Ann Lowe Quotes

We've searched our database for all the quotes and captions related to Ann Lowe. Here they are! All 100 of them:

For each of these women, the fear of the unknown — of leaving a marriage and casting off alone — may have bound them to a marriage where there is insensitivity, neglect, or even outright abuse. People learn intimacy at home, and when those early standards are set too low, a wife may second-guess her judgment about when and whether she should leave.
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
Could she fall so low? No, there were limits, and she believed she still knew where some of them were.
Katherine Anne Porter (Ship of Fools (Reprint))
Nothing except luck protects you from catastrophe. Not love. Not money. Not faith. Not a pure heart or good deeds--and not bad ones either, for that matter. We can, any of us, be laid low, cut down, diminished, destroyed.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
I took notes on the people around me, in my town, in my family, in my memory. I took notes on my own state of mind, my grandiosity, the low self-esteem. I wrote down the funny stuff I overheard. I learned to be like a ship's rat, veined ears trembling, and I learned to scribble it all down.
Anne Lamott (Bird by Bird)
Life with most teenagers was like having a low-grade bladder infection. It hurts, but you had to tough it out.
Anne Lamott (Imperfect Birds)
Like her mother and all her mother's people before her, those inexhaustible blondes who staked their claims in verdant prairies, Marina was cut from Minnesota, the soil and the starry night. Instead of growing up inquisitive and restless, she had developed a profound desire to stay, as if her center of gravity was so low it connected her directly to this particular patch of earth.
Ann Patchett (State of Wonder)
None of us ever do," said Mrs. Allan with a sigh. "But then, Anne, you know what Lowell says, 'Not failure but low aim is crime.' We must have ideals and try to live up to them, even if we never quite succeed. Life would be a sorry business without them. With them it's grand and great. Hold fast to your ideals, Anne.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
I am very low. The tears gush as I write but, thank God, I generally feel relief from thus unburdening my mind on paper... Oh, how my heart longs after a companion & how I often wish for an establishment of my own, but I may then be too old to attach anyone & my life shall have passed in that dreary solitude I so ill endure.
Anne Lister (The Secret Diaries of Miss Anne Lister)
I kept my expectations low, which is one of the secrets of life.
Anne Lamott (Plan B: Further Thoughts on Faith)
It was a grand opportunity for the low whites, who had no negroes of their own to scourge. They exulted in such a chance to exercise a little brief authority, and show their subserviency to the slaveholders; not reflecting that the power which trampled on the colored people also kept themselves in poverty, ignorance and moral degradation.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl, Written by Herself)
In a low voice, I told her many things in English, only using French when for some reason I couldn’t find the word I wanted, rambling on about the France of my time, and the crude little colony of New Orleans where I had existed after, and how wondrous this age was, and how I’d become a rock star for a brief time, because I thought that as a symbol of evil I’d do some good.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
You can find yourself a decent, honorable man, one to love you, respect you, cherish you. Someone with morals, with a decent job and a good future. That's what you think you want, isn't it? Not some white trash from Alabama. Not some ex-con who's running the scam of a lifetime. You're so good and decent, the very thought of me disgusts you, doesn't it?" His voice was low and seductive as he pushed the words at her. She met his gaze with what she hoped was a fearless one of her own. "Yes," she said. "Then tell me, Rachel," he said, letting his hand toy with the loose neckline of her tunic, "why aren't you out somewhere, fucking your little gentleman's brains out? Why are you here with me, quivering when I touch you?
Anne Stuart (Ritual Sins)
Vere spoke again, “You want us to hide this six-foot-three, positively gorgeous, famous rock star—one who has sports-drink blue eyes BY THE WAY—and who is absolutely PERFECT looking, at Palmer Divide High? In this town? In my junior class?” “Yes,” Mrs. Roth answered. “Why is it such a difficult concept for you to grasp?” “Because guys who look like that.” She pointed a finger at him. “Do not come from this town. In addition to the face, he’s too tall, and he’s got the posture of some Russian—ballerina! And did you not notice his voice?” “What’s wrong with my voice?” Hunter frowned. “It’s all LOW and, SUPER-MANLY-AMAZING,” she modulated her voice down, trying to sound like him. Charlie cracked up, and Hunter had to bury his own laugh.
Anne Eliot (Unmaking Hunter Kennedy)
Children of borderlines and survivors of hurricanes have much in common. Survival is dependent on finding a safe place, staying low, and not being fooled by the eye of the storm.
Christine Ann Lawson (Understanding the Borderline Mother)
Have you any unfulfilled dreams, Anne?” asked Gilbert. Something in his tone—something she had not heard since that miserable evening in the orchard at Patty’s Place—made Anne’s heart beat wildly. But she made answer lightly. “Of course. Everybody has. It wouldn’t do for us to have all our dreams fulfilled. We would be as good as dead if we had nothing left to dream about. What a delicious aroma that low-descending sun is extracting from the asters and ferns. I wish we could see perfumes as well as smell them. I’m sure they would be very beautiful.” Gilbert was not to be thus sidetracked. “I have a dream,” he said slowly. “I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends— and YOU!” Anne wanted to speak but she could find no words. Happiness was breaking over her like a wave. It almost frightened her. “I asked you a question over two years ago, Anne. If I ask it again today will you give me a different answer?” Still Anne could not speak. But she lifted her eyes, shining with all the love-rapture of countless generations, and looked into his for a moment. He wanted no other answer.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Without another word, I turn my back and start for my Jeep, wondering if he can hear how loudly he's made my heart pound. “Okay then, see you after school, Jess. It's a date. We'll have some fun! Good luck on your afternoon final!” He sounds like a stupid megaphone. When I don't answer and hunch my shoulders, his low laugh adds a trail of goose bumps coursing down my neck.
