Apples Of Gold Quotes

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

Use what you have, use what the world gives you. Use the first day of fall: bright flame before winter's deadness; harvest; orange, gold, amber; cool nights and the smell of fire. Our tree-lined streets are set ablaze, our kitchens filled with the smells of nostalgia: apples bubbling into sauce, roasting squash, cinnamon, nutmeg, cider, warmth itself. The leaves as they spark into wild color just before they die are the world's oldest performance art, and everything we see is celebrating one last violently hued hurrah before the black and white silence of winter.

Not sorry, not calling, not crying All will pass like smoke of white apple trees Seized by the gold of autumn, I will no longer be young.

I remember a story of a girl in Paradise who ate an apple once. Some wise Sapient gave it to her. Because of it she saw things differently. What had seemed gold coins were dead leaves. Rich clothes were rags of cobweb. And she saw there was a wall around the world, with a locked gate.

Forest deep, silent bells There's a secret no one tells Valley quiet, water still Lynburns watching on the hill Apples red, corn gold Almost everyone grows old

A day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

And who shall say--whatever disenchantment follows--that we ever forget magic; or that we can ever betray, on this leaden earth, the apple-tree, the singing, and the gold?

The value of the myth is that it takes all the things we know and restores to them the rich significance which has been hidden by ‘the veil of familiarity.’ The child enjoys his cold meat, otherwise dull to him, by pretending it is buffalo, just killed with his own bow and arrow. And the child is wise. The real meat comes back to him more savory for having been dipped in a story…by putting bread, gold, horse, apple, or the very roads into a myth, we do not retreat from reality: we rediscover it.

The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these, Because my love is come to me. Raise me a daïs of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.

A word fitly spoken is like apples of gold in baskets of silver.

The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.

Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.

They clung together in that bright moment of wonder, there on the magic island, where the world was quiet, believing all they said. And who shall say—whatever disenchantment follows—that we ever forget magic, or that we can ever betray, on this leaden earth, the apple-tree, the singing, and the gold?

There were so many miracles at work: that a blossom might become a peach, that a bee could make honey in its thorax, that rain might someday fall. I thought then about the seasons changing, and in the gray of night I could almost will myself to see the azure sky, the gold of the maple leaves, the crimson of the ripe apples, the hoarfrost on the grass.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

(Divorce) We’ll remarry someday when we’ve grown, Like royalty who’ve earned the throne. An aisle made of gold, To have and to hold. My dress made of rags, A suit that’s so torn. All eyes are on me, But mine only on you. You give your hand, A king to his queen, But know this darling, Mulligans aren’t for the weak. By changing the rules, We’re changing the war, The wounds that we’ve known, Battle stains on the floor. But from this day on, The same as before, You are the apple, My eyes still adore. Worth more than one shot, Though we’ll face the worst a lot, Better days will come, If we stay and don’t run. And if a wave takes us out, I know we’ll figure it out. And if the current takes us in, I know we’ll do it all again.

A certain king had a beautiful garden, and in the garden stood a tree which bore golden apples. These apples were always counted, and about the time when they began to grow ripe it was found that every night one of them was gone. The king became very angry at this, and ordered the gardener to keep watch all night under the tree. The gardener set his eldest son to watch; but about twelve o'clock he fell asleep, and in the morning another of the apples was missing. Then the second son was ordered to watch; and at midnight he too fell asleep, and in the morning another apple was gone. Then the third son offered to keep watch; but the gardener at first would not let him, for fear some harm should come to him: however, at last he consented, and the young man laid himself under the tree to watch. As the clock struck twelve he heard a rustling noise in the air, and a bird came flying that was of pure gold; and as it was snapping at one of the apples with its beak, the gardener's son jumped up and shot an arrow at it. But the arrow did the bird no harm; only it dropped a golden feather from its tail, and then flew away. The golden feather was brought to the king in the morning, and all the council was called together. Everyone agreed that it was worth more than all the wealth of the kingdom: but the king said, 'One feather is of no use to me, I must have the whole bird.

We are training not isolated men but a living group of men, - nay, a group within a group. And the final product of our training must be neither a psychologist nor a brickmason, but a man. And to make men, we must have ideals, broad, pure, and inspiring ends of living, - not sordid money-getting, not apples of gold. The worker must work for the lory of his handiwork, not simply for pay; the thinker must think for truth, not for fame. And all this is gained only by human strife and longing; by ceaseless training and education; by founding Right on righteousness and Truth on the unhampered search for Truth...and weaving thus a system, not a distortion, and bringing a birth, not an abortion.

Five girls sat beside, and upon the branches of, the oldest apple tree in the orchard, its huge trunk making a fine seat and support; and whenever the May breeze blew, the pink blossoms tumbled down like snow, coming to rest in their hair and on their skirts. The afternoon sunlight dappled green and silver and gold through the leaves in the apple orchard.

I want to utter you. I want to portray you not with lapis or gold, but with colors made of apple bark. There is no image I could invent that your presence would not eclipse.

Daemon pulled the bright, deep-red sweater over his head and adjusted the collar of the gold-and-white-checked shirt. Satisfied, he studied his reflection. His eyes were butter melted by humor and good spirits, his face subtly altered by the relaxed, boyish grin. The change in his appearance startled him, but after a moment he just shook his head and brushed his hair. The difference was Jaenelle and the incalculable ways she worried, intrigued, fascinated, incensed, and delighted him. More than that, now, when he was so long past it, she was giving him—the bored, jaded Sadist—a childhood. She colored the days with magic and wonder, and all the things he’d ceased to pay attention to he saw again new. He grinned at his reflection. He felt like a twelve-year-old. No, not twelve. He was at least a sophisticated fourteen. Still young enough to play with a girl as a friend, yet old enough to contemplate the day he might sneak his first kiss. Daemon shrugged into his coat, went into the kitchen, pinched a couple of apples from the basket, sent Cook a broad wink, and gave himself up to a morning with Jaenelle.

