Anonymous Famous Quotes

I will set up my name in the place where the names of famous men are written, and where no man’s name is written yet I will raise a monument to the gods.

You ask a lot of little kids today what they want to be when they grow up and they say "I want to be famous." You ask them for what reason and they don't know or care. I think Andy Warhol got it wrong: in the future so many people are going to become famous that one day everybody will end up being anonymous for fifteen minutes.

The serenity prayer—made famous by Alcoholics Anonymous and other twelve-step programs—captures this idea beautifully: God grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference.

Trying to get famous, so one day I can afford to live in full anonymity

Most sane human beings who have managed to attain and retain fame each uses it to dramatically increase their name’s chances of being remembered until Jesus comes back, since their heart cannot do what they consciously or unconsciously lust for, that is to say, for it to beat until Jesus returns.

If that's the case, hurrah for the crazy people! Look, Lola, do you remember a single name, for instance, of any of the soldiers killed in the Hundred Years War? Did you ever try to find out who any of them were? No! You see? You never tried. As far as you are concerned, they are as anonymous, as indifferent, as the last atom of that paperweight, as your morning bowel movement. Get into your head, Lola, that they died fot nothing! For absolutely nothing, the idiots! I say it and I'll say it again! I've proved it! The one thing that counts is life! In ten thousand years, I'll bet you, this war, remarkable as it may seem to us at present, will be utterly forgotten... Maybe here and there in the world a handful of scholars will argue about its causes or the dates of the principal hecatombs that made it famous. Up until now those are the only things about men that other men have thought worth remembering after a few centuries, a few years, or even a few hours... I don't believe in future, Lola...

Jonathan Swift (November 30, 1667 – October 19, 1745) was an Irish cleric, satirist, essayist, political pamphleteer (first for Whigs then for Tories), and poet, famous for works like Gulliver's Travels, A Modest Proposal, A Journal to Stella, The Drapier's Letters, The Battle of the Books, and A Tale of a Tub. Swift is probably the foremost prose satirist in the English language, although he is less well known for his poetry. Swift published all of his works under pseudonyms — such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier — or anonymously. He is also known for being a master of 2 styles of satire; the Horatian and Juvenalian styles. Source: Wikipedia

Flannery O’Connor famously quipped, “Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.

Is he one of them now? Frustrated, stuck, self-watching, looking for a means of connection, a way to break out. After Oswald, men in America are no longer required to lead lives of quiet desperation. You apply for a credit card, buy a handgun, travel through cities, suburbs and shopping malls, anonymous, anonymous, looking for a chance to take a shot at the first puffy empty famous face, just to let people know there is someone out there who reads the papers.

As C. S. Lewis so famously said in The Screwtape Letters, “There are two equal and opposite errors into which our race can fall about the devils. One is to disbelieve in their existence. The other is to believe, and to feel an excessive and unhealthy interest in them.

New York is an apparition generated by those who come together to breathe life into something not quite temporal, something that has to be conjured. And it’s not possible without the particular alchemy generated when every last person who happens to be there at that precise moment—the famous and the anonymous—come together serendipitously.

A moth flying into the flame says with its wingfire, 'Try this.' The wick with its knotted neck broken, tells you the same. A candle as it diminishes explains, 'Gathering more and more is not the way. Burn, become light and heat and help. Melt.' The ocean sits in the sand letting its lap fill with pearls and shells, then empty. A bittersalt taste hums, 'This.' The phoenix gives up on good-and-bad, flies to rest on Mt. Qaf, no more burning and rising from ash. It sends out one message. The rose purifies its face, drops the soft petals, shows its thorn, and points. Wine abandons thousands of famous names, the vintage years and delightful bouquets, to run wild and anonymous through your brain. The flute closes its eyes and gives its lips to Hamza’s emptiness. Everything begs with the silent rocks for you to be flung out like light over this plain, the presence of Shams.

All truly famous people wish fame had a switch.

Trying to get famous, so one day I can afford to live in full anonymity.

If I were married to you, I’d put poison in your coffee,” Lady Astor once famously remarked to Winston Churchill. “If I were married to you,” he replied, “I’d drink it.

Linus Pauling famously said, “If you want a good idea, start with a lot of ideas.

The greatest tragedy for a good quotation is to be anonymous; and for the bad one, is to be known and famous!

If my name were Isaac Newton, would I be a famous no name? I’d have worldwide and historical name recognition, yet I’d be anonymous.

He came face-to-face with the rude paradox fame had dealt him: The secret of his extraordinary art had been his ability to observe human interaction anonymously, thereby gaining insight into the emotions on display in ordinary life--it was his ability to become a fly-on-the-wall that made him famous, and fame had destroyed his ability to become a fly-on-the-wall.

