Ankhe Quotes

We've searched our database for all the quotes and captions related to Ankhe. Here they are! All 100 of them:

The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.
Terry Pratchett (Men at Arms: The Play)
Ankh-Morpork had dallied with many forms of government and had ended up with that form of democracy known as One Man, One Vote. The Patrician was the Man; he had the Vote.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
...And you, you better run because i'm going to destroy you for what you've taken from me.
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
Ankh-Morpork! Pearl of cities! This is not a completely accurate description, of course — it was not round and shiny — but even its worst enemies would agree that if you had to liken Ankh-Morpork to anything, then it might as well be a piece of rubbish covered with the diseased secretions of a dying mollusc.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
...and still Eden was avoiding him like he was a Bieber fan at a Korn concert.
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
Murder was in fact a fairly uncommon event in Ankh-Morpork, but there were a lot of suicides. Walking in the night-time alleyways of The Shades was suicide. Asking for a short in a dwarf bar was suicide. Saying 'Got rocks in your head?' to a troll was suicide. You could commit suicide very easily, if you weren't careful.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
I comma square bracket recruit's name square bracket comma do solemnly swear by square bracket recruit's deity of choice square bracket to uphold the Laws and Ordinances of the City of Ankh-Morpork comma serve the public truƒt comma and defend the ƒubjects of his ƒtroke her bracket delete whichever is inappropriate bracket Majeƒty bracket name of reigning monarch bracket without fear comma favour comma or thought of perƒonal ƒafety semi-colon to purƒue evildoers and protect the innocent comma comma laying down my life if neceƒsary in the cauƒe of said duty comma so help me bracket aforeƒaid deity bracket full stop Gods Save the King stroke Queen bracket delete whichever is inappropriate bracket full stop.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
In Ankh-Morpork you can be whoever you want to be and sometimes people laugh and sometimes they clap, and mostly and beautifully, they don't really care.
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
It was said that life was cheap in Ankh-Morpork. This was of course, completely wrong. Life was often very expensive; you could get death for free.
Terry Pratchett (Pyramids (Discworld, #7))
There were no public health laws in Ankh-Morpork. It would be like installing smoke detectors in Hell.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
If there were such a thing as an inter-city thieving contest, Ankh-Morpork would bring home the trophy and probably everyone’s wallets.
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
She would see it as betrayal. Nothing more. Nothing less.
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
The commander went, as they say in Ankh-Morpork, totally Librarian on them.
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
We're dealing here," said Vimes, "With a twisted mind." "Oh, no! You think so?" "Yes." "But... no... you can't be right. Because Nobby was with us all the time." "Not Nobby," said Vimes testily. "Whatever he might do to a dragon, I doubt if he'd make it explode. There's stranger people in this world than Corporal Nobbs, my lad." Carrot's expression slid into a rictus of intrigued horror. "Gosh," he said.
Terry Pratchett (Men at Arms: The Play)
That's the Ankh-Morpork instinct, Vimes thought. Run away, and then stop and see if anything interesting is going to happen to other people.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Poets have tried to describe Ankh-Morpork. They have failed. Perhaps it's the sheer zestful vitality of the place, or maybe it's just that a city with a million inhabitants and no sewers is rather robust for poets, who prefer daffodils and no wonder. So let's just say that Ankh-Morpork is as full of life as an old cheese on a hot day, as loud as a curse in a cathedral, as bright as an oil slick, as colourful as a bruise and as full of activity, industry, bustle and sheer exuberant busyness as a dead dog on a termite mound.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
Sergeant Colon of the Ankh-Morpork City Guard was on duty. He was guarding the Brass Bridge, the main link between Ankh and Morpork. From theft. When it came to crime prevention, Sergeant Colon found it safest to think big.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
The first words that are read by seekers of enlightenment in the secret, gong-banging, yeti-haunted valleys near the hub of the world, are when they look into The Life of Wen the Eternally Surprised. The first question they ask is: 'Why was he eternally surprised?' And they are told: 'Wen considered the nature of time and understood that the universe is, instant by instant, recreated anew. Therefore, he understood, there is in truth no past, only a memory of the past. Blink your eyes, and the world you see next did not exist when you closed them. Therefore, he said, the only appropriate state of the mind is surprise. The only appropriate state of the heart is joy. The sky you see now, you have never seen before. The perfect moment is now. Be glad of it.' The first words read by the young Lu-Tze when he sought perplexity in the dark, teeming, rain-soaked city of Ankh-Morpork were: 'Rooms For Rent, Very Reasonable.' And he was glad of it.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
There's a saying that all roads lead to Ankh-Morpork. And it's wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way.
