Ann Richards Quotes

After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.

I believe in recovery, and as a role model I have the responsibility to let young people know that you can make a mistake and come back from it.

The here and now is all we have, and if we play it right it's all we'll need.

I have a real soft spot in my heart for librarians and people who care about books.

Poor George [Bush], he can't help it. He was born with a silver foot in his mouth.

If Donald Trump and the Wicked Witch of the West had a kid, it would be Jayne-Anne. She looks like a librarian with some money and good taste in clothes but underneath the Verace, she's Godzilla with tits.

List of Artists Who Created Fantasy Worlds to Try and Cure Bouts of Sadness 1. Italo Calvino 2. Gabriel Garcia Marquez 3. Jim Henson and Jorge Luis Borges - Labyrinths 4. The creator of MySpace 5. Richard Brautigan 6. J.K. Rowling 7. The inventor of the children's toy Lite-Brite 8. Ann Sexton 9. David Foster Wallace 10. Gaugin and the Caribbean 11. Charles Schulz 12. Liam Rector

I did not want my tombstone to read, 'She kept a really clean house.

You can put lipstick and earrings on a hog and call it Monique, but it's still a pig.

Read widely and with discrimination. Bad writing is contagious." [Ten rules for writing fiction, The Guardian, 20 February 2010 (with Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, and AL Kennedy)]

I turn around from the window and for the first time I see him... It is Richard, smiling at my surprise. I run to him, without thinking what I am doing. I run to the first friendly face that I have seen since Christmas, and in a moment I am in his arms and he is holding me tightly and kissing my face, my closed eyes, my smiling mouth, kissing me till I am breathless and have to pull away from him.

I tell you, Richard, if you ever get ready to sell your soul, don’t bother to sell it to another human being. It’s bad business to even consider such a thing.

And – I think you know, don’t you? – that I love you, Anne.’ I feel as if I have been living in a loveless world for too long. The last tender face I saw was my father’s when he sailed for England. ‘You do? Truly?’ ‘I do.’ He rises to his feet and pulls me up to stand beside him. My chin comes to his shoulder, we are both dainty, long-limbed, coltish: well-matched. I turn my face into his jacket. ‘Will you marry me?’ he whispers. ‘Yes,’ I say.

A talent for speaking differently, rather than for arguing well, is the chief instrument of cultural change. (Richard Rorty, philosopher)

Here have lived for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths have left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing have left this." -Viginia Woolf

Villain, thou know'st nor law of God nor man: No beast so fierce but knows some touch of pity. RICHARD, DUKE OF GLOUCESTER: But I know none, and therefore am no beast. LADY ANNE: O wonderful, when devils tell the troth! RICHARD, DUKE OF GLOUCESTER: More wonderful, when angels are so angry.

In 1970, Danvers town historian Richard B. Trask asked the property owners, Alfred and Edie Anne Hutchinson, for permission to do an archaeological dig there.

I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch. ‘Anne, will you marry me?’ he asks simply, as he kneels before me.

It was not my pain but Ann’s. She was crying, frightened. Because I was hurt. She was afraid for me. I felt her anguish. She was suffering terribly. I tried to will away the shadows but I couldn’t. Tried in vain to speak her name. Don’t cry, I thought. I’ll be all right. Don’t be afraid. I love you, Ann. Where are you?

Obviously the household of Richard the Fair was unused to hearing the magician laugh. Even Richard himself stopped pawing his willing partner to stare at Simon of Navarre. "Something amuses you, my Grendel?" he demanded. "You have been gracious enough to gift me with a clever wife," Simon said. "A clever woman is a curse," Richard said flatly, eyeing Alys with profound distrust. "Change your mind, my friend. Choose the pretty one." "My lord," said Simon, "I did.

Say yes,’ he whispers. ‘Marry me.’ I hesitate. I open my eyes. ‘You will get my fortune,’ I remark. ‘When I marry you, everything I have becomes yours. Just as George has everything that belongs to Isabel.’ ‘That’s why you can trust me to win it for you,’ he says simply. ‘When your interests and mine are the same, you can be certain that I will care for you as for myself. You will be my own. You will find that I care for my own.’ ‘You will be true to me?’ ‘Loyalty is my motto. When I give my word, you can trust me.

He was lost, captured by an innocent, destroyed by a would-be nun, and there was no way the monster, Simon of Navarre, Richard the Fair's Grendel, would ever be the same.

Call me Richard, I love it when you call me Richard.

Well, I can’t imagine having a great deal of money,” Ann Blake was saying as the flames crackled. “I’ve never even given it much thought, because all I ever wanted was a great deal of talent – and I’d gladly have settled for even a modest amount of that. Still, I suppose the two things are sort of alike. Having either one sets you apart. Being born with either one can bring you more than most people allow themselves to dream of, but they both require an unfailing sense of responsibility. If you ignore them, or neglect them, all the good of them slides away into idleness and waste. And the terrible thing, Lucy, is how easily idleness and waste can become a way of life.

I want so badly to help you realize, Elizabeth Anne, how difficult and puzzling and full of wonder it all is: some day I will tell you how I learned to watch the shifting light of autumn days or smelled the earth through snow in March; how one winter morning God vanished from my life and how one summer evening I sat in a Ferris wheel, looking down on a man that hurt me badly; I will tell you how I once travelled to Rome and saw all the soldiers in that city of dead poets; I will tell you how I met your father outside a movie house in Toronto, and how you came to be. Perhaps that is where I will begin. On a winter afternoon when we turn the lights on early, or perhaps a summer day of leaves and sky, I will begin by conjugating the elemental verb. I am. You are. It is.

I too am relieved. I did not know if Kate would like me.” “Well, sure she would! You’re her own kind, right?” “I am her kind?” Richard suddenly looked less sure of himself, but he said, “I mean you’re in that same milieu or whatever. That science milieu she was raised in. Right, Uncle Louis?” he asked. “No normal person could understand you people.” “What exactly do you find difficult to understand?” Dr. Battista asked him. “Oh, you know, all that science jargon; I can’t offhand—” “I am researching autoimmune disorders,” Dr. Battista said. “It’s true that ‘autoimmune’ has four syllables, but perhaps if I broke the word down for you…

I loved Ann and would help her. Nothing in the depths of Hell would keep me from it.

