Appetite Funny Quotes

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It was an emergency!" Seth blurted. "Read my lips - emergency reading - not some demented idea of fun. If I was starving, I would eat asparagus. If somebody held a gun to my head, I would watch a soap opera. And to save Fablehaven, I would read a book, okay, are you happy?" You had best be careful, Seth," Grandma warned. "The love of reading can be contagious." I just lost my appetite," he declared...
Brandon Mull
When we entered the first chamber of the dungeon, the stench made me recoil. It smelled like someone had mixed together kerosene, rotten fruit, stale blood, urine, and dog shit, then blown it up. How had I not noticed this before? I wasn't even breathing, but the rancid odor found its way into my nose anyway. "This place stink." "Did the guards forget to spray Febreze?" Vlad asked in mock indignation. Then he gave me a jaded look. "It s a dungeon, Leila. They re supposed to smell." Mission accomplished. The stench might have actually killed my new appetite. If Hell could fart, it would smell like this.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
Daemon laughed "I'm only at the service of one person in particular" My cheeks flamed as I scooted my chair over. "You are not servicing me in any way." He leaned in, closing my newly gained distance. "Not yet." "Oh, come on, Daemon I'm right here." Dee frowned. "You're about to make me lose my appetite." "Like that will ever happen." Lisa retorted with an eye roll.
Jennifer L. Armentrout (Onyx (Lux, #2))
Depression is not dramatic, but it is total. It’s sneaky - you almost don’t notice it at first. Like a cat burglar, it comes in through an open window while you’re sleeping. It takes little things at first; your appetite, your desire to return phone calls. Then it comes back for the big stuff, like your will to live. Then next thing you know, your legs are filled with sand. The thought of brushing your teeth fills you with dread, it seems like such an impossible task. Suddenly you’re living your life in black and white – nothing is bright, nothing is pretty anymore. Music sounds tinny and distant. Things you found funny seem dull and off-key.
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
How can I walk by a window full of wheels of cheese and feel nothing? I don't even know myself anymore.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Your--ah--intervention, shall we say, has simplified things in the palace enormously. We no longer have to worry about Salmissra's whims and peculiar appetites. We rule by committee, and we hardly ever find it necessary to poison each other anymore. No one's tried to poison me for months.
David Eddings (Castle of Wizardry (The Belgariad #4))
Her attention was now drawn upon a boy whose imagination had the potential to change the face of reality. Unfortunately for him, Ærinna liked reality the way it was: fluid, slippery and with a brick in it. The case was quickly resolved by giving the young boy an appetite for procrastination.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
Diesel sucked air. "You keep fondling me like that, and I might have to marry you." "I'm not fondling you. I'm looking for the keys!" "Could you look a little more gently? You're scaring my boys.
Janet Evanovich (Wicked Appetite (Lizzy & Diesel, #1))
You took your clothes off?" "You didn't notice?" "No! Jeez Louise, I don't even know you." "If you look under the covers, you'll know me better." "I don't want to know you better!" "That's a big fib," Diesel said.
Janet Evanovich (Wicked Appetite (Lizzy & Diesel, #1))
More often than not, expecting to lose weight without first losing the diet that made the weight loss necessary is like expecting a pig to be spotless after hosing it down while it was still rolling in mud.
Mokokoma Mokhonoana
Is that sex talk?" she asked uncertainly. "It is." "Why don't you just say sex then? It's always chalice and appetite and artifice with you. I never know what the hell you're saying.
R. Lee Smith (Land of the Beautiful Dead)
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
As for me: I hadn’t even known that I was hungry until I’d stepped into the hallway, but at that moment, standing there with a rough stomach and a bad taste in my mouth and the prospect of what would be my last freely chosen meal, it seemed to me that I’d never smelled anything quite so delicious as that sugary warmth: coffee and cinnamon, plain buttered rolls from the Continental breakfast. Funny, I thought, going back into the room and picking up the room service menu: to want something so easy, to feel such appetite for appetite itself.