Anne Eliot (Almost)
Unfortunately, what anti-human trafficking NGOs [non-governmental organizations] really do is instead quite damaging: they normalize existent labor opportunities for women, no matter how low the pay, dangerous the conditions, or abusive an environment they foster. And they shame women who reject such jobs.
Anne Elizabeth Moore (Threadbare: Clothes, Sex & Trafficking (Comix Journalism))
I knew the houses were to be searched; and I expected it would be done by country bullies and the poor whites. I expected I knew nothing annoyed them so much as to see colored people living in comfort and respectability; so I made arrangements for them with especial care.... It was a grand opportunity for the low whites, who had no negroes of their own to scourge. They exulted in such a chance to exercise a little brief authority, and show their subserviency to the slaveholders; not reflecting that the power which trampled on the colored people also kept themselves in poverty, ignorance, and moral degradation.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
None of us ever do,” said Mrs. Allan with a sigh. “But then, Anne, you know what Lowell says, ‘Not failure but low aim is crime.’ We must have ideals and try to live up to them, even if we never quite succeed. Life would be a sorry business without them. With them it’s grand and great. Hold fast to your ideals, Anne.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
Men who hit are spineless and low to the ground. Hence, The Worm Fiasco, was born.
Carrie-Anne O'Driscoll (The Worm Fiasco- A True Portrayal of Domestic Violence)
The gate of heaven is very low; only the humble can enter it.
Elizabeth Ann Bayley Seton
Will you oblige me then?' His voice was low and smooth, nearly whispered ... Everything froze for a moment. Even the flickering lamps seemed to pause, flames surging upward and waiting ... 'No.
Anne Mallory (One Night Is Never Enough (Secrets, #2))
Lowell says, 'Not failure but low aim is crime.' We must have ideals and try to live up to them, even if we never quite succeed. Life would be a sorry business without them. With them it's grand and great.
L.M. Montgomery (Anne of Avonlea (Anne Shirley Series #2))
Also, I have a pouch below my belly, whereas I’d always had a thin waist before. Now there’s this situation down there, low and grabbable. If it had a zipper, you could store stuff in there, like a fanny pack.
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
Murder in a small town is always more than a paragraph in the local paper. In a place so insulated, where lives are so small and gone about so quietly, violent death hangs in the air—tinting everything crimson, weaving itself into the shimmering heat that rises off the winding asphalt roads at noon. It oozes from taps and runs through the gas pumps. It sits at the dinner table, murmuring in urgent low tones under the clinking of glassware.
Kat Rosenfield (Amelia Anne Is Dead and Gone)
When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here. "Merry Christmas, " I whisper to myself. "Merry Christmas, Nate.
Lisa Ann Sandell (A Map of the Known World)
He cupped her jaw and gently turned her head. His blue eyes burned with sincerity. “What I want is for you to ask yourself what makes you happy. Not your parents, but you.” A stray tear slid down her cheek and he caught it with his thumb. “You have it in you to get what you want,” he said, his voice low and coaxing. “You have all along.
Ann Marie Walker (Remind Me (Chasing Fire, #1))
When my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass-grown islands—and above all, on the brilliant, sparkling waves. 
Anne Brontë (Agnes Grey)
Hazel heads up the hill to the cemetery where generations of my husband’s people are buried behind a low iron fence, and for whatever reason I follow the dog. A plush vegetation is knitted over all the graves, and I think of how meticulously Joe’s aunt had kept things here, but this is not the summer for weeding. The cemetery is the highest point on the property and would have been the logical site for a house, the way it overlooks the trees and the barn and all the way to the edge of the lake, but those first settlers gave the best land to their dead, the very first a two-year-old named Mary. One by one they followed her up the hill until twenty-nine of them were resting beneath the mossy slabs, and there they wait for us to join them. That’s what life was like back in the day, you buried your children, your husband, your parents right there on the farm. They had never been anywhere else. They had never wanted to be anywhere else.
Ann Patchett (Tom Lake)
Always have a purpose,' his father used to tell him. 'Act like you're heading someplace purposeful, and none of the low-life will mess with you.' He had also said, 'Never trust a man who starts his sentences with "Frankly,"' and 'Nine tenths of a good sidearm pitch is in the flick of the wrist,' and 'If you want to sell a person something, look off elsewhere as you're speaking, not straight into his eyes.
Anne Tyler (Dinner at the Homesick Restaurant)
You stirred things up here." he finally said. "Why?" "I'm not the one who-" "You've angered the Sanguinati, and that's not going to help us right now." "You don't know what's been going on here,' Elliot snapped. "what that monkey-fuck female has done." "She's not a monkey-fuck, and she is not prey," Simon said, his voice a low, threatening rumble. "She is Meg." "You don't know what she's done!" "She gets mail and deliveries to the complexes on a regular basis. She has a routine with the deliverymen, so we get the merchandise we bought. And she got Sam out of the damn cage!" "She put a him on a leash, Simon. On a leash!" "It's not a leash," a young, scratchy voice shouted. Of tried to shout. "It's a safety line. Adventure buddies use a safety line so they can help each other." Elliot stared, frozen. Simon turned, barely breathing.
Anne Bishop (Written in Red (The Others, #1))
Welcome, New Year," said Captain Jim, bowing low as the last stroke died away. " I wish you all the best years of your lives, mates. I reckon taht whatever the New Year brings us will be the best the Great Captain has for us -and somehow or other we'll all make port in a good harbour.
L.M. Montgomery (Anne's House of Dreams: Annotated Edition)
She was coming. She was moving close to the hall. He felt himself slip away from his body into pure listening; yes, it was she. All the sounds of the night rose to confuse him, yet he caught it; a low irreducible sound which she could not veil, the sound of her breathing, of the beat of her heart, of a force moving through space at tremendous and unnatural speed, causing the inevitable tumult amid the visible and the invisible.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Blake.” Her pleas are so sweet. “Shhh, Anne just feel it. I have you.” Her nipple is so fucking perfect under my mouth. Her body tense, she’s right on the edge. One more push and she’ll explode in my hands. Arching her back more, she lets her legs relax open just a little. An unconscious signal...
Aden Lowe (Ride It Out)
There was a feeling of freshness and vigour in the very streets; and when I got free of the town, when my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass–grown islands—and above all, on the brilliant, sparkling waves. And then, the unspeakable purity—and freshness of the air! There was just enough heat to enhance the value of the breeze, and just enough wind to keep the whole sea in motion, to make the waves come bounding to the shore, foaming and sparkling, as if wild with glee. Nothing else was stirring—no living creature was visible besides myself. My footsteps were the first to press the firm, unbroken sands;—nothing before had trampled them since last night’s flowing tide had obliterated the deepest marks of yesterday, and left them fair and even, except where the subsiding water had left behind it the traces of dimpled pools and little running streams.
Anne Brontë (Agnes Grey)
Then, Republicans should ask Democrats: Why is it so vitally important to keep bringing in new workers to compete with low-skilled Americans and drive down their wages?
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
Why must I see him brought low like this when it had taken so many decades to cement my love for him forever?
Anne Rice (The Vampire Armand (The Vampire Chronicles, #6))
Oh, Anne, why did you do it?"     It was the one question I had never meant to ask.     For a moment she did not answer. Then, without raising her eyes, she said in a low voice, "He wasn't like anybody else. Not anybody else I'd ever known. And I love him. I love him, I guess. I guess that is the reason."     I sat there and reckoned I had asked for that one.
Robert Penn Warren (All the King's Men)
The good news is that God has such low standards, and reaches out to those of us who are often not lovable and offers us a chance to come back in from the storm of drama and toxic thoughts.
Anne Lamott (Hallelujah Anyway: Rediscovering Mercy)
The world’s been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor.
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
-Upon my word, Miss Anne Elliot, you have the most extraordinary taste! Every thing that revolts other people, low company, paltry rooms, foul air, disgusting associations are inviting to you.
Jane Austen (Persuasion)
Just as I am watching a tongue of blue flame rising in the fire, and my lamp is burning low, the horrible contraction will begin in my chest. I shall only have time to reach the bell, and pull it violently, before the sense of suffocation will come. No one will answer my bell. I know why. My two servants are lovers, and will have quarrelled. My housekeeper will have rushed out of the house in a fury, two hours before, hoping that Perry will believe she has gone to drown herself. Perry is alarmed at last, and is gone out after her. The little scullery-maid is asleep on a bench: she never answers the bell; it does not wake her. The sense of suffocation increases: my lamp goes out with a horrible stench: I make a great effort, and snatch at the bell again. I long for life, and there is no help. I thirsted for the unknown: the thirst is gone. 0 God, let me stay with the known, and be weary of it. I am content. Agony of pain and suffocation - and all the while the earth, the fields, the pebbly brook at the bottom of the rookery, the fresh scent after the rain, the light of the morning through my chamber window, the warmth of the hearth after the frosty air - will darkness close over them for ever? Darkness-darkness-no pain-nothing but darkness: but I am passing on and on through the darkness: my thought stays in the darkness, but always with a sense of moving onward ... ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
During the hiding time I lived for the day that the war would end, when I would be able to go into the hiding place, throw open the doors, and say to my friends, “Now go home!” This was not to be. Perhaps when the time comes for me to join Jan and our friends in the hereafter, I’ll push aside the bookcase, walk behind it, climb the steep wooden stairway, careful not to hit my head on the low ceiling where Peter nailed the old towel to it. Upstairs Jan will be leaning against the edge of the dresser, his long legs stretched out, the cat Mouschi in his arms. All the others will be sitting around the table and will greet me when I enter. And Anne, with her usual curiosity, will get up and rush toward me saying, “Hello, Miep. What is the news?” I doubt I have very long to wait. People ask me what it is like to have outlived almost everyone whose history I have shared. It is a strange feeling. Why me? Why was I spared the concentration camp after being caught helping to hide Jews? This I will never know.
Miep Gies (Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family)
Are you mine?" I asked, low knowing the answer already. "Completely." His voice thrummed with conviction. And oh, I liked it. "So I may do anything I wish with you?" "Anything." I didn't need his invitation, of course. He belonged to me, like everything in Sheol, but there was more pleasure in a willing slave. I drew my athame and took his hand. He shuddered at my touch because I put a thread of power in it, pulled it through him in a flicker of the darkest pleasure. Soon enough he'd beg for this, unable to perform with anyone else. I knew how to enthrall my lovers. With a faint smile, I pricked the tip of his finger. Not as much pain as he expected, I think, but I drew blood. His gasp aroused me. His blood welled like a crimson jewel and I took his fingertip between my lips, tasting him. Learning his secrets.
Ann Aguirre (Devil's Punch (Corine Solomon, #4))
And is it possible,’ said Emily, as these recollections returned—‘is it possible, that a mind, so susceptible of whatever is grand and beautiful, could stoop to low pursuits, and be subdued by frivolous temptations?
Ann Radcliffe (The Mysteries of Udolpho)
You know nothing,' she said to him gravely, her voice so low that the slightest noise from the street interrupted it, might carry her words away, so that I found myself straining to hear her against myself as I lay with my head back against the chair. `And suppose the vampire who made you knew nothing, and the vampire who made that vampire knew nothing, and the vampire before him knew nothing, and so it goes back and back, nothing proceeding from nothing, until there is nothing! And we must live with the knowledge that there is no knowledge.' `Yes!' he cried out suddenly, his hands out, his voice tinged with something other than anger.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
Nothing except luck protects you from catastrophe. Not love. Not money. Not faith. Not a pure heart or good deeds—and not bad ones either, for that matter. We can, any of us, be laid low, cut down, diminished, destroyed.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.
Anne Brontë (Agnes Grey)
Not failure but low aim is crime.’ We must have ideals and try to live up to them, even if we never quite succeed. Life would be a sorry business without them. With them it’s grand and great. Hold fast to your ideals, Anne.
L.M. Montgomery (Anne of Avonlea (Union Square Kids Unabridged Classics))
She hovered, her fine-boned face and slender form revealed in the low light of the fire. Her hair was the pale blond hue of moon glow, her eyes the soft, silvery blue of a mist-shrouded lake. Dusted pink as new blush roses, the color of her lips and cheeks gleamed against the creamy whiteness of her skin. For a second he wondered if she was a phantom brought on by too much drink, her ethereal beauty more in keeping with a faerie story than reality.
Tracy Anne Warren (Tempted by His Kiss (The Byrons of Braebourne, #1))
Can you not hear the low bellows of the whales speaking to their children in the deepest deep?” No, I think. I hear nothing but the sound of my heart breaking into a million tiny pieces, each smaller than a single grain of sand.
Carrie Anne Noble (The Mermaid's Sister)
Her daughter-in-law, “Debo,” Duchess of Devonshire, was wearing an eighteenth-century scarlet velvet robe over an ivory silk dress with a low scoop neckline, which my mother had told me the Duchess had found in a trunk at Chatsworth and had belonged to Georgiana Cavendish, the 5th Duchess, who had been known in her time as the “Empress of Fashion.” Despite it being two hundred years out of date, it didn’t look at all out of place in a setting and on an occasion that felt timeless.
Anne Glenconner (Lady in Waiting: My Extraordinary Life in the Shadow of the Crown)
Why did you save Mahmoud?" Killian's voice was so low she almost didn't hear him. "Instinct," she muttered sleepily. "I certainly wasn't about to save you" His laugh vibrated through his leg, through her body. "Of course not. Mahmoud's grateful.
Anne Stuart (Ice Storm (Ice, #4))
They blame the low-income women for ruining the country because they're staying home with their children and not going out to work. They blame the middle-income women for ruining the country because they go out to work and do not stay home to take care of their children.
Ann Richards
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
You always look so damn happy to see me," he said, low. "And it's like a fist in my gut, every time. I wait for it not to happen, for you to get used to me, or maybe you're tired or you had a bad day, so you're in no mood to shine, but no. There's always that smile." - Ty, Chapter Twenty-One
Ann Aguirre
When I think about our lives here, I usually come to the conclusion that we live in a paradise compared to the Jews who aren’t in hiding. All the same, later on, when everything has returned to normal, I’ll probably wonder how we, who always lived in such comfortable circumstances, could have “sunk” so low.
Anne Frank (The Diary of a Young Girl)
The ancient philosophers always had their doubts about democracy. Plato feared the "false and braggart words" of the demagogue, and suspected democracy might be nothing more than a staging point on the road to tyranny. Early American advocates of republican government also recognized the challenge that a corrupt leader could pose to democracy, and thought hard about creating the institutions that would resist one. The Constitutional Convention of 1787 created the electoral college as a means of ensuring that a man with what Alexander Hamilton called "talents for low intrigue, and the little arts of popularity" could never become president of the United States.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
The Constitutional Convention of 1787 created the electoral college as a means of ensuring that a man with what Alexander Hamilton called “talents for low intrigue, and the little arts of popularity” could never become president of the United States. Although it eventually became a rubber-stamp body with no power—and, more recently, a mechanism that gives outsize influence to small groups of voters in a few states—the electoral college was originally meant to be something quite different: it was designed as a kind of review board, a group of elite lawmakers and men of property who would select the president, rejecting the people’s choice if necessary, in order to avoid the “excesses of democracy.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.
Jacqueline Susann (Valley of the Dolls)
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light. This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal. She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it? It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms. His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him. He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips. "Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine." Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
Anne Stuart (To Love a Dark Lord)
Even though only 37 percent of the prisoner population was white, whites held 74 percent of the jobs in Attica’s power house, 67 percent of the coveted clerk positions, and 62 percent of the staff jobs in the officers’ mess hall. By contrast, 76 percent of the men in the dreaded and low-paid metal shop, and 80 percent in the grueling grading companies, were African American or Puerto Rican.
Heather Ann Thompson (Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy)
We’ve lost the last remaining chick in our nest! It’s natural we would feel low.” And she did feel low; no question about it. In many ways David was the child closest to her heart, although she’d expected to feel closer to her girls. After Alice and Lily left home it was just David and his parents, and the chaos died down and sometimes Mercy was able to hold actual brief conversations with him.
Anne Tyler (French Braid)
That’s when I realized it. I liked this girl. A lot. I liked her super-moist double chocolate chip cupcakes. I liked how kind and patient she was with the guests, the way her forehead crinkled when she was thinking about a problem. I liked her low, soft voice and that long ribbon of platinum-blond hair. I liked the way she looked at the world, as if it were an okay place, where good things were actually possible. 
Anne Pfeffer (Girls Love Travis Walker)
Since she was a scrappy little Hampden girl whose father owned one of those hardware stores where you walk in off the street and say, ‘Oh, my God! I’m so sorry! I seem to be in somebody’s basement!’ Shovels and rakes and wheelbarrows crowded up close together, coils of rope and lengths of chain hanging down from this really low ceiling you could practically bump your head on, and a tabby cat sound asleep on a sack of grass seed.
Anne Tyler (A Spool of Blue Thread)
The ragged cat drags its belly across where the grass is short and the stones are sharp, under the lilacs that have no flowers. The flower smell is gone and the white falls off the trees. Seeds, Lark says, little seeds with parachutes to fly them, Termite, all in your hair, and she runs her fingers through his hair, saying how long and how pretty. He wants the grass long and strong, sounding whispers when it moves, but the mower cuts it. The mower cuts and cuts like a yowling knife. He hears the mower cutting and smells the grass pouring out all over the ground, the green stain so sharp and wet it spills and spills. The mower cuts everything away and Nick Tucci follows the mower, cutting and cutting while the orange cat growls low to move its soft parts across the chipped sharp stones. Deep under the lilacs where no one sees, the orange cat waits for the roar to stop.
Jayne Anne Phillips (Lark & Termite)
Oh, I don't know. I've come so far short in so many things. I haven't done what I meant to do when I began to teach last fall. I haven't lived up to my ideals." "None of us ever do," said Mrs. Allan with a sigh. "But then, Anne, you know what Lowell says, 'Not failure but low aim is crime.' We must have ideals and try to live up to them, even if we never quite succeed. Life would be a sorry business without them. With them it's grand and great. Hold fast to your ideals, Anne.
L.M. Montgomery (Anne of Avonlea)
Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew’s grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight— ‘a haunt of ancient peace.’ There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne’s heart, and she gratefully opened the gates of her soul to it.
L.M. Montgomery (Anne of Green Gables)
Ananda, an attendant of the Buddha, passed by a well near a village. A young low-caste woman, Pakati, was fetching water. He asked her for a drink. Pakati said: “I am low caste and therefore may not give you water. Please ask nothing from me in case I contaminate your holy state with my low-caste status.” Ananda said, “I am not interested in caste. It is water I am after.” Pakati’s heart leaped joyfully. She gave him water to drink, and when he left she followed him at a discrete distance. Finding out that he was a disciple of the Buddha, she went to the Buddha and said, “Please accept me and let me live in this place where your disciple Ananda dwells, so that I may see him and supply him with what he needs. For I find that I love Ananda.” The Buddha understood what was going on in her feelings and he said gently, “Pakati, your heart if full of love but you don’t understand your own emotions. It is not Ananda that you love, but his kindness. Accept the kindness that he has shown to you and in your turn practice it toward other. You have been born low caste, but in time you will outshine the glory of kings and queens.
Anne Bancroft (The Buddha Speaks - A book of guidance from Buddhist scriptures)
Desire radiated from him. It radiated out into the darkness and seemed to find the four walls of this enclosing place, and he turned around waiting, waiting. "Love you?" came Guido's voice. It was so low Tonio strained forward, as if yearning for it. "Love you?" Yes..."Tonio answered. "I am in a hell of desire for you! Have you never guessed? Have you never looked beneath the coldness? Are you so blind to this suffering? In all my life I have never wooed and suffered as I have over you. But there is love and love, and I am spent trying to separate the one from the other..." "Dont' separate them!" Tonio whispered. And he reached out like a child, grasping for what he wanted. "Give it to me! Where are you? Maestro, where are you?" There seemed a rush of air, a soft shuffling of garments and steps, and he felt the near smarting touch of Guido's hands hands that in the past had only struck him, and then those arms enclosing him. And in this moment, he understood everything. But that was but the last glimmer of thought, and he knew just how it had been and how it would be, and he felt Guido's chest, and then Guido's mouth tore at him.
Anne Rice
Suzanne said. “And then she goes in the kitchen and makes herself a martini in an iced-tea glass and she thinks I don’t know. She eats the olives on the side. By the handful.” “Whenever you see her eating olives,” Carrie said, “you can be about one hundred percent positive that there’s gin in her glass.” “What happens when the gin runs low?” I asked. “And the vermouth and olives?” “Well, I go to the liquor store, of course!” Suzanne said. “We just don’t discuss it.” “No! Of course not!” I said. Weren’t they merely doing their part to live up to our hard-earned reputation as eccentric southerners? And of course, the more wine we consumed, the more we revealed about ourselves. Going through Kathryn’s clothes, papers, and books had once again been profoundly unnerving. We were all just wrung out. “You know what was really strange?” Carrie said. “What?” Suzanne said. “Seeing what she read,” Carrie said. “I’d bet you a tooth that I’ve read all the same fiction authors that she did. Ann Patchett, Anne Tyler, Anne Rivers Siddons, Anna Quindlen—all the Anns. But we never talked about books. Not even once.” “Well, she played her cards close,” Suzanne said. “But she read lots of people. She always had a book with her.” “Didn’t
Dorothea Benton Frank (All the Single Ladies)
Our never-ending dread has little bearing on the outside world. That is, unless and until it becomes a self-fulfilling prophecy. Enter enough relationships already certain you will make them fail and you will make some fail. Predict you will drive everyone away and some will be driven away. Inertia. Reticence. Shuffling with heads hung low, avoiding eye contact, always apologizing, seeking reassurance but no amount is ever enough. To others, these habits of ours are exhausting and boring. Life with us is lots of work, Loving those who hate themselves is like swimming upstream: often more trouble than it is worth.
Anneli Rufus (Unworthy: How to Stop Hating Yourself)
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
Do it very gradually, a little bit more every day. That way, you’re less likely to experience intestinal distress. In other words, if your current diet is heavy on no-fiber foods such as meat, fish, poultry, eggs, milk, and cheese, and low-fiber foods such as white bread and white rice, don’t load up on bran cereal (35 grams dietary fiber per 3.5-ounce serving) or dried figs (9.3 grams per serving) all at once. Start by adding a serving of cornflakes (2.0 grams dietary fiber) at breakfast, maybe an apple (2.8 grams) at lunch, a pear (2.6 grams) at mid-afternoon, and a half cup of baked beans (7.7 grams) at dinner. Four simple additions, and already you’re up to 15 grams dietary fiber.
Carol Ann Rinzler (Nutrition for Dummies)
woman swept in wearing a black-and-green crinoline dress, except that the hoop was so small it hardly deserved the name, and her stride was such that one might have supposed her to have only a moment since dismounted from a horse. She had no hat. Her hair was held back in a loose bun with a black chenille net over it. She did not wear her gloves but carried them absent-mindedly in one hand. She was of average height, square-shouldered and leaner than is becoming in a woman. But it was her face which startled and held attention. Her nose was a little too large and too long, her mouth was sensitive without being beautiful, her cheekbones were very high and her eyes were wide-set and heavy lidded. When she spoke, her voice was low with a slight catch in it, and her diction was remarkably beautiful.
Anne Perry (Weighed in the Balance (William Monk, #7))
They lay together in Seivarden’s bunk—pressed close, the space was narrow. Ekalu angry—and terrified, heart rate elevated. Seivarden, between Ekalu and the wall, momentarily immobile with injured bewilderment. “It was a compliment!” Seivarden insisted. “The way provincial is an insult. Except what am I?” Seivarden, still shocked, didn’t answer. “Every time you use that word, provincial, every time you make some remark about someone’s low-class accent or unsophisticated vocabulary, you remind me that I’m provincial, that I’m low-class. That my accent and my vocabulary are hard work for me. When you laugh at your Amaats for rinsing their tea leaves you just remind me that cheap bricked tea tastes like home. And when you say things meant to compliment me, to tell me I’m not like any of that, it just reminds me that I don’t belong here. And it’s always something small but it’s every day.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
He didn't overpower, exploring her mouth with confident thoroughness, as if they had all the time in the world. Gradually, he increased the intensity, his mouth sliding this way and that, angling his head to find the perfect fit. Then, before she had any idea what he truly wanted, he coaxed her lips to part so he could slide his tongue inside. He dipped and sipped, licked and pressed, teasing her in ways that made her thoughts turn to ash. Her fingers opened and closed spasmodically against the fine wool of his coat, and she rocked up onto her toes to get more. He chuckled low in his throat as he slowly eased away, leaving her momentarily confused and bereft, her body keenly aware of the abrupt loss of pleasure. His eyes gleamed like gold coins. "You taste every bit as sweet as you look, my dear." He skimmed the back of one finger over her cheek. "Maybe this bargain we're making won't be such a bad one after all.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
Rafe clenched his teeth as he stood over Lady Rosslyn, taking in her tumble of fiery auburn curls, her fine-boned features, the sweep of her lashes, the curve of her lips. Reaching out a shaky hand, he brushed his fingers across that silken mass of hair with a whisper of a touch. He snatched back his hand with an inner curse. She was too fine to be handled by the likes of him. However, this business had to be done. Raising his index finger to his mouth, he pierced the digit with a fang, watching his blood bead up from the wound. Never in centuries had he imagined performing such an act. Carefully, Rafe held his finger above Lady Rosslyn’s parted lips, allowing his magical blood to drip into her mouth. In as low a voice as possible, he recited the words that would bind her to him for the rest of her life. “I, Rafael Villar, interim Lord of London, Mark this mortal, Cassandra Burton, as mine and mine alone. With this Mark I give Cassandra my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath, as I will avenge what is mine.” The
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
You smell good. Who’s this ‘guy’ you’re meeting? Are you back on the market?” He wiggled both blond eyebrows at me. “Does that mean Doc Nyce is no longer petting your cat?” I frowned. “Petting my cat?” What did Bogart, our vegetarian cat, have to do with Doc? Jeff leaned in for another sniff. “I’m really good at petting cats, too.” Oh, dear Lord! My brain had finally dipped low enough into the gutter to catch Jeff’s meaning. I shoved him back a step. “Doc is still petting my …” No! Just walk away, doofus. I started to do just that, but then stopped and turned back. In case Tiffany was going to be hearing the play-by-play of my run-in with Jeff, I wanted to clarify things so the red-headed siren wouldn’t get any ideas about trying to steal Doc away from me. We’d done that song and dance before, and there would be no encores on that score. “Doc Nyce is still my boyfriend,” I announced. Sheesh, “boyfriend” was such a silly word for a woman my age. “I mean, we’re a definite couple in all the ways.” Jeff grinned. “Which ways are those?” “You know, the ‘couple’ ways.” When he just stared at me with a dumb grin, I added, “Boom, boom, out goes the lights.” His laughter rang out loud and clear, catching the attention of people on the opposite side of the street. “I’m not sure if you know this, Violet Parker, but that old song actually refers to landing a knock-out punch.” Thinking back on all the times I’d pinched, elbowed, and tackled Doc, including the black eye I’d accidentally given him, I shrugged. “Sex with Doc is amazingly physical. He’s a real heavy hitter under the sheets, delivering a solid one-two sock-’em every time.” I wasn’t sure what I was alluding to by this point, but I kept throwing out boxing slang to fill the void. “I’d give you the real dirty blow-by-blow, but we don’t sell ringside tickets for our wild sex matches.” His jaw gaped. “No kidding?” Before my big mouth unleashed another round of idiotic sex-boxing ambiguities, I said, “See you around, Jeff.
Ann Charles (Never Say Sever in Deadwood (Deadwood #12))
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
Meng flew low over the darkness of the treetops, thinking of Meabel’s silky body, his jealousy like a living entity inside him, swelling with each mortal that fell to his sister’s myriad charms—men she had not yet consumed.
Georgina Anne Taylor (Bewitchments and Betrayals (The Taint, #2))
Vegetables from the nightshade family They contain steroid alkaloids that can lead to increased inflammation, muscle spasm, pain and stiffness.   Alkaloids also interfere with new formation of cartilage and block it from repairing.  Nightshades includes: Tomatoes, Red, Green and Yellow Peppers (not black pepper), Hot Chillies, White Potatoes, Tobacco, Aubergines (eggplants) It is important to mention that edible vegetables in the nightshade family contain low levels experts state there are no studies confirming that the exclusion of nightshade vegetables from the diet improves arthritic symptoms.