The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book. The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them. The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.

BERLIN, October 29 I’ve been looking into what Germans are reading these dark days. Among novels the three best-sellers are: (1) Gone with the Wind, translated as Vom Winde Verweht—literally “From the Wind Blown About”; (2) Cronin’s Citadel; (3) Beyond Sing the Woods, by Trygve Gulbranssen, a young Norwegian author. Note that all three novels are by foreign authors, one by an Englishman. Most sought-after non-fiction books are: (1) The Coloured Front, an anonymous study of the white-versus-Negro problem; (2) Look Up the Subject of England, a propaganda book about England; (3) Der totale Krieg, Ludendorff’s famous book about the Total War—very timely now; (4) Fifty Years of Germany, by Sven Hedin, the Swedish explorer and friend of Hitler; (5) So This is Poland, by von Oertzen, data on Poland, first published in 1928. Three

What was once an anonymous medium where anyone could be anyone—where, in the words of the famous New Yorker cartoon, nobody knows you’re a dog—is now a tool for soliciting and analyzing our personal data. According to one Wall Street Journal study, the top fifty Internet sites, from CNN to Yahoo to MSN, install an average of 64 data-laden cookies and personal tracking beacons each. Search for a word like “depression” on Dictionary.com, and the site installs up to 223 tracking cookies and beacons on your computer so that other Web sites can target you with antidepressants. Share an article about cooking on ABC News, and you may be chased around the Web by ads for Teflon-coated pots. Open—even for an instant—a page listing signs that your spouse may be cheating and prepare to be haunted with DNA paternity-test ads. The new Internet doesn’t just know you’re a dog; it knows your breed and wants to sell you a bowl of premium kibble.

For the sake of comfort we give up knowing the world" This is something that has been in my head since I was a teenager and I cannot be sure it is original. In the book, I have credited it to that famous wit "anon". Does anybody know the source?

I had always wondered why people wanted to be rich and famous. If you could be rich and anonymous, that would be fun. To be famous and not rich, the way we were, was the least fun. It takes time and effort to be famous, and if they offer you fame without the money, don’t take it. It’s a scam.

The second big theory is spiritual—it’s that we’re distracted because our souls are troubled. The comedian Louis C.K. may be the most famous contemporary exponent of this way of thinking. A few years ago, on “Late Night” with Conan O’Brien, he argued that people are addicted to their phones because “they don’t want to be alone for a second because it’s so hard.

Returning to an almost complete anonymity is my dream. I feel like my own prisoner. Most famous people no longer really belong to themselves. And if today I have agreed to talk about myself so intimately, if I have agreed to publish one last book with my name on it, it is because I need to; I need to sweep away any ambiguity concerning my life and my intentions, for the sake of honesty and transparency.

A quote has an even more powerful effect if we presume not just a particular author behind it, but God, nature, the unconscious, labor, or difference. These are strong fetishes, each conjuring the powerful submedial in a particular way. Yet all of them must nonetheless be exchanged in a certain rhythm according to the laws of the medial economy. In order to create such fetishes, one does not have to use brilliant quotes by famous authors but can use anonymous quotes that stem from the author- less realm of the everyday, lowly, foreign, vulgar, aggressive, or stupid. Precisely such quotes produce the effect of medial sincerity, that is, the revelation of a deeply submerged, hidden, medial plane on the familiar medial surface. It then appears as if this surface had been blasted open from the inside and that the respective quotes had sprung forth from the submedial interior—like aliens. All of this, of course, refers to the economy of the quote as a gift that can be offered, accepted, and reciprocated.

What does the name of an author on the jacket matter? Let us move forward in thought to three thousand years from now. Who knows which books from our period will be saved, and who knows which authors’ names will be remembered? Some books will remain famous but will be considered anonymous works, as for us the epic of Gilgamesh; other authors’ names will still be well known, but none of their works will survive, as was the case with Socrates; or perhaps all the surviving books will be attributed to a single, mysterious author, like Homer.

The malicious erasure of women’s names from the historical record began two or three thousand years ago and continues into our own period. Women take as great a risk of anonymity when they merge their names with men in literary collaboration as when they merge in matrimony. The Lynds, for example, devoted equal time, thought, and effort to the writing of Middletown, but today it is Robert Lynd’s book. Dr. Mary Leakey made the important paleontological discoveries in Africa, but Dr. Louis Leakey gets all the credit. Mary Beard did a large part of the work on America in Midpassage, yet Charles Beard is the great social historian. The insidious process is now at work on Eve Curie. A recent book written for young people states that radium was discovered by Pierre Curie with the help of his assistant, Eve, who later became his wife. Aspasia wrote the famous oration to the Athenians, as Socrates knew, but in all the history books it is Pericles’ oration. Corinna taught Pindar and polished his poems for posterity; but who ever heard of Corinna? Peter Abelard got his best ideas from Heloise, his acknowledged intellectual superior, yet Abelard is the great medieval scholar and philosopher. Mary Sidney probably wrote Sir Philip Sidney’s Arcadia; Nausicaa wrote the Odyssey, as Samuel Butler proves in his book The Authoress of the Odyssey, at least to the satisfaction of this writer and of Robert Graves, who comment, “no other alternative makes much sense.

