β
Before I knew you, I thought brave was not being afraid. You've taught me that bravery is being terrified and doing it anyway.
β
β
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
β
I knew from the moment I heard you, the moment I saw the gun and realized that this lovely, petit woman was the executioner, that you would never die waiting for me to save you - that you would save yourself.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
Life's a bitch,β I said.
βAnd then you die,β Larry finished for me.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
Death didn't bother me much. Strong Christian and all that. Method of death did. Being eaten alive. One of my top three ways not to go out.
β
β
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
He was twenty. I remembered twenty. I'd known everything at twenty. It took me another year to realize I knew nothing. I was still hoping to learn something before I hit thirty, but I wasn't holding my breath.
β
β
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
β
I would rather you love me, but if not love, fear will do.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
I will bathe in your warmth ma petite. Roll you around me until my heart beats only for you. My breath will grow warm from your kiss.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
The ratman froze, staring at me. "Why are you laughing?" His voice held just a hint of unease. Good.
I was hoping that the vampires would come for me soon and save me. You've got to admit that's funny.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
You are an irritating son of a bitch.β
βAh, ma petite, how can I resist you when you whisper such sweet endearments to me?
β
β
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
One of my favorite things about hanging out with the monsters is the healing. Straight humans seemed to get killed on me a lot. Monsters survived. Let's hear it for the monsters.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Jason patted me on the back. βTomorrow night we'll take you out chasing deer.β
βI thought you'd chase cars,β I said.
He grinned. βWhat fun is that? Cars don't bleed.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
I just don't believe in helping people who are going to torture me. Though I don't see any bamboo slivers. How can you possibly torture someone without bamboo slivers?
β
β
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
β
Don't kiss me if you're afraid of thunder. My life is a storm.
β
β
Anita Krizzan
β
I can't say this strongly enough, but our feelings about ourselves are actually the most important barometer for determining the condition of our lives!
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Vampires were always either trying to kill me, or own me. God I hated being popular.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Everything that seemingly happens externally is occurring in order to trigger something within us, to expand us and take us back to who we truly are.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I believe that the greatest truths of the universe don't lie outside, in the study of the stars and the planets. They lie deep within us, in the magnificence of our heart, mind, and soul. Until we understand what is within, we can't understand what is without.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
He rewarded me with one of those brilliant smiles. If I had been less professional, it might have melted me into my socks. There was a tinge of evil to it, a lot of sex, but under that was a little boy peeking out, an uncertain little boy. That was it. That was the attraction. Nothing is more appealing than a handsome man who is also uncertain of himself. It appeals not only to the woman in us all, but the mother. A dangerous combination.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
[Roland] jerked back too fast to see, and his fist was suddenly connecting with my chin. I didn't pass out, but my body went limp. Part of me was screaming silently. The other part was saying, 'Oh, what pretty trees.
β
β
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
β
Neal stood, kicking free of the clinging curtain. "I'll kill you." I drew the firestar and pointed it at him.
"I don't think so."
"She is pack now," Sylvie said. "You fight one of us, and you fight all of us." Edward raised his eyebrows at me.
"What is going on, Anita?"
"I think I've been adopted," I said.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
You can never have too much coffeeβ, I said
He turned and smiled at me. βYou think so, but the rest of us get a little ODβed on your level of caffeine.
β
β
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
β
Since you won't give me your names I'll call you Thing One and Thing Two.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
True love means you love the real person, not an ideal that you have in your head and superimpose over them. That's illusion and lies to me.
β
β
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
β
It would be nice if youβd stop almost killing me because you donβt want to screw other peoΒple.
β
β
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
Religion is just a path for finding truth: Religion is not truth. It is just a path. And different people follow different paths.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Who hit you?"
"Why, so you can go beat him up?"
"One of the fringe benefits of being my human servant is my protection."
"I don't need your protection, Jean-Claude."
"He hurt you."
"And I shoved a gun into his groin and made him tell me everything he knew," I said.
β
β
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
Asher was a vampire. How much more dangerous could he be with a gun? But I couldn't do it. "Let me test my understanding. Is Asher going to ride in the car with us to the meeting?"
I must to give you directions," Asher said.
Then lean against the Jeep." He frowned at me in an amused, condescending sort of way.
Excuse me?"
I don't care if you're the second coming of the Antichrist, you can't sit behind me in my own car until I know you're not carrying a weapon." Asher smiled briliantly at both of us, flashing fang.
...I could rip you into pieces with my bare hands, and you're worried I have a gun?" He chuckled, a low, skin-prickling sound. "That is so very cute.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
She stared up at me, and there was something in her eyes, something that said we finally had an understanding. She was afraid of me, and sometimes thatβs the best you can do with people. Iβd tried kindness. Iβd tried friendship. Iβd tried respect. But when all else fails, fear will do the job.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
Larry is back in town...The wedding is set for October. Tammy is threatening to have me in the wedding. Some friends they are.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
I detach myself from preconceived outcomes and trust that all is well. Being myself allows the wholeness of my unique magnificience to draw me in those directions most beneficial to me and to all others. This is really the only thing I have to do. And within that framework, everything that is truly mine comes into my life effortlessly, in the most magical and unexpected ways imaginable, demonstrating every day the power and love of who I truly am.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
What was I supposed to say?.....did I tell them the Master had the hots for me, so I'd probably be okay? -Anita
β
β
Laurell K. Hamilton
β
I had been downright paranoid all afternoon, aware of everyone near me. By the time I went for the car, my neck and shoulders were knotted into one painful ache. The most frightening thing I'd seen all afternoon had been the prices on the designer clothing.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
Zerbrowski said, "Try not. Do. Or do not. There is no try."
It took me a second to realize that he had just quoted Star Wars to me. It made me smile, and in that moment I loved him, just for that.
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
It means black kitten," I said with my pulse almost even again.
