Applause Funny Quotes

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Sometimes stunned silence is better than applause.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
The wider you spread your fingers apart while clapping is equal to the amount of retarded you look while clapping.
Christy Leigh Stewart
In other news, Aang dominates on “Are You Smarter Than the Fire Nation”. Bella Swan becomes engaged to her boyfriend of one year, Edward Cullen, and unceremoniously sends Jacob Black to the “friend zone”. Pop star Candy Cane trades her controversial career for being a housewife (which was a move that is very unpopular with many of her young fans), and Jacquel Rassenworth is still the Internet’s biggest fame-nut (cue APPLAUSE).
Jacquel Chrissy May (The Summer of Our Discontent (The Green Hill Manor Mystery, #1))
«Dashenka, sister, Dasha?» «Yes?» She sounded so sad. Tatiana swallowed. «Want to hear a funny story?» «Oh, yes, please: I need a funny story to cheer me up. Tell me, darling». «Stalin as Chairman of the Presidium went in front of the House of Parliament to make a short speech that lasted maybe five minutes. After the speech there was applause. The plenum stood on its feet and applauded. For a minute. Then another minute. They stood and applauded. But – Another minute. Still applauded. They were standing up, and still applauding, as Stalin stood in front of the lectern and listened with a humble smile on his face, the epitome of humility. Another minute. And still applauded. No one knew what to do. They waited for a signal from the Chairman to cease, but no such signal came from the humble and diminutive man. Another minute went by. And still they stood and applauded. It had now been eleven minutes. And no one knew what to do. Someone had to stop applauding. But who? Twelve minutes of applause. Thirteen minutes of applause. And still he stood there. And still they stood there. Fourteen minutes. Fifteen minutes. Finally, at the fifteen-minute mark, the man in the front, the Secretary of Transportation, stopped. As soon as he stopped, the entire auditorium fell mute. The following week the Secretary of Transportation was shot for treason». «Tania!» exclaimed a startled Dasha. «That was supposed to be funny?» «Yes», said Tatiana. «Funny, as in, cheer up, things could be worse. You could be the Secretary of Transportation».
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Noah turned to face his younger sister, arching one brow to a fairly smug height. Lenga lifted a brow back at him, giving him a delicate smattering of applause. “And I was afraid you would never learn the art of diplomacy,” she remarked, her lips twitching with her humor. “It merely took you the entire two and a half centuries of my life. Longer, actually. You had a few centuries’ head start.” “Funny how you seem to recall the fact that I am far older than you only when it suits your arguments, my sister,” he taunted her, reaching to tug on her hair as he had been doing since her childhood. “Well, I can say with all honesty that this is the first time I have ever seen you forgo a good argument with Hannah, opting for peace instead. I was beginning to wonder if you were my brother at all. Perhaps some imposter . . .” “Legna, be careful. You are speaking words of treason,” he teased her, tugging her hair once more, making her turn around to swat at his hand. “I don’t know how you convinced the entire Council that you were mature enough to be King, Noah! You are such a child!” She twisted her body so he couldn’t grab at her hair again. “And I swear, if you pull my hair once more like some sort of schoolyard bully, I am going to put you to sleep and shave you bald!” Noah immediately raised his hands in acquiescence, laughing as Legna flushed in exasperation. For all her grace and ladylike ways, Noah’s little sister was quite capable of making good on any threat she made. “I mean really, Noah. You are just about seven hundred years old. One would think you could at least act like it.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
The firm’s fourth partner, Jeff Nussbaum, had carved out a niche writing jokes for public figures. It was he who taught me about the delicate balance all public-sector humorists hope to strike. Writing something funny for a politician, I learned, is like designing something stunning for Marlon Brando past his prime. The qualifier is everything. At first I didn’t understand this. In June, President Obama’s speechwriters asked Jeff to pitch jokes for an upcoming appearance at the Radio and Television Correspondents’ Dinner. I sent him a few ideas, including one about the president and First Lady’s recent trip to see a Broadway show: “My critics are upset it cost taxpayer dollars to fly me and Michelle to New York for date night. But let me be clear. That wasn’t spending. It was stimulus.” Unsurprisingly, my line about stimulating America’s first couple didn’t make it into the script. But others did. The morning after the speech, I watched on YouTube as President Obama turned to NBC reporter Chuck Todd. “Chuck embodies the best of both worlds: he has the rapid-fire style of a television correspondent, and the facial hair of a radio correspondent.” That was my joke! I grabbed the scroll bar and watched again. The line wasn’t genius. The applause was largely polite. Still, I was dumbfounded. A thought entered my brain, and then, just a few days later, exited the mouth of the president of the United States. This was magic. Still, even then, I had no illusions of becoming a presidential speechwriter. When friends asked if I hoped to work in the White House, I told them Obama had more than enough writers already. I meant it.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
