Antenna Quotes

Awakening is not a thing. It is not a goal, not a concept. It is not something to be attained. It is a metamorphosis. If the caterpillar thinks about the butterfly it is to become, saying ‘And then I shall have wings and antennae,’ there will never be a butterfly. The caterpillar must accept its own disappearance in its transformation. When the marvelous butterfly takes wing, nothing of the caterpillar remains.

Séamus’s eyebrows, like the antennae of the potato beetle but with a greater sense of grievance, poke forward as he delivers his first utterance of the morning.

Pulling heads off Barbies, sticking them on the TV antenna and ruining the reception. But thats how witch babies are.

The artillery fire which helped in holding off the enemy advance against the Australian positions appeared to be getting always closer. A radio operator called Vic Grice somehow replaced the antenna on Buick’s radio. That had been shot off, thus rendering the radio in-operational.

I can pick up the city feeds on my antenna. It said they were going to change you all. Turn you into something less dangerous. Are you still...?" She gazed at him. "What do you think, David?" He peered into her eyes for a long moment, then sighed and shook his head. "You just look like Tally to me." She looked down, her vision blurring. What's the matter?" Nothing, David." She shook her head. "You just took on five million years of evolution again." I what? Did I say something wrong?" No." She smiled. "You said something right.

To ignore, repress, or dismiss our feelings is to fail to listen to the stirrings of the Spirit within our emotional life. Jesus listened. In John's Gospel we are told that Jesus was moved with the deepest emotions (11:33)... The gospel portrait of the beloved Child of Abba is that of a man exquisitely attuned to His emotions and uninhibited in expressing them. The Son of Man did not scorn of reject feelings as fickle and unreliable. They were sensitive antennae to which He listened carefully and through which He perceived the will of His Father for congruent speech and action.

The wisest man would be the one richest in contradictions, who has, as it were, antennae for all types of men---as well as his great moments of grand harmony---a rare accident even in us! A sort of planetary motion---

A description of Zaira as it is today should contain all Zaira’s past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.

The jogger sighed. He pulled out his phone and my eyes got big, because it glowed with a bluish light. When he extended the antenna, two creatures began writhing around it-green snakes, no bigger than earthworms. The jogger didn't seem to notice. He checked his LCD display and cursed. "I've got to take this. Just a sec ..." Then into the phone: "Hello?" He listened. The mini-snakes writhed up and down the antenna right next to his ear. Yeah," the jogger said. "Listen-I know, but... I don't care if he is chained to a rock with vultures pecking at his liver, if he doesn't have a tracking number, we can't locate his package....A gift to humankind, great... You know how many of those we deliver-Oh, never mind. Listen, just refer him to Eris in customer service. I gotta go.

I did not feel drawn to huxley. He was beautiful physically but again without vibrations or sensory antennae... and I had a painful impression of a psychic blindness. With all his science and knowledge, in the mystic world he blundered.

Your heart has a powerful little antenna and its vibrations can be felt throughout the universe.

The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning roads, the poles of the flags, every segment marked in turn with scratches, indetations, scrolls.

Today I'm on tell you bout a man from outer space." She just loves hearing about peoples from outer space. Her favorite show on the tee-vee is My Favorite Martian, I pull on my antennae hats I shaped last night out a tin foil, fasten em on our heads. One for her and one for me. We look like we a couple a crazy people in them things. "One day, a wise Martian come down to Earth to teach us people a thing or two," I say. "Martian? How big?" "oh, he about six-two." "What's his name?" "Martian Luther King." She take a deep breath and lean her head down on my shoulder. I feel her three-year-old heart racing against mine, flapping like butterflies on my white uniform. "He was a real nice Martian, Mister King. Looked just like us, nose, mouth, hair up on his head, but sometime people looked at him funny and sometime, well, I guess sometime people was just downright mean." I coul get in a lot a trouble telling her these little stories, especially with Mister Leefolt. But Mae Mobley know these our "secret stories". "Why Aibee? Why was they so mean to him?" she ask. "Cause he was green.

Advice from a Caterpillar Chew your way into a new world. Munch leaves. Molt. Rest. Molt again. Self-reinvention is everything. Spin many nests. Cultivate stinging bristles. Don't get sentimental about your discarded skins. Grow quickly. Develop a yen for nettles. Alternate crumpling and climbing. Rely on your antennae. Sequester poisons in your body for use at a later date. When threatened, emit foul odors in self-defense. Behave cryptically to confuse predators: change colors, spit, or feign death. If all else fails, taste terrible.

And the roaches. The roaches were so bold in his flat that turning on the lights did not startle them. They waved their three-inch antennas as if to say, Hey, puto, turn that shit off.

As always, I thank God for words. I’m so glad I don’t have to try to communicate this story to you with my antennae or something. Words are so delicious, and I’ll be forever happy they exist.

People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

The second wave is now in their late 20s and 30s. They have made the transition to life on Earth much more easily than the first wave. The second wave souls tend to work behind the scenes, often on their own, creating little or no Karma. In the sessions I conduct as a hypnotist, they have been described as antennas that unconsciously channel energy onto the Earth. They do not have to do anything; they just have to be. Their energy affects everyone they come into contact with. Their paradox is they are supposed to be sharing their energy, but they do not like being around people.

...I felt the stirring even of parts of me that had been dead since childhood, that sense of the child as a sort of antenna stuck in the middle of an infinite expanse of possibilities.

But I was thinking; feeling; living; those two lives that the two halves symbolized with the intensity, the muffled intensity, which a butterfly or moth feels when with its sticky tremulous legs and antennae it pushes out of the chrysalis and emerges and sits quivering beside the broken case for a moment; its wings still creased; its eyes dazzled, incapable of flight.