Ares studied me. "And you're ok with them calling you their black kitten?"
"They're wererats, Ares," I said.
He frowned at me.
"They're not calling me their little black rat. Think it through.
β
β
Laurell K. Hamilton (Bullet (Anita Blake, Vampire Hunter, #19))
β
I'm at my strongest when I'm able to let go, when I suspend my beliefs as well as disbeliefs, and leave myself open to all possibilities. That also seems to be when I'm able to experience the most internal clarity and synchronicities.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
β
β
Anita Shreve (The Weight of Water)
β
No such thing as a hard woman, Memphis,just soft men. With that, I turned, and the others followed me.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
So just tell me what you like on the menu, and we'll negotiate."
All that is required is that you taste what is ordered. You do not have to eat it."
No, no more of this tasting shit. I've gained weight. I never gain weight."
You have gained four pounds, so I am told. Though I have searched diligently for this phantom four pounds and cannot find them. It brings your weight up to a grand total of one hundred and ten pounds, correct?"
That's right."
Oh, ma petite, you are growing gargantuan." I looked at him, and it was not a friendly look.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
He ordered food with a childlike glee and watched me eat, tasting it as I did. In private he'd roll on his back like a cat, hands pressed to his mouth as if trying to drain every taste. It was the only thing he did that was cute. He was gorgeous, sensual, but rarely cute.
- Anita Blake about Jean-Claude
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
I perceived that I wouldn't have to go out and search for what I was supposed to do- it would unfold before me.
β
β
Anita Moorjani
β
For once a thing is known, it can never be unknown. It can only be forgotten.
β
β
Anita Brookner (Look at Me)
β
One serial killer sends me a human head in a box, and I get all spooked; Go figure.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
Edward glanced at me, then back at Olaf. "The Greeks believed that once there were no male and female, that all souls were one. Then the souls were torn apart, male and female. The Greeks thought that when you found the other half of your soul, your soul mate, that it would be your perfect lover. But I think if you find your other half, you would be too much alike to be lovers, but you would still be soul mates.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
I stared at Jean-Claude and it wasn't the beauty of him that made me love him, it was just him. It was love made up of a thousand touches, a million conversations, a trillion shared looks. A love made up of danger shared, enemies conquered, a determination to neither of us would change the other, even if we could. I love Jean-Claude, all of him, because if I took away the Machiavellian plottings, the labyrinth of his mind, it would lessen him, make him someone else.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Oh, I'll enjoy myself. I want to make sure you enjoy yourself."
"Why?" I said.
"If you enjoy yourself, then there's a better chance you'll want to be with me again.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
We are not these bodies; we're neither our accomplishments nor our possessionsβwe are all one with the Source of all being, which is God.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Because all bad little vampires see me in the end
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
You say that like I have a choice. These are the ideas that come to me. These are the ideas that have always come to me. If it can bleed me,eat me, or fuck me, I want to write about it. -L.K. on why she writes about sex and monsters in 'Flirt' Afterword
β
β
Laurell K. Hamilton (Flirt (Anita Blake, Vampire Hunter, #18))
β
Cancer is just a word that creates fear. Forget about that word, and letβs just focus on balancing your body. All illnesses are just symptoms of imbalance. No illness can remain when your entire system is in balance.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I did not run to him, but I did wrap my arms around him, press my ear to his chest, hold on to him as if he were the last solid thing in the world. He stroked my hair and murmured to me in French. I understood enough to know he was glad to see me and that he thought I looked beautiful. But beyond that it was just pretty noise.
It wasn't until I felt Zerbrowski behind me that I pulled away, but when Jean-Claude's hand found mine, I welcomed it.
Zerbrowski was looking at me as if he'd never seen me before. "What?" It came out hostile.
"I've never seen you be that ... soft with anyone before."
It startled me. "You've seen me kiss Richard before."
He nodded. "That was lust. This is ..." He shook his head, glancing up at Jean-Claude, then back to me. "He makes you feel safe.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
You're enjoying this, aren't you?"
I'd feel better if I could guard your back."
You're going to do that with a rifle from the closest hill, remember."
Night vision and scope, fine, but I can't kill them all from a distance."
You couldn't kill them all if you were johnny on the spot, either," I said.
No but I'd feel better."
Worried about me?" He shrugged.
I'm your bodyguard. If you die under my protection, the other bodyguards will make fun of me." It took me a second to realize he was making a joke. Harley looked back at him with an almost surprised look. I don't think either of us heard humor from Edward much.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
I say if it's going to be done, let's do it. Let's not put it in the hands of fate. Let's not put it in the hands of someone who doesn't know me. I know me best. Then take a breath and go ahead.
β
β
Anita Baker
β
That man's got a lot of get up and go," said Anita.
"He fills me full of lie down and die," said Paul.
β
β
Kurt Vonnegut Jr. (Player Piano)
β
I spent the next fifteen minutes convincing a crying werewolf that I wasnβt going to hurt her. My life was getting too strange, even for me.
β
β
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
β
I'm not sure there are enough white roses in the world to make me forget Richard." I held up my hand before she could interrupt. "But I'm not sure there are enough cozy afternoons in all eternity to make me forget Jean-Claude.
β
β
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
β
When I was willing to let go of what I wanted, I received what was truly mine. Iβve realized that the latter is always the greater gift.
β
β
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Heβs a senior in high school Bernardo. Jean-Claude is his legal guardian and had to enroll him in school. He comes home with homework and shit and then he wants to cuddle and have sex. It weirds me the fuck out.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
Ethan gave me an admiring look that wasn't about sex, but about that guy moment when they realize you are not just another pretty face, but maybe, just maybe you can be cute, petite, and one of the guys all at the same time.
β
β
Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
β
That kiss was really nice you know before you...bit me, but it was still nice.
β
β
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
It took me until I was almost forty before I knew what I wanted to be when I grew up.