Donna Tartt (The Goldfinch)
DEPRESSION IS NOT dramatic, but it is total. It’s sneaky—you almost don’t notice it at first. Like a cat burglar, it comes in through an open window while you’re sleeping. It takes little things at first: your appetite, your desire to return phone calls. Then it comes back for the big stuff, like your will to live. The next thing you know, your legs are filled with sand. The thought of brushing your teeth fills you with dread, it seems like such an impossible task. Suddenly you’re living your life in black and white—nothing is bright, nothing is pretty anymore. Music sounds tinny and distant. Things you found funny seem dull and off-key. I
Lisa Unger (Sliver of Truth)
You would think that the first time you cut up a dead person, you’d feel a bit funny about it. Strangely, though, everything feels normal. The bright lights, stainless steel tables, and bow-tied professors lend an air of propriety. Even so, that first cut, running from the nape of the neck down to the small of the back, is unforgettable. The scalpel is so sharp it doesn’t so much cut the skin as unzip it, revealing the hidden and forbidden sinew beneath, and despite your preparation, you are caught unawares, ashamed and excited. Cadaver dissection is a medical rite of passage and a trespass on the sacrosanct, engendering a legion of feelings: from revulsion, exhilaration, nausea, frustration, and awe to, as time passes, the mere tedium of academic exercise. Everything teeters between pathos and bathos: here you are, violating society’s most fundamental taboos, and yet formaldehyde is a powerful appetite stimulant, so you also crave a burrito.
Paul Kalanithi (When Breath Becomes Air)
Ah!" said the doctor, in his most complacent manner, "here is the opportunity I have long been waiting for. I have often desired to test and taste the indian mode of cooking. What do you suppose this is?" holding up the dripping morsel. Unable to obtain the desired information, the doctor, whose naturally good appetite had been sensibly sharpened by his recent exercise á la quadrupède, set to with a will and ate heartily of the mysterious contents of the kettle. "What can this be?" again inquired the doctor. He was only satisfied on one point, that it was delicious - a dish fit for a king. Just then Gurrier, the half-breed, entered the lodge. He could solve the mystery, having spent years among the Indians. To him the doctor appealed for information. Fishing out a huge piece and attacking it with the voracity of a hungry wolf, he was not long in determining what the doctor had supped so heartily upon. His first words settled the mystery: "Why this is dog." I will not attempt to repeat the few but emphatic words uttered by the heartedly disgusted member of the medical fraternity as he rushed from the lodge.
George Armstrong Custer (My Life on the Plains: Or, Personal Experiences with Indians)
A joke’s funny, right? That wasn’t. It’s perfectly okay for a woman to have a sexual appetite, to take the lead now and then. These are modern times, not the dark ages.
Shani Struthers (The Venetian (This Haunted World, #1))
But this detective only has an appetite for one thing, Lady Peculiar. Getting to the bottom of Jepson’s death. And my gut instinct tells me this could be murder.’ Her nostrils flared. ‘Really, inspector? What leads you to that hasty conclusion?’ ‘I’ve no idea whatsoever. My gut never reveals its sources. But it’s rarely been proved wrong.
Paul Mathews (A Very Funny Murder Mystery (Clinton Trump Detective Genius #1))
All the labour of man is for his mouth, and yet the appetite is not filled.