He felt something on his neck. Warmth. He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread. Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start. The apple trees were flowering. That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves. [...] What was happening? Apple trees didn’t blossom twice. Was he going mad? Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff. “Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?” The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump. The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.

The fact was, there wasn't room on earth for a couple million gold-farmers to turn into high-paid video-game executives. The fact was, if you had to slice the pie into enough pieces to give one to everyone, you'd end up slicing them so thin you could see through them. "When 30,000 people share an apple, no one benefits -- especially not the apple." It was a quote one of his economics profs had kept written in the corner of his white-board, and any time a student started droning on about compassion for the poor, the old prof would just tap the board and say, "Are you willing to share your lunch with 30,000 people?

A perfectly placed word is like apples of gold in pictures of silver.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

She tastes like chocolate. She tastes like an apple from that garden. She tastes like cocaine; like pure pleasure. She tastes like gold; like a piece of bread in the time of famine; like one last smoke. She tastes like hope; like dreams become reality; like reality becomes a fairy tale; like a fairy tale becomes the main purpose of life. She tastes like fears that become achievements; like dangers that make life more exciting. She tastes like love. She tastes like hate. She tastes like madness.

Wild honey smells of freedom The dust - of sunlight The mouth of a young girl, like a violet But gold - smells of nothing. Mignonette smells of water Love smells of apples And now we know Blood smells of blood.

Golden apples are beautiful–I remember the lawless days of boyhood, when orchards in crimson and gold tempted me over fence and field–and, too, the merchant who has dethroned the planter is no despicable parvenu.

Johnny was the apple of his eye, and he wanted more than anything for his son to become an oarsman. Johnny, in turn, wanted nothing more than to meet his father’s often very high expectations, whatever they might be. And Johnny hadn’t let him down so far. He was unusually bright, accomplished, and ambitious, and he had graduated

Here is a quote I used to post on the chalkboard once and a while for my students: Education is not going to fall out of a tree and bonk you on the head -like an apple- you have to dig for it, much like digging for Gold...

Worry never climbed a hill Worry never paid a bill Worry never dried a tear Worry never calmed a fear Worry never darned a heel Worry never cooked a meal Worry never led a horse to water Worry never done a thing you'd think it oughta.

Ok, lovebirds,” Jack said. “Here’s what we’re going to do. We’ll pull this coffin, unopened, down and hand it to you, Prince Charming. You give me my gold, and you take the coffin with your monster inside and have your ‘own scary ever after’. Are we clear?

Make a choice now! Begin to think constructively and harmoniously. To think is to speak. Your thought is your word. Let your words be as a honeycomb, sweet to the ear, and pleasant to the bones. Let your words be "like apples of gold in pictures of silver.

And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.

Holy shit, Seb,” she mumbles. “You’re a freaking nuclear weapon.”  It was just as good for her, then. Thank God. I nuzzle into her soft curls, breathing in her sweet apple scent. “My dick causes widespread death and destruction?” “It belongs in a fucking containment facility. Made of concrete. Buried fifty feet underground. Somewhere near the Earth’s core, where no poor, innocent girl will accidentally stumble across it and get fucked to pieces.” She twitches as an aftershock runs through her. “I think I’m dead. My vagina exploded.”  I can’t help but laugh, pulling her closer, and she relaxes against me. Slowly, cautiously, her little arms sneak around my waist. It takes me a second to realise what she’s doing.  She’s trying to hug me.

Recuerdo We were very tired, we were very merry— We had gone back and forth all night on the ferry. It was bare and bright, and smelled like a stable— But we looked into a fire, we leaned across a table, We lay on a hill-top underneath the moon; And the whistles kept blowing, and the dawn came soon. We were very tired, we were very merry— We had gone back and forth all night on the ferry; And you ate an apple, and I ate a pear, From a dozen of each we had bought somewhere; And the sky went wan, and the wind came cold, And the sun rose dripping, a bucketful of gold. We were very tired, we were very merry, We had gone back and forth all night on the ferry. We hailed “Good morrow, mother!” to a shawl-covered head, And bought a morning paper, which neither of us read; And she wept, “God bless you!” for the apples and pears, And we gave her all our money but our subway fares.

Have I added to their building blocks, shoring them up with strength and their own magnificence? Have I shown them enough color? Did I let them have enough ice cream and leave them alone enough without my anxieties? How can we know which is the right way? We have to go with our inner instincts and the feeling in our bones. But I can contribute to their growing cells, show them some foods that are better than others, walk with them, and encourage their own tastes. I can teach them to love and appreciate food, help them treat their bodies like gold, listen to them wanting more or less. The rest I have to trust.

My mother said, "Arturo, stop that. Your sister's tired." "Oh Holy Ghost, Oh Holy inflated triple ego, get us out of the depression. Elect Roosevelt. Keep us on the gold standard. Take France off, but for Christ's sake keep us on!" "Arturo, stop that" "Oh Jehovah, in your infinite mutability see if you can't scrape up some coin for the Bandini family." My mother said, "Shame, Arturo. Shame." I got up on the divan and yelled, "I reject the hypothesis of God! Down with the decadence of a fraudulent Christianity! Religion is the opium of the people! All that we are or ever hope to be we owe to the devil and his bootleg apples!" My mother came after me with the broom.

ent. When Spring unfolds the beechen leaf, and sap is in the bough; When light is on the wild-wood stream, and wind is on the brow; When stride is long, and breath is deep, and keen the mountain-air, Come back to me! Come back to me, and say my land is fair! entwife. When Spring is come to garth and field, and corn is in the blade; When blossom like a shining snow is on the orchard laid; When shower and Sun upon the Earth with fragrance fill the air, I’ll linger here, and will not come, because my land is fair. ent. When Summer lies upon the world, and in a noon of gold Beneath the roof of sleeping leaves the dreams of trees unfold; When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best! entwife. When Summer warms the hanging fruit and burns the berry brown; 622 the two towers When straw is gold, and ear is white, and harvest comes to town; When honey spills, and apple swells, though wind be in the West, I’ll linger here beneath the Sun, because my land is best! ent. When Winter comes, the winter wild that hill and wood shall slay; When trees shall fall and starless night devour the sunless day; When wind is in the deadly East, then in the bitter rain I’ll look for thee, and call to thee; I’ll come to thee again! entwife. When Winter comes, and singing ends; when darkness falls at last; When broken is the barren bough, and light and labour past; I’ll look for thee, and wait for thee, until we meet again: Together we will take the road beneath the bitter rain! both. Together we will take the road that leads into the West, And far away will find a land where both our hearts may rest.

