β
Before I knew you, I thought brave was not being afraid. You've taught me that bravery is being terrified and doing it anyway.
β
β
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
β
I knew from the moment I heard you, the moment I saw the gun and realized that this lovely, petit woman was the executioner, that you would never die waiting for me to save you - that you would save yourself.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
Life's a bitch,β I said.
βAnd then you die,β Larry finished for me.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
Death didn't bother me much. Strong Christian and all that. Method of death did. Being eaten alive. One of my top three ways not to go out.
β
β
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
He was twenty. I remembered twenty. I'd known everything at twenty. It took me another year to realize I knew nothing. I was still hoping to learn something before I hit thirty, but I wasn't holding my breath.
β
β
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
β
I will bathe in your warmth ma petite. Roll you around me until my heart beats only for you. My breath will grow warm from your kiss.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
I would rather you love me, but if not love, fear will do.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
The ratman froze, staring at me. "Why are you laughing?" His voice held just a hint of unease. Good.
I was hoping that the vampires would come for me soon and save me. You've got to admit that's funny.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
You are an irritating son of a bitch.β
βAh, ma petite, how can I resist you when you whisper such sweet endearments to me?
β
β
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
One of my favorite things about hanging out with the monsters is the healing. Straight humans seemed to get killed on me a lot. Monsters survived. Let's hear it for the monsters.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Jason patted me on the back. βTomorrow night we'll take you out chasing deer.β
βI thought you'd chase cars,β I said.
He grinned. βWhat fun is that? Cars don't bleed.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
I just don't believe in helping people who are going to torture me. Though I don't see any bamboo slivers. How can you possibly torture someone without bamboo slivers?
β
β
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
β
Don't kiss me if you're afraid of thunder. My life is a storm.
β
β
Anita Krizzan
β
I can't say this strongly enough, but our feelings about ourselves are actually the most important barometer for determining the condition of our lives!
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Vampires were always either trying to kill me, or own me. God I hated being popular.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Everything that seemingly happens externally is occurring in order to trigger something within us, to expand us and take us back to who we truly are.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
He rewarded me with one of those brilliant smiles. If I had been less professional, it might have melted me into my socks. There was a tinge of evil to it, a lot of sex, but under that was a little boy peeking out, an uncertain little boy. That was it. That was the attraction. Nothing is more appealing than a handsome man who is also uncertain of himself. It appeals not only to the woman in us all, but the mother. A dangerous combination.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
I believe that the greatest truths of the universe don't lie outside, in the study of the stars and the planets. They lie deep within us, in the magnificence of our heart, mind, and soul. Until we understand what is within, we can't understand what is without.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
[Roland] jerked back too fast to see, and his fist was suddenly connecting with my chin. I didn't pass out, but my body went limp. Part of me was screaming silently. The other part was saying, 'Oh, what pretty trees.
β
β
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
β
Neal stood, kicking free of the clinging curtain. "I'll kill you." I drew the firestar and pointed it at him.
"I don't think so."
"She is pack now," Sylvie said. "You fight one of us, and you fight all of us." Edward raised his eyebrows at me.
"What is going on, Anita?"
"I think I've been adopted," I said.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
You can never have too much coffeeβ, I said
He turned and smiled at me. βYou think so, but the rest of us get a little ODβed on your level of caffeine.
β
β
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
β
Since you won't give me your names I'll call you Thing One and Thing Two.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
True love means you love the real person, not an ideal that you have in your head and superimpose over them. That's illusion and lies to me.
β
β
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
β
It would be nice if youβd stop almost killing me because you donβt want to screw other peoΒple.
β
β
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
Religion is just a path for finding truth: Religion is not truth. It is just a path. And different people follow different paths.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Who hit you?"
"Why, so you can go beat him up?"
"One of the fringe benefits of being my human servant is my protection."
"I don't need your protection, Jean-Claude."
"He hurt you."
"And I shoved a gun into his groin and made him tell me everything he knew," I said.
β
β
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
She stared up at me, and there was something in her eyes, something that said we finally had an understanding. She was afraid of me, and sometimes thatβs the best you can do with people. Iβd tried kindness. Iβd tried friendship. Iβd tried respect. But when all else fails, fear will do the job.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
Asher was a vampire. How much more dangerous could he be with a gun? But I couldn't do it. "Let me test my understanding. Is Asher going to ride in the car with us to the meeting?"