Among the famous sayings of the Church fathers none is better known than Augustine's, "Thou hast formed us for Thyself, and our hearts are restless till they find rest in Thee." The great saint states here in few words the origin and interior history of the human race. God made us for Himself: that is the only explanation that satisfies the heart of a thinking man, whatever his wild reason may say. Should faulty education and perverse reasoning lead a man to conclude otherwise, there is little that any Christian can do for him. For such a man I have no message. My appeal is addressed to those who have been previously taught in secret by the wisdom of God; I speak to thirsty hearts whose longings have been wakened by the touch of God within them, and such as they need no reasoned proof. Their restless hearts furnish all the proof they need.

lived a poor tailor, who had a son called Aladdin, a careless, idle boy who would do nothing but play all day long in the streets with little idle boys like himself. This so grieved the father that he died; yet, in spite of his mother's tears and prayers, Aladdin did not mend his ways. One day, when he was playing in the streets as usual, a stranger asked him his age, and if he were not the son of Mustapha the tailor. "I am, sir," replied Aladdin; "but he died a long while ago." On this the stranger, who was a famous African magician, fell on his neck and kissed him, saying: "I am your uncle, and knew you from your likeness to my brother. Go to your mother and tell her I am coming." Aladdin ran home, and told his mother of his newly found uncle. "Indeed, child," she said, "your father had a brother, but I always thought he was dead." However, she prepared supper, and bade Aladdin seek his uncle, who came laden with wine and fruit. He presently fell down and kissed the place where Mustapha used to sit, bidding Aladdin's mother not to be surprised at not having seen him before, as he had been forty years out of the country.

All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.

The dispersion of the daimonic by means of impersonality has serious and destructive effects. In New York City, it is not regarded as strange that the anonymous human beings secluded in single-room occupancies are so often connected with violent crime and drug addiction. Not that the anonymous individual in New York is alone: he sees thousands of other people every day, and he knows all the famous personalities as they come, via TV, into his single room. He knows their names, their smiles, their idiosyncrasies; they bandy about in a “we're-all-friends-together” mood on the screen which invites him to join them and subtly assumes that he does join them. He knows them all. But he himself is never known. His smile is unseen; his idiosyncrasies are important to no-body; his name is unknown. He remains a foreigner pushed on and off the subway by tens of thousands of other anonymous foreigners. There is a deeply depersonalizing tragedy involved in this. The most severe punishment Yahweh could inflict on his people was to blot out their name. “Their names,” Yahweh proclaims, “shall be wiped out of the book of the living.” This anonymous man's never being known, this aloneness, is transformed into loneliness, which may then become daimonic possession. For his self-doubts—“I don't really exist since I can't affect anyone” —eat away at his innards; he lives and breathes and walks in a loneliness which is subtle and insidious. It is not surprising that he gets a gun and trains it on some passer-by—also anonymous to him. And it is not surprising that the young men in the streets, who are only anonymous digits in their society, should gang together in violent attacks to make sure their assertion is felt. Loneliness and its stepchild, alienation, can become forms of demon possession. Surrendering ourselves to the impersonal daimonic pushes us into an anonymity which is also impersonal; we serve nature’s gross purposes on the lowest common denominator, which often means with violence.

saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.