Choked by the wind their spirits rose with a rush, for on the skirts of all the grey tumult was a misty spot of gold. Instantly the world dropped into shape; they were no longer atoms flying in the void, but people riding a triumphant ship on the back of the sea. Wind and space were banished; the world floated like an apple in a tub, and the mind of man, which had been unmoored also, once more attached itself to the old beliefs.

There was the mouth that had chewed many an apricot pie come summer, and said many a quiet thing or two about life and the lay of the land. And there were the eyes, not blind like statues' eyes, but filled with molten green-gold. And there the dark hair blowing now north now south or any direction in the little breeze there was. And there the hands with all the town on them, dirt from roads and bark-slivers from trees, the fingers that smelled of hemp and vine and green apple, old coins or pickle-green frogs. There were the ears with the sunlight shining through them like bright warm peach wax and here, invisible, his spearmint-breath upon the air.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Afroditi of the Flowers at Knossos Leave Kriti and come here to this holy temple with your graceful grove of apple trees and altars smoking with frankincense. Icy water babbles through apple branches and roses leave shadow on the ground and bright shaking leaves pour down profound sleep. Here is a meadow where horses graze amid wild blossoms of the spring and soft winds blow aroma of honey. Afroditi, take the nectar and delicately pour it into gold wine cups and mingle joy with our celebration.

I was drawn on. Conscious now that something needed doing, I moved ever higher on the land. Here entering an orchard of immense and archaic beauty. I say orchard: The trees were dense in one place, scattered in another, as though planted by random throw, but all were heavy trunked and capaciously limbed, and they were fruit trees, every one of them. Apples, gold-skinned apricots, immaculate pears. The leaves about them were thick and cool and stirred at my approach; touched with a finger, they imparted a palpable rhythm. It took a long while to traverse the orchard. I began to feel hungry but didn't pause; though all this fruit appeared perfectly available, I felt prodded to appear before the master. The place had a master! Realizing this, I know he was already aware of me - comforting and fearful knowledge. Still I wanted to see him. The farther I went the more I seemed to know or remember abut him - the way he'd planted this orchard, walking over the hills, casting seed from his hand. I kept moving.

He always clothed his thoughts in elegant expressions, for a word said well was akin to a gold apple in a goblet of transparent sardonyx, and that was why the words of the wise were as sharp as needles, and as strong as nails, and their creators were all from the same stock.

When he came down, he was slower, and clutching something his hand. He leapt down the last 5 feet or so and came over to me, uncurling his fingers. In his palm was something trembling and silky and the bright, delicious pale gold of apples; in the gloom of the jungle it looked like light itself. Uva nudged the thing with a finger and it turned over, and I could see it was a monkey of some sort, though no monkey I had ever seen before; it was only a few inches larger than one of the mice I had once been tasked with killing, and his face was a wrinkled black heart, its features pinched together but its eyes large and as blankly blue as a blind kitten's. It had tiny, perfectly formed hands, one of which was gripping its tail, which it had wrapped around itself and which was flamboyantly furred, its hair hanging like a fringe.

He drew forth a phrase from his treasure and spoke it softly to himself: —A day of dappled seaborne clouds. The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the grey-fringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language many-coloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

He drew forth a phrase from his treasure and spoke it softly to himself: --a day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose? He passed from the trembling bridge on to firm land again.

The Conclusion NOW Reader, I have told my Dream to thee; See if thou can’st interpret it to me, Or to thyself, or Neighbor; but take heed Of mis-interpreting; for that, instead Of doing good, will but thyself abuse: 5 By mis-interpreting, evil ensues. Take heed also, that thou be not extreme, In playing with the out-side of my Dream: Nor let my figure or similitude Put thee into a laughter or a feud; 10 Leave this for Boys and Fools; but as for thee, Do thou the substance of my matter see. Put by the Curtains, look within my Vail; Turn up my Metaphors, and do not fail There, if thou seekest them, such things to find 15 As will be helpful to an honest mind. What of my dross thou findest there, be bold To throw away, but yet preserve the Gold; What if my Gold be wrapped up in Ore? None throws away the Apple for the Core. 20 But if thou shalt cast away all as vain, I know not but ’twill make me Dream again

A picnic basket in Paris is like a treasure chest- untold riches in a limited space. The first apricots had appeared at the market, their skins fading from speckled red to glowing orange to burnished gold, like the sun-bleached walls of an Italian villa. There were tiny cucumbers, as thick as my thumb and curled like a ribbon. I'd become obsessed with a new fruit called a pêche plat, a flat peach. Imagine a perfectly ripe white peach that someone has sat on. Gwendal picked up a tomato and bit into it like an apple. I did the same. At the bottom of the basket was a carefully folded square of waxed paper. Inside was a small mound of rillettes, shredded pork cooked in its own fat until meltingly smooth.

The value of the myth is that it takes all the things we know and restores to them the rich significance which had been hidden by ‘the veil of familiarity.’ . . . By putting bread, gold, horse, apple, or the very roads into a myth, we do not retreat from reality: we rediscover it. As long as the story lingers in our mind, the real things are more themselves.

