Apologies Mean Nothing Quotes

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Apologies mean nothing if you don't mean it.
Laurie Halse Anderson (The Impossible Knife of Memory)
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
Do you know the Suli have no words to say ‘I’m sorry’?” “What do you say when you step on someone’s foot?” “I don’t step on people’s feet.” “You know what I mean.” “We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There’s no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don’t say we’re sorry. We promise to make amends.” “I will.” “Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But it does no good--solves nothing--to distance myself from the front lines of human need by using the mail as a safe shelter. I believe that serving the best ends of humanity means getting out in the middle of it just as it is, not staying home writing checks and thinking hopeful thoughts. The world does not need tourists who ride by in a bus clucking their tongues. The world as it is needs those who will love it enough to change it, with what they have, where they are. And you're damned right that's idealistic. No apology. When idealism goes into the trash as junk mail, we're finished.
Robert Fulghum (Uh-Oh: Some Observations from Both Sides of the Refrigerator Door)
There’s nothing worse than the non-apology apology. Either apologise and mean it, or don’t bother.
Louise Bay (What the Lightning Sees: Part One (Lightning, #1))
To: Anna Oliphant From: Etienne St. Clair Subject: SAVING YOU I'm teleporting to Atlanta.I'm picking you up,and we'll go someplace where our families can't find us.We'll take Seany. And we'll let him rup laps until he tires,and then you and I will take a long walk. Like Thanksgiving. Remember? And we'll talk about everything BUT our parents...or perhaps we won't talk at all. We'll just walk.And we'll keep walking until the rest of the world ceases to exist. I'm sorry,Anna.What did your father want? Please tell me what I can do. To: Etienne St. Clair From: Anna Oliphant Subject: Sigh.I'd love that. Thank you,but it was okay. Dad wanted to apologize. For a split second,he was almost human.Almost.And then Mom apologized,and now they're washin dishes and pretending like nothing happened.I don't know.I didn't mean to get all drama queen,when your problems are so much worse than mine.I'm sorry. To: Anna Oliphant From: Etienne St. Clair Subject: Are you mad? My day was boring.Your day was a nightmare. Are you all right? To: Etienne St. Clair From: Anna Oliphant Subject: Re: Are you mad? I'm okay.I'm just glad I have you to talk to. To: Anna Oliphant From: Etienne St. Clair Subject: So... Does that mean I can call you now?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What do you say when you step on someone's foot?" "I don't step on people's feet." "You know what I mean." "We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There's no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don't say we're sorry. We promise to make amends." "I will." "Mati en sheva yelu. This action will have no echo. It means we won't repeat the same mistakes, that we won't continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I love orgasms. I say a prayer of thanks to God for them every day." "You say a prayer of thanks for orgasms?" Elle asked. "Of course. I mean, they're a gift from God, right? A woman doesn't need to have an orgasm to get pregnant, right?" "Right." "So if they have nothing to do with reproduction, then why do women have them?" Kryie asked. She raised her hand and pointed a finger up at hte ceiling, at the sky, where God lived. "Orgasms are God's way of saying He's sorry about periods and cramps." "Apology accepted," Elle said.
Tiffany Reisz (The Virgin (The Original Sinners, #7))
...{I]f everything that has some share of life were to die, and if after death the dead remained in that form and did not come to life again, would it not be quite inevitable that in the end everything should be dead and nothing alive?... [W]hat possible means could prevent their number from being exhausted by death?
Socrates (Apology, Crito And Phaedo Of Socrates.)
Wesay nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There's no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don't say sorry. We promise to make amends." "I will." "Mati en sheva yelu. This action will have no echo. It means we won't repeat the same mistakes, that we won't continue to do harm." Inej and Jesper (p338)
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
I have to admit I was annoyed. Not physically annoyed, but inside annoyed. That helpless feeling you have when you know you should not be angry because you have to consider how other people are feeling or accept them for what they are, and that it is not your place to say anything. But annoyed because you have not been considered in the whole picture, you are there and that is that. Apologies begin to mean nothing at that point and frustration takes over.
Michelle Williams (Down Among the Dead Men: A Year in the Life of a Mortuary Technician)
Not much time will be gained, O Athenians, in return for the evil name which you will get from the detractors of the city, who will say that you killed Socrates, a wise man; for they will call me wise even although I am not wise when they want to reproach you. If you had waited a little while, your desire would have been fulfilled in the course of nature. For I am far advanced in years, as you may perceive, and not far from death. I am speaking now only to those of you who have condemned me to death. And I have another thing to say to them: You think that I was convicted through deficiency of words - I mean, that if I had thought fit to leave nothing undone, nothing unsaid, I might have gained an acquittal. Not so; the deficiency which led to my conviction was not of words - certainly not. But I had not the boldness or impudence or inclination to address you as you would have liked me to address you, weeping and wailing and lamenting, and saying and doing many things which you have been accustomed to hear from others, and which, as I say, are unworthy of me. But I thought that I ought not to do anything common or mean in the hour of danger: nor do I now repent of the manner of my defence, and I would rather die having spoken after my manner, than speak in your manner and live. For neither in war nor yet at law ought any man to use every way of escaping death. For often in battle there is no doubt that if a man will throw away his arms, and fall on his knees before his pursuers, he may escape death; and in other dangers there are other ways of escaping death, if a man is willing to say and do anything. The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs faster than death. I am old and move slowly, and the slower runner has overtaken me, and my accusers are keen and quick, and the faster runner, who is unrighteousness, has overtaken them. And now I depart hence condemned by you to suffer the penalty of death, and they, too, go their ways condemned by the truth to suffer the penalty of villainy and wrong; and I must abide by my award - let them abide by theirs. I suppose that these things may be regarded as fated, - and I think that they are well.
Plato (Apology)
America needs to reconcile with itself and do the work of apology: To say to indigenous, black, and brown people, we take full ownership for what we did. To say, we owe you everything. To say, we see how harm runs through generations. To say, we own this legacy and will not harm you again. To promise the non-repetition of harm would require nothing less than transitioning the nation as a whole. It would mean retiring the old narrative about who we are—a city on a hill—and embracing a new narrative of an America longing to be born, a nation whose promise lies in the future, a nation we can only realize by doing the labor: reckoning with the past, reconciling with ourselves, restructuring our institutions, and letting those who have been most harmed be the ones to lead us through the transition.
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
It's another man. I'll kill him. Check everything. Lock out the banks. Tuesday after the Unicef Gala. Fucked her Tuesday. She came. Did she come? Definitely came. What did I do wrong? It's me. What's his name? I'll kill— Apologize for nothing. Get access to her email. Where is she? Apologize for everything. She didn't mean it. Do something. Do something. Do. Something.
C.D. Reiss (Marriage Games (The Games Duet, #1))
You’re not better than me,” Nico replied perfunctorily. “But you’re looking for the wrong things. You’re looking for, I don’t know. The other pieces.” She made a face. “Other pieces of what?” “How should I know? Yourself, maybe.” He scoffed under his breath before oppressing her with “Anyway, there aren’t any other pieces, Rhodes. There’s nothing else. It’s just you.” “What’s that supposed to mean?” “Either you’re complete or you’re not. Stop looking. It’s right fucking there,” he informed her, snatching impatiently at her hand and half throwing it back into her chest. She glared at him and pulled out of his reach, vandalized. “Either it’s enough for you or nothing ever will be.” “What is this, a lecture?” “You’re a fire hazard, Rhodes,” he said. “So stop apologizing for the damage and just let the fucker burn.
Olivie Blake (The Atlas Six (The Atlas #1))
Think of body shame like the layers of an onion. For decades in our own lives and for centuries in civilization, we have been taught to judge and shame our bodies and to consequently judge and shame others. Getting to our inherent state of radical self-love means peeling away those ancient, toxic messages about bodies. It is like returning the world’s ugliest shame sweater back to the store where it was purchased and coming out wearing nothing but a birthday suit of radical self-love.
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
(Twin honey, how long is it going to take you to learn that being ‘right’ has nothing to do with getting along with a man? Men aren’t logical, their minds don’t work that way. But it’s ‘the only game in town,’ so when a man is wrong and you are right, it’s time to apologize. Tell him you’re sorry—and mean it.