β
β
Anita Diamant (The Boston Girl)
β
My idea of absolute happiness is to sit in a hot garden all, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.'
'You are a romantic, Edith,' repeated Mr Neville, with a smile.
'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
β
β
Anita Brookner (Hotel du Lac)
β
And then I was overwhelmed by the realization that God isnβt a being, but a state of beingβ¦and I was now that state of being!
β
β
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
...letting go of attachment to any way of believing or thinking has made me feel more expanded and almost transparent so that universal energy can just flow through me.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
They never looked at anyone else, only at each other, with an expression that halted me. It was tender, loving, yes, but in an inhuman way, so intense. Divine, I felt. Or insane.
β
β
Anita Desai
β
I love your rough edges
and soft parts that bleed.
The ruins of your soul
are poetry to me.
β
β
Anita Krizzan
β
If I let you get killed, the other bodyguards will make fun of me.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
I couldn't think of anything helpful to say, so I resorted to humor, my shield of last resort. 'Just please tell me they don't have a dog and a picket fence.'
He smiled. 'No fence, but a dog, two dogs.'
'What kind of dogs?' I asked.
He smiled and glanced at me, wanting to see my reaction. 'Maltese. Their names are Peeka and Boo.'
'Oh, shit, Edward, you're joking me.'
'Donna wants the dogs included in the engagement pictures.'
I stared at him, and the look on my face seemed to amuse him. He laughed. 'I'm glad you're here, Anita, because I don't know a single other person who I'd have admitted this to.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
Iβd have much rather gotten dragged into someone elseβs fight than face what was waiting for me. Other peopleβs emotional pain, no matter how painful, is so much less painful than your own.
β
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Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
β
But if anything will turn me off, it's a very practiced approach, as if the man has done it a thousand times before, to a lot of different women. Which always seems to imply that I am no different from all the rest. Not flattering.
β
β
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
Zerbrowski said, "I only ever understood one woman, and she was kind enough to marry me so I didn't have to decipher anyone else.
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
He gave a small nod, and I smiled back, and that was it. He understood that I'd understood that he'd understood. It took us one sentence, two looks, and a nod - with another woman it would have been at least five minutes of out-loud talking. Lucky for me I spoke fluent guy.
β
β
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
β
We've allowed our fears and ego to edge God out of our lives, which has much to do with all of the disease not only in our bodies, but in our world as well.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I don't want him hurt because he got out of hand with me."
"Yet you would have shot him."
I shrugged. "I never said I was consistent, just serious.
β
β
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
Richard has informed me he is shopping for his white picket fence. I'm happy behind my black wrought iron fence. The one with the pointy spikes on top. White never really was my color.
β
β
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
His dark blue shirt was plastered to his chest, covered with werewolf goop and tears. "Now we both need a bath," I said.
"That can be arranged."
"Please, Jean-Claude, no sexual innuendo until after I'm clean."
"Of course, MA PETITE. It was crude of me tonight. My apologies."
I stared at him. He was being far too nice. Jean-Claude was a lot of things, but nice wasn't one of them.
"If you're up to something, I don't want to know about it. I can't handle any deep, dark plots tonight, okay?"
He smiled and gave a low, sweeping bow, never taking his eyes off me. The way you bow on the judo mat when you're afraid the person may pound you if you look away.
I shook my head. He WAS up to something. Nice to know that not everyone had suddenly become something else. One thing I could always depend on what Jean-Claude. Pain in the ass that he was, he always seemed to be there. Dependable in his own twisted way. Jean-Claude dependable? I must have been more tired than I thought.
β
β
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
He squeezed my shoulder and smiled at me.
I realized that I hadn't kissed him hello, I always kissed him hello. Of course, I was still covered in blood and other bodily fluids, and none of them were his, but he might not understand that that was why I hadn't wanted to get too close. Some of my confusion must have shown on my face, because his smile widened. He turned me around by the shoulders, gave me a little push towards the bathroom, and slapped me on the ass. "Get cleaned up, I'll take care of things here."
"I can't believe that you just did that," I said.
"Did what?" he said, and he was grinning at me.
I could probably count on one hand the number of times Micah had grinned at me. His eyes were sparkling with laughter as if it were all he could do not to let it out. I was happy to see him having a good time, really I was. But I wasn't sure what was funny, and I didn't have the courage to ask. It was probably something that would be at my expense, or something I'd just done that he found cute. I was not cute. Confused, fucked-up, bruised, but not cute. Nathaniel and Damian knew better, but as I passed Gregory, I had to say, "If you touch my ass, I will rip you a new one." I said it as I moved past him, not even pausing.
"You're no fun," he growled.
I looked back just before I turned out of sight of him. "Oh, I'm a lot of fun, just not around you."
He snarled at me. "Bitch."
"Woof, woof," I said, and finally made it into the bathroom.
β
β
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
β
The dichotomy is that for true healing to occur, I must let go of the need to be healed and just enjoy and trust in the ride that is life.
β
β
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Then suddenly you came with your sun-heart, your starry night sky-mind, wings-hands and you painted all over my solitude. The frozen land in me became your rose garden.
β
β
Anita Krizzan
β
As Elizabeth Barrett Browning once observed poetically: "Earth's crammed with heaven, and every common bush afire with God.
β
β
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or " I hate" or " I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory.
β
β
Anita Brookner (Look at Me)
β
When I was younger, I'd wanted someone to promise me that things would work out and nothing bad would ever happen again. But I understood now that that was a child's wish. No one could promise that. No one. The grown-ups could try, but they couldn't promise, not and mean it.
β
β
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
What had my scary thought been? That Olaf was sincere. In some crazy,pathological way, he like-liked me. As in boyfriend-liked me. Not just for fucking or slaughter, but maybe, just maybe, he actually wanted to date me like one human being to another. He seemed to have no clue how to interact with a woman in a way that wasn't terrifying, but he was trying. Jesus, Mary, and Joseph, he was trying.