They drank from a spring which filled an ancient stone trough behind the ruin. Beyond it lay overgrown beds and plants John had never set eyes on before: tall resinous fronds, prickly shrubs, long grey-green leaves hot to the tongue. Nestling among them he found the root whose scent drifted among the trees like a ghost, sweet and tarry. He knelt and pressed it to his nose. 'That was called silphium.' His mother stood behind him. 'It grew in Saturnus's first garden.' She showed him the most ancient trees in the orchards, their gnarled trunks cloaked in grey lichen. Palm trees had grown there too once, she claimed. Now even their stumps had gone. Each day, John left the hearth to forage in the wreckage of Belicca's gardens. His nose guided him through the woods. Beyond the chestnut avenue, the wild skirrets, alexanders and broom grew in drifts. John chased after rabbits or climbed trees in search of birds' eggs. He returned with mallow seeds or chestnuts that they pounded into meal then mixed with water and baked on sticks. The unseasonal orchards yielded tiny red and gold-streaked apples, hard green pears and sour yellow cherries.

Ma kept the alcohol for company in the dining room china cabinet. All the sweet after-dinner liqueurs nestle there together. But there is one bottle she never knew about right here in the kitchen. I reach deep into the cabinets and remove Dad's hidden bottle of Lagavulin. I set a tumbler on the counter and pour him two fingers of scotch. 'This is a tumbler, watch it tumble,' he said. The golden brown liquid, more gold than brown, somewhere between weak tea and apple juice. I stare at it. Nothing. Out loud I say, "This is a tumbler, watch it tumble," an incantation or a toast or both, and drink it down. It's like drinking a handful of matches. It burns and then smokes. I fight back a cough. There's a note of something deep and earthy, like beets or truffles, which then vanishes, leaving only a palate seared clean.

Even though bitcoin may not, after all, represent the potential for a new gold standard, its underlying technology will unbundle the roles of money. This can finally clarify and enable the necessary distinction between the medium of exchange and the measuring stick. Disaggregated will be all the GAFAM (Google, Apple, Facebook, Amazon, Microsoft conglomerates)—the clouds of concentrated computing and commerce.

I sit on the bed. I remember a golden bracelet, thin gold, an apple with a bite taken out of it for the clasp, and the words "I Love You," and I take it out from the box of treasures under the bed. I remember Mama said, "I mean it. Though we never say it in this family," as she put the bracelet around my wrist last Christmas. And I still believe her, what she said about love. We just never say it in this family.

Jess gazed at the apples arranged in all their colors: russet, blushing pink, freckled gold. She cast her eyes over heaps of pumpkins, bins of tomatoes cut from the vine, pale gooseberries with crumpled leaves. "You could buy a farm." "Why would I do that?" "To be healthy," said Jess. Emily shook her head. "I don't think I'd be a very good farmer." "You could have other people farm your farm for you," said Jess. "And you could just eat all the good things." Emily laughed. "That's what we're doing here at the Farmers' Market. We're paying farmers to farm for us. You've just invented agriculture." "Yes, but you could have your own farm and go out there and breathe the fresh air and touch the fresh earth." "I think that's called a vacation," said Emily. "Oh, you're too boring to be rich," Jess said. "And I would be so talented!

Helios was brilliant in this sun. He had to shield his gaze against it. Had to look at the space beside him through the shadow of his own hand. Helios’s hair spilled across the pillow, violent, sanguine, eyelashes flax-gold. He was blood in milk, he was the skin of a Pink Lady apple, he was honey warmed in a hot spoon over tea. He was looking at Icarus lazy and indulgent. Not surprised in the least to wake up not alone.

This is one other thing I know: without autumn, there is no end. Without red and gold and orange there is no finality, no conclusion. Without the sudden shift in the air, without the scent of apples and the crisp chill of morning, summer could go on forever. Without fall, summer lingers. There is a marvelous limbo where I live now, without the changing of seasons. No blazing display to signify the end of everything good. Perhaps this is what drew me to California. A place where time is suspended.

They're all alike. They're large in promises, but it's precious little fulfillment you get... I wonder who ever brought me a gold bangle." "Well, you never wanted one." "No, I didn't - but it would have been all the same if I had." "Didn't my father ever buy you things?" "Yes - one half-pound of apples - and that was all - every penny he spent on me, before we were married." "Why?" "Because I was silly, and when he said 'What should I buy thee?' I told him 'Nothing'. But bring me anything! - it never occurred to him.

A girl and a boy, sitting lazily cross-legged under a pale green willow, picking at the grass. She is lying with her head in his lap, long red hair fanned against his knee. Her skin is not my unnatural red but like honeyed cream. She grins up at him, his eyes the color of an evergreen forest, of dragonfly wings, his corn-gold, too-long hair falling over his forehead. And she laughs. When she does her back, her throat arches slightly, and he blushes. He smells of wheat fields and fallen autumn apples soft against the earth, and it is a smell she knows like her own. Under the filmy reed-curtain of the old willow tree, they hold hands and talk quietly, shoes discarded like peach pits. The sun is low in the sky, warm and orange-gold on their young faces, their strong white smiles and freshly washed hair. The light spills onto their shoulders like water from a well. There are sharp-smelling rosemary branches braided into her hair, with their little blue blossoms, and the oil is on their brown fingers. The boy whispers something in the girl’s ear, and she closes her eyes, lashes smoking cheekbones like bundles of sage.

Around the room, the traditional thirteen desserts of Christmas are stacked on glass dishes like pirates' treasure, gleaming and lustrous in topaz and gold. Black nougat for the devil, white nougat for the angels, and clementines, grapes, figs, almonds, honey, dates, apples, pears, quince jelly, mendiants all jeweled with raisins and peel, and fougasse made with olive oil and split like a wheel into twelve parts- And of course there is the chocolate- the Yule log cooling in the kitchen; the nougatines, the celestines, the chocolate truffles piled onto the counter in a fragrant scatter of cocoa dust.

The Heat of Autumn" The heat of autumn is different from the heat of summer. One ripens apples, the other turns them to cider. One is a dock you walk out on, the other the spine of a thin swimming horse and the river each day a full measure colder. A man with cancer leaves his wife for his lover. Before he goes she straightens his belts in the closet, rearranges the socks and sweaters inside the dresser by color. That’s autumn heat: her hand placing silver buckles with silver, gold buckles with gold, setting each on the hook it belongs on in a closet soon to be empty, and calling it pleasure.

