Anzac Quotes

Heroes who shed their blood and lost their lives! You are now lying in the soil of a friendly country. Therefore rest in peace. There is no difference between the Johnnies and Mehmets to us where they lie side by side here in this country of ours. You, the mothers, who sent their sons from far away countries wipe away your tears; your sons are now lying in our bosom and are in peace. After having lost their lives on this land they have become our sons as well.

He found Luciana sitting alone at a table in the Allied officers' night club, where the drunken Anzac major who had brought her there had been stupid enough to desert her for the ribald company of some singing comrades at the bar. "All right, I'll dance with you," she said, before Yossarian could even speak. "But I won't let you sleep with me." "Who asked you?" Yossarian asked her. "You don't want to sleep with me?" she exclaimed with surprise. "I don't want to dance with you.

The ANZACs, clinging lost and leaderless to the hillsides, began, as the hot afternoon gave way to grey drizzle, to experience their martyrdom.

Our prime minister could embrace and forgive the people who killed our beloved sons and fathers, and so he should, but he could not, would not, apologise to the Aboriginal people for 200 years of murder and abuse. The battle against the Turks, he said in Gallipoli, was our history, our tradition. The war against the Aboriginals, he had already said at home, had happened long ago. The battle had made us; the war that won the continent was best forgotten

The actor Richard Burton once wrote an article for the New York Times about his experience playing the role of Winston Churchill in a television drama: "In the course of preparing myself...I realized afresh that I hate Churchill and all of his kind. I hate them virulently. They have stalked down the corridors of endless power all through history.... What man of sanity would say on hearing of the atrocities committed by the Japanese against British and Anzac prisoners of war, 'We shall wipe them out, everyone of them, men, women, and children. There shall not be a Japanese left on the face of the earth? Such simple--minded cravings for revenge leave me with a horrified but reluctant awe for such single--minded and merciless ferocity."--

Even if this spring the dappled leaves should shelter our minds from the moon's pale echo we would still remember how once they were sheltered by our skulls only from the day's sun and the night's stars and never from what we feared and what we remembered

Yes, I have seen a great many things in this world. I attend the greatest disasters and work for the greatest villains. But then there are other moments. There’s a multitude of stories (a mere handful, as I have previously suggested) that I allow to distract me as I work, just as the colors do. I pick them up in the unluckiest, unlikeliest places and I make sure to remember them as I go about my work. The Book Thief is one such story. When I traveled to Sydney and took Liesel away, I was finally able to do something I’d been waiting on for a long time. I put her down and we walked along Anzac Avenue, near the soccer field, and I pulled a dusty black book from my pocket. The old woman was astonished. She took it in her hand and said, “Is this really it?” I nodded. With great trepidation, she opened The Book Thief and turned the pages. “I can’t believe …” Even though the text had faded, she was able to read her words. The fingers of her soul touched the story that was written so long ago in her Himmel Street basement. She sat down on the curb, and I joined her. “Did you read it?” she asked, but she did not look at me. Her eyes were fixed to the words. I nodded. “Many times.” “Could you understand it?” And at that point, there was a great pause. A few cars drove by, each way. Their drivers were Hitlers and Hubermanns, and Maxes, killers, Dillers, and Steiners …. I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn’t already know? I wanted to explain that I am constantly overestimating and underestimating the human race—that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant. None of those things, however, came out of my mouth. All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you. A LAST NOTE FROM YOUR NARRATOR I am haunted by humans.

Berlin. November 18, 1917. Sunday. I think Grosz has something demonic in him. This new Berlin art in general, Grosz, Becher, Benn, Wieland Herzfelde, is most curious. Big city art, with a tense density of impressions that appears simultaneous, brutally realistic, and at the same time fairy-tale-like, just like the big city itself, illuminating things harshly and distortedly as with searchlights and then disappearing in the glow. A highly nervous, cerebral, illusionist art, and in this respect reminiscent of the music hall and also of film, or at least of a possible, still unrealized film. An art of flashing lights with a perfume of sin and perversity like every nocturnal street in the big city. The precursors are E.T.A. Hoffmann, Breughel, Mallarmé, Seurat, Lautrec, the futurists: but in the density and organization of the overwhelming abundance of sensation, the brutal reality, the Berliners seem new to me. Perhaps one could also include Stravinsky here (Petrushka). Piled-up ornamentation each of which expresses a trivial reality but which, in their sum and through their relations to each other, has a thoroughly un-trivial impact. All round the world war rages and in the center is this nervous city in which so much presses and shoves, so many people and streets and lights and colors and interests: politics and music hall, business and yet also art, field gray, privy counselors, chansonettes, and right and left, and up and down, somewhere, very far away, the trenches, regiments storming over to attack, the dying, submarines, zeppelins, airplane squadrons, columns marching on muddy streets, Hindenburg and Ludendorff, victories; Riga, Constantinople, the Isonzo, Flanders, the Russian Revolution, America, the Anzacs and the poilus, the pacifists and the wild newspaper people. And all ending up in the half-darkened Friedrichstrasse, filled with people at night, unconquerable, never to be reached by Cossacks, Gurkhas, Chasseurs d'Afrique, Bersaglieris, and cowboys, still not yet dishonored, despite the prostitutes who pass by. If a revolution were to break out here, a powerful upheaval in this chaos, barricades on the Friedrichstrasse, or the collapse of the distant parapets, what a spark, how the mighty, inextricably complicated organism would crack, how like the Last Judgment! And yet we have experienced, have caused precisely this to happen in Liège, Brussels, Warsaw, Bucharest, even almost in Paris. That's the world war, all right.

