appointment in Samarra)
But William Dilworth English, M.D., was not thinking of the immediate punishment of his son; that was something which could be decided upon. He was not thinking of the glory of having a son who hopped freight trains. The thing that put him in the deep mood and gave him the heavy look that Julian saw on his face was that 'chip off the old block' refrain of Butch Doerflinger’s. William Dilworth English was thinking of his own life, the scrupulous, notebook honesty; the penny-watching, bill-paying, self-sacrificing honesty that had been his religion after his own father’s suicide. And that was his reward: a son who turned out to be like his grandfather, a thief.
John O'Hara (Appointment in Samarra)
I’m so afraid, but it’s just as wrong to stop, isn’t it? Isn’t it just as wrong to stop?
John O'Hara (Appointment in Samarra)
There were numerous physical combats between husbands and wives, and not always the husbands that matched the wives. Kitty Hofman, for instance, had been given a black eye by Carter Davis when she kicked him in the groin for dunking her head in a punch bowl for calling him a son of a bitch for telling her she looked like something the cat dragged in. And so on.
John O'Hara (Appointment in Samarra)
It made a change in himself, and we must not change ourselves much. We can stand only so many—so few—changes. To know that there were people who he thought were his friends, his good friends, but who were his enemies—that was going to make a change, he knew. When was the last time there had been a change in himself? He thought and thought, rejecting items that were not change but only removal or adornment.
John O'Hara (Appointment in Samarra)
and nominally a cigar manufacturer. He never came to the club except on nights like this, when Mr. and Mrs. Ammermann would entertain a few of their—her—friends at a smaller table. Mildred, towering above Losch, the club steward, and pointing, daintily for her, with one finger as she held a small stack of place-cards in her left hand, apparently was one woman who had not heard about the business of the night before. It was axiomatic in Gibbsville that you could tell Mill Ammermann anything and be sure it wouldn’t be repeated; because Mill probably was thinking of the mashie-niblick approach over the trees to the second green. Julian derived some courage from her smile. He always had liked Mill anyway. He was fragmentarily glad over again that Mill did not live in New York, for in New York she would have been marked Lesbian on sight.
John O'Hara (Appointment in Samarra)
He thought of these things. Harry must have changed since then, become obnoxious or something. Julian reasoned that he could not have asked the Harry he now knew to invest so much money in the business. Well, maybe the winter had something to do with it. You went to the Gibbsville Club for lunch; Harry was there. You went to the country club to play squash on Whit Hofman's private court, and Harry was around. You went to the Saturday night drinking parties, and there was Harry; inescapable, everywhere. Carter Davis was there, too, and so was Whit; so was Froggy Ogden. But they were different. The bad new never had worn off Harry Reilly. And the late fall and winter seemed now to have been spoiled by room after room with Harry Reilly. You could walk outside in the summer, but even though you can walk outside in winter, winter isn't that way. You have to go back to the room soon, and there is no life in the winter outside of rooms. Not in Gibbsville, which was a pretty small room itself.
John O'Hara (Appointment in Samarra)
There were numerous physical combats between husbands and wives, and not always the husbands that matched the wives. Kitty Hofman, for instance, had been given a black eye by Carter Davis when she kicked him in the groin for dunking her head in a punch bowl for calling him a son of a bitch for telling her she looked like something the cat dragged in.
John O'Hara (Appointment in Samarra)
Girls fitted easily into their own and your own picture of someone dying of unrequited love. If they slipped out of it before you were ready, that was all right too; their slipping out frequently was the necessary reminder that an affair had run its course. It also was the necessary reminder that the realist in a woman, the good appraiser, makes her want to take a loss and get out before she is—for the purposes of the analogy—ruined.
John O'Hara (Appointment in Samarra)
The Riders Placencia Beach, Belize, 1996 Americans aren’t overly familiar with Tim Winton, although in my mind he is one of the best writers anywhere. This novel is set in Ireland and Greece as a man and his daughter search for their missing wife and mother. Gripping. 2. Family Happiness Miacomet Beach, Nantucket, 2001 The finest of Laurie Colwin’s novels, this is, perhaps, my favorite book in all the world. It tells the story of Polly Demarest, a Manhattan woman who is torn between her very uptown lawyer husband and her very downtown artist lover. 3. Mary and O’Neil Cottesloe Beach, Western Australia, 2009 These connected stories by Justin Cronin will leave you weeping and astonished. 4. Appointment in Samarra Nha Trang Beach, Vietnam, 2010 This classic novel was recommended to me by my local independent bookseller, Dick Burns, once he had found out how much I loved Revolutionary Road by Richard Yates. John O’Hara’s novel has all the requisite elements of a page-turner—drinking, swearing, and country club adultery, although set in 1930s Pennsylvania. This may sound odd, but trust me, it’s un-put-downable! 5. Wife 22 Oppenheimer Beach, St. John, U.S. Virgin Islands, 2012 If you like piña coladas… you will love Melanie Gideon’s tale of marriage lost and rediscovered. 6. The Interestings Steps Beach, Nantucket, 2013 And this summer, on Steps Beach in Nantucket, I will be reading The Interestings by Meg Wolitzer. Wolitzer is one of my favorite writers. She explores the battles between the sexes better than anyone around.
Elin Hilderbrand (Beautiful Day)
because - traveling - I often felt the lingering anxiety I was doomed...Traveling would kill me, I felt. I had always had the idea, and still do, that my particular exit would be made via an appointment in Samarra: I would go a great distance and endure enormous discomfort and trouble and expense in order to meet my death. If I chose to sit at home and eat and drink in the bosom of my family it would never happen.
Paul Theroux (The Happy Isles of Oceania: Paddling the Pacific)
she had the time and the means to live by. Judge Walker had not left a great fortune, but there was money there. Mrs. Walker gave $250 to this, $15 to that, and never personally turned a hungry man away from her kitchen door. When Caroline was at Bryn Mawr, Mrs. Walker, according to Caroline, became president ex
John O'Hara (Appointment in Samarra)
I hate to drink by myself. They say that’s the sign of an insane person, when they drink alone.” “That’s probably one of those things started by the saloonkeepers. You know, like three on a match was started by the match trust in Sweden.
John O'Hara (Appointment in Samarra)
The band was playing Something To Remember You By. The stag line was scattered over the floor by the time the band was working on the second chorus of the tune, and when Johnny Dibble suddenly appeared, breathless, at the place where his cronies customarily stood, there were only two young men for him to address. “Jeez,” he said. “Jeezozz H. Kee-rist. You hear about what just happened?” “No. No,” they said. “You didn’t? About Julian English?” “No. No. What was it?” “Julian English. He just threw a highball in Harry Reilly’s face. Jeest!
John O'Hara (Appointment in Samarra)
That he loved her seemed unimportant compared to what she was. He only loved her, which really made him a lot less than a friend or an acquaintance. Other people saw her and talked to her when she was herself, her great, important self. It was wrong, this idea that you know someone better because you have shared a bed and a bathroom with her. He knew, and not another human being knew, that she cried “I” or “high” in moments of great ecstasy. He knew, he alone knew her when she let herself go, when she herself was not sure whether she was wildly gay or wildly sad, but one and the other. But that did not mean that he knew her. Far from it. It only meant that he was closer to her when he was close, but (and this was the first time the thought had come to him) maybe farther away than anyone else when he was not close.
John O'Hara (Appointment in Samarra)