Apologies To My Love Quotes

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To my wonderful readers. Sorry about that apology for that last cliffhanger. I’ll try to avoid cliffhangers in this book. Well, except for maybe a few small ones... because I love you guys.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Here is how I spend my days now. I live in a beautiful place. I sleep in a beautiful bed. I eat beautiful food. I go for walks through beautiful places. I care for people deeply. At night my bed is full of love, because I alone am in it. I cry easily, from pain and pleasure, and I don’t apologize for that. In the mornings I step outside and I’m thankful for another day. It took me many years to arrive at such a life.
Ottessa Moshfegh (Eileen)
I trail my fingers across his cheek. He stays perfectly still for me. “Please stop apologizing, Étienne.” “Say my name again,” he whispers. I close my eyes and lean forward. “Étienne.” He takes my hands into his.Those perfect hands, that fit mine just so. “Anna?” Our foreheads touch. “Yes?” “Will you please tell me you love me? I’m dying here.” And then we’re laughing. And then I’m in his arms, and we’re kissing, at first quickly—to make up for lost time—and then slowly, because we have all the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I taste, too. And in between kisses, I tell him I love him. Again and again and again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The love of my life is gone, and I can't just call her and say I'm sorry and have her come back. She's gone forever. So yes, Monique, that is something I do regret. I regret every second I didn't spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, 'I'm in love with Celia St. James!' and let them crucify me for it. That's what I should have done. And now that I don't have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Men of Athens, I honor and love you; but I shall obey God rather than you, and while I have life and strength I shall never cease from the practice and teaching of philosophy... Understand that I shall never alter my ways, not even if I have to die many times.
Plato (Apology of Socrates: An Interpretation with a New Translation)
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” “Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
And I’m in love with her. Like, really in love with her. Crippling, debilitating, paralyzing love. So please accept my sincerest apologies, because she’s coming home with me tonight. I hope. I pray.
Colleen Hoover (November 9)
Do you have any idea how much I love you?" he asked. "Enough to accept my apologies?" I suggested in a small voice. "Heck no," he said, and pushed off from the wall, stalking forward. When he reached me, he put his hands up and touched the sides of my neck with the tips of his fingers--as if I were something fragile. "No apologies from you," he told me, his voice soft enough to melt my knees and most of my other parts.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
I know my worth. I embrace my power. I say if I'm beautiful. I say if I'm strong. You will not determine my story. I will. I'll speak and share and fuck and love, and I will never apologize for it. I am amazing for you, not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. And I am all of you.
Amy Schumer (The Girl with the Lower Back Tattoo)
I took all the blame. I admitted mistakes I hadn't made, intentions I'd never had. Whenever she turned cold and hard, I begged her to be good to me again, to forgive me and love me. Sometimes I had the feeling that she hurt herself when she turned cold and rigid. As if what she was yearning for was the warmth of my apologies, protestations, and entreaties. Sometimes I thought she just bullied me. But either way, I had no choice.
Bernhard Schlink (The Reader)
Shahrzad, I've failed you several times. But there was one moment I failed you beyond measure. It was the day we met. The moment I took your hand and you looked at me, with the glory of hate in your eyes. I should have sent you home to your family. But I didn't. There was honesty in your hatred. Fearlessness in your pain. In your honesty, I saw a reflection of myself. Or rather, of the man I longed to be. So I failed you. I didn't stay away. Then later, I thought if I had answers, it would be enough. I would no longer care. You would not matter. So I continued failing you. Continued wanting more. And now I can't find the words to say what must be said. To convey to you the least of what I owe. When I think of you, I can't find the air to breathe. And now, though you are gone, there is no pain or fear. All I am left with is gratitude. When I was a boy, my mother would tell me that one of the best things in life is the knowledge that your story isn't over yet. Our story may have come to a close, but your story is still yet to be told. Make it a story worthy of you. I failed you in one last thing. Here is my chance to rectify it. It was never because I didn't feel it. It was because I swore I would never say it, and a man is nothing if he can't keep his promises. So I write it in the sky- I love you, a thousand times over. And I will never apologize for it. Khalid
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
Tamlin didn’t stop apologizing for days. He made love to me, morning and night. He worshipped my body with his hands, his tongue, his teeth. But that had never been the hard part. We just got tripped up with the rest.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I am the drying meadow; you the unspoken apology; he is the fluctuating distance between mother and son; she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen.
Aimee Bender (Willful Creatures: Stories)
I failed you one last thing. Here is my chance to rectify it. It was never because I didn’t feel it. It was because I swore I would never say it, and a man is nothing if he can’t keep his promises So I write it to the sky - I love you, a thousand times over. And I will never apologize for it.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
Damon: I wanted to apologize. Elena: Good. Damon: Let me finish. I said I wanted to. And then I realized, I’m not sorry. Elena: You would rather die than be human, and you expect me to be okay with that? Damon: I didn’t say you were supposed to be okay with it, I just said I’m not sorry. But you know what I really am? Selfish, because I make bad choices that hurt you. Yes, I would rather have died than be human. I’d rather die right now than spend a handful of years with you, only to lose you when I’m too old and sick and miserable and you’re still you. I’d rather die right now than spend my last final years remembering how good I had it and how happy I was, because that’s who I am, Elena, and I’m not gonna change. And there’s no apology in the world that encompasses all the reasons that I’m wrong for you. Elena: Fine, then I’m not sorry either. I’m not sorry that I met you. I’m not sorry that knowing you has made me question everything, that in death you’re the one that made me feel most alive. You’ve been a terrible person, you’ve made all the wrong choices, and of all the choices that I’ve made this will prove to be the worst one. But I am not sorry that I’m in love with you. I love you, Damon. I love you.
L.J. Smith
Back To December is a song that addresses a first for me. In that I've never apologized in a song before. Whether it be good or bad or an apology. The person I wrote this song about deserves this. This is about a person who was incredible to me- just perfect in a relationship- and I was very careless with him. So, this is a song full of words that I would say to him that he deserves to hear. I’ve never felt the need to apologize in a song before, but in the last two years I’ve experienced a lot, a lot of different kinds of learning lessons And sometimes you learn a lesson too late and at that point you need to apologize because you were careless. ['Back To December'] is about a person who was incredible to me, just perfect to me in a relationship, and I was really careless with him I’ve written songs about things like burning my ex boyfriends pictures… I’ve written songs about the times that I’ve been hurt by love. But then one day I woke up and realized that I had hurt somebody… And so I wrote this song to tell him I’m sorry
Taylor Swift (Taylor Swift - Speak Now Songbook: Piano/Vocal/Guitar)
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
I will teach my daughter not to wear her skin like a drunken apology. I will tell her ‘make a home out of your body, live in yourself, do not let people turn you into a regret, do not justify yourself. If you are a disaster it is not forever, if you are a disaster you are the most beautiful one I’ve ever seen. Do not deconstruct from the inside out, you belong here, you belong here, not because you are lovely, but because you are more than that. — Azra T. “Your hands are threads, your body is a canvas
Azra T.
What’s this?” “An apology, of sorts.” I made a moue, but slipped the lid from the top . . . and then my breath left me. Inside the box sat a baseball, its well-worn white leather marked by the signatures of every Cubs player from the team. It was just like the one I’d had—just like the one I’d told him about the night we made love.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
I could go on all night, Lake. I could go on and on and on about all the reasons I’m in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you’re the only other person I know who understands my situation. I do love you because both of us know what it’s like to lose your mom and your dad. I do love you because you’re raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I’m not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
And as for romance? Well, I want that too. I want to fall asleep next to you, 100 times a night, so I can know you 100 times better before we hit the day light. And despite all of this, I also want amnesia so I can relive each kiss with a perfect newness that leaves me smashed in the arms of rapture. I want the sky to fracture under the impossible weight of an apology because I'm sorry. I'm sorry that I want so much. I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long but if you sing me that song of sweet logic again then I promise to make the effort to stand on my own. There is a reason that our hearts are more like a muscle and less like a bone. I've known so many people who've have grown up flexing in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit. Because we only get now until the time we go and if they've only got time to love themselves then nobody is going to be around to hear the sound of their heartbeat echo. So lady, don't expect an apology when I tell you I'm only held together by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
Shane L. Koyczan
Because I knew the moment I saw you,” he ground out savagely, her “I hate you” still ringing in his ears, “that in another life—a life where I didn’t become a dark sorcerer—you were my wife. I cherished you. I adored you. I loved you until the end of time, Jessica MacKeltar. But I doona get to have that life. So I’ll take you any fucking way I can get you. And I’ll not apologize for one moment of it
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
…and suddenly I love you beyond all measure is not just words but a heart, a soul bursting open, a stripping raw of all pretense. It is Sully, it is Gabriel, it is his tears on my face, his body in mine, our minds seamless. It is hopes and dreams and failures. It is apologies and a prayer for redemption. It is heaven and damnation. All that I am is yours pales beside it. It is everything. It is love.
Linnea Sinclair (Shades of Dark (Dock Five Universe, #2))
Half daughter, half apology, all fire and the wrong kind of love.
Blythe Baird (If My Body Could Speak (Button Poetry))
This is an apology letter to the both of us for how long it took me to let things go. It was not my intention to make such a production of the emptiness between us playing tuba on the tombstone of a soprano to try and keep some dead singer’s perspective alive. It’s just that I coulda swore you had sung me a love song back there and that you meant it but I guess sometimes people just chew with their mouth open so I ate ear plugs alive with my throat hoping they’d get lodged deep enough inside the empty spots that I wouldn’t have to hear you leaving
Buddy Wakefield
My apologies to past loves for treating the latest as the first.
Wisława Szymborska
I grow old though pleased with my memories The tasks I can no longer complete Are balanced by the love of the tasks gone past I offer no apology only this plea: When I am frayed and strained and drizzle at the end Please someone cut a square and put me in a quilt That I might keep some child warm And some old person with no one else to talk to Will hear my whispers And cuddle near
Nikki Giovanni
Do you even know what you’re apologizing for?” ​“Yes,” he sighed, taking hold of my hand. His touch pricked me like icicles. “I’m sorry that I wasn’t ready to love you, even though my heart wanted to.
Marie-France Léger (A Hue of Blu)
She says everything in this hug—every thank-you, every I-love-you, every apology. I squeeze her back to thank her, to make her feel my love, to apologize, and everything else that falls deep inside and skirts outside these realms.
Adam Silvera (They Both Die at the End)
No. I made that choice. I let all that anger and pain get twisted up in my thoughts for you.” He leaned in. “It fucking kills me. Every night. I relive what I did to you every night.” His forehead rested against mine. “Until you,” he said softly, “I never felt truly helpless.
Nenia Campbell (Armed and Dangerous (The IMA, #2))
I spent the first twenty-five years of my life apologizing for people like Harald because we're family. Then I discovered that being related is no guarantee of love and I had a few reasons to defend Harald.
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
If I could speak, I would tell Cal that I'm sorry, that I love him, that I need him. But the wind and the drop steal my breath away. I have no more words. His touch is achingly familiar, one hand at my neck, imploring me to look at him. Like me, he can't speak. But I hear his apology all the same, and he understands mine. We see nothing but each other. Not the lights of Corvium on the horizon, the ground ringing up to meet us, or the fate we're about to find. There is nothing but his eyes. Even in darkness, they glow.
Victoria Aveyard (Glass Sword (Red Queen, #2))
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
I've crossed paths since with men like him. I wish I could say differently. But I have. And what I have learned is that you dig a little and you find they're all the same, give or take. Some are more polished, granted. They may come with a little bit of charm-- Or a lot -- and that can fool you. But really they're all unhappy little boys sloshing around in their own rage. They feel wronged. They haven't been given their due. No one loved them enough. Of course they expect you to love them. They want to be held, rocked, reassured. But it's a mistake to give it to them. They can't accept it. They can't accept the very thing they're needing. They end up hating you for it. And it never ends because they can't hate you enough. It never ends-- the misery, the apologies, the promises, the reneging, the wretchedness of it all. My first husband was like that.
Khaled Hosseini (And the Mountains Echoed)
Saying I’m fat is (and should be) the same as saying my shoes are black, the clouds are fluffy, and Bob Saget is tall. It’s not good, it’s not bad, it just is. The only negativity that this word carries is that which has been socially constructed around it.… We don’t need to stop using the word fat, we need to stop the hatred that our world connects with the word fat.2
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
If there are #coffee stains on my @Harvard application, it’s because I was up all night Photoshopping a high school diploma. Please accept my apology, and please accept me.
Jarod Kintz (I love Blue Ribbon Coffee)
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would be happier. I wouldn't have to wear these shirts with the tails out all the time. Like that's fooling anyone. Fat ass. I should start jogging again. Five miles a day. Really do it this time. Maybe rock climbing. I need to turn my life around. What do I need to do? I need to fall in love. I need to have a girlfriend. I need to read more, improve myself. What if I learned Russian or something? Or took up an instrument? I could speak Chinese. I'd be the screenwriter who speaks Chinese and plays the oboe. That would be cool. I should get my hair cut short. Stop trying to fool myself and everyone else into thinking I have a full head of hair. How pathetic is that? Just be real. Confident. Isn't that what women are attracted to? Men don't have to be attractive. But that's not true. Especially these days. Almost as much pressure on men as there is on women these days. Why should I be made to feel I have to apologize for my existence? Maybe it's my brain chemistry. Maybe that's what's wrong with me. Bad chemistry. All my problems and anxiety can be reduced to a chemical imbalance or some kind of misfiring synapses. I need to get help for that. But I'll still be ugly though. Nothing's gonna change that.
Charlie Kaufman
I’m sorry…,” I find myself saying. “I’m so sorry…” She kisses my forehead and rocks her head against mine. She smells like rust and sweat and oil. Like home. She tells me I am her son. There is nothing to apologize for. I am safe. I am loved. The family is here.
Pierce Brown (Morning Star (Red Rising, #3))
I only believe in the easy things, like red lipstick and coffee before noon and writing essays in pen. I make my mind up about boys and then I unmake it, compare us to continental drift, two ships passing. I hit the snooze button too often. Write disposable poems on napkins and old homework, try to discipline myself when it comes to removing my makeup before bed. I am trying to understand men better, cut them some slack, write about them less. I dream about oceans and mountains and wolves. I do not always love myself. I do not always forgive myself. I write apology letters and do not send them. Usually, I do not mean it when I tell someone goodbye.
Kristina Haynes
A man worth being with is one… That never lies to you Is kind to people that have hurt him A person that respects another’s life That has manners and shows people respect That goes out of his way to help people That feels every person, no matter how difficult, deserves compassion Who believes you are the most beautiful person he has ever met Who brags about your accomplishments with pride Who talks to you about anything and everything because no bad news will make him love you less That is a peacemaker That will see you through illness Who keeps his promises Who doesn’t blame others, but finds the good in them That raises you up and motivates you to reach for the stars That doesn’t need fame, money or anything materialistic to be happy That is gentle and patient with children Who won’t let you lie to yourself; he tells you what you need to hear, in order to help you grow Who lives what he says he believes in Who doesn’t hold a grudge or hold onto the past Who doesn’t ask his family members to deliberately hurt people that have hurt him Who will run with your dreams That makes you laugh at the world and yourself Who forgives and is quick to apologize Who doesn’t betray you by having inappropriate conversations with other women Who doesn’t react when he is angry, decides when he is sad or keep promises he doesn’t plan to keep Who takes his children’s spiritual life very seriously and teaches by example Who never seeks revenge or would ever put another person down Who communicates to solve problems Who doesn’t play games or passive aggressively ignores people to hurt them Who is real and doesn’t pretend to be something he is not Who has the power to free you from yourself through his positive outlook Who has a deep respect for women and treats them like a daughter of God Who doesn’t have an ego or believes he is better than anyone Who is labeled constantly by people as the nicest person they have ever met Who works hard to provide for the family Who doesn’t feel the need to drink alcohol to have a good time, smoke or do drugs Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family Who is morally free from sin Who sees your potential to be great Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you Who is a gentleman Who is honest and lives with integrity Who never discusses your private business with anyone Who will protect his family Who forgives, forgets, repairs and restores When you find a man that possesses these traits then all the little things you don’t have in common don’t matter. This is the type of man worth being grateful for.
Shannon L. Alder
I know,” Aren says. “But I wanted to apologize. I don’t want Taltrayn to convince you I’m the bad guy.” At that, I give a short laugh. “You are the bad guy, Aren.” He frowns, and I realize he’s taking my words the wrong way. “What I mean is you’re the . . . well, the rebel. Kyol’s the good guy. He’s made mistakes, yes, but he loves me.” He cocks his head to the side. His gaze makes my skin tingle. The step he takes toward me is hesitant, careful, and when his silver eyes peer down at me, I stop breathing. His lips are so close. I remember the way they felt pressed against mine. I remember his taste, the heat of his edarratae. The smallest distance separates us when he whispers, “You don’t think I’m in love with you?” “I . . .
Sandy Williams (The Shadow Reader (Shadow Reader, #1))
I am a woman with thoughts and questions and shit to say. I say if I'm beautiful. I say if I'm strong. You will not determine my story — I will. I will speak and share and fuck and love, and I will never apologize to the frightened millions who resent that they never had it in them to do it. I stand here and I am amazing, for you. Not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. (2014 Gloria Awards and Gala)
Amy Schumer
I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing, Etienne." "Say my name again," he whispers. I close my eyes and lean forward. "Etienne." He takes my hands into his. Those perfect hands, that fit mine just so. "Anna?" Our foreheads touch. "Yes?" "Will you please tell me you love me? I'm dying here." And then we're laughing. And then I'm in his arms, and we're kissing, at first quickly - to make up for lost time - and then slowly, because we have all the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I taste, too. And in between kisses, I tell him I love him. Again and again and again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Look, I owe you a kind of explanation. I know you probably think I’m a horrid bitch from the plant Schizophrenia, but I’m honestly not trying to mess with your head. I’m just messing with my own head and I seem to have dragged you along the ride. I think you’re nice to me and that scares the fuck out of me. Because when a guy’s a jerk or an asshole, it’s easier because you know exactly where you stand. Since trust isn’t an option, you don’t have to get all freaked out about maybe having to trust him. Right now I am thinking about ten things at the same time, and at least four of those things have to do with you. If you want to leave right now and drive home and forget my name and forget what I look like, I wouldn’t blame you in the least. But what I’m trying to say is that if you did that I would be sorry. And not just sorry in an I-apologize-I’m-so-sorry way, but sorry in a sad-that-something-that-could’ve-happened-didn’t way. That’s it. You can go now. Or we could stay for Where’s Fluffy when Toni’s set is over. I think they’re playing a surprise show here tonight.
Rachel Cohn (Nick & Norah's Infinite Playlist)
I don’t think we’re in love anymore. I think about sex constantly. I hate your parents. I’m pretty sure they hate me. Do you have any idea how fucked up this is? I’ve been sleeping with my back to you for months now, and you haven’t touched me once. I almost went home with the guy who gave me change at the bank. I almost asked his name. I don’t think we’re in love anymore. We don’t kiss like we used to. Your lips are always cold and mine are always chapped. Neither of us even apologize. I haven’t shaved in days and you haven’t noticed. I am insatiable. I am a disaster just waiting to remember the storm in her bones. I am proud of this. I want someone to fuck me so hard that something inside of me snaps and I can’t stop screaming ‘I love you, oh my God, I love you.’ I don’t think we’re in love anymore. Sometimes, I genuinely think the sky is bleeding, and I don’t know how to stop it. I don’t think I am capable of staying put. My bags are already packed. I’ve been waiting for you to check the bedroom. I don’t think we’re in love anymore. I don’t know whose fault it is. Let’s stop trying to make a broken thing work. We were brave for trying. We were brave for trying.
Caitlyn Siehl
You let me be who I am. So many people ask me why I need to take pictures all the time. Why I'm staring at something they can't see. It's like I have to apologize for having eyes. But you've never rushed me. I'm at my best around you. You're my nova. You light me up.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
You can stay on the porch. Like how you left me on the floor outside our room." "I didn't know what else to do. You found the check, and I panicked." "That isn't an excuse." "I know. And I'm not saying that this is going to make up for it. I'm going to try, really try, to make you trust me again. I want you to trust me. I just... I couldn't sleep last night without you. It was the strangest thing, being in the room alone without you. I couldn't hear you breathing, and your laughter was gone and you were gone, and it was like a part of my life was missing. A big part. I tripped going to the bathroom and banged my head. See?" He pointed to a lovely gash on his forehead. "And then I burned my hand on the toaster oven. And then my car wouldn't start. Again. I've never had such bad luck in my life.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
I do not think there is a demonstrative proof (like Euclid) of Christianity, nor of the existence of matter, nor of the good will and honesty of my best and oldest friends. I think all three are (except perhaps the second) far more probable than the alternatives. The case for Christianity in general is well given by Chesterton…As to why God doesn't make it demonstratively clear; are we sure that He is even interested in the kind of Theism which would be a compelled logical assent to a conclusive argument? Are we interested in it in personal matters? I demand from my friend trust in my good faith which is certain without demonstrative proof. It wouldn't be confidence at all if he waited for rigorous proof. Hang it all, the very fairy-tales embody the truth. Othello believed in Desdemona's innocence when it was proved: but that was too late. Lear believed in Cordelia's love when it was proved: but that was too late. 'His praise is lost who stays till all commend.' The magnanimity, the generosity which will trust on a reasonable probability, is required of us. But supposing one believed and was wrong after all? Why, then you would have paid the universe a compliment it doesn't deserve. Your error would even so be more interesting and important than the reality. And yet how could that be? How could an idiotic universe have produced creatures whose mere dreams are so much stronger, better, subtler than itself?
C.S. Lewis
she didn't need anyone. At Wheeler, even when she stood out with her pink hair and quilter army-surplus jacket and combat bots, she did this without apology. It was a great irony that the very fact of a relationship with her would diminish her appeal, that the moment she came to love me back and depend on me as much as I depended on her, she would no longer be a truly independent spirit. No way in hell was I going to be the one to take that quality away from her.
Jodi Picoult (My Sister’s Keeper)
It’s nobody’s fault that our hearts work in their little strange ways. It’s nobody’s fault that we fall for one another. It’s nobody’s fault that we can’t have the love we yearn. It’s nobody’s fault that we never learn. So, save your apology, my dear. Save it for later days. Save it for better days.
Noor Iskandar
When we apologize for something we’ve done, make amends, or change a behavior that doesn’t align with our values, guilt—not shame—is most often the driving force. We feel guilty when we hold up something we’ve done or failed to do against our values and find they don’t match up. It’s an uncomfortable feeling, but one that’s helpful. The psychological discomfort, something similar to cognitive dissonance, is what motivates meaningful change. Guilt is just as powerful as shame, but its influence is positive, while shame’s is destructive. In fact, in my research I found that shame corrodes the very part of us that believes we can change and do better.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
I don't like this." "I know you don't, my little spaetzel. But I am too worn out to run from both the police and your murderous twin, and Damian's looking peaky, plus Christian did apologize for trying to kill us earlier." "I wasn't talking about that. It's your lamentable habit of using completely unsuitable love names for me that gives me grief," Adrian groused. "I am not a lambypie, nor am I a spaetzel.
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows." "Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
Banana Yoshimoto
So what now?" he said. "What do you mean?" "What do we do now? We can't just be roommates." "You said you didn't like me." "I don't like you. I don't like how your hair smells, and how I can't stop thinking about waking up and seeing your face. I hate how my bed felt empty when you left. I don't like how good you were with my family, especially Harper, and how I wanted to see you with then again, but not just as a guest. As a member. You're right. I don't like you at all." "When did you change your mind?" "My mind never changed. I've wanted you since the moment you opened the door and had that stunned look on your face. It just took me a while to admit it. Why deny it now? It is what it is and it's not going to change." "Oh." "This doesn't mean I'm going to be nice. I'm still going to be an ass. I'll just be an ass who apologizes and brings you flowers to say he's been a dick." "Chocolate," I said. "What?" "I'd rather have chocolate when you apologize." "Chocolate it is." He smiled. "So does that mean what I think it means?" "No. It just means that you get to bring me chocolate when you've been an ass. I'm going to weigh three hundred pounds." I focused my attention back on the peppers. I couldn't think about Hunter's declaration of... whatever it was. Footsteps didn't make me look up. "Taylor, look at me. Please." Damn. If only he didn't say please. "I can't promise to not make you mad. I can't promise that I won't hurt you. All I can promise is that I want you in my life, and I'll do anything to keep you there.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
There were probably many factors that kept the relationship going and kept your love alive. There were all his promises. "I promise this will never happen again." You believed him the first time. And the second. As the abuse continued, he became increasingly remorseful, his promises more insistent. You continued to believe him; you wanted to believe him. After all, you loved him. Then there were all the apologies. He seemed truly sorry. You forgave him. Now, however, when you think back, you realize the apologies were conditional. They blamed you! "I'm sorry, but if only you hadn't..." They always made his abuse somehow your fault. You may have begun to believe this, and you may even remember apologizing to him. You began to believe that if you were careful about what you said or did, you could prevent the abuse from happening again. As the abuse escalated over time, the blaming became more obvious. "I didn't mean to hurt you, but if you just weren't so [stupid, ugly, careless, dumb, etc.], this would never have happened." Time after time you were made to believe that every act of violence or abuse was your fault. Day after day you were made to feel that you were unworthy of him.
Meg Kennedy Dugan (It's My Life Now: Starting Over After an Abusive Relationship or Domestic Violence)
Stil snorted. “I am not in love with Angelique. I’m in love with you,” he said, scooting closer. Gemma pushed her chair away. “Well, that’s not proper.” “Why not?” Stil asked, butting his chair up against Gemma’s. “Because of the age difference.” “Age difference?” “Of course. Surely you can’t be a day younger than fifty or sixty,” Gemma said in surprise. Stil’s jaw dropped. “You think I’m an OLD MAN?!” Stil thundered. “Most magic users are not the age they physically appear to be,” Gemma said.“And it is well known that they age much more slowly.” “You think I’m an OLD MAN?!” he repeated, his voice even louder. “I’m not even twenty-five yet, you mean-spirited mule, and my clothes are fashionable among mages!” Stil said. “This whole time you’ve thought I am OLD?” “I get the impression that offends you.” “IT DOES.” Gemma only lifted her eyebrows. “Aren’t you going to apologize?” Stil asked. “For what?” “For thinking I’m OLD!” Gemma shrugged. “It seems you have only yourself to blame for that misunderstanding.” Stil glowered
K.M. Shea (Rumpelstiltskin (Timeless Fairy Tales, #4))
Theodore," Ben says, interrupting him. " You seem like a... nice guy." "Thanks," Theodore says, smiling. "Let me finish," Ben says, holding up a finder in warning. "Because you're about to hate me. I lied. I'm not writing a paper." He points at Glenn. "This guy told me earlier today where to show up tonight so that I could find the girl I'm supposed to spend the rest of my life with. And I'm sorry, but that girl just so happens to be your date. And I'm in love with her. Like, really in love with her. Crippling, debilitating, paralyzing love. So please accept my sincerest apologies, because she's coming home with me tonight. I hope. I pray." Ben shoots me an endearing look. "Please ? Otherwise this speech will make me look like a complete fool and that won't be good when we tell our grandkids about this.
Colleen Hoover (November 9)
God, help me to tell the thruth to the strong and to avoid telling lies to get the weak's applause. If you give me success, do not take away my humility. If you give me humility, do not take away my dignity. God, help me to see the other side of the medal. Don't let me blame others of treason just because they don't think they like me. God, teach me to love people as I love myself and to judge me as I judge others. Please, don't let me be proud if I succed, or fall in despair if I fall. Remind me that failure is the experience that precedes triumph. Teach me that forgiving is the most important in the strong and that revenge is the most primitive sigh in the weak. If you take away my success, let me keep my strength to succeed from failure. If I fall people, give me courage to apologize and if people fail me, give me courage to forgive them. God, if I forget you, please do not forget me.
Mahatma Gandhi
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
Love is an afternoon of fishing when I'd sooner be at the ballet. Love is eating burnt toast and lumpy graving with a big smile. Love is hearing the words 'You're beautiful' as I fail to squeeze into my fat jeans. Love is refusing to bring up the past, even if doing so would be a slam dunk to prove your point. Love is your hand wiping away my tears, trying to erase streaks of mascara. Love is the warm hug that extinguishes an argument. Love is a humbly-uttered apology, even if not at fault. Love is easy to recognize but so hard to define; however, I think it boils down to this... Love is caring so much about the feelings of someone else, you sacrifice whatever it takes to help him or her feel better. In other words, love is my heart being sensitive to yours.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
I know, in my soul, that a love for travel is a gift and not a hindrance. It feels like a burden when the bucket list is bigger than the bank account, but a thirst for more of the world is not something to apologize for. Denying its presence feels like denying something good in me, something God put there. Wanderlust has a reputation as the epitome of unrequited love, something the young and naive chase after because they don’t yet realize it’s as futile as a dog chasing its tail. Turns out, ever-burning wanderlust is a good thing.
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
Thanks for the apology, Caden, really. Anyway, isn’t it pretty normal for a straight girl to fall for a gay guy? All the sitcoms treat it like a rite of passage, something that all girls must go through. You’re pretty and kind and way too good to be true. At least I’ve ticked that box now.” “I …” I don’t exist to teach her a lesson, and it irks me that she thinks labeling me is okay now. Like, by liking guys, I automatically take on that role in her life. That I’m suddenly a supporting character in her story rather than the hero of my own.
Cale Dietrich (The Love Interest)
I have learned not to take too much notice of those who disapprove of my lifestyle choices, because I know that I was not designed to be part of the crowd. If I am different, I make no apology, and I hope that others will have the courage to be themselves and stand up for what they believe in, fight for those who need protection, love who they want to love, and be proud of it.
Clare Balding (My Animals and Other Family)
Sorry, I said to myself, wondering how many times in my marriage I'd said that, how many times I'd meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
Ben Marcus (The Flame Alphabet)
Connor places his jacket on a wooden table. “I apologize for hurting you.” “I accept,” I say, “but Janie’s gonna need more than that.” Connor nods. “I’m aware. She already asked her mom and me to write a three-thousand word essay on why we love her. His lips pull upward, admiration for his daughter clear in his eyes. My dad flashes a dry smile. “That’s what happens when you raise a bunch of geniuses and make your family motto: loyalty to the death.” Connor grins a billion-dollar grin.
Krista Ritchie (Lovers Like Us (Like Us, #2))
Despite the intensity of the moment, I felt no fear, and when I looked down, I knew why. Lisa had grabbed my hand in hers, and locked her eyes on me, stoic, in that moment of terror; eyes filled with neither panic nor worry, but beautiful acquiescence, as a silent apology passed between us. It filled me with love and peace as our friendship flashed before my eyes, and then everything went dark, and silent.
D.M. Simmons (Ravel)
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.) This purple hair clip? It really is magic…just like your dad told you it was. It’s magic because, no matter how many times it lets you down…you keep having hope in it. You keep trusting it. No matter how many times it fails you, You never fail it. Just like you never fail me. I love that about you, because of you. (I set it back down and pull out a strip of paper and unfold it.) Your mother. (I sigh) Your mother was an amazing woman, Lake. I'm blessed that I got to know her, And that she was a part of my life, too. I came to love her as my own mom…just as she came to love Caulder and I as her own. I didn’t love her because of you, Lake. I loved her because of her. So, thank you for sharing her with us. She had more advice about Life and love and happiness and heartache than anyone I've ever known. But the best advice she ever gave me? The best advice she ever gave us? (I read the quote in my hands) "Sometimes two people have to fall apart, to realize how much they need to fall back together." (She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.) The last item I have wouldn’t fit, because you’re actually sitting in it. That booth. You’re sitting in the exact same spot you sat in when you watched your first performance on this stage. The way you watched this stage with passion in your eyes…I'll never forget that moment. It's the moment I knew it was too late. I was too far gone by then. I was in love with you. I was in love with you because of you. (I back up and sit down on the stool behind me, still holding her stare.) I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know that understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))
What can I do for you, Arbitrator?” I asked. “George, please. There is no hot water in my bathroom.” “Oh really?” You don’t say. “Yes. In fact, it’s ice-cold.” He raised a half-filled glass. Thin slivers of ice floated on its surface. “I drew this from the tap in my sink.” “How unfortunate. When did this happen?” “About two minutes ago.” “While you were in the shower?” “Yes.” “My apologies. I’ll get right on that.” George squinted at me, his face thoughtful, and waved the call off. Sophie leaned back and laughed. “You really love those trees.
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
Here are some things I didn't have space for: putting on Alone by Heart and miming the lyrics in Leah's face until she started laughing, Leah's long hands and her yellow hair and the werewolf quality of her eyebrows. The way she walked around the flat in shorts and a sports bra and told me off for staring. The way she kissed me and then apologized for biting. The time Leah told me that making me laugh was an achievement because my face was so typically set against it. The way I was often bored and Leah never was. Talking with Leah on early dates about the panic of doing what everyone else was doing and then feeling like a dick about it. The way Leah was kind by nature whereas I always seemed to struggle. The way she tipped my face towards hers and told me otherwise. "You're the kindest person I know and I know six or seven people.
Julia Armfield (Our Wives Under the Sea)
My mother wasn’t a psychotic criminal. (Kiara) No. I’m sure she was a wonderful lady who loved you dearly. That she held you when you cried, probably even baked you cookies and gave you hugs and kisses before she sent you off to bed at night, and it’s a damn shame a decent woman like her died so tragically. My mother, whore that she was, abandoned me and my sister to our father so that she could return to her cushy life and pretend we didn’t exist while she left us in that house with a man whose name, even though he’d been dead for decades, can still make an assassin wet his pants. And if you think his cruelty was reserved for strangers, think again. My sister and I were target practice for him. So don’t you dare talk to me about pain. My father wrote the book on it and he rammed it down my throat every day of my childhood until they killed him. And the real kicker is, my life under his demented fist was a lot better than Nykyrian’s. At least I was able to hide sometimes from the ones trying to kill me. You want me to call your daddy, baby? Go right ahead. I’ll be more than happy to take you to him. But know that Aksel will have his hands on you in a matter of hours. Then you’ll be able to talk to me about pain and you’ll finally have an idea of what we’ve endured. You won’t live long enough to apologize, but true clarity will be yours before you die. (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond.
Stephen King
To: Anna Oliphant From: Etienne St. Clair Subject: SAVING YOU I'm teleporting to Atlanta.I'm picking you up,and we'll go someplace where our families can't find us.We'll take Seany. And we'll let him rup laps until he tires,and then you and I will take a long walk. Like Thanksgiving. Remember? And we'll talk about everything BUT our parents...or perhaps we won't talk at all. We'll just walk.And we'll keep walking until the rest of the world ceases to exist. I'm sorry,Anna.What did your father want? Please tell me what I can do. To: Etienne St. Clair From: Anna Oliphant Subject: Sigh.I'd love that. Thank you,but it was okay. Dad wanted to apologize. For a split second,he was almost human.Almost.And then Mom apologized,and now they're washin dishes and pretending like nothing happened.I don't know.I didn't mean to get all drama queen,when your problems are so much worse than mine.I'm sorry. To: Anna Oliphant From: Etienne St. Clair Subject: Are you mad? My day was boring.Your day was a nightmare. Are you all right? To: Etienne St. Clair From: Anna Oliphant Subject: Re: Are you mad? I'm okay.I'm just glad I have you to talk to. To: Anna Oliphant From: Etienne St. Clair Subject: So... Does that mean I can call you now?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
Dear Jack: I have no idea who he was. But he saved me. From you. I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him. And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay. 'Yes. I mean, I think so,' I told him. But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose. The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911. He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner. 'I'm so sorry,' he just kept saying. And suddenly I felt sorry too. Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave. 'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever. A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked. The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.' When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak. That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure. So far, it hasn't done the trick. Never your Jill, Rachael
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” -“Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” -“Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” -“I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” -“Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” -“So then what?” “So then I’d give him all the love he deserves for what he’s done.” -“Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
My mouth hung slightly open, i was getting ready to sat something important. what i wanted to say was: I's so, so sorry. but instead I said, "i love you." Only then, when i said it out loud, did i know that it was true. Carly threaded her fingers through mine and i squeezed her hand. She said it back to me, and i was relieved in a way that i wasn't expecting. i didn't know that i needed her to say it until she did. i was so grateful; i leaned down and kissed her fearlessly, which was unlike me. When she kissed me back, i brought my hand up and cupped the nape of her neck, pulling her hair with clumsy fingers. i tried to back off, to apologize for hurting her, but she kept me close, kissing me softly at first, then hard and fast until the lines between us blurred.
Anna Jarzab (All Unquiet Things)
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving. This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love. This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages. I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit. The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
Clementine von Radics (Mouthful of Forevers)
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
You aren't like your mom." "I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right." "So." I'm cautious,hardly daring to believe. "You're moving to California?" "I have to." "Right." I swallow hard. "Because of your mom." "Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night." His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding- "You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much." I'm holding my breath.I can't talk,but my eyes are filling with tears. He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-" He starts to stand,but I grab his arm. "No!" His body freezes. "I'm so sorry," he says. "I never mean to hurt you." I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne." "Say my name again," he whispers. I close my eyes and lean forward. "Etienne." He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?" Our foreheads touch. "Yes?" "Will you please tell me you love me? I'm dying here." And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too. And in between kisses,I tell him I love him. Again and again and again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
To my lovely starling, Maybe there are magical words that will make you understand, but if so, I do not know them. Words are your domain. I've always been better with pictures. I fear you think I am a monster. It's true I've disrupted many graves. The way I see it, the dead are dead. If, after their death, we can learn things from the about the human form - things that will increase the sum of human knowledge and the possibilities of art - what harm is that? After death, new life, new beauty. How can that be wrong? My friends and I have made use of some of the bodies as models. some we sell to surgeons who study them with the hopes of learning something about the frail mechanisms of the human body. I don't know exactly what Dottor de Gradi does in his workshop on the Rialto, and I was as surprised as you were to stumble on it. He couldn't - he wouldn't tell me if your friend's body ended up there. But he did assure me all of his work is focused solely on extending human life. I won't lie. I did it for the money as well. Don Loredan is holding a private exhibition in his palazzo tomorrow. The entry fee was quite steep but two of my paintings were accepted. This could be the beginning for me. I could find my own patrons. I could be more than just a peasant. Tommaso's assistant. So yes; a little for money. But mostly I did for the art. I don't expect these words to change how you feel. I simply want you not to see me as a monster. I don't want to be a monster. Not anymore. Not after meeting you. I know that we disrupted you dear friend's body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret. I hope you like the painting. Consider tit a wedding gift. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn't it? Yours, Falco
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Apology Letter from the Brain Hey there. I’m sorry. OK? But can I say something? Look. I admit I wasn’t perfect. No one is perfect. That’s a fact. Speaking of facts, don’t you think we all need to take a minute and decide who is right and who is wrong? Every side is different; it’s just that my side seems more right. I’m not just saying that because it’s my side. I think a lot of other people would agree with me, given the chance. If I upset you in some way, please know that wasn’t my intention. I didn’t know how sensitive you were. It’s obvious I can set you off very easily. That’s not an insult; it’s just an observation. I think it would help if we talked about this more and argued about who was telling the truth. I would like to see you in person and tell you how the situation has affected me. I may use this opportunity to bring up other times you have hurt me in the past. If possible, I would like to hurt you back. Either way, I want to be in control. Until then, take care. And please, remember I reached out first. I remain, THE BRAIN Apology Letter from the Heart Hey there. I’m sorry. I’ve found it hard to tell you this, and I realize my apology may be too little or come too late. It is important for me to let you know that I am sorry for what I did or said or didn’t do or say. I was wrong. I make mistakes. I HATE that I made one with you. I’m reaching out because life goes by so fast and I just don’t want my one life to go by without expressing this to you. I want to do and be better. This apology is yours. Feel free to do whatever you want with it. My hope is that it gives you comfort, but my goal is that it doesn’t cause you any pain. Again, I am TRULY sorry. Thank you for taking the time to read this. Love, THE HEART P.S. I’m sorry.
Amy Poehler
Tereza keeps appearing before my eyes. I see her sitting on the stump petting Karenin’s head and ruminating on mankind’s debacles. Another image also comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears. That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse for Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse. And that is the Nietzsche I love, just as I love Tereza with the mortally ill dog resting his head on her lap. I see them one next to the other: both stepping down from the road along which mankind, “the master and proprietor of nature,” marches onward.
Milan Kundera (The Unbearable Lightness of Being)
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
My Caroline, If you’re reading this endnote then I can assume you’ve suffered your way through the story, our story once again. I suppose having you relive our time together is the ultimate proof of my sadism, as if you of all people needed further proof. At the end I find myself surprised by how easy it was to write this book about us. I found I missed you so much that a terrible vacuum had formed; all the words came and filled it and for a little while you were home with me again. I didn’t want it to end but a story must have an end, I suppose. I have no secrets to reveal on this final page. I loved you. At least I tried to. And I failed you. I failed you with great success. Forgive me if you can. I will not apologize anymore. I’m done writing now. I may go into the garden and read until evening. It isn’t quite the same without your head on my knee and your ill-informed criticisms of my reading material, but I shall carry on alone, page by page, until the end. And when evening comes and the sun is sitting on the edge of the earth, I will look out, searching for a break in the horizon as that father did once so many thousands of years ago…the father waiting for his prodigal child to return. I hope you are happy. As for me, I…continue. If you ever miss me, miss… But some things are best left unwritten. Just know I have kept your room for you. I’ll say no more. I know I sent you away. I know it was the right thing to do. But I also know that perhaps not every story has to end. Love, Your William
Tiffany Reisz (The Siren (The Original Sinners, #1))
I'm sorry l haven 't talked to you in so long. I feel l've been lost... no bearings, no compass. I kept crashing into things, a little crazy, I guess. l've never been lost before. You were my true north. l could always steer for home when you were my home. Forgive me for being so angry when you left. l still think some mistake's been made... and l'm waiting for God to take it back. But l'm doing better now. The work helps me. Most of all, you help me. You came into my dream last night with that smile that always held me like a lover... rocked me like a child. All l remember from the dream is a feeling of peace. l woke up with that feeling and tried to keep it alive as long as l could. l'm writing to tell you that l'm on a journey toward that peace. And to tell you l'm sorry about so many things. l'm sorry l didn't take better care of you so that you never spent one minute being cold or scared or sick. I'm sorry I didn't try harder to find the words to tell you what I was feeling. I'm sorry I never fixed the screen door. I fixed it now. I'm sorry I ever fought with you. I'm sorry I didn't apologize more. I was too proud. I'm sorry I didn't bring you more compliments on everything you wore and every way you fixed your hair. I'm sorry I didn't hold on to you with so much strength that even God couldn't pull you away. All my love.
Nicholas Sparks (Message in a Bottle)
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man. Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest. Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?” “My name is Kelsey. Kelsey hayes.” “Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?” Ren growled unhappily. I nodded. “Is Kishan your given name?” “My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?” There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him. “I’d love to.” He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin. “Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“ “Thank you, but no. You don’t need to worry about our minor pains.” “I wouldn’t exactly call your wounds minor, Kishan.” “The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.” Ren stood in front of us and looked like he was a tiger suffering from apoplexy. I admonished, “Ren, be civil.” Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap. Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi. As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.” “Did you chase after the housemaids when you were a boy?” “Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.” Evie raised a cue stick as if to crown him with it. He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?” “You would be purely ornamental,” Evie replied, giggling. “Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.” “I wouldn’t mind.” He gave her a quizzical smile. “What?” “If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.” Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.” “No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…” But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives. “Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Boyfriend/Girlfriend-Centered This may be the easiest trap of all to fall into. I mean, who hasn’t been centered on a boyfriend or girlfriend at one point? Let’s pretend Brady centers his life on his girlfriend, Tasha. Now, watch the instability it creates in Brady. TASHA’S ACTIONS BRADY’S REACTIONS Makes a rude comment: “My day is ruined.” Flirts with Brady’s best friend: “I’ve been betrayed.   I hate my friend.” “I think we should date other people”: “My life is over. You don’t love me anymore.” The ironic thing is that the more you center your life on someone, the more unattractive you become to that person. How’s that? Well, first of all, if you’re centered on someone, you’re no longer hard to get. Second, it’s irritating when someone builds their entire emotional life around you. Since their security comes from you and not from within themselves, they always need to have those sickening “where do we stand” talks. if who I am is what I have and what I have is lost, then who am I? ANONYMOUS When I began dating my wife, one of the things that attracted me most was that she didn’t center her life on me. I’ll never forget the time she turned me down (with a smile and no apology) for a very important date. I loved it! She was her own person and had her own inner strength. Her moods were independent of mine. You can usually tell when a couple becomes centered on each other because they are forever breaking up and getting back together. Although their relationship has deteriorated, their emotional lives and identities are so intertwined that they can never fully let go of each other. Believe me, you’ll be a better boyfriend or girlfriend if you’re not centered on your partner. Independence is more attractive than dependence. Besides, centering your life on another doesn’t show that you love them, only that you’re dependent on them. Have as many girlfriends or boyfriends as you’d like, just don’t get obsessed with or centered on them, because, although there are exceptions, these relationships are usually about as stable as a yo-yo.
Sean Covey (The 7 Habits Of Highly Effective Teens)
Fabian didn't flinch under Vlad's harsh analysis. "You have no idea what it's like, existing between worlds," he said, floating closer instead of backing away. "We are neither the living or the undead. It takes years to cope with the fact that even though over ninety-nine percent of everyone who dies crosses over to the next place, you are left behind. Years to accept that everything you worked for in your life is gone, and the shell of memory is all that remains. Years to recover from hopelessly trying to communicate with loved ones, only to fail time and again because no one except the crazed, psychics, the undead, or other ghosts can see you. Years to accept---even if you don't understand why---that vampires and ghouls will treat you worse that they do vermin, even though they are no human than you are." Fabian advanced again, until his finger disappeared into Vlad's chest. "I'd dare the strongest of your race or any other to say that they've conquered the same hardships my people have overcome. So think again before you question a ghost's worth, or judge those younger ones who are still in the process of becoming tougher than anyone tied to flesh will ever be." Stunned silence filled the air once Fabian was finished. I wanted to break out in apologies and applause all at the same time, but I was still recovering from my shock at how my mild-mannered, Casperesque friend had just unloaded a truck full of I-dare-yous onto one of the scariest vampires in existence. Damned if I would ever underestimate a ghost's chutzpah again, or question their fortitude. Being noncorporeal clearly didn't equate to lacking a pair of balls.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
I never knew it happened like that." I snap my gaze to her. "What?" "You know. Romeo and Juliet stuff. Love at first sight and all that." "It's not like that," I say quickly. "You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you." His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it. "You want to go out?" he asks suddenly. I blink. "As in a date?" "Yes. That's what a guy usually means when he asks that question." Whistles blow. The guys and girls head in opposite directions. "Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?" I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
Sophie Jordan (Firelight (Firelight, #1))
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
Haruki Murakami (Norwegian Wood)