Nice slippers,” Davin grinned. They were green and furry. “Thanks.” I shrugged and looked him over, half expecting to see a new injury. “So what’s up?” He had one hand behind his back.

Even with a Democratic president behind the Civil Rights Act of 1964, a far larger percentage of Republicans than Democrats voted for it. Eminent Democratic luminaries voted against it, including Senators Ernest Hollings, Richard Russell, Sam Ervin, Albert Gore Sr., J. William Fulbright (Bill Clinton’s mentor) and of course, Robert Byrd. Overall, 82 percent of Senate Republicans supported the Civil Rights Act of 1964, compared to only 66 percent of Democrats. In the House, 80 percent of Republicans voted for it, while only 63 percent of Democrats did. Crediting Democrats for finally coming on board with Republicans civil rights policies by supporting the 1964 act would be nearly as absurd as giving the Democrats all the glory for Regan’s 1981 tax cuts - which passed with the support of 99 percent of Republicans but only 29 percent of Democrats.

The old woman could inspire random violence moment to moment, but for the big things could be counted on, provided that sacrifice and not intervention was called for. Anne smiled to herself. There was, after all, something to be said for sacrifice.

They blame the low-income women for ruining the country because they're staying home with their children and not going out to work. They blame the middle-income women for ruining the country because they go out to work and do not stay home to take care of their children.

Perceptive and valuable personal explorations of time alone include A Book of Silence by Sara Maitland, Party of One by Anneli Rufus, Migrations to Solitude by Sue Halpern, Journal of a Solitude by May Sarton, The Point of Vanishing by Howard Axelrod, Solitude by Robert Kull, Pilgrim at Tinker Creek by Annie Dillard, The Diving Bell and the Butterfly by Jean-Dominique Bauby, A Field Guide to Getting Lost by Rebecca Solnit, The Story of My Heart by Richard Jefferies, Thoughts in Solitude by Thomas Merton, and the incomparable Walden by Henry David Thoreau.

Anne herself was no stranger to adversity, but she had always hated any situation that could only be endured. She was able to summon the necessary courage for a bold, confident stroke, but simply getting by left her dispirited, and it seemed that the older she got, the more frequent these situations became.

The public does not like you to mislead or represent yourself to be something you're not. And the other thing that the public really does like is the self-examination to say, you know, I'm not perfect. I'm just like you. They don't ask their public officials to be perfect. They just ask them to be smart, truthful, honest, and show a modicum of good sense.

Come now, Richard," he said, "don't be foolish. Those were what are called trick babies. They were born in a house of prostitution; and they'll live out their lives that way...but I'll tell you what strikes me, Richard, about the whole matter. It's the way that life asserts itself, no matter what the circumstances. Of course it must be a miserable existence. How could it not be? Yet those little girls manage to live; to breathe, to enjoy themselves. They laugh and they are full of curiosity and tenderness. They adjust, I believe that's the word. The adjust and they reach for the starts in their own way. I tell you it's wondrous to me. They make me think of the wild flowers that grow in the cracks of pavements, just pushing up into the sun, no matter how many feet crush them down.

Her mother told everyone that he had died “peacefully, as he lived.” Which seemed plainly untrue, as least the last part. His existence had been full of hard work and dust and noise and shameful worry over money. Anne was glad that it was his heart that finally gave up, that he had not choked to death, gasping for oxygen, because he’d already had a lifetime of choking want and restriction. A peaceful death didn’t begin to balance the scales. Mather Grouse was owed a great deal, and now he couldn’t collect.

She had no idea, no better than my kitten, as to how she would survive in this kingdom of her enemies. She must have thought that George was her savior. But not for long. Nobody knows quite what happened after that; but something went wrong with George’s agreeable plan to own both Neville girls and keep their enormous fortune to himself. Some say that Richard, visiting George’s grand house, met Anne again—his childhood acquaintance—and they fell in love, and that he rescued her like a knight in a fable from a visit that was nothing less than imprisonment.

There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.

The Bolsheviks did not intend to sit back and wait for these revolutions to unfold. As the revolutionary vanguard, they hoped to facilitate the coming turmoil through propaganda, subterfuge, and even warfare.61 In the spring of 1919 they had set up the Communist International, popularly known as the Comintern, a body officially dedicated to the overthrow of capitalist regimes according to a Leninist blueprint, as outlined in books such as What Is to Be Done? (Lenin’s furious denunciation of social democracy and left-wing pluralism, published in 1902).62 In practice, as Richard Pipes has written, the Comintern constituted a “declaration of war on all the existing governments.”63

Richard Gardner (2004), the creator of ‘‘parental alienation syndrome’’, considers that the ‘‘parental alienation syndrome (PAS) is primarily a disorder of childhood. The false memory syndrome (FMS) is a disorder of young adults, primarily women. They share in common a campaign of acrimony against a parent’’. In reality, these so-called syndromes are both used to discredit the testimony of individuals who claim to have been abused, sexually or otherwise. When adults report that they have recovered memories of childhood abuse, others may claim that they have false memory syndrome. When children do not repress or forget the abuse, if there is no period of amnesia, then some may claim that they have parental alienation syndrome (Ceci & Bruck, 1995; Dallam, 1999).

Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason

This was perhaps most or particularly true for Nelson Aldrich Rockefeller, New York’s governor since 1959, when he decided to get tougher on crime. Rockefeller had been a lifelong Republican, but he had routinely found himself in the liberal wing of his own party. Historically, this had benefited him mightily. He was, for example, one of the few of his party to survive the Lyndon Johnson landslide of 1964. But Rockefeller had ambitions beyond New York. A savvy politician, he increasingly realized that the liberal reputation that had earned him such a following in New York was fast becoming a liability—especially if he hoped to win his party’s nomination for the presidency. Throughout the 1960s he had watched Richard Nixon slowly but surely steal his political thunder across the nation. And so, by the close of the decade, Rockefeller had begun to craft a more conservative and more traditionally Republican image for himself. In 1970, Rockefeller made no bones about the fact that he too would be “tough on crime.” This had suddenly become the platform that could get a man elected.