Terry Pratchett
A number of religions in Ankh-Morpork still practiced human sacrifice, except that they didn't really need to practice any more because they had got so good at it.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
It was Carrot who'd suggested to the Patrician that hardened criminals should be given the chance to 'serve the community' by redecorating the homes of the elderly, lending a new terror to old age and, given Ankh-Morpork's crime rate, leading to at least one old lady having her front room wallpapered so many times in six months that now she could only get in sideways.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
You are dawn and she is midnight. And despite the mist of the half-light, together you see more clearly in the dusk.
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
If the Creator had said, "Let there be light" in Ankh-Morpork, he'd have got no further because of all the people saying "What colour?
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
Dude, your girlfriend is so far past high maintenance even the janitor quit.
Samantha Young (Blood Past (Warriors of Ankh, #2))
Might have just been an innocent bystander, sir,’ said Carrot ‘What, in Ankh-Morpork?’ ‘Yes, sir.’ ‘We should have grabbed him, then, just for the rarity value
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
No enemies had ever taken Ankh-Morpork. Well technically they had, quite often; the city welcomed free-spending barbarian invaders, but somehow the puzzled raiders found, after a few days, that they didn't own their horses any more, and within a couple of months they were just another minority group with its own graffiti and food shops.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
Ankh, udja, seneb!
Stephanie Marie Thornton (Daughter of the Gods: A Novel of Ancient Egypt)
The people of Ankh-Morpork had a straightforward, no-nonsense approach to entertainment, and while they were looking forward to seeing a dragon slain, they'd be happy to settle instead for seeing someone being baked alive in his own armour. You didn't get the chance every day to see someone baked alive in their own armour. It would be something for the children to remember.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
In Ankh-Morpork even the shit have a street to itself," said Detritus, awe and wonder in his voice. "Truly, this a land of opportunity.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
A city like Ankh-Morpork was only two meals away from chaos at the best of times.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
―get a reward for surviving,” Kat was saying. “You can start by taking off all you clothes and―” “I don’t need to hear this, Miss Parker,” Mr. Ankh snapped. “―showering,” she finished. “Alone. Of course. I like my men clean.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
She grasped the crook and flail with cool hands and sank gracefully to her knees. The High Priest of Amun placed a piece of flatbread imprinted with an ankh, the symbol of everlasting life, upon her tongue. It was gritty, the dough having been sprinkled with sand blessed by all the High Priests before it was baked that morning.
Stephanie Marie Thornton (Daughter of the Gods: A Novel of Ancient Egypt)
And so Mort came at last to the river Ankh, greatest of rivers. Even before it entered the city, it was slow and heavy with the silt of the plains, and by the time it got to The Shades even an agnostic could have walked across it. It was hard to drown in the Ankh, but easy to suffocate.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
Well, you know what they say about babies.” The soul eater smirked. “What’s that?” “Don’t underestimate the amount of shit they can bring.
Samantha Young (Blood Past (Warriors of Ankh, #2))
It was said that [Vetinari] would tolerate absolutely anything apart from anything that threatened the city*... [Footnote] And mime artists. It was a strange aversion, but there you are. Anyone in baggy trousers and a white face who tried to ply their art anywhere within Ankh's crumbling walls would very quickly find themselves in a a scorpion pit, on one wall of which was painted the advice: Learn The Words.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
It was one thing to deal with monsters that were human in appearance. Another thing entirely to deal with humans who were monsters.
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
In a well-organized world he might have landed on a fire escape, but the fire escapes were unknown in Ankh-Morpork and the flames generally had to leave via the roof.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The rising sun managed to peek around the vast column of smoke that forever rose from Ankh-Morpork, City of Cities, illustrating almost up to the edge of space that smoke means progress or, at least, people setting fire to things.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
the Ankh-Morpork Trespassers' Society was originally the Explorers' Society until Lord Vetinari forcibly insisted that most of the places 'discovered' by the society's members already had people in them, who were already trying to sell snakes to the newcomers.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Ankh-Morpork is a godless city--' 'I thought it had more than three hundred places of worship?' said Maladict. Strappi stared at him in rage that was incoherent until he managed to touch bottom again. 'Ankh-Morpork is a godawful city', he recovered.