β
β
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
β
β
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
I'll do my bit tonight, but forgive me if it's a little harder to keep going than normal. Forgive me if I'm not superwoman after all."
"Not superwoman?" he exclaimed, putting a hand on his chest in mock surprise.
"You've lied to me all these years!
β
β
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
β
Nicky looked down at me with a knowledge on his face that he was holding the monster in his arms. I'd have comforted him, but it would have been all lies.
β
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Laurell K. Hamilton (Flirt (Anita Blake, Vampire Hunter, #18))
β
His parting shot to me had been, "I don't want to love someone who is more at home with the monsters than I am." What do you say to that? What can you say? Damned if I know. They say love conquers everything. They lie.
β
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Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
Anita can speak for herself," Richard said.
Jean-Claude's attention flicked back to me. "That is certainly true. But I came to see how the two of you enjoyed the play."
"And pigs fly," I said.
"You don't believe me?"
"Not hardly," I said.
β
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Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
β
Women in the online gaming community have been harassed, threatened, and driven out. Anita Sarkeesian, a feminist media critic who documented such incidents, received support for her work, but also, in the words of a journalist, 'another wave of really aggressive, you know, violent personal threats, her accounts attempted to be hacked. And one man in Ontario took the step of making an online video game where you could punch Anita's image on the screen. And if you punched it multiple times, bruises and cuts would appear on her image.' The difference between these online gamers and the Taliban men who, last October, tried to murder fourteen-year-old Malala Yousafzai for speaking out about the right of Pakistani women to education is one of degree. Both are trying to silence and punish women for claiming voice, power, and the right to participate. Welcome to Manistan.
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Rebecca Solnit (Men Explain Things to Me)
β
It's a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah.
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Anita Diamant (The Red Tent)
β
I am so honored to be the vessel into which you pour this story of pain and strength. For all these years, no daughter could have made me happier or more proud than you. Now that I know who you are and what life has cost you, I am in awe that I number you among my beloved.
β
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Anita Diamant (The Red Tent)
β
The games we have the ability to play in our minds amaze me.
β
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I wanted to shut out reality in an attempt to shut out the truth.
β
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Soon, I found myself locked in my own cage of fear and desperation, where my experience of life was getting smaller and smaller.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
He looked less handsome without the smile and glow in his eyes, but he also seemed more real. Being real will get me into trouble faster than any amount of charm.
β
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Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
β
The library became the cathedral where I would come to worship amd the stories were as precious to me as prayers.
β
β
Anita Anand (The Library Book)
β
Tell me not, sweet, I am unkind,β he said, βThat from the nunnery, Of they chaste breast and quiet mind.β
I looked up at him, and said the next line, βTo war and arms I fly.β
βTrue, a new mistress now I chase,β he said.
βThe first foe in the field,β I said, and let him draw me closer.
βAnd with a stronger faith embrace,β he said.
βA sword, a horse, a shield.β And the last word was whispered against his chest, still looking up into those eyes, searching his face.
βYet this inconstancy is such, As thou too shalt adore,β he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. βI could not love thee, dear, so much, Loved I not honor more.
β
β
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
β
I tended to be hard on the egos of a certain kind of men. The ones who normally swept women off their feet had never moved me much, because I'd always felt that if they swept me off my feet they'd practiced on a lot of women before me, and would practice more with women after me. I'd rarely been wrong on that. ~Anita Blake
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Laurell K. Hamilton (Bullet (Anita Blake, Vampire Hunter, #19))
β
Grimes believed in what he did, with no doubts. Though he was older than me by over a decade, I suddenly felt old. Some things mark your soul, not in years but in blood and pain and selling off parts of yourself to get the bad guys, until you finally look in the mirror and arenβt sure which side youβre on anymore. There comes a point when having a badge doesnβt make you the good guy, it just makes you one of the guys. I needed to be one of the good guys, or what the hell was I doing?
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Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
β
Since the tapestry of all time has already been woven, everything I could ever want to happen in my life already exists in that infinite, nonphysical plane. My only task is to expand my earthly self enough to let it into this realm. So if there's something I desire, the idea isn't to go out and get it, but to expand my own consciousness to allow universal energy to bring it into my reality here.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I didn't want to understand. Bert had been thrilled that the police wanted to put me on retainer. He told me I would gain valuable experience working with the police. All I had gained so far was a wider variety of nightmares.
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Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
All that materializes dematerializes.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Terror collided violently with reason.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Words taken literally or held as ultimate truth can keep us stagnant and stuck, holding on to old ideologies. I now know that everything I need is already contained within me and is completely aceessible if I allow myself to open up to what I sense is true for me...and the same is true for you.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
It's that you're not outraged that someone's trying to kill you. Your just accept it, almost like it's normal. It isn't normal"
"Assassins aren't normal, even for me, Richard" I said.
"Just vampires, zombies, and werewolves" he said.
I smiled. "Yeah.
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Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
I let Richard walk out on me. I think heβd have gone anyway, but I just sat on the floor and watched him go. I didnβt stand in his way. I figured it was his choice, and you cant hold someone if they donβt want to be held. If someone really wants to be free of you, you have to let them go. Well, fuck that, fuck that all to hell. Donβt go, Asher, please, donβt go. I love the way your hair shines in the light. I love that way you smile when youβre not trying to hide or impress anyone. I love your laughter. I love the way your voice can hold sorrow like the taste of rain. I love the way you watch Jean-Claude when he moves through a room, when you donβt think anyoneβs watching, because its exactly the way I watch him. I love your eyes. I love your pain. I love you.