CHAPTER SEVEN KIRA Just about the only perk a weekend in jail offers is not having to cook for small children. I’d been home approximately five hours, and I was already girding my loins for the nightly battle over food. Yes, yes, I know. Perfect mothers cook perfect meals, but I despise cooking for my children. Every night I had to marshal all the resources at my disposal not to give in to the temptation to throw frozen chicken nuggets at them and call it a day. Everything I put on their plates looked “funny,” or felt “slimy,” or was touching something and “ruining” everything. Back when Miles and I were first married, I used to make these incredible meals straight out of Martha Stewart. He’d ooh and aah and eat everything (never gaining a single ounce), and the applause made it worthwhile. Now, a bit more of my soul died every time I carried the children’s plates to the sink, still with more than half the food present and accounted for. Both kids would be digging in the pantry for Goldfish in a matter of minutes.
Kristin Wright (The Darkest Flower (Allison Barton, #1))
The applause light comes on. The audience claps like crazy. Theme music swells out of the speaker.
James Patterson (I Funny TV: A Middle School Story (I Funny Series Book 4))
Create New Pictures We can create new mental movies whenever we choose to do so. And when we develop (and concentrate on) new images that evoke powerful feelings and sensations, we’ll act in ways that support those new pictures! So, the first step is to create an image of your desired outcome. You are limited only by your imagination. As you know, most people are terrified about public speaking. In survey after survey, it is listed as the #1 fear that people have—ranked ahead of the fear of death! So, when most people are asked to even consider making a speech, what kinds of pictures do they run through their minds? They see themselves standing nervously in front of the audience. Perhaps they’re having trouble remembering what they want to say. Run these images over and over on your mental screen and you can be sure that you won’t have much success as a speaker! Instead, form a picture in your mind in which you’re confidently giving your presentation. The audience members are listening to your every word. You look sharp. Your delivery is smooth. You tell a funny story and the audience is laughing. At the end, you get a warm round of applause. People come up afterward to congratulate you. Do you see how these kinds of mental images can help you to become a better speaker? Recognize, however, that the pictures in your mind are not fulfilled overnight. But, by being patient and by persistently focusing on these mental images, you’ll automatically start acting in ways that support your vision.
Jeff Keller (Attitude Is Everything: Change Your Attitude ... Change Your Life!)
What kinda family she come from? There was something about her I don't like. It seems funny, the first time you meet her she comes to your empty house alone. These college girls, they all one step from the streets. (MARTY turns, gowning, to his mother) MARTY What are you talkin' about? She's a nice girl. THE MOTHER I don't like her. MARTY You don't like her? You only met her for two minutes.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
They Just Don’t Do That Anymore He used to wake me, oh so often. He’d had a bad dream, or a cough, or something felt funny inside. I would grumble, or be patient, depending on the night and how tired I was. Back to his room and tuck him in. Rinse and repeat, through many moons. But he doesn’t do that anymore. He used to be our pickiest eater. Though we’d always fed all three the same, he turned up his nose more frequently. I would grumble about this, or be patient, depending on the day and all that had happened up until that point. Trying not to make it worse, we encouraged him to taste new flavors. We also honored his preferences and didn’t force it. Now he gobbles down chili, curry, many of his former not-favorites. He doesn’t do that anymore. They used to argue every day: shout, bite, whine, hit. Clamoring for position and power, each in his or her own way. I would grumble about this, or be patient, depending on the state of my heart and energy level. These days plenty of disagreements occur, but so do apologies, ones I don’t always have to oversee or manage. They don’t do that anymore. The tantrums, oh dear Lord, the tantrums. “Don’t give in and they’ll soon learn that tantrums don’t work.” Ha. I never gave in, but that didn’t stop these daily events that pushed me to my limit and beyond. For years. I would grumble about this, or be patient, depending on how many times we’d been down this road in the past twenty-four hours. At times I found myself sitting through the screaming, my own tears of helplessness running like rivers. Too drained to even wipe them away. Convinced I must be doing everything wrong. But they don’t do that anymore. Some mamas are reading this after multiple times up in the night. Or you’ve stumbled across these words soon after yet another shouting match. Or maybe the dinner you poured weary energy into met with a resounding lack of applause. I don’t want to minimize the stage you’re in. Don’t want to tell you, “Enjoy these days, they go by so fast.” I’m not here to patronize you. Instead let me pour a little encouragement your way: Go ahead and grumble, or be patient. You don’t have to handle all the issues perfectly. Go ahead and cry, and wonder if it’s even worth it. Go ahead and pray, for strength to make it through the next five minutes. Because one day, often when you least expect it, often when you’ve come to peace with the imperfections and decided to be happy anyway, you’ll wake up, look around in amazement and realize: They just don’t do that anymore.