I must to give you directions," Asher said.
Then lean against the Jeep." He frowned at me in an amused, condescending sort of way.
Excuse me?"
I don't care if you're the second coming of the Antichrist, you can't sit behind me in my own car until I know you're not carrying a weapon." Asher smiled briliantly at both of us, flashing fang.
...I could rip you into pieces with my bare hands, and you're worried I have a gun?" He chuckled, a low, skin-prickling sound. "That is so very cute.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
Larry is back in town...The wedding is set for October. Tammy is threatening to have me in the wedding. Some friends they are.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
I detach myself from preconceived outcomes and trust that all is well. Being myself allows the wholeness of my unique magnificience to draw me in those directions most beneficial to me and to all others. This is really the only thing I have to do. And within that framework, everything that is truly mine comes into my life effortlessly, in the most magical and unexpected ways imaginable, demonstrating every day the power and love of who I truly am.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
What was I supposed to say?.....did I tell them the Master had the hots for me, so I'd probably be okay? -Anita
β
β
Laurell K. Hamilton
β
I had been downright paranoid all afternoon, aware of everyone near me. By the time I went for the car, my neck and shoulders were knotted into one painful ache. The most frightening thing I'd seen all afternoon had been the prices on the designer clothing.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
Zerbrowski said, "Try not. Do. Or do not. There is no try."
It took me a second to realize that he had just quoted Star Wars to me. It made me smile, and in that moment I loved him, just for that.
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
It means black kitten," I said with my pulse almost even again.
Ares studied me. "And you're ok with them calling you their black kitten?"
"They're wererats, Ares," I said.
He frowned at me.
"They're not calling me their little black rat. Think it through.
β
β
Laurell K. Hamilton (Bullet (Anita Blake, Vampire Hunter, #19))
β
I'm at my strongest when I'm able to let go, when I suspend my beliefs as well as disbeliefs, and leave myself open to all possibilities. That also seems to be when I'm able to experience the most internal clarity and synchronicities.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
β
β
Anita Shreve (The Weight of Water)
β
No such thing as a hard woman, Memphis,just soft men. With that, I turned, and the others followed me.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
So just tell me what you like on the menu, and we'll negotiate."
All that is required is that you taste what is ordered. You do not have to eat it."
No, no more of this tasting shit. I've gained weight. I never gain weight."
You have gained four pounds, so I am told. Though I have searched diligently for this phantom four pounds and cannot find them. It brings your weight up to a grand total of one hundred and ten pounds, correct?"
That's right."
Oh, ma petite, you are growing gargantuan." I looked at him, and it was not a friendly look.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
He ordered food with a childlike glee and watched me eat, tasting it as I did. In private he'd roll on his back like a cat, hands pressed to his mouth as if trying to drain every taste. It was the only thing he did that was cute. He was gorgeous, sensual, but rarely cute.
- Anita Blake about Jean-Claude
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
I perceived that I wouldn't have to go out and search for what I was supposed to do- it would unfold before me.
β
β
Anita Moorjani
β
One serial killer sends me a human head in a box, and I get all spooked; Go figure.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
For once a thing is known, it can never be unknown. It can only be forgotten.
β
β
Anita Brookner (Look at Me)
β
Edward glanced at me, then back at Olaf. "The Greeks believed that once there were no male and female, that all souls were one. Then the souls were torn apart, male and female. The Greeks thought that when you found the other half of your soul, your soul mate, that it would be your perfect lover. But I think if you find your other half, you would be too much alike to be lovers, but you would still be soul mates.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
Oh, I'll enjoy myself. I want to make sure you enjoy yourself."
"Why?" I said.
"If you enjoy yourself, then there's a better chance you'll want to be with me again.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
I stared at Jean-Claude and it wasn't the beauty of him that made me love him, it was just him. It was love made up of a thousand touches, a million conversations, a trillion shared looks. A love made up of danger shared, enemies conquered, a determination to neither of us would change the other, even if we could. I love Jean-Claude, all of him, because if I took away the Machiavellian plottings, the labyrinth of his mind, it would lessen him, make him someone else.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Because all bad little vampires see me in the end
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
We are not these bodies; we're neither our accomplishments nor our possessionsβwe are all one with the Source of all being, which is God.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
You say that like I have a choice. These are the ideas that come to me. These are the ideas that have always come to me. If it can bleed me,eat me, or fuck me, I want to write about it. -L.K. on why she writes about sex and monsters in 'Flirt' Afterword
β
β
Laurell K. Hamilton (Flirt (Anita Blake, Vampire Hunter, #18))
β
Cancer is just a word that creates fear. Forget about that word, and letβs just focus on balancing your body. All illnesses are just symptoms of imbalance. No illness can remain when your entire system is in balance.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I did not run to him, but I did wrap my arms around him, press my ear to his chest, hold on to him as if he were the last solid thing in the world. He stroked my hair and murmured to me in French. I understood enough to know he was glad to see me and that he thought I looked beautiful. But beyond that it was just pretty noise.