She's an old soldier's woman, and she has antennae for things that often escape the officer in the field.

I was glad that I was able to erase your voice. Did you know that an insect will fall silent if you cut off its antennae? It will just sit there, as if frozen, and even refuse to eat. The same as you, really.

From this moment on, nothing is what it seems. You're not a human being, you're a character- and filmmakers are doing everything in their power to kill you even now. Supernatural powers and curses are real, and numbers like 666 and 237 can kill you just as easily as a butch knife. Log cabins are slaughterhouses, cornstalks are antennas for evil, and aliens never, ever come in peace.

I was ten when I heard the music that ended the first phase of my life and cast me hurtling towards a new horizon. Drenched to the skin, I stood on Dunoon’s pier peering seawards through diagonal rain, looking for the ferry that would take me home. There, on the everwet west coast of Scotland, I heard it: like sonic scalpels, the sounds of electric guitars sliced through the dreich weather. My body hairs pricked up like antennae. To my young ears these amplified guitars sounded angelic, for surely no man-made instrument could produce that tone. The singer couldn't be human. His voice was too clean, too pure, too resonant, as though a robot larynx were piping words through vocal chords of polished silver. The overall effect was intoxicating - a storm of drums, earthquake bass, razor-sharp guitar riffs, and soaring vocals of astonishing clarity. I knew that I was hearing the future.

I was there when the first dreams came off the assembly line. I was there when the corrupted visions that had congealed in the vats were pincered up and hosed off and carried down the line to be dropped onto the rolling belts. I was there when the first workmen dropped their faceplates and turned on their welding torches. I was there when they began welding the foul things into their armor, when they began soldering the antennae, bolting on the wheels, pouring in the eye-socket jelly. I was there when they turned the juice on them and I was there when the things began to twitch.

Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.

She took several slow deep breaths, then, "Okay, what happened to my car?" "This is your car." "I may not know much lately," she gritted, "but I do know what I drive. I drive a falling-apart Toyota. A disgustingly powdery-blue one. With lots of rust and no antenna. That is not my car." "Correction. You used to drive a falling apart Toyota, B.A." Had his lips just brushed her hair? She shivered, and though she knew better than to ask, she did it anyways. "Okay, you got me, what's 'B.A.'" "Before Adam. After Adam, you drive a BMW.

Ant 1: So, uh, do you ever worry that your itsy little neck is just going to snap under the weight of your head? Ant 2: Stop asking me that. You ask me that, like, every five minutes. Ant 1: Sometimes I notice my antennae out of the corner of my eye and I'm all, like: AHH! Something is on me! Get it off! Get it off! Ant 2: Yeah, the antennae again. Listen, I just remembered, I have to go walk around aimlessly now.

Your heart has a powerful little antenna and its pulses and vibrations can be felt throughout the universe.

Armitage smiled, a smile that meant as much as the twitch of some insect’s antenna.

If, as a child, you are struck or hit, you will never forget that sense of your own powerlessness and vulnerability, of how a situation can turn from benign to brutal in the blink of an eye, in the space of a breath. That sensibility will run in your veins, like an antibody. You learn fairly quickly to recognise the approach of these sudden acts against you: that particular pitch or vibration in the atmosphere. You develop antennae for violence and, in turn, you devise a repertoire of means to divert it.

The best artists tend to be the ones with the most sensitive antennae to draw in the energy resonating at a particular moment. Many great artists first develop sensitive antennae not to create art but to protect themselves. They have to protect themselves because everything hurts more. They feel everything more deeply.

Teasers are usually rich kids with nothing to do. They cruise around looking for planets that haven’t made interstellar contact yet and buzz them.” “Buzz them?” Arthur began to feel that Ford was enjoying making life difficult for him. “Yeah,” said Ford, “they buzz them. They find some isolated spot with very few people around, then land right by some poor unsuspecting soul whom no one’s ever going to believe and then strut up and down in front of him wearing silly antennas on their head and making beep beep noises.

Who's that? (Silence.) Who's there? (Silence.) God? Not exactly. Well, who? Where do I start? I'm the butterfly antenna. I'm the chemicals that paint's made of. I'm the person dead at the water's edge. I'm the water. I'm the edge. I'm the skin cells. I'm the smell of disinfectant. I'm that thing they rub against your mouth to moisten it, can you feel it? I'm soft. I'm hard. I'm glass. I'm sand. I'm a yellow plastic bottle. I'm all the plastics in the seas and in the guts of all the fishes. I'm the fishes. I'm the seas. I'm molluscs in the seas. I'm the flattened-out old beer can. I'm the shopping trolley in the canal. I'm the note on the stave, the bird on the line. I'm the stave. I'm the line. I'm spiders. I'm seeds. I'm water. I'm heart. I'm the cotton of the sheet. ..... I'm pollution. I'm a fall of horseshit on a country road a hundred years ago. ... I'm the fly .....I haven't even started telling you what I am. I'm everything that makes everything. I'm everything that unmakes everything. .... I'm the voice that tells no story.

So a scientist and an engineer are tossed into separate rooms, stocked with tools and parts, and told that they aren't allowed out until they've produced a working prototype for a radio receiver. After two days, the scientist has covered the walls in scribbling and looks like a mad man, raving about how not only is it impossible to build a receiver with the parts given but that he's proven that radio is theoretically impossible anyway. When they check on the engineer, they find that he'd built the receiver in less than a day, fashioned a crude speaker and antenna, and had found a radio broadcast he liked and hadn't bothered to tell them he'd finished.

