Annie Quotes

I don't trust people who don't love themselves and tell me, 'I love you.' ... There is an African saying which is: Be careful when a naked person offers you a shirt.

She read books as one would breathe air, to fill up and live.

You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.

You know, one of the tragedies of real life is that there is no background music.

One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time...give it, give it all, give it now.

I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, you know, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable, because that's very lucky, to be miserable.

How we spend our days is, of course, how we spend our lives.

Anni, amori e bicchieri di vino, nun se contano mai.”’ ‘“Years, lovers and glasses of wine; these things must not be counted.

One thing I do know about intimacy is that there are certain natural laws which govern the sexual experience of two people, and that these laws cannot be budged any more than gravity can be negotiated with. To feel physically comfortable with someone else's body is not a decision you can make. It has very little to do with how two people think or act or talk or even look. The mysterious magnet is either there, buried somewhere deep behind the sternum, or it is not. When it isn't there (as I have learned in the past, with heartbreaking clarity) you can no more force it to exist than a surgeon can force a patient's body to accept a kidney from the wrong donor. My friend Annie says it all comes down to one simple question: "Do you want your belly pressed against this person's belly forever --or not?

I wish I knew how to quit you.

Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman--dark tangled hair, sea green eyes--runs toward us in nothing but a sheet. "Finnick!" And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible. A pang of jealousy hits me. Not for either Finnick or Annie but for their certainty. No one seeing them could doubt their love.

Like any child, I slid into myself perfectly fitted, as a diver meets her reflection in a pool. Her fingertips enter the fingertips on the water, her wrists slide up her arms. The diver wraps herself in her reflection wholly, sealing it at the toes, and wears it as she climbs rising from the pool, and ever after.

In the vastness of space and the immensity of time, it is my joy to share a planet and an epoch with Annie. [Dedication to Sagan's wife, Ann Druyan, in Cosmos]

Those who can't do, teach. And those who can't teach, teach gym.

No" is a complete sentence.

You've got to jump off cliffs all the time and build your wings on the way down.

I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.

Spend the afternoon, you can't take it with you.

Eskimo: "If I did not know about God and sin, would I go to hell?" Priest: "No, not if you did not know." Eskimo: "Then why did you tell me?

We clung to books and to our friends; they reminded us that we had another part to us.

The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

Plutarch rushes to reassure me. "Oh, no, Katniss. Not your wedding. Finnick and Annie's. All you need to do is show up and pretend to be happy for them." "That's one of the few things I won't have to pretend, Plutarch," I tell him.

There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly.

A thing that you see in my pictures is that I was not afraid to fall in love with these people.

There was some open space between what he knew and what he tried to believe, but nothing could be done about it, and if you can't fix it you've got to stand it.

Nothing moves a woman so deeply as the boyhood of the man she loves.

It reminds me of that old joke- you know, a guy walks into a psychiatrist's office and says, hey doc, my brother's crazy! He thinks he's a chicken. Then the doc says, why don't you turn him in? Then the guy says, I would but I need the eggs. I guess that's how I feel about relationships. They're totally crazy, irrational, and absurd, but we keep going through it because we need the eggs.

I was thrown out of college for cheating on the metaphysics exam; I looked into the soul of the boy sitting next to me.

But who names a starship the Icarus? What kind of man possess that much hubris, that he dares it to fall?

You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it.

Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

Have you ever felt really close to someone? So close that you can't understand why you and the other person have two separate bodies, two separate skins?

It's as if I'm Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee's trident, Annie in her wedding dress, waves breaking over rocks. Then its over.

I love seeing the bookshops and meeting the booksellers-- booksellers really are a special breed. No one in their right mind would take up clerking in a bookstore for the salary, and no one in his right mind would want to own one-- the margin of profit is too small. So, it has to be a love of readers and reading that makes them do it-- along with first dibs on the new books.

The thing about mountains is that you have to keep on climbing them, and that it's always hard, but there's a view from top every time when you finally get there.

How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living.

Maybe the true purpose of my life is for my body, my sensations and my thoughts to become writing, in other words, something intelligible and universal, causing my existence to merge into the lives and heads of other people.

Elrond,” Bruce said. “The Council of Elrond. From Lord of the Rings. It’s the meeting where they decide to destroy the One Ring.” “Jesus,” Annie said. “None of you got laid in high school, did you?

I am to cover the philosophical side of the debate and so far my only thought is that reading keeps you from going gaga.

Everybody that went away suffered a broken heart. "I'm coming back some day," they all wrote. But never did. The old life was too small to fit anymore.

She read books as one would breathe air, to fill up and live. She read books as one would breathe ether, to sink in and die.

And it may be that love sometimes occurs without pain or misery.

If you can't fix it, you have to stand it.

I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you.

He never lets go of Annie's hand. Not when they walk, not when they eat. I doubt he ever plans to.

I think you learn more if you're laughing at the same time.

Did you love Annie right away, Finnick?" I ask. "No." A long time passes before he adds, "She crept up on me.

There is no shortage of good days. It is good lives that are hard to come by. A life of good days lived in the senses is not enough. The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less; time is ample and its passage sweet. Who would call a day spent reading a good day? But a life spent reading -- that is a good life.

Exhaust the little moment. Soon it dies. And be it gash or gold it will not come Again in this identical disguise.

I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.

We face up to awful things because we can't go around them, or forget them. The sooner you say 'Yes, it happened, and there's nothing I can do about it,' the sooner you can get on with your own life. You've got children to bring up. So you've got to get over it. What we have to get over, somehow we do. Even the worst things.

Dearest Annie, Roses are red. Violets are blue. I’m using my hand But I’m thinking of you. - Ronan P.S. Just to clarify, I’m using my hand to write this note…get your mind out of the gutter.

We're all strange inside. We learn how to disguise our differences as we grow up.

There’s a Greek legend—no, it’s in something Plato wrote—about how true lovers are really two halves of the same person. It says that people wander around searching for their other half, and when they find him or her, they are finally whole and perfect. The thing that gets me is that the story says that originally all people were really pairs of people, joined back to back, and that some of the pairs were man and man, some woman and woman, and others man and woman. What happened was that all of these double people went to war with the gods, and the gods, to punish them, split them all in two. That’s why some lovers are heterosexual and some are homosexual, female and female, or male and male.

Poetry, plays, novels, music, they are the cry of the human spirit trying to understand itself and make sense of our world.

There is always the temptation in life to diddle around making itsy-bitsy friends and meals and journeys for years on end. It is all so self conscience, so apparently moral...But I won't have it. The world is wilder than that in all directions, more dangerous...more extravagant and bright. We are...raising tomatoes when we should be raising Cain, or Lazarus.

He is careful of what he reads, for that is what he will write. He is careful of what he learns, for that is what he will know.

You can't test courage cautiously, so I ran hard and waved my arms hard, happy.

Men are more interesting in books than they are in real life.

Your questions regarding that gentleman are very delicate, very subtle, very much like being smacked in the head with a mallet...it's a tuba among the flutes.

If I could have anything I wanted, I would choose story without end, and it seems I have lots of company in that.

Chris:I forgive you. Annie: For killing my children and my sweet husband? Chris: For being so wonderful a guy would choose hell over heaven just to be around you.

We have not yet encountered any god who is as merciful as a man who flicks a beetle over on its feet.

The 1st day, I stood in the kitchen leaning against the counter watching Annie feed the cats, and I knew I wanted to do that forever.

That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another bit there will lead you onto a third book. It's geometrically progressive—all with no end in sight, and for no other reason than sheer enjoyment.

One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

I am a fugitive and a vagabond, a sojourner seeking signs.

Don't punish yourselves for people's ignorant reactions to what we all are. Don't let ignorance win. Let love.

Love is too weak a word for what I feel - I luuurve you, you know, I loave you, I luff you, two F's, yes.

Last forever!' Who hasn't prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying.

A schedule defends from chaos and whim. A net for catching days.

Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this rarity, this dazzling creation with blue-green, white-tipped icing waves swimming with fish and sailboats, seals and sea flowers. But I push my way through the crowd to confirm what I knew at first sight. As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's.

When she raises her eyelids, it's as if she were taking off all her clothes.

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?

You got no fuckin idea how bad it gets. I'm not you. I can't make it on a couple a high-altitude fucks once or twice a year. You're too much for me, Ennis, you son of a whoreson bitch. I wish I knew how to quit you.

The secret is not to write about what you love best, but about what you, alone, love at all.

The opposite of faith is not doubt, it’s certainty.

I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wondering awed about on a splintered wreck I've come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them...

The dedicated life is the life worth living. You must give with your whole heart.

The shirt seemed heavy until he saw there was another shirt inside it, the sleeves carefully worked down inside Jack’s sleeves. It was his own plaid shirt, lost, he’d thought, long ago in some damn laundry, his dirty shirt, the pocket ripped, buttons missing, stolen by Jack and hidden here inside Jack’s own shirt, the pair like two skins, one inside the other, two in one.

Now,I'm no scientist,but I know what endorphins are. They're tiny little magical elves that swim through your blood stream and tell funny jokes to each other. When they reach your brain,you hear what they're saying and that boosts your health and happiness. "Knock Knock... Who's There?.. Little endorphin... Little endorphin who?... Little Endorphin Annie." And then the endorphins laugh and then you laugh. See? Its Science.

You know, Annie, a long time ago an old man told me beauty doesn't mean much in a woman. It disappears with age. But he said some women have something better. They have a special glow that lasts all their life and just gets richer. You're like that. You really shine.

Our life is a faint tracing on the surface of mystery, like the idle curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what's going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.

Nature is, above all, profligate. Don't believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn't it be cheaper to leave them on the tree in the first place? This deciduous business alone is a radical scheme, the brainchild of a deranged manic-depressive with limitless capital. Extravagance! Nature will try anything once.

He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.

On the whole, I do not find Christians, outside of the catacombs, sufficiently sensible of conditions. Does anyone have the foggiest idea what sort of power we so blithely invoke? Or, as I suspect, does no one believe a word of it? The churches are children playing on the floor with their chemistry sets, mixing up a batch of TNT to kill a Sunday morning. It is madness to wear ladies’ straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping god may wake someday and take offense, or the waking god may draw us out to where we can never return.

I went downstairs to Dad’s encyclopedia and looked up HOMOSEXUALITY, but that didn’t tell me much about any of the things I felt. What struck me most, though, was that, in the whole long article, the word “love” wasn’t used even once. That made me mad; it was as if whoever wrote the article didn’t know that gay people actually love each other. The encyclopedia writers ought to talk to me, I thought as I went back to bed; I could tell them something about love.

We sleep to time's hurdy-gurdy; we wake, if ever we wake, to the silence of God. And then, when we wake to the deep shores of time uncreated, then when the dazzling dark breaks over the far slopes of time, then it's time to toss things, like our reason, and our will; then it's time to break our necks for home. There are no events but thoughts and the heart's hard turning, the heart's slow learning where to love and whom. The rest is merely gossip, and tales for other times.

The silence is all there is. It is the alpha and the omega, it is God's brooding over the face of the waters; it is the blinded note of the ten thousand things, the whine of wings. You take a step in the right direction to pray to this silence, and even to address the prayer to "World." Distinctions blur. Quit your tents. Pray without ceasing.

Thomas Merton wrote, “there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.

We live in all we seek.

Why do we people in churches seem like cheerful, brainless tourists on a packaged tour of the Absolute?

It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale.

The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days.

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered? Why does death so catch us by surprise, and why love? We still and always want waking.

What does it feel like to be alive? Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling! It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.

One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant, white-banded tail, and so floated onto the grass. I had just rounded a corner when his incouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

A me m'ha sempre colpito questa faccenda dei quadri. Stanno su per anni, poi senza che accada nulla, ma nulla dico, fran, giù, cadono. Stanno lì attaccati al chiodo, nessuno gli fa niente, ma loro a un certo punto, fran, cadono giù, come sassi. Nel silenzio più assoluto, con tutto immobile intorno, non una mosca che vola, e loro, fran. Non c'è una ragione. Perché proprio in quell'istante? Non si sa. Fran. Cos'è che succede a un chiodo per farlo decidere che non ne può più? C'ha un'anima, anche lui, poveretto? Prende delle decisioni? Ne ha discusso a lungo col quadro, erano incerti sul da farsi, ne parlavano tutte le sere, da anni, poi hanno deciso una data, un'ora, un minuto, un istante, è quello, fran. O lo sapevano già dall'inizio, i due, era già tutto combinato, guarda io mollo tutto tra sette anni, per me va bene, okay allora intesi per il 13 maggio, okay, verso le sei, facciamo sei meno un quarto, d'accordo, allora buonanotte, 'notte. Sette anni dopo, 13 maggio, sei meno un quarto, fran. Non si capisce. È una di quelle cose che è meglio che non ci pensi, se no ci esci matto. Quando cade un quadro. Quando ti svegli un mattino, e non la ami più. Quando apri il giornale e leggi che è scoppiata la guerra. Quando vedi un treno e pensi io devo andarmene da qui. Quando ti guardi allo specchio e ti accorgi che sei vecchio. Quando, in mezzo all'Oceano, Novecento alzò lo sguardo dal piatto e mi disse: "A New York, fra tre giorni, io scenderò da questa nave". Ci rimasi secco. Fran.

I would love to believe that when I die I will live again, that some thinking, feeling, remembering part of me will continue. But as much as I want to believe that, and despite the ancient and worldwide cultural traditions that assert an afterlife, I know of nothing to suggest that it is more than wishful thinking. I want to grow really old with my wife, Annie, whom I dearly love. I want to see my younger children grow up and to play a role in their character and intellectual development. I want to meet still unconceived grandchildren. There are scientific problems whose outcomes I long to witness—such as the exploration of many of the worlds in our Solar System and the search for life elsewhere. I want to learn how major trends in human history, both hopeful and worrisome, work themselves out: the dangers and promise of our technology, say; the emancipation of women; the growing political, economic, and technological ascendancy of China; interstellar flight. If there were life after death, I might, no matter when I die, satisfy most of these deep curiosities and longings. But if death is nothing more than an endless dreamless sleep, this is a forlorn hope. Maybe this perspective has given me a little extra motivation to stay alive. The world is so exquisite, with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence. Far better, it seems to me, in our vulnerability, is to look Death in the eye and to be grateful every day for the brief but magnificent opportunity that life provides.