It wasn't until I felt Zerbrowski behind me that I pulled away, but when Jean-Claude's hand found mine, I welcomed it.
Zerbrowski was looking at me as if he'd never seen me before. "What?" It came out hostile.
"I've never seen you be that ... soft with anyone before."
It startled me. "You've seen me kiss Richard before."
He nodded. "That was lust. This is ..." He shook his head, glancing up at Jean-Claude, then back to me. "He makes you feel safe.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
You're enjoying this, aren't you?"
I'd feel better if I could guard your back."
You're going to do that with a rifle from the closest hill, remember."
Night vision and scope, fine, but I can't kill them all from a distance."
You couldn't kill them all if you were johnny on the spot, either," I said.
No but I'd feel better."
Worried about me?" He shrugged.
I'm your bodyguard. If you die under my protection, the other bodyguards will make fun of me." It took me a second to realize he was making a joke. Harley looked back at him with an almost surprised look. I don't think either of us heard humor from Edward much.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
I say if it's going to be done, let's do it. Let's not put it in the hands of fate. Let's not put it in the hands of someone who doesn't know me. I know me best. Then take a breath and go ahead.
β
β
Anita Baker
β
I spent the next fifteen minutes convincing a crying werewolf that I wasnβt going to hurt her. My life was getting too strange, even for me.
β
β
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
β
I'm not sure there are enough white roses in the world to make me forget Richard." I held up my hand before she could interrupt. "But I'm not sure there are enough cozy afternoons in all eternity to make me forget Jean-Claude.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
When I was willing to let go of what I wanted, I received what was truly mine. Iβve realized that the latter is always the greater gift.
β
β
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
That man's got a lot of get up and go," said Anita.
"He fills me full of lie down and die," said Paul.
β
β
Kurt Vonnegut Jr. (Player Piano)
β
Heβs a senior in high school Bernardo. Jean-Claude is his legal guardian and had to enroll him in school. He comes home with homework and shit and then he wants to cuddle and have sex. It weirds me the fuck out.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
Ethan gave me an admiring look that wasn't about sex, but about that guy moment when they realize you are not just another pretty face, but maybe, just maybe you can be cute, petite, and one of the guys all at the same time.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
That kiss was really nice you know before you...bit me, but it was still nice.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
My idea of absolute happiness is to sit in a hot garden all, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.'
'You are a romantic, Edith,' repeated Mr Neville, with a smile.
'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
β
β
Anita Brookner (Hotel du Lac)
β
I love your rough edges
and soft parts that bleed.
The ruins of your soul
are poetry to me.
β
β
Anita Krizzan
β
If I let you get killed, the other bodyguards will make fun of me.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
They never looked at anyone else, only at each other, with an expression that halted me. It was tender, loving, yes, but in an inhuman way, so intense. Divine, I felt. Or insane.
β
β
Anita Desai
β
...letting go of attachment to any way of believing or thinking has made me feel more expanded and almost transparent so that universal energy can just flow through me.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
And then I was overwhelmed by the realization that God isnβt a being, but a state of beingβ¦and I was now that state of being!
β
β
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I couldn't think of anything helpful to say, so I resorted to humor, my shield of last resort. 'Just please tell me they don't have a dog and a picket fence.'
He smiled. 'No fence, but a dog, two dogs.'
'What kind of dogs?' I asked.
He smiled and glanced at me, wanting to see my reaction. 'Maltese. Their names are Peeka and Boo.'
'Oh, shit, Edward, you're joking me.'
'Donna wants the dogs included in the engagement pictures.'
I stared at him, and the look on my face seemed to amuse him. He laughed. 'I'm glad you're here, Anita, because I don't know a single other person who I'd have admitted this to.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
Iβd have much rather gotten dragged into someone elseβs fight than face what was waiting for me. Other peopleβs emotional pain, no matter how painful, is so much less painful than your own.
β
β
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
β
But if anything will turn me off, it's a very practiced approach, as if the man has done it a thousand times before, to a lot of different women. Which always seems to imply that I am no different from all the rest. Not flattering.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
Zerbrowski said, "I only ever understood one woman, and she was kind enough to marry me so I didn't have to decipher anyone else.
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
It took me until I was almost forty before I knew what I wanted to be when I grew up.
β
β
Anita Diamant (The Boston Girl)
β
He gave a small nod, and I smiled back, and that was it. He understood that I'd understood that he'd understood. It took us one sentence, two looks, and a nod - with another woman it would have been at least five minutes of out-loud talking. Lucky for me I spoke fluent guy.
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
I don't want him hurt because he got out of hand with me."
"Yet you would have shot him."
I shrugged. "I never said I was consistent, just serious.
β
β
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
As Elizabeth Barrett Browning once observed poetically: "Earth's crammed with heaven, and every common bush afire with God.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
We've allowed our fears and ego to edge God out of our lives, which has much to do with all of the disease not only in our bodies, but in our world as well.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Richard has informed me he is shopping for his white picket fence. I'm happy behind my black wrought iron fence. The one with the pointy spikes on top. White never really was my color.
β
β
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
His dark blue shirt was plastered to his chest, covered with werewolf goop and tears. "Now we both need a bath," I said.
"That can be arranged."
"Please, Jean-Claude, no sexual innuendo until after I'm clean."
"Of course, MA PETITE. It was crude of me tonight. My apologies."
I stared at him. He was being far too nice. Jean-Claude was a lot of things, but nice wasn't one of them.
"If you're up to something, I don't want to know about it. I can't handle any deep, dark plots tonight, okay?"
He smiled and gave a low, sweeping bow, never taking his eyes off me. The way you bow on the judo mat when you're afraid the person may pound you if you look away.
I shook my head. He WAS up to something. Nice to know that not everyone had suddenly become something else. One thing I could always depend on what Jean-Claude. Pain in the ass that he was, he always seemed to be there. Dependable in his own twisted way. Jean-Claude dependable? I must have been more tired than I thought.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
He squeezed my shoulder and smiled at me.
I realized that I hadn't kissed him hello, I always kissed him hello. Of course, I was still covered in blood and other bodily fluids, and none of them were his, but he might not understand that that was why I hadn't wanted to get too close. Some of my confusion must have shown on my face, because his smile widened. He turned me around by the shoulders, gave me a little push towards the bathroom, and slapped me on the ass. "Get cleaned up, I'll take care of things here."
"I can't believe that you just did that," I said.
"Did what?" he said, and he was grinning at me.
I could probably count on one hand the number of times Micah had grinned at me. His eyes were sparkling with laughter as if it were all he could do not to let it out. I was happy to see him having a good time, really I was. But I wasn't sure what was funny, and I didn't have the courage to ask. It was probably something that would be at my expense, or something I'd just done that he found cute. I was not cute. Confused, fucked-up, bruised, but not cute. Nathaniel and Damian knew better, but as I passed Gregory, I had to say, "If you touch my ass, I will rip you a new one." I said it as I moved past him, not even pausing.
"You're no fun," he growled.
I looked back just before I turned out of sight of him. "Oh, I'm a lot of fun, just not around you."
He snarled at me. "Bitch."
"Woof, woof," I said, and finally made it into the bathroom.
β
β
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
β
When I was younger, I'd wanted someone to promise me that things would work out and nothing bad would ever happen again. But I understood now that that was a child's wish. No one could promise that. No one. The grown-ups could try, but they couldn't promise, not and mean it.
β
β
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or " I hate" or " I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory.
β
β
Anita Brookner (Look at Me)
β
What had my scary thought been? That Olaf was sincere. In some crazy,pathological way, he like-liked me. As in boyfriend-liked me. Not just for fucking or slaughter, but maybe, just maybe, he actually wanted to date me like one human being to another. He seemed to have no clue how to interact with a woman in a way that wasn't terrifying, but he was trying. Jesus, Mary, and Joseph, he was trying.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
I'll do my bit tonight, but forgive me if it's a little harder to keep going than normal. Forgive me if I'm not superwoman after all."
"Not superwoman?" he exclaimed, putting a hand on his chest in mock surprise.
"You've lied to me all these years!
β
β
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
β
Anita can speak for herself," Richard said.
Jean-Claude's attention flicked back to me. "That is certainly true. But I came to see how the two of you enjoyed the play."
"And pigs fly," I said.
"You don't believe me?"
"Not hardly," I said.
β
β
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
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It's a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah.
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Anita Diamant (The Red Tent)
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Women in the online gaming community have been harassed, threatened, and driven out. Anita Sarkeesian, a feminist media critic who documented such incidents, received support for her work, but also, in the words of a journalist, 'another wave of really aggressive, you know, violent personal threats, her accounts attempted to be hacked. And one man in Ontario took the step of making an online video game where you could punch Anita's image on the screen. And if you punched it multiple times, bruises and cuts would appear on her image.' The difference between these online gamers and the Taliban men who, last October, tried to murder fourteen-year-old Malala Yousafzai for speaking out about the right of Pakistani women to education is one of degree. Both are trying to silence and punish women for claiming voice, power, and the right to participate. Welcome to Manistan.
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Rebecca Solnit (Men Explain Things to Me)
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Tell me not, sweet, I am unkind,β he said, βThat from the nunnery, Of they chaste breast and quiet mind.β
I looked up at him, and said the next line, βTo war and arms I fly.β
βTrue, a new mistress now I chase,β he said.
βThe first foe in the field,β I said, and let him draw me closer.
βAnd with a stronger faith embrace,β he said.
βA sword, a horse, a shield.β And the last word was whispered against his chest, still looking up into those eyes, searching his face.
βYet this inconstancy is such, As thou too shalt adore,β he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. βI could not love thee, dear, so much, Loved I not honor more.
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Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
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I tended to be hard on the egos of a certain kind of men. The ones who normally swept women off their feet had never moved me much, because I'd always felt that if they swept me off my feet they'd practiced on a lot of women before me, and would practice more with women after me. I'd rarely been wrong on that. ~Anita Blake
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Laurell K. Hamilton (Bullet (Anita Blake, Vampire Hunter, #19))
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Grimes believed in what he did, with no doubts. Though he was older than me by over a decade, I suddenly felt old. Some things mark your soul, not in years but in blood and pain and selling off parts of yourself to get the bad guys, until you finally look in the mirror and arenβt sure which side youβre on anymore. There comes a point when having a badge doesnβt make you the good guy, it just makes you one of the guys. I needed to be one of the good guys, or what the hell was I doing?
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Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
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Since the tapestry of all time has already been woven, everything I could ever want to happen in my life already exists in that infinite, nonphysical plane. My only task is to expand my earthly self enough to let it into this realm. So if there's something I desire, the idea isn't to go out and get it, but to expand my own consciousness to allow universal energy to bring it into my reality here.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
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Words taken literally or held as ultimate truth can keep us stagnant and stuck, holding on to old ideologies. I now know that everything I need is already contained within me and is completely aceessible if I allow myself to open up to what I sense is true for me...and the same is true for you.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
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I let Richard walk out on me. I think heβd have gone anyway, but I just sat on the floor and watched him go. I didnβt stand in his way. I figured it was his choice, and you cant hold someone if they donβt want to be held. If someone really wants to be free of you, you have to let them go. Well, fuck that, fuck that all to hell. Donβt go, Asher, please, donβt go. I love the way your hair shines in the light. I love that way you smile when youβre not trying to hide or impress anyone. I love your laughter. I love the way your voice can hold sorrow like the taste of rain. I love the way you watch Jean-Claude when he moves through a room, when you donβt think anyoneβs watching, because its exactly the way I watch him. I love your eyes. I love your pain. I love you.
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Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
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I locked the door, for what good it would do me, and went to bed. The Browning Hi-Power was in its second home, a modified holster strapped to the headboard of my bed. The crucifix was cool metal around my neck. I was as safe as I was going to be and almost too tired to care.
I took one more thing to bed with me, a stuffed toy penguin named Sigmund. I don't sleep with him often, just every once in a while after someone tries to kill me. Everyone has their weaknesses. Some people smoke. I collect stuffed penguins. If you won't tell, I won't.