Anne Pundak (Eat to Ease Osteoarthritis:: 5 simple steps to reduce pain naturally)
Omega 3 Fatty Acids They are the building blocks of many anti-inflammatory compounds in the body.  Most western diets are low in omega 3 and contain a higher ratio of Omega 6 to Omega 3. Omega 3’s reduces inflammation and joint stiffness. Many clinical studies have proved the value of omega-3 fatty acids in treating inflammatory conditions. Omega-3 fatty acids have been shown in some studies to reduce the pain of osteoarthritis. When the diet contains plenty of these essential fats, the cells make less pro-inflammatory substances and more anti-inflammatory substances.
Anne Pundak (Eat to Ease Osteoarthritis:: 5 simple steps to reduce pain naturally)
We sat down and Cage introduced me to a few of his teammates and their spouses, ones I of course didn’t get around to meeting at Everson’s party. “So how did you two meet?” Brea, one of the wives, asked me as Cage and her husband chatted. She must have thought we were there together. The way she stared at me with her bottom lip protruding out in a you-poor-thing expression told me she also thought I looked less than presentable compared to all the other women there. With my hair back and hat pulled down low on my head to shadow my face, I did look like my next stop might be robbing a convenience store. “It’s a long and really weird story, but it happened by chance several years ago and we hadn’t seen each other since, until we ran into each other at Everson’s birthday party.” She leaned in close to me, looking past the shadows of my hat. “Oh my God, you’re that cat lady!” There it was, that label that would stick forever. “You had that cat that looked like … like … uh …” I let her fumble her words. If she thought I would jump in and admit to being the cat lady, she was so very wrong.
Jewel E. Ann (One)
The only thing to do when the sense of dread and low self-esteem tells you that you are not up to this is to wear it down by getting a little work done every day. You really can do it, really can find these people inside you and learn to hear what they have to say.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
Yes," she said simply, waiting for him. And she held out her hands to him. They trembled slightly; she couldn't help it. He could turn his back on her, walk away, and there'd be nothing she could do. All she could do was offer herself, and wait. The mask closed down over his face once more, and she felt despair and sorrow fill her. The pain, the need, were gone. Instead he looked at her from unreadable eyes, and his thin mouth curved in a mocking smile. "So be it," he murmured. "Far be it from me to deny a lady pleasure." She dropped her hands , as if they burned but it was too late. He caught them, his long, strong white fingers wrapping around them. "It will be pleasure, you know," he continued, his voice low and mesmerizing.
Anne Stuart (To Love a Dark Lord)
You will wear what I choose, do what I choose," he said in a silken voice. "You know that, don't you?" She wanted to agree. She wanted to do anything to get him to move away from her, release her from his impaling gaze. She felt like a hunted rabbit caught in a snare, facing the inexorable death in her hunter's eyes. But she couldn't. She couldn't cower and waffle and let him know how very much he terrorized her. "And elf I refuse?" Her voice quavered slightly, but at least she fought. The dress was very low-cut, exposing a great deal of her chest. Her tangled red hair lay around her shoulders, and he picked up a strand, running it between his long, bejeweled fingers like a merchant testing silk. And then he brushed it slowly across the exposed swell of her breast. She couldn't control her start of shock at the subtle caress. It shouldn't have affected her, it was only her own lamentably red hair, yet the touch against her soft skin was shocking, arousing, and she made a frightened little noise. "You won't refuse, Emma," he said softly, repeating the caress. "You're a very clever child, far too wise for your own good. You know when you can win a battle, and you know when the price of putting up a fight is too high. You'll wear what I want you to wear. Won't you?" For a third time the lock of hair danced across her breast, dipping below the décolletage to slip inside the bodice of the dress. Emma wanted to scream. Instead she bit her lip. "For now," she said, amazed that her voice didn't shake. She kept her expression stonily unmoved, but he was too observant to miss the rapid rise and fall of her chest, the heightened color of her cheeks. Doubtless he would make of it what he wanted.
Anne Stuart (To Love a Dark Lord)
She sat up again, horror filling her as the memory came flooding back. "Oh, no," she said out loud, quite distinctly. And out of the darkness his voice, the low, cool drawl with the faint trace of a lilt, said, "Oh, yes." Emma slid her legs around, pulling her feet on the thick French carpet. Her dress was tumbling down around her shoulders, and she knew whom to thank for that service. "You," she said, not bothering to disguise the horror in her voice. "Me," he agreed. "Come to your rescue once more, my sweet.
Anne Stuart (To Love a Dark Lord)
I won't tell you." Killoran sighed wearily. "Of course you will, my angel," he said in a deceptively pleasant voice. "I have any number of ways of discovering that which I desire to know. I can do it nicely." He'd come closer, too close, and his hand caught hers, his long fingers stroking her palm, slowly, insistently, cleverly. "I can touch you in ways that you can't even imagine." His voice was low, heated, and she felt a disturbing, answering shimmer deep inside. "I can take your darkest secrets, I can take anything I want from you, and you'd be willing, eager, to give me. Everything." For a moment she was unable to speak. Her pulse leapt in her throat, and she knew he could feel it, pounding beneath her pale skin. "You underestimate me," she said in a hushed voice, struggling against the hypnotic effect he had on her. His smile was small, cynical, and heartbreaking. "No, my love. I know you very well indeed. Better, perhaps, than you know yourself. You want me to let go of your hand, don't you?" "Yes," she said hoarsely. "You want me to go away and leave you alone?" "Yes." His other arm slid around her waist as he bent over her. "You want me to kiss you, don't you?" "Yes," she whispered, helpless, angry. Angry at herself, for making no effort to escape. Angry at him, for making her want him.
