Apologize To Husband Quotes

We've searched our database for all the quotes and captions related to Apologize To Husband. Here they are! All 100 of them:

That’s the part I was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem,
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
The love of my life is gone, and I can't just call her and say I'm sorry and have her come back. She's gone forever. So yes, Monique, that is something I do regret. I regret every second I didn't spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, 'I'm in love with Celia St. James!' and let them crucify me for it. That's what I should have done. And now that I don't have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
Peter Craig (Hot Plastic)
[I]t is dangerous for a bride to be apologetic about her husband.
Wallace Stegner (Angle of Repose)
I'm sorry for what I did to you in your nightmare. Please forgive me tonight when you dream." I still have the card. I smile every time I think about it. Some men can't even apologize for the mistakes they make in reality. But my husband apologizes for the mistakes he makes in my dreams.
Colleen Hoover (All Your Perfects (Hopeless, #3))
A man hits you once and apologizes, and you think it will never happen again.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I've crossed paths since with men like him. I wish I could say differently. But I have. And what I have learned is that you dig a little and you find they're all the same, give or take. Some are more polished, granted. They may come with a little bit of charm-- Or a lot -- and that can fool you. But really they're all unhappy little boys sloshing around in their own rage. They feel wronged. They haven't been given their due. No one loved them enough. Of course they expect you to love them. They want to be held, rocked, reassured. But it's a mistake to give it to them. They can't accept it. They can't accept the very thing they're needing. They end up hating you for it. And it never ends because they can't hate you enough. It never ends-- the misery, the apologies, the promises, the reneging, the wretchedness of it all. My first husband was like that.
Khaled Hosseini (And the Mountains Echoed)
I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, 'I'm in love with Celia St. James!' and let them crucify me for it.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A man worth being with is one… That never lies to you Is kind to people that have hurt him A person that respects another’s life That has manners and shows people respect That goes out of his way to help people That feels every person, no matter how difficult, deserves compassion Who believes you are the most beautiful person he has ever met Who brags about your accomplishments with pride Who talks to you about anything and everything because no bad news will make him love you less That is a peacemaker That will see you through illness Who keeps his promises Who doesn’t blame others, but finds the good in them That raises you up and motivates you to reach for the stars That doesn’t need fame, money or anything materialistic to be happy That is gentle and patient with children Who won’t let you lie to yourself; he tells you what you need to hear, in order to help you grow Who lives what he says he believes in Who doesn’t hold a grudge or hold onto the past Who doesn’t ask his family members to deliberately hurt people that have hurt him Who will run with your dreams That makes you laugh at the world and yourself Who forgives and is quick to apologize Who doesn’t betray you by having inappropriate conversations with other women Who doesn’t react when he is angry, decides when he is sad or keep promises he doesn’t plan to keep Who takes his children’s spiritual life very seriously and teaches by example Who never seeks revenge or would ever put another person down Who communicates to solve problems Who doesn’t play games or passive aggressively ignores people to hurt them Who is real and doesn’t pretend to be something he is not Who has the power to free you from yourself through his positive outlook Who has a deep respect for women and treats them like a daughter of God Who doesn’t have an ego or believes he is better than anyone Who is labeled constantly by people as the nicest person they have ever met Who works hard to provide for the family Who doesn’t feel the need to drink alcohol to have a good time, smoke or do drugs Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family Who is morally free from sin Who sees your potential to be great Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you Who is a gentleman Who is honest and lives with integrity Who never discusses your private business with anyone Who will protect his family Who forgives, forgets, repairs and restores When you find a man that possesses these traits then all the little things you don’t have in common don’t matter. This is the type of man worth being grateful for.
Shannon L. Alder
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
A portion of guilt is standard issue for southern boys; our whole lives are convoluted, egregious apologies to our mothers because our fathers have made us such flawed husbands.
Pat Conroy (The Prince of Tides)
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
Can we get on with this?" Father Laggan cried out. "In the name of the Father…" "I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first." "… and of the Son," the priest continued in a much louder voice. "She'll be wanting King John next," Duncan predicted. "We can't allow that, lass," Owen muttered. "Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention. "I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain." "We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here." Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly confused. "Judith, do you take Iain for your husband?" She looked up at Iain before giving her answer. "We'll see." "That won't do, lass. You've got to say I do," he advised. "Do I?" Iain smiled. "Your aunt and uncle will be welcomed here." She smiled back. .... Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do," she told him. "Shouldn't we begin now?" "The lass has trouble following along," Vincent remarked. Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently. She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony." "You may kiss the bride," Father Laggan announced.
Julie Garwood (The Secret (Highlands' Lairds, #1))
Come on, let’s go meet the guy who thinks he’s my better half . And dear God, I apologize ahead of time if he starts talking to you about how many eight-point bucks he’s planning to hunt this weekend.
J. Lynn
There is something quite amazing and monstrous about the education of upper-class women. What could be more paradoxical? All the world is agreed that they are to be brought up as ignorant as possible of erotic matters, and that one has to imbue their souls with a profound sense of shame in such matters until the merest suggestion of such things triggers the most extreme impatience and flight. The "honor" of women really comes into play only here: what else would one not forgive them? But here they are supposed to remain ignorant even in their hearts: they are supposed to have neither eyes nor ears, nor words, nor thoughts for this -- their "evil;" and mere knowledge is considered evil. And then to be hurled as by a gruesome lightning bolt, into reality and knowledge, by marriage -- precisely by the man they love and esteem most! To catch love and shame in a contradiction and to be forced to experience at the same time delight, surrender, duty, pity, terror, and who knows what else, in the face of the unexpected neighborliness of god and beast! Thus a psychic knot has been tied that may have no equal. Even the compassionate curiosity of the wisest student of humanity is inadequate for guessing how this or that woman manages to accommodate herself to this solution of the riddle, and to the riddle of a solution, and what dreadful, far-reaching suspicions must stir in her poor, unhinged soul -- and how the ultimate philosophy and skepsis of woman casts anchor at this point! Afterward, the same deep silence as before. Often a silence directed at herself, too. She closes her eyes to herself. Young women try hard to appear superficial and thoughtless. The most refined simulate a kind of impertinence. Women easily experience their husbands as a question mark concerning their honor, and their children as an apology or atonement. They need children and wish for them in a way that is altogether different from that in which a man may wish for children. In sum, one cannot be too kind about women.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
Let me give you some advice," said Trace. "Your wife is right, you are wrong, even when you're right, so you might as well apologize right off.
Reece Butler (1 Bed, 2 Weddings, 3 Husbands (Bride Train, #5))
Women are taught that to be a good woman you need to be good for other people. If your kids are happy, then you're a good mom. If your husband is happy, you're a good wife. How about a good daughter, employee, sister, friend? All of your value is essentially wrapped up in other people's happiness. How can anyone successfully navigate that for a lifetime? How can anyone dream of more? How can anyone follow their what if, if they need someone else to approve of it first?
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
A man hits you once and apologizes, and you think it will never happen again - Evelyn Hugo
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Genuine forgiveness and reconciliation are two-person transactions that are enabled by apologies. Some, particularly within the Christian worldview, have taught forgiveness without an apology. They often quote the words of Jesus, “If you do not forgive men their trespasses neither will your Father forgive your trespasses.” Thus, they say to the wife whose husband has been unfaithful and continues in his adulterous affair, “You must forgive him, or God will not forgive you.” Such an interpretation of Jesus’ teachings fails to reckon with the rest of the scriptural teachings on forgiveness. The Christian is instructed to forgive others in the same manner that God forgives us. How does God forgive us? The Scriptures say that if we confess our sins, God will forgive our sins. Nothing in the Old or New Testaments indicates that God forgives the sins of people who do not confess and repent of their sins. While a pastor encourages a wife to forgive her erring husband while he still continues in his wrongdoing, the minister is requiring of the wife something that God Himself does not do. Jesus’ teaching is that we are to be always willing to forgive, as God is always willing to forgive, those who repent… While a pastor encourages a wife to forgive her erring husband while he still continues in his wrongdoing, the minister is requiring of the wife something that God Himself does not do. Jesus’ teaching is that we are to be always willing to forgive, as God is always willing to forgive, those who repent…
Gary Chapman (The Five Languages of Apology: How to Experience Healing in All Your Relationships)
Do not apologize for wanting to be a wife and not a girlfriend. You encourage a man to think about his motives and his vision. If you have a "girlfriend" mindset you will do just about anything without a ring. You will play house, wear whatever and will not challenge him to measure up and step up to the plate. So, do not get mad if the guy runs off to dusty, trashy crowns who have low or no standards . Hold onto your standards because your future husband will be looking for a godly wife.