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Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
It is the wee hours of the morning, ma petite. The room service menu is somewhat limited. Jason has donated blood twice to me tonight; he needed protein." Jean-Claude smiled. "It was either take-out, or he could eat Larry. I thought you'd prefer take-out.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
Richard either didn't hear me, or chose to ignore it. Smart, handsome, junior high science teacher, degree in preternatural biology, what more could i ask for? Give me a minute and I'd think of something.
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Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
β
The trouble with good manners is that people are persuaded that you are all right, require no protection, are perfectly capable of looking after yourself.
β
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Anita Brookner (Look at Me)
β
Three's a crowd, unless it's a mΓ©nage, but I don't think this particular gender arrangement would work for me.
β
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Anita Clenney (Guardians of Stone (Relic Seekers, #1))
β
You just wanted to walk in front of me so I'd have to stare at your butt
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Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
β
In my pain and fear, I could no longer see the purpose in continuing, and I felt myself getting tired. I was beginning to give up. I was getting ready to admit that I was beaten.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
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It was as though their emotions were mine. It was as though I became them.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I could feel my attachment to the scene receding as I began to realize that everything was perfect and going according to plan in the greater tapestry.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
a pink taffeta evening gown. It looked like it had run away from a junior high
prom...
The dress looked like a petunia on steroids to me.
β
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Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
It makes me nervous when you keep answering all my questions with 'I don't know.' "
"Me, too," I said.
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β
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
When my inner dialogue is telling me that Iβm safe, unconditionally loved, and accepted, I then radiate this energy outward and change my external world accordingly.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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Remind me never to piss you off ... Are you as good at being a friend as you are an enemy?
β
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Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
Often when I imagine you your wholeness cascades into many shapes. You run like a herd of luminous deer and I am dark, I am forest. You are a wheel at which I stand, whose dark spokes sometimes catch me up, revolve me nearer to the center.
β
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Anita Barrows (A Year with Rilke)
β
we also think our morals and values are absolute, but actually theyβre just a bunch of thoughts and beliefs that weβve adopted over time as being true.
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Anita Moorjani (Dying to Be Me)
β
We only expand at the rate weβre capable of handling at any given point, individually or collectively.
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Anita Moorjani (Dying to Be Me)
β
I didn't want to pick at Micah and me until we unraveled. I wanted to leave it alone and enjoy it. I just didn't know how to do that.
β
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Laurell K. Hamilton (Micah (Anita Blake, Vampire Hunter, #13))
β
yelled, and finally got me on my cheek with a loud slap that made
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Anita Diamant (The Boston Girl)
β
You told me about the other side of the universe, where darkness and light are not separated.
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Anita Diamant (The Red Tent)
β
When Iβm being love, I donβt get drained, and I donβt need people to behave a certain way in order to feel cared for or to share my magnificence with them. Theyβre automatically getting my love as a result of me being my true self. And when I am nonjudgmental of myself, I feel that way toward others.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I locked the door, for what good it would do me, and went to bed. The Browning Hi-Power was in its second home, a modified holster strapped to the headboard of my bed. The crucifix was cool metal around my neck. I was as safe as I was going to be and almost too tired to care.
I took one more thing to bed with me, a stuffed toy penguin named Sigmund. I don't sleep with him often, just every once in a while after someone tries to kill me. Everyone has their weaknesses. Some people smoke. I collect stuffed penguins. If you won't tell, I won't.
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Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
When we live completely from the mind over a period of time, we lose touch with the infinite self, and then we begin to feel lost. This happens when we'are in doing mode all the time, rather than being . The latter means letting ourselves be who and what we are without judgment. Being doesn't mean that we don't do anything. It's just that our actions stem from following our emotions and feelings while staying present in the moment. Doing, on the other hand, is future focused, with the mind creating a series of tasks that take us from here to there in order to achieve a particular outcome, regardless of our current emotional state.
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Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
Sometimes it seems to me that all of life is a struggle to contain the natural impulses of the body and spirit, and that what we call character represents only the degree to which we are successful in this endeavor.
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Anita Shreve (All He Ever Wanted)
β
I walked towards her. Jean-Claude grabbed my arm. "Do not harm her, Anita. She is under our protection."
"I swear to you that I will not lay a finger on her tonight. I just want to tell her something."
He released my arm, slowly, like he wasn't sure it was a good idea. I stepped next to Monica, until our bodies almost touched. I whispered into her face, "If anything happens to Catherine, I will see you dead."
She smirked at me, confident in her protectors. "They will bring me back as one of them."
I felt my head shake, a little to the right, a little to the left, a slow precise movement. "I will cut out your heart." I was still smiling, I couldn'tseem to stop. "Then I will burn it and scatter the ashes in the river. Do you understand me?"
She swallowed audibly. Her health-club tan looked a little green. She nodded, staring at me like I was the bogey man.
I think she believed I'd do it. Peachy keen. I hate to waste a really good threat
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Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
β
But tonight I finally made the connection that change always strolled hand in hand with loss, with upheaval, and that I would always feel it keenly because in the end, I did not live under the same sky as most other people. (p179)
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Meera Syal (Anita and Me)
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I always felt I understood myself better after we spent time together. And the way she laughed at my wisecracks and thanked me for my opinions made me think maybe I was as smart and funny as she said i was.
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Anita Diamant (The Boston Girl)
β
Auggie said you were too sentimental for your own good sometimes."
Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing."
I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach.
He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me."
"I love you," I said, and touched his hand where it lay against my face.
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Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
β
Larry had brought me blue jeans, a red polo shirt, jogging socks, my white Nikes, an extra cross from my suitcase, the silver knives, the Firestar complete with inner pants holster, and the Browning and its shoulder holster. He'd forgotten a bra, but hey, except for that it was perfect.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
So now my prayer is this:
You, my own deep soul,
trust me. I will not betray you.
My blood is alive with many voices
telling me I am made of longing.