Jamie C. Martin (Introverted Mom: Your Guide to More Calm, Less Guilt, and Quiet Joy)
a joke needs to do its job. A joke needs to be funny. It’s great if it’s also thought provoking or somehow profound, but those are not the uttermost functions of a joke. A joke that’s not funny is not a joke. Now, a story is different in that a story doesn’t need to be funny. That said, a funny story needs to be funny. A sad story needs to be sad. An adventure or a thriller needs to be exciting, and a scary story needs to be (drumroll, please) scary. Going in and telling a story means knowing what the story needs to do, and then tweaking it to do that. Comedians don’t just blurt out hilarious shit all day. They aren’t joke robots. They craft their humor. They practice their bits on stage and in front of people; they tweak the timing, they change the silences and applause breaks, they fidget with word choice. And a story is like that, too. Sure, it sounds natural and spontaneous, like you’re just some erupting story volcano, but the truth is, stories are practiced entities. The best tales are those that have gone through countless drafts and countless retellings to get that precious bowl of bear porridge just right.
Chuck Wendig (Damn Fine Story: Mastering the Tools of a Powerful Narrative)
THE KINGDOM OF HEAVEN. ITS CITIZENS ARE DRUNK ON WONDER. Consider the case of Sarai.1 She is in her golden years, but God promises her a son. She gets excited. She visits the maternity shop and buys a few dresses. She plans her shower and remodels her tent . . . but no son. She eats a few birthday cakes and blows out a lot of candles . . . still no son. She goes through a decade of wall calendars . . . still no son. So Sarai decides to take matters into her own hands. (“Maybe God needs me to take care of this one.”) She convinces Abram that time is running out. (“Face it, Abe, you ain’t getting any younger, either.”) She commands her maid, Hagar, to go into Abram’s tent and see if he needs anything. (“And I mean ‘anything’!”) Hagar goes in a maid. She comes out a mom. And the problems begin. Hagar is haughty. Sarai is jealous. Abram is dizzy from the dilemma. And God calls the baby boy a “wild donkey”—an appropriate name for one born out of stubbornness and destined to kick his way into history. It isn’t the cozy family Sarai expected. And it isn’t a topic Abram and Sarai bring up very often at dinner. Finally, fourteen years later, when Abram is pushing a century of years and Sarai ninety . . . when Abram has stopped listening to Sarai’s advice, and Sarai has stopped giving it . . . when the wallpaper in the nursery is faded and the baby furniture is several seasons out of date . . . when the topic of the promised child brings sighs and tears and long looks into a silent sky . . . God pays them a visit and tells them they had better select a name for their new son. Abram and Sarai have the same response: laughter. They laugh partly because it is too good to happen and partly because it might. They laugh because they have given up hope, and hope born anew is always funny before it is real. They laugh at the lunacy of it all. Abram looks over at Sarai—toothless and snoring in her rocker, head back and mouth wide open, as fruitful as a pitted prune and just as wrinkled. And he cracks up. He tries to contain it, but he can’t. He has always been a sucker for a good joke. Sarai is just as amused. When she hears the news, a cackle escapes before she can contain it. She mumbles something about her husband’s needing a lot more than what he’s got and then laughs again. They laugh because that is what you do when someone says he can do the impossible. They laugh a little at God, and a lot with God—for God is laughing too. Then, with the smile still on his face, he gets busy doing what he does best—the unbelievable.
Max Lucado (The Applause of Heaven: Discover the Secret to a Truly Satisfying Life)