Terry Pratchett (Monstrous Regiment (Discworld, #31; Industrial Revolution, #3))
Death has a body like a model, the clothes of a poet and the smile of your best friend. She wears a top hat for fun, her ankh necklace for power, and carries a big black umbrella for travelling to the 'sunless lands.' I wonder what she smells like? I'm sure it's fresh and clean and her laugh must be rinkly or maybe it's warm and chuckly, but whatever it is, Death laughs a lot. We talk about the 'miracle of birth' but what about the 'miracle of death'? We have the science of death pretty much figured out, but death's magic and inevitability have been feared and ignored for a long time now. What if Death is a person?
Neil Gaiman (Death: The Time of Your Life)
I don't know whether to be proud or appalled that danger, blood and death inspire you so.
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
The Patrician of Ankh-Morpork sat back on his austere chair with the sudden bright smile of a very busy person at the end of a crowded day who's suddenly found in his schedule a reminder saying: 7.00-7.05, Be Cheerful and Relaxed and a People Person.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
It was Friday tomorrow and still Eden was avoiding him like he was a Bieber fan at a Korn concert.
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
According to the history books, the decisive battle that ended the Ankh-Morpork Civil War was fought between two handfuls of bone-weary men in a swamp early one misty morning and, although one side claimed victory, ended with a practical score of Humans 0, ravens 1,000, which is the case with most battles.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
Noah's mom and dad were academics and socially inept, so Noah had never invited her over to his house because his parents wouldn't like it. And Eden had never invited Noah over to her house because she didn't want him to die.
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that’d still be keeping his feet dry in ten years’ time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes “Boots” theory of socioeconomic unfairness.
Terry Pratchett
It had the thick texture of authentic Ankh water – too stiff to drink, too runny to plough.
Terry Pratchett (Equal Rites (Discworld, #3))
Mercury. Lead. Antimony. A cresent moon sits at the nape of her neck; and Egyptian ankh near her collarbone. There are other symbols as well: Norse runes, Chinese characters. "It is part of who I was, who I am, and who I will be.
Erin Morgenstern (The Night Circus)
It was pretty late and the streets were quiet so she was almost sure no one had seen her drag the soul eater into the alley... where she cut his head off with a samurai sword. God, she loved her life.
Samantha Young (Shades of Blood (Warriors of Ankh, #3))
... the bestselling novel taking the Ankh-Morpork literary world by storm was dedicated to Commander Samuel Vimes. The title of the book was Pride and Extreme Prejudice.
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
She gazed out across the rooftops of Ankh-Morpork and reasoned like this: writing was only the words that people said, squeezed between layers of paper until they were fossilized (fossils were well known on the Discworld, great spiraled shells and badly constructed creatures that were left over from the time when the Creator hadn't really decided what He wanted to make and was, as it were, just idly messing around with the Pleistocene). And the words people said were just shadow of real things. But some things were too big to be really trapped in words, and even the words were too powerful to be completely tamed by writing.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
He said, "Were he only like his sister—what a difference that would make! For there never was such a sweet and gentle lady! I hear her footsteps, as she goes about the world. I hear the swish-swish-swish of her silken gown and the jingle-jangle of the silver chain about her neck. Her smile is full of comfort and her eyes are kind and happy! How I long to see her!" "Who, sir?" asked Paramore, puzzled. "Why, his sister, John. His sister.
Susanna Clarke (The Sandman: Book of Dreams)
Eden," Cyrus snapped bringing her back to the present. "I have a sword pointed at you. Will you please focus
Samantha Young (Blood Past (Warriors of Ankh, #2))
In fact, if there were such a thing as an international thieving contest, Ankh-Morpork would bring home the trophy and probably everyone's wallets.
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
And we don't often get any wading birds in the River Ankh, mainly because the pollution would eat their legs away and anyway, it's easier for them to walk on the surface.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
This was, after all, Ankh-Morpork, where a man walked free even if he was not, strictly speaking, a man.
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
He was known to Ankh-Morpork's professional underclass as a thoughtful, patient man, and considered something of an intellectual because some of his tattoos were spelled right.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
He found that he had this sudden desperate longing for the fuming, smoky streets of Ankh-Morpork, which was always at its best in the spring, when the gummy sheen on the turbid waters of the Ankh River had a special iridescence and the eaves were full of birdsong, or at least birds coughing rhythmically
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
Ankh-Morpork people considered that spelling was a sort of optional extra. They believed in it the same way they believed in punctuation; it didn't matter where you put it, so long as it was there.