Insight: all evaluation is made from a definite perspective: that of the preservation of the individual, a community, a race, a state, a church, a faith, a culture.--- Because we forget that valuation is always from a perspective, a single individual contains within him a vast confusion of contradictory valuations and consequently of contradictory drives. This is the expression of the diseased condition in man, in contrast to the animals in which all existing instincts answer to quite definite tasks. This contradictory creature has in his nature, however, a great method of acquiring knowledge: he feels many pros and cons, he raises himself to justice---to comprehension beyond esteeming things good and evil. The wisest man would be the one richest in contradictions, who has, as it were, antennae for all types of men---as well as his great moments of grand harmony---a rare accident even in us! A sort of planetary motion---

Baby Kochamma had installed a dish antenna on the roof of the Ayemenem house. She presided over the world in her drawing room on satellite TV. The impossible excitement that this engendered in Baby Kochamma wasn’t hard to understand. It wasn’t something that happened gradually. It happened overnight. Blondes, wars, famines, football, sex, music, coups d’etat—they all arrived on the same train. They unpacked together. They stayed at the same hotel. And in Ayemenem, where once the loudest sound had been a musical bus horn, now whole wars, famines, picturesque massacres and Bill Clinton could be summoned up like servants.

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.

I think the educational and psychological studies I mentioned are examples of what I would like to call cargo cult science. In the South Seas there is a cargo cult of people. During the war they saw airplanes land with lots of good materials, and they want the same thing to happen now. So they’ve arranged to make things like runways, to put fires along the sides of the runways, to make a wooden hut for a man to sit in, with two wooden pieces on his head like headphones and bars of bamboo sticking out like antennas—he’s the controller—and they wait for the airplanes to land. They’re doing everything right. The form is perfect. It looks exactly the way it looked before. But it doesn’t work. No airplanes land. So I call these things cargo cult science, because they follow all the apparent precepts and forms of scientific investigation, but they’re missing something essential, because the planes don’t land.

[O]ver the years I travelled to another universe. However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life. They have green skin, with two heads that sprout antennae. They can be pleasant, they can be annoying--in the supermarket, these old ladies won't get out of my way--but most important they are permanently other. When we turn eighty, we understand that we are extraterrestrial. If we forget for a moment that we are old, we are reminded when we try to stand up, or when we encounter someone young, who appears to observe green skin, extra heads, and protuberances.

I CAN STILL SEE YOU: an echo that can be groped towards with antenna words, on the ridge of parting. Your face quietly shies when suddenly there is lamplike brightness inside me, just at the point where most painfully one says, never.

When you consider someone without assumptions, your inner antenna picks up a new signal. Instead of tuning in to someone's personality, you tune in to his or her essence. This essence is spirit, and when you detect it, the natural response is love.

Lobsters fascinated me. Everything from their name to their claws to their magnificent red had me hooked. My hair was that read, the kind of read that looks okay on everything but people, because a person's hair is not supposed to be red. Orange, yes. Auburn, sure. But not lobster red. I took my pigtails, pressed them against the glass, and stared the nearest lobster straight in the eye. Dad said my hair was lobster red. My mother said it was Communist red. I didn't know what a Communist was, but it didn't sound good. Even pressing my hair flat against the glass, I couldn't tell if my dad was right. Part of me didn't want either of them to be right. "Let me out," said the lobster. He always said that. I rubbed my hair against the glass like the tank was a genie's lamp and the action would stir up some magic. Maybe, somehow, I could get these lobsters out. They looked so sad, all huddled on top of one another, antennae twitching, claws rubber-banded together.

And on every rooftop stood unimaginably tall television antennae. These silver feelers groped about in the air, in defiance of the mountains that formed a backdrop to the town.

The Pink Panther had been playing on the old antennae TV. He remembered how the slinky, suggestive saxophone triggered something abstractly pleasurable in his child-self.

We can talk to one another on telephones in banks, in cars, in line. No more sitting on the floor attached to a cord while everybody listens. No more standing outside the booth in the cold, fingering an adulterous dime. We send each other mail without stamps. Watch television without antennas. Wear seatbelts, smoke less, and never on a bus, never in the lobby while we’re waiting for the lawyer to call on us. Nowhere now, a typewriter ribbon. Quaintly the record album’s scratch and spin. Our groceries, scanned. Pump our own gas. Take off our shoes before boarding our plane. Those towers: Gone. And Pluto’s no longer a planet: Forget it. I could go on and on, but you’re still dead and nothing’s any different.

Now, as they were all looking at the new moth, she, too, went to look at it. It was of a creamy yellow color, like the yellow of the lemon called Buddha's Hand, and it had long black antennae. These quivered as it felt itself impaled. The wide wings fluttered and dark spots upon them showed green and gold for a moment. Then the moth was still. "How quickly they die!" Ch'iuming said suddenly.

Founded by President Truman at 12:01 A.M. on November 4, 1952, the NSA had been the most clandestine intelligence agency in the world for almost fifty years. The NSA's seven-page inception doctrine laid out a very concise agenda: to protect U.S. government communications and to intercept the communications of foreign powers. "The roof of the NSA's main operations building was littered with over five hundred antennas, including two large radomes that looked like enormous golf balls. The building itself was mammoth--over two million square feet, twice the size of CIA headquarters. Inside were eight million feet of telephone wire and eighty thousand square feet of permanently sealed windows.

We are all antennae for creative thought. Some transmissions come on strong, others are more faint. If your antenna isn’t sensitively tuned, you’re likely to lose the data in the noise. Particularly since the signals coming through are often more subtle than the content we collect through sensory awareness. They are energetic more than tactile, intuitively perceived more than consciously recorded.

There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey. To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.

Sonnets to Orpheus, Part One, XII Bless the spirit that makes connections, for truly we live in what we imagine. Clocks move along side our real life with steps that are ever the same. Though we do not know our exact location, we are held in place by what links us. Across trackless distances antennas sense each other. Pure attention, the essence of the powers! Distracted by each day's doing, how can we hear the signals? Even as the farmer labors there where the seed turns into summer, it is not his work. It is Earth who gives.

International politics is not unlike the jungle: smaller and weaker animals require acute intelligence, sensitive antennae, and nimbleness of footing to assure their own self-preservation; the strong—such as elephants—need pay less attention to ambient conditions and can often do as they wish, and others will get out of the way.

but art is not relative to perfection in any tangible sense. It is our coarse antennae trembling blindly as it traces the form of Origin, tastes the ephemeral glue welding us, yearning after the secret of ineluctable evolution, and wonders what this transformation will mean. In my mind, here was the best kind of art—the kind hoarded by rich and jealous collectors in their locked galleries; hidden from the eyes of the heathen masses, waiting to be shared with the ripe few

And then it dropped lower, and her eyes caught it in all its pale majesty. It was a moth, no more, no less, but as it circled down towards them she saw that its furry body was larger than that of a horse, its wingspan awesome, each wing as long as six men laid end to end. It had a small head, eyes glittering amongst the glossy fur behind frond-like antennae that extended forward in delicate furls. As it landed, the sweep of its wings extinguished most of their little fires.

A head began emerging out of the darkness. It had two large antennae growing out of its forehead, with nothing recognizable as eyes. A mouth in the middle of its face opened in what I hoped was a smile. At least there weren't any sharp teeth.

The dinner bell rings, and everyone trots off, Frederick coming in last with his taffy-colored hair and wounded eyes, bootlaces trailing. Werner washes Frederick’s mess tin for him; he shares homework answers, shoe polish, sweets from Dr. Hauptmann; they run next to each other during field exercises. A brass pin weighs lightly on each of their lapels; one hundred and fourteen hobnailed boots spark against pebbles on the trail. The castle with its towers and battlements looms below them like some misty vision of foregone glory. Werner’s blood gallops through his ventricles, his thoughts on Hauptmann’s transceiver, on solder, fuses, batteries, antennas; his boot and Frederick’s touch the ground at the exact same moment.

A new darkness pulled away the room, inked out flesh and outlined bones. My mother was wide awake again. She become sharply herself - bone, wire, antenna - but she was not afraid. She had been pared down like this before, when she had travelled up the mountains into rare snow - alone in white not unlike being alone in black. She had also sailed a boat safely between land and land.

The world is a dangerous place for little girls. Besides, little girls are more fragile, more delicate, more brittle than little boys. ‘Watch out, be careful, watch.’ ‘Don’t climb trees, don’t dirty your dress, don’t accept lifts from strange men. Listen but don’t learn, you won’t need it.’ And so the snail’s antennae grow, watching for this, looking for that, the underneath of things. The threat. And so she wastes so much of her energy, seeking to break those circuits, to push up the millions of tiny thumbs that have tried to quelch energy and creativity and strength and self-confidence; that have so effectively caused her to build fences against possibility, daring; that have so effectively kept her imprisoned inside her notions of self-worthlessness. And

A sculpture of the magnificent shape of God. Oh, admittedly it was a shallow rendering of That Which Cannot Be Named; but art is not relative to perfection in any tangible sense. It is our coarse antennae trembling blindly as it traces the form of Origin, tastes the ephemeral glue welding us, yearning after the secret of ineluctable evolution, and wonders what this transformation will mean.

Műtét után A macskám a műanyag burától nem fér ki a résnyire nyitott ajtón a mancsával feszegeti kicsit de túl nehéz a fa meg az üveg ha csak a fejét ha csak a fejét be tudná dugni kimászhatna az erkélyre és ott a rácsok közé nem tudná bedugni a fejét az ivartalanítás után megelőzi célzattal fejére húzott antenna miatt az én fejemen milyen bura lehet hogy nem férek hozzá a nyalogatnivaló sebeimhez

But the little buzzing things that lived in the grass were all dead—all but one. While we were lying there against the warm bank, a little insect of the palest, frailest green hopped painfully out of the buffalo grass and tried to leap into a bunch of bluestem. He missed it, fell back, and sat with his head sunk between his long legs, his antennae quivering, as if he were waiting for something to come and finish him.

Eiffel Tower" To Robert Delaunay Eiffel Tower Guitar of the sky Your wireless telegraphy Attracts words As a rosebush the bees During the night The Seine no longer flows Telescope or bugle EIFFEL TOWER And it's a hive of words Or an inkwell of honey At the bottom of dawn A spider with barbed-wire legs Was making its web of clouds My little boy To climb the Eiffel Tower You climb on a song Do re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric wind Over there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugle Toward all the seas On the path Of your perfume All the bees and the words go their way On the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES EVERY FALL AND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONG That's the way the Tower spoke to me one day Eiffel Tower Aviary of the world Sing Sing Chimes of Paris The giant hanging in the midst of the void Is the poster of France The day of Victory You will tell it to the stars

Whenever he can, Werner records what the partisans say on magnetic tape. Everybody, he is learning, likes to hear themselves talk. Hubris, like the oldest stories. They raise the antenna too high, broadcast for too many minutes, assume the world offers safety and rationality when of course it does not.

Tips for aliens in New York: ‘Land anywhere, Central Park, anywhere. No one will care, or indeed even notice. ‘Surviving: Get a job as a cab driver immediately. A cab driver’s job is to drive people anywhere they want to go in big yellow machines called taxis. Don’t worry if you don’t know how the machine works and you can’t speak the language, don’t understand the geography or indeed the basic physics of the area, and have large green antennae growing out of your head. Believe me, this is the best way of staying inconspicuous. ‘If your body is really weird try showing it to people in the streets for money.

you get a good story about three times a year. It comes in the shower on a day you have time. Couple hours to crank out, couple more to edit and there you have it. But you aren’t responsible. It’s from some antenna you put out and it happens to pick up a signal. Ideas sit for years before the way to crack them hits you. You can’t force it. All you can do is try not to fuck it up. Stay out of its way. Don’t slack off and erase your mind reading about rape on Twitter.

Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess. The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago.

She paints for a long time, standing back from the tavola, leaning in close. She progresses from bowl to honey to the pleats and wrinkles in the cloth. She navigates her course through the arrangement of objects, how they interact with each other, the spaces and conversations between them, shrinking herself to the size of a beetle so that she may wander through the crannies between peaches, along the interlocking hexagons of the honeycomb. She feels her way around the corresponding painting, using her brushes like feet or antennae, seeking a route through the unfamiliar terrain of the items, hacking her way through the undergrowth of the work.

It worked! Holy shit, it worked! I just suited up and checked the lander. The high-gain antenna is angled directly at Earth! Pathfinder has no way of knowing where it is, so it has no way of knowing where Earth is. The only way for it to find out is getting a signal. They know I’m alive! I don’t even know what to say. This was an insane plan and somehow it worked! I’m going to be talking to someone again. I spent three months as the loneliest man in history and it’s finally over. Sure, I might not get rescued. But I won’t be alone. The whole time I was recovering Pathfinder, I imagined what this moment would be like. I figured I’d jump up and down a bit, cheer, maybe flip off the ground (because this whole damn planet is my enemy), but that’s not what happened. When I got back to the Hab and took off the EVA suit, I sat down in the dirt and cried. Bawled like a little kid for several minutes. I finally settled down to mild sniffling and then felt a deep calm. It was a good calm.

At one edge of the base, pressed between the fenceline and the sea, shimmered the pale archways and columns, the madrone and wind-shaped cypresses of the clifftop campus of College of the Surf. Against the somber military blankness at its back, here was a lively beachhead of drugs, sex, and rock and roll, the strains of subversive music day and night, accompanied by tambourines and harmonicas, reaching like fog through the fence, up the dry gulches and past the sentinel antennas, the white dishes and masts, the steel equipment sheds, finding the ears of sentries attentuated but ominous, like hostile-native sounds in a movie about white men fighting savage tribes.

The world, once flat to his eyes, now bristled with edges and textures. He saw the tiny grooves of petals and leaves, like fingerprints, their identities written like poems across their surfaces. He saw the slow firecrackers of pine cones, popping and stretching all summer, their stiff armor like soldiers on parade, and also the rolling softness of their sap like happy tears. He understood the flurry of motes, which no longer looked like chaos fogging his vision as it had when he was Birthless. Now he could hear the tune of the world, the song of the wind, and the play of all things in it and he knew now that it was a dance, choreographed down to the smallest antennae thrust into the reeling.

I coast through the abyss on the colder side of Neptune's orbit. Most of the time I exist only as an absence, to any observer on the visible spectrum: a moving, asymmetrical silhouette blocking the stars. But occasionally, during my slow endless spin, I glint with dim hints of reflected starlight. If you catch me in those moments you might infer something of my true nature: a segmented creature with foil skin, bristling with joints and dishes and spindly antennae. Here and there a whisper of accumulated frost clings to a joint or seam, some frozen wisp of gas encountered in Jupiter space perhaps. Elsewhere I carry the microscopic corpses of Earthly bacteria who thrived with carefree abandon on the skins of space stations or the benign lunar surface—but who had gone to crystal at only half my present distance from the sun. Now, a breath away from Absolute Zero, they might shatter at a photon's touch.

Then she was in a different part of the club, and she and Kitty were dancing to a rap song they both knew all the words to, and Kitty was wearing a thin plastic headband with antennae off of which wobbled life-sized sparkly pink penises. How marvelous this headband was! Even more marvelously, Kitty pointed out that Liz was wearing an identical one. Truly, it was a magical night.

The first glance at the pillow showed me a repulsive sentinel perched upon each end of it--cockroaches as large as peach leaves--fellows with long, quivering antennae and fiery, malignant eyes. They were grating their teeth like tobacco worms, and appeared to be dissatisfied about something. I had often heard that these reptiles were in the habit of eating off sleeping sailors' toe nails down to the quick, and I would not get in the bunk any more. I lay down on the floor. But a rat came and bothered me, and shortly afterward a procession of cockroaches arrived and camped in my hair. In a few moments the rooster was crowing with uncommon spirit and a party of fleas were throwing double somersaults about my person in the wildest disorder, and taking a bite every time they stuck. I was beginning to feel really annoyed. I got up and put my clothes on and went on deck. The above is not overdrawn; it is a truthful sketch of inter-island schooner life.

I wrote many things for and with John. I know this is one assignment he'd rather I didn't have to take on. Although I had a close – head to head, arm to arm working relationship with John, that proximity never affected the fact that from the moment I met him, through all work, I remain his number one fan. He was a brilliant performer, writer, tactician, business strategist and most importantly, he was the only man that I could dance with. He was a great – a world class – emissary of American humor. John was a patriot, a resident of the most wide open, liberal society on earth, and he took full advantage of it. In come cases, real greatness gives license for real indulgence; whether it's as a reward, as therapy or as sanctuary. For as hard as John worked, there had to be an additional illicit thrill to make the effort all worthwhile. John was a nighthawk, true. But he was not an immoral individual. He was a good man, a kind man, a warm man, a hot man. What we are talking about here is a good man – and a bad boy. Johnny – you can be sure that I'll have my antennae out for the paranatural and the spiritual, and believe me, if there's any contact with him, I'll let you know.

Integrity of thought, flexibility of mind, and a consuming curiosity concerning the world and its occupants were the touchstones to her friendship. Whether she happened to find these in some struggling gifted youth or in some person of recognized achievement, her response was equally sincere. The sensitive antennae of her own sympathy and human awareness reached out in a roomful of people and unerringly found minds to quicken hers, talents to match her own. She loved wit, but not at the expense of wisdom. She delighted in good company and the exchange of talk, yet she was seldom deceived by mere superficial brilliance.” -p. 505

A man can beat his wife with car antennas, can trade his children for drugs or motorcycles, but still, when he finally, mercifully, dies, his survivors will have to hear from some know-nothing at the post-funeral dinner that he did his best. This, I’m guessing, is based on the premise that we all give 110 percent all the time, regarding everything: our careers, our relationships, the attention we pay to our appearance, etc.

teaser? Teasers are usually rich kids with nothing to do. They cruise around looking for planets that haven’t made interstellar contact yet and buzz them.” “Buzz them?” Arthur began to feel that Ford was enjoying making life difficult for him. “Yeah,” said Ford, “they buzz them. They find some isolated spot with very few people around, then land right by some poor unsuspecting soul whom no one’s ever going to believe and then strut up and down in front of him wearing silly antennas on their head and making beep beep noises. Rather childish really.” Ford leaned back on the mattress with his hands behind his head and looked infuriatingly pleased with himself.

Master Nathaniel looked at him. The fixed stare, the slightly-open mouth, the rigid motionless body, fettered by a misery too profound for restlessness — how well he knew the state of mind these things expressed! But there must surely be relief in thus allowing the mood to mould the body's attitude to its own shape. He had no need now to ask his son for explanations. He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon. But when it is another person who is suffering in this way, in spite of one's pity, how trivial it all seems! How certain one is of being able to expel the agony with reasoning and persuasion!

As part of the animal sentinel program, going back to 1999, scientists had been making great progress training honeybees to locate bombs. Bees have sensing capabilities that outperform the dog’s nose by a trillion parts per second. Using Pavlovian techniques, scientists cooled down groups of bees in a refrigerator, then strapped them into tiny boxes using masking tape, leaving their heads, and most of their antennae, poking out the top. Using a sugar water reward system, the scientists trained the bees to use their tongues to “sniff out” explosives, resulting in a reaction the scientists call a “purr.” After training, when the scientists exposed the bees to a six-second burst of explosives, some had learned to “purr.

To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy. To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp. To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower. To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.

Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me. "Oh,God. Don't look at that!" It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect. "Nice stripes," Alex said casually, straightening up. That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either. "Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute." "You're insane," I muttered, insanely pleased. "Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful. The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space. Then he started singing. "You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song. And just like that, I was officially In Deep

Here’s a thought that haunts me: What if we are designed as sensitive antennas, receptors to receive love, a longing we often mistake as a need to be impressive? What if some of the most successful people in the world got that way because their success was fueled by a misappropriated need for love? What if the people we consider to be great are actually the most broken? And what if the whole time they’re seeking applause they are missing out on true intimacy because they’ve never learned how to receive it?

... television looks to be an absolute godsend for a human subspecies that loves to watch people but hates to be watched itself. For the television screen affords access only one-way. A psychic ball-check valve. We can see Them; They can’t see Us. We can relax, unobserved, as we ogle. I happen to believe this is why television also appeals so much to lonely people. To voluntary shut-ins. Every lonely human I know watches way more than the average U.S. six hours a day. The lonely, like the fictive, love one-way watching. For lonely people are usually lonely not because of hideous deformity or odor or obnoxiousness—in fact there exist today support- and social groups for persons with precisely these attributes. Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly. Let’s call the average U.S. lonely person Joe Briefcase. Joe Briefcase fears and loathes the strain of the special self-consciousness which seems to afflict him only when other real human beings are around, staring, their human sense-antennae abristle. Joe B. fears how he might appear, come across, to watchers. He chooses to sit out the enormously stressful U.S. game of appearance poker. But lonely people, at home, alone, still crave sights and scenes, company. Hence television. Joe can stare at Them on the screen; They remain blind to Joe. It’s almost like voyeurism.

1 I don't believe in omens or fear Forebodings. I flee from neither slander Nor from poison. Death does not exist. Everyone's immortal. Everything is too. No point in fearing death at seventeen, Or seventy. There's only here and now, and light; Neither death, nor darkness, exists. We're all already on the seashore; I'm one of those who'll be hauling in the nets When a shoal of immortality swims by. 2 If you live in a house - the house will not fall. I'll summon any of the centuries, Then enter one and build a house in it. That's why your children and your wives Sit with me at one table, - The same for ancestor and grandson: The future is being accomplished now, If I raise my hand a little, All five beams of light will stay with you. Each day I used my collar bones For shoring up the past, as though with timber, I measured time with geodetic chains And marched across it, as though it were the Urals. 3 I tailored the age to fit me. We walked to the south, raising dust above the steppe; The tall weeds fumed; the grasshopper danced, Touching its antenna to the horse-shoes - and it prophesied, Threatening me with destruction, like a monk. I strapped my fate to the saddle; And even now, in these coming times, I stand up in the stirrups like a child. I'm satisfied with deathlessness, For my blood to flow from age to age. Yet for a corner whose warmth I could rely on I'd willingly have given all my life, Whenever her flying needle Tugged me, like a thread, around the globe.

The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.

When I see works that come close to my heart, that I think are really fine, I have the strangest reaction: which is not always exhilarating, it is sort of like being hit in the stomach. Feeling a little nauseous. It’s just this sort of completely overwhelming feeling, which then I have to grope my way out of, calm myself down, and try to approach it scientifically, not with all my antennae vulnerable, open…. What comes to you after looking at it calmly, after you’ve really digested every nuance and every little thread, is the total impact. When you encounter a very great work of art, you just know it and it thrills you in all your senses, not just visually, but sensually and intellectually.

Clive convinced himself that it wouldn’t be long before we’d be able to predict all their [the moths] equations of cause and effect, then perhaps even map out each and every cell, and configure them in their entirety as robots, in terms of molecules, chemicals and electrical signals. And what fed this particular obsession was Pupal Soup. If you cut through a cocoon in mid-winter, a thick creamy liquid will spill out and nothing more. What goes into that cocoon in autumn is a caterpillar and what comes out in spring is entirely different—a moth, complete with papery wings, hair like legs and antennae. Yet this same creature spends winter as a gray-green liquid, a primordial soup. The miraculous meltdown of an animal into a case of fluid chemicals and its exquisite re-generation into a different animal, like a stupendous jigsaw, was a feat that, far from putting off, fed Clive’s obsession. He believed it made his lifetime ambition easier because, however complex it might be, it was, after all, only a jigsaw, and to Clive, that meant it was possible. For all the chemicals required to make a moth were right there in front of his eyes, in the pupal soup.

Vietnam is still, as it was thirty years ago, a poor country of rice paddy farms and sandy harbors, where fishermen cast nets from boats with eyes painted on the bows. It is overcrowded, prey to floods and sweatshops, dotted by modern cities and tiny hamlets of thatched huts with TV antennae. It is not a great capital of industry, or an international oil field or bread basket. There is nothing in Vietnam, now, that America truly needs. And there was even less thirty years ago. This country, these people, posed no real threat to us. It was a strange place to send our youth - not to learn a new culture or to enjoy the beaches, but to kill and be killed, to be maimed and to patch up the maimed. I am convinced that, to our government, Vietnam really, truly Didn't Mean Nothing.

Anyone looking up from the dock saw only beauty, on a monumental scale, while on the far side of the ship men turned black with dust as they shoveled coal—5,690 tons in all—into the ship through openings in the hull called “side pockets.” The ship burned coal at all times. Even when docked it consumed 140 tons a day to keep furnaces hot and boilers primed and to provide electricity from the ship’s dynamo to power lights, elevators, and, very important, the Marconi transmitter, whose antenna stretched between its two masts. When the Lusitania was under way, its appetite for coal was enormous. Its 300 stokers, trimmers, and firemen, working 100 per shift, would shovel 1,000 tons of coal a day into its 192 furnaces to heat its 25 boilers and generate enough superheated steam to spin the immense turbines of its engines.

But the remarkable thing about the beetles was their sensitivity to all the grammar and directives and slogans and even unstated desires of the ant world, which they learned to manipulate. They first memorized the proper antenna-vibration and foreleg-tap which the ants themselves used to request food. The poor workers, busy going here and there and back again all day and never getting a chance to think, automatically assumed that these fearsome strangers had been authorized by the Central Committee since they knew the password, and so they regurgitated a drop or two of fruit juice on cue, much the same as when one is traveling across Europe or Asia on the train and a person in uniform requests one’s passport, one’s ticket, takes them away, and comes back, or else does not come back, having sold them; a badge and a superior manner can obtain anything in this world.

In some circles emptiness is even made a goal to be sought after, under the guise of being “adaptable.” Nowhere is this illustrated more arrestingly than in an article in Life Magazine entitled “The Wife Problem.”* Summarizing a series of researches which first appeared in Fortune about the role of the wives of corporation executives, this article points out that whether or not the husband is promoted depends a great deal on whether his wife fits the “pattern.” Time was when only the minister’s wife was looked over by the trustees of the church before her husband was hired; now the wife of the corporation executive is screened, covertly or overtly, by most companies like the steel or wool or any other commodity the company uses. She must be highly gregarious, not intellectual or conspicuous, and she must have very “sensitive antennae” (again that radar set!) so that she can be forever adapting.

On the other hand, it has a number of other advantages for power. For one thing, it diverts people, it atomizes people. When you're sitting in front of your tube, you're alone. I mean, there's something about human beings that just makes face-to-face contact very different from banging around on a computer terminal and getting some noise coming back―that's very impersonal, and it breaks down human relations. Well, that's obviously a good result from the point of view of people with power―because it's extremely important to drive human sentiments out of people if you just want them to be passive and obedient and under control. So if you can eliminate things like face-to-face contact and direct interaction, and just turn people into what's caricatured as kind of an M.I.T. nerd―you know, somebody who's got antennae coming out of his head, and is wired into his computer all the time―that's a real advantage, because then you've made them more inhuman, and therefore more controllable.

The age-old trick of transfer pricing Taking advantage of the fact that they operate in countries with different tax rates, TNCs [transnational corporations] have their subsidiaries over-charge or under-charge each other – sometimes grossly – so that profits are highest in those subsidiaries operating in countries with the lowest corporate tax rates. In this way, their global post-tax profit is maximized. A 2005 report by Christian Aid, the development charity, documents cases of under-priced exports like TV antennas from China at $0.40 apiece, rocket launchers from Bolivia at $40 and US bulldozers at $528 and over-priced imports such as German hacksaw blades at $5,485 each, Japanese tweezers at $4,896 and French wrenches at $1,089. The Starbucks and Google cases were different from those examples only in that they mainly involved ‘intangible assets’, such as brand licensing fees, patent royalties, interest charges on loans and in-house consultancy (e.g., coffee quality testing, store design), but the principle involved was the same. When TNCs evade taxes through transfer pricing, they use but do not pay for the collective productive inputs financed by tax revenue, such as infrastructure, education and R&D. This means that the host economy is effectively subsidizing TNCs.

There are other noteworthy characteristics of this rock art style: Anthropomorphs without headdresses instead sport horns, or antennae, or a series of concentric circles. Also prominent in many of the figures' hands are scepters--each one an expression of something significant in the natural world. Some look like lightning bolts, some like snakes; other burst from the fingers like stalks of ricegrass. Colorado Plateau rock-art expert Polly Schaafsma has interpreted these figures as otherworldly--drawn by shamans in isolated and special locations, seemingly as part of a ceremonial retreat. Schaafsma and others believe that the style reflects a spirituality common to all hunter-gatherer societies across the globe--a way of life that appreciates the natural world and employs the use of visions to gain understanding and appreciation of the human relationship to the earth. Typically, Schaafsma says, it is a spirituality that identifies strongly with animals and other aspects of nature--and one that does so with an interdependent rather than dominant perspective. To underscore the importance of art in such a culture, Schaafsma points to Aboriginal Australians, noting how, in a so-called primitive society, where forms of written and oral communication are considered (at least by our standards) to be limited, making art is "one means of defining the mystic tenets of one's faith.

The Relics" I slipped them into my friend’s palm —  the tiny crucifix, and dove, from off my mother’s pendant watch —  and I asked her to walk them up through the brush toward timberline, and find a place to hurl them, for safekeeping. Now, she writes, “I walked up the canyon at dusk, warm, with a touch of fall blowing down the canyon, came to an outcrop, above a steep drop — far below, a seasonal creek, green willows. I stood on a boulder and held out my hand. I wished your mother all the love in the world, and I sent the talismans flying off the cliff. They were so small, and the wind was blowing, so I never saw or heard them land.” My mother is where I cannot find her, she is gone beyond recall, she lies in her sterling shapes light as the most weightless bone in the body, her stirrup bone, which was ground up and sown into the sea. I do not know what a soul is, I think of it as the smallest, the core, civil right. And she is wild now with it, she touches and is touched by no one knows — down, or droppings of a common nighthawk, root of bird’s foot fern, antenna of Hairstreak or Echo Azure, or stepped on by the huge translucent Jerusalem cricket. There was something deeply right about the physical elements — atoms, and cells, and marrow — of my mother’s body, when I was young, and now her delicate insignias receive the direct touch of the sun, and scatter it, unseen, all over her home.

Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been. (from the short story The Wanderers)

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

You Are What You Eat Take food for example. We all assume that our craving or disgust is due to something about the food itself - as opposed to being an often arbitrary response preprogrammed by our culture. We understand that Australians prefer cricket to baseball, or that the French somehow find Gerard Depardieu sexy, but how hungry would you have to be before you would consider plucking a moth from the night air and popping it, frantic and dusty, into your mouth? Flap, crunch, ooze. You could wash it down with some saliva beer.How does a plate of sheep brain's sound? Broiled puppy with gravy? May we interest you in pig ears or shrimp heads? Perhaps a deep-fried songbird that you chew up, bones, beak, and all? A game of cricket on a field of grass is one thing, but pan-fried crickets over lemongrass? That's revolting. Or is it? If lamb chops are fine, what makes lamb brains horrible? A pig's shoulder, haunch, and belly are damn fine eatin', but the ears, snout, and feet are gross? How is lobster so different from grasshopper? Who distinguishes delectable from disgusting, and what's their rationale? And what about all the expectations? Grind up those leftover pig parts, stuff 'em in an intestine, and you've got yourself respectable sausage or hot dogs. You may think bacon and eggs just go together, like French fries and ketchup or salt and pepper. But the combination of bacon and eggs for breakfast was dreamed up about a hundred years aqo by an advertising hired to sell more bacon, and the Dutch eat their fries with mayonnaise, not ketchup. Think it's rational to be grossed out by eating bugs? Think again. A hundred grams of dehydrated cricket contains 1,550 milligrams of iron, 340 milligrams of calcium, and 25 milligrams of zinc - three minerals often missing in the diets of the chronic poor. Insects are richer in minerals and healthy fats than beef or pork. Freaked out by the exoskeleton, antennae, and the way too many legs? Then stick to the Turf and forget the Surf because shrimps, crabs, and lobsters are all anthropods, just like grasshoppers. And they eat the nastiest of what sinks to the bottom of the ocean, so don't talk about bugs' disgusting diets. Anyway, you may have bug parts stuck between your teeth right now. The Food and Drug Administration tells its inspectors to ignore insect parts in black pepper unless they find more than 475 of them per 50 grams, on average. A fact sheet from Ohio State University estimates that Americans unknowingly eat an average of between one and two pounds of insects per year. An Italian professor recently published Ecological Implications of Mini-livestock: Potential of Insects, Rodents, Frogs and Snails. (Minicowpokes sold separately.) Writing in Slate.com, William Saletan tells us about a company by the name of Sunrise Land Shrimp. The company's logo: "Mmm. That's good Land Shrimp!" Three guesses what Land Shrimp is. (20-21)