BLUE HEAVENS It could make a person dizzy, those spinning, circling heavens filled with knots of stars, swirling blue stars approaching, blue-shadow stars fading away. It’s a mayhem of reeling, a scattering blue dust of star clouds circling the circling centers of spiraling galaxies wheeling forever toward no known horizon. Someone, immersed in the deep beauty of these blue celestials, could get lost while waiting for hands to deliver perhaps an orange, perhaps an apple, scarlet or gold, a sprig of green, a blossom, pink dogwood, spring plum. Inspired by “Golden Horn” Tondino The Museum of Fine Arts, Houston, Texas

Night thinks it’s crying again and I keep listening to a song about autumn where an apple tastes like longing and every leaf in the maple tree tries to explain loss through a series of colors—hectic orange, indifferent red, a kind of gold that speaks directly to god or moonbeams and in the dark as I drive down wet roadways watching for deer, the only thing I can see clearly are the yellow leaves christening my windshield and I think how we are taught not to love too many, too much, the night, the darkness, and I think I am crying but it is only rain. — Kelli Russell Agodon, “Night thinks it’s crying again,” Southern Indiana Review (Spring 2021)

Fides, Spes Joy is come to the little Everywhere; Pink to the peach and pink to the apple, White to the pear. Stars are come to the dogwood, Astral, pale; Mists are pink on the red-bud, Veil after veil. Flutes for the feathery locusts, Soft as spray; Tongues of the lovers for chestnuts, poplars, Babbling May. Yellow plumes for the willows’ Wind-blown hair; Oak trees and sycamores only Comfortless bare. Sore from steel and the watching, Somber and old,— Wooing robes for the beeches, larches, Splashed with gold; Breath o’ love to the lilac, Warm with noon.— Great hearts cold when the little Beat mad so soon. What is their faith to bear it Till it come, Waiting with rain-cloud and swallow, Frozen, dumb?

There was no doubt that the tree before us was the tree; it could have stepped from the tales into the forest. It was centered in an oddly round clearing, as if the other trees had all felt inclined to back away, and was towering but skeletal, its trunk only a little wider than I was and its many, many branches arching and tangling overhead, like a small person propping up a tremendous, many-layered umbrella. But the strangest thing about the tree was its foliage. There were leaves of summer-green mixed in with the fire and gold of autumn; tidy buds just opening their pink mouths, and, here and there, red fruits dangling in clusters, heavy with ripeness. These fruits could not be easily identified; they were roughly the size of apples, but furred like peaches.

Brother Cadfael was standing in the middle of his walled herb-garden, looking pensively about him at the autumnal visage of his pleasance, where all things grew gaunt, wiry and sombre. Most of the leaves were fallen, the stems dark and clenched like fleshless fingers holding fast to the remnant of the summer, all the fragrances gathered into one scent of age and decline, still sweet, but with the damp, rotting sweetness of harvest over and decay setting in. It was not yet very cold, the mild melancholy of November still had lingering gold in it, in falling leaves and slanting amber light. All the apples were in the loft, all the corn milled, the hay long stacked, the sheep turned into the stubble fields. A time to pause, to look round, to make sure nothing had been neglected, no fence unrepaired, against the winter. He had never before been quite so acutely

... the exotic spices arriving daily from the East Indies and the Americas, the crates of sweet oranges and bitter lemons from Sicily, the apricots from Mesopotamia, the olive oil from Naples, the almonds from the Jordan valley... I have seen and smelled these delicacies at market. But does any English person know how to cook with such foods? I think back to my time in France and Italy, of all the delicacies that passed across my tongue. And then to the gardens I've seen in Tonbridge with their raised beds of sorrel, lettuce, cucumbers, marrows, pumpkins. Already the banks are starred bright with blackberries and rose hips, with damsons and sour sloes, the bloom still upon them. Trees are weighted down with green apples and yellow mottled pears and crab apples flushed pink and gold. Soon there will be fresh cobnuts in their husks, and ripe walnuts, and field mushrooms, and giant puffballs.

55 The expansion of cultures can also be tracked by following the waft of alcohol. Commenting on the settling of the American frontier, Mark Twain famously characterized whiskey as the “earliest pioneer of civilization,” ahead of the railway, newspaper, and missionary.56 By far the most technologically advanced and valuable artifacts found in early European settlements in the New World were copper stills, imported at great cost and worth more than their weight in gold.57 As the writer Michael Pollan has argued, Johnny Appleseed, whom American mythology now portrays as intent on spreading the gift of wholesome, vitamin-filled apples to hungry settlers, was in fact “the American Dionysus,” bringing badly needed alcohol to the frontier. Johnny’s apples, so desperately sought out by American homesteaders, were not meant to be eaten at the table, but rather used to make cider and “applejack” liquor.58

We make the delicate liqueur chocolates, the rose-petal clusters, the gold-wrapped coins, the violet creams, the chocolate cherries and almond rolls, in batches of fifty at a time, laying them out onto greased tins to cool. Hollow eggs and animal figures are carefully split open and filled with these. Nests of spun caramel with hard-shelled sugar eggs are each topped with a triumphantly plump chocolate hen; pie-bald rabbits heavy with gilded almonds stand in rows, ready to be wrapped and boxed; marzipan creatures march across the shelves. The smells of vanilla essence and cognac and caramelized apple and bitter chocolate fill the house. And now there is Armande's party to prepare for, too. I have a list of what she wants on order from Agen- foie gras, champagne, truffles and fresh chanterelles from Bordeaux, plateaux de fruits de mer from the traitor in Agen. I will bring the cakes and chocolates myself.