Terry Pratchett (The Truth: Stage Adaptation)
The barricade was taking some while to dismantle. Chair legs and planks and bedsteads and doors and baulks of timber had settled into a tangled mass. Since every piece belonged to someone, and Ankh-Morpork people care about that sort of thing, it was being dismantled by collective argument.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Without warning a lady appeared. She came from the direction of Friday-street, for she had just been with Mr. Newbolt. She strode capably through the snow. She wore a black silk gown and something very queer swung from a silver chain about her neck. Her smile was full of comfort and her eyes were kind and happy. She was just as Mr. Newbolt had described. And the name of this lady was Death.
Susanna Clarke (The Sandman: Book of Dreams)
Heinrich had a reputation locally for cunning, but Ankh-Morpork had overtaken cunning a thousand years ago, had sped past devious, had left artful far behind, and had now, by a roundabout route, arrived at straightforward.
Terry Pratchett (Monstrous Regiment (Discworld, #31; Industrial Revolution, #3))
When the humours were handed out, Ankh-Morpork got the one for joking and Quirm had to do make do with their expertise in fine dining and love-making.
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
Vimes, listening with his mouth open, wondered why the hell it was that dwarfs believed that they had no religion and no priests. Being a dwarf was a religion. People went into the dark for the good of the clan, and heard things, and were changed, and came back to tell… And then, fifty years ago, a dwarf tinkering in Ankh-Morpork had found that if you put a simple fine mesh over your lantern flame it'd burn blue in the presence of the gas but wouldn't explode. It was a discovery of immense value to the good of dwarfkind and, as so often happens with such discoveries, almost immediately led to a war. "And afterwards there were two kinds of dwarf," said Cheery sadly. "There's the Copperheads, who all use the lamp and the patent gas exploder, and the Schmaltzbergers, who stick to the old ways. Of course we're all dwarfs," she said, "but relations are strained.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
In every lifetime there is a moment. A moment so clear, so profoundly unique; that it stands out against billions of other moments. When you find a moment such as this one, you pay extra close attention to it. It will usually contain something that defines you in the future. (The Children of Ankh)
Kim Cormack
Er war direkt, ehrlich, gutmütig und in jeder Hinsicht ehrenhaft. In Ankh-Morpork hieß so etwas normalerweise »Dummheit«, und unter gewöhnlichen Umständen hätte er damit die Überlebenschance einer Qualle in einem Hochofen.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
Ankh-Morpork, the melting pot of the world, which occasionally runs foul of lumps that don't melt.
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
In Boffo’s Novelty and Joke Emporium in Ankh-Morpork, all the whoopee cushions trumpeted in a doleful harmony;
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
People kept on talking about the true king of Ankh-Morpork, but history taught a cruel lesson. It said - often in words of blood - that the true king was the one who got crowned."  
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
By now the whole of downtown Morpork was alight, and the richer and worthier citizens of Ankh on the far bank were bravely responding to the situation by feverishly demolishing the bridges.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
The snow had done what even wizards and the Watch couldn’t do, which was clean up Ankh-Morpork. It hadn’t had time to get dirty. In the morning it’d probably look as though the city had been covered in coffee meringue, but for now it mounded the bushes and trees in pure white.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Lord Vetinari, the Patrician of Ankh-Morpork, poked at the ink in his inkwell. There was ice in it. "Don't you even have a proper fire?" said Hughnon Ridcully, High Priest of Blind Io and unofficial spokesman for the city's religious establishment. "I mean, I'm not one for stuffy rooms, but it's freezing in here!" "Brisk, certainly," said Lord Vetinari. "It's odd, but the ice isn't as dark as the rest of the ink. What causes that, do you think?" "Science, probably," said Hughnon vaguely.
Terry Pratchett (The Truth: Stage Adaptation)
I especially treasured my glimpses of Mother, Queen Cleopatra VII. She sat on a golden throne, looking as resplendent as one of the giant marble statues guarding the tombs of the Old Ones. Diamonds twinkled in a jungle of black braids on her ceremonial wig. She wore a diadem with three rearing snakes and a golden broad collar, shining with lapis lazuli, carnelian, and emeralds, over her golden, form-fitting pleated gown. In one hand, she held a golden ankh of life, while the other clasped the striped crook and flail of her divine rulership. Her stillness radiated power, like a lioness pausing before the pounce. It left me breathless with awe.
Vicky Alvear Shecter (Cleopatra's Moon)
Retrophrenology: It works like this. Phrenology, as everyone knows, is a way of reading someone's character, aptitude and abilities by examining the bumps and hollows on their head. Therefore - according to the kind of logical thinking that characterizes the Ankh-Morpork mind - it should be possible to mould someone's character by giving them carefully graded bumps in all the right places. You can go into a shop and order an artistic temperament with a tendency to introspection and a side order of hysteria. What you actually get is hit on the head with a selection of different size mallets, but it creates employment and keeps the money in circulation, and that's the main thing.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
You see," said Colon, "thieves are organized here. I mean, it's official. They're allowed a certain amount of thieving. Not that they do much these days, mind you. If you pay them a little premium every year they give you a card and leave you alone. Saves time and effort all around." "And all thieves are members?" said Angua. "Oh, yes," said Carrot. "Can't go thieving in Ankh-Morpork without a Guild permit. Not unless you've got a special talent." "Why? What happens? What talent?" she said. "Well, being able to survive being hung upside down from one of the gates with your ears nailed to your knees," said Carrot.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
Say what you liked about the people of Ankh-Morpork they had always been staunchly independent, yielding to no man their right to rob, defraud, embezzle and murder on an equal basis. This seemed absolutely right, to Vimes’s way of thinking. There was no difference at all between the richest man and the poorest beggar, apart from the fact that the former had lots of money, food, power, fine clothes, and good health. But at least he wasn’t any better. Just richer, fatter, more powerful, better dressed and healthier. It had been like that for hundreds of years.
Terry Pratchett (Guards! Guards! (Discworld, #8))
Why temples? thought Moist, as he looked up at the facade of the Royal Bank of Ankh-Morpork. Why do they always build banks to look like temples, despite the fact that several major religions (a) are canonically against what they do inside and (b) bank there?
Terry Pratchett (Making Money (Discworld, #36))
A small crowd was collecting. A small crowd collected very easily in Ankh-Morpork. As a city, it had some of the most accomplished spectators in the universe. They’d watch anything, especially if there was any possibility of anyone getting hurt in an amusing way.
Terry Pratchett (Moving Pictures (Discworld, #10))
It was a still night, tinted with the promise of dawn. A crescent moon was just setting. Ankh-Morpork, largest city in the lands around the Circle Sea, slept. That statement is not really true On the one hand, those parts of the city which normally concerned themselves with, for example, selling vegetables, shoeing horses, carving exquisite small jade ornaments, changing money and making tables, on the whole, slept. Unless they had insomnia. Or had got up in the night, as it might be, to go to the lavatory. On the other hand, many of the less law-abiding citizens were wide awake and, for instance, climbing through windows that didn’t belong to them, slitting throats, mugging one another, listening to loud music in smoky cellars and generally having a lot more fun. But most of the animals were asleep, except for the rats. And the bats, too, of course. As far as the insects were concerned… The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh some legislation was passed in a determined attempt to put a stop to this sort of thing and introduce some honesty into reporting. Thus, if a legend said of a notable hero that “all men spoke of his prowess” any bard who valued his life would add hastily “except for a couple of people in his home village who thought he was a liar, and quite a lot of other people who had never really heard of him.” Poetic simile was strictly limited to statements like “his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
What’re you doing in Ankh-Morpork territorial waters, you camel-eating devil?
Terry Pratchett (Jingo (Discworld, #21))
She slept a dreamless sleep free of dragons for she had slain them once again. The Children of Ankh
Kim Cormack
The lights flickered, the pain went away, and her mother was holding her, singing ‘Sleep sweet sleep’. (The Children of Ankh series) Kim Cormack
Kim Cormack
I have a girlfriend, Kayn. Her name is Chloe. She just doesn’t know it yet,” He smiled; he couldn’t help himself, he knew it irritated her to no end. (The Children of Ankh series)
Kim Cormack
Now pull back briefly from the dripping streets of Ankh-Morpork, pan across the morning mists of the Disc, and focus in again on a young man heading for the city with all the openness, sincerity, and innocence of purpose of an iceberg drifting into a major shipping lane.