Suggested Reading Atkinson, Kate. Behind the Scenes at the Museum; Binchy, Maeve. Tara Road, The Copper Beech, and Evening Class; Bloom, Amy. Come to Me; Edwards, Kim. The Memory Keeper’s Daughter; Ferris, Joshua. The Unnamed; Flynn, Gillian. Gone Girl; Foer, Jonathan Safran. Extremely Loud and Incredibly Close; Franzen, Jonathan. The Corrections; Ganesan, Indira. Inheritance; Hanilton, Jane. Disobedience; Jonasson, Jonas. The 100-Year-Old Man Who Climbed Out the Window and Disappeared; Joyce, Rachel. The Unlikely Pilgrimage of Harold Fry; Kidd, Sue Monk. The Secret Life of Bees; Mapson, Jo-Ann, The Owl & Moon Cafe; McEwan, Ian. Atonement; Miller, Arthur. All My Sons; Morrison, Toni. Love; O’Neill, Eugene. Long Day’s Journey into Night; Pekkanen, Sarah. The Opposite of Me; Porter, Andrew. In Between Days; Quindlen, Anna. Blessings and One True Thing; Rosenfeld, Lucinda. The Pretty One; Sittenfeld, Curtis. Sisterland; Smith, Ali. There But For The; Tan, Amy. The Joy Luck Club; Tyler, Anne. Dinner at the Homesick Restaurant; White, Karen. The Time Between; Williams, Tennessee. Cat on a Hot Tin Roof; Woolf, Virginia. Mrs. Dalloway; Yates, Richard. The Easter Parade.

There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.

Everything and Nothing* There was no one inside him; behind his face (which even in the bad paintings of the time resembles no other) and his words (which were multitudinous, and of a fantastical and agitated turn) there was no more than a slight chill, a dream someone had failed to dream. At first he thought that everyone was like him, but the surprise and bewilderment of an acquaintance to whom he began to describe that hollowness showed him his error, and also let him know, forever after, that an individual ought not to differ from its species. He thought at one point that books might hold some remedy for his condition, and so he learned the "little Latin and less Greek" that a contemporary would later mention. Then he reflected that what he was looking for might be found in the performance of an elemental ritual of humanity, and so he allowed himself to be initiated by Anne Hathaway one long evening in June. At twenty-something he went off to London. Instinctively, he had already trained himself to the habit of feigning that he was somebody, so that his "nobodiness" might not be discovered. In London he found the calling he had been predestined to; he became an actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person. The work of a thespian held out a remarkable happiness to him—the first, perhaps, he had ever known; but when the last line was delivered and the last dead man applauded off the stage, the hated taste of unreality would assail him. He would cease being Ferrex or Tamerlane and return to being nobody. Haunted, hounded, he began imagining other heroes, other tragic fables. Thus while his body, in whorehouses and taverns around London, lived its life as body, the soul that lived inside it would be Cassar, who ignores the admonition of the sibyl, and Juliet, who hates the lark, and Macbeth, who speaks on the moor with the witches who are also the Fates, the Three Weird Sisters. No one was as many men as that man—that man whose repertoire, like that of the Egyptian Proteus, was all the appearances of being. From time to time he would leave a confession in one corner or another of the work, certain that it would not be deciphered; Richard says that inside himself, he plays the part of many, and Iago says, with curious words, I am not what I am. The fundamental identity of living, dreaming, and performing inspired him to famous passages. For twenty years he inhabited that guided and directed hallucination, but one morning he was overwhelmed with the surfeit and horror of being so many kings that die by the sword and so many unrequited lovers who come together, separate, and melodiously expire. That very day, he decided to sell his theater. Within a week he had returned to his birthplace, where he recovered the trees and the river of his childhood and did not associate them with those others, fabled with mythological allusion and Latin words, that his muse had celebrated. He had to be somebody; he became a retired businessman who'd made a fortune and had an interest in loans, lawsuits, and petty usury. It was in that role that he dictated the arid last will and testament that we know today, from which he deliberately banished every trace of sentiment or literature. Friends from London would visit his re-treat, and he would once again play the role of poet for them. History adds that before or after he died, he discovered himself standing before God, and said to Him: I , who have been so many men in vain, wish to be one, to be myself. God's voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, Shakespeare, dreamed your own work, and among the forms of my dream are you, who like me, are many, yet no one.

Perceptive and valuable personal explorations of time alone include A Book of Silence by Sara Maitland, Party of One by Anneli Rufus, Migrations to Solitude by Sue Halpern, Journal of a Solitude by May Sarton, The Point of Vanishing by Howard Axelrod, Solitude by Robert Kull, Pilgrim at Tinker Creek by Annie Dillard, The Diving Bell and the Butterfly by Jean-Dominique Bauby, A Field Guide to Getting Lost by Rebecca Solnit, The Story of My Heart by Richard Jefferies, Thoughts in Solitude by Thomas Merton, and the incomparable Walden by Henry David Thoreau. Adventure tales offering superb insight into solitude, both its horror and its beauty, include The Long Way by Bernard Moitessier, The Strange Last Voyage of Donald Crowhurst by Nicholas Tomalin and Ron Hall, A Voyage for Madmen by Peter Nichols, Into the Wild by Jon Krakauer, and Alone by Richard E. Byrd. Science-focused books that provided me with further understanding of how solitude affects people include Social by Matthew D. Lieberman, Loneliness by John T. Cacioppo and William Patrick, Quiet by Susan Cain, Neurotribes by Steve Silberman, and An Anthropologist on Mars by Oliver Sacks. Also offering astute ideas about aloneness are Cave in the Snow by Vicki Mackenzie, The Life of Saint Anthony by Saint Athanasius, Letters to a Young Poet by Rainer Maria Rilke, the essays of Ralph Waldo Emerson (especially “Nature” and “Self-Reliance”) and Friedrich Nietzsche (especially “Man Alone with Himself”), the verse of William Wordsworth, and the poems of Han-shan, Shih-te, and Wang Fan-chih. It was essential for me to read two of Knight’s favorite books: Notes from the Underground by Fyodor Dostoyevsky and Very Special People by Frederick Drimmer. This book’s epigraph, attributed to Socrates, comes from the C. D. Yonge translation of Diogenes Laërtius’s third-century A.D. work The Lives and Opinions of Eminent Philosophers. The Hermitary website, which offers hundreds of articles on every aspect of hermit life, is an invaluable resource—I spent weeks immersed in the site, though I did not qualify to become a member of the hermit-only chat groups. My longtime researcher, Jeanne Harper, dug up hundreds of reports on hermits and loners throughout history. I was fascinated by the stories of Japanese soldiers who continued fighting World War II for decades on remote Pacific islands, though none seemed to be completely alone for more than a few years at a time. Still, Hiroo Onoda’s No Surrender is a fascinating account.

BUYING OFF THE ENVIRONMENTALISTS Where are the environmentalists? For fifty years, they’ve been carrying on about overpopulation; promoting family planning, birth control, abortion; and saying old people have a “duty to die and get out of the way”—in Colorado’s Democratic Governor Richard Lamm’s words. In 1971, Oregon governor and environmentalist Tom McCall told a CBS interviewer, “Come visit us again. . . . But for heaven’s sake, don’t come here to live.” How about another 30 million people coming here to live? The Sierra Club began sounding the alarm over the country’s expanding population in 1965—the very year Teddy Kennedy’s immigration act passed65—and in 1978, adopted a resolution expressly asking Congress to “conduct a thorough examination of U.S. immigration laws.” For a while, the Club talked about almost nothing else. “It is obvious,” the Club said two years later, “that the numbers of immigrants the United States accepts affects our population size and growth rate,” even more than “the number of children per family.”66 Over the next three decades, America took in tens of millions of legal immigrants and illegal aliens alike. But, suddenly, about ten years ago, the Sierra Club realized to its embarrassment that importing multiple millions of polluting, fire-setting, littering immigrants is actually fantastic for the environment! The advantages of overpopulation dawned on the Sierra Club right after it received a $100 million donation from hedge fund billionaire David Gelbaum with the express stipulation that—as he told the Los Angeles Times—“if they ever came out anti-immigration, they would never get a dollar from me.”67 It would be as if someone offered the Catholic Church $100 million to be pro-abortion. But the Sierra Club said: Sure! Did you bring the check? Obviously, there’s no longer any reason to listen to them on anything. They want us to get all excited about some widening of a road that’s going to disturb a sandfly, but the Sierra Club is totally copasetic with our national parks being turned into garbage dumps. Not only did the Sierra Club never again say another word against immigration, but, in 2004, it went the extra mile, denouncing three actual environmentalists running for the Club’s board, by claiming they were racists who opposed mass immigration. The three “white supremacists” were Dick Lamm, the three-time Democratic governor of Colorado; Frank Morris, former head of the Black Congressional Caucus Foundation; and Cornell professor David Pimentel, who created the first ecology course at the university in 1957 and had no particular interest in immigration.68 But they couldn’t be bought off, so they were called racists.

Jessica tended Kendrick’s hurts before the fire and Richard only had to unclench his fists two or three times. And then his turn came. He sat down on the floor and Jessica fussed over him. He couldn’t remember the last time someone had done the like. It had probably been at Artane years ago. Somehow, Lady Anne’s touch hadn’t pleased him as Jessica’s did. When she pulled away, he opened his eyes to beg her not to cease, then realized there was nothing left to do. He caught her by the hand and pulled her close, not caring that Kendrick sat behind him and was likely on the verge of laughing. He very carefully pressed his lips against hers. “Thank you.” “You’re extremely welcome.

that Georges Bizet had borrowed his tune for L’Arlésienne from a theme by Michel-Richard Delalande,

Trust is now recognized as a topic worthy of academic effort. In a recent article in the Harvard Business Review, researchers Robert Galford and Anne Siebold Drapeau identified five simple ways to destroy trust in any organization:122 1.   Inconsistent messages—management proclaims one thing, actually does another 2.   Inconsistent standards—people feel that they are being treated differently because of where they work, which legacy organization they came from, etc. 3.   Misplaced benevolence—ignoring a poor performing or untrustworthy manager, or employee 4.   “Elephants in the parlor”—ignoring the role that office politics actually plays in their organization 5.   “Rumors in a vacuum”—senior managers embargo all information, or greatly restrict its flow—i.e., to only certain levels of management—during complex initiatives, merger discussions, restructuring, etc.

A hint of a smile crossed Robin’s features and he took Jessica’s hand. “Well met, then, lady. I vow I despaired of this one ever finding a woman strong enough to face him. You must be accustomed to holding your ground.” “The tales I could tell you,” Richard muttered. “But I won’t,” he added at Robin’s pursed lips. “Trust me, my lord, she holds her own very well. I’m sure the lady Anne will find her much to her liking.

Anne Wilson Schaef

mumbling

Often lost in the simplistic outrage that sexual crimes elicits, is an understanding of the complexity of an offenders’ future and those they call family. Offenders are also brothers, children, wives, fathers and significant others. When these offenders return to the community after their criminal sentence, they will begin to restructure their lives to try and become productive citizens. Their families and support systems also face a set of challenges. Dr. Zilney’s thoughtful and well-organized work documents the many unintended consequences of our prolonged, entrenched sex offender laws and its impact on not only the offenders, but their support systems. Humanizing and contextualizing people who have committed real harm is an important social goal. Dr. Zilney’s research not only accomplishes this but equally importantly requires us to rethink how we help support these people and their families in developing healthy and safe relationships. Richard G. Wright, Ph.D., Bridgewater State University

Schuster, 1983. ———. The Supreme Commander: The War Years of General Dwight D. Eisenhower. New York: Doubleday, 1970. Ambrose, Stephen E., and Richard H. Immerman. Ike’s Spies: Eisenhower and the Espionage Establishment. Garden City, N.Y.: Doubleday, 1981. Ankrum, Homer. Dogfaces Who Smiled Through Tears. Lake Mills, Ia.: Graphic Publishing, 1987. Armstrong, Anne. Unconditional Surrender. New Brunswick, N.J.: Rutgers University Press, 1961. Arnbal, Anders Kjar. The Barrel-Land Dance Hall Rangers. New York: Vantage Press, 1993. Ashcraft, Howard D. As You Were: Cannon Company, 34th Infantry Division, 168th Infantry Regiment. Richmond, Va.: Ashcraft Enterprises, 1990. Astor, Gerald. The Greatest War: Americans in Combat, 1941–1945. Novato, Calif.: Presidio, 1999. Auphan, Paul, and Jacques Mordal. The French Navy in World War II. Trans. A.C.J. Sabalot. Annapolis: United States

Ça ne fait rien”4 (or “It does not matter,” more loosely translated as “Don’t worry, we’ll sort it”). Paul and Linda heard Richards’s comment as “San Ferry Anne,” a phrase they adopted to mean “don’t worry,” and true to form, McCartney began toying with the phrase as the title for a new song.

It was from a novel/movie I dearly loved, How Green Was My Valley by Welsh author, Richard Llewelyn. I saw behind me those who had gone, and before me, those who were to come. I looked back and saw my father, and his father, and all our fathers and in front, to see my son, and his son, and the sons upon sons beyond. And their eyes were my eyes. As I felt, so they had felt, and were to feel, as then, so now, as tomorrow and forever. Then I was not afraid, for I was in a long line that had no beginning, and no end, and the hand of his father grasped my father's hand, and his hand was in mine, and my unborn son took my right hand, and all, up and down the line that stretched from Time That Was, to Time That Is, and Is Not Yet, raised their hands to show the link, and we found that we were one, born of Woman, son of Man, made in the Image, fashioned in the Womb by the Will of God, the Eternal Father.

Q: Who are your influences? I was lucky as a kid to get to meet Paul Conrad who lived in my hometown. He is a giant in editorial cartooning, winner of three Pulitzers and even more impressively he won a place on Nixon‘s enemies list. He was a huge influence. Starting out I also spent a lot of time looking at Ron Cobb, an insane crosshatcher who drew for the alternative press in the ’60’s, as well as David Levine, Ed Sorel, and R. Crumb. I also love Steinberg‘s visual elegance and innately whimsical voice. Red Grooms is another guy who took cartooning wonderful places. There are also a number of 19th-century cartoonists whose mad drawing skills and ability to create rich visual worlds always impressed me. A.B. Frost, T.S. Sullivant, Joseph Keppler are often overshadowed by Nast, but in many ways they were more adventurous graphically. I also want to throw in here how great it is to work in D.C. There’s a great circle of cartoonists here and being in their orbit is a daily inspiration. Opening the Post to Toles and Richard Thompson (Richard’s Poor Almanac is the best and most original cartoon in the country and sadly known mostly only to those lucky enough to be in range of the Post;, Cul de Sac is pretty good too). And then there’s Ann Telnaes’ animations that appear in the Post online—-truly inspired and the wave of the future, as well as Beeler, Galifianakis, Bill Brown, and others. It raises one’s game to be around all these folks. (2010 interview with Washington City Paper)

You only have one life and it’s the most precious thing you own, live every day to the fullest, travel safety and always remember to follow your dreams.

Everyone is searching for their pot of gold and it’s a very worthy pursuit, but until we realise part of it can only come from travelling around our planet and finding out more about who we are, we will always just be chasing rainbows.

I believe as humans we are blessed with a soul. Our lifeforce is so strong, complex and well developed that I find it hard to believe that it only popped into existence when we were born and on death it just ends.

Some painters just have the touch, they have that ability to capture the sitter’s true self on canvas. Looking at the works of the greatest portrait painters, they have captured far more than just the resemblance. Their paintings can evoke the same feelings as if you were actually interacting with the person they painted.

We shared some of the best times. Many of these have been lost but some are ingrained in my mind and will never be forgotten. If we remember our loved ones a part of them will always be here, although in some ways life can seem a little less bright.

Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami

Facis tua computat anns. (Juvenal

Mribus antqus rs stat Rmna virsque. (Ennius Ann. 467.)

Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Szabó The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami

Norman Mailer, Don DeLillo, Richard Ford, John Cheever, Ann Beattie, William Gaddis, Cormac McCarthy, and Rust’s own spouse, the amazing Joy Williams. He was

Richard glanced over his shoulder once more, noting the careful degree of distance between the pair, and let out a sigh he could not quite stifle. Darcy and Elizabeth may be in love, he thought as he and Anne reached the table and found their seats. But I am not entirely sure they know it!

was less than a year after Carol Ann Farino’s murder that Richard Cottingham committed his first brutal slaying. That

Ann says I fabricate these feelings. But so what? I still have them.

It is a vacant vista, the acme of opulent American dreariness Ann has for some reason married into. I feel like getting up and walking out onto the lawn—waiting for my son in the grass.

Studies of long inventories produced in Italy, France and England have revealed the uniformity of the contents of Latin libraries, the increasing use of vernacular translations of the classics by the princes of those countries, and that all libraries had similar proportions of Latin, vernacular, scriptural, and other texts.

As we often tell newcomers at our meetings, give it a try—and if, after a month or so, you are not feeling happier and more peaceful, we will gladly refund your misery. And if you do give the path described in this book a try, buckle up, because Brother Rohr may just take you to places you’ve both avoided and longed for, to truth, union, joy, laughter, and, greatest of all, to your own precious self, here on earth with us, child of God. —Anne Lamott

A unique clue about Richard and his books and his attitude to them is to be found in the fact that he was able to quote from them.

Ultimately we can only be certain he knew his book of hours well. The dangers of speculating about any library, such as Richard’s, which lacks a surviving, complete, regularly updated and reliable inventory, are great.

The boar was a popular heraldic charge, used long before heraldry became standardised. The sanglier was the most dangerous and difficult animal to hunt, a beste noire (like the wolf and the bear) whose killer was greatly honoured. In contrast to the stag (one of the bestes rouges) which came to symbolise the Christian virtues – a flying stag was particularly associated with the kings of France – the boar stood for the sinner,12 but at the same time the boar’s very ferocity and power caused it to develop from a symbol of evil to an emblem of him who defeated it. In most stories the boar of evil is black and it is likely Richard very consciously chose a white boar to exorcise in advance all the vices of the animal and leave it only its virtues.

Richard Speck, the Chicago mass murderer of nine student nurses, was the only infamous subject found to have an extra Y chromosome.

Continual physical training in the shape of hunting and exercise in arms was given first priority by all writers on the subject of chivalry, but many mention the need of theoretical grounding as well.

Anthony, who had a memorial in the hours of Richard’s father, was closely associated with the pig or boar, the animal that supported Richard’s arms and, when white, was a symbol of resistance to temptation and the rejection of evil. St Anthony had been the first monk, a healer of men and animals, patron of hospitals for the poor and the sick and of a spiritual order of knighthood

Historian Anne Hollander notes that tailoring was first used to make linen trousers and shirts designed to be worn under full-body plate armor, which was invented in the late Middle Ages. This new armor was a high-tech improvement over both chain mail and smaller plate armor that covered only discrete parts of the body such as the chest, forearms, or shins; it was expensive and cast for warriors and the elite, and so the tailored undergarments became a sign of high status as they evolved into outwear.

Nervously I tried to check my reflection in the opaque window of the front door. I had an idea that equerries to Her Royal Highness the Princess of Wales were several inches taller than me in their Gucci loafers and carried a reassuring air of Labradors and sports cars. They certainly did not lose their cuff links. Summoning up all my stiffening thoughts, I pressed the bell. I could not hear if it had rung, so after several minutes I pressed it again, just as the door opened to reveal the Prince of Wales’s butler. He was about my height and wore a dark blue jacket with the Prince of Wales’s monogram on the lapels. He looked politely unimpressed. “Oh yes,” he said. “Come in.” Later, I came to know Harold Brown well and grew to admire his professionalism. At home and abroad, he quietly bore the hundreds of little stresses that came with dealing with his royal employers at their less attractive moments. His gift as a mimic had me crying tears of laughter into my whiskey on many foreign tours. That afternoon, however, he was every inch the guardian of his master’s privacy and impassively allowed me to follow him to the Equerries’ Room where I was to await the royal summons. Like so much of the apartment, although undeniably comfortable and well appointed, the Equerries’ Room was dark. Clever effects had been achieved with concealed lighting, pastel colorings, and flowers, but the overriding impression was one of pervasive gloom. Two people were already there—the Princess’s lady-in-waiting, Anne Beckwith-Smith, and her current equerry, Richard Aylard. They were there to examine me as a possible recruit to their exclusive way of life. During the last few days they had been examining five others as well, of course, so they were understandably distant, if polite. I was polite too—this was surely part of the selection process—and determined, like the butler, to look unimpressed. But I did need to go to the loo. Badly. Groping in the semigloom of the cloakroom, I became the latest visitor to fumble for the trick light switch on a fiendish trompe l’oeil before finding the real switch on the wall behind me.

A sense of humor was essential survival equipment in the palace jungle—but nothing too clever. So was an ability to enjoy food and drink. To these I secretly added an ability to enjoy plane-spotting. It turned out to be quite useful. Many of my tensest moments were experienced in royal airplanes, but surprisingly often I could deflect the Princess’s fiercest rocket with a calculated display of nerdish interest in what I could see out of the window. As it happened, I was able to indulge this lonely vice almost immediately as I caught the bus back to Heathrow. Farewells at KP were polite but perfunctory, and Richard and Anne gave no hint as to the outcome of my interview. Richard ventured the comment that I had given “a remarkable performance,” but this only added to the general air of theatrical unreality. I was pretty sure I had eaten my first and last royal Jersey royal potato. Back in Scotland, my despondency deepened as I inhaled the pungent aroma of my allocated bedroom in the Faslane transit mess. It was not fair, I moaned to myself, to expose someone as sensitive as me to lunch with the most beautiful woman in the world and then consign him to dinner with the duty engineer at the Clyde Submarine Base. And how could I ever face the future when every time the Princess appeared in the papers I would say to myself—or, far worse, to anyone in earshot—“Oh yes, I’ve met her. Had lunch with her in fact. Absolutely charming. Laughed at all my jokes . . .” Now thoroughly depressed, I was preparing for a miserable night’s sleep when I was interrupted by the wardroom night porter. He wore a belligerent expression so convincing that it was clearly the result of long practice. No doubt drawing on years of observing submarine officers at play, he clearly suspected he was being made the victim of a distinctly unamusing practical joke. In asthmatic Glaswegian he accused me of being wanted on the phone “frae Bucknum Paluss.” I rushed to the phone booth, suddenly wide-awake. The Palace operator connected me to Anne Beckwith-Smith. “There you are!” she said in her special lady-in-waiting voice. “We’ve been looking for you everywhere. Would you like the job?

Early in my research on the democratization of innovation I was very fortunate to gain five major academic mentors and friends. Nathan Rosenberg, Richard Nelson, Zvi Griliches, Edwin Mansfield, and Ann Carter all provided crucial support

In a state that continued to be saddled with a sternly limited governmental structure devised when the South was just emerging from the bruising experience of the Civil War and Reconstruction, she also had to contend with fact that national politics and changing demographics had left her swimming for her life as a liberal Democrat in an ocean of conservative Republicans. In a failed presidential campaign, Texas's Republican senator Phil Gramm once boasted that the best thing a politician can have is money. It helps, of course, and yet he was proved quite wrong: the biggest advantage a politician can have is that people like you.

Hillary Clinton was her protégée, even when she was the nation’s First Lady and then a U.S. senator from New York. Some of the cracks in the glass ceiling were put there by Ann.

During the writing of this book, I found myself questioning why the sixteenth-century history of the Irish-English conflict—“the Mother of All the Irish Rebellions”—has been utterly ignored or forgotten. This episode was by far the largest of Elizabeth’s wars and the last significant effort of her reign. It was also the most costly in English lives lost, both common and noble. By some estimates, the rebellion resulted in half the population of Ireland dying through battle, famine, and disease, and the countryside—through the burning of forestland—was changed forever. Yet almost no one studies it, writes of it, or discusses it, even as the impact of that revolt continues to make headlines across the world more than four hundred years later. Likewise, few people outside Ireland have ever heard of Grace O’Malley, surely one of the most outrageous and extraordinary personalities of her century—at least as fascinating a character as her contemporary and sparring partner Elizabeth I. Of course history is written by the victors, and England was, by all accounts, the winner of the Irish Rebellion of the sixteenth century. But the mystery only deepens when we learn that the only contemporary knowledge we have of Grace’s exploits—other than through Irish tradition and legend—is recorded not in Ireland’s histories, but by numerous references and documentation in England’s Calendar of State Papers, as well as numerous official dispatches sent by English captains and governors such as Lords Sidney, Maltby, and Bingham. As hard as it is to believe, Grace O’Malley’s name never once appears in the most important Irish history of the day, The Annals of the Four Masters. Even in the two best modern books on the Irish Rebellion—Cyril Fall’s Elizabeth’s Irish Wars and Richard Berleth’s The Twilight Lords—there is virtually no mention made of her. Tibbot Burke receives only slightly better treatment. Why is this? Anne Chambers, author of my two “bibles” on the lives of Grace O’Malley (Granuaile: The Life and Times of Grace O’Malley) and Tibbot Burke (Chieftain to Knight)—the only existing biographies of mother and son—suggests that as for the early historians, they might have had so little regard for women in general that Grace’s exclusion would be expected. As for the modern historians, it is troubling that in their otherwise highly detailed books, the authors should ignore such a major player in the history of the period. It

Kirkus (starred review): A lucid, expertly researched biography of the brilliant Nikola Tesla. (Readers) will absolutely enjoy (Munson’s) sympathetic, insightful portrait. Booklist: Celebratory, comprehensive profile. ….A well-written, insightful addition to the legacy of this still-underappreciated visionary genius. Library Journal: Entrepreneurs, inventors, engineers, and futurists will find this biography inspiring. Gretchen Bakke (author of "The Grid"): Munson has provided us with an intimate tapestry of Tesla's life, personality, and inventions. Filled with quotes, and clearly researched with great care, Munson brings Tesla to life, not as a superhero but as a man—both ordinary and extraordinary. What surprised me, and proved to be one of the great pleasures of the book was to realize how much Tesla’s story is an immigrant story. Anne Pramaggiore (CEO of Commonwealth Edison): Tesla is an exactingly-researched history and wonderfully crafted tale of one of the most important and fascinating visionaries of the technological age. This book’s teachings have never been more relevant than in today’s world of digital transformation.

Susan Stamberg from NPR, with her wonderfully curly hair and an enormous grin, walked up to Mom carrying her ubiquitous microphone. “How does this feel, Ann?” she shouted above the screaming delegates. Mom was not a sentimental person; life hadn’t afforded her that luxury. But at that moment she was overcome, teary-eyed, as Ferraro’s name was announced over the speakers. “I wasn’t sure I would ever live to see this day,” she said. “Finally, one of us.

Sin embargo, al llegar la década de 1970, se empezó a acusar al banco de ser discriminatorio contra el macho de la especie y finalmente cerró sus puertas en 1997. Adelantemos un poco la película y ubiquémonos en el año 2007. Jayne-Anne, ahora en Virgin Money, con su mente ultracreativa, recordó la idea de la sucursal para las damas al ver unos hermosos salones con paneles de roble que heredamos (por coincidencia) en Edimburgo y no necesitábamos. Así se le encendió el bombillo: había nacido el concepto del “Lounge de Virgin Money”. Por supuesto que la gran diferencia es que, esta vez, el servicio era para todo el mundo: hombres, mujeres y niños. De lo del paracetamol no estoy muy seguro.

After a Chicago Democratic official, Richard Elrod, became paralyzed for life while fighting with a privileged looter during the Weathermen’s Days of Rage, Obama adviser Bernardine Dohrn led the Weathermen in a song sung to the tune of Bob Dylan’s “Lay Lady, Lay”: Lay, Elrod, Lay, Lay in the street for a while Stay, Elrod, stay Stay in your bed for a while You thought you could stop the Weatherman But up-front people put you on your can, Stay, Elrod, stay Stay in your iron lung, Play, Elrod, play Play with your toes for a while The

RECOMMENDED READING Brooks, David. The Road to Character. New York: Random House, 2015. Brown, Peter C., Henry L. Roediger III, and Mark A. McDaniel. Make It Stick: The Science of Successful Learning. Cambridge, MA: Belknap Press, 2014. Damon, William. The Path to Purpose: How Young People Find Their Calling in Life. New York: Free Press, 2009. Deci, Edward L. with Richard Flaste. Why We Do What We Do: Understanding Self-Motivation. New York: Penguin Group, 1995. Duhigg, Charles. The Power of Habit: Why We Do What We Do in Life and Business. New York: Random House, 2012. Dweck, Carol. Mindset: The New Psychology of Success. New York: Random House, 2006. Emmons, Robert A. Thanks!: How the New Science of Gratitude Can Make You Happier. New York: Houghton Mifflin Harcourt, 2007. Ericsson, Anders and Robert Pool. Peak: Secrets from the New Science of Expertise. New York: Houghton Mifflin Harcourt, 2016. Heckman, James J., John Eric Humphries, and Tim Kautz (eds.). The Myth of Achievement Tests: The GED and the Role of Character in American Life. Chicago: University of Chicago Press, 2014. Kaufman, Scott Barry and Carolyn Gregoire. Wired to Create: Unraveling the Mysteries of the Creative Mind. New York: Perigee, 2015. Lewis, Sarah. The Rise: Creativity, the Gift of Failure, and the Search for Mastery. New York: Simon and Schuster, 2014. Matthews, Michael D. Head Strong: How Psychology is Revolutionizing War. New York: Oxford University Press, 2013. McMahon, Darrin M. Divine Fury: A History of Genius. New York: Basic Books, 2013. Mischel, Walter. The Marshmallow Test: Mastering Self-Control. New York: Little, Brown, 2014. Oettingen, Gabriele. Rethinking Positive Thinking: Inside the New Science of Motivation. New York: Penguin Group, 2014. Pink, Daniel H. Drive: The Surprising Truth About What Motivates Us. New York: Riverhead Books, 2009. Renninger, K. Ann and Suzanne E. Hidi. The Power of Interest for Motivation and Engagement. New York: Routledge, 2015. Seligman, Martin E. P. Learned Optimism: How To Change Your Mind and Your Life. New York: Alfred A. Knopf, 1991. Steinberg, Laurence. Age of Opportunity: Lessons from the New Science of Adolescence. New York: Houghton Mifflin Harcourt, 2014. Tetlock, Philip E. and Dan Gardner. Superforecasting: The Art and Science of Prediction. New York: Crown, 2015. Tough, Paul. How Children Succeed: Grit, Curiosity, and the Hidden Power of Character. New York: Houghton Mifflin Harcourt, 2012. Willingham, Daniel T. Why Don’t Students Like School: A Cognitive Scientist Answers Questions About How the Mind Works and What It Means for the Classroom. San Francisco: Jossey-Bass, 2009.

In the midst of slaughter the only choice is often between hate and lust. Human beings become objects, objects to extinguish or to provide carnal gratification. The widespread casual and frenetic sex in wartime often crosses the line into perversion and violence. It exposes the vast moral void. When life becomes worth nothing, when one is not sure of survival, when a society is ruled by fear, there often seems only death or fleeting, carnal pleasure. This is why Lady Ann in Shakespeare’s Richard III goes to Richard’s bed. She sleeps with Richard because her moral universe has been destroyed. This kind of love is the product of the impersonal violence of war.

What the caterpillar calls the end of the world, the master calls a butterfly.” - Richard Bach

BIBLIOGRAPHY Often the question of which books were used for research in the Merry series is asked. So, here is a list (in no particular order). While not comprehensive, it contains the major sources. An Encyclopedia of Faeries by Katharine Briggs Faeries by Brian Froud and Alan Lee Dictionary of Celtic Myth and Legend by Miranda J. Green Celtic Goddesses by Miranda J. Green Dictionary of Celtic Mythology by Peter Berresford Ellis Goddesses in World Mythology by Martha Ann and Dorothy Myers Imel A Witches’ Bible by Janet and Stewart Farrar The Fairy Faith in Celtic Countries by W. Y. Evans-Wentz Pagan Celtic Britain by Anne Ross The Ancient British Goddesses by Kathy Jones Fairy Tradition in Britain by Lewis Spense One Hundred Old Roses for the American Garden by Clair G. Martin Taylor’s Guide to Roses Pendragon by Steve Blake and Scott Lloyd Kings and Queens from Collins Gem Butterflies of Europe: A Princeton Guide by Tom Tolman and Richard Lewington Butterflies and Moths of Missouri by J. Richard and Joan E. Heitzman Dorling Kindersly Handbook: Butterflies and Moths by David Carter The Natural World of Bugs and Insects by Ken and Rod Preston Mafham Big Cats: Kingdom of Might by Tom Brakefield Just Cats by Karen Anderson Wild Cats of the World by Art Wolfe and Barbara Sleeper Beauty and the Beast translated by Jack Zipes The Complete Fairy Tales of the Brothers Grimm translated by Jack Zipes Grimms’ Tales for Young and Old by Ralph Manheim Complete Guide to Cats by the ASPCA Field Guide to Insects and Spiders from the National Audubon Society Mammals of Europe by David W. MacDonald Wicca: A Guide for the Solitary Practitioner by Scott Cunningham Northern Mysteries and Magick by Freya Aswym Cabbages and Kings by Jonathan Roberts Gaelic: A Complete Guide for Beginners The Norse Myths by Kevin Crossley Holland The Penguin Companion to Food by Alan Davidson

What an interesting place, Richard,

Reardon, Colleen. Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575–1700. Oxford University Press. Rose, Mary Beth, editor. Women in the Middle Ages and the Renaissance. Syracuse University Press. Ruggiero, Guido. The Boundaries of Eros. Oxford University Press. Schutte, Anne Jacobson. Aspiring Saints. Johns Hopkins University Press. Siraisi, Nancy G. Medieval and Early Renaissance Medicine. University of Chicago Press. Sobel, Dava. To Father: The Letters of Sister Maria Celeste to Galileo. Fourth Estate. Sperling, Jutta Gisela. Convents and the Body Politic in Late Renaissance Venice. University of Chicago Press. Trexler, Richard C. Public Life in Renaissance Florence. Academic Press. ________. The Women of Renaissance Florence. Pegasus Press.

Although the election of Richard Nixon in 1968 is commonly assumed to have signaled the beginning of America’s “law and order” moment, the dramatic shift in focus from liberalization and reform in the first half of the 1960s to maintaining civic order and fighting crime had actually first begun during the administration of Lyndon Johnson.2 With the same enthusiasm that led him to authorize the Office of Economic Opportunity and sign the Civil Rights Act of 1964, President Johnson, a liberal Democrat, created the Office of Law Enforcement Assistance (OLEA) in 1965, not only granting a wholly new level of funding to law enforcement and prisons, but also creating the bureaucracy necessary to wage a historically unprecedented War on Crime. The Law Enforcement Assistance Act of 1965 and the Omnibus Crime Control and Safe Streets Act of 1968 lavished even more federal funds on fighting crime. In addition, landmark Supreme Court decisions such as Terry v. Ohio—which gave the police virtually unlimited powers to stop and frisk citizens without probable cause—intensified the policing of poor neighborhoods and people of color, which, in turn, resulted in record arrest rates. Before long, prisons like Attica were bursting at the seams.

While the men at Attica hoped that powerful people such as State Senator John Dunne still might do something on their behalf, there was little consensus regarding what to do if this effort also failed to bring some meaningful improvements to their facility. The disparate political factions in the yard had been talking about this very question for some time now—activists like Sam Melville from the Weather Underground (a revolutionary organization committed to fighting racism and imperialism), Black Panthers like Tommy Hicks, Black Muslims like Richard X Clark, and men like Mariano “Dalou” Gonzalez from the Young Lords Party (a grassroots activist organization working in cities like New York and Chicago to improve conditions for Puerto Ricans).1 Still, no new strategy had been agreed upon. By early September 1971, however, and after Oswald’s taped message, all of them could agree on one crucial point: most men at Attica were now at a breaking point. Just about anything might cause this place to explode.

Thus in his 2009 Encyclopedia of Schizophrenia, the historian and clinical psychologist Richard Noll lamented “the tragic years of psychoanalysis” before declaring that “it took major advances in medical technology, specifically the computer revolution and the rise of new techniques in neuroimaging, genetics research, and psychopharmacology to swing the pendulum back to Kraepelin’s search for the biological causes of the psychotic disorders.