β Rainer Maria Rilke, from βDann bete du, wie es dich dieser Iehrt,β Rilkeβs Book of Hours: Love Poems to God, trans. Anita Barrows and Joanna Macy (Riverhead Books, 1996)
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Rainer Maria Rilke
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Maybe thatβs what love meant, both people thinking they were the lucky one.
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Meera Syal (Anita and Me)
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She looked up at me, eyes puffy, nose running. Real crying is like real sex. If you really do it, it isn't pretty.
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Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
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And the way she laughed at my wisecracks and thanked me for my opinions made me think maybe I was as smart and funny as she said I was.
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Anita Diamant (The Boston Girl)
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He that sinneth against me, wrongeth his own soul,β said Sammy, trying to sound menacing and angelic at the same time.
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Anita Diamant (The Last Days of Dogtown)
β
Why had no one told me that my body would become a battlefield, a sacrifice, a test? Why did I not know that birth is the pinnacle where women discover the courage to become mothers?
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Anita Diamant (The Red Tent)
β
...I overheard Dorothy talking to Mr Montrose and she was telling Mr Montrose that she thought that I would be great in the movies if he would write me a part that only had three expressions, Joy, Sorrow, and Indigestion.
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Anita Loos (Gentlemen Prefer Blondes)
β
He thought I was a cop and deliberately didn't call me "officer" or "detective." I let it go. If I really had a professional title I'd have demanded it, but getting into an argument because he wouldn't call me "detective" when I wasn't one seemed counterproductive.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
trust me, Anita, if you get dead, especially if he blames himself in any way, he will be a force of destruction looking for a place to be aimed. And he's blamed himself for introducing you to Olaf here from the get-go. If Olaf did to you what he's done to some of his other victims, Edward would drown the world in blood to erase those images.
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Laurell K. Hamilton
β
I will pour out everything inside me so you may leave this table satisfied and fortified. Blessings on your eyes. Blessings on your children. Blessings on the ground beneath you. My heart is a ladle of sweet water, brimming over.
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Anita Diamant (The Red Tent)
β
I could have just said I'm good at my job, but I didn't. Didn't want the police thinking I was holding out information when I wasn't. "I've got one advantage over a normal homicide detective, I expect it to be a monster. No one ever calls me in if it's just a stabbing, or a hit-and-run. I don't spend a lot of time trying to come up with nice, normal explanations. It means I get to ignore a lot of theories.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
It was after 2:00 A.M. before we got back to the graveyard. The Feds had kept us forever, like they didn't believe we were telling them the whole truth. Fancy that. I hated being accused of concealing evidence when I wasn't. Made me want to lie to them just so they wouldn't be disappointed.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
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A woman owes it to herself to have pretty things. And if she feels good she looks good.
You are wrong if you think you cannot live without love.
I cannot live without it. I do not mean that I go into a decline, develop odd symptons, became a caricature. I mean that I cannot live well without it. I cannot think or act or speak or write or even dream with any kind of energy in the absence of love. I feel excluded from the living world. I become cold, fish-like, immobile. I implode. My idea of absolute happiness is to sit in a hot garden all day, reading or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening. I am not a romantic. I am a domesticated animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
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Anita Brookner (Hotel du Lac)
β
Why had no one told me that my body would become a battlefield, a sacrifice, a test? Why did I not know that birth is the pinnacle where women discover the courage to become mothers? But of course there is no way to tell this or to hear it. Until you are the woman on the bricks, you have no idea how death stands in the corner, ready to play his part. Until you are the woman on the bricks, you do not know the power that rises from other women-even strangers speaking an unknown tongue, invoking the names of unfamiliar goddesses.
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Anita Diamant (The Red Tent)
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Why do i put up with you? You insult me at every turn.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
Put some make-up on me and I look not unlike a china doll. Put me in a puffy pink dress and I look delicate, dainty, petite. Dammit.
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Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
β
I'd worked my share of serial killer cases, but none of the killers had ever mailed me a human head. That was new.
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Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
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just had to be myself and enjoy life, and to allow myself to be an instrument for something much greater to take place.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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Do they miss me?
Does it count if the person they miss isnβt actually me? βββ
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Anita Kelly (Something Wild & Wonderful (Nashville Love, #2))
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Our life is our prayer. Itβs our gift to this universe, and the memories we leave behind when we someday exit this world will be our legacy to our loved ones.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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Our only obligation is to always be true to ourselves and to allow.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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My worthlessness imprisoned me.
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Anita Diamant (The Red Tent)
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I never want to put my whole world in any one personβs hands again, Jason. If they die, I wonβt die with them.β
'So youβll hold a little of yourself back from everybody.β
'No,β I said, 'Iβll hold back a piece of myself for myself. No one gets all of me, Jason, no one, except me.
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Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
β
My mother had comforted me with tales ever since I was small. Sometimes they helped me peel a problem like an onion, or gave me ideas about what to do; other times, they calmed me so much that I would fall into a soothing sleep. My father used to say that her tales were better than the best medicine. Sighing, I burrowed into my mother's body like a child, knowing that the sound of her voice would be a balm on my heart.
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Anita Amirrezvani (The Blood of Flowers)
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My idea of absolute happiness is to sit in a hot garden all day, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.
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Anita Brookner (Hotel du Lac)
β
Once, the belief that his love would heal all the wounds, and finally make me feel safe, had been true. True, and a lie. Love is real, and false, even true love. Because love alone cannot keep you safe, if there is still a trembling fear inside you. Still a knowledge of what it was like to love and believe and have it all taken away.
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Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
β
The evening passes somehow; I watch television with Nancy, or I write. It is difficult, not having a family, and it is difficult to explain. I always go to bed early. And I am always ready for Monday morning, that time that other people dread.
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Anita Brookner (Look at Me)
β
If I don't say it enough, Jean-Claude, I love you, I love seeing your face across the table while we eat, and watching you root at Cynric's football games, and watching you read bedtime stories to Matthew when he stays with us, and a thousand surprising things, all of it, its you, and I love you."