A famous British writer is revealed to be the author of an obscure mystery novel. An immigrant is granted asylum when authorities verify he wrote anonymous articles critical of his home country. And a man is convicted of murder when he’s connected to messages painted at the crime scene. The common element in these seemingly disparate cases is “forensic linguistics”—an investigative technique that helps experts determine authorship by identifying quirks in a writer’s style. Advances in computer technology can now parse text with ever-finer accuracy. Consider the recent outing of Harry Potter author J.K. Rowling as the writer of The Cuckoo’s Calling , a crime novel she published under the pen name Robert Galbraith. England’s Sunday Times , responding to an anonymous tip that Rowling was the book’s real author, hired Duquesne University’s Patrick Juola to analyze the text of Cuckoo , using software that he had spent over a decade refining. One of Juola’s tests examined sequences of adjacent words, while another zoomed in on sequences of characters; a third test tallied the most common words, while a fourth examined the author’s preference for long or short words. Juola wound up with a linguistic fingerprint—hard data on the author’s stylistic quirks. He then ran the same tests on four other books: The Casual Vacancy , Rowling’s first post-Harry Potter novel, plus three stylistically similar crime novels by other female writers. Juola concluded that Rowling was the most likely author of The Cuckoo’s Calling , since she was the only one whose writing style showed up as the closest or second-closest match in each of the tests. After consulting an Oxford linguist and receiving a concurring opinion, the newspaper confronted Rowling, who confessed. Juola completed his analysis in about half an hour. By contrast, in the early 1960s, it had taken a team of two statisticians—using what was then a state-of-the-art, high-speed computer at MIT—three years to complete a project to reveal who wrote 12 unsigned Federalist Papers. Robert Leonard, who heads the forensic linguistics program at Hofstra University, has also made a career out of determining authorship. Certified to serve as an expert witness in 13 states, he has presented evidence in cases such as that of Christopher Coleman, who was arrested in 2009 for murdering his family in Waterloo, Illinois. Leonard testified that Coleman’s writing style matched threats spray-painted at his family’s home (photo, left). Coleman was convicted and is serving a life sentence. Since forensic linguists deal in probabilities, not certainties, it is all the more essential to further refine this field of study, experts say. “There have been cases where it was my impression that the evidence on which people were freed or convicted was iffy in one way or another,” says Edward Finegan, president of the International Association of Forensic Linguists. Vanderbilt law professor Edward Cheng, an expert on the reliability of forensic evidence, says that linguistic analysis is best used when only a handful of people could have written a given text. As forensic linguistics continues to make headlines, criminals may realize the importance of choosing their words carefully. And some worry that software also can be used to obscure distinctive written styles. “Anything that you can identify to analyze,” says Juola, “I can identify and try to hide.

All of these other people threw themselves into the challenges, yet we don’t remember their names. The razzle-dazzle process that transforms nobodies into exemplary heroes is a curious one because sometimes it celebrates valour while simultaneously ignoring it in others. None of these forgotten people were any less altruistic than the eventual superstars bathed in limelight, but it was only Darling, Nightingale and Seacole who emitted the right sort of narrative charisma. The media found them intrinsically fascinating, and so only they were forged into public heroes, while their comrades in risk slunk back into anonymity.

People who want to be famous don't know what they're getting into. Once I got famous I saw a side of humanity I'd never seen before. People who don't even know your work want to glom onto you just because you are famous. It's a nauseating aspect of human nature that people worship power -- that's one of the things about mankind that I find truly reprehensible.

Our afternoon slid by in a distraction of baseball and memory, and I almost felt myself at some dreamlike doubleheader involving the then and the now—the semi-anonymous strong young men waging their close, marvelous game on the sunlit green field before us while bygone players and heroes of baseball history—long gone now, most of them—replayed their vivid, famous innings for me in the words and recollections of my companion

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodyguards and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us. How did Garbo brush her teeth, shave her armpits, probe a worry-line? The most intimate details of their lives seem to lie beyond an already open bathroom door that our imaginations can easily push aside. Caught in the glare of our relentless fascination, they can do nothing to stop us exploring every blocked pore and hesitant glance, imagining ourselves their lovers and confidantes. In our minds we can assign them any roles we choose, submit them to any passion or humiliation. And as they age, we can remodel their features to sustain our deathless dream of them. In a TV interview a few years ago, the wife of a famous Beverly Hills plastic surgeon revealed that throughout their marriage her husband had continually re-styled her face and body, pointing a breast here, tucking in a nostril there. She seemed supremely confident of her attractions. But as she said: ‘He will never leave me, because he can always change me.’ Something of the same anatomizing fascination can be seen in the present pieces, which also show, I hope, the reductive drive of the scientific text as it moves on its collision course with the most obsessive pornography. What seems so strange is that these neutral accounts of operating procedures taken from a textbook of plastic surgery can be radically transformed by the simple substitution of the anonymous ‘patient’ with the name of a public figure, as if the literature and conduct of science constitute a vast dormant pornography waiting to be woken by the magic of fame.

Anonymity may seem scary, unfruitful, and unrealistic in ministry, but I challenge you to make Jesus famous and do not worry about your position, title, entitlements, or any other thing that takes the glory from Jesus.

Let us move forward in thought to three thousand years from now. Who knows which books from our period will be saved, and who knows which authors’ names will be remembered. Some books will remain famous but will be considered anonymous works, as for us the epic of Gilgamesh; others author's names will still be known, but none of their works will survive, as was the case with Socrates; or perhaps, all the surviving books will be attributed to a single, mysterious author, like Homer.