Debbie served them home-made Anzac biscuits.

Our passing interrupted the road crossing, and the crowd bunched on both sides waited for us to go by as we all waited for the war to go by, thinking we can suspend or postpone living and not knowing that in war the heart grows older than it does in dreams

In northern Borneo, the last 38 of the POWs marching to Ranau were murdered by the Japanese two weeks after the official end of hostilities.

She sat on the rock slab and unpacked her lunch: sliced silverside from last night's roast, gravy glistening cold on its surface; soft potato and yam that she ate with her fingers; a wedge of bread and butter pudding with Mum's fresh jam smeared on top; three Anzac biscuits and a blood orange, fresh from the tree.

...Poleman kept telling them it was nearly Anzac Day and they needed to remember the sacrifices of the soldiers, and her thinking that the Civil War taught her that people in power don't give a fig about people like her and their sacrifice, they only cared about people who could help them cling to power, that there was no point trusting anyone with a story to tell or someone else's sacrifice to sell, that stories of sacrifice are only used to help those in power, otherwise it's not a sacrifice, it's just a non-grieved over death

Australians: Men who forked snakes in the sun-baked desert, and popped the eyes out of dingoes with old ANZAC rifles, and surfed between gaping shark mouths, all while downing 20oz. cans of Victoria Bitter. Men trained by gap years padding about Thailand and India in a drunken stupor, flipping off the local constabulary. These men, friends of the groom, would dare each other to feats of athletic drinking. One of them, called Bonko or Rhino, would collapse off his chair half conscious as his comrades hooted with raucous delight.

Ne'er Fade Away by Stewart Stafford The hillside piper's requiem, Guides old soldier's bones, To slain brothers of his youth, No longer a marching memory. His scars, Valhalla's roadmap, His medals, coins for Charon, His conquests, the beacon fire, His blood scours the path ahead. This churned earth is now home, Weeping craters, foxholes beatified, Barbed wire hands joined in praying, The minefield of life cleared for us all. © Stewart Stafford, 2022. All rights reserved.

The commitment of Australian forces to Afghanistan and Iraq was readily accommodated into a historical narrative of Australian service and sacrifice in all world wars: of Australian readiness to defend Western values and principles, and of standing by the United States when it really counted. Indeed, support for the US alliance was woven into the nation's Anzac fabric, the slouch hat folding into the nation's strategic doctrine. When Howard spoke of an Australian military tradition stretching from colonial contingents being dispatched to Sudan in the mid-1880s, to the modern Australian Defence Force patrolling the streets of Bagdad in 2003, he was using a language about Australia's wartime history that no other leader has used. By fusing Anzac commemoration with support for America in the age of terror, Howard cast the Australia-US relationship in bronze and clothed it in khaki.

Anzac is the greatest word in the history of Australasia. Is it for ever to carry to future generations of Australians and New Zealanders memories of forlorn heroism and of sacrifices made in vain?…

Despite its diminutive stature, the capture of Hill 60 (along with Scimitar Hill and W Hills immediately to its north) will allow the Allied Anzac–Suvla line to push eastward into the Anafarta Range and, crucially, shorten that line. Turkish rifles currently outnumber the Allies’ 75,000 to 50,000, so rounding off and contracting the Allied line is an important defensive strategy that will help secure the ‘bridge’ between the two bridgeheads – Suvla and Anzac – while limiting any immediate threat to the Allies’ Suvla occupation. The problem remains, however, that the Turks hold the high ground and will fight to the death to keep it against those who would try to seize it from them. Who can the Allies call on in their hour of desperate need? Why, none other than the famous 29th Division. No matter that the 29th have been shot and shattered from ship to shore and back again so many times since their tragic landing from River Clyde. No matter that most of the fine soldiers who stood before King George in March stand no more, as no fewer than 30,000 men have now gone through their doomed ranks since the beginning of the campaign, only to be spat out the other side, either dead or wounded. No matter, even, that they can muster fewer than 7500 soldiers capable of holding a rifle. For their arrival on this battlefield, poised as they are to take Scimitar Hill on the left, lifts the army as one.