"You will make me cry."
"A smart friend told me that it's okay to cry, sometimes you're so happy it spills out your eyes.
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Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
β
I promise to shoot anything, human or monster, that threatens me while I'm gone'. He made the Boy Scout sign, three fingers to heaven. 'You can bail me out of jail and explain that i was just following orders'.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
It was then that I understood that my body is only a reflection of my internal state. If my inner self were aware of its greatness and connection with All-that-is, my body would soon reflect that and heal rapidly.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I believe this is the most powerful idea for each of us: realizing that weβre here to discover and honor our own individual path. It doesnβt matter whether we renounce the material world and meditate on a mountaintop for 20 years or create a billion-dollar multinational company that employs thousands of people, giving them each a livelihood. We can attend a temple or church, sit on the beach, drink a margarita, take in a glorious sunset with a loved one, or walk through the park enjoying an ice cream. Ultimately, whichever path we choose is the right one for us, and none of these options are any more or less spiritual than the others.
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Anita Moorjani (Dying to Be Me)
β
Ten Best Song to Strip
1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly.
2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars.
3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.)
4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.)
5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude.
6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come."
7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.)
8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me.
9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else.
10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
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Diablo Cody
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I think we can do it."
"But you don't know for sure," he said.
"No."
"Geez, Anita."
"Don't get rattled on me. We can do this."
"But you aren't sure."
"I'm not sure we'll survive the plane ride home, but I'm still getting on the plane."
"Was that supposed to be comforting?" he asked.
"Yeah."
"It wasn't," he said.
"Sorry, but this is as good as it gets. You want certainty, be an accountant."
"I'm not good at math."
"Me either.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
β
If things seemed challenging, instead of trying to change them physically (which is what I did pre-NDE), I began checking in with my internal world. If Iβm stressed, anxious, unhappy, or something similar, I go inward and tend to that first. I sit with myself, walk in nature, or listen to music until I get to a centered place where I feel calm and collected. I noticed that when I do so, my external world also changes, and many of the obstacles just fall away without my actually doing anything.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
β
I shook my head. "I'm good, Nicky helped."
Nicky looked at Edward. "She's having one of those what-if-killing-feels-really-good, doesn't-that-make-me-a-bad-person moments."
Edward nodded as if that made perfect sense. "Then it feels good. We can't really control what flips our switch; don't judge it, Anita, and just accept it."
I wanted to argue, but it would have been beyond stupid to argue with the two sociopaths in my life. "Why do I have moral quandary questions with the two of you?"
"Because you don't really have moral quandaries about violence, Anita, but you're afraid of being judged for enjoying it, so you only bring it to the two people in your life who won't judge you."
I wanted to argue with Edward, but I couldn't. "Well, fuck.
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Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
β
5. My husband's words found their mark, and I recalled something that Zilpah had told me when I was a child in the red tent, and far too young to understand her meaning. βWe are all born of the same mother,β she said. After a lifetime, I knew that to be true.
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Anita Diamant
β
you got a sad story, ruth,' mimba said. 'but not sad-sad. you here with me and cato and all us together now. you have a happy-sad story. best you can get in this life is happy-sad. but you always gotta remember your own mama that birthed you. even though you only got a crumb of her story, you still got to say her name out loud. you always honor your dead, else you get trouble from them, sure.
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Anita Diamant (The Last Days of Dogtown)
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My mother taught me to knit when I was seven. I forgot about knitting until one day I saw Marion at the counter with hers and confessed that I knew how. Confessed is the right word. In those days, in the early 1980s, knitting was not a hobby a preteen would readily admit to. But Marion, every enthusiastic, pounced upon me and insisted that I show her something I'd made. I did -- a misshapen scarf -- which she priased exravagantly. she lent me a raspberry-colored wool for another project, a hat for myself. Since then I've been knitting pretty continuously. It's addictive and it's soothing, and fora a few minutes anyway, it makes me feel closer to my mother.
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Anita Shreve (Light on Snow)
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Iβm at my strongest when Iβm able to let go, when I suspend my beliefs as well as disbeliefs, and leave myself open to all possibilities. That also seems to be when Iβm able to experience the most internal clarity and synchronicities. My sense is that the very act of needing certainty is a hindrance to experiencing greater levels of awareness. In contrast, the process of letting go and releasing all attachment to any belief or outcome is cathartic and healing. The dichotomy is that for true healing to occur, I must let go of the need to be healed and just enjoy and trust in the ride that is life.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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So no, it wasnβt my beliefs that caused me to heal. My NDE was a state of pure awareness, which is a state of complete suspension of all previously held doctrine and dogma. This allowed my body to βresetβ itself. In other words, an absence of belief was required for my healing.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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For example, prayer can bring great comfort to some people in times of need, and also for self-discovery. It may have a positive effect on well-being because of the process of letting go and handing over all burdens. As a result, people who pray may feel lighter and more uplifted, which contributes not only to their own well-being, but also to others since weβre all connected. Any positivity you bring to yourself, youβre bringing to the Whole.
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Anita Moorjani (Dying to Be Me)
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I was disgusted with myself for trying so hard. Felt a needβan urge reallyβto make amends. To prostrate myself, in some way, for having gone to such pains to become one with a place that rejected me over and over and over again.
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XΓ³chitl GonzΓ‘lez (Anita de Monte Laughs Last)
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I understood that at the core, our essence is made of pure love. We are pure loveβevery single one of us. How can we not be, if we come from the Whole and return to it? I knew that realizing this meant never being afraid of who we are. Therefore, being love and being our true self is one and the same thing!
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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You have a high opinion of yourself, Anita. Confident. I like that. Always so much more entertaining to break someone strong. The weaklings fold and cry and snivel, but the brave ones, they almost demand that you hurt them." He stalked towards me, reaching out one white spider-hand. "Do you want me to hurt you?