Robert A. Heinlein (I Will Fear No Evil)
What could be the meaning of this—that he who knew nothing, and knew that he knew nothing, should be declared by the oracle to be the wisest of men? Reflecting upon the answer, he determined to refute it by finding 'a wiser;' and first he went to the politicians, and then to the poets, and then to the craftsmen, but always with the same result—he found that they knew nothing, or hardly anything more than himself; and that the little advantage which in some cases they possessed was more than counter-balanced by their conceit of knowledge. He knew nothing, and knew that he knew nothing: they knew little or nothing, and imagined that they knew all things.
Plato (Apology)
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission. I nervously rambled, “What…umm…what do you mean you want my permission?” He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it. I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.” What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy. Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.” Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness. I shouted, “Ren, wait!” But it was too late. He was gone. I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again. I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.” I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.” Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
R.J. Palacio (Wonder)
I apologize," Eleanor said in a quiet voice. "I did not mean to be impolite. Or improper." She raised her eyes to his face. "It seems as though I have been nothing but both of those things since we were introduced." His expression froze, and Eleanor felt as though she were moving in slow motion again, that spun-sugar feeling catching her limbs and making it impossible to move. As though there were only the two of them in this world.
Megan Frampton (Lady Be Bad (Duke's Daughters, #1))
The watchful Mishmorat commented while waiting, contemplating Eena’s bare back. “Your people are so plain and pale.” “Oh?” Eena kinked her neck to look at Niki, zeroing in on her long spotted arms. Her bronze skin was arguably more striking—speckled in beautiful patterns. “I’m sorry,” the Mishmorat quickly apologized. “I didn’t mean to be rude. It’s just that I’ve never seen such bare skin before. There’s nothing to look at.” Eena quickly pulled the new t-shirt down over her back. She chuckled at Niki’s comment. “I’ll admit your people are very attractive. But I’m okay with my ‘plainness.’” She glanced over her pale legs before pulling on a clean pair of pants. “You’re kinda like a clear, cloudless sky,” Niki said, cocking her head wonderingly. “And you’re like a…..a sky dotted with shapely clouds.” “Only dark clouds.” “Storm clouds.” “Yeah,” Niki grinned devilishly, “That’s me—a sky full of storm clouds.
Richelle E. Goodrich (Eena, The Curse of Wanyaka Cave (The Harrowbethian Saga #3))
Don’t pick up the rope.” “I don’t know what that means.” “If Blair brings it up, you can’t respond with a smart remark. You can’t disagree with her about it. You cannot have thirty seconds of dialogue about this … episode. If you must, make a brief apology, but say nothing more. It’s this simple: Don’t … pick … up … the rope. Because there is always someone at the other end. And once you have the rope in your hand, you’re in a tug-of-war. And you’ll lose. Even if you win, you’ll lose.
Jesse Kornbluth (Married Sex: A Love Story)
Do you know the Suli have no words to say ‘I’m sorry’?” “What do you say when you step on someone’s foot?” “I don’t step on people’s feet.” “You know what I mean.” “We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There’s no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don’t say we’re sorry. We promise to make amends.” “I will.” “Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Do you know the Suli have no words to say ‘I’m sorry’?” “What do you say when you step on someone’s foot?” “I don’t step on people’s feet.” “You know what I mean.” “We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There’s no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don’t say we’re sorry. We promise to make amends.” “I will.” “Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
How did he know my dad helped get me this job? Did someone in the office tell him? I mean, it’s not like I’m some spoiled, incompetent rich kid with zero work experience and mega connections. My dad’s just aCPA! But I’m not going to bother explaining that or anything else. Because right now, I’m halfway convinced a hole in my skull has blown right off and my brains are flowing out like molten lava. I think I might well and truly hate Porter Roth. “You know nothing about me or my family. And you’re a goddamn dickbag, you know that?” I say, so enraged that I don’t even care that a family of four is walking up to my window. I should have. And I should have noticed that I left the green switch turned on from the last pair of tickets I sold. But the family’s wide-eyed faces clue me in now. They’ve heard every nasty word. For one terrible moment, the booth spins around me. I apologize profusely, but the parents aren’t happy. At all. Why should they be? Oh God, is the wife wearing a crucifix pendant? What if these people are fundamentalists? Are these kids homeschooled? Did I just ruin them for life? Jesus fu—I mean, fiddlesticks. Are they going to ask to speak to Mr. Cavadini? Am I going to be fired? On my first day? What is my dad going to say?
Jenn Bennett (Alex, Approximately)
While staring at him, Laurie sighed deeply and said, "See Ethan, Love isn't always about flowers and chocolates, maybe it's about sacrifices or giving everything you're willing to offer to see your lover happy." As she continued, she closed her eyes "Others couldn't since they weren't their lovers, but some people were able to. Since you ultimately mean nothing to those who mean the fucking world to you, it hurts to witness other people suffer while being unable to provide comfort." Ethan immediately stood up and kneeled in front of Laurie as she cried angrily "I know! Laurie, I apologize. Because of how much you mean to me, that is why I came here today.
Rifa Coolheart
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
Paul Kalanithi (When Breath Becomes Air)
It was all so very businesslike that one watched it fascinated. It was porkmaking by machinery, porkmaking by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests—and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretense of apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. One could not stand and watch very long without becoming philosophical, without beginning to deal in symbols and similes, and to hear the hog squeal of the universe. Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart’s desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)
Sighing, I looked out the window and asked, “Does he ever talk about me? I mean, has he ever said anything?” “Don’t,” he snapped. “Don’t what?” I turned toward him, confused. “Don’t ask me that. Don’t ask me about him.” Jeremiah spoke in a harsh, low voice, a tone he’d never used with me and one I didn’t recall him using with anybody. A muscle in his jaw twitched furiously. I recoiled and sank back into my seat. I felt as though he had slapped me. “What’s the matter with you?” He started to say something, maybe an apology and maybe not, and then he stopped, he leaned over and pulled me toward him—like by gravitational force. He kissed me, hard, and his skin was stubbly and rough against my cheek. My first thought was, I guess he didn’t have time to shave this morning, and then—I was kissing him back, my fingers winding through his soft yellow hair and my eyes closed. He kissed like he was drowning and I was air. It was passionate, and desperate, and like nothing I had ever experienced before.
Jenny Han (It's Not Summer Without You (Summer, #2))
Here are my 12 Rules for Living: I go to bed and get up at the same time seven days per week (8 p.m. and 4 a.m., respectively). I stick to my diet, avoid caffeine after 1 p.m., and avoid alcohol within three hours of bedtime. I write for at least sixty minutes first thing every morning. I do not check email before noon and I do not talk on the phone unless it is a scheduled interview or conference call. I act polite and courteous, and I do not swear. I create a to-do list at the start & end of every workday and update my daily gratitude & achievement journal. I do not engage in confrontations with anyone, in-person or online. This is a waste of time and energy. If I have caused harm, I apologize and fix the situation. And then I take a deep breath, relax, breathe out, and re-focus my efforts back on my work and goals. I am guided by these two phrases: “Nothing matters.” – I can only work towards my big goals and my vision of helping others, while the opinions of others do not matter. “It will all be over soon.” – Everything, both good and bad, comes to an end. I must enjoy the good while it lasts, and persevere through the bad until I have beaten it. Everything that happens to me—good and bad—is my personal responsibility. I blame no one but myself. These are the choices I’ve made—this is the life I’m living. I accept the consequences of my actions. I will help ten million men and women transform their lives. I will not be the person I don’t want to be. I will not be petty, jealous, or envious, or give in to any other of those lazy emotions. I will not gossip or speak badly of others, no matter who I am with or what environment I am in. I will not be negative when it is easier to be positive. I will not hurt others when it is possible to help. I will know the temptations, situations and environments in life that I must avoid, and I will, in fact, avoid them, even if it means loosening relationships with others who “live” in those environments. It’s my life and that matters more than what other people think of me. “I will always keep the child within me alive.” – Frank McKinney. I will make time to laugh and play every day. “I will write with honesty and feeling.” – Ted Nicholas. The opinion of others does not matter. What matters is the number of people that I can help by sharing advice and encouragement in my writing. My 12 Rules have made me much happier
Craig Ballantyne (The Perfect Day Formula: How to Own the Day and Control Your Life)
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Insurgent (Divergent, #2))
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Allegiant (Divergent, #3))
The disparity in pay, reported without apology in the local papers for all to see, would have far-reaching effects. It would mean that even the most promising of colored people, having received next to nothing in material assets from their slave foreparents, had to labor with the knowledge that they were now being underpaid by more than half, that they were so behind it would be all but impossible to accumulate the assets their white counterparts could, and that they would, by definition, have less to leave succeeding generations than similar white families. Multiplied over the generations, it would mean a wealth deficit between the races that would require a miracle windfall or near asceticism on the part of colored families if they were to have any chance of catching up or amassing anything of value. Otherwise, the chasm would continue, as it did for blacks as a group even into the succeeding century. The layers of accumulated assets built up by the better-paid dominant caste, generation after generation, would factor into a wealth disparity of white Americans having an average net worth ten times that of black Americans by the turn of the twenty-first century, dampening the economic prospects of the children and grandchildren of both Jim Crow and the Great Migration before they were even born.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
As he reached the bathroom door, Kiara’s bedroom door opened. Before he could think to avert his eyes, she saw them. Shit … Kiara’s mouth dropped as she finally saw what Nykyrian really looked like. Holy crippin’ flips. With his white hair down and flowing around his broad shoulders, he was gorgeous. The eyes staring at her were nothing like she’d imagined. They were clear and the lightest, prettiest shade of green she’d ever seen, with just a hint of a brown band around the outer edge of the iris. His eyes were human and they were beautiful. Her throat tightened in happiness. Those eyes gave her the first true glimpse of his soul. In them, she saw all the mistrust, anger, and bitterness. It was like seeing him naked. Biting her lip, she shifted her gaze to take in his entire face. There, she had no surprise. He was every bit as handsome as she’d suspected. He blinked and looked away, seemingly embarrassed. “I’m sorry about what I said last night,” he whispered, meeting her gaze for a moment to show her his sincerity before he looked away again. She bit her lip at the sudden thrill that skittered up her spine. This was the one person she was sure didn’t utter an apology often. “Syn told me last night. I’m sorry, too for what I said. I didn’t mean to be so harsh.” “Don’t worry about it. It didn’t even register on my pain scale.” He entered the bathroom and shut the door.