Terry Pratchett
Then Cheery Littlebottom had arrived in Ankh-Morpork and had seen that there were men out there who did not wear chain mail or leather underwear, but did wear interesting colors and exciting makeup, and these men were called "women." And in the little bullet head the thought had arisen: "Why not me?" Now she was being denounced in cellars and dwarf bars across the city as the first dwarf in Ankh-Morpork to wear a skirt. It was hard-wearing brown leather and as objectively erotic as a piece of wood but, as some older dwarfs would point out, somewhere under there were his knees* *They couldn't bring themselves to utter the word "her.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld cities. At least, there’s a saying that there’s a saying that all roads lead to Ankh-Morpork. And it’s wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way. Poets long ago gave up trying to describe the city. Now the more cunning ones try to excuse it. They say, well, maybe it is smelly, maybe it is overcrowded, maybe it is a bit like Hell would be if they shut the fires off and stabled a herd of incontinent cows there for a year, but you must admit that it is full of sheer, vibrant, dynamic life. And this is true, even though it is poets that are saying it. But people who aren't poets say, so what? Mattresses tend to be full of life too, and no one writes odes to them. Citizens hate living there and, if they have to move away on business or adventure or, more usually, until some statute of limitations runs out, can’t wait to get back so they can enjoy hating living there some more. They put stickers on the backs of their carts saying "Anhk-Morpork—Loathe It or Leave It.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
What’s Ephebe like?” said Ptraci. “I’ve never been there. Apparently it’s ruled by a Tyrant.” “I hope we don’t meet him, then” Teppic shook his head. “It’s not like that,” he said. “They have a new Tyrant every five years and they do something to him first.” He hesitated. “I think they ee-lect him.” “Is that something like they do to tomcats and bulls and things?” “Er.” “You know. To make them stop fighting and be more peaceful.” Teppic winced. “To be honest, I’m not sure,” he said. “But I don’t think so. They’ve got something they do it with, I think it’s called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man, one—” He paused. The political history lesson seemed a very long while ago, and had introduced concepts never heard of in Djelibeybi or in Ankh-Morpork, for that matter. He had a stab at it anyway. “One man, one vet.” “That’s for the eelecting, then?” He shrugged. It might be, for all he knew. “The point is, though, that everyone can do it. They’re very proud of it. Everyone has—” he hesitated again, certain now that things were amiss—“the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extractions. And people disapproved of for, er, various reasons. And lost of other people. But everyone apart from them. It’s a very enlightened civilization.
Terry Pratchett (Pyramids (Discworld, #7))
Rats had featured largely in the history of Ankh-Morpork. Shortly before the Patrician came to power there was a terrible plague of rats. The city council countered it by offering twenty pence for every rat tail. This did, for a week or two, reduce the number of rats—and then people were suddenly queing up with tails, the city treasury was being drained, and no one seemed to be doing much work. And there still seemed to be a lot of rats around. Lord Vetinari had listened carefully while the problem was explained, and had solved the thing with one memorable phrase which said a lot about him, about the folly of bounty offers, and about the natural instinct of Ankh-Morporkians in any situation involving money: “Tax the rat farms.
Terry Pratchett (Soul Music (Discworld #16))
In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar. He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats. The wassailers stopped and watched them in horror. People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted. The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop. It was just possible to make out consensus song in there somewhere. "Hogswatch is coming, The pig is getting fat, Please put a dollar in the old man's hat If you ain't got a dollar a penny will do-" "And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Vimes stared. It was true about the dogs. There didn't seem to be quite so many mooching around these days, and that was a fact. But he'd visited a few dwarf bars with Carrot, and knew that dwarfs would indeed eat dog, but only of they couldn't get rat. And ten thousand dwarfs eating continuously with knife, fork, and shovel wouldn't make a dent in Ankh-Morpork's rat population. It was a major feature in dwarvish letters back home: come on, everyone, and bring the ketchup.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
There was not a lot that could be done to make Morpork a worse place. A direct hit by a meteorite, for example, would count as gentrification.