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
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As I looked at the great tapestry that was the accumulation of my life up to that point, I was able to identify exactly what had brought me to where I was today. Just look at my life path! Why, oh why, have I always been so harsh with myself? Why was I always beating myself up? Why was I always forsaking myself? Why did I never stand up for myself and show the world the beauty of my own soul? Why was I always suppressing my own intelligence and creativity to please others? I betrayed myself every time I said yes when I meant no! Why have I violated myself by always needing to seek approval from others just to be myself? Why havenβt I followed my own beautiful heart and spoken my own truth? Why donβt we realize this when weβre in our physical bodies? How come I never knew that weβre not supposed to be so tough on ourselves? I still felt myself completely enveloped in a sea of unconditional love and acceptance. I was able to look at myself with fresh eyes, and I saw that I was a beautiful being of the Universe. I understood that just the fact that I existed made me worthy of this tender regard
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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Everyone turned towards me. The two female vamps smiled, most unpleasantly. They looked at me like I was a piece of candy and they wondered what sort of center I had. Soft and gooey, or hard with a nut in the middle? I'd had men undress me with their eyes, but I'd never had anything trying to picture what I'd look like with my skin off. Yikes.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
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In my NDE state, I realized that the entire universe is composed of unconditional love, and Iβm an expression of this. Every atom, molecule, quark, and tetraquark, is made of love. I can be nothing else, because this is my essence and the nature of the entire universe. Even things that seem negative are all part of the infinite, unconditional spectrum of love.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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Exchanges that had cut and left me bleeding, with my best stuffβconfidence, clarityβpooling down, away from me, onto the floor. But not that night. No. Because that day I had decided to reclaim my might; to cease to be shrunk. And in my decision, Iβd grown a new version of myself. My new skin thick like coconut shells, impervious to his attempts to crack my joy.
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XΓ³chitl GonzΓ‘lez (Anita de Monte Laughs Last)
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What's amazing to me now is that I actually recall fixating on the fact that my thighs a-l-m-o-s-t touched at the top....If I could go back in time and slap my eighteen-year-old self, I would. I would tell her to snap out of it, because that's the best you thighs will ever be. You should take pictures of your thighs right now so you can remember how amazing they were!
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Anita Renfroe (Don't Say I Didn't Warn You: Kids, Carbs, and the Coming Hormonal Apocalypse)
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We would never go shopping together or eat an entire cake while we complained about men. He'd never invite me over to his house for dinner or a barbecue. We'd never be lovers. But there was a very good chance that one of us would be the last person the other saw before we died. It wasn't friendship the way most people understood it, but it was friendship. There were several people I'd trust with my life, but there is no one else I'd trust with my death. Jean-Claude and even Richard would try to hold me alive out of love or something that passed for it. Even my family and other friends would fight to keep me alive. If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.
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Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
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He wrapped his hand around mine and moved it from his lips, laying a gentle kiss on my fingers as he did it. βWhen I saw you on the television bleeding and hurt I knew you would not die, because I could feel how hurt you were, and I knew we had power to heal you and bring you safely home to me, to us, but it wasnβt enough, ma petite.β He pressed my hand to his chest. βI needed to feel this. I needed to touch your skin, kiss your lips, hold you as close as I could. I would survive your death physically, I believe there is enough power now for that, but my heart β¦β He raised my hand and kissed it. βMy heart, it beats for you, Anita Blake. If there were a way for us to marry without the other men in our lives feeling excluded, I would ask it of you.
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Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
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I died but I did not leave them. Benia sat beside me, and I stayed in his eye and in his heart. For weeks and months and years, my face lived in the garden, my scent clung to the sheets. For as long as he lived, I walked with him by day and lay down with him at night.
When his eyes closed for the last time, I thought perhaps I would finally leave the world. But even then, I lingered. Shif-re sang the song I taught her and Kiya moved with my motions. Joseph thought of me when his daughter was born. Gera named her baby Dinah. Re-mose married and told his wife about the mother who had sent him away so that he would not die but live. Re-mose's children bore children unto the hundredth generation. Some of them live in the land of my birth and some in the cold and windy places that Werenro described the light of my mothers' fire.
Egypt loved the lotus because it never dies. It is the same for people who are loved.
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Anita Diamant (The Red Tent)
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I prayed as we walked up the hill. I prayed and felt a measure of calm return. No visions. No angels singing. But a feeling of peace flowed over me. Ii took a deep breath, and something hard and tight and ugly in my heart let go. I took it as a good sign that I'd get to Jeff in time. But part of me was skeptical. God doesn't always save someone. Often He just helps you live through the loss. I guess I don't entirely trust God. I never doubt Him, but His motives are too beyond me. Through a glass darkly and all that. Just once I'd like to see through the damn glass clearly.
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Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
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And you are?β
She fluttered her hand over her face and
brushed a wisp of light brown hair from her brow.
The governor calls me Kitty. Itβd probably be best if you did, too.β
What an alluring name? It makes me think of a cat with its lips covered by a luscious coat of cream.β
Jack stared at Kittyβs mouth, and his tongue tingled at the idea of tasting her rich, flavorful lust.
She giggled and wove her hand through the crook in his arm. The soft swell of her breast bumped against his arm. βOh, youβre naughty, but I love the alluring image.β
Then, I hope youβll let me have a taste later.β
He didnβt crowd her but allowed her to step back.
She led him across the entranceway to a door on the other side.
Remember sheβs a princess.
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Anita Philmar
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Just as there is no warning for childbirth, there is no preparation for the sight of a first child...I could not get my fill of looking.
There should be a song for women to sing at this moment or a prayer to recite. But perhaps there is none because there are no words strong enough to name that moment. Like every mother since the first mother, I was overcome and bereft, exalted and ravaged. I had crossed over from girlhood. I beheld myself as an infant in my mