Aperture Quotes

You are an aperture through which the universe is looking at and exploring itself.

To get back up to the shining world from there My guide and I went into that hidden tunnel, And Following its path, we took no care To rest, but climbed: he first, then I-so far, through a round aperture I saw appear Some of the beautiful things that Heaven bears, Where we came forth, and once more saw the stars.

There are many hypotheses in science which are wrong. That’s perfectly all right: it’s the aperture to finding out what’s right. Science is a self-correcting process.

The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

There is a moon shaped rictus in the streetlamp's globe where a stone has gone and from this aperture there drifts down through the constant helix of aspiring insects a faint and steady rain of the same forms burnt and lifeless.

There are many hypotheses in science that are wrong. That's perfectly alright; it's the aperture to finding out what's right. Science is a self-correcting process. To be accepted, new ideas must survive the most rigorous standards of evidence and scrutiny.

And following its path, we took no care To rest, but climbed: he first, then I-- so far, Through a round aperture I saw appear Some of the beautiful things that Heaven bears, Where we came forth, and once more saw the stars.

reading these books. Oh, the endless labor of the intellectual—pouring all this knowledge into the brain through a three-millimeter aperture in the iris.

The American system is the most ingenious system of control in world history. With a country so rich in natural resources, talent, and labor power the system can afford to distribute just enough wealth to just enough people to limit discontent to a troublesome minority. It is a country so powerful, so big, so pleasing to so many of its citizens that it can afford to give freedom of dissent to the small number who are not pleased. There is no system of control with more openings, apertures, leeways, flexibilities, rewards for the chosen, winning tickets in lotteries. There is none that disperses its controls more complexly through the voting system, the work situation, the church, the family, the school, the mass media--none more successful in mollifying opposition with reforms, isolating people from one another, creating patriotic loyalty.

...closure, that impossible thing that no one had ever experienced in life, because there always seemed to be a little aperture, a slit of light.

The world was full of holes, tiny apertures of meaninglessness, microscopic rifts that the mind could walk through, and once you were on the other side of one of those holes, you were free of yourself, free of your life free of your death, free of everything that belonged to you.

Energy defines life not flesh and blood. WE are infinite energies experiencing infinity. Through a finite aperture.

[Censoring] knowledge, telling people what they must think and what ideas are impermissible, which lines of evidence may not be pursued, is the aperture to thought police, foolish and incompetent decision-making, and long-term decline.

People say the darkness is where secrets are best hidden. Night time brings clarity and focus to owls, even if the aperture of this vision comes with a stigma.

Le Corbusier was the sort of relentlessly rational intellectual that only France loves wholeheartedly, the logician who flies higher and higher in ever-decreasing concentric circles until, with one last, utterly inevitable induction, he disappears up his own fundamental aperture and emerges in the fourth dimension as a needle-thin umber bird.

Even the most captured woman guards the place of the wildish self, for she knows intuitively that someday there will be a loophole, an aperture, a chance, and she will hightail it to escape.

Every one of us is an aperture through which the whole cosmos looks out.

Fortunately, no matter how many times she is pushed down, she bounds up again. No matter how many times she is forbidden, quelled, cut back, diluted, tortured, touted as unsafe, dangerous, mad, and other derogations, she emanates upward in women, so that even the most quiet, even the most restrained woman keeps a secret place for Wild Woman, Even the more repressed woman has a secret life, with secret thoughts and secret feelings which are lush and wild, that is, natural. Even the most captured woman guards the place of the wildish self, for she knows intuitively that someday there will be a loophole, an aperture, a chance, and she will hightail it to escape.

In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.

Do not fight to expel the darkness from the chamber of your soul...Open a tiny aperture for light to enter, and the darkness will disappear.

ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!! HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine... Look at these pictures. Look at them! You see the dark rectangle, like a doorway, an aperture, yes but it’s also a gaping mouth letting out a silent howl of something feral and foul and primal and REAL. Not nice. Not fine. Real. A moan of rapture. Something divine or damned. Something immortal, not comic books or soup cans, something beyond me and beyond now. And whatever it is, it’s not pretty and it’s not fine...I AM HERE TO STOP YOUR HEART‬

The mind is the process through which expression comes. The thought "I am" is the expression of being conscious.   It is the bridge from the relative to the Absolute. It is the aperture through which the Absolute perceives its expressions.   But you are neither the field nor its contents.   You are That Light by which light is perceived.   You are That which provides the blank canvas onto which the paint is applied. You provide the space which supports all objects while itself being ignored.   You are the seeing, the hearing, the perceiving, the knowing, and the doing of all that is seen, heard, perceived, known and done.   Like the wind, That that you are is known only by its effects.

Some cultures ate nothing but meat, while others were mostly vegetarian. Some relied primarily on homemade cheese; others consumed no dairy at all. Their teeth were almost always perfect; their mouths were exceptionally wide, nasal apertures broad. They suffered few, if any, cavities and little dental disease.

With the selfies, a photographer has finally found his place in a photograph.

To put this another way, my words here recede from lived experience. But in the end there’s too much reproach and ignorance—depression as a cause for disgrace and contempt—for me not to write them anyway. Words, after all, remain, in this world, an aperture through which might appear some of the beautiful things that Heaven bears.

At night I locked my bedroom door, because [my father] could not sleep and would insist on talking to me, endlessly, without making sense. But there was a small window over the door which could not be locked. One night I woke up to see him slithering through the tiny aperture and jumping nimbly to the floor. But he paid no attention to me. He aimlessly picked up various pieces of heavy mahogany furniture and let them drop with seemingly little effort. In his insanity he had become superhumanly agile and powerful. Staying with him was a nightmare.

Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?

When the sun goes down, melting away his caresses into the sky which consonants with the ocean, lively colors are scattered through the deep pale depth during some short sensuous instants. Later, as by art of magic, light is consumed into the infinite horizon giving space to the poked voidness and its full-cristal-covered vastness. Then, to mystify the night, a marvelous and alluring sentinel rests next to us through the vivid night, just until the next prismatic fest arrives with its celebrating aperture.

For all the tenure of humans on Earth, the night sky had been a companion and an inspiration. The stars were comforting. They seemed to demonstrate that the heavens were created for the benefit and instruction of humans. This pathetic conceit became the conventional wisdom worldwide. No culture was free of it. Some people found in the skies an aperture to the religious sensibility. Many were awestruck and humbled by the glory and scale of the cosmos. Others were stimulated to the most extravagant flights of fancy.

A selfie has more face and fewer feelings.

The light which enlightens us bathes the whole of creation but it enters us through a narrow aperture

Black holes may be apertures to elsewhen. Were we to plunge down a black hole, we would re-emerge, it is conjectured, in a different part of the universe and in another epoch in time . . . Black holes may be entrances to Wonderlands. But are there Alices or white rabbits?

I went on to explain that it is an honour, and also that we need a transport policy. "If by 'we' you mean Britain, that's perfectly true," he acknowledged. "But if by 'we' you mean you and me and this Department, we need a transport policy like an aperture in the cranial cavity.

But if he widened the aperture to the world around him, he would see that some people’s credits earned them more, and their mistakes cost them less. And those people who took more and paid less lived in a world of iniquitous wealth, while his own people lived in a world of terrifying want.

The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple,authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is he beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony.

If we look through the aperture which we have opened up onto the absolute, what we see there is a rather menacing power--something insensible, and capable of destroying both things and worlds, of bringing forth monstrous absurdities, yet also of never doing anything, of realizing every dream, but also every nightmare, of engendering random and frenetic transformations, or conversely, of producing a universe that remains motionless down to its ultimate recesses, like a cloud bearing the fiercest storms, then the eeriest bright spells, if only for an interval of disquieting calm. We see an omnipotence equal to that of the Cartesian God, and capable of anything, even the inconceivable; but an omnipotence that has become autonomous, without norms, blind, devoid of the other divine perfections, a power with neither goodness nor wisdom, ill-disposed to reassure thought about the veracity of its distinct ideas. We see something akin to Time, but a Time that is inconceivable for physics, since it is capable of destroying without cause or reason, every physical law, just as it is inconceivable for metaphysics, since it is capable of destroying every determinate entity, even a god, even God. This is not a Heraclitean time, since it is not the eternal law of becoming, but rather the eternal and lawless possible becoming of every law. It is a Time capable of destroying even becoming itself by bringing forth, perhaps forever, fixity, stasis, and death.

3) if you wish, you can shift consciousness itself more directly by directly increasing the apertures of your sensory gates, by opening the doors of perception themselves more widely. You can do this a number of ways, hallucinogens are one of them meditation is another habituation to constantly feeling the touch of the world upon you is another

It comes out from no source, it goes back in through no aperture. It has reality yet no place where it resides; it has duration yet no beginning or end. Something emerges, though through no aperture - this refers to the fact that it has reality. It has reality yet there is no place where it resides - this refers to the dimension of space. It has duration but no beginning or end - this refers to the dimension of time. There is life, there is death, there is a coming out, there is a going back in - yet in the coming out and going back its form is never seen. This is called the Heavenly Gate. The Heavenly Gate is nonbeing. The ten thousand things come forth from nonbeing. Being cannot create being out of being; inevitably it must come forth from nonbeing. Nonbeing is absolute nonbeing, and it is here that the sage hides himself.

There were dozens of pictures similar to the one I had found in the Brooklyn Museum; the same forest, the same moon, the same silence. The moon was always full in these works, and it was always the same: small, perfectly round circle in the middle of the canvas, glowing with the palest white light. After I had looked at five or six of them, they gradually began to separate themselves from their surrounds, and I was no long able to see them as moons. They became holes in the canvas, apertures of whiteness looking out onto another work. Blakelock’s eye, perhaps. A blank circle suspended in space, gazing down at things that were no longer there.

È mai possibile che questi individui siano attrezzati di tutto il macchinario necessario, un cervello, una spina dorsale, e le quattro aperture per le orecchie e gli occhi - attrezzatura, Signora Nimkin, che può sbalordire quasi quanto la Tv a colori - eppure viversi tutta l’esistenza senza la minima idea di quelli che sono i sentimenti e i desideri di una persona qualsiasi al di fuori di loro stessi?

For my eleventh birthday, Mom and Dad gave me my camera, the vintage one you already know about, with a purple strap and an old-school flash and an aperture that you rotate by hand. All the kids at school use their phones as cameras—but I wanted something solid, something real. It was love at first

It wasn't easy to develop a healthy personality when the canals of your flagellate chambers were held in common with an invaginated mother, incestuous sisters and a bisexual father. When the only anatomical features on which you could construct an identity were the gastral cavity and the aperture of your osculum. The tragedy of being a vegetable was that you couldn't commit suicide. The advantage of being a sponge was that you could drown your sorrows.

The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.

This is how to play with personal integrity in a tournament’s early rounds, when there is no umpire. Any ball that lands on your side and is too close to call: call it fair. Here is how to be invulnerable to gamesmanship. To keep your attention’s aperture tight. Here is how to teach yourself, when an opponent maybe cheats on the line-calls, to remind yourself that what goes around comes around. That a poor sport’s punishment is always self-inflicted. Try to learn to let what is unfair teach you.

Like Okakura, I know that tea is no minor beverage. When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment? The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

Davis’s fundamental ambition was to prove that dark-skinned people were created separately from light-skinned people. He was convinced that a person’s intellect and moral compass were indelibly written in the curves and apertures of the skull and that these were exclusively products of race and class. People with “cephalic peculiarities” should be treated “not as criminals but as dangerous idiots,” he suggested. In 1878, at the age of seventy-seven, he married a woman fifty years his junior. What her cranium was like is unknown.

He watched the aperture of the young women's lovely face close ever so slightly and felt a pang in his heart.

Through small apertures we glimpse abysses whose sombre depths turn us faint. And yet over the whole there hovers an extraordinary tenderness.

aperture

Fear gets in through the same aperture as love.

bullet wound n. ballistically induced aperture in the subcutaneous environment

When a fortress is besieged from all sides, there is nothing narrow-minded about guarding it with one’s life, sealing every pathway, every door and window, even the tiniest aperture.

The pained way she pinched her back legs to her front and flagged her tail, and her little arsehole apertured and bulged, and then she squinted like a philosopher when she eliminated.

She and Naomi had joked about the sexuality of camera apertures, that they needed to write a woman’s monograph on the symbolism and cultural relevance of the mechanics of image-making as it related to sex, so that, for example, stopping down the fixed 35mm lens’s diaphragm – elegantly composed of nine shutter-leaf blades – to a tight f/16 would be the equivalent of a Kegel pelvic floor exercise.

Another analogy he made was comparing the way that light, sound, magnetism, and the percussion reverberations caused by a hammer blow all disseminate in a radiating pattern, often in waves. In one of his notebooks he made a column of small drawings showing how each force field spreads. He even illustrated what happened when each type of wave hits a small hole in the wall; prefiguring the studies done by Dutch physicist Christiaan Huygens almost two centuries later, he showed the diffraction that occurs as the waves go through the aperture. Wave mechanics were for him merely a passing curiosity, but even in this his brilliance is breathtaking.

I was once, I remember, called to a patient who had received a violent contusion in his tibia, by which the exterior cutis was lacerated, so that there was a profuse sanguinary discharge; and the interior membranes were so divellicated, that the os or bone very plainly appeared through the aperture of the vulnus or wound. Some febrile symptoms intervening at the same time (for the pulse was exuberant and indicated much phlebotomy), I apprehended an immediate mortification. To prevent which, I presently made a large orifice in the vein of the left arm, whence I drew twenty ounces of blood; which I expected to have found extremely sizy and glutinous, or indeed coagulated, as it is in pleuretic complaints; but, to my surprize, it appeared rosy and florid, and its consistency differed little from the blood of those in perfect health. I then applied a fomentation to the part, which highly answered the intention;

Something clicked . Like watching her through the lens , the aperture flicked and the light hit her face differently. She glowed. So goddamn beautiful , it hurt to look at her. Like and eclipse , I knew the longer I stared , the more fucked I'd be.

In essence, when sensory gating channels are narrow, as they commonly are, we only perceive a very small part of the world around us. Only a tiny bit of the radiance of the world can shine in through the narrow aperture that is left; the rest of it is gated out.

The moon will answer through the smoke: Imagine me not as a mirror, but as an opening, an aperture, a pupil admitting light. Imagine the earth curves around you, not under. Imagine this world to be the eye of God, and the ocean it's retina. Know that you are always seen.

The enrichment center would like to announce a new employee initiative of forced voluntary participation. If any Aperture Science employee would like to opt out of this new voluntary testing program, please remember; science rhymes with compliance. Do you know what doesn't rhyme with compliance? Neurotoxin. Due to high mortality rates, you may be reluctant to participate in the new initiative. The enrichtment center assures you this is a strictly selfish impulse on your part, and why can't you love science like [insert co-worker's name here]?

I think if he tried to describe the forces shaping his life, my father would see his own actions first: his credits, his mistakes. But if he widened the aperture to the world around him, he would see that some people’s credits earned them more, and their mistakes cost them less.

We've been instructed to extend you every courtesy, Mr Asano. By all means, feel free to immediately depart via the aperture.” “Well, gee, Shelia. You almost make a guy feel unwanted.” “I’ve been specifically directed not to express that sentiment.” “Oh, you have?” “Yes.” “Someone felt the need to go out of their way to tell you to not tell me that my presence was unwanted?” “They did.” “They mustn’t be aware of our great dynamic.” “Actually, I’ve been quite clear on that issue in my reports, Mr Asano. The aperture is right there, so please go ahead and use it.

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

The enrichment center would like to announce a new employee initiative of forced voluntary participation. If any Aperture Science employee would like to opt out of this new voluntary testing program, please remember; science rhymes with compliance. Do you know what doesn't rhyme with compliance? Neurotoxin.

When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment? The tea ritual: such a precise repetition of the same gestures and the same tastes; accesion to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

It was not a bright or splendid summer evening, though fair and soft: […] its blue—where blue was visible—was mild and settled, and its cloud strata high and thin. The west, too, was warm: no watery gleam chilled it—it seemed as if there was a fire lit, an altar burning behind its screen of marbled vapour, and out of apertures shone a golden redness.

No island is an island, he said. There is no new land, just the same body broken open.

Remember it all passes, it all moves and shifts – yes, the entire world – but what remains is the beautiful truth: you are a microscopic aperture through which you, conscious awareness, observe & dance with all that is. Things are falling, yes, but other things are rising. And you, my love, you are all of it. What you experience is yours to feel. Feel it to completeness.

My bottom is itchy so I stop in the middle of the landing and scratch it lightly. The fiddling merely tantalises the itch, and it becomes more aggressive. I respond in kind, dragging my fingernails across my fundament in a frenzied jerking motion. With one hand braced against the wall, I’m now grabbing and clawing at the angry aperture, slashing and scraping in a bid to ease the sensation. It’s a delicious relief but I know it’s merely stoking the irritation. And so after a final flurry – scrit, scrit, scrit, scrit, scit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit – I stop scratching. My backside pleads with me to continue but I resist, and in a few seconds the itch subsides on its own, as I knew it would.10 I

Storm Warnings The glass has been falling all the afternoon, And knowing better than the instrument What winds are walking overhead, what zone Of grey unrest is moving across the land, I leave the book upon a pillowed chair And walk from window to closed window, watching Boughs strain against the sky And think again, as often when the air Moves inward toward a silent core of waiting, How with a single purpose time has traveled By secret currents of the undiscerned Into this polar realm. Weather abroad And weather in the heart alike come on Regardless of prediction. Between foreseeing and averting change Lies all the mastery of elements Which clocks and weatherglasses cannot alter. Time in the hand is not control of time, Nor shattered fragments of an instrument A proof against the wind; the wind will rise, We can only close the shutters. I draw the curtains as the sky goes black And set a match to candles sheathed in glass Against the keyhole draught, the insistent whine Of weather through the unsealed aperture. This is our sole defense against the season; These are the things we have learned to do Who live in troubled regions.

Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.

A crack formed and enlarged, and the whole door gave way—but from the other side; whence poured a howling tumult of ice-cold wind with all the stenches of the bottomless pit, and whence reached a sucking force not of earth or heaven, which, coiling sentiently about the paralysed detective, dragged him through the aperture and down unmeasured spaces filled with whispers and wails, and gusts of mocking laughter.

When I write, I enter a transpersonal state of consciousness, a lightheaded realm of mental imagination, a cognitive place where I can lithely finger the coherent and the absurd. I seek to cross over an intricate boarder where the conscious and unconscious minds meet, traversing the aperture where the real and the imaginary intermingle. I aspire to establish a detached vantage point where I can survey the entire human condition.

Meverall, meanwhile, had his own claim to fame in the death stakes. At the age of twenty-three, the young doctor succumbed to an attack of smallpox, and every aperture in his sick room was carefully closed up. He became unconscious due to lack of oxygen, and was assumed to have died. It was not until his body was being prepared for burial that he was exposed to fresh air, and came to his senses just in time to escape being buried alive.

In order to know someone who is at some level unknowable, you must leave yourself wide open. If you don't, you foreclose the possibility of learning something critical about this person you need, your parent, the person upon whom your survival depends. It's like time-lapse photography; your lens at maximum aperture in order to capture something fleeting and elusive. The problem becomes one of calibration. How to protect yourself in the process. How to capture something without going blind.

They all have mechanisms for taking in and processing sensory data—and they all have mechanisms for reducing the amount of sensory inflows. They possess what are called sensory gating channels—or as William Blake and Aldous Huxley more comprehensively described the phenomenon, we all have within us the doors of perception. Sensory gating channels can be thought of as tiny apertures or gates or doors in specific sections of the nervous system’s neural network. They are similar to the lens in our eyes

You went along, building ties or breaking them, moving forward or backward in relationships, riding out the sea of your emotions and the emotions of others—but for the most part, it was a trees-for-the-forest kind of thing, a piecemeal one-step/two-step dance of choices and decisions more trail than marker, more random direction than compass. Except then, suddenly, the camera aperture opened so fast you got existential whiplash, and you were forced to look at everything and go, okay, wow, so I’m here.

The widest, most open, most accepting aperture, the one providing the narrowest, most demanding depth of field. She and Naomi had joked about the sexuality of camera apertures, that they needed to write a woman’s monograph on the symbolism and cultural relevance of the mechanics of image-making as it related to sex, so that, for example, stopping down the fixed 35mm lens’s diaphragm—elegantly composed of nine leaf-shutter blades—to a tight f/16 would be the equivalent of executing a Kegel pelvic floor exercise.

She had never seen the Tree House at night. Vast and dark, lit with candles for the occasion, the rooms looked magical, the staircase a citadel, with its own strange inglenooks and deep dusty treads. In the fireplace, instead of wood, a great gong and mallet hung from a stand. The rooms were filled with couches and mismatched armchairs, and floor cushions, some with cats, and some without. Living ivy climbed to the ceiling and outlined every aperture. In the candlelight the ivy-framed bay window became a bower, the doorways passages to secret gardens.

The night spent in the detention barracks will always be one of Schweik's fondest memories. Next door to Number 16 was a cell for solitary confinement, a murky den from which issued, during that night, the wailing of a soldier who was locked up in it and whose ribs were being systematically broken for some disciplinary offence. When the wailing stopped, there could be heard in Number 16 the crunching noise made by the fleas as they were caught between the fingers of the prisoners. Above the door in an aperture in the wall an oil lamp, provided with wire netting to protect it, gave a faint light and much smoke. The smell of the oil blended with the natural effluvia of unwashed bodies and with the stench from the bucket.

Somewhere out of sight a punching-bag was rat-tat-tatting on a board. I stepped through a doorless aperture opposite the door I'd come in by, and found myself in the main hall. It was comparatively small, with seats for maybe a thousand rising on four sides to the girders that held up the roof. An ingot of lead-gray light from a skylight fell through the moted air onto the empty roped square on the central platform. Still no people, but you could tell that people had been there. The same air had hung for months in the windowless building, absorbing the smells of human sweat and breath, roasted peanuts and beer, white and brown cigarettes, Ben Hur perfume and bay rum and hair oil and tired feet. A social researcher with a good nose could have written a Ph.D. thesis about that air.

What caused me to undertake the catalog was the nebula I discovered above the southern horn of Taurus on September 12, 1758, while observing the comet of that year. ... This nebula had such a resemblance to a comet in its form and brightness that I endeavored to find others, so that astronomers would not confuse these same nebulae with comets just beginning to shine. I observed further with suitable refractors for the discovery of comets, and this is the purpose I had in mind in compiling the catalog. After me, the celebrated Herschel published a catalog of 2000 which he has observed. This unveiling the sky, made with instruments of great aperture, does not help in the perusal of the sky for faint comets. Thus my object is different from his, and I need only nebulae visible in a telescope of two feet [focal length].

When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment? The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.

Bellamy found simply living a task of amazing difficulty. It was as if ordinary human life were a mobile machine full of holes, crannies, spaces, apertures, fissures, cavities, lairs, into one of which Bellamy was required to (and indeed desired to) fit himself. The machine moved slowly, resembling a train, or sometimes a merry-go-round. But as soon as Bellamy got on (or got in), the machine would soon eject him, sending him spinning back to a place where he was once more forced to be a spectator. Perhaps, that was in some mysterious sense his place, his destiny. But Bellamy did not want to be a spectator, nor could he (having no money of his own) afford to be one. Moreover he had never really mastered the art, apparently so simple for others, of passing the time. His failure to find a métier, to find a task which was his task, caused him continuous anxiety, nor did it occur to him to emulate the majority of mankind who positively resigned themselves, seeing no alternative, to alien and unsatisfying work. At one time he had suffered from depression, and was nearer to despair than his friends realised.

Autopilot is the enemy of boldness, because autopilot equals tunnel vision. When you operate on autopilot, you reflexively do the same things, over and over, because you haven’t paused long enough to consider a more conscious choice. On autopilot, you can access just a narrow slice of the possibilities around you. In fact, the aperture is so narrow that you become literally blind to the options. You’re being carried by habit, by momentum, rather than going where you intentionally point your headlights. Hell, on autopilot, you don’t even need to check whether you even have headlights, because you’re not actually driving. You’re just drifting. But when you get more intentional about the choices you make—no matter how small or seemingly inconsequential—the lens through which you view those choices begins to open up. The realm of what is possible widens and you can see just how many more chances life offers to align to your preferences and values, through your discernment, to your deeper being. Change starts with acknowledging the life you’re living doesn’t line up with the life you want. From there, it’s about getting off autopilot. Then you can make decisions that honor and support that most holy part within you.

When he applied this approach to a gas of quantum particles, Einstein discovered an amazing property: unlike a gas of classical particles, which will remain a gas unless the particles attract one another, a gas of quantum particles can condense into some kind of liquid even without a force of attraction between them. This phenomenon, now called Bose-Einstein condensation,* was a brilliant and important discovery in quantum mechanics, and Einstein deserves most of the credit for it. Bose had not quite realized that the statistical mathematics he used represented a fundamentally new approach. As with the case of Planck’s constant, Einstein recognized the physical reality, and the significance, of a contrivance that someone else had devised.49 Einstein’s method had the effect of treating particles as if they had wavelike traits, as both he and de Broglie had suggested. Einstein even predicted that if you did Thomas Young’s old double-slit experiment (showing that light behaved like a wave by shining a beam through two slits and noting the interference pattern) by using a beam of gas molecules, they would interfere with one another as if they were waves. “A beam of gas molecules which passes through an aperture,” he wrote, “must undergo a diffraction analogous to that of a light ray.

Millions of us daily take advantage of [Skype], delighted to carry the severed heads of family members under our arms as we move from the deck to the cool of inside, or steering them around our new homes, bobbing them like babies on a seasickening tour. Skype can be a wonderful consolation prize in the ongoing tournament of globalization, though typically the first place it transforms us is to ourselves. How often are the initial seconds of a video's call takeoff occupied by two wary, diagonal glances, with a quick muss or flick of the hair, or a more generous tilt of the screen in respect to the chin? Please attend to your own mask first. Yet, despite the obvious cheer of seeing a faraway face, lonesomeness surely persists in the impossibility of eye contact. You can offer up your eyes to the other person, but your own view will be of the webcam's unwarm aperture. ... The problem lies in the fact that we can't bring our silence with us through walls. In phone conversations, while silence can be both awkward and intimate, there is no doubt that each of you inhabits the same darkness, breathing the same dead air. Perversely, a phone silence is a thick rope tying two speakers together in the private void of their suspended conversation. This binding may be unpleasant and to be avoided, but it isn't as estranging as its visual counterpart. When talk runs to ground on Skype, and if the purpose of the call is to chat, I can quickly sense that my silence isn't their silence. For some reason silence can't cross the membrane of the computer screen as it can uncoil down phone lines. While we may be lulled into thinking that a Skype call, being visual, is more akin to a hang-out than a phone conversation, it is in many ways more demanding than its aural predecessor. Not until Skype has it become clear how much companionable quiet has depended on co-inhabiting an atmosphere, with a simple act of sharing the particulars of a place -- the objects in the room, the light through the window -- offering a lovely alternative to talk.

As in other Buddhist Tantric techniques, recommended preliminaries for these practices include developing skill at both calm-abiding (zhi gnas; śamatha) and insight meditation (lhag mthong; vipaśyanā). As in earlier Buddhist teachings, many Chöd dehadāna practices emphasize renunciation, purification, and self-transformation through the accumulation of merit and the exhaustion of demerit. Rather than suggesting that one must wait to accumulate adequate merit before offering the gift of the body, however, Chöd provides the opportunity for immediately efficacious offering of the body through techniques of visualization. Using a technique which echoes the traditional Buddhist teaching of the of the mind-made body (manomayākāya), the practitioner engages in visualizations which allow her to experience the non-duality of agent and object as she offers her body. The process of giving the body as a means of attainment is commonly articulated in Chöd practice texts (sgrub pa; sādhana). These practice texts exhibit the framework of mature Tantra sādhana, including the stages of generating bodhicitta, going for refuge, meditating on the four immeasurables, and making the eight-limbed offering. Generally speaking, the main section of a developed Chöd sādhana has three components. The first two—a transference of consciousness (nam mkha’ sgo ‘byed) practice, and a body maṇḍala (lus dkyil) practice—have distinctly purifying purposes. The Chöd transference of consciousness practice has parallels with other Buddhist practices called "’pho ba." In this part of the visualization practice, the practitioner’s consciousness is "ejected" from one's body through the Brahma aperture at the crown of one's head. At this time, one's consciousness can be visualized as becoming identical with an enlightened consciousness, which is embodied in a figure such as Machik, Vajrayoginī (Rdo rje rnal byor ma) or Vajravārāhī (Rdo rje phag mo). [....] In th[e] first stage of this transformation, the practitioner identifies with an enlightened being, thus overcoming attachment to her own body-mind aggregates and purifying them through this non-attachment. In the second stage, the practitioner can extend this identification: the practitioner identifies the microcosm of her body with macrocosms of the mundane and supramundane worlds. The body maṇḍala (lus dkyil) stage also allows the practitioner to reconceptualize her body as expanding through space and time and becoming indistinguishable from the realm of the supramundane, or the Dharmadhātu (chos kyi dbyings). Through the process of reconstructing her identity, the practitioner is able to see herself as the ultimate source of offerings for all sentient beings.

As the aperture of your heart opens to love you will receive more of the light of compassion, acceptance, gentleness, grace and understanding.

The only nonhumanoid scientist present at the Blue Table, astrophysicist Se’al Cethente Qas was also the one that Dakal found the most disquieting—though not for the reasons some of the crew seemed to be reacting to Dr. Ree or the other nonhumanoids aboard Titan, none of whom bothered Dakal at all. What troubled him was the fact that Dr. Cethente looked suspiciously like a lamp that had once belonged to Dakal’s paternal grandmother back on Prime. Cethente was a Syrath, whose exoskeletal body had the same fluted quality that was prevalent in Cardassian design. The astrophysicist was shaped, in fact, a great deal like a three-dimensional sculpture of the symbol of the Union: a high dome on top, tapering downward almost to a point before bottoming out in a diamond formation that Dakal knew was the Syrath secondary sense cluster. Like the primary cluster that was the dome, the diamond was dotted with bioluminescent bulges, glowing with the telltale green light of its senses at work, soaking up information about its environment omnidirectionally. Four slender, intricately jointed arachnid legs extended in four directions from the body’s narrowest point, giving Cethente a solid footing on the deck, while an equal number of tentacles emerged at need from equidistant apertures just under the dome. In repose, and with its tentacles retracted, Cethente seemed quite the inanimate object. But to Dakal, the doctor looked so much like the lamp in his grandmother’s dwelling—and which had so consistently unnerved him as a child—that after first being introduced to it, Dakal briefly suspected the Federation of having sent a Syrath operative to spy on his grandmother.

One young man asked me a question, ‘Mr President, please tell me, since you have flown in the supersonic fighter aircraft at the age of seventy-four, were you afraid anytime during the flight?’ I told the young man, ‘All the forty minutes of the flight, I was busy on the controls and instruments and experiencing the “g” build up. I was advised by the captain to track targets and also look at the ground using the synthetic aperture radar. In addition, I was observing the performance of the instruments developed indigenously. I was continuously busy in the flight operations and I didn’t have time to allow fear to enter into me.

The Australians plunged through the apertures and slew or captured the defenders of the galleries.

Alexis St. Martin. In the early 1800s, St. Martin worked as a trapper for the American Fur Company in what is now Michigan. At age eighteen, he was accidently shot in the side. The wound healed as an open fistulated passage, the hole in his stomach fusing with the overlying holes in the muscles and skin. St. Martin’s surgeon, William Beaumont, recognized the value of the unusual aperture as a literal window into the actions of the human stomach and its mysterious juices, about which, up until that point, nothing much was known.

Hope builds a stairway to Heaven. Fear opens an abyss to Hell. We stand in front of those two possible apertures at all times; choose which one to go through

These examples do not show that theoretical knowledge is worthless. Quite the reverse. A conceptual framework is vital even for the most practical men going about their business. In many circumstances, new theories have led to direct technological breakthroughs (such as the atom bomb emerging from the Theory of Relativity). The real issue here is speed. Theoretical change is itself driven by a feedback mechanism, as we noted in chapter 3: science learns from failure. But when a theory fails, like say when the Unilever mathematicians failed in their attempt to create an efficient nozzle design, it takes time to come up with a new, all-encompassing theory. To gain practical knowledge, however, you just need to try a different-sized aperture. Tinkering, tweaking, learning from practical mistakes: all have speed on their side. Theoretical leaps, while prodigious, are far less frequent.

-Ecdysis- Sun Shedding the layers of that chair Skin of Shadows She strolled around the corners of herself dissipates to some un-seeable I snoop through the doorjamb aperture crippled leaves lean against the sprig of Hakeas to recoil.....

We’re more conditioned To contagion than combat. But a virus, just like a war, separates us From our fellow people. Yet if we are willing, the cut Can be an aperture, the hole Through which we reach for the whole Of one another.

Energy healing is about opening the aperture of how we see, feel, and experience the world. Energy moves in the body and in our environment all the time. We each have a natural ability to read it and work with it, although individual skillfulness varies.

Reading is a discontinuous and fragmentary operation. Or rather, the object of reading is punctiform and pulviscular material. In the spreading expanse of the writing, the reader’s attention isolates some minimal segments, juxtapositions of words, metaphors, syntactic nexuses, logical passages, lexical peculiarities that prove to possess an extremely concentrated density of meaning. They are like elemental particles making up the work’s nucleus, around which all the rest revolves or else like the void at the bottom of a vortex which sucks in and swallows currents. It is through these apertures that, in barely perceptible flashes, the truth the book may bear is revealed, its ultimate substance. Myth and mysteries consist of impalpable little granules like the pollen that sticks to a butterfly’s legs, only those who have realized this can expect revelations and illuminations. This is why my attention, in contrast to what you, sir, were saying, cannot be detached from the written lines even for an instant. I must not be distracted if I do not wish to miss some valuable clue. Every time I come upon one of these clumps of meaning I must go on digging around to see if the nugget extends into a vein. This is why my reading has no end. I read and reread, each time seeking the confirmation of a new discovery among the folds of the sentences.