Sherrilyn Kenyon (Born of Night (The League, #1))
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))
Odysseus smiled in return, teeth white against his dark beard. “Excellent. One tent’s enough, I hope? I’ve heard that you prefer to share. Rooms and bedrolls both, they say.” Heat and shock rushed through my face. Beside me, I heard Achilles’ breath stop. “Come now, there’s no need for shame—it’s a common enough thing among boys.” He scratched his jaw, contemplated. “Though you’re not really boys any longer. How old are you?” “It’s not true,” I said. The blood in my face fired my voice. It rang loudly down the beach. Odysseus raised an eyebrow. “True is what men believe, and they believe this of you. But perhaps they are mistaken. If the rumor concerns you, then leave it behind when you sail to war.” Achilles’ voice was tight and angry. “It is no business of yours, Prince of Ithaca.” Odysseus held up his hands. “My apologies if I have offended. I merely came to wish you both good night and ensure that all was satisfactory. Prince Achilles. Patroclus.” He inclined his head and turned back to his own tent. Inside the tent there was quietness between us. I had wondered when this would come. As Odysseus said, many boys took each other for lovers. But such things were given up as they grew older, unless it was with slaves or hired boys. Our men liked conquest; they did not trust a man who was conquered himself. “Perhaps he is right,” I said. Achilles’ head came up, frowning. “You do not think that.” “I do not mean—” I twisted my fingers. “I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—” “No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.” Best of the Greeks. “Your honor could be darkened by it.” “Then it is darkened.” His jaw shot forward, stubborn. “They are fools if they let my glory rise or fall on this.” “But Odysseus—” His eyes, green as spring leaves, met mine. “Patroclus. I have given enough to them. I will not give them this.” After that, there was nothing more to say
Madeline Miller (The Song of Achilles)
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
It was 1996, and the word “appropriation” never occurred to either of them. They were drawn to these references because they loved them, and they found them inspiring. They weren’t trying to steal from another culture, though that is probably what they did. Consider Mazer in a 2017 interview with Kotaku, celebrating the twentieth-anniversary Nintendo Switch port of the original Ichigo: kotaku: It is said that the original Ichigo is one of the most graphically beautiful low-budget games ever made, but its critics also accuse it of appropriation. How do you respond to that? mazer: I do not respond to that. kotaku: Okay…But would you make the same game if you were making it now? mazer: No, because I am a different person than I was then. kotaku: In terms of its obvious Japanese references, I mean. Ichigo looks like a character Yoshitomo Nara could have painted. The world design looks like Hokusai, except for the Undead level, which looks like Murakami. The soundtrack sounds like Toshiro Mayuzumi… mazer: I won’t apologize for the game Sadie and I made. [Long pause.] We had many references—Dickens, Shakespeare, Homer, the Bible, Philip Glass, Chuck Close, Escher. [Another long pause.] And what is the alternative to appropriation? kotaku: I don’t know. mazer: The alternative to appropriation is a world in which artists only reference their own cultures. kotaku: That’s an oversimplification of the issue. mazer: The alternative to appropriation is a world where white European people make art about white European people, with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world, don’t you? I’m terrified of that world, and I don’t want to live in that world, and as a mixed-race person, I literally don’t exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Koreatown, Los Angeles. And as any mixed-race person will tell you—to be half of two things is to be whole of nothing. And, by the way, I don’t own or have a particularly rich understanding of the references of Jewishness or Koreanness because I happen to be those things. But if Ichigo had been fucking Korean, it wouldn’t be a problem for you, I guess?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
If I talk about the Loud family now, will all of you know who I mean? I mean a family of prosperous human beings in California, whose last name is Loud. I suggest to you that the Louds were healthy Earthlings who had everything but a religion in which they could believe. There was nothing to tell them what they should want, what they should shun, what they should do next. Socrates told us that the unexamined life wasn’t worth living. The Louds demonstrated that the morally unstructured life is a clunker, too. Christianity could not nourish the Louds. Neither could Buddhism or the profit motive of participation in the arts, or any other nostrum on America’s spiritual smorgasbord. So the Louds were dying before our eyes. Now is as good a time as any to mention White House Prayer Breakfasts, I guess. I think we all know now that religion of that sort is about as nourishing to the human spirit as potassium cyanide. We have been experimenting with it. Every guinea pig died. We are up to our necks in dead guinea pigs. The lethal ingredient in those breakfasts wasn’t prayer. And it wasn’t the eggs or the orange juice or the hominy grits. It was a virulent new strain of hypocrisy which did everyone in. If I have offended anyone here by talking of the need of a new religion, I apologize. I am willing to drop the word religion, and substitute three other words for it. Three other words are heartfelt moral code. We sure need such a thing, and it should be simple enough and reasonable enough for anyone to understand. The trouble with so many of the moral codes we have inherited is that they are subject to so many interpretations. We require specialists, historians and archaeologists and linguists and so on, to tell us where this or that idea may have come from, to suggest what this or that statement might actually mean. This is good news for hypocrites, who enjoy feeling pious, no matter what they do. It may be that moral simplicity is not possible in modern times. It may be that simplicity and clarity can come only from a new Messiah, who may never come. We can talk about portents, if you like. I like a good portent as much as anyone. What might be the meaning of the Comet Kahoutek, which was to make us look upward, to impress us with the paltriness of our troubles, to cleanse our souls with cosmic awe. Kahoutek was a fizzle, and what might this fizzle mean? I take it to mean that we can expect no spectacular miracles from the heavens, that the problems of ordinary human beings will have to be solved by ordinary human beings. The message of Kahoutek is: “Help is not on the way. Repeat: help is not on the way.
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
hurt your feelings, and then observe how they react (this naturally assumes that you yourself are treating them respectfully). If it's a psychopath, don't expect a lot of understanding. At best they may say “that's nothing to get hung up about!”, which means that they take no responsibility and don't feel bad about it at all. But they may also get angry and say much worse things to you—but then at least you know what kind of person they are. If they on the other hand apologize, and you feel genuine understanding, love, compassion and empathy, that's a good sign! The most important thing however, is how they act from then on. Are they more considerate? Did they change for the better? Or was it no more than a false excuse to end your “nagging” for the moment?
Jonas Warstad (The psychopath exposed: Understanding and Dealing with an Emotional Predator)
I don’t.” She rubbed her arms and looked away. “It … I don’t like it when you’re violent.” “Me, either.” He crossed the room to crouch down in front of her. “But if I ever had scruples against it, I wouldn’t be here now. Neither would you.” “I know. I just wish … it didn’t have to be so … ugly.” “You’ve seen what the world’s like now. It’s a damned ugly place.” She finally turned her gaze to him. “Do we have to make it worse?” “Survival doesn’t mean making things worse. It means we live to see another day.” “I wonder if Les Grillons rationalizes it that way, too.” He rose up from his crouch. “Do you want me to apologize for the things I’ve done? Because I won’t.” She also stood. “Not even for cutting Devere’s face the way you did? As if you enjoyed it.” “I didn’t enjoy it,” he said through clenched teeth. “I was interrogating him. He wouldn’t have given us the information we wanted without a little coercion.” “It seemed more like torture than coercion,” she fired back. He spread his hands wide. “The hell is this about? You want me to be something that I’m not. A stainless hero. But I’m not a goddamn hero, I’m doing a job few can stomach but which benefits many.” His jab wounded her with its accuracy. Perhaps she did want him to be more than he was. Perhaps she asked too much of him—but she hated seeing him kill and care nothing about it. It had to hurt him, in a way he couldn’t realize or admit.
Zoe Archer (Wicked Temptation (Nemesis, Unlimited, #3))
Can you forgive me? Men are complete idiots when a woman cries.” He gave her the smile he’d reserved for old ladies in the jury box. She nibbled on her lower lip, looking pensive and wary. The bluebird in his grandma’s cuckoo clock sprang from its door and chirped, breaking the silence. Maddie jumped, pressing her hand to her chest as though trying to keep her heart from jumping out. As the clock struck, he cursed himself for making her uncomfortable. How could he have made such a tactical error? From what he’d discerned, she might as well be a virgin. He’d simply forgotten himself. Lost in her charm and good-girl complex, he’d said the first teasing thing that sprang to mind. And since he was a guy, it had been sexual. He took two cautious steps toward her, hoping she wouldn’t bolt upstairs. “That wasn’t the best thing to say when I’m trying to get you out of your clothes.” Auburn brows drew together in what he could only suspect was disapproval. He shook his head. What the hell was wrong with him? This wasn’t the time to mention seeing her naked. Shit, it was like he had no experience with women. She still said nothing, just stared at him with those uncanny green eyes. And damn if it wasn’t making him a bit unsettled. It had been so long since he’d been anything but cool and detached, even before his troubles in Chicago. The knowledge caused a stirring of unease. “I swear, I didn’t mean it.” He was starting to sound like a sixteen-year-old apologizing for trying to get to second base. Quietly, she toyed with the fabric of her dress, picking at one of the sparkly beads. At a loss for how to make the situation right, he offered the one thing he wanted to avoid, but was guaranteed to put her at ease. “Do you want me to call my neighbor, Gracie, to come help you out of your dress? She eats shit like this up, so you’ll make her day.” Maddie shifted on the balls of her feet. He narrowed his eyes. No matter how hard he peered at her, she remained a mystery. He sweetened the offer. “She’s a baker, so I bet she even has some cupcakes or cookies lying around.” Maddie placed her hand on her stomach. Why wouldn’t she speak? He raked a hand through his hair. “Princess, take pity on me here. I can’t begin to guess what you’re thinking. Did I scare you away forever?” She blinked, her face clearing as though she’d suddenly come out of a trance. “I’m sorry. Other than being an emotional basket case, I’m fine.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Apology means nothing without change, you have to follow it up with action.
Abdulazeez Henry Musa
Josephine, please wait,” he said. Even he could hear his voice catch in his throat. She turned to face him and wiped away a tear with the sleeve of her cloak. When he had been searching frantically for her, he had thought of what he’d say, of how he would apologize and beg for her forgiveness. But now his mind was blank and he was beginning to feel quite foolish, the one feeling above all others he detested . He blurted out the first thing that came to his mind. “Ye’re beautiful.” Josephine looked as though she either did not believe him or those were not the words she wanted to hear. He cleared his throat once, then again. “I did no’ want to think that about ye. I did no’ want to find ye beautiful.” “You mean you did not want to find me at all,” she told him. “I know you are against this marriage, Graeme. For what reasons, I do not know. I can only assume that you find me beneath you.” This was the most they had spoken to one another in years. She certainly did not mince words. Her words stung, but they were nothing but truth. No vehemence, no anger, just simply put. “That be true,” he said before quickly adding, “I mean, that was true.” He took a step toward her. “By now, I am certain me family has told ye that I can be a stubborn, hard-headed fool.” “I was able to glean that on my own,” she told him.
Suzan Tisdale (Isle of the Blessed)
No one will ever harm you. Not ever. They may attempt to do so, but they will not survive.” He took a deep breath before his confession. “I was not aware that you were not Carpathian. I was not capable of knowing much at all at that time. I inadvertently converted you. I would like to say I am sorry, but in truth, I am not. I did not know what I was doing, and I hope I would have done it differently had I known better, but you are my life, Shea. There is no existence for me without you. I would have nothing to live for except revenge, and I would become the undead. I do not want to be vampire, preying on humans and Carpathians alike. You are my salvation.” She pushed him away from her. The rain swept over her face as she lifted emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. “Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.
Christine Feehan (Dark Desire (Dark, #2))
It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.
Mandy Hubbard (Prada & Prejudice)
Are winters here always so mild?” “It is rarely colder,” Genji said, “so we have little need for Eskimo skills.” “My lord, please.” “Perhaps our population would be greater if it snowed.” Emily looked away, her face hot with embarrassment. She was sure she was as red as an apple ready for plucking. Genji laughed. “I’m sorry, Emily. I couldn’t resist.” “You promised you would never mention it.” “I promised I would never mention it to others. I said nothing about reminiscing with you.” “Lord Genji, that is very ungentlemanly of you.” “Ungentlemanly?” “‘Un’ is a prefix meaning ‘not.’ A gentleman is a person of good character and high principle. ‘Ly’ is a suffix meaning ‘having the character of.’ ” She turned as stern a gaze on him as she could manage. “Your present behavior does not demonstrate good character and high principle.” “An unforgivable lapse. Please accept my most profound apologies.” “I would, were you not smiling in such obvious amusement.” “You are smiling, too.” “It is a grimace, not a smile.” “Grimace?” She refused to explain.
Takashi Matsuoka
Your apology means nothing when it's about hurting someone's emotions
Cindrella
It had to be killing him to walk, but when I asked if he wanted to stay behind, his response was an emphatic no with an edge of panic. “Can I apologize again for snapping?” he said. “No.” I sat back on my haunches. “We need to slow down for you. You’re in pain and you’re not going to remind us of that.” “It isn’t that bad. Really. I--” “See? Gotta be a tough guy.” I lowered my voice so the others wouldn’t hear. “How’s your head?” “I didn’t hit my head. Not yet anyway.” “You know what I mean. Your headaches.” “I’m fine.” When I opened my mouth to protest, he clapped his hand over it. “I’m not pulling any macho crap, Maya. My head is fine. I’m getting twinges, but it’s nothing I don’t get everyday, even with the meds. I’ll be okay.” He looked around him. “And as soon as we get out of this place, I’ll be even better. So let’s hit the trail.
Kelley Armstrong (The Calling (Darkness Rising, #2))
You talk nonsense and are pleased with it; you say impudent things and are in continual alarm and apologizing for them. You declare that you are afraid of nothing and at the same time try to ingratiate yourself in our good opinion. You declare that you are gnashing your teeth and at the same time you try to be witty so as to amuse us. You know that your witticisms are not witty, but you are evidently well satisfied with their literary value. You may, perhaps, have really suffered, but you have no respect for your own suffering. You may have sincerity, but you have no modesty; out of the pettiest vanity you expose your sincerity to publicity and ignominy. You doubtlessly mean to say something, but hide your last word through fear, because you have not the resolution to utter it, and only have a cowardly impudence. You boast of consciousness, but you are not sure of your ground, for though your mind works, yet your heart is darkened and corrupt, and you cannot have a full, genuine consciousness without a pure heart. And how intrusive you are, how you insist and grimace! Lies, lies, lies!
Fyodor Dostoevsky (Notes from the Underground)
Take me to the far side of the room,” she pleaded. “Near the food and lemonade. I can pretend to be thirsty.” “And what about Burkham?” he asked. “The man is watching you.” What about the viscount indeed? she thought. He’d done nothing to catch her, but had stepped back just as she’d fallen. A twinge of resentment caught her. “I don’t want to speak with him.” Thomas should have prevented her from falling. It was almost as if he’d wanted to humiliate her. But why? And did he intend to keep his distance, behaving as if nothing had happened? A moment later, the viscount crossed the room. Immediately, Iain stepped in front of her. “Were you wanting something, Burkham?” The viscount appeared discomfited by his presence. “Ashton, if you don’t mind, I would like a word with Lady Rose.” “To apologize, you mean.” The earl’s voice held resentment, and she didn’t at all disagree. She hadn’t wanted to join in the country dance, but Lord Burkham had insisted. “I am sorry she fell. And if you wouldn’t mind giving us a moment alone . . .” “No.” Iain crossed his arms over his chest, and she nearly smiled. It looked as if he wanted to pummel the man senseless. “But I will allow you to apologize before you slither away.” Burkham cleared his throat and sidestepped so she could see his face. “Ashton is right. I do owe you an apology. I didn’t expect you to fall.” “I told you I didn’t want to dance. You wouldn’t listen.” He sent her a crooked smile, one that would have caused her heart to soften, a year ago. Now, she saw it as an empty gesture. “Forgive me. I was jealous of Ashton because I thought we had agreed you would save the first dance for me.” Jealousy would imply that he actually cared about her, and she simply didn’t believe it. “You weren’t here.” “I was late, and that, of course, was my fault,” he finished. “But I didn’t expect to find you dancing with another man.” She gave a shrug. Of course not. Because you thought no man would want me. “Did you want to dance with Lord Ashton?” he asked. There was a thread of annoyance in his tone, one she didn’t like. “Yes,” she answered honestly. Although she’d danced with Iain primarily because of the wager she’d lost, it was also because she trusted him. He understood her limitations and hadn’t tried to push her past them. Iain went to stand beside her, and he rested his hand upon the back of her chair in a silent mark of possession. “I think you should be returning to Miss Everett now,” Iain suggested. “Be on your way.” The viscount appeared to consider it, but then Lady Castledon arrived, holding Evangeline’s hand in hers. She smiled warmly at Iain and said, “Do be a darling and dance with Miss Sinclair. I’ve told her all about you, Lord Ashton.” There was no way for him to refuse without embarrassing Evangeline, but he sent Rose a questioning look. “I will be fine,” she told him. “Go on and enjoy yourself.” Iain bowed to Evangeline and tucked her hand in his arm, but his expression held an open threat toward Lord Burkham. The
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
I said nothing. Just cried harder, unsure how to move after something like this had happened. Did I just get up and walk away, as though my whole world hadn't just been destroyed? How? How did legs and feed and arms and lungs work after something like this. We stayed like that for a long time. He whispered things. Apologies, excuses, promises. They bounced off me, impossible to absorb. I believed him, and I didn't. I hated him, and I didn't. I loved him, and I didn't. I hated me, and I felt sorry for me. Words have no meaning. There was no past and no future. It was as if all I had to do was live through this moment, and everything would be alright.
Jennifer Brown (Bitter End)
Where are you going? I came to apologize for earlier and I can’t allow you to leave more upset than before.” The kind sincerity in his eyes wedged the hurt deeper as he continued. “Allow me to speak that which I came to say.” “Nay. This conversation has ended.” She yanked from his grasp and marched to the door, mumbling under her breath. “Perhaps I should have accepted Higley’s proposal after all.” “Higley? Who’s Higley?” He marched after her and tugged on her elbow. “You mean Donaldson is not courting you? Has someone proposed to you?” “Nay, Henry is not courting me, and aye, someone has proposed.” She stopped at the door and whirled around. “I should reprimand myself for not having thought more of the arrangement. At least he accepts me for who I am instead of hoping to change me to meet his expectations.” She started toward the exit but Nathaniel darted in front of her. “Kitty, you’re talking foolishness. No one wants you to change.” Ha! Kitty tilted her head. “Really?” Had he completely forgotten what they’d just discussed? She dodged sideways to make her escape but he blocked her flight, gripping her shoulders. Holding back an unladylike growl, she glared. “Nathaniel, let me pass.” “Not until I can make you believe that I don’t want to change you—and not until you tell me who this Higley fellow is. I am most curious.” His chin lowered and he looked at her with the condescendence of an older sibling, ready to scold her for stealing a sweet. How dare he! She let out a sharp laugh refusing to dignify his question with an answer. Yanking from his grasp, Kitty marched down the hall. Nathaniel followed directly behind. “Where are you going?” She stared forward, her breath heating with each exhale. “Home.”  He pulled on her shoulder to stop her. “By yourself?” She jerked to a halt. This time she did look at him, praying the barbs she threw from her eyes made their mark, but from the irritating smirk he failed to hide, her invisible weapons did nothing. “Aye, by myself.” He shook his head. “If you’re leaving, then I’m escorting you home.” “You are not.” “You may be stubborn, Kitty Campbell, but I cannot allow you to walk home—” “You absolutely will. I am at liberty to do as I please, am I not? I have the right to refuse to be escorted by a thick-headed patriot missionary.” ***
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Dad, I’m going out in the field later. I’m undercover. Have you forgotten what you used to look like when you were the most respected homicide detective in your squad? Back before you got stuck behind a desk, forced to kiss bureaucratic ass?” His father’s glare was enough to make him back off. “How dare you insult me or my position?” Michaels looked his father in the eye. “I apologize, Sir. That was disrespectful and completely out of line.” “You’re damn right it was.” Michaels sighed, rubbing the back of his neck. “I just don’t know what the hell I have to do to make you proud.” His dad looked at him dolefully before placing his strong hands on both of his shoulders, and turning Michaels to face him. “I am proud of you, son. Everyday. I just—” A sigh escaped his father before he continued. “I just don’t want you limiting yourself. You have the potential to lead, son. It’s in your blood. Following God and Day is not going to put you in that position. You’re the leader, not the follower.” “I can make sergeant, lieutenant and any other rank as long as I continue to be a good cop.  Working with them, I’m able to finally show what I’m capable of. So many departments have egomaniac lieutenants that are so afraid of rules and regulations that they’re barely able to let their detectives make an arrest. I just want to be able to show what I can do, and God and Day let me do that.” “Like dropkicking a man through a window.” He saw the amused glint in his father’s eye. “Yeah. Like that.” Michaels laughed. The story of their last bust - when he’d taken down three men, one of whom he’d kicked through a window - had circulated pretty fast. His father laughed with him, patting his cheek. “I’m damn proud of you, son. I’m just being a father I guess.” “I’m good Dad. Really. I’m happy with what I do. The guys are great, I trust them, and they trust me. We do good work together.” “You do, son. I can’t dispute that. I didn’t mean to insult you, either.” “I know.” His father turned to get in his car. “I’ll see you at the house tomorrow night, right?” “Tomorrow?
A.E. Via (Don't Judge (Nothing Special, #4))
You disrespected our traditions,” T’Pau said. “I did not mean to,” I said. I suppose I could’ve blamed McCoy for what happened at Spock’s wedding, but that didn’t seem logical. “I apologize if that was the result.” “It was,” T’Pau said. We stood in silence for a long moment. I knew there was nothing more to say. She then looked at me. “You have increased your weight. It is not healthful.” She then turned and floated away with her entourage. Did she come all that way to tell me I had gotten fat?
David A. Goodman (The Autobiography of James T. Kirk (Star Trek Autobiographies Series))
I've always like to think that before killing myself I'd take the time to really mess with people. By this I mean that I'd leave them things, and write letters, nice ones, apologizing for my actions and reassuring them that there was nothing they could have said or done to change my mind.
David Sedaris (Calypso)
Golems don’t age, we simply continue as we are unless we’re destroyed.” “And all golems are like this?” “I think so. I can’t be certain. I’ve never met another golem.” “What, none?” “I might be the only one,” she said. Clearly astonished, the Jinni said nothing. They continued on together, walking the perimeter of the park. “And how old are you?” the Golem said, to break the silence. “A few hundred years,” he said. “Unless some mishap ends me, I’ll live another five or six hundred.” “Then you’re also young for your kind.” “Not as young as some.” She frowned. “You hold my age against me?” “No, it explains much. Your timidity, for instance.” At that, she bristled. “I make no apologies for being cautious. I have to be. As do you.” “But there’s caution, and then there is overcaution. Look at us. Walking at night in a park, far from home. And yet the moon doesn’t fall from the heavens, and the ground refuses to tremble.” “Just because nothing has happened yet doesn’t mean that nothing will happen.” He smiled. “True. Perhaps I’ll be surprised. And then you can declare that you were right all along.” “It would be small comfort.” “Are you always this humorless?” “Yes. Are you always this exasperating?” He chuckled. “You should meet Arbeely. You two would get along wonderfully.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
Does this mean I think you should stubbornly refuse to give any guy a chance who doesn’t look like Channing Tatum? Or that you should dismiss every guy who’s a little shorter than you had hoped or blonder than you had visualized or older or younger than you had planned? No. There certainly should and needs to be flexibility and openness to the idea that the person you choose to spend your life with might not fit some preconceived mold or check every single box you have for him. There does have to be a willingness to compromise when it comes to the fine print. But the big things—Is he loyal and honest and kind? Does he have goals and dreams and ambition? Does he do what he says he’ll do and follow through and keep commitments and show up for you? and so on and so forth—those are areas in which you have a right to stand tall and firm on your standards and not back down. Because here’s the thing: yes, singleness can be a little lonely. It can be a little sad. It can be difficult and awkward, and let’s be real: it just plain sucks at times. But nothing . . . and I mean nothing . . . is lonelier or sadder or more challenging than waking up one morning to find yourself trapped in a relationship with someone who is wrong for you, simply because you compromised your standards to avoid winding up alone. (Or because you chose him simply because he has hair.) It’s time to tell the world that, yes, we are single; yes, we have standards; and, no . . . we won’t apologize for it. Because high standards don’t signify a diva. They signify a woman who knows what she’s worth.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
No one will ever harm you. Not ever. They may attempt to do so, but they will not survive.” He took a deep breath before his confession. “I was not aware that you were not Carpathian. I was not capable of knowing much at all at that time. I inadvertently converted you. I would like to say I am sorry, but in truth, I am not. I did not know what I was doing, and I hope I would have done it differently had I known better, but you are my life, Shea. There is no existence for me without you. I would have nothing to live for except revenge, and I would become the undead. I do not want to be vampire, preying on humans and Carpathians alike. You are my salvation.” She pushed him away from her. The rain swept over her face as she lifted emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem causal. “Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.
Christine Feehan (Dark Desire (Dark, #2))
Nothing happens in Ladri di Biciclette that might just as well not have happened. The worker could have chanced upon his bicycle in the middle of the film, the lights in the auditorium would have gone up and De Sica would have apologized for having disturbed us, but after all, we would be happy for the worker’s sake. The marvelous aesthetic paradox of this film is that it has the relentless quality of tragedy while nothing happens in it except by chance. But it is precisely from the dialectical synthesis of contrary values, namely artistic order and the amorphous disorder of reality, that it derives its originality. There is not one image that is not charged with meaning, that does not drive home into the mind the sharp end of an unforgettable moral truth, and not one that to this end is false to the ontological ambiguity of reality. Not one gesture, not one incident, not a single object in the film is given a prior significance derived from the ideology of the director.
André Bazin (What is Cinema?: Volume 2)
Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
must. I refuse to accept as guilt the fact of my own existence and the fact that I must work in order to support it. I refuse to accept as guilt the fact that I am able to do it and do it well. I refuse to accept as guilt the fact that I am able to do it better than most people—the fact that my work is of greater value than the work of my neighbors and that more men are willing to pay me. I refuse to apologize for my ability—I refuse to apologize for my success—I refuse to apologize for my money. If this is evil, make the most of it. If this is what the public finds harmful to its interests, let the public destroy me. This is my code—and I will accept no other. I could say to you that I have done more good for my fellow men than you can ever hope to accomplish—but I will not say it, because I do not seek the good of others as a sanction for my right to exist, nor do I recognize the good of others as a justification for their seizure of my property or their destruction of my life. I will not say that the good of others was the purpose of my work—my own good was my purpose, and I despise the man who surrenders his. I could say to you that you do not serve the public good—that nobody’s good can be achieved at the price of human sacrifices—that when you violate the rights of one man, you have violated the rights of all, and a public of rightless creatures is doomed to destruction. I could say to you that you will and can achieve nothing but universal devastation—as any looter must, when he runs out of victims. I could say it, but I won’t. It is not your particular policy that I challenge, but your moral premise. If it were true that men could achieve their good by means of turning some men into sacrificial animals, and I were asked to immolate myself for the sake of creatures who wanted to survive at the price of my blood, if I were asked to serve the interests of society apart from, above and against my own—I would refuse. I would reject it as the most contemptible evil, I would fight it with every power I possess, I would fight the whole of mankind, if one minute were all I could last before I were murdered, I would fight in the full confidence of the justice of my battle and of a living being’s right to exist. Let there be no misunderstanding about me. If it is now the belief of my fellow men, who call themselves the public, that their good requires victims, then I say: The public good be damned, I will have no part of it!
Ayn Rand (Atlas Shrugged)
Do you know the Suli have no words to say ‘I’m sorry’?” “What do you say when you step on someone’s foot?” “I don’t step on people’s feet.” “You know what I mean.” “We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There’s no time to constantly be apologizing for existing.
Leigh Bardugo, Six of Crows
Pershing’s parents could console themselves that they were faring better than colored teachers in other southern states, a reflection not necessarily of their superior performance but that there were states even worse than Louisiana when it came to teachers’ pay. In neighboring Mississippi, white teachers and principals were making $630 a year, while the colored ones were paid a third of that—$215 a year, hardly more than field hands. But knowing that didn’t ease the burden of the Fosters’ lives, get their children through college, or allow them to build assets to match their status and education. The disparity in pay, reported without apology in the local papers for all to see, would have far-reaching effects. It would mean that even the most promising of colored people, having received next to nothing in material assets from their slave foreparents, had to labor with the knowledge that they were now being underpaid by more than half, that they were so behind it would be all but impossible to accumulate the assets their white counterparts could, and that they would, by definition, have less to leave succeeding generations than similar white families. Multiplied over the generations, it would mean a wealth deficit between the races that would require a miracle windfall or near asceticism on the part of colored families if they were to have any chance of catching up or amassing anything of value. Otherwise, the chasm would continue, as it did for blacks as a group even into the succeeding century. The layers of accumulated assets built up by the better-paid dominant caste, generation after generation, would factor into a wealth disparity of white Americans having an average net worth ten times that of black Americans by the turn of the twenty-first century, dampening the economic prospects of the children and grandchildren of both Jim Crow and the Great Migration before they were even born.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Who determines what it means to be a success? This stupid society! The main preoccupation of society is to keep society sick! And the sooner you realize that, the better. Sick, every one of them. They are loony, they’re crazy. You became president of the lunatic asylum and you’re proud of it even though it means nothing. Being president of a corporation has nothing to do with being a success in life. Having a lot of money has nothing to do with being a success in life. You’re a success in life when you wake up! Then you don’t have to apologize to anyone, you don’t have to explain anything to anyone, you don’t give a damn what anybody thinks about you or what anybody says about you. You have no worries; you’re happy. That’s what I call being a success.
Anthony de Mello (Awareness)
C. S. Lewis describes the difference between excusing and forgiving very eloquently: I find that when I think I am asking God to forgive me I am often . . . asking Him to do something quite different. I am asking Him not to forgive me but to excuse me. But there is all the difference in the world between forgiving and excusing. Forgiveness says, “Yes, you have done this thing, but I accept your apology; I will never hold it against you and everything between us will be exactly as it was before.” But excusing says, “I see that you couldn’t help it or didn’t mean it; you weren’t really to blame.” If one was not really to blame then there is nothing to forgive. . . . What we call “asking God’s forgiveness” very often really consists in asking God to accept our excuses. To excuse what can really produce good excuses is not Christian charity; it is only fairness. To be a Christian means to forgive the inexcusable, because God has forgiven the inexcusable in you.[5]
Jay Pathak (The Art of Neighboring: Building Genuine Relationships Right Outside Your Door)
Alone, [Chamcha] all at once remembered that he and Pamela had once disagreed, as they disagreed on everything, on a short-story they’d both read, whose theme was precisely the nature of the unforgivable. Title and author eluded him, but the story came back vividly. A man and a woman had been intimate friends (never lovers) for all their adult lives. On his twenty-first birthday (they were both poor at the time) she had given him, as a joke, the most horrible, cheap glass vase she could find, in colours a garish parody of Venetian gaiety. Twenty years later, when they were both successful and greying, she visited his home and quarrelled with him over his treatment of a mutual friend. In the course of the quarrel her eye fell upon the old vase, which he still kept in pride of place on his sitting-room mantelpiece, and, without pausing in her tirade, she swept it to the floor, crushing it beyond hope of repair. He never spoke to her again; when she died, half a century later, he refused to visit her deathbed or attend her funeral, even though messengers were sent to tell him that these were her dearest wishes. ‘Tell her,’ he said to the emissaries, 'that she never knew how much I valued what she broke.’ The emissaries argued, pleaded, raged. If she had not known how much meaning he had invested in the trifle, how could she in all fairness be blamed? And had she not made countless attempts, over the years, to apologize and atone? And she was dying, for heaven’s sake; could not this ancient, childish rift be healed at last? They had lost a lifetime’s friendship; could they not even say goodbye? 'No,’ said the unforgiving man. – 'Really because of the vase? Or are you concealing some other, darker matter?’ – 'It was the vase,’ he answered, 'the vase, and nothing but.’ Pamela thought the man petty and cruel, but Chamcha had even then appreciated the curious privacy, the inexplicable inwardness of the issue. 'Nobody can judge an internal injury,’ he had said, 'by the size of the superficial wound, of the hole.
Salman Rushdie
He lifted me up and sat me on the counter, gave me another kiss that almost reduced me to a puddle and walked over to Jeremy, “Come help me with the ice chests.” “Brandon! I just barely got down from the counter, and Jeremy had to help me!” “I know.” He smiled wickedly and walked out to the garage. I turned to Konrad, “Care to help?” “Ya know, I forgot to get the ice from the store … wanna go with me baby?” He grabbed Bree’s hand and led her quickly out of the kitchen. Jerks. Looking to the only person left in the room I added dryly, “Want to join?” Aubrey walked up next to me and had to jump three times before she got enough leverage to lift herself all the way up. “They’re really high up, right? It’s not just me?” “No, it’s definitely not just you.” She said softly and tucked her hair behind her ears, “Thank you so much for having us, this is really sweet of you.” “Of course! It’s fun to do. I apologize in advance if it gets rowdy. I don’t know much about the guys coming.” She laughed and swung her legs back and forth, “That’s fine.” Man, did I talk this soft too? “So tell me, how did you meet Jeremy?” “Um, school.” “Oh yeah? How long have you been dating?” Aubrey blushed fiercely and looked over to the door leading to the garage, “Only a week. He asked me out a few times last year, we were Chemistry partners, but I don’t know … he scared me.” “What? Why?” “Well I mean, besides his size, he’s really popular and outgoing. He was already popular after his first week at the school, and I knew a lot of girls liked him. I don’t know. Guys like him don’t date girls like me, I thought it was a joke.” The first half of that didn’t surprise me one bit. He’d really filled out in the last year, was built just like Brandon, and looked exactly like him. Their size was intimidating, and they were incredibly handsome. But what the hell? “I’m sorry, I must be missing something, girls like you?” “He plays football and is the captain of the soccer team, I’m not into sports or anything school related really.” “If he’s dating you, then I’m pretty sure that doesn’t matter at all to him. You’re gorgeous Aubrey, and you seem really sweet, it’s not hard to see why he likes you. Jeremy doesn’t just date girls … actually, he hasn’t had a girlfriend in the two years that I’ve been with Brandon. So for him to ask you out is a big thing for him. And those boys don’t have a cruel bone in their body, he would never date you as a joke. He’s just like his brother, they’re extremely protective and devoted to the girls in their life. Nothing less.” She blushed again, “You and Brandon are so perfect together. Jeremy’s told me so much about you both, and seeing you together is cute. It’s obvious how much you love each other.” I smiled and leaned back on my hands, “We are definitely in love.” Brandon
Molly McAdams (Taking Chances (Taking Chances, #1))
Guess you’re wondering why I wanted to see you,” the lieutenant said. “A little, yeah.” Linc didn’t bother to ask how Warren had gotten his address. “I realized last time we talked that I didn’t know your last name.” “That would be because I never mentioned it.” The other man chuckled. “Right. And I didn’t want to ask the Corellis. So, I, uh, ran your plates.” That was why he’d walked them to the hospital parking lot. “I was curious. No offense, but in this type of case you cover all your bases.” Linc knew what was coming. He folded his arms over his chest, listening more to the birds in the willow tree than to the lieutenant. “I got the basic screen. Full name, address, date of birth. You’re an organ donor. After that, nada. Level Five block. Access to subject information restricted.” Linc sighed. “That’s federal, isn’t it?” The lieutenant looked over at him. “But not the FBI. Those guys comb their hair. You with the agency? The army?” “Want me to lie?” “No, of course not.” Mike Warren seemed awfully pleased with himself. “I did get your last name. Nice to meet a real Bannon.” Linc braced himself, prepared to field irrelevant questions about his brother RJ and the Montgomery case, but the lieutenant seemed inclined to stop while he was ahead. “Look, I know your connection to Kenzie is personal. But that doesn’t mean you have nothing to contribute. Going forward, if you can help, it would be just between you and me. Totally off the record.” Linc knew what Mike Warren was getting at. Different databases, different protocols. Not a lot of sharing. The lieutenant was way out of his league, but he had the guts to ask. Linc respected that. “Happy to,” he replied. “But there are limits.” “I understand.” Mike Warren got up and looked toward Linc’s car. “Okay. I have to get back to the station. I’ll let you get back to whatever you were doing.” “Sorting socks.” The lieutenant grinned. “My apologies for the interruption.
Janet Dailey (Honor (Bannon Brothers, #2))
Miles was frantically trying to rearrange his cravat and smooth down his hair. ‘Damn. No time to stop off at home and get my valet to tidy me up. Oh well. Give Hen a kiss for me.’ Richard shot him a sharp look. ‘On the cheek, man, on the cheek. God knows I’d never try anything improper with your sister. Not that she isn’t a beautiful girl and all that, it’s just, well, she’s your sister.’ Richard clapped his friend on the shoulder in approval. ‘Well said! That’s exactly the way I want you to think of her.’ Miles muttered something about being grateful that his sisters were a good deal older. ‘You turn into a complete bore when you’re chaperoning Hen, you know,’ he grumbled. Richard raised one eyebrow at Miles, a skill that had taken several months of practice in front of his mirror when he was twelve, but had been well worth the investment. ‘At least I didn’t let my sister dress me up in her petticoat when I was five.’ Miles’s jaw dropped. ‘Who told you about that?’ he demanded indignantly. Richard grinned. ‘I have my sources,’ he said airily. Miles, not a top agent of the War Office for nothing, considered this for a moment and his eyes narrowed. ‘You can tell your source that she’s going to have to find someone else to fetch her lemonade at the Alsworthys’ ball tomorrow night unless she apologises. You can also tell her that I’ll accept either a verbal or a written apology as long as it’s suitably abject. And that means very, very abject,’ he added darkly. Miles snatched his hat and gloves up from a side table. ‘Oh, stop grinning already! It wasn’t that amusing.’ Richard rubbed his chin as though in deep thought. ‘Tell me, Miles, was it a lacy petticoat?’ With a wordless grunt of annoyance, Miles turned on his heel and stomped out of the room.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this. I can feel myself start to sweat. Rapidly I say, “You should know that I wrote that letter a really long time ago.” “Okay.” “Like, years ago. Years and years ago. I don’t even remember what I said.” Up close, your face wasn’t so much handsome as beautiful. “Seriously, that letter’s from middle school. I don’t even know who would have sent it. Can I see it?” I reach for the letter, trying to stay calm and not sound desperate. Just casual cool. He hesitates and then grins his perfect Peter grin. “Nah, I want to keep it. I never got a letter like this before.” I leap forward, and quick like a cat I snatch it out of his hand. Peter laughs and throws up his hands in surrender. “All right, fine, have it. Geez.” “Thanks.” I start to back away from him. The paper is shaking in my hand. “Wait.” He hesitates. “Listen, I didn’t mean to steal your first kiss or whatever. I mean, that wasn’t my intention--” I laugh, a forced and fake laugh that sounds crazy even to my own ears. People turn around and look at us. “Apology accepted! Ancient history!” And then I bolt. I run faster than I’ve ever run. All the way to the girls’ locker room. How did this even happen? I sink to the floor. I’ve had the going-to-school-naked dream before. I’ve had the going-to-school-naked-forgot-to-study-for-an-exam-in-a-class-I-never-signed-up-for combo, the naked-exam-somebody-trying-to-kill-me combo. This is all that times infinity. And then, because there’s nothing left for me to do, I take the letter out of the envelope and I read it.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
When admitting you are wrong, you gain back the control others took away from you when making you lose it. That's why you must say sorry. It represents a change of attitude but not really a change of personality; The changes on the personality come later on, when, by controlling yourself better, you don't express anger. Because saying sorry means nothing but anger means a lot. You should not want to be an angry person. When you get angry, those who make you angry, win; They win control over your emotional state, your thoughts, your words and your behaviors. They may then accuse you of always being angry and never apologizing, but that's not where you should focus your attention. The main point here, is that you’re living on the basis of instinctive reaction and not awareness or consciousness. So, when you say sorry, you are acknowledging that there is no excuse for losing control over yourself. You should not be sorry for being angry. That's an emotion; and you can't feel sorry for feeling. When you’re angry, you are feeling. When you insult, however, you are losing, yourself, your self-control, your self-respect, and even your capacity to use what you know. More knowledge, makes you more aware, more frustrated, having more and higher expectations on others, and more angry too, more often as well. But that's your problem! No other people's problem! They are just being themselves. Most people really think they are perfect as they are, and that the problems they experience are all outside themselves. And by realizing that, you say sorry as if saying sorry for not being who you really are. And when doing it, you get back the control another person took away from you. It is actually not good when someone needs to say sorry too often to someone else, especially if it’s always the same individual. But that someone else often likes it, as it makes them feel superior. That’s because their ego needs that. They have low self-esteem. Most people do! And that’s why most people's behavior is wired to their ego. Their likes and dislikes are connected to a sense of self-importance and a desperate need to feel important, which they project on their idols, the famous and most popular among them. They admire what they seek the most. When they think they are not important, they offend, to get aggression, which is a desperate need for attention; and to feel like victims of life, which is a deeper state of need, in this case, related to sympathy; and they then blame the other for what he does, for his reactions; and when that other says sorry, they think they have power over that insane cycle in which they now live, and in which they incorporate anyone else, and which they now perfectly master. Their pride is built on arrogance, an arrogance emerged out of ignorance, ignorance composed from delusional cycles within a big illusion; but an illusion that makes sense to them, as if they were succeeding at merging truth with lie, darkness with light. Because the arrogant, the abusive and the violent are desperate. God made them blind after witnessing their crimes against moral and ethics - His own laws. And they want to see again, and feel the same pleasure they once felt when witnessing the true colors of the world during childhood. The arrogant want to reaffirm their sanity by acting insanely because they know no other way. And when you say sorry, you are saying to them that you don't belong there, to their world, and that you are sorry for playing their games. That drama belongs to them only, and not you. And yet, people interpret the same paradox as they choose. That is their experience of truth and how they put sense on a life without any. And when so much nonsense becomes popular, we call it common sense. When common sense becomes a reality, we call it science. And when science is able to theorize common sense, we call it wisdom. Then, we wonder why the wisdom of those we name wise, does not help.
Robin Sacredfire
I've Met: - Fathers who feel like they have enough time to get back in their kids' lives. - Daughters who feel they have enough time to have that much-needed conversation with their mothers. - Sons who feel they have enough time to ask their father those couple of questions they've been meaning to ask. - Folk who feel they have enough time to apologize properly to that person they hurt deeply. - People with bad energy who felt there was enough time to make it good. - Too many folks who wish they had just a little more time. What I've learned in life is we only have two things: 1. Right now. 2. Death. Nothing else belongs to you.
Darnell Lamont Walker
Daniel.” “Ma.” “Are you well?” She was angry. If the straight-to-voicemail treatment for the last week hadn’t tipped me off, her tone now was a dead giveaway. “I’m great,” I lied. “And how are you?” “Fine.” I laughed, silently. If she heard me laugh, she’d have my balls. “Did you get my messages?” “Yes. Thank you for calling.” I waited for a minute, for her to say more. She didn’t. “I leave you twenty-one messages, three calls a day, and that’s all you got for me?” “I’m not going to apologize for needing some time to cool off and I’m not going to sugarcoat it. Who do you think I am? Willy Wonka? You missed my birthday.” She sniffed. And these weren’t crocodile tears either. I’d hurt her feelings. Ahh, there it is. The acrid taste of guilt. “Ma . . .” “I don’t ask for a lot. I love you. I love my children. I want you to call me on my birthday.” “I know.” I was clutching my chest so my heart didn’t fall out and bleed all over the grass. “What could have been so important that you couldn’t spare a few minutes for your mother? I was so worried.” “I did call you—” “Don’t shit on a plate and tell me it’s fudge, Daniel. You called after midnight.” I hadn’t come up with a plausible lie for why I hadn’t called on her birthday, because I wasn’t a liar. I hated lying. Premeditated lying, coming up with a story ahead of time, crafting it, was Seamus’s game. If I absolutely had to lie, I subscribed to spur-of-the-moment lying; it made me less of a soulless maggot. “That’s true, Ma. But I swear I—” “Don’t you fucking swear, Daniel. Don’t you fucking do that. I raised you kids better.” “Sorry, sorry.” “What was so important, huh?” She heaved a watery sigh. “I thought you were in a ditch, dying somewhere. I had Father Matthew on standby to give you your last rights. Was your phone broken?” “No.” “Did you forget?” Her voice broke on the last word and it was like being stabbed. The worst. “No, I sw—ah, I mean, I didn’t forget.” Lie. Lying lie. Lying liar. “Then what?” I grimaced, shutting my eyes, taking a deep breath and said, “I’m married.” Silence. Complete fucking silence. I thought maybe she wasn’t even breathing. Meanwhile, in my brain: Oh. Shit. What. The. Fuck. Have. I. Done. . . . However. However, on the other hand, I was married. I am married. Not a lie. Yeah, we hadn’t had the ceremony yet, but the paperwork was filed, and legally speaking, Kat and I were married. I listened as my mom took a breath, said nothing, and then took another. “Are you pulling my leg with this?” On the plus side, she didn’t sound sad anymore. “No, no. I promise. I’m married. I—uh—was getting married.” “Wait a minute, you got married on my birthday?” Uh . . . “Uh . . .” “Daniel?” “No. We didn’t get married on your birthday.” Shit. Fuck. “We’ve been married for a month, and Kat had an emergency on Wednesday.” Technically, not lies. “That’s her name? Cat?” “Kathleen. Her name is Kathleen.” “Like your great aunt Kathleen?” Kat wasn’t a thing like my great aunt. “Yeah, the name is spelled the same.” “Last month? You got married last month?” She sounded bewildered, like she was having trouble keeping up. “Is she—is she Irish?” “No.” “Oh. That’s okay. Catholic?” Oh jeez, I really hadn’t thought this through. Maybe it was time for me to reconsider my spur-of-the-moment approach to lying and just surrender to being a soulless maggot. “No. She’s not Catholic.” “Oh.” My mom didn’t sound disappointed, just a little surprised and maybe a little worried. “Daniel, I—you were married last month and I’m only hearing about it now? How long have you known this woman?” I winced. “Two and a half years.” “Two and a half years?” she screeched...
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
The disparity in pay, reported without apology in the local papers for all to see, would have far-reaching effects. It would mean that even the most promising of colored people, having received next to nothing in material assets from their slave foreparents, had to labor with the knowledge that they were now being underpaid by more than half, that they were so behind it would be all but impossible to accumulate the assets their white counterparts could, and that they would, by definition, have less to leave succeeding generations than similar white families. Multiplied over the generations, it would mean a wealth deficit between the races
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
The Annunciation got its name from the moment when the archangel Gabriel told the Virgin Mary she was pregnant with the Lord. The word itself—annunciation—means to pronounce: to make a declaration. Had Mary asked the Lord what was happening to her body? What had brought on the changes, as she had done nothing new herself? Had Mary even inquired? If not, why not? If so, why do we credit Gabriel and the Lord with a pronouncement rather than Mary with her question? Maybe this moment was a response to her. Maybe it was an apology. Surely she deserved one. Has a god ever apologized to a woman?
Derek B. Miller (The Curse of Pietro Houdini)