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Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
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When we live completely from the mind over a period of time, we lose touch with the infinite self, and then we begin to feel lost. This happens when we'are in doing mode all the time, rather than being . The latter means letting ourselves be who and what we are without judgment. Being doesn't mean that we don't do anything. It's just that our actions stem from following our emotions and feelings while staying present in the moment. Doing, on the other hand, is future focused, with the mind creating a series of tasks that take us from here to there in order to achieve a particular outcome, regardless of our current emotional state.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
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I walked towards her. Jean-Claude grabbed my arm. "Do not harm her, Anita. She is under our protection."
"I swear to you that I will not lay a finger on her tonight. I just want to tell her something."
He released my arm, slowly, like he wasn't sure it was a good idea. I stepped next to Monica, until our bodies almost touched. I whispered into her face, "If anything happens to Catherine, I will see you dead."
She smirked at me, confident in her protectors. "They will bring me back as one of them."
I felt my head shake, a little to the right, a little to the left, a slow precise movement. "I will cut out your heart." I was still smiling, I couldn'tseem to stop. "Then I will burn it and scatter the ashes in the river. Do you understand me?"
She swallowed audibly. Her health-club tan looked a little green. She nodded, staring at me like I was the bogey man.
I think she believed I'd do it. Peachy keen. I hate to waste a really good threat
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Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
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Auggie said you were too sentimental for your own good sometimes."
Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing."
I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach.
He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me."
"I love you," I said, and touched his hand where it lay against my face.
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Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
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A woman owes it to herself to have pretty things. And if she feels good she looks good.
You are wrong if you think you cannot live without love.
I cannot live without it. I do not mean that I go into a decline, develop odd symptons, became a caricature. I mean that I cannot live well without it. I cannot think or act or speak or write or even dream with any kind of energy in the absence of love. I feel excluded from the living world. I become cold, fish-like, immobile. I implode. My idea of absolute happiness is to sit in a hot garden all day, reading or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening. I am not a romantic. I am a domesticated animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
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Anita Brookner (Hotel du Lac)
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Ten Best Song to Strip
1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly.
2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars.
3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.)
4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.)
5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude.
6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come."
7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.)
8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me.
9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else.
10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
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Diablo Cody
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I shook my head. "I'm good, Nicky helped."
Nicky looked at Edward. "She's having one of those what-if-killing-feels-really-good, doesn't-that-make-me-a-bad-person moments."
Edward nodded as if that made perfect sense. "Then it feels good. We can't really control what flips our switch; don't judge it, Anita, and just accept it."
I wanted to argue, but it would have been beyond stupid to argue with the two sociopaths in my life. "Why do I have moral quandary questions with the two of you?"
"Because you don't really have moral quandaries about violence, Anita, but you're afraid of being judged for enjoying it, so you only bring it to the two people in your life who won't judge you."
I wanted to argue with Edward, but I couldn't. "Well, fuck.
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Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
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I have to clean up first. Iβm still all sweaty and stuff from the crime scene.β I realized he was wearing a white shirt and I might have dried blood on me. It made me draw back and look at the front of him.
βWhat is wrong, ma petite?β
βI may have dried blood and things on me, and youβre wearing white.β
He drew me back into his arms. βI would rather hold you close than worry about my clothes. The shirt will wash, or we can throw it away. I do not care.β
I pushed back just enough to turn my face up, resting my chin on his chest so that I gazed up the line of his body, and he looked down so that our eyes met down the line of his chest. βI know you love me, but when you donβt care about your clothes, I know itβs true love for you.β I grinned as I said it.
He laughed, abrupt, surprised, and for a moment I got to see what he must have looked like centuries ago before being a vampire had taught him to control his face and show nothing for fear it would be used against him by those more powerful than him.
I smiled up at him, held as close to him as I could with clothes and weapons still on, and loved him. I loved that I could make him laugh like that, loved that he felt safe enough to show me this part of him, loved that even when we were ass-deep in alligators, being with each other made it better. The alligators would be chewing on our asses either way, but with each other it was more fun, and we were more likely to be able to make a matching set of alligator luggage out of our enemies rather than end up as their dinner.
I gazed up at him as the laughter filled his face, and just loved him. The day had sucked, but Jean-Claude made it suck a lot less, and that was what love was supposed to do. It was supposed to make things better, not worse, which made me wonder if Asher truly loved anyone. I pushed the thought away, and enjoyed the man in my arms, and the fact that I had made him laugh.
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Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))