Terry Pratchett (Pyramids (Discworld, #7))
The relationship between the University and the Patrician, absolute ruler and nearly benevolent dictator of Ankh-Morpork, was a complex and subtle one. The wizards held that, as servants of a higher truth, they were not subject to the mundane laws of the city. The Patrician said that, indeed, this was the case, but they would bloody well pay their taxes like everyone else. The wizards said that, as followers of the light of wisdom, they owed allegiance to no mortal man. The Patrician said that this may well be true but they also owed a city tax of two hundred dollars per head per annum, payable quarterly. The wizards said that the University stood on magical ground and was therefore exempt from taxation and anyway you couldn't put a tax on knowledge. The Patrician said you could. It was two hundred dollars per capita; if per capita was a problem, decapita could be arranged. The wizards said that the University had never paid taxes to the civil authority. The Patrician said that he was not proposing to remain civil for long. The wizards said, what about easy terms? The Patrician said he was talking about easy terms. They wouldn't want to know about the hard terms. The wizards said that there was a ruler back in , oh, it would be the Century of the Dragonfly, who had tried to tell the University what to do. The Patrician could come and have a look at him if he liked. The Patrician said that he would. He truly would In the end it was agreed that while the wizards of course paid no taxes, they would nevertheless make an entirely voluntary donation of, oh, let's say two hundred dollars per head, without prejudice, mutatis mutandis, no strings attached, to be used strictly for non-militaristic and environmentally-acceptable purposes.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of okay for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that’d still be keeping his feet dry in ten years’ time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes ‘Boots’ theory of socio-economic unfairness.
Terry Pratchett (Men at Arms (Discworld, #15))
Arnold started to investigate the charitable donations as they maneuvered his trolley through the slush and drifts. “Tastes…sort of familiar,” he said. “Familiar like what?” “Like mud and old boots.” “Garn! That’s posh grub, that is.” “Yeah, yeah…” Arnold chewed for a while. “You don’t think we’ve become posh all of a sudden?” “Dunno. You posh, Ron?” “Buggrit.” “Yep. Sounds posh to me.” The snow began to settle gently on the River Ankh. “Still…Happy New Year, Arnold.” “Happy New Year, Duck Man. And your duck.” “What duck?” “Happy New Year, Henry.” “Happy New Year, Ron.” “Buggrem!” “And god bless us, every one,” said Arnold Sideways. The curtain of snow hid them from view. “Which god?” “Dunno. What’ve you got?
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
In the woods lay a bleeding angel in all her glory. Her arms posed gracefully above her head and her hair soaked in the mud, the blood and feces in which she lay. Dying, fading into the other realm, her form christened by the rain as though the trees had begun to weep upon her in sadness for the brutality she had endured. (The Children of Ankh series)
Kim Cormack
Stabbity, stabbity, stab. That will be two dollars.’ ‘No,’ I say, ‘that’s not how assassination works. You do not charge the corpse.’ So she thinks about it and says, ‘My friend Keith,’ (another small munchkin salutes) ‘he’s from the Guild of Alchemists and will bring you alive again for three dollars.’ So with rigor mortis setting in, I stuck my hand in my pocket and gave them some of the fake convention money and then she smiled sweetly and said, ‘And for five dollars, I won’t kill you again.’ It was amazing to see how this Ankh-Morpork system evolved during the con.
Terry Pratchett (A Slip of the Keyboard: Collected Non-fiction)
Sam Vimes, I’ve dreamed of visiting Koom Valley all my life, so don’t you think for one moment you’re gallivanting off to see it and leave me at home!” “I don’t gallivant! I’ve never gallivanted. I don’t know how to vant! I don’t even have a galli! But there’s going to be a war there soon!” “Then I shall tell them we’re not involved!” said Sybil calmly. “That won’t work!” “Then it won’t work in Ankh-Morpork, either,” said Sybil,
Terry Pratchett (Thud! (Discworld, #34))
Are you saying people aren’t interested in the truth?” “Listen, what’s true to a lot of people is that they need the money for the rent by the end of the week. Look at Mr. Ron and his friends. What’s the truth mean to them? They live under a bridge!” She held up a piece of lined paper, crammed edge to edge with the careful looped handwriting of someone for whom holding a pen was not a familiar activity. “This is a report of the annual meeting of the Ankh-Morpork Caged Birds Society,” she said. “They’re just ordinary people who breed canaries and things as a hobby. Their chairman lives next door to me, which is why he gave me this. This stuff is important to him! My goodness, but it’s dull. It’s all about Best of Breed and some changes in the rules about parrots which they argued about for two hours. But the people who were arguing were people who mostly spend their day mincing meat or sawing wood and basically leading little lives that are controlled by other people, do you see? They’ve got no say in who runs the city but they can damn well see to it that cockatoos aren’t lumped in with parrots. It’s not their fault. It’s just how things are. Why are you sitting there with your mouth open like that?
Terry Pratchett (The Truth)