Anne Stuart (To Love a Dark Lord)
You're sinfully handsome, women everywhere fall at your feet, you have a beautiful house, friends, companions, anything you might desire. Surely you could be happy...?" For a moment there was real humor in his dark green eyes. "Sinfully handsome, Emma? Women fall at my feet? Then why, pray tell, aren't you there?" "I'm not interested in being one of your conquests." "I don't conquer women, Emma," he said in a low, sinuous voice. "I seduce them. Charm them into doing exactly what I want them to do. Does that surprise you, that I would hold that much charm?" She looked up at him. Indeed, she had no choice- he was still holding her close against his body, and she could either look at him or close her eyes. She wasn't sure which was more dangerous. "No," she said. "It doesn't surprise me." "Then why haven't you succumbed yet?" "I'm stronger than most women." "So you are," he agreed. "But you're no match for me." She hadn't realized he'd been moving her slowly, carefully, backward, until her body came up against the side of the high bed. She halted in sudden panic, but it was too late. He carried her down onto it, his body covering hers, his weight warm and solid.
Anne Stuart (To Love a Dark Lord)
Am I considered a virtuous young lady?" He surveyed her thoughtfully. The stark black of her dress molded to her lush form, and the neckline, though demure by Lady Barbara's standards, was scandalously low for a proper young lady. Her gorgeous hair hung down her back, and her mouth was soft, damp, abominably kissable. There were also her eyes. Honey-brown, staring up at him with an unassailable innocence that only a complete fool would miss. But then, how many people would their time looking in her eyes when there were so many other delectable attributes to gaze upon? "Not likely," he said. "Anyone who spends time in my presence is tainted." He advanced on her slowly, giving her time to run. She didn't, but she wanted to. He could see the faint startled reflex in her eyes, the momentary flash of panic. But she held firm, tilting her chin up with just a trace of defiance. Poor child. Little did she know that her defiance enchanted him as much as her panic. He fastened the pearls around her neck, their rich luster luminous against her skin. He resisted the temptation to stroke her bruised flesh, the need to touch his mouth to that abrasion. He resisted the impulse to turn away from her, lock himself in his study, and immerse himself in brandy. He stepped back, a deceptive half smile on his face. "Lovely," he said.
Anne Stuart (To Love a Dark Lord)
Anne rose from her knees and crept downstairs. The freshness of the rain-wind blew against her white face as she went out into the yard, and cooled her dry, burning eyes. A merry rollicking whistle was lilting up the lane. A moment later Pacifique Buote came in sight. Anne’s physical strength suddenly failed her. If she had not clutched at a low willow bough she would have fallen. Pacifique was George Fletcher’s hired man, and George Fletcher lived next door to the Blythes. Mrs. Fletcher was Gilbert’s aunt. Pacifique would know if—if—Pacifique would know what there was to be known. Pacifique strode sturdily on along the red lane, whistling. He did not see Anne. She made three futile attempts to call him. He was almost past before she succeeded in making her quivering lips call, “Pacifique!” Pacifique turned with a grin and a cheerful good morning.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Loch growled low before taking a step closer to her. “I see you, Ainsley. That’s the problem.” Then, he took her mouth with his and knew he’d made a mistake at the first touch. But she didn’t back away. And neither did he.
Carrie Ann Ryan (Whiskey Undone (Whiskey and Lies, #3))
Rather than making black music or white music or a white imitation of black music, he was making music that was the voice of the Southern poor—both black and white working-class groups. “In their indigence and low social
Bobbie Ann Mason (Elvis Presley)
For the sauce 4 tablespoons olive oil 2 cloves garlic, chopped 2 medium onions, sliced thinly 3 sweet bell peppers (a combination of red, green, and/or yellow), thinly sliced and slices cut in half 1⁄2 teaspoon hot pepper, seeded and finely chopped Salt and freshly ground black pepper 2 green onions, thinly sliced on the diagonal 1 tablespoon chopped fresh thyme or 1 teaspoon dried thyme 2 tablespoons cilantro, chopped 3–4 tomatoes, chopped 1⁄2 cup white wine (approx.) For the fish 2 limes 2 1⁄2–3 pounds dorado or other fish fillets 1 cup flour Salt and freshly ground black pepper 2 tablespoons butter 2 tablespoons olive oil 2 cloves garlic, thickly sliced 1. To make the sauce: In a large, heavy pan with a lid, heat the olive oil. Add the garlic and onions and cook gently over medium heat, stirring frequently, until the onions are meltingly soft and translucent (but not brown), about 10 minutes. 2. Add the sweet and hot peppers, and cook about 10 minutes more, stirring occasionally. Season with salt and pepper and add green onions, thyme, cilantro, and tomatoes. Cover and cook until the sauce has thickened a bit, about 10 minutes. 3. Add the white wine and simmer a bit longer for the flavors to blend. Taste and adjust seasoning, adding a bit more wine, stock, or water if the sauce seems too thick. Keep warm over low heat. 4. Meanwhile, squeeze the limes over the fish, and rub with the pith. Season the flour with salt and pepper and dredge the fillets in the mixture. 5. In a large skillet, heat the butter and oil. Add the sliced garlic cloves and allow them to sauté for about 5 minutes over low heat. 6. Remove the garlic and raise the heat to medium. Sauté the dorado fillets, about 4 minutes per side (if thick), turning only once. Fish is done when it just flakes. Serve with rice and the warm tomato sauce. Serves 6
Ann Vanderhoof (An Embarrassment of Mangoes: A Caribbean Interlude)
His body was so hard. And so large. He was clearly so much stronger than she was, and she liked the fear of him and the sense of being enclosed and protected. It should have been awkward, the two of them twisting toward each other on the bench, but it felt effortless; she'd gone pliant with desire and heat. She loved the feel of his large, warm hands spread over the blades of her shoulders, and then the shivery light strokes of his fingers against the rectangle of bare skin above where her dress laced, dancing there, tantalizing her with the possibility that he might open the laces. The contrasts drugged her: his hard male body and his delicate touch; the scrape of whiskers against her own smooth cheek; his chilled skin and his hot, hot, velvety, savagely demanding mouth. He growled low in his throat. "Bit like a badger," she murmured aloud, without intending to. "Pet names, my squirrel?" he murmured.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))