Antenna Life Quotes

To ignore, repress, or dismiss our feelings is to fail to listen to the stirrings of the Spirit within our emotional life. Jesus listened. In John's Gospel we are told that Jesus was moved with the deepest emotions (11:33)... The gospel portrait of the beloved Child of Abba is that of a man exquisitely attuned to His emotions and uninhibited in expressing them. The Son of Man did not scorn of reject feelings as fickle and unreliable. They were sensitive antennae to which He listened carefully and through which He perceived the will of His Father for congruent speech and action.

People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

The second wave is now in their late 20s and 30s. They have made the transition to life on Earth much more easily than the first wave. The second wave souls tend to work behind the scenes, often on their own, creating little or no Karma. In the sessions I conduct as a hypnotist, they have been described as antennas that unconsciously channel energy onto the Earth. They do not have to do anything; they just have to be. Their energy affects everyone they come into contact with. Their paradox is they are supposed to be sharing their energy, but they do not like being around people.

I was ten when I heard the music that ended the first phase of my life and cast me hurtling towards a new horizon. Drenched to the skin, I stood on Dunoon’s pier peering seawards through diagonal rain, looking for the ferry that would take me home. There, on the everwet west coast of Scotland, I heard it: like sonic scalpels, the sounds of electric guitars sliced through the dreich weather. My body hairs pricked up like antennae. To my young ears these amplified guitars sounded angelic, for surely no man-made instrument could produce that tone. The singer couldn't be human. His voice was too clean, too pure, too resonant, as though a robot larynx were piping words through vocal chords of polished silver. The overall effect was intoxicating - a storm of drums, earthquake bass, razor-sharp guitar riffs, and soaring vocals of astonishing clarity. I knew that I was hearing the future.

Your heart has a powerful little antenna and its pulses and vibrations can be felt throughout the universe.

Teasers are usually rich kids with nothing to do. They cruise around looking for planets that haven’t made interstellar contact yet and buzz them.” “Buzz them?” Arthur began to feel that Ford was enjoying making life difficult for him. “Yeah,” said Ford, “they buzz them. They find some isolated spot with very few people around, then land right by some poor unsuspecting soul whom no one’s ever going to believe and then strut up and down in front of him wearing silly antennas on their head and making beep beep noises.

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.

[O]ver the years I travelled to another universe. However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life. They have green skin, with two heads that sprout antennae. They can be pleasant, they can be annoying--in the supermarket, these old ladies won't get out of my way--but most important they are permanently other. When we turn eighty, we understand that we are extraterrestrial. If we forget for a moment that we are old, we are reminded when we try to stand up, or when we encounter someone young, who appears to observe green skin, extra heads, and protuberances.

There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey. To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.

Sonnets to Orpheus, Part One, XII Bless the spirit that makes connections, for truly we live in what we imagine. Clocks move along side our real life with steps that are ever the same. Though we do not know our exact location, we are held in place by what links us. Across trackless distances antennas sense each other. Pure attention, the essence of the powers! Distracted by each day's doing, how can we hear the signals? Even as the farmer labors there where the seed turns into summer, it is not his work. It is Earth who gives.

but he would bet his life that it had a white CB antenna on the roof and that the driver was listening to police bands.

Then she was in a different part of the club, and she and Kitty were dancing to a rap song they both knew all the words to, and Kitty was wearing a thin plastic headband with antennae off of which wobbled life-sized sparkly pink penises. How marvelous this headband was! Even more marvelously, Kitty pointed out that Liz was wearing an identical one. Truly, it was a magical night.

The first glance at the pillow showed me a repulsive sentinel perched upon each end of it--cockroaches as large as peach leaves--fellows with long, quivering antennae and fiery, malignant eyes. They were grating their teeth like tobacco worms, and appeared to be dissatisfied about something. I had often heard that these reptiles were in the habit of eating off sleeping sailors' toe nails down to the quick, and I would not get in the bunk any more. I lay down on the floor. But a rat came and bothered me, and shortly afterward a procession of cockroaches arrived and camped in my hair. In a few moments the rooster was crowing with uncommon spirit and a party of fleas were throwing double somersaults about my person in the wildest disorder, and taking a bite every time they stuck. I was beginning to feel really annoyed. I got up and put my clothes on and went on deck. The above is not overdrawn; it is a truthful sketch of inter-island schooner life.

teaser? Teasers are usually rich kids with nothing to do. They cruise around looking for planets that haven’t made interstellar contact yet and buzz them.” “Buzz them?” Arthur began to feel that Ford was enjoying making life difficult for him. “Yeah,” said Ford, “they buzz them. They find some isolated spot with very few people around, then land right by some poor unsuspecting soul whom no one’s ever going to believe and then strut up and down in front of him wearing silly antennas on their head and making beep beep noises. Rather childish really.” Ford leaned back on the mattress with his hands behind his head and looked infuriatingly pleased with himself.

Vague sentiments do little to inspire but affirming specific actions behavior or character can have a lasting impact. This means we should be on the lookout for good things to praise. Our beauty and goodness antenna should be up ready to notice and celebrate the good in those God has placed in our life.

1 I don't believe in omens or fear Forebodings. I flee from neither slander Nor from poison. Death does not exist. Everyone's immortal. Everything is too. No point in fearing death at seventeen, Or seventy. There's only here and now, and light; Neither death, nor darkness, exists. We're all already on the seashore; I'm one of those who'll be hauling in the nets When a shoal of immortality swims by. 2 If you live in a house - the house will not fall. I'll summon any of the centuries, Then enter one and build a house in it. That's why your children and your wives Sit with me at one table, - The same for ancestor and grandson: The future is being accomplished now, If I raise my hand a little, All five beams of light will stay with you. Each day I used my collar bones For shoring up the past, as though with timber, I measured time with geodetic chains And marched across it, as though it were the Urals. 3 I tailored the age to fit me. We walked to the south, raising dust above the steppe; The tall weeds fumed; the grasshopper danced, Touching its antenna to the horse-shoes - and it prophesied, Threatening me with destruction, like a monk. I strapped my fate to the saddle; And even now, in these coming times, I stand up in the stirrups like a child. I'm satisfied with deathlessness, For my blood to flow from age to age. Yet for a corner whose warmth I could rely on I'd willingly have given all my life, Whenever her flying needle Tugged me, like a thread, around the globe.

In some circles emptiness is even made a goal to be sought after, under the guise of being “adaptable.” Nowhere is this illustrated more arrestingly than in an article in Life Magazine entitled “The Wife Problem.”* Summarizing a series of researches which first appeared in Fortune about the role of the wives of corporation executives, this article points out that whether or not the husband is promoted depends a great deal on whether his wife fits the “pattern.” Time was when only the minister’s wife was looked over by the trustees of the church before her husband was hired; now the wife of the corporation executive is screened, covertly or overtly, by most companies like the steel or wool or any other commodity the company uses. She must be highly gregarious, not intellectual or conspicuous, and she must have very “sensitive antennae” (again that radar set!) so that she can be forever adapting.

Ellison, Gates, and the other members of this government/industry collaboration used the lockdown to accelerate construction of their 5G network54 of satellites, antennae, biometric facial recognition, and “track and trace” infrastructure that they, and their government and intelligence agency partners, can use to mine and monetize our data, further suppress dissent, to compel obedience to arbitrary dictates, and to manage the rage that comes as Americans finally wake up to the fact that this outlaw gang has stolen our democracy, our civil rights, our country, and our way of life—while we huddled in orchestrated fear from a flu-like virus.

There are other noteworthy characteristics of this rock art style: Anthropomorphs without headdresses instead sport horns, or antennae, or a series of concentric circles. Also prominent in many of the figures' hands are scepters--each one an expression of something significant in the natural world. Some look like lightning bolts, some like snakes; other burst from the fingers like stalks of ricegrass. Colorado Plateau rock-art expert Polly Schaafsma has interpreted these figures as otherworldly--drawn by shamans in isolated and special locations, seemingly as part of a ceremonial retreat. Schaafsma and others believe that the style reflects a spirituality common to all hunter-gatherer societies across the globe--a way of life that appreciates the natural world and employs the use of visions to gain understanding and appreciation of the human relationship to the earth. Typically, Schaafsma says, it is a spirituality that identifies strongly with animals and other aspects of nature--and one that does so with an interdependent rather than dominant perspective. To underscore the importance of art in such a culture, Schaafsma points to Aboriginal Australians, noting how, in a so-called primitive society, where forms of written and oral communication are considered (at least by our standards) to be limited, making art is "one means of defining the mystic tenets of one's faith.

Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

Was this the end of the madness? Were science and rationality really coming back? Ye asked herself these questions repeatedly. Ye never again received any communication from Trisolaris. She knew that she would have to wait at least eight years to hear that world’s response to her message, and after leaving the base, she no longer had any way of receiving extraterrestrial replies. It was such an important thing, and yet she had done it all by herself. This gave her a sense of unreality. As time passed, that sense grew ever stronger. What had happened resembled an illusion, a dream. Could the sun really amplify radio signals? Did she really use it as an antenna to send a message about human civilization into the universe? Did she really receive a message from the stars? Did that blood-hued morning, when she had betrayed the entire human race, really happen? And those murders … Ye tried to numb herself with work so as to forget the past—and almost succeeded. A strange kind of self-protective instinct caused her to stop recalling the past, to stop thinking about the communication she had once had with another civilization. Her life passed this way, day after day, in tranquility. *

Harvard biologist Edward O. Wilson performed a rather bizarre experiment on ants that may supplement Paul’s illustration (Rom 6:1-14). After noticing that it took ants a few days to recognize one of their crumpled nestmates as having died, he determined that ants identified death by clues of smell, not visually. As the ant’s body began to decompose, other ants would infallibly carry it out of the nest to a refuse pile. After many tries, Wilson narrowed down the precise chemical clue to oleic acid. If the ants smelled oleic acid, they would carry out the corpse; any other smell, they ignored. Their instinct was so strong that if Wilson daubed oleic acid on bits of paper, other ants would dutifully carry the paper to the ant cemetery. In a final twist, Wilson painted oleic acid on the bodies of living ants. Sure enough, their nestmates seized them and marched them, their legs and antennae wriggling in protest, out to the ant cemetery. Thus deposited, the indignant 'living dead' cleaned themselves off before returning to the nest. If they did not remove every trace of the oleic acid, the nestmates would promptly seize them again and return them to the cemetery. They had to be certifiably alive, judged solely by smell, before being accepted back into the nest. I think of that image, 'dead' ants acting very much alive, when I read Paul’s first illustration in Romans 6. Sin may be dead, but it stubbornly wriggles back to life.

Medusa is a good example of how Goddess in her dark aspect became demonized in the patriarchal context. Gimbutas points out that the earliest Greek gorgons were not terrifying symbols, but were portrayed with symbols of regeneration – bee wings and snakes as antennae102. Medusa with her serpent hair had been a widely recognized symbol of Divine Female Wisdom – the serpent representing Knowledge of Change, the very essence of Being, never-ending renewal, and thus immortality. Medusa was a face of Ultimate Mystery, of the One – She was “All that has been, that is, and that will be103.” In our cultural mythology Perseus was celebrated as hero for being able to defeat her and cut off her head with its so called deadly gaze. It was said that her gaze was so fearsome it turned mortals to stone. There is no doubt that it is fearsome to look into the eye of the Divine; but patriarchal gods have carried the same characteristic, Yahweh for example, without threat of the same retribution. In the patriarchal context, is it really the gaze of the Female that is deadly? It is women who are the chronically gazed upon, whether as sex object or on a pedestal; perhaps this epitomizes Medusa’s/Goddess’ imprisonment – how She is “kept an eye on”. The beheading of Medusa – one who is icon of Wisdom, may be understood as a story of dis-memberment of the Female Metaphor/Goddess104. The hera’s journey today is to go against the patriarchal injunction and look Medusa straight on, as philosopher Helene Cixous suggests105. She is at first fearsome, but the Dark Goddess’ fierceness nurtures a strength in a woman, gives her back the “steel in her stomach” that she needs to live her life. This Old Wisdom tradition is about recognizing the Power within, and daring to take the journey into that Self-knowledge.

I have called you to walk a specific path. I will bring the fruit to you. All you will have to do is pick it up and stay on My path for you. That is what it means to abide in Me.” The people of Israel conquered the Promised Land as a result of obedience, not sweat, toil or natural talent. In our work-life call, God desires to give us fruit from our calling when we fulfill the unique purpose for which God made us. When something unusual happens in our daily life experience, it is a time to tune in to our spiritual antennae. God is often at work. We need to abide completely in His presence and purpose for our life so that we can pick the fruit He desires to bring into our path.

Our theological antennae attuned to the clue being offered, we begin to see that the whole of The Hobbit is a figurative account of Bilbo’s baptism into the fullness of life. He had been “dead” when trying to preserve the life of creature comforts at Bag End, his home in the Shire, and needed to “die to himself,” laying down his life self-sacrificially for others, which is the hallmark and meaning of love, in order to find the fullness of life. He had to lose his life in order to gain it. He had to bury his old life of self-centerdness in order to be resurrected into the new life of adventure. He had to risk death in order to find life. In short and in sum, he needed a baptism of death-defying and life-giving grace.

There are so many great stories that happen in real life there's really no need to think them up at all. I always tell children I have got idea antennae flapping around waiting to grab ideas as they fly past.

Something is wrong with us. Our natural desire to pray comes from Creation. We are made in the image of God. Our inability to pray comes from the Fall. Evil has marred the image. We want to talk to God but can’t. The friction of our desire to pray, combined with our badly damaged prayer antennae, leads to constant frustration. It’s as if we’ve had a stroke.

over twenty-eight hundred Saturdays. I got to thinking that if I lived to be seventy-five, I only had about a thousand of them left to enjoy. “So I went to a toy store and bought every single marble they had. I ended up having to visit three toy stores to round up 1,000 marbles. I took them home and put them inside of a large, clear plastic container right here . . . next to my gear. Every Saturday since then, I have taken one marble out and thrown it away. “I found that by watching the marbles diminish, I focused more on the really important things in life. There is nothing like watching your time here on this earth run out to help get your priorities straight. “Now let me tell you one last thing before I sign off with you and take my lovely wife out for breakfast. This morning, I took the very last marble out of the container. I figure if I make it until next Saturday then I have been given a little extra time. And the one thing we can all use is a little more time. “It was nice to meet you, Tom. I hope you spend more time with your family, and I hope to meet you again here on the band.” You could have heard a pin drop on the band when this fellow signed off. I guess he gave us all a lot to think about. I had planned to work on the antenna that morning, and then I was going to meet up with a few hams to work on the next club newsletter. Instead, I went upstairs and woke my wife up with a kiss. “C’mon honey, I’m taking you and the kids to breakfast.” “What brought this on?” she asked with a smile.“Oh, nothing special, it’s just been a long time since we spent a Saturday together with the kids. Hey, can we stop at a toy store while we’re out? I need to buy some marbles.

The book will have sensitized us, stimulated our dormant antennae by evidence of its own developed sensitivity. Which is why Proust proposed, in words he would modestly never have applied to his own novel: If we read the new masterpiece of a man of genius, we are delighted to find in it those reflections of ours that we despised, joys and sorrows which we had repressed, a whole world of feeling we had scorned, and whose value the book in which we discover them suddenly teaches us.

Odin remains at the core of staggering. His Óðr, the force that inspires people to perform or to prophesize; to produce scholarly works or to enter a frenzy in battle, is vital for travelling within the trees. Óðr overwhelms and infuses us, blankets our consciousness and brings us ecstasy: Odin, if you will, takes our hand and guides us through the greenways. “Here, on Midgard, Karl found first one, then many candidates for what he called heartwoods, the oldest of groves. Yew trees that were gnarled and twisted when Sumeria was young. Pines as old as the Pyramids. Old trees, like antenna, catching unworldly signals. Trees that resonated and thrummed with Óðr when sung to, songs from the beginning of days. Entities that took your embrace and danced you to somewhere entirely different, continents away—worlds away for those of us who are particularly adept. We have accepted this way of life as we have always embraced Yggdrasil: as a benefactor and a guardian. Those favoured by Odin ride his steed, those blessed by other gods still ride on wagons.

The acid ants, the acidic ants, flowering On the piece of melon in the saucer, Making milky the wedge of cheese, Are a garnet, burst into pieces of life, On the pale pale saucer. I hold the magnifying glass over them And stare down as through a hole of water. They shred with their ice tong jaws, shred and hurry, Their antenna touch and touch, their Black rears become more swollen, They have exoskeletons, spikes, They take their sweetness back to the queen, For she alone lays the eggs With the eyeballs like goldfish in condoms.

Here Coleridge advances the beautiful suggestive idea that the poetic imagination can hold open for us a shape or a space we have yet to grow into. The great works of art and literature are, as it were, making room for our future insights, giving us the shapes, the stories, the images into which the undeveloped antennae of our inner life can grow.

In fairness, though, no child likes to have his life rearranged from one school year to the next. Change is difficult for anyone, but even more so for an insecure adolescent. At that age, most kids are embarrassed just to be alive. With emotional antennae raised, they are acutely aware of their social standing at all times. Like an air traffic controller monitoring blips on a screen, a teenager is constantly tracking his small place in a big world, asking himself: Am I accepted by my peers? Do they like me? Am I ugly? How's my hair? Will I be popular?

Moths have the animal world’s most exceptional sense of smell and can capture separate scent molecules with their antennae.

the unfolding waves of sound are like an underwater orchestra or the endless improvisation of a jazz band. On the Great Barrier Reef, the humpback whales sing the soprano melody. Fish supply the chorus: whooping clownfish, grunting cod, and crunching parrotfish. Sea urchins scrape, resonating like tubas. Percussion is the domain of chattering dolphins and clacking shrimp, who use their pincers to create bubbles that explode with a loud bang. Lobsters rasp their antennae on their shells like washboards. Rainfall, wind, and waves provide the backbeat. To get the best seat, you would have to attend the concert in the middle of the night at the full moon, when fish chorusing typically crests. But you wouldn't necessarily need to have a front row seat: mass fish choruses can be heard up to 50 miles away, and whale sounds resonate for hundreds of miles.

The explosion At first the crew thought a meteoroid had hit them. As well as the noise of an explosion, the electrics were going haywire and the attitude control thrusters had fired. In fact, a short circuit had ignited some insulation in the Number 2 oxygen tank of the Service Module. The Service Module provided life support, power and other systems to the Command Module, which held the astronauts as they travelled to and from lunar orbit. The Lunar Module was a separate, though connected, craft that would be used to ferry the men to the lunar surface and back. The fire caused a surge in pressure that ruptured the tank, flooding the fuel cell bay with gaseous oxygen. This surge blew the bolts holding on the outer panel, which tore off free and spun into space, damaging a communications antenna. Contact with Earth was lost for 1.8 seconds, until the system automatically switched to another antenna. The shock also ruptured a line from the Number 1 oxygen tank. Two hours later all of the Service Module’s oxygen supply had leaked into the void. As the Command Module’s fuel cells used oxygen with hydrogen to generate electricity, it could now only run on battery power. The crew had no option but to shut down the Command Module completely and move into the Lunar Module. They would then use this as a ‘lifeboat’ for the journey back to Earth before rejoining the Command Module for re-entry. As for the mission, the Service Module was so badly damaged that a safe return from a lunar landing was impossible. These men would not be landing on the Moon. 320,000 km from home The Flight Director immediately aborted the mission. Now he just had to get the men home. The quickest way would be a Direct Abort trajectory, using the Service Module engine to essentially reverse the craft. But it was too late:

Teasers are usually rich kids with nothing to do. They cruise around looking for planets which haven’t made interstellar contact yet and buzz them.’ ‘Buzz them?’ Arthur began to feel that Ford was enjoying making life difficult for him. ‘Yeah,’ said Ford, ‘they buzz them. They find some isolated spot with very few people around, then land right by some poor unsuspecting soul whom no one’s ever going to believe and then strut up and down in front of him wearing silly antennae on their head and making beep beep noises. Rather childish really.

Indeed, what we have discovered in our digitally saturated society is that we have a remarkable endurance and capacity to remain attuned to our devices—it is the first thing we greet in the morning and it is the last thing we take into bed with us at night. In between meetings and activities, at any given pause whether we are standing in line or sitting in wait, we diligently tend to our devices. Why? Because we are waiting and searching for joy, for satisfaction, for purpose, for love. We are waiting and therefore abiding in the digital. What would it be like if we were to cultivate such a permanent state of expectancy for God’s desire to communicate with us? What if my antennae were always outstretched toward checking in with God as much as I am always checking my smartphone? What if I was filled with great expectancy that there would be a word for me? And that I could trust that that word would not be a word that simply demanded something from me but a word that came to nourish me? What if I knew that there was a word that revealed God’s very nature . . . waiting just for me. And that his nature was defined by a wild and faithful love that actually likes who I am, enjoys my company, and even takes delight in me. To be with someone who delights in you is a precious thing that we all long to experience. To live with the permission to be fully oneself, fearless because we know we are loved, not condemned or pegged as a sad-sack failure or disappointment. This is what it is to hear from God. But even beyond that sheer joy of being crowned with God’s delight, this notion of abiding also calls forth the idea of staying close to the Source of Life. Staying in touch, not just within ear shot but mindful and expectant—not because the Law demands it but in order to be in communion with the loving security of God, as expressed through the presence of the Holy Spirit. This is the way, the truth, and the life.

Something must be wrong with me. Other Christians don’t seem to have this trouble praying. After five minutes we give up, saying, “I am no good at this. I might as well get some work done.” Something is wrong with us. Our natural desire to pray comes from Creation. We are made in the image of God. Our inability to pray comes from the Fall. Evil has marred the image. We want to talk to God but can’t. The friction of our desire to pray, combined with our badly damaged prayer antennae, leads to constant frustration. It’s as if we’ve had a stroke.

Some consider the mind of a cat a most undecipherable thing, a quagmire of selfish ambitions and impenetrable mysteries. True, the beasts don’t understand all human speech, or comprehend such intricate life enhancements as catalytic converters, microwave popcorn, or rabbit ear antennas. They don’t need to. God blessed them with far more efficient paths of communication. And it is also true that cats don’t devote themselves to servitude and submission to a human’s every whim, like dogs, for example. That’s also unnecessary. They can survive on their own, thank you very much. True, many bond to humans when it suits their purpose – or, like Sebastian, when it is ordained, because the “hairless giants,” as cats see humans, could not develop as He wills without a feline influence. But in most cases, a cat will cling to independence, as guaranteed all their kind by the Doctrine of Grakk-koth long, long, long ago. Yes, that long.

Wanna buy some death sticks?” came a guttural voice from the side. Obi-Wan didn’t even turn to fully regard the speaker, who wore a wild mane of dark hair, with two antennae twirled up from his hair like curly horns. “Nobody’s got better death sticks than Elan Sleazebaggano,” the ruffian added with a perfectly evil smile. “You don’t want to sell me death sticks,” the Jedi coolly said, waggling his fingers slightly, bringing the weight of the Force into his voice. “I don’t want to sell you death sticks,” Elan Sleazebaggano obediently repeated. Again the Jedi waggled his fingers. “You want to go home and rethink your life.” “I want to go home and rethink my life,” Elan readily agreed, and he turned and walked away.

The anatomy of the human mind is reportedly responsible for how our conscious and unconscious mind is organized. The physiological contours of the human mind are responsible for interpreting and comprehending the physical world that surrounds us employing our five basic senses as its datum antennas. The gears of the human mind work to classify our perceptions into five basic orders: animals, plants, tools, natural objects, and people. How a person’s brain perceives the tangible world and interprets ongoing interactions with its functional apparatus becomes the operating representation of each person’s physical reality. People rely upon their physical reality to make life-altering decisions.

The solfeggio is a six-note scale and is also nicknamed “the creational scale.” Traditional Indian music calls this scale the saptak, or seven steps, and relates each note to a chakra. These six frequencies, and their related effects, are as follows: Do 396 Hz Liberating guilt and fear Re 417 Hz Undoing situations and facilitating change Mi 528 Hz Transformation and miracles (DNA repair) Fa 639 Hz Connecting/relationships Sol 741 Hz Awakening intuition La 852 Hz Returning to spiritual order Mi has actually been used by molecular biologists to repair genetic defects.115 Some researchers believe that sound governs the growth of the body. As Dr. Michael Isaacson and Scott Klimek teach in a sound healing class at Normandale College in Minneapolis, Dr. Alfred Tomatis believes that the ear’s first in utero function is to establish the growth of the rest of the body. Sound apparently feeds the electrical impulses that charge the neocortex. High-frequency sounds energize the brain, creating what Tomatis calls “charging sounds.”116 Low-frequency sounds drain energy and high-frequency sounds attract energy. Throughout all of life, sound regulates the sending and receiving of energy—even to the point of creating problems. People with attention deficit hyperactivity disorder listen too much with their bodies, processing sound through bone conduction rather than the ears. They are literally too “high in sound.”117 Some scientists go a step further and suggest that sound not only affects the body but also the DNA, actually stimulating the DNA to create information signals that spread throughout the body. Harvard-trained Dr. Leonard Horowitz has actually demonstrated that DNA emits and receives phonons and photons, the electromagnetic waves of sound and light. As well, three Nobel laureates in medical research have asserted that the primary function of DNA is not to synthesize proteins, but to perform bioacoustic and bioelectrical signaling.118 While research such as that by Dr. Popp shows that DNA is a biophoton emitter, other research suggests that sound actually originates light. In a paper entitled “A Holographic Concept of Reality,” which was featured in Stanley Krippner’s book Psychoenergetic Systems, a team of researchers led by Richard Miller showed that superposed coherent waves in the cells interact and form patterns first through sound, and secondly through light.119 This idea dovetails with research by Russian scientists Peter Gariaev and Vladimir Poponin, whose work with torsion energies was covered in Chapter 25. They demonstrated that chromosomes work like holographic biocomputers, using the DNA’s own electromagnetic radiation to generate and interpret spiraling waves of sound and light that run up and down the DNA ladder. Gariaev and his group used language frequencies such as words (which are sounds) to repair chromosomes damaged by X-rays. Gariaev thus concludes that life is electromagnetic rather than chemical and that DNA can be activated with linguistic expressions—or sounds—like an antenna. In turn, this activation modifies the human bioenergy fields, which transmit radio and light waves to bodily structures.120