Heather Lindsey (Dusty Crowns: Dusting yourself off and becoming the woman God called you to be)
Take them off," I order and without hesitation she removes them and drops them on the floor. She lifts her cami so I can see her, then rubs her hand over her tummy and over the top of her mound while she watches me. When I look into her eyes she's licking her lips. "Do you like what you see?" she asks playfully. "You know I do." "Good. When you apologize, you can have some." Oh, hell no. "Let me remind you, as your husband and your Master, I don't need your permission. I'll have some with or without an apology, but because I love you and because it was a shitty thing for me to accuse you of, I'll apologize anyway. So for what's worth - I'm sorry for accusing you of hitting on Sawyer. I love you. Now open your legs like a good wife and let me fuck you.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
A man hits you once and apologizes and you think it will never happen again. But then you tell him you're not sure you ever want a family, and he hits you once more. You tell yourself it's understandable, what he did. You were sort of rude, the way you said it.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
You know about trauma bonding, right?” the agent asked abruptly. “Forget kidnapping victims, you see it all the time with battered women. They’re isolated, at the mercy of their dominating spouse, going through intense spells of abject terror followed by even more emotionally draining periods of soul-wrenching apologies. The trauma itself creates a powerful bonding element. The things these two have gone through together, how could anyone else ever understand? It becomes one more thing that makes a woman stay, even after her husband has beat the crap out of her again.
Lisa Gardner (Find Her (Detective D.D. Warren, #8))
I have to go.' 'Just be careful about your expectations..' 'I want her to apologize.' 'Sweetheart,' Jean said, 'your mother is never going to apologize... Go see her if you need to. But remember who she is. Going to your mother for understanding is like going to the hardware store for bread.
Katherine Center (The Lost Husband)
It was amusing, in such lightness of air, that the Prince should again present himself only to speak for the Princess, so unfortunately unable again to leave home; and that Mrs Verver should as regularly figure as an embodied, a beautifully deprecating apology for her husband, who was all geniality and humility among his own treasures, but as to whom the legend had grown up that he couldn't bear, with the height of his standards and the tone of the company, in the way of sofas and cabinets, habitually kept by him, the irritation and depression to which promiscuous visiting, even at pompous houses, had been found to expose him.
Henry James (The Golden Bowl)
I was living my entire life waiting for a moment to be special enough for me to look, feel and act my best, and the truth is, you don't need a special moment, or any reason at all, to do that. If not now, then when? This saying became my mantra and the answer to a dozen different questions. Should we eat off the nice wedding china or paper plates? Should I dress up for a date with my husband or just wear jeans again? Bake some cookies for the neighbors? The answers to all of these questions is the same: If not now, then when? You could spend forever planning out your someday when right now, today, this second, this is all you've got. Someday isn't guaranteed!
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
That’s the part I was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
apologize
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
That's the part I was stuck in, the part where you accept the apology because it's easier than addressing the root of the problem.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
Gregory David Roberts
Don’t apologize for what you have. It makes guests feel uncomfortable, it encourages discontentment, and if you’re married and your husband hears you apologizing for what he’s provided, it could be hurtful.
Myquillyn Smith (The Nesting Place: It Doesn't Have to Be Perfect to Be Beautiful)
Mara, remember how you kicked sand into that neighbor child’s eyes? I yelled at you and made you apologize in your best dress, and that night I cried by myself in the bathroom because you are Bad’s child as much as you are mine. Remember when you ran into the plate glass window and cut your arms so badly we had to drive you to the nearest hospital in the pickup truck, and when it was over Bad begged me to replace the backseat because of all the blood? Or when Tristan told us that he wanted to invite a boy to prom and you put your arm around him like this? Mara, remember? Your own babies? Your husband with his Captain Ahab beard and calloused hands and the house you bought in Vermont? Mara? How you still love your little brother with the ferocity of a star; an all-consuming love that will only end when one of you collapses? The drawings you handed us as children? Your paintings of dragons, Tristan’s photographs of dolls, your stories about anger, his poems about angels? The science experiments in the yard, blackening the grass to gloss? Your lives sated and[…]
Carmen Maria Machado (Her Body and Other Parties: Stories)
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.” “Did you chase after the housemaids when you were a boy?” “Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.” Evie raised a cue stick as if to crown him with it. He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?” “You would be purely ornamental,” Evie replied, giggling. “Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.” “I wouldn’t mind.” He gave her a quizzical smile. “What?” “If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.” Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.” “No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…” But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives. “Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That's the part I was stuck in, the part where you accept the apology because it's easier than addressing the root of the problem.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It takes everything I have not to taken it back, not to apologize profusely. My mother raised me to be polite, to be demure. I have long operated under the idea that civility is subservience. But it hasn't gotten me very far, that type of kindness.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
He was there,keeping watch over her, which meant he expected something to happen.What? That she would be so foolish as to try to escape? Not for a moment did she believe he would seek to trap her like that. No,he was waiting for someone else,the real villain who had sought to harm them both. Waiting and hoping to lure him out by the simple expediency of using her as...bait. That husband of hers-that dear, darling husband of hers-was going to have some serious apologizing to do when this was over. Fearing that the sheer expanse of her smile would give the plan away, Rycca pulled a corner of a blanket up over her face. A short time later, she drifted off to sleep again,secure in the knowledge that she lay under the watchful eye of the Dragon.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, "I'm in love with Celia St. James!" snd let them crucify me for it.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A MAN HITS YOU ONCE and apologizes, and you think it will never happen again. But then you tell him you’re not sure you ever want a family, and he hits you once more. You tell yourself it’s understandable, what he did. You were sort of rude, the way you said it. You do want a family someday. You truly do. You’re just not sure how you’re going to manage it with your movies. But you should have been more clear. The next morning, he apologizes and brings you flowers. He gets down on his knees. The third time, it’s a disagreement about whether to go out to Romanoff’s or stay in. Which, you realize when he pushes you into the wall behind you, is actually about the image of your marriage to the public. The fourth time, it’s after you both lose at the Oscars. You are in a silk, emerald-green, one-shoulder dress. He’s in a tux with tails. He has too much to drink at the after-parties, trying to nurse his wounds. You’re in the front seat of the car in your driveway, about to go inside. He’s upset that he lost. You tell him it’s OK. He tells you that you don’t understand. You remind him that you lost, too. He says, “Yeah, but your parents are trash from Long Island. No one expects anything from you.” You know you shouldn’t, but you say, “I’m from Hell’s Kitchen, you asshole.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A MAN HITS YOU ONCE and apologizes, and you think it will never happen again. But then you tell him you’re not sure you ever want a family, and he hits you once more. You tell yourself it’s understandable, what he did. You were sort of rude, the way you said it.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Thank you, Richard,” Nellie managed. He didn’t deserve her decency, but he expected it. Even in pain, Nellie understood her role—the wife who bowed to her husband, who apologized for things out of her control, who made his life easier even if it made hers harder. The perfect wife.
Karma Brown (Recipe for a Perfect Wife)
Well, my UN ambassador fucked up his one job and said something idiotic about the Norwegian prime minister’s husband, and now I have to call her and personally apologize. But the good thing is it’s one in the morning in Oslo, so I can put it off until tomorrow and have dinner with you two instead.
Casey McQuiston (Red, White & Royal Blue)
Mr. Monroe, if you have come to tell me that you repent, that you are sorry, very sorry, for the misrepresentations and the slanders and the stories you circulated against my dear husband, if you have come to say this, I understand it. But otherwise, no lapse of time, no nearness to the grave, makes any difference.
Ron Chernow (Alexander Hamilton)
I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A MAN HITS YOU ONCE and apologizes, and you think it will never happen again. But then you tell him you’re not sure you ever want a family, and he hits you once more. You tell yourself it’s understandable, what he did. You were sort of rude, the way you said it. You do want a family someday. You truly do. You’re just not sure how you’re going to manage it with your movies. But you should have been more clear. The next morning, he apologizes and brings you flowers. He gets down on his knees. The third time, it’s a disagreement about whether to go out to Romanoff’s or stay in. Which, you realize when he pushes you into the wall behind you, is actually about the image of your marriage to the public.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
They’d both apologized, and there had been no lingering bitterness. Will wasn’t a sulker. He was actually pretty good at negotiating a compromise. And he rarely lost his sense of humor or ability to laugh at himself. “Did you see the way I repacked your frying pan?” he said. “That was a masterstroke, eh? Put you in your place, didn’t it?” For a moment
Liane Moriarty (The Husband's Secret)
... I wondered what my husband was doing right then and I wondered what he'd ever do now that we'd both have to do things in this new kind of without, the kind of without that was final, the kind that meant there would be no apologies, no forgiveness, and now we'd each have to go about the slug of waking, bathing, eating, without the other as a witness, this person we'd split so much of our lives with, a person who housed entire armies of information about the other and who, I wondered, who would we thumb over our pasts with and who would notice how golden my husband's pale skin became in the lamplight in his office so late at night when his mind would move chalk sticks across, across, across, creating problems and solutions and problems and solutions and if there was no one to notice these things about my husband would my husband even exist anymore? And where would all the me that he had housed in himself go if I wasn't there to be with him and see what he kept of me in him, and did the versions of each of us that we had crafted so exactly and precisely for the other person, did those versions just evaporate, just die, just disappear, just fall out of a building somewhere in each of our brains and if they did then why didn't we get to have funerals for them? I loved the he that he was to me. I loved him and he is dead and I want a black moment for that man. Give me a black moment for that.