Every new stroke of civilisation has cost the lives of countless brave men, who have fallen defeated by the 'dragon', in their efforts to win the apples of the Hesperides, or the fleece of gold. Fallen in their efforts to overcome the old, half-sordid savagery of the lower stages of creation, and win to the next stage. For all savagery is half sordid. And man is only himself when he is fighting on and on, to overcome the sordidness. And every civilisation, when it loses its inward vision and its cleaner energy, falls into a new sort of sordidness, more vast and more stupendous than the old savage sort. An Augean stable of metallic filth. And all the time, man has to rouse himself afresh to cleanse the new accumulations of refuse. To win from the crude, wild nature the victory and the power to make another start, and to cleanse behind him the century-deep deposits of layer upon layer of refuse: even of tin cans.

Song using her poem as lyrics that inspired me to read her biography -YouTube Aaron Shay Recuerdo Recuerdo We were very tired, we were very merry— We had gone back and forth all night on the ferry. It was bare and bright, and smelled like a stable— But we looked into a fire, we leaned across a table, We lay on a hill-top underneath the moon; And the whistles kept blowing, and the dawn came soon. We were very tired, we were very merry— We had gone back and forth all night on the ferry; And you ate an apple, and I ate a pear, From a dozen of each we had bought somewhere; And the sky went wan, and the wind came cold, And the sun rose dripping, a bucketful of gold. We were very tired, we were very merry, We had gone back and forth all night on the ferry. We hailed, “Good morrow, mother!” to a shawl-covered head, And bought a morning paper, which neither of us read; And she wept, “God bless you!” for the apples and pears, And we gave her all our money but our subway fares.

If you're still hungry, I have some apples for dessert." She held one out that was a mix of reds and greens with a hint of gold. "These are Red Fire apples." Henri took a bite. "That's heaven. What did you call it? A Red Fire? I've never had anything like it." "They're only grown in our kingdom. My mother was the one who created the hybrid," Snow said proudly. She used to beg her parents to tell her the story of their courtship over and over. She could picture her mother laughing. Snow, there must be something else you want to talk about! "It's what you get when you cross red apple seeds with some pears and green apple seeds," Snow told Henri now. "She came up with it at the apple orchard she helped tend when she was my age. My father loved them and had them planted all over the countryside." Snow picked up one and stared at it. "It was the Red Fire apple that endeared my mother to my father, actually. He adored her apples." Henri smirked. "So it was love at first bite?" She laughed. "I suppose so!

Jobs and Wozniak had no personal assets, but Wayne (who worried about a global financial Armageddon) kept gold coins hidden in his mattress. Because they had structured Apple as a simple partnership rather than a corporation, the partners would be personally liable for the debts, and Wayne was afraid potential creditors would go after him. So he returned to the Santa Clara County office just eleven days later with a “statement of withdrawal” and an amendment to the partnership agreement. “By virtue of a re-assessment of understandings by and between all parties,” it began, “Wayne shall hereinafter cease to function in the status of ‘Partner.’” It noted that in payment for his 10% of the company, he received $800, and shortly afterward $1,500 more. Had he stayed on and kept his 10% stake, at the end of 2012 it would have been worth approximately $54 billion. Instead he was then living alone in a small home in Pahrump, Nevada, where he played the penny slot machines and lived off his social security check. He later claimed he had no regrets. “I made the best decision for me at the time. Both of them were real whirlwinds, and I knew my stomach and it wasn’t ready for such a ride.

I'd give me two eyes for a slice of apple pie." She was brain-cracked, but spoke for them all. Then Tabby Jones joined in, holding forth on the making of the best apple pie: the particular apples, whether reinettes or pippins, the bettermost flavorings: cinnamon, cloves, or a syrup made from the peelings. Slowly, groans of vexation turned to appreciative mumblings. Someone else favored quince, another lemon. Apples, they all agreed, though the most commonplace of fruit, did produce an uncommon variety of delights: pies and puddings, creams and custards, jellies and junkets, ciders and syllabubs. The time passed a deal quicker and merrier than before. Janey, the whore who had once been famed in Harris's List of Covent Garden Ladies, told them, in her child's voice, that the best dish she ever tasted was a Desert Island of Flummery, at a mansion in Grosvenor Square. "It was all over jellies and candies and dainty figures, and a hut of real gold-leaf. Like eating money, it were. I fancied meself a proper duchess." She knew what Janey meant. When she had first met Aunt Charlotte she had gorged herself until her fingers were gummy with syrup and cream. There was one cake she never forgot; a puffed conceit of cream, pastry, and pink sugar comfits.

On the wedding day not a few eyes would be wet at the sight of so youthful a man and maiden 'joined together in an honourable estate, instituted of God in the time of man's innocency,' For such ancient traditions—in spite of the fact that man's innocency could not even survive one bite of an apple shared with a woman—are none the less apt to be deeply moving. There they would kneel, the young newly wed, ardent yet sanctified by a blessing, so that all, or at least nearly all, they would do, must be considered both natural and pleasing to a God in the image of man created. And the fact that this God, in a thoughtless moment, had created in His turn those pitiful thousands who must stand for ever outside His blessing, would in no way disturb the large congregation or their white surpliced pastor, or the couple who knelt on the gold-braided, red velvet cushions. And afterwards there would be plentiful champagne to warm the cooling blood of the elders, and much shaking of hands and congratulating, and many kind smiles for the bride and her bridegroom. Some might even murmur a fleeting prayer in their hearts, as the two departed: 'God bless them!' So now Stephen must actually learn at first hand how straight can run the path of true love, in direct contradiction to the time-honoured proverb. Must realize more clearly than ever, that love is only permissible to those who are cut in every respect to life's pattern; must feel like some ill-conditioned pariah, hiding her sores under lies and pretences.

went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.

THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  

The weightless rhetoric of digital technology masks a refusal to acknowledge the people and resources on which these systems depend: lithium and coltan mines, energy-guzzling data centers and server farms, suicidal workers at Apple’s Foxconn factories, and women and children in developing countries and incarcerated Americans up to their necks in toxic electronic waste.2 The swelling demand for precious metals, used in everything from video-game consoles to USB cables to batteries, has increased political instability in some regions, led to unsafe, unhealthy, and inhumane working conditions, opened up new markets for child and forced labor, and encouraged environmentally destructive extraction techniques.3 It is estimated that mining the gold necessary to produce a single cell phone—only one mineral of many required for the finished product—produces upward of 220 pounds of waste.4

The town fair, which took place over the last weekend of August each year, was just over a month away. If their family agreed about anything, it was the town fair. Twiss loved the Wild West game and the spun sugar; their father loved the putting game and the caramel apples; their mother loved the bean counting game- last year she'd guessed 1,245 beans and won a forty-pound sack of kidney beans- and the Ferris wheel; and Milly loved what everyone else loved, except the livestock show and the amateur rodeo, where boys from the 4-H club wrestled calves to the ground for giant gold belt buckles. Milly also loved how the fair transformed the abandoned field behind the high school from twenty-five dandelion-inhabited acres that went unnoticed most of the year into a kind of fairy-tale place, where people sucked on cherry-flavored ice chips and honey-roasted peanuts, and the Ferris wheel went round and round, and the firecrackers reached higher and higher.

A word fitly spoken is like apples of gold in a setting of silver.

He’d discovered the devil’s yellow cake in grade school during lunch. Everyone’s mother but his had packed their little Americans off to school with these cellophane-wrapped loaves of gold. All Mo ever got was an apple he’d snap into with

INT. NEWT’S HOUSE—NIGHT NEWT opens the front door cautiously. Inside, a baby Niffler is swinging from the brass cord of a table lamp, causing the light to flicker on and off. The baby Niffler succeeds in stealing the brass cord before spotting NEWT. It scampers away, knocking all manner of objects to the floor. NEWT spots a second baby Niffler sitting on a set of weighing scales, pinned down by gold-colored weights it is clearly attempting to steal. As the first baby makes it to the dining table, NEWT lightly drops a saucepan on top of it, which continues moving across the table. NEWT tosses an apple into the opposite weighing scale, sending the baby Niffler flying into the air. NEWT catches both baby Nifflers as they fall, then tucks them into his pockets. Satisfied, NEWT heads toward the door to his basement but turns at the last moment to see a third escaped baby Niffler climbing onto a bottle of champagne on the counter. With a sense of inevitability, the champagne bottle pops and the baby Niffler zooms toward NEWT on top of the cork, soaring past him and down the stairs to the basement.

A word fitly spoken is like apples of gold in settings of silver.

The fact that there were more adults than children at her party didn't seem to faze Dixie. "That child is like a dandelion," Lettie said. "She could grow through concrete." Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head. "Had no idea that horse was white," Leo said, as they stood back and admired their work. Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats. Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general. "Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!" Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.

Sitting in Atlantic St. grill downing early morning cup of prison-like coffee stale rolls of cinnamon while up above freeways headed for suburban slums Gold Coast dwellers/ruling class sass Goodwill truckdrivers for talkin’ simple talk. No comment on the front page news. Through painful hurt sought desperately the obit page in rage to see if was really true, ‘bout you. Winter come-togethers fill my every thought Billie sings the blues communication complete, Cable (spool) table replete w/french bread apples cheese rhineskeller wine imported elegant tabacco, discussion of ideas politculture peoples lit & art, marxist aesthetics, how best to serve. Now, savoring on Neruda’s notes i think of you & Jimmie/son savoring favorite chocolate M & M’s. Them’s the thoughts i had of you today. No lavish praise no mournful elegy, just one last Vashon Island ferry ride to pray and cast an orchid into Puget Sound to see you safely on your journey to the other side.

I still couldn't believe how creative Annie was in coming up with the different flavors and embellishments for each cupcake; the finished products looked like huge jewels that sparkled appealingly in the counter display and on the black lacquer trays passed by the waitstaff. Annie had had her nose to the grindstone for days, as focused as I'd ever seen her, dicing apples and pears until they looked like nuggets of gold- as well they should, considering what that fruit cost!- and tasted like pure, sweet, warm explosions of flavor baked into the cakes. Annie's dexterity, precision, and speed with a knife had been a sight to behold. My contributions to the cupcakery's opening night were decidedly more mundane: I'd interviewed and hired the night's waitstaff, overseen the completion of the various construction and design projects, and ordered all of the noncooking supplies the shop needed. Treat glowed with sexy, low-lit energy; laughter and music filled the space; hip, beautiful people bit into cupcake after cupcake. If the shop had been in the Marina instead of the Mission, it was just the sort of place I would have visited frequently. But there was no use crying over that spilled buttercream.

To break the mummified silence, Reyha says, "Thank you, Mom, it is delicious." A gold-rimmed china bowl filled with lettuce, wheat sprouts, and beans. I have requested a massacre of plants for lunch. The sound of the lettuce crunching between my teeth echoes in my ears... "Lettuce and carrots love human teeth," I say. They don't know that they should laugh. Mother's skin is so fair. Her lips bitterly curved downward, just like Reyhaneh's, show no sign of her usual naive smile. "It's great that you all eat meat. If everyone was a vegetarian, the sheep would die of hunger." I laugh at my own inane joke, dig out the unchewable lettuce string stuck between my teeth, and I put it on the side of the bowl. "At the front they used to tell us that if we were martyred, we would go to heaven. I have heard that in heaven, the instant you crave grapes or apples, the tree branches bend down to you. But the Quran doesn't say if there are carrots in heaven or not. Our house is better than heaven. It has lettuce, it has carrots. And I crave these every day...

Six horses waited, adorned in the red and black of the Company of Cooks and harnessed to an open, canopied wagon festooned with ribbons. Upon it lay Bartolomeo's casket, draped with a cloth embroidered with the company's coat of arms. A bear was on the left side of the crest and a stag on the right. Below the central chevron and its two red stars were the tools of the company's trade, a crossed knife and a butcher's knife. The banner beneath bore a Latin phrase coined by Horace- ab ovo usque ad mala- embroidered in gold. From eggs to apples, beginning to end. Roman meals had always begun with eggs and ended with fruit.