His book gives a courteous hearing to great saints, famous poets, itinerant preachers, illiterate converts, street-mission workers, anonymous responders to questionnaires, and Victorian gentlemen with three names.

It’s the conflict between Apollo and Dionysus—a famous dilemma in mythology. It’s the age-old battle between mind and heart, which seldom want the same thing.

On the one hand, they must develop virtuous habits of behavior; and on the other, they must develop their mental powers through the study of such disciplines as mathematics and philosophy. Both of these types of instruction are necessary. To begin with, some people may not have the intellectual capacity to acquire knowledge; they will not be able to understand what the “good life” is, just as others do not have the intellectual power to apprehend higher mathematics. But if they imitate and are guided by those people who have knowledge of the good and who accordingly act virtuously, they, too, will act virtuously even though they do not understand the essential nature of the good life. On the basis of this sort of reasoning, Plato goes on to advocate the necessity of censorship in what he calls an “ideal society”—the society that is portrayed in his most famous book, the Republic. Plato feels that it is necessary to prevent young people from being exposed to certain sorts of experiences if they are to develop virtuous habits and thus lead a good life. ========== Philosophy Made Simple (Richard H. Popkin;Avrum Stroll)

themselves on the building's famous balcony. Millions more will watch the ceremony and celebrations on live television -- crowded around screens in their homes, at street parties in towns and villages and at major landmarks. Lawmakers are already lobbying London Mayor Boris Johnson to install a giant screen in the city's iconic Trafalgar Square. Britain's Foreign Office said royal officials had sent their regrets to Estibalis Chavez,

Patrick's Day. So we're toasting the good folks on the Emerald Isle with a Car Lust look back at what may be the most famous motor vehicle ever assembled there. Of course we're

Isle with a Car Lust look back at what may be the most famous motor vehicle ever assembled there. Of course we're

Roger Bannister is famous as the first person to run a mile in under 4 minutes. But his world record only lasted 46 days. Once he showed it could be done, lots of others followed. Ten years later Jim Ryun ran a 3:59 mile as a high school junior.

Amblyopsis hoosieri Type of animal: Eyeless cavefish Description: Completely colorless; 2 to 3 inches long; anus on underside of neck Home: Southern Indiana Fun fact: Unlike others of its kind, A. hoosieri lacks a debilitating mutation in the rhodopsin gene, which is an important gene for vision. That means it could see just fine … if it had eyes. Researchers named the fish after the Indiana Hoosiers basketball team — but not to imply the players might be visually challenged. The name honors several famous fish scientists who worked at Indiana University, as well as the species’s proximity to the university.Plus, the lead author is a Hoosier fan.  BRENDA POPPY Can You See Me Now? NIEMILLER/ZOOKEYS MATTHEW LEMOS; BARRETO GABRIELA : TOPFROM 22 DISCOVERMAGAZINE.COM

But Dawes’s ride didn’t set the countryside afire. The local militia leaders weren’t alerted. In fact, so few men from one of the main towns he rode through—Waltham—fought the following day that some subsequent historians concluded that it must have been a strongly pro British community. It wasn’t. The people of Waltham just didn’t find out the British were coming until it was too late. If it were only the news itself that mattered in a word of mouth epidemic, Dawes would now be as famous as Paul Revere. He isn’t.

Our No. 2 bottle, the 2012 Centopassi Argille di Tagghia Via, came from a region of northwestern Sicily more famous from pop culture than from wine, Corleone, the fictional ancestral home of Don Corleone of the “Godfather” movies. In fact, the wine comes from a group of cooperatives that cultivates land seized by the authorities from the Mafia.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out.                 I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

There is an affinity between Makis Voridis – former LAOS now New Democracy MP – and Samaras. Voridis was a notorious fascist stormtrooper in his younger days. There’s a famous photograph circulating of him wielding an axe on his way to confront left-wing law students. Samaras may not have personally wielded an axe. But his entire political line over the last five years has been to reach deep into the collective memory of the Right, dredging up every filthy anti-Communist smear and innuendo of the Civil War years.

His most famous and controversial work was a hand printed, limited edition of Plato’s dialogue, Phaedrus, separately described in his “A Search for the Typographic Form of Plato’s Phaedrus”.

A stampede killed at least 36 people during New Year's Eve celebrations in Shanghai, authorities said, possibly caused by people rushing to pick up fake money thrown from a building overlooking the city's famous Bund waterfront district.

Seattle’s famous Dahlia Lounge, on Fourth Avenue near the Columbia Building, an iconic Seattle restaurant with a memorable neon sign of a chef holding a strung-up fish.

Dotting that sky would be bright and famous sources of radio waves, such as the center of the Milky Way, located behind some of the principal stars of the constellation Sagittarius.

There’s a famous quote I read somewhere. It says we are all given second chances every day of our lives. They are there for the taking, it’s just that we don’t usually take them.

That means 19 or 20 of the books of the NT (New Testament) are anonymous. Many are blatantly pseudepigraphic (forgeries, see next section), with famous names applied to artificially promote veracity.

He famously defended fairy stories against those who said they told children that there were monsters; children already know that there are monsters, he said, and fairy stories teach them that monsters can be killed.

He was very famous for his bravery and courage.

All of the Kobe beef sold in this country, by chefs famous and anonymous, in ten-dollar sliders or three-hundred-dollar steaks, was fake, all of it, end of story. Every single restaurant and store purporting to sell Kobe beef—or any Japanese beef—was lying, including some of the country’s best-known chefs.

Some books will remain famous but will be considered anonymous works, as for us the epic of Gilgamesh; others author's names will still be known, but none of their works will survive, as was the case with Socrates; or perhaps, all the surviving books will be attributed to a single, mysterious author, like Homer.

Bill Wilson would never have another drink. For the next thirty-six years, until he died of emphysema in 1971, he would devote himself to founding, building, and spreading Alcoholics Anonymous, until it became the largest, most well-known and successful habit-changing organization in the world. An estimated 2.1 million people seek help from AA each year, and as many as 10 million alcoholics may have achieved sobriety through the group.3.12,3.13 AA doesn’t work for everyone—success rates are difficult to measure, because of participants’ anonymity—but millions credit the program with saving their lives. AA’s foundational credo, the famous twelve steps, have become cultural lodestones incorporated into treatment programs for overeating, gambling, debt, sex, drugs, hoarding, self-mutilation, smoking, video game addictions, emotional dependency, and dozens of other destructive behaviors. The group’s techniques offer, in many respects, one of the most powerful formulas for change. All of which is somewhat unexpected, because AA has almost no grounding in science or most accepted therapeutic methods. Alcoholism, of course, is more than a habit. It’s a physical addiction with psychological and perhaps genetic roots. What’s interesting about AA, however, is that the program doesn’t directly attack many of the psychiatric or biochemical issues that researchers say are often at the core of why alcoholics drink.3.14 In fact, AA’s methods seem to sidestep scientific and medical findings altogether, as well as the types of intervention many psychiatrists say alcoholics really need.1 What AA provides instead is a method for attacking the habits that surround alcohol use.3.15 AA, in essence, is a giant machine for changing habit loops. And though the habits associated with alcoholism are extreme, the lessons AA provides demonstrate how almost any habit—even the most obstinate—can be changed.

In The Heart’s Code, psychologist Paul Pearsall chronicles arresting accounts of our body’s cellular emotional intelligence. He tells of Claire Sylvia, the famous heart-lung transplant recipient who suddenly began craving new kinds of food—chicken nuggets and beer— as well as experiencing unfamiliar emotions. But why? Stunningly, in dreams, she had conversations with her donor (whose identity had been kept anonymous, standard hospital policy), which allowed her to locate his parents. They confirmed that her new tastes and feelings were those their son had too.

The Testament of Solomon, a work from the third century AD, further illustrates the widespread belief in apotropaic magic. This is a pseudepigraphical work (one that falsely claims to have been written by a famous person of the Old Testament) attributed to Solomon.

He said that architecture was truly the greatest of the arts, because it was anonymous, as all greatness. He said that the world had many famous buildings, but few renowned builders, which was as it should be, since no one man had ever created anything of importance in architecture, or elsewhere, for that matter.

The most famous case was the so-called Bradley effect: in 1982, California voters told exit pollsters they had elected a black governor, Tom Bradley, by a significant margin, but in the privacy of the ballot box they had actually given his white opponent a narrow victory.

Twain's famous ? "History doesn't repeat itself but it does rhyme." So we will see but you don't know. But you do see some signs in some geographies that there might be little bit of a bubble. We will see. I don't know.

What does the name of an author on the jacket matter? Let us move forward in thought to three thousand years from now. Who knows which books from our period will be saved, and who knows which authors’ names will be remembered? Some books will remain famous but will be considered anonymous works, as for us the epic of Gilgamesh; other authors’ names will still be well know, but none of their works will survive, as was the case with Socrates; or perhaps all the surviving books will be attributed to a single, mysterious author, like Homer.

What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003

In many respects, the skill set of an artist is similar to that of a programmer. Michelangelo was the archetypal renaissance man: a painter, sculptor, architect, poet, and engineer. Perhaps he would have made an incredible programmer. When asked about how he created one of his most famous works, the statue of David, he said: I looked into the stone and saw him there, and just chipped away everything else. Is that what you do? Do you reduce and remove the complexities of the problem space, chipping them all away until you reach the beautiful code you were aiming for?

Contents: De finibus bonorum et malorum, Cicero. Notes: The famous section "-lorem ipsum quia dolor sit amet, consectetur, adipisci velit" begins at page 7, with the "do" of the initial "dolorem" cut to page 6. The last page has a single phrase, centered: "factum est".

And then you just need a journalist who thinks it’d make a good story on the lines of “Famous Author Stole My Idea, Says Disappointed Fan,” and if you don’t think a journalist would run something like this, you haven’t been reading the papers. Even the participation of a journalist isn’t necessary. The Net itself is, as a publicity device, available to all.

The Ranji Trophy, the premier domestic competition in India, was started in 1933–34 and named after the famous KS Ranjitsinhji, Indian cricket’s first global figure, who played for England against Australia in 1896

The break with Maoist orthodoxy, at the same time, revealed the reformer’s dilemma. The revolutionary’s dilemma is that most revolutions occur in opposition to what is perceived as abuse of power. But the more existing obligations are dismantled, the more force must be used to re-create a sense of obligation. Hence the frequent outcome of revolution is an increase in central power; the more sweeping the revolution, the more this is true. The dilemma of reform is the opposite. The more the scope of choice is expanded, the harder it becomes to compartmentalize it. In pursuit of productivity, Deng stressed the importance of “thinking things out for yourself” and advocated the “complete” emancipation of minds. Yet what if those minds, once emancipated, demanded political pluralism? Deng’s vision called for “large numbers of pathbreakers who dare to think, explore new ways and generate new ideas,” but it assumed that these pathbreakers would limit themselves to exploring practical ways to build a prosperous China and stay away from exploration of ultimate political objectives. How did Deng envision reconciling emancipation of thought with the imperative for political stability? Was this a calculated risk, based on the assessment that China had no better alternative? Or did he, following Chinese tradition, reject the likelihood of any challenge to political stability, especially as Deng was making the Chinese people better off and considerably freer? Deng’s vision of economic liberalization and national revitalization did not include a significant move toward what would be recognized in the West as pluralistic democracy. Deng sought to preserve one-party rule not so much because he reveled in the perquisites of power (he famously abjured many of the luxuries of Mao and Jiang Qing), but because he believed the alternative was anarchy.

The 10,000 Hour Rule, made famous by Malcolm Gladwell

This had to stop or I was going to have an aneurism. In my dick. I’d be the first person on the planet to die from an aneurism in his penis. I’d be famous, but for all the wrong reasons.

Racers in the 2013 Giro d'Italia stop at the Pinarello bicycle factory to photograph Miguel Indurain's famous Espada pursuit bike. The innovative design, which was made of carbon fiber and did away with the traditional

He began representing the state in Washington two years before its most famous citizen was even born.

Alexis de Tocqueville toured the United States in the early 1830s and famously proclaimed the emergence of Homo democraticus, a cheeky creature whose passion for equality and self-interest was tempered only by his ability to join fellow citizens in all manner of mutual associations for pragmatic benefit.

It’s The Raft of the Medusa by Géricault. There’s a whole story behind that painting. It’s based on a true story about a shipwreck and it made Géricault famous. See the thing about artists is that they tell stories. I mean, some paintings are like novels.

Catfish always drink alcoholic ether if begged, for every catfish enjoys heightened intoxication; gross indulgence can be calamitous, however; duly, garfish babysit for dirty catfish children, helping catfish babies get instructional education just because garfish get delight assisting infants’ growth and famously inspire confidence in immature catfish, giving experience (and joy even); however, blowfish jeer insightful garfish, disparaging inappropriately, doing damage, even insulting benevolent, charming, jovial garfish, hurting and frustrating deeply; joy fades but hurt feelings bring just grief; inevitable irritation hastens feeling blue; however, jovial children declare happiness, blowfishes’ evil causes dejection, blues; accordingly, always glorify jolly, friendly garfish!

You know how there is famously no place less played in than a hospital playground?

famous

Loos famously put his dictum into physical form with the ‘Haus ohne Augenbrauen’ (‘House without eyebrows’) – so-called because the windows had no decorative lintels – on Michaelerplatz in 1910. (It was said that as a result Emperor Franz Joseph never looked out of his favourite window in the imperial palace again; Hitler got over the problem of the building’s existence by simply putting another in its place in his paintings.

Nietzsche famously said, ‘Whatever doesn’t kill you makes you stronger.’ But what he failed to stress is that it almost kills you .

The famous giant killers of folklore tend to be children. Whether their names are David or Jack, it does not occur to them that a small round stone cannot successfully take on an eight-foot spear. (If you are going up against an eight-foot spear, the one weapon it is foolish to choose is a four-foot spear; if you can’t match the length, you need something different.)