Catherine Lacey (Nobody Is Ever Missing)
When he comes crawling to you in tears the next morning, you don’t actually believe him anymore. But now this is just what you do. The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That’s the part I was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem,
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It takes everything I have not to take it back, not to apologize profusely. My mother raised me to be polite, to be demure. I have long operated under the idea that civility is subservience. But it hasn’t gotten me very far, that type of kindness. The world respects people who think they should be running it. I’ve never understood that, but I’m done fighting it.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
The fourth time, it’s after you both lose at the Oscars. You are in a silk, emerald-green, one-shoulder dress. He’s in a tux with tails. He has too much to drink at the after-parties, trying to nurse his wounds. You’re in the front seat of the car in your driveway, about to go inside. He’s upset that he lost. You tell him it’s OK. He tells you that you don’t understand. You remind him that you lost, too. He says, “Yeah, but your parents are trash from Long Island. No one expects anything from you.” You know you shouldn’t, but you say, “I’m from Hell’s Kitchen, you asshole.” He opens the parked car’s door and pushes you out. When he comes crawling to you in tears the next morning, you don’t actually believe him anymore. But now this is just what you do. The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That’s the part I was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem, when Harry Cameron came to my dressing room and told me the good news. Little Women was getting the green light.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
But the older I get the more I become aware that I was raised thinking that my real value was based on the role I would play for other people. After all, being deemed a good wife or a good mother or daughter is rarely based on how true you are to yourself. Where I was raised, women are taught that to be a good woman you need to be good for other people. If your kids are happy, then you're a good mom. If your husband is happy, then you're a good wife. All of your value is essentially wrapped up in other people's happiness. How can anyone successfully navigate that for a lifetime? It's no wonder so many mothers send me notes telling me they've lost themselves. Of course they have! If you live your life to please everyone else, you forget what used to make you YOU.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
I apologize in advance.” He cocked his head to the side. “For?” “Ruining you for any other man on this planet. I’m going to fuck you, Indie. So hard you’ll think about me years from now, when you lie under your boring, missionary-loving husband. I will own every orgasm, every shiver, every wave of pleasure inside you. From here on out, it will be me. Just me. And for that, I truly am sorry.
L.J. Shen (Midnight Blue)
Apologies for any insult this causes,' she said without peering out from around her easel, 'but I am not in the market for a husband, my lord. Please just go.' A beat of silence passed. With any luck, Vexley would be insulted by the bite in her tone and would turn right back around and leave for some faraway city at the edge of the world. 'Well, that's quite a relief considering I'm in want of a painting, not a wife.
Kerri Maniscalco (Throne of the Fallen (Prince of Sin, #1))
Poppy,” he said raggedly, “I thought about you every minute of that twelve-hour carriage drive. About how to make you come back with me. I’ll do anything. I’ll buy you half of bloody London, if that will suffice.” “I don’t want half of London,” she said faintly. Her fingers tightened on the waist of his trousers. This was Harry as she had never seen him before, all defenses down, speaking to her with raw honesty. “I know I should apologize for coming between you and Bayning.” “Yes, you should,” she said. “I can’t. I’ll never be sorry about it. Because if I hadn’t done it, you’d be his now. And he only wanted you if it was easy for him. But I want you any way I can get you. Not because you’re beautiful or clever or kind or adorable, although the devil knows you’re all those things. I want you because there’s no one else like you, and I don’t ever want to start a day without seeing you.” As Poppy opened her mouth to reply, he smoothed his thumb across her lower lip, coaxing her to wait until he had finished. “Do you know what a balance wheel is?” She shook her head slightly. “There’s one in every clock or watch. It rotates back and forth without stopping. It’s what makes the ticking sound . . . what makes the hands move forward to mark the minutes. Without it, the watch wouldn’t work. You’re my balance wheel, Poppy.” He paused, his fingers compulsively following the fine curve of her jaw up to the lobe of her ear. “I spent today trying to think of what I could apologize for and maybe sound at least half sincere. And I finally came up with something.” “What is it?” she whispered. “I’m sorry I’m not the husband you wanted.” His voice turned gravelly. “But I swear on my life, if you’ll tell me what you need, I’ll listen. I’ll do anything you ask. Just don’t leave me again.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
There is one thing that ought to be taught in all the colleges, Which is that people ought to be taught not to go around always making apologies. I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet, Because I think that is sort of sweet; No, I object to one kind of apology alone, Which is when people spend their time and yours apologizing for everything they own. You go to their house for a meal, And they apologize because the anchovies aren't caviar or the partridge is veal; They apologize privately for the crudeness of the other guests, And they apologize publicly for their wife's housekeeping or their husband's jests; If they give you a book by Dickens they apologize because it isn't by Scott, And if they take you to the theater, they apologize for the acting and the dialogue and the plot; They contain more milk of human kindness than the most capacious diary can, But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American. I dread these apologizers even as I am depicting them, I shudder as I think of the hours that must be spend in contradicting them, Because you are very rude if you let them emerge from an argument victorious, And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious, And what particularly bores me with them, Is that half the time you have to politely contradict them when you rudely agree with them, So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf, Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
Ogden Nash
True love makes people stronger not weaker, Jake. Remember that. I still miss my husband every day, but I can go on because something as strong as we had makes me believe in an afterlife. Treasure these times, boys. Love your women with all you have because the day will come when you must part from them – however temporarily. Arguments will happen but always apologize – even when you’re not sure that you’re the one who was wrong. Pride is a cold bed partner.
Ruth Cardello (Bedding the Billionaire (Legacy Collection, #3))
The love of my life is gone, and I can’t just call her and say I’m sorry and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly. But that’s a luxury. You can do that when you’re rich and famous. You can decide that wealth and renown are worthless when you have them. Back then, I still thought I had all the time I needed to do everything I wanted. That if I just played my cards right, I could have it all.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It’s my personal opinion that airlines can do two things to make air travel better for everyone. The first is to have the people taking boarding tickets recognize the person who seems the most unreasonably determined to be sitting on the plane, hold up their arm, and joyfully announce over the loudspeaker: “YOU, SIR! You are our winner for most unaccountably and frantically eager to get on a plane that will not leave until every single person is seated anyway. Well done, you! Can you tell us how you feel now that you’ve won?” At best he’ll realize he’s being a bit douchey, laugh it off, and might calm the hell down from now on. At worst he’ll start yelling and then everyone else gets a good show. Then give him a small medal and a mild tranquilizer. Plus a mild tranquilizer for the person who has to sit next to him. And, if you’re handing them out, I’ll take one too. In fact, mild tranquilizers for everyone! (I apologize for the gender stereotyping, but in fairness it usually is a he. And he’s usually in a business suit. And he often has triple-diamond status. And he’s occasionally my husband.) Frankly,
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
The love of my life is gone, and I can’t just call her and say I’m sorry and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Evelyn looks at me as if I am stupid. “She’s gone now,” Evelyn says. “The love of my life is gone, and I can’t just call her and say I’m sorry and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly. But that’s a luxury. You can do that when you’re rich and famous. You can decide that wealth and renown are worthless when you have them. Back then, I still thought I had all the time I needed to do everything I wanted. That if I just played my cards right, I could have it all.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I’ve told you, I had nothing to do with it,” Michael snapped. “But I hope to hell that he’s found soon—facedown in the Thames.” “Enough,” Poppy cried in outrage. Both men glanced at her in surprise. “That is beneath you, Michael! Harry wronged both of us, it’s true, but he has apologized and tried to make reparations.” “Not to me, by God!” Poppy gave him an incredulous glance. “You want an apology from him?” “No.” He glared at her, and then a hoarse note of pleading entered his voice. “I want you.” She flushed with fury. “That will never be possible. And it never was. Your father wouldn’t have consented to have me as his daughter-in-law, because he considered me beneath him. And the truth is that you did, too, or you would have managed everything far differently than you did.” “I’m not a snob, Poppy. I’m conventional. There’s a difference.” She shook her head impatiently—it was an argument she didn’t want to waste precious time on. “It doesn’t matter. I’ve come to love my husband. I will never leave him. So for your sake as well as mine, stop making a spectacle and a nuisance of yourself, and go on with your life. You were meant for better things than this.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
When Joanne met her husband and continuing for the first few years of their marriage, she was so impressed by how easily and quickly he apologized. He was better than her at apologizing, better than anyone she knew, really. Looking back, she noticed a pattern of him listening to her express how something he did or said hurt her, then apologizing, then changing his behavior for a couple days, then repeating the same old behavior. After a while, with all the other responsibilities of life, she stopped trying; she learned to just accept things about him that weren’t ideal and enjoy the good parts. He wore her down and subtly taught her it wasn’t worth the effort to confront him and tell him her feelings.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse)
My husband, Eric, has a joke he likes to say: “Ask Jessica to sing about Jesus or America, and she’ll be there. Super Bowl, backyard cookout, whatever you got, she’s coming to sing ‘God Bless America.’ ” And he’s right. Growing up in Texas, I sang that song over and over. From Memorial Day parades to Veteran’s Day pancake breakfasts—I was your girl. When I sang it at the East Room of the White House, I finally found out I had been flubbing the lyrics all those years. I was there to kick off the USO holiday tour for troops fighting in Afghanistan. It was the first time they let celebrities in after 9/11, because, well, they were busy. It was surreal to hear President Bush speak, thanking the chairman of the Joint Chiefs of Staff for his service, the transportation secretary for keeping the airlines safe. And then he added, “I want to thank Rob Schneider and Jessica Simpson as well.” They asked me to sing “God Bless America,” and I gave it my all. President Bush was in the front row, right next to Laura, and I watched him quietly sing along, his mouth moving along with mine. Something went wrong after we got to the mountains, though. I said, “to the rivers,” just like I always did, and, well, he knew it was “the prairies.” I was so embarrassed that I apologized to him and Mrs. Bush after. “I swear all this time I thought it was rivers!” I said. “That’s okay, Jessica,” he said. “God blessed the rivers, too.
Jessica Simpson (Open Book)
It should come as no surprise that women need to work doubly hard to prove their right to power. They have to look to their menfolk around them who can support their claim, rather than detract from it--to their fathers and patriarchs, not to their husbands and lovers. They must clarify to a suspicious public that they are not greedy and conniving, power-hungry for their own sakes, but concerned for the success of a broad swath of society. How does one do that except by somehow downplaying their own ambition, or subsuming her power to that of a male associate, or allowing herself to be interrupted in important meetings, or apologizing more than her male counterparts, or appearing more tentative in her decision-making, or not applying for positions and promotions she might think she isn't qualified for? A woman is rarely congratulated for grasping for more, for reaching higher. Women know exactly how their ambition is perceived by the public, and they must veil their power grabs in a warm and cuddly swath of nonaggression and nonthreatening verbiage, dazzling smiles, colored hair, and a calm and steady gaze, maternal even, without holding their head too high, but not too low either. Is it any surprise that today's women don't even apply for political position of authority if they have to walk through a gauntlet of abuse dissecting their appearance, demeanor, age, weight, and sexual past white simultaneously walking a tightrope of unspoken demands for masculinization?
Kara Cooney (When Women Ruled the World: Six Queens of Egypt)
Leaning back in his chair, Ian listened to Larimore’s irate summation of the wild and fruitless chase he’d been sent on for two days by Lady Thornton and her butler: “And after all that,” Larimore flung out in high dudgeon, “I returned to the house on Promenade Street to demand the butler allow me past the stoop, only to have the man-“ “Slam the door in your face?” Ian suggested dispassionately. “No, my lord, he invited me in,” Larimore bit out. “He invited me to search the house to my complete satisfaction. She’s left London,” Larimore finished, avoiding his employer’s narrowed gaze. “She’ll go to Havenhurst,” Ian said decisively, and he gave Larimore directions to find the small estate. When Larimore left, Ian picked up a contract he needed to read and approve; but before he’d read two lines Jordan stalked into his study unannounced, carrying a newspaper and wearing an expression Ian hadn’t seen before. “Have you seen the paper today?” Ian ignored the paper and studied his friend’s angry face instead. “No, why?” “Read it,” Jordan said, slapping it down on the desk. “Elizabeth allowed herself to be questioned by a reporter from the Times. Read that.” He jabbed his finger at a few lines near the bottom of the article about Elizabeth by one Mr. Thomas Tyson. “That was your wife’s response when Tyson asked her how she felt when she saw you on trial before your peers.” Frowning at Jordan’s tone, Ian read Elizabeth’s reply: My husband was not tried before his peers. He was merely tried before the Lords of the British Realm. Ian Thornton has no peers. Ian tore his gaze from the article, refusing to react to the incredible sweetness of her response, but Jordan would not let it go. “My compliments to you, Ian,” he said angrily. “You serve your wife with a divorce petition, and she responds by giving you what constitutes a public apology!” He turned and stalked out of the room, leaving Ian behind to stare with clenched jaw at the article. One month later Elizabeth had still not been found. Ian continued trying to purge her from his mind and tear her from his heart, but with decreasing success. He knew he was losing ground in the battle, just as he had been slowly losing it from the moment he’d looked up and seen her walking into the House of Lords.
Judith McNaught (Almost Heaven (Sequels, #3))
Clementine liked de Gaulle, but, keenly aware of how deeply her husband grieved having to sink the French ships, she now rounded on the general and, in her perfect French, took him to task “for uttering words and sentiments that ill became either an ally or a guest in this country,” as Pamela put it. Churchill, at the far side of the table, sought to dispel the tension. He leaned forward and, in an apologetic tone, in French, said, “You must excuse my wife, my General; she speaks French too well.” Clementine glared at Churchill. “No, Winston,” she snapped. She turned back to de Gaulle and, again in French, said, “That is not the reason. There are certain things that a woman can say to a man that a man cannot say. And I am saying them to you, General de Gaulle.” The next day, by way of apology, de Gaulle sent her a large basket of flowers.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
1. You are constantly second-guessing yourself. 2. You ask yourself, “Am I too sensitive?” a dozen times a day. 3. You often feel confused and even crazy at work. 4. You’re always apologizing to your mother, father, boyfriend, boss. 5. You wonder frequently if you are a “good enough” girlfriend/wife/employee/friend/daughter. 6. You can’t understand why, with so many apparently good things in your life, you aren’t happier. 7. You buy clothes for yourself, furnishings for your apartment, or other personal purchases with your partner in mind, thinking about what he would like instead of what would make you feel great. 8. You frequently make excuses for your partner’s behavior to friends and family. 9. You find yourself withholding information from friends and family so you don’t have to explain or make excuses. 10. You know something is terribly wrong, but you can never quite express what it is, even to yourself. 11. You start lying to avoid the put-downs and reality twists. 12. You have trouble making simple decisions. 13. You think twice before bringing up certain seemingly innocent topics of conversation. 14. Before your partner comes home, you run through a checklist in your head to anticipate anything you might have done wrong that day. 15. You have the sense that you used to be a very different person—more confident, more fun-loving, more relaxed. 16. You start speaking to your husband through his secretary so you don’t have to tell him things you’re afraid might upset him. 17. You feel as though you can’t do anything right. 18. Your kids begin trying to protect you from your partner. 19. You find yourself furious with people you’ve always gotten along with before. 20. You feel hopeless and joyless.
Robin Stern (The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life)
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
Sitting on the poop deck with my infinitely beloved wife who has acquired an even greater weight of love. I keep on mentally looking around to make sure she's there. For why this new and massive re-affirmation of adoration and worship and a promise to myself that I shall never be nasty to her ever again? I will tell you for why. For because for about three minutes this afternoon I thought that I was about to be killed instantaneously and at once, without time to re-tell her how much I love her, to apologize for breaking my contract to look after her forever, for letting her down with a bang (hysterical pun intended) and for having no time to tell her the million things yet to be told and for not realizing and demonstrating my full potential as a husband, provider, lover, and all. (He goes on to describe how he was in a helicopter with others going to a film location in some mountainous area in Sarajevo in the fog and the came right up to some mountains and barely swerved just in time, this went of for a full three minutes of desperate danger) He goes on to say, "There was one blazing mental image that seemed to last right through the enormity. it was E lying in bed on the yacht with a book open at the page where she'd stopped reading with the title front cover and publisher's blurb on the other face up on the bed near her right hand which was out of the covers. She was wearing one of my favorite nightgowns, a blue thing and shorty which she may have been wearing this morning when I said goodbye to her. (I just asked her and she was) She had one leg bent and the other straight. On another level I was telling her over and over again that I loved her, I loved her...The mind is a remarkable instrument. If I wrote down everything I could remember from those interminable seconds it would be a million words....A shorter catastrophe of this kind happened to me before when I was perhaps 19-20 years old but I hadn't learned to love then and to love obsessively.
Richard Burton (The Richard Burton Diaries)
As he went along, he began to discourse very learnedly, and told me the Flesh and the Spirit were too distinct Matters, which had not the least relation to each other. That all immaterial Substances (those were his very Words) such as Love, Desire, and so forth, were guided by the Spirit: But fine Houses, large Estates, Coaches, and dainty Entertainments were the Product of the Flesh. Therefore, says he, my Dear, you have two Husbands, one the Object of your Love, and to satisfy your Desire; the other the Object of your Necessity, and to furnish you with those other Conveniences. (I am sure I remember every Word, for he repeated it three Times; O he is very good whenever I desire him to repeat a thing to me three times he always doth it!) as then the Spirit is preferable, to the Flesh, so am I preferable to your other Husband, to whom I am antecedent in Time likewise. I say these things, my Dear, (said he) to satisfie your Conscience. A Fig, for my Conscience, said I, when shall I meet you again in the Garden?
Henry Fielding (An Apology for the Life of Mrs. Shamela Andrews)
If it’s any consolation,” he murmured, “I had a miserable time last night.” “Good. You deserved to.” She smiled. “Not that I care one way or the other.” “Stop pretending that you don’t care,” he said hoarsely. “We both care, and you know it. I care more than you can possibly imagine.” She wanted to believe him, but how could she? “You say that only to coax me into your bed.” He smiled mirthlessly. “I don’t need to coax women into my bed, my dear. They usually leap there of their own accord.” His smile faded. “This is the first time I’ve apologized to a woman. I’ve never given a damn what any woman thought of me, though plenty of them tried to make me do so. So please forgive me if I’m not handling this to your satisfaction. It’s not a situation I’m accustomed to.” He was holding her so tenderly, it made her want to weep. Every move they made was a seduction-his leg advancing as hers went back, his hand gripping her waist, the waltz beating a rhythm that made her want to whirl around the ballroom with him forever. Her mind told her she should resist him, but her heart didn’t want to listen. Her heart was a fool. She gazed past his shoulder. “My father used to go to a brothel. He never remarried, so he went there to…er…feed his needs. I had to go fetch him a few times when my cousins were working and my aunt was looking after my grandmother, who lived nearby.” She didn’t know why she was telling him this, but it was a relief to speak of it to someone. Even her aunt and cousins preferred to pretend it never happened. “It was mortifying. He would…forget to come home, and we would need money for something, so I would have to go after him.” “Good God.” Her gaze locked with his. “I swore I’d never let myself be put in such a position again.” She tipped up her chin. “That’s why I’m happy to have Nathan as my fiancé. He’s genteel and proper. He would never frequent a brothel.” Oliver’s eyes glittered darkly at her. “No. He would just abandon you to the tender mercies of men who do.” She forced a smile. “There’s more than one way to be abandoned. If a woman’s husband is forever at a brothel, he might as well be halfway across the sea. The result is the same.” A stricken expression crossed his face as he stared at her. Then he glanced away.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Minutes later, as they lay tangled together, dazed in the aftermath of their loving, Callie began to chuckle silently against Gabriel's side. Lifting his head to find her grinning a wide, silly grin, he drawled, "What is it that has you so amused, lovely?" "I was simply thinking"- she stopped to catch her breath from the laughter and started again- "I was merely thinking that if that is what riding astride is like, the female population is missing out on one of life's finer experiences." The last word was lost as she dissolved once more onto giggles. He caught her against him in a fierce hug and sighed, unable to keep himself from smiling up at the ceiling as he said, "You know, Empress, men do not appreciate laughter at this particular moment. It's devastating to the self-confidence." Her head snapped up and she took in his amused countenance. "Oh, my apologies, good sir," she teased. "I would hate to damage such a fragile ego as that of the Marquess of Ralston." With a playful growl, he pinned her to the mattress. "Minx. You shall pay for that." And he began to kiss down the side of her neck, nibbling across her collarbone until she sighed with pleasure. "If this is how I must pay for it, my lord, you may guarantee I shall tease you a great deal in the coming months." "More than months, I hope," he drawled, distracted by her lovely white breasts. "Years. Decades even." "Decades," she repeated, awestruck. My God. He's going to be my husband. "Mmm-hmm," he murmured against her skin before pulling away from her. "Which is why, despite how very difficult it shall be for me to leave you warm and lush in your bed, I shall console myself with the fact that, very soon, I shan't have to do so ever again.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
As I write this note, it is May 2020, and the world is battling the coronavirus pandemic. My husband’s best friend, Tom, who was one of the earliest of our friends to encourage my writing and who was our son’s godfather, caught the virus last week and has just passed away. We cannot be with his widow, Lori, and his family to mourn. Three years ago, I began writing this novel about hard times in America: the worst environmental disaster in our history; the collapse of the economy; the effect of massive unemployment. Never in my wildest dreams did I imagine that the Great Depression would become so relevant in our modern lives, that I would see so many people out of work, in need, frightened for the future. As we know, there are lessons to be learned from history. Hope to be derived from hardships faced by others. We’ve gone through bad times before and survived, even thrived. History has shown us the strength and durability of the human spirit. In the end, it is our idealism and our courage and our commitment to one another—what we have in common—that will save us. Now, in these dark days, we can look to history, to the legacy of the Greatest Generation and the story of our own past, and take strength from it. Although my novel focuses on fictional characters, Elsa Martinelli is representative of hundreds of thousands of men, women, and children who went west in the 1930s in search of a better life. Many of them, like the pioneers who went west one hundred years before them, brought nothing more than a will to survive and a hope for a better future. Their strength and courage were remarkable. In writing this story, I tried to present the history as truthfully as possible. The strike that takes place in the novel is fictional, but it is based on strikes that took place in California in the thirties. The town of Welty is fictional as well. Primarily where I diverged from the historical record was in the timeline of events. There are instances in which I chose to manipulate dates to better fit my fictional narrative. I apologize in advance to historians and scholars of the era. For more information about the Dust Bowl years or the migrant experience in California, please go to my website KristinHannah.com for a suggested reading list.
Kristin Hannah (The Four Winds)
28 When I Must Rethink My Expectations My soul, wait silently for God alone, for my expectation is from Him. PSALM 62:5 WE WIVES TOO OFTEN come into our marriage with great expectations of what our mate is going to be like and who he will become. We see things we want to see, and we don’t always see the things we should. Because our expectations are so high, when our husband doesn’t live up to them we can’t hide our disappointment. It comes out in moodiness, discontent, disrespect, disdain, critical words, and the ever-popular silent treatment. A wife can become the victim of her own misplaced expectations, and her husband pays for it. King David had it right when he told his soul to wait quietly for the Lord and put his expectations in Him. We must do the same. Your husband can only be who he is. You cannot put expectations on him to fulfill you in ways that only God can do. Your husband simply can’t be everything to you—nor is he supposed to be—but God can be. And He wants to be. Has your husband fulfilled every expectation you have had of him? If not, tell God about it and ask Him to fulfill those needs instead. Of course, there are certain expectations you should have of your husband, such as fidelity, love, kindness, financial support, protection, and decency. If he cannot, or won’t, provide those things for you, he is not living up to what God expects of him either. But beyond that, if you are constantly disappointed in your husband, ask God to show you whether you should be looking to your Lord and Savior, instead of your husband, for everything you need. My Prayer to God LORD, show me any expectations I have of my husband that are unfair, and for which I should be looking to You to provide instead. I know he cannot meet my every emotional need—and I should not expect him to—but You can. I look to You for my comfort, fulfillment, and peace. I thank You for all the good things my husband provides for me, and I ask You to keep me from being critical of him for not being perfect. Lord, help me to wait quietly for You to provide what I need, for I put all my expectations in You. For everything I have expected from my husband and have been disappointed because he couldn’t provide, I now look to You. If I have damaged my husband’s self-respect in any way because I have made him feel that I am disappointed in him, I confess that to You as sin. Help me to apologize and make that up to him. Bring restoration, and heal any and all wounds. Where there are certain things I should expect of him as a husband and he has failed to provide, help me to forgive him. I release him into Your hands to become who You made him to be and not what I want him to be. Help me to keep my expectations focused on You so I can live free of expectations I have no right to put on him. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
I wanted to apologize.” His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?” “For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.” A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.” “Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?” “We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would. Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.” Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.” She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.” Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing? She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?” He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride. Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.” Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?” She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.” “You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source." Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-" "You think I'm hiding?" A vein in his temple throbbed. Innocent confusion met his gaze. "Aren't you?" "I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years." She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?" Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head." "Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
My name is Bill Brandon i live in south Carolina, I am here to testify to the good work of the Best African Traditional Doctor As he Call himself 4 years ago, my lovely husband left home, he never returned, no phone calls,no letters, no emails, no sign of him anywhere. my daughter got so sick with multiple sclerosis that made her paralyses, things were so tough for me. I had lost hope, i met UTHMAN MAJANGWA on the internet,he said would help me at-least saving my daughter's life and getting a job that i was contesting for,i had lost hope completely, my daughter's situation got worse each day. I decided to try UTHMAN MAJANGWA i gave him a try...for all three spells (Bring Lover back, Healing spell and Career spells). In a matter of weeks, my husband called me and told me apologizing that he was sorry and that he wants to come back to me and that he would explain everything when he reaches home three days later, i got my new job with a loan from a finance company,right now my daughters condition is getting better each day and i trust she would be well day by day. I want to thank UTHMAN MAJANGWA for being so kind and for his effort and for bringing my life back that i can now have smiles on my face with my family back together. When i talk about this man i don't want to finish he is my life hero of the century thanks DR UTHMAN MAJANGWA Email:drwilliamokoro18@gmail.com powerfulspe
Dr uthmqn
For the Beta Male, if nothing else, is loyal. He makes a great husband as well as a great best friend. He will help you move and bring you soup when you are sick. Always considerate, the Beta Male thanks a woman after sex, and is often quick with an apology as well. He makes a great house sitter, especially if you aren’t especially attached to your house pets. A Beta Male is trustworthy: your girlfriend is generally in safe hands with a Beta Male friend, unless, of course, she is a complete slut. (In fact, the complete slut through history may be exclusively responsible for the survival of the Beta Male gene, for loyal as he may be, the Beta Male is helpless in the face of charging,
Christopher Moore (A Dirty Job (Grim Reaper, #1))
I now admit, with something of an apology, that I made my first appearance at the Copa Club in August of 1953 with the secret opinion that I was doing something slightly disreputable. I think I expected every member of the audience to be drunk, and that all chorus girls led scarlet lives. But I soon learned that life upon the wicked stage wasn't so wicked after all. I found that most entertainers were pretty average, hardworking citizens, and many of them simply went home to a husband or wife and children. They were often civic-minded, voted in elections, observed traffic laws, helped old ladies across the street, went to church, and gave innumerable benefit performances for no pay. The public only heard about the prodigals who were in the minority, as the virtues of the others simply weren't very interesting. Today, it makes me laugh to think that I was such a great moralist, and often branded as a questionable commodity myself, that I was so abundantly guilty of being a prude.
Christine Jorgensen (Christine Jorgensen: A Personal Autobiography)
For those of you well-acquainted with making mistakes, it's more likely that your spouse will stay your best friend as long as the phrase 'I'm Sorry' stays your second.
Criss Jami
Yet it wasn’t simply love for her husband that gave her wings to fly. It was a newfound love for herself, faults and all, and not feeling like she had to apologize for being who she was. She’d had moments where she failed, moments where she’d doubted herself, and yet she’d also proven that she was brave, that she was strong. Loving herself gave her the strength and courage to love someone like Gavin. It made this moment all the sweeter.
Lauren Smith (Devil of the High Seas (Pirates of King's Landing #3))
My husband and I are firm advocates of girls and women not apologizing for everything. Of course, apologize for a legitimate reason, such as hurting someone’s feelings, or stepping on someone’s toes metaphorically or physically, but unlearn the programming of operating apologetically. After all, there was nothing to apologize for.
Stephanie J. Wong (Cancel the Filter: Realities of a Psychologist, Podcaster, and Working Mother of Color)
Even in pain, Nellie understood her role - the wife who bowed to her husband, who apologized for things out of her control, who made his life easier even if it made hers harder. The perfect wife.
Karma Brown (Recipe for a Perfect Wife)
We can set up sun parasols over the chairs to shield us while we have our drinks.” “That sounds very nice.” Perveen would have preferred to speak to Cora away from the villa. She hadn’t felt safe when she’d met the nawab. “Shall we go up to the veranda and tell Oshadi?” “Just a sec.” Cora went back into the cabana through the open door and came out with the cowbell. Swiftly, she loped a hundred feet or so toward the house and rang the bell vigorously. After a moment, a young man in blue began running down the lawn toward them. Using her hands, Cora instructed him to drag the chairs close to where water lapped the sand and raise the umbrellas. The only words she spoke were about choices of drinks. To Perveen, she said, “I like my orange juice with a splash of champagne. How about you?” “I’m a dreadful bore,” Perveen apologized. “Because of this heat, I’m craving plain water.” “Any ice?” Cora asked. “A luxury indeed!” Perveen said with a nod, repeating the same to the young man. They settled in their chairs as the manservant went off. There was an awkward silence, so Perveen began. “Let me just say that I’m sorry about the last time we were together. I felt wretched after I spoke with you at my office.” “Have you changed your mind about representing me, then?” Perveen hesitated, because she couldn’t lie outright. “I would like to know more about the hospital committee from you. In the brief time I spoke with your husband, he mentioned that there wasn’t enough support from the women’s husbands. I want to know who is involved at this point.” And who might have attended the party where Sunanda was attacked. The begum bit her lip, smearing a bit of red onto the bottom of a front tooth. “You’ll have to ask them yourself, because they won’t answer my calls.” “Do you mean—the ladies on the committee?” “Of course!” Cora’s voice was impatient. “My title might be Princess, but the white ladies in this town have made it clear I’m from the wrong place.” “Australia is respected enough by Britain to have had dominion status since 1901!” Perveen didn’t add that she thought the privilege had been given to Australia, rather than India, because of racism. “I keep my mouth shut around them about my own family, just as I do about my dancing and singing career,” Cora said glumly. “So it must be that they are thinking about Australia being founded as a penal colony. Australia is where men are supposed to go for horses—but not wives.” “Look, there’s the bearer coming!” Perveen said. After the bearer had handed off their drinks, she told Cora, “I also felt like an outsider at the tea party. I heard
Sujata Massey (The Mistress of Bhatia House (Perveen Mistry, #4))
You will testify against me? You, Sedric Meldar, a lowly servant? Then do so now, before all of us. Tell us then, give us one instance of my unfaithfulness to my wife. Just one will do.” His gaze was sharper than a knife. Alise saw victory dancing in his dark eyes. Sedric drew a breath. The trembling she had felt as she gripped his arm stilled. He spoke clearly, his voice pitched to carry to everyone there. “I shared your bed for years, before you took Alise as your wife, and for years afterward. You spent your wedding night with me. And in the years that followed, you made her a laughingstock among our fellows. In that circle, all knew that you disdained the company of women for that of men. I was your lover, Hest Finbok. I helped you deceive her, and I did not speak up when you mocked her. And if need be, I will stand before all of Trehaug and all of Bingtown and attest to that. You were an unfaithful husband to her, and I, I was a treacherous friend.” Alise stared at Sedric as he committed social suicide. But he turned and met her gaze and said, “And again, Alise, I am so sorry. Would that I could take back those years of your life and give them to you unscathed.” Her eyes brimmed with tears. Sedric had just destroyed all chance that he could ever return to Bingtown and resume his life. Even if he remained in Kelsingra forever, if even one Trader returned to Bingtown, all would know not only what he had done to her, but what he was. “I forgave you, Sedric. I told you that a long time ago.” “I know that,” he said very quietly. His hand covered hers as he added, “But I did not deserve your forgiveness then. Perhaps I can say I have earned it now?” “You have,” she said quietly. “And more. But Sedric, what have you done? All will know that you…” “That I am what I am,” he said calmly. “I do not apologize for that. Ever.” She sensed someone behind them and turned slightly, thinking it might be Leftrin. It was not. Carson was grinning, but as he stepped forward, a single tear tracked down his sunburned cheek. He folded Sedric into an embrace from behind that lifted the smaller man off his feet. “Proud of you, Bingtown boy,” he said huskily. He set him down on his feet and leaned down to kiss him. The kiss did not end quickly, and Sedric’s hands came up to cradle Carson’s bearded face to his own. Several of the keepers favored the couple with knowing whoops that drowned out the incredulous muttering from the watching prisoners. Alise found herself smiling, as much for joy for them as the stunned expression on Hest’s face. She felt a nudge, and turned to see Leftrin. He stuck out the crook of his elbow, and she took his arm in his ragged coat sleeve. “I think we were going to get some tea?” he asked her conversationally. She nodded, and instantly forgave him the triumphant look he shot over her head at Hest. She walked a dozen steps with Leftrin before she glanced back. Hest was standing alone, staring after them.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
Oh, sir, I apologize for the confusion. She isn’t in a relationship yet, but it will happen soon with God’s blessing. In Psalm 37:4 it says, ‘Delight yourself in the Lord, and He will give you the desires of your heart.’” The seriousness in his voice had me turning in my seat to finally see him. “I am working daily to delight myself in God so my desire to be Ruth’s husband will be blessed by God,” he said with finality.
Mel Dau (Mega Man)
for a moment, Nina felt as if they weren’t stuck in this classroom or even this country. They were someplace better. They were someplace free. “Our first job is always to survive,” she said. “I won’t apologize for it.” Hanne’s lips twitched. “Have you always been this sure of yourself?” Nina shrugged. “Yes.” “And your husband didn’t complain?” “He complained,” Nina said—and suddenly she had to look away, because it was not some fictional merchant who had come to mind but Matthias with his strict propriety and his disapproving glower and his loving, generous heart. “He complained all the time.” “Was he quick to anger?” Hanne asked. Nina shook her head and pressed her palms to her eyes, unable to stop the tears that came, not wanting to. Saints, she was tired. “No. We didn’t always agree.” She smiled, tasting salt on her lips. “In fact, we almost never agreed. But he loved me. And I loved him.” Hanne reached across the desk and let her fingers brush Nina’s hand. “I had no right to ask.” “It’s okay,” said Nina. “The hurt just still catches me by surprise. It’s a sneaky little podge.” Hanne leaned back, studying her. “I’ve never met anyone like you.” Nina knew she should lower her head, make some comment about reining in her boldness of spirit, demonstrate that she gave a damn about Fjerdan ways. Instead, she sniffled and said, “Of course you haven’t. I’m spectacular.
Leigh Bardugo (King of Scars (King of Scars, #1))
Women always cried. It was their last, best weapon. It made boyfriends apologize and husbands fold them in their arms. It made Daddy spend the extra money on the prom dress.
Barry Lyga (Game (I Hunt Killers, #2))
When the Sky Woman was pleased with this new world, the Creator sent First Man down to be her husband and help her care for the new land. At first they were happy, but eventually they began to argue. After one particularly bitter argument, Sky Woman grabbed her belongings and walked away from her husband. “I am going to find somewhere else to live,” she said. “You are lazy and you ignore me all the time.” She turned her back on him and left. Soon, First Man began to regret his harsh words, and he tried to catch up with his wife so he could apologize. But after struggling to reach her, he realized that she was simply too far ahead of him. He cried to the Creator, “Slow her down, Creator! I want to tell her how much she means to me!” The Creator heard his cries and answered, “Is her soul one with yours?” “We have been one since time began,” First Man answered. “We have been one since you breathed life into us, and we will remain one until the end of time.” The Creator was touched by the man’s words, and he intervened to stop her. As the woman walked, he caused plants to grow at her feet to slow her down. On one side of her, blackberries sprang up, and on the other, huckleberries, but she avoided them and walked on. He made gooseberries and serviceberries grow on either side of her, but she kept going. Finally the Creator grabbed a handful of strawberry plants that were growing in his garden and cast them down in front of her, where they began to bloom and ripen. The berries looked so good, Sky Woman paused to try one. As she picked and ate the berries, her anger disappeared, and while she filled her basket with the fruit, she began to wish that her husband was there to share it with her. Just then, First Man appeared, his heart full of gladness to have found his wife. With a smile, she took a strawberry from her basket and placed it in his mouth. He smiled with pleasure and gave thanks to the Creator. Together they returned home hand in hand, eating strawberries along the way.
Philip Stewart (Cherokee (North American Indians Today))
I filled the cups with brandy, sat down again, and fixed John Grey with a narrow eye. “What are you doing here?” I said, without preamble. He opened his light blue eyes very wide, then lowered his very long lashes and batted them deliberately at me. “I did not come with the intention of seducing your husband, I assure you,” he said. “John!” Jamie’s fist struck the table with a force that rattled the teacups. His cheekbones were flushed dark red, and he was scowling with embarrassed fury. “Sorry.” Grey, by contrast, had gone white, though he remained otherwise visibly unruffled. It occurred to me for the first time that he might possibly be as unnerved as Jamie by this meeting. “My apologies, ma’am,” he said, with a curt nod in my direction. “That was unforgivable. I would point out, however, that you have been looking at me since we met as though you had encountered me lying in the gutter outside some notorious mollyhouse.” A light flush burned over his face now, too. “Sorry,” I breathed. “Give me a bit more notice next time, and I’ll take care to adjust my features.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
He went to the library for a drink, stopped at the sideboard and poured something from a decanter. Downing the stuff without even tasting it, he poured another. However, the spirits failed to warm his frozen insides. His mind sorted busily through a deluge of words, grasping for an apology that would make everything right again. He could tell Holly anything but the truth—that he was jealous of George Taylor, that he wanted her to stop mourning for her husband, when it was clear that she had dedicated the rest of her life to his memory.
Lisa Kleypas (Where Dreams Begin)
So far, we are the only two humans who seem to be compatible with werewolves,” she said, still smiling in welcome. My hope sank.  So we were human and...wait, what?  “Compatible?”  I looked at Sam in confusion.  I knew that I smelled differently to werewolves, but he hadn’t mentioned anything about compatibility.  Charlene answered before he could. “Yes, werewolves choose their Mate—husband or wife—instinctually.  They have no history of ever before selecting from humans for their Mates, but here we are.  Whatever it takes to become a Mate, we apparently have it, too.” My mouth popped open in shock as I understood.  I turned on Sam. “You brought me here to hook up with a werewolf?” “No, Gabby.  I apologize for upsetting you,” Charlene said from behind me.  I turned to look at her.  “Yes, we’re different in that a werewolf might choose us, but that doesn’t mean that they must choose us or that we have to choose them.  At your age, there will be no hooking up.” She
Melissa Haag (Hope(less) (Judgement of the Six #1))
Forgive me, Mother.” He bowed. “My argument is with my father.” “Well,” the duke announced himself and paused for dramatic effect in the doorway of the private parlor. “No need to look further. You can have at me now.” “You are having Anna Seaton investigated,” the earl said, “and it could well cost her her safety.” “Then marry her,” the duke shot back. “A husband can protect a wife, particularly if he’s wealthy, titled, smart, and well connected. Your mother has assured me she does not object to the match.” “You don’t deny this? Do you have any idea the damage you do with your dirty tricks, sly maneuvers, and stupid manipulations? That woman is terrified, nigh paralyzed with fear for herself and her younger relation, and you go stomping about in her life as if you are God Almighty come to earth for the purpose of directing everybody else’s personal life.” The duke paced into the room, color rising in his face. “That is mighty brave talk for a man who can’t see fit to take a damned wife after almost ten years of looking. What in God’s name is wrong with you, Westhaven? I know you cater to women, and I know you are carrying on with this Seaton woman. She’s comely, convenient, and of child-bearing age. I should have thought to have her investigated, I tell you, so I might find some way to coerce her to the altar.” “You already tried coercion,” Westhaven shot back, “and it’s only because Gwen Allen is a decent human being her relations haven’t ruined us completely in retaliation for your failed schemes. I am ashamed to be your son and worse than ashamed to be your heir. You embarrass me, and I wish to hell I could disinherit you, because if I don’t find you a damned broodmare, I’ve every expectation you will disinherit me.” “Gayle!” His mother was on her feet, her expression horror-stricken. “Please, for the love of God, apologize. His Grace did not have Mrs. Seaton investigated.” “Esther…” His Grace tried to get words out, but his wife had eyes only for her enraged son. “He most certainly did,” Westhaven bit out. “Up to his old tricks, just as he was with Gwen and with Elise and with God knows how many hapless debutantes and scheming widows. I am sick to death of it, Mother, and this is the last straw.” “Esther,” His Grace tried again. “Hush, Percy,” the duchess said miserably, still staring at her son. “His Grace did not have your Mrs. Seaton investigated.” She paused and dropped Westhaven’s gaze. “I did.” “Esther,” the duke gasped as he dropped like a stone onto a sofa. “For the love of God, help me.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Prince’s grip. “What can I do for you?” he asked. “First of all,” Prince said, “I want to apologize for the tenor of our conversation when we last met. It was not my purpose to establish an adversarial relationship with you or your client, and things, somehow, went awry. I hope we can establish a more cordial atmosphere for discussions from here on in.” “I hope so, too,” Stone replied. “Now, what discussions?” Prince looked around as if he were worried that someone might overhear them. “I understand that Arrington Calder has bought two pieces of property adjoining her Bel-Air estate. This is a matter of public record.” “Then I have no problem confirming it,” Stone said. “May I ask, then, what do those acquisitions bring her total acreage to?” “I believe it’s eighteen acres,” Stone said. “And this is quite near the Bel-Air Country Club?” “Some of the property is directly across the street.” “May I ask,” Prince said again, “how she and her late husband came to own such a large chunk of Bel-Air?” “In
Stuart Woods (Bel-Air Dead (Stone Barrington, #20))
I mourned now because when she had been alive I had not understood her. To the end, she frustrated my understanding, defied it with her own silences, her suppressions and elisions. Not about her past in the camps, per se. I was careful not to probe too hard into her tour through the bowels of hell, respecting her silence on the subject. No, what I blamed her for was another kind of silence. What I could not abide was her unwillingness to condemn the very system that had destroyed our family. Her refusal to impugn the evil that had deprived me of a father and left me motherless in those years when a boy most needs a mother's love. I am not a crybaby. I am not one to nurse old wounds. Others suffered more, God knows. I t would have been enough for me if she had said, just one time, Yes, what they did to you, to me, to our family - that was unforgivable. But she did not say those words, and her muteness - her apologism for the system that she insisted - to me! - 'would always take care of the children' - became a second, no less painful, abandonment. In the sixties and seventies, when I was compulsively reading samizdat, I wanted her to be as cynical and disillusioned as I was. I wanted her to be angry for the miseries that she had endured: the murder of her husband, the forcible separation from her child, seven years of bondage and humiliation and hunger. That all this failed to enrage her infuriated me all the more. For it left me to carry the anger for both of us.
Sana Krasikov (The Patriots)
how I see the distinction between sexism and misogyny. When a husband tells his wife, “I can’t quite explain why and I don’t even like admitting this, but I don’t want you to make more money than me, so please don’t take that amazing job offer,” that’s sexism. He could still love her deeply and be a great partner in countless ways. But he holds tight to an idea that even he knows isn’t fair about how successful a woman is allowed to be. Sexism is all the big and little ways that society draws a box around women and says, “You stay in there.” Don’t complain because nice girls don’t do that. Don’t try to be something women shouldn’t be. Don’t wear that, don’t go there, don’t think that, don’t earn too much. It’s not right somehow, we can’t explain why, stop asking. We can all buy into sexism from time to time, often without even noticing it. Most of us try to keep an eye out for those moments and avoid them or, when we do misstep, apologize and do better next time. Misogyny is something darker. It’s rage. Disgust. Hatred. It’s what happens when a woman turns down a guy at a bar and he switches from charming to scary. Or when a woman gets a job that a man wanted and instead of shaking her hand and wishing her well, he calls her a bitch and vows to do everything he can to make sure she fails. Both sexism and misogyny are endemic in America. If you need convincing, just look at the YouTube comments or Twitter replies when a woman dares to voice a political opinion or even just share an anecdote from her own lived experience. People hiding in the shadows step forward just far enough to rip her apart. Sexism in particular can be so pervasive, we stop seeing it. It reminds me of the opening anecdote from author David Foster Wallace’s 2005 commencement speech at Kenyon College. Two young fish are swimming along. They meet an older fish swimming the other way, who nods at them and says, “Morning, boys, how’s the water?” The two young fish swim on for a bit, until one looks at the other and asks, “What’s water?” “In other words,” Wallace said, “the most obvious realities are often the ones that are the hardest to see and talk about.
Hillary Rodham Clinton (What Happened)
Surely a young beauty like yourself is lonely, too. It can be a part of the game, if you like.” “Get off,” she said, thoroughly done with this. His answer was to lean in closer. So she kneed him in the groin. As hard as she could. “Aw, ow, dammit!” He doubled over and thudded onto his knees. Jane brushed off her knee, feeling like it had touched something dirty. “Aw, ow, dammit indeed! What’re you thinking?” Jane heard hurried footsteps coming down the stairs. It was Mr. Nobley. “Miss Erstwhile!” He was barefoot in his breeches, his shirt untucked. He glanced down at the groaning man. “Sir Templeton!” “Ow, she kicked me,” said Sir Templeton. “Kneed him, I kneed him,” Jane said. “I don’t kick. Not even when I’m a ninja.” Mr. Nobley stood a moment in silence, looking over the scene. “I hope you remembered to shout ‘Ya’ when taking him down. I hear that is very effective.” “I’m afraid I neglected that bit, but I’ll certainly ‘ya’ from here to London if he ever touches me again.” “Miss Erstwhile, were you perhaps employed by your president’s armed forces in America?” “What? Don’t British women know how to use their knees?” “Happily, I have never put myself in a position to find out.” He stared at the prostrate Sir Templeton. “Did he hurt you?” “Frankly, your arm-yanking earlier was worse.” “I see. Perhaps you should retire to your chambers, Miss Erstwhile. Would you like me to escort you?” “I’m fine,” she said, “as long as there aren’t any other Sir Templetons lurking upstairs.” “Well, I cannot give Colonel Andrews a glowing reference, but I believe the way is safe.” She stepped closer to Mr. Nobley and whispered, “Are you going to out me to Mrs. Wattlesbrook for the servants’ quarters lurking?” “I think,” he said, nudging the prostrate Sir Templeton with his foot, “that you have suffered enough tonight.” Mr. Nobley smiled at her, the first time she had seen his real smile. She wouldn’t go so far as to call it a grin. His lips were closed, but his eyes brightened and the corners of his mouth definitely turned up, creating pleasing little cheek wrinkles on either side as though the smile were in parentheses. It bothered her in a way she couldn’t explain, like feeling itchy but not knowing exactly where to scratch. He was not particularly amused, she saw, but smiled to reassure her. Wait, who wanted to reassure her? Mr. Nobley or the actual man, Actor X? “Thanks. Good night, Mr. Nobley.” “Good night, Miss Erstwhile.” She hesitated, then left, Sir Templeton’s groans following her up the stairs. On the second floor, Aunt Saffronia was emerging from her room, clutching a white shawl over her nightgown. “What was that noise? Is everything all right?” “Yes. It was…your husband. He was being inappropriate.” Aunt Saffronia blinked. “Inebriated?” “Yes.” She nodded slowly. “I’m sorry, Jane.” Jane wasn’t sure if Aunt Saffronia was speaking to Jane the niece or Jane the client. For the first time it didn’t matter; both Janes felt exactly the same. She acknowledged the apology with a nod, went to her room, and locked the door behind her. She thought she was angry but instead she plopped herself down on her bed, put her face in her pillow, and laughed. “What a joke,” she said, sounding to herself like the movie incarnation of Lydia Bennet. “I come for Mr. Darcy, fall for the gardener, and get propositioned by the drunk husband.” Tomorrow would be different. Tomorrow she would play for real. She was going to drive full force into the game, have a staggering good time, and kick the nasty Darcy habit for good. She fell asleep with the ticklish thought of Mr. Nobley’s smile.
Shannon Hale (Austenland (Austenland, #1))
I have rarely seen my husband angry. I boil over and blurt things out and generally find myself issuing apologies fairly frequently in our marriage. Jeff, though, is the embodiment of being slow to anger. The exception to this is if he is watching ESPN. Apparently there are a bunch of athletes out there that need to “learn how to play a kid’s game” or something. The whole thing is quite frustrating for him, which is understandable since he sees himself as some sort of father figure to the players. I mean, that is what I am assuming based on the fact that he spends a lot of time yelling, “COME ON, SON!” at our television.
Kayla Aimee (Anchored: Finding Hope in the Unexpected)
If there’s anything you want to know about me, Molly Whitcomb, all you have to do is ask.” He’d guessed the statement might catch her by surprise, maybe even encourage a giggle. But he’d guessed wrong. Her eyes glistened with unshed tears. He was tempted to offer an apology, but something within him held back the words. Watching her, he sensed a hurt he wished he could do something about. Heal, in some way. Or at least help shoulder. If she’d only trust him enough to tell him what it was. She laughed softly and sniffed. “Always so direct.” “Not always,” he whispered, wishing she would offer him the same invitation he’d given her—to ask her anything he wanted. He would ask about her husband, how he’d died, when they’d gotten married, what kind of life they’d had together, and if the pain he sensed from her now was from a past hurt, or a present one.
Tamera Alexander (Beyond This Moment (Timber Ridge Reflections Book #2))
Watching others is the closest thing we have to a sex life.” Blake didn’t make any apologies for his frigid gay husband. “Taddy, at your nine o’clock on the fifty-ish floor, do you see what I see?
Avery Aster (Unscrupulous (The Manhattanites, #1))
He looked at his wife. She had turned her back on him and moved a few steps away, perhaps embarrassed that she'd lost her temper, perhaps just giving his a chance to cool. She was bent over the baby, who was finally — thank God — beginning to quiet, her piercing screams fading to choking, hiccupping sobs. Gareth raked a hand through his hair, trying to think, trying to steady himself. Then, leading Crusader, he came up behind her. "Juliet?" She didn't turn, and Gareth was suddenly filled with shame. Shame at the way he'd behaved in front of her. Shame that he was so unprepared to deal with this situation. And shame that he had regretted, even for a moment, that he'd married her and now had full responsibility for both her and Charlotte. Responsibility. 'Sdeath, it was the worst word in the entire English language. "Juliet."  She still did not turn around. Her head was bent, and he could just see the pale curve of her nape beneath the upsweep of dark hair. Gareth swallowed — hard. Then, bowing his head, he said awkwardly, "My apologies. Perry's right, you know. I've got a temper, and sometimes it gets away from me." She turned then and gave him a level, unforgiving stare. "I don't mind your temper, Gareth. What I do mind is the fact that we don't seem to have a place to stay tonight. I suspect we don't have a place to stay tomorrow night, either, let alone next week, next month, or next year." He shrugged. "We can go to a hotel or something." "Yes, and how long will our money last if we live like that?" He flushed and looked away. "Didn't you even think about any of this before you asked to marry me and took on the responsibility of caring for us?" "Juliet, please." She looked suddenly weary. And disgusted. "No, I didn't think so." And now she was moving away again, as though she couldn't bear to be near him, much less look at him. "Juliet!" He swore and hurried after her, Crusader trotting behind him. This scrape was getting worse by the moment. "Juliet, please —" "I wish to be alone for a few minutes, Gareth. I need to think." "Everything will turn out just fine, I'm sure of it!" "I'm glad that one of us is." He picked up his pace. "Look, I know you're angry with me, but I am rather new at this husband-stuff. I'll get better at it. Just takes a bit of practice, you know? Why, even Charles would surely have made a few mistakes along the way —" She kept walking. "I doubt it." "I beg your pardon?" "I said, I doubt it." He halted in his tracks, Crusader's broad head crashing into his shoulder blades as he watched her walk away. The words had cut deeply, and he could think of nothing to say in his defense. The truth was, of course, that the incomparable Charles probably wouldn't have made any mistakes. She took a few more steps before she, too, paused. Her shoulders slumped, and she gave a heavy, tired sigh. She stood there for a moment, her back to him as though she was fighting some inner battle, and then, slowly, she turned and faced him, her face haunted by sadness. "That was unfair. I'm sorry." He
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))