Of verse eternal I’ve the art. And men Are gladdened by my voice, which speaks but truth. The supreme reason that I proudly bear Could not be bought for all a world of gold. All have I touched: women, apples, fire; All have I felt: winter, spring, and summer; All have I found, for no wall can halt me. But tell me, Fortune, what then is thy name? Charles Cros, 1842–1888

In terms of antioxidant bang for your buck, açai berries get honorable mention, beating out other superstars, such as walnuts, apples, and cranberries. The bronze for best bargain, though, goes to cloves, the silver to cinnamon, and the gold for most antioxidants per dollar—according to a USDA database of common foods—goes to purple cabbage.24 Açai

Ask your lover what flavor of topping is preferred; there are endless possibilities. Peach and fresh ginger. Mixed berry. Apple, cinnamon, clove. Cardamom and pear. Lemon plum.

Niobe earned the ire of the gods by bragging about her seven lovely daughters and seven “handsome sons—whom the easily offended Olympians soon slaughtered for her impertinence. Tantalus, Niobe’s father, killed his own son and served him at a royal banquet. As punishment, Tantalus had to stand for all eternity up to his neck in a river, with a branch loaded with apples dangling above his nose. Whenever he tried to eat or drink, however, the fruit would be blown away beyond his grasp or the water would recede. Still, while elusiveness and loss tortured Tantalus and Niobe, it is actually a surfeit of their namesake elements that has decimated central Africa. There’s a good chance you have tantalum or niobium in your pocket right now. Like their periodic table neighbors, both are dense, heat-resistant, noncorrosive metals that hold a charge well—qualities that make them vital for compact cell phones. In the mid-1990s cell phone designers started demanding both metals, especially tantalum, from the world’s largest supplier, the Democratic Republic of Congo, then called Zaire. Congo sits next to Rwanda in central Africa, and most of us probably remember the Rwandan butchery of the 1990s. But none of us likely remembers the day in 1996 when the ousted Rwandan government of ethnic Hutus spilled into Congo seeking “refuge. At the time it seemed just to extend the Rwandan conflict a few miles west, but in retrospect it was a brush fire blown right into a decade of accumulated racial kindling. Eventually, nine countries and two hundred ethnic tribes, each with its own ancient alliances and unsettled grudges, were warring in the dense jungles. Nonetheless, if only major armies had been involved, the Congo conflict likely would have petered out. Larger than Alaska and dense as Brazil, Congo is even less accessible than either by roads, meaning it’s not ideal for waging a protracted war. Plus, poor villagers can’t afford to go off and fight unless there’s money at stake. Enter tantalum, niobium, and cellular technology. Now, I don’t mean to impute direct blame. Clearly, cell phones didn’t cause the war—hatred and grudges did. But just as clearly, the infusion of cash perpetuated the brawl. Congo has 60 percent of the world’s supply of the two metals, which blend together in the ground in a mineral called coltan. Once cell phones caught on—sales rose from virtually zero in 1991 to more than a billion by 2001—the West’s hunger proved as strong as Tantalus’s, and coltan’s price grew tenfold. People purchasing ore for cell phone makers didn’t ask and didn’t care where the coltan came from, and Congolese miners had no idea what the mineral was used for, knowing only that white people paid for it and that they could use the profits to support their favorite militias. Oddly, tantalum and niobium proved so noxious because coltan was so democratic. Unlike the days when crooked Belgians ran Congo’s diamond and gold mines, no conglomerates controlled coltan, and no backhoes and dump trucks were necessary to mine it. Any commoner with a shovel and a good back could dig up whole pounds of the stuff in creek beds (it looks like thick mud). In just hours, a farmer could earn twenty times what his neighbor did all year, and as profits swelled, men abandoned their farms for prospecting. This upset Congo’s already shaky food supply, and people began hunting gorillas for meat, virtually wiping them out, as if they were so many buffalo. But gorilla deaths were nothing compared to the human atrocities. It’s not a good thing when money pours into a country with no government.

A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.

This tree bore neither apples nor plums, but books where fruit should sprout. The bark of its great trunk shone the color of parchment, its leaves a glossy, vibrant red, as if it had drunk up all the colors of the long plain through its roots. In clusters and alone books of all shapes hung among the pointed leaves, their covers obscenely bright and shining, swollen as peaches, gold and green and cerulean, their pages thick as though with juice, their silver ribbonmarks fluttering in the spiced wind.

She was glad of a moment without talk. For this, after all, was the time she loved Waikiki best. So brief, this tropic dusk, so quick the coming of the soft alluring night. The carpet of the waters, apple-green by day, crimson and gold at sunset, was a deep purple now. On

Watching the trees bloom in a riot of pink clouds in spring, the red-gold sunrise in the skin of an apple, the shadows mingling on the moss, the moments of novelty and beauty hidden in the repetition— this was the orchard that captured Delphine. She tried to catch its movement in sketches and coax its colors into painted landscapes. And she knew, intuited it from the quietest, deepest part of herself, that there was more of that novelty and beauty waiting to be discovered. Waiting for her.

The Smokehouse variety were beginning to ripen in their rows at the far end of the orchard, where the hill sloped more sharply. She pulled one down from the tree; it resisted and the stem snapped off. She pulled another, holding both of the small fruits in one hand. Tinged rose red and washed in gold, and just as bright in flavor, they were among her favorites.

Of the dried Pommegranite (apple) rind take an ounce, boil it in a pint of water until 3/4 be gone; add 1/2 pint of small beer wort and once more boil it away so that only a 1/4 pint remain. After you shall have strained it, boiling hot through a linnen cloth and it comes cold, being then of a glutinous consistence, drop in a 'bit' of Sal Alkali and add as much warm water as will bring it to a due fluidity and a gold brown color for writing with a pen." Following this formula and without any modifications, I obtained an excellent ink of durable quality, but of poor color, from a standpoint of blackness.