“
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.
Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.
But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.
This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.
”
”
Terry Pratchett (Men at Arms: The Play)
“
Ankh-Morpork had dallied with many forms of government and had ended up with that form of democracy known as One Man, One Vote. The Patrician was the Man; he had the Vote.
”
”
Terry Pratchett (Mort (Discworld, #4; Death, #1))
“
...And you, you better run because i'm going to destroy you for what you've taken from me.
”
”
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
“
Murder was in fact a fairly uncommon event in Ankh-Morpork, but there were a lot of suicides. Walking in the night-time alleyways of The Shades was suicide. Asking for a short in a dwarf bar was suicide. Saying 'Got rocks in your head?' to a troll was suicide. You could commit suicide very easily, if you weren't careful.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
Ankh-Morpork! Pearl of cities! This is not a completely accurate description, of course — it was not round and shiny — but even its worst enemies would agree that if you had to liken Ankh-Morpork to anything, then it might as well be a piece of rubbish covered with the diseased secretions of a dying mollusc.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
“
...and still Eden was avoiding him like he was a Bieber fan at a Korn concert.
”
”
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
“
I comma square bracket recruit's name square bracket comma do solemnly swear by square bracket recruit's deity of choice square bracket to uphold the Laws and Ordinances of the City of Ankh-Morpork comma serve the public truƒt comma and defend the ƒubjects of his ƒtroke her bracket delete whichever is inappropriate bracket Majeƒty bracket name of reigning monarch bracket without fear comma favour comma or thought of perƒonal ƒafety semi-colon to purƒue evildoers and protect the innocent comma comma laying down my life if neceƒsary in the cauƒe of said duty comma so help me bracket aforeƒaid deity bracket full stop Gods Save the King stroke Queen bracket delete whichever is inappropriate bracket full stop.
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
There were no public health laws in Ankh-Morpork. It would be like installing smoke detectors in Hell.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
In Ankh-Morpork you can be whoever you want to be and sometimes people laugh and sometimes they clap, and mostly and beautifully, they don't really care.
”
”
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
“
It was said that life was cheap in Ankh-Morpork. This was of course, completely wrong. Life was often very expensive; you could get death for free.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
The commander went, as they say in Ankh-Morpork, totally Librarian on them.
”
”
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
“
She would see it as betrayal. Nothing more. Nothing less.
”
”
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
“
If there were such a thing as an inter-city thieving contest, Ankh-Morpork would bring home the trophy and probably everyone’s wallets.
”
”
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
“
We're dealing here," said Vimes, "With a twisted mind."
"Oh, no! You think so?"
"Yes."
"But... no... you can't be right. Because Nobby was with us all the time."
"Not Nobby," said Vimes testily. "Whatever he might do to a dragon, I doubt if he'd make it explode. There's stranger people in this world than Corporal Nobbs, my lad."
Carrot's expression slid into a rictus of intrigued horror.
"Gosh," he said.
”
”
Terry Pratchett (Men at Arms: The Play)
“
That's the Ankh-Morpork instinct, Vimes thought. Run away, and then stop and see if anything interesting is going to happen to other people.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Poets have tried to describe Ankh-Morpork. They have failed. Perhaps it's the sheer zestful vitality of the place, or maybe it's just that a city with a million inhabitants and no sewers is rather robust for poets, who prefer daffodils and no wonder. So let's just say that Ankh-Morpork is as full of life as an old cheese on a hot day, as loud as a curse in a cathedral, as bright as an oil slick, as colourful as a bruise and as full of activity, industry, bustle and sheer exuberant busyness as a dead dog on a termite mound.
”
”
Terry Pratchett (Mort (Discworld, #4; Death, #1))
“
Sergeant Colon of the Ankh-Morpork City Guard was on duty. He was guarding the Brass Bridge, the main link between Ankh and Morpork. From theft.
When it came to crime prevention, Sergeant Colon found it safest to think big.
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
The first words that are read by seekers of enlightenment in the secret, gong-banging, yeti-haunted valleys near the hub of the world, are when they look into The Life of Wen the Eternally Surprised.
The first question they ask is: 'Why was he eternally surprised?'
And they are told: 'Wen considered the nature of time and understood that the universe is, instant by instant, recreated anew. Therefore, he understood, there is in truth no past, only a memory of the past. Blink your eyes, and the world you see next did not exist when you closed them. Therefore, he said, the only appropriate state of the mind is surprise. The only appropriate state of the heart is joy. The sky you see now, you have never seen before. The perfect moment is now. Be glad of it.'
The first words read by the young Lu-Tze when he sought perplexity in the dark, teeming, rain-soaked city of Ankh-Morpork were: 'Rooms For Rent, Very Reasonable.' And he was glad of it.
”
”
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
“
There's a saying that all roads lead to Ankh-Morpork. And it's wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way.
”
”
Terry Pratchett
“
If the Creator had said, "Let there be light" in Ankh-Morpork, he'd have got no further because of all the people saying "What colour?
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
It was Carrot who'd suggested to the Patrician that hardened criminals should be given the chance to 'serve the community' by redecorating the homes of the elderly, lending a new terror to old age and, given Ankh-Morpork's crime rate, leading to at least one old lady having her front room wallpapered so many times in six months that now she could only get in sideways.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
A number of religions in Ankh-Morpork still practiced human sacrifice, except that they didn't really need to practice any more because they had got so good at it.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Might have just been an innocent bystander, sir,’ said Carrot
‘What, in Ankh-Morpork?’
‘Yes, sir.’
‘We should have grabbed him, then, just for the rarity value
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
You are dawn and she is midnight. And despite the mist of the half-light, together you see more clearly in the dusk.
”
”
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
“
Dude, your girlfriend is so far past high maintenance even the janitor quit.
”
”
Samantha Young (Blood Past (Warriors of Ankh, #2))
“
No enemies had ever taken Ankh-Morpork. Well technically they had, quite often; the city welcomed free-spending barbarian invaders, but somehow the puzzled raiders found, after a few days, that they didn't own their horses any more, and within a couple of months they were just another minority group with its own graffiti and food shops.
”
”
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
Stephanie Marie Thornton (Daughter of the Gods: A Novel of Ancient Egypt)
“
The people of Ankh-Morpork had a straightforward, no-nonsense approach to entertainment, and while they were looking forward to seeing a dragon slain, they'd be happy to settle instead for seeing someone being baked alive in his own armour. You didn't get the chance every day to see someone baked alive in their own armour. It would be something for the children to remember.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
In Ankh-Morpork even the shit have a street to itself," said Detritus, awe and wonder in his voice. "Truly, this a land of opportunity.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
A city like Ankh-Morpork was only two meals away from chaos at the best of times.
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
―get a reward for surviving,” Kat was saying. “You can start by taking off all you clothes and―”
“I don’t need to hear this, Miss Parker,” Mr. Ankh snapped.
“―showering,” she finished. “Alone. Of course. I like my men clean.
”
”
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
“
She grasped the crook and flail with cool hands and sank gracefully to her knees. The High Priest of Amun placed a piece of flatbread imprinted with an ankh, the symbol of everlasting life, upon her tongue. It was gritty, the dough having been sprinkled with sand blessed by all the High Priests before it was baked that morning.
”
”
Stephanie Marie Thornton (Daughter of the Gods: A Novel of Ancient Egypt)
“
And so Mort came at last to the river Ankh, greatest of rivers. Even before it entered the city, it was slow and heavy with the silt of the plains, and by the time it got to The Shades even an agnostic could have walked across it. It was hard to drown in the Ankh, but easy to suffocate.
”
”
Terry Pratchett (Mort (Discworld, #4; Death, #1))
“
It was said that [Vetinari] would tolerate absolutely anything apart from anything that threatened the city*... [Footnote] And mime artists. It was a strange aversion, but there you are. Anyone in baggy trousers and a white face who tried to ply their art anywhere within Ankh's crumbling walls would very quickly find themselves in a a scorpion pit, on one wall of which was painted the advice: Learn The Words.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Well, you know what they say about babies.”
The soul eater smirked. “What’s that?”
“Don’t underestimate the amount of shit they can bring.
”
”
Samantha Young (Blood Past (Warriors of Ankh, #2))
“
the Ankh-Morpork Trespassers' Society was originally the Explorers' Society until Lord Vetinari forcibly insisted that most of the places 'discovered' by the society's members already had people in them, who were already trying to sell snakes to the newcomers.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
“
It was one thing to deal with monsters that were human in appearance. Another thing entirely to deal with humans who were monsters.
”
”
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
“
In a well-organized world he might have landed on a fire escape, but the fire escapes were unknown in Ankh-Morpork and the flames generally had to leave via the roof.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
The rising sun managed to peek around the vast column of smoke that forever rose from Ankh-Morpork, City of Cities, illustrating almost up to the edge of space that smoke means progress or, at least, people setting fire to things.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
“
Ankh-Morpork is a godless city--'
'I thought it had more than three hundred places of worship?' said Maladict.
Strappi stared at him in rage that was incoherent until he managed to touch bottom again. 'Ankh-Morpork is a godawful city', he recovered.
”
”
Terry Pratchett (Monstrous Regiment (Discworld, #31; Industrial Revolution, #3))
“
Death has a body like a model, the clothes of a poet and the smile of your best friend. She wears a top hat for fun, her ankh necklace for power, and carries a big black umbrella for travelling to the 'sunless lands.' I wonder what she smells like? I'm sure it's fresh and clean and her laugh must be rinkly or maybe it's warm and chuckly, but whatever it is, Death laughs a lot.
We talk about the 'miracle of birth' but what about the 'miracle of death'? We have the science of death pretty much figured out, but death's magic and inevitability have been feared and ignored for a long time now.
What if Death is a person?
”
”
Neil Gaiman (Death: The Time of Your Life)
“
The Patrician of Ankh-Morpork sat back on his austere chair with the sudden bright smile of a very busy person at the end of a crowded day who's suddenly found in his schedule a reminder saying: 7.00-7.05, Be Cheerful and Relaxed and a People Person.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
I don't know whether to be proud or appalled that danger, blood and death inspire you so.
”
”
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
“
According to the history books, the decisive battle that ended the Ankh-Morpork Civil War was fought between two handfuls of bone-weary men in a swamp early one misty morning and, although one side claimed victory, ended with a practical score of Humans 0, ravens 1,000, which is the case with most battles.
”
”
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
“
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that’d still be keeping his feet dry in ten years’ time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes “Boots” theory of socioeconomic unfairness.
”
”
Terry Pratchett
“
Noah's mom and dad were academics and socially inept, so Noah had never invited her over to his house because his parents wouldn't like it. And Eden had never invited Noah over to her house because she didn't want him to die.
”
”
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
“
Mercury. Lead. Antimony. A cresent moon sits at the nape of her neck; and Egyptian ankh near her collarbone. There are other symbols as well: Norse runes, Chinese characters.
"It is part of who I was, who I am, and who I will be.
”
”
Erin Morgenstern (The Night Circus)
“
She gazed out across the rooftops of Ankh-Morpork and reasoned like this: writing was only the words that people said, squeezed between layers of paper until they were fossilized (fossils were well known on the Discworld, great spiraled shells and badly constructed creatures that were left over from the time when the Creator hadn't really decided what He wanted to make and was, as it were, just idly messing around with the Pleistocene). And the words people said were just shadow of real things. But some things were too big to be really trapped in words, and even the words were too powerful to be completely tamed by writing.
”
”
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
“
He said, "Were he only like his sister—what a difference that would make! For there never was such a sweet and gentle lady! I hear her footsteps, as she goes about the world. I hear the swish-swish-swish of her silken gown and the jingle-jangle of the silver chain about her neck. Her smile is full of comfort and her eyes are kind and happy! How I long to see her!"
"Who, sir?" asked Paramore, puzzled.
"Why, his sister, John. His sister.
”
”
Susanna Clarke (The Sandman: Book of Dreams)
“
Eden," Cyrus snapped bringing her back to the present. "I have a sword pointed at you. Will you please focus
”
”
Samantha Young (Blood Past (Warriors of Ankh, #2))
“
Without warning a lady appeared.
She came from the direction of Friday-street, for she had just been with Mr. Newbolt. She strode capably through the snow. She wore a black silk gown and something very queer swung from a silver chain about her neck. Her smile was full of comfort and her eyes were kind and happy. She was just as Mr. Newbolt had described.
And the name of this lady was Death.
”
”
Susanna Clarke (The Sandman: Book of Dreams)
“
Vimes, listening with his mouth open, wondered why the hell it was that dwarfs believed that they had no religion and no priests. Being a dwarf was a religion. People went into the dark for the good of the clan, and heard things, and were changed, and came back to tell…
And then, fifty years ago, a dwarf tinkering in Ankh-Morpork had found that if you put a simple fine mesh over your lantern flame it'd burn blue in the presence of the gas but wouldn't explode. It was a discovery of immense value to the good of dwarfkind and, as so often happens with such discoveries, almost immediately led to a war.
"And afterwards there were two kinds of dwarf," said Cheery sadly. "There's the Copperheads, who all use the lamp and the patent gas exploder, and the Schmaltzbergers, who stick to the old ways. Of course we're all dwarfs," she said, "but relations are strained.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
Retrophrenology:
It works like this. Phrenology, as everyone knows, is a way of reading someone's character, aptitude and abilities by examining the bumps and hollows on their head. Therefore - according to the kind of logical thinking that characterizes the Ankh-Morpork mind - it should be possible to mould someone's character by giving them carefully graded bumps in all the right places. You can go into a shop and order an artistic temperament with a tendency to introspection and a side order of hysteria. What you actually get is hit on the head with a selection of different size mallets, but it creates employment and keeps the money in circulation, and that's the main thing.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
It was a still night, tinted with the promise of dawn. A crescent moon was just setting. Ankh-Morpork, largest city in the lands around the Circle Sea, slept.
That statement is not really true On the one hand, those parts of the city which normally concerned themselves with, for example, selling vegetables, shoeing horses, carving exquisite small jade ornaments, changing money and making tables, on the whole, slept. Unless they had insomnia. Or had got up in the night, as it might be, to go to the lavatory. On the other hand, many of the less law-abiding citizens were wide awake and, for instance, climbing through windows that didn’t belong to them, slitting throats, mugging one another, listening to loud music in smoky cellars and generally having a lot more fun. But most of the animals were asleep, except for the rats. And the bats, too, of course. As far as the insects were concerned…
The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh some legislation was passed in a determined attempt to put a stop to this sort of thing and introduce some honesty into reporting. Thus, if a legend said of a notable hero that “all men spoke of his prowess” any bard who valued his life would add hastily “except for a couple of people in his home village who thought he was a liar, and quite a lot of other people who had never really heard of him.” Poetic simile was strictly limited to statements like “his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
“
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of okay for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that’d still be keeping his feet dry in ten years’ time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes ‘Boots’ theory of socio-economic unfairness.
”
”
Terry Pratchett (Men at Arms (Discworld, #15))
“
There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld cities.
At least, there’s a saying that there’s a saying that all roads lead to Ankh-Morpork.
And it’s wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way.
Poets long ago gave up trying to describe the city. Now the more cunning ones try to excuse it. They say, well, maybe it is smelly, maybe it is overcrowded, maybe it is a bit like Hell would be if they shut the fires off and stabled a herd of incontinent cows there for a year, but you must admit that it is full of sheer, vibrant, dynamic life. And this is true, even though it is poets that are saying it. But people who aren't poets say, so what? Mattresses tend to be full of life too, and no one writes odes to them. Citizens hate living there and, if they have to move away on business or adventure or, more usually, until some statute of limitations runs out, can’t wait to get back so they can enjoy hating living there some more. They put stickers on the backs of their carts saying "Anhk-Morpork—Loathe It or Leave It.
”
”
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
“
What’s Ephebe like?” said Ptraci.
“I’ve never been there. Apparently it’s ruled by a Tyrant.”
“I hope we don’t meet him, then”
Teppic shook his head. “It’s not like that,” he said. “They have a new Tyrant every five years and they do something to him first.” He hesitated. “I think they ee-lect him.”
“Is that something like they do to tomcats and bulls and things?”
“Er.”
“You know. To make them stop fighting and be more peaceful.”
Teppic winced. “To be honest, I’m not sure,” he said. “But I don’t think so. They’ve got something they do it with, I think it’s called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man, one—” He paused. The political history lesson seemed a very long while ago, and had introduced concepts never heard of in Djelibeybi or in Ankh-Morpork, for that matter. He had a stab at it anyway. “One man, one vet.”
“That’s for the eelecting, then?”
He shrugged. It might be, for all he knew. “The point is, though, that everyone can do it. They’re very proud of it. Everyone has—” he hesitated again, certain now that things were amiss—“the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extractions. And people disapproved of for, er, various reasons. And lost of other people. But everyone apart from them. It’s a very enlightened civilization.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
The relationship between the University and the Patrician, absolute ruler and nearly benevolent dictator of Ankh-Morpork, was a complex and subtle one.
The wizards held that, as servants of a higher truth, they were not subject to the mundane laws of the city.
The Patrician said that, indeed, this was the case, but they would bloody well pay their taxes like everyone else.
The wizards said that, as followers of the light of wisdom, they owed allegiance to no mortal man.
The Patrician said that this may well be true but they also owed a city tax of two hundred dollars per head per annum, payable quarterly.
The wizards said that the University stood on magical ground and was therefore exempt from taxation and anyway you couldn't put a tax on knowledge.
The Patrician said you could. It was two hundred dollars per capita; if per capita was a problem, decapita could be arranged.
The wizards said that the University had never paid taxes to the civil authority.
The Patrician said that he was not proposing to remain civil for long.
The wizards said, what about easy terms?
The Patrician said he was talking about easy terms. They wouldn't want to know about the hard terms.
The wizards said that there was a ruler back in , oh, it would be the Century of the Dragonfly, who had tried to tell the University what to do. The Patrician could come and have a look at him if he liked.
The Patrician said that he would. He truly would
In the end it was agreed that while the wizards of course paid no taxes, they would nevertheless make an entirely voluntary donation of, oh, let's say two hundred dollars per head, without prejudice, mutatis mutandis, no strings attached, to be used strictly for non-militaristic and environmentally-acceptable purposes.
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar.
He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats.
The wassailers stopped and watched them in horror.
People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted.
The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop.
It was just possible to make out consensus song in there somewhere.
"Hogswatch is coming,
The pig is getting fat,
Please put a dollar in the old man's hat
If you ain't got a dollar a penny will do-"
"And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
”
”
Terry Pratchett (Hogfather)
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))