Scott Fitzgerald famously declared that “the test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.

In 1942, Joseph Schumpeter believed that socialism would inevitably triumph over capitalism. In 1970, when Paul Samuelson published the eighth edition of his famous textbook, he was still predicting that the GDP of the Soviet Union might outstrip that of the United States sometime between 1990 and 2000.

In another of his most famous essays, Montaigne argued that to philosophise is to learn to die. I learned how to die with fatherhood. From the day Tito was born, I was completely cancelled out by him. I lost my will. I ceased to exist. Only a dead person can cease to exist. If philosophising is learning to die, then fatherhood is the philosophy of the ordinary man, the philosophy of the poor in spirit, the philosophy of the masses.

With the Queen Mother and Princess Margaret in attendance, the Beatles headlined the Royal Variety Show, on which John, ever the silver-tongued mischief-maker, famously said, "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry.

Sam Anderson. “The Greatest Novel.” New York Magazine (outline). Jan. 9, 2011. New York is, famously, the everything bagel of megalopolises—one of the world’s most diverse cities, defined by its churning mix of religions, ethnicities, social classes, attitudes, lifestyles, etc., ad infinitum. This makes it a perfect match for the novel, a genre that tends to share the same insatiable urge. In choosing the best New York novel, then, my first instinct was to pick something from the city’s proud tradition of megabooks—one of those encyclopedic ambition bombs that attempt to capture, New Yorkily, the full New Yorkiness of New York. Something like, to name just a quick armful or two, Manhattan Transfer, The Bonfire of the Vanities, Underworld, Invisible Man, Winter’s Tale, or The Amazing Adventures of Kavalier & Clay—or possibly even one of the tradition’s more modest recent offspring, like Lush Life and Let the Great World Spin. In the end, however, I decided that the single greatest New York novel is the exact opposite of all of those: a relatively small book containing absolutely zero diversity. There are no black or Hispanic or Asian characters, no poor people, no rabble-rousers, no noodle throwers or lapsed Baha’i priests or transgender dominatrixes walking hobos on leashes through flocks of unfazed schoolchildren. Instead there are proper ladies behaving properly at the opera, and more proper ladies behaving properly at private balls, and a phlegmatic old Dutch patriarch dismayed by the decline of capital-S Society. The book’s plot hinges on a subtly tragic love triangle among effortlessly affluent lovers. It is 100 percent devoted to the narrow world of white upper-class Protestant heterosexuals. So how can Edith Wharton’s The Age of Innocence possibly be the greatest New York novel of all time?

This was definitely showtime, and afterwards when I was surrounded by journalists, I came out with that line, and I promise you, I never plan what I’m going to say. It just happens, and it happened a lot in those days before I got more cautious around the media. “First I went left,” I said, “and he did too. Then I went right, and he did too. Then I headed left, and he went out to buy a hot dog,” and that got repeated all over the place, it became a famous quote.

Campbell Soup Co. will sell its famous soups in a K-cup.

The number of individuals who know how to make a can of Coke is zero. The number of individual nations that could produce a can of Coke is zero. This famously American product is not American at all. Invention and creation is something we are all in together. Modern tool chains are so long and complex that they bind us into one people and one planet.

October Rain still a possibility but that means everything is very green – making this a great time to visit Bagan, for example. zTazaungdaing The full-moon night of Tazaungmon (which can also fall in November), known as Tazaungdaing, is a second ‘festival of lights’, particularly famous for the fi re-balloon competitions in Taunggyi

On the opposite side, at about seven o’clock, is the little town of Urbanna where the famous Oyster Festival is held every year.

the people who are best at telling jokes tend to have more health problems than the people laughing at them. A study of Finnish police officers found that those who were seen as funniest smoked more, weighed more, and were at greater risk of cardiovascular disease than their peers [10]. Entertainers typically die earlier than other famous people [11], and comedians exhibit more “psychotic traits” than others [12]. So just as there’s research to back up the conventional wisdom on laughter’s curative powers, there also seems to be truth to the stereotype that funny people aren’t always having much fun. It might feel good to crack others up now and then, but apparently the audience gets the last laugh.

Our ability to tap into the senses of others is not limited to hypnotic states. In a now famous series of experiments physicists Harold Puthoff and Russell Targ of the Stanford Research Institute in California found that just about everyone they tested had a capacity they call “remote viewing,” the ability to describe accurately what a distant test subject is seeing. They found that individual after individual could remote-view simply by relaxing and describing whatever images came into their minds. Puthoff and Targ's findings have been duplicated by dozens of laboratories around the world, indicating that remote viewing is probably a widespread latent ability in all of us.