COMPTON GAGE
You look healthy,” Dev said. “If I did not know you were sporting the remains of a bullet wound, I would think you in the pink.” “Thank you.” Anna smiled. “I slept well last night.” For the first time in weeks, she truly had. “Well”—Val sat down and reached for the iced lemonade pitcher—“I did not sleep well. We need another thunderstorm.” “I wonder.” Anna’s eyes met Val’s. “Does Morgan still dread the thunderstorms?” “She does,” he replied, sitting back. “She figured out that the day your parents died, when she was trapped in the buggy accident, it stormed the entire afternoon. Her associations are still quite troubling, but her ears don’t physically hurt.” Dev and Anna exchanged a look of surprise, but Val was tucking into his steak. Dev turned his attention back to his plate. “Anna, are you ready to remove to the ducal mansion?” “As ready as I’ll be,” Anna replied, her steak suddenly losing its appeal. “Would you like me to cut that for you?” Dev asked, nodding at the meat on her plate. “I’ve pulled a shoulder now and then or landed funny from a frisky horse, and I know the oddest things can be uncomfortable.” “I just haven’t entirely regained my appetite,” Anna lied, eyeing the steak dubiously. “And I find I am tired, so perhaps you gentleman will excuse me while I catch a nap before we go?” She was gone before they were on their feet, leaving Dev and Val both frowning. “We offered to assist him in any way,” Dev said, picking up his glass. “I think this goes beyond even fraternal devotion.” “He’s doing what he thinks is right,” Val responded. “I have had quite enough of my front-row seat, Dev. Tragedy has never been my cup of tea.” “Nor farce mine.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Ah! said the doctor, in his most complacent manner, "here is the opportunity I have long been waiting for. I have often desired to test and taste the indian mode of cooking. What do you suppose this is?" holding up the dripping morsel. Unable to obtain the desired information, the doctor, whose naturally good appetite had been sensibly sharpened by his recent exercise á la quadrupède, set to with a will and ate heartily of the mysterious contents of the kettle. "What can this be?" again inquired the doctor. He was only satisfied on one point, that it was delicious - a dish fit for a king. Just then Gurrier, the half-breed, entered the lodge. He could solve the mystery, having spent years among the Indians. To him the doctor appealed for information. Fishing out a huge piece and attacking it with the voracity of a hungry wolf, he was not long in determining what the doctor had supped so heartily upon. His first words settled the mystery: "Why this is dog." I will not attempt to repeat the few but emphatic words uttered by the headily disgusted member of the medical fraternity as he rushed from the lodge.
George Armstrong Custer (My Life on the Plains (Illustrated & Annotated): Personal Experiences With Indians (History in Words and Pictures Series Book 1))
That drummer is hot,” Sam says. He’s still watching the footage with no sound, since we play the TV with subtitles for Logan all the time. “I would have thought you’d like the lead singer best,” Emily says, watching his face. He shakes his head. “Not my type.” “Not enough ass,” Pete tosses out. “He’s not into skinny chicks.” Pete looks over at Emily. “No offense, Em.” Emily rolls her eyes and points to her very pregnant belly. Sam shoots Pete a look and shoves Pete’s legs out of his lap. Pete makes a move like he’s grabbing and squeezing. “Sam likes a girl he can hold on to.” Sam’s face goes pink as he shrugs. “I like curves,” he says. “I can’t help it.” Pete shoves him again. “He wants tits and ass,” he says, making that squeezing motion again. “And a brain,” Sam says, holding up his finger. “And an appetite,” I add. Sam raises his brow. “I like to cook. So I like a girl who likes to eat. Go figure.” Emily laughs. Sam must feel the need to explain himself because he goes on. “I hate taking a girl to dinner and having her order a salad. Or having her tell me she can’t eat one of my famous cupcakes because she’s on a diet.” He shivers like he’s repulsed by the very idea of it. He draws an hourglass figure in the air with his hands. “I’ll take tits, ass, and thighs, please,” he says, as though he’s ordering dinner. “And, dammit, if there’s icing that can be licked off places, I want her to be able to partake without thinking about calories.” “TMI, Sam!” Emily cries, covering her ears. Sam laughs, so I throw a remote at his head. “Act like a gentleman,” I warn, because I feel like I should. But that shit’s funny as hell.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first. Ursula K. Le Guin
M. Prefontaine (501 Quotes about Life: Funny, Inspirational and Motivational Quotes (Quotes For Every Occasion Book 9))
And she did it without once talking about carbs, calories, the evils of refined sugar, or apologizing for her large appetite. It was baller AF!” Steven explained he was further entranced with Marcella because she seemed so much freer than any girl he had ever met before. She wasn’t polite or perfectly dressed. She laughed at all his jokes and kept telling him he was funny for a rich dickhead.
Jenny Lee (Anna K: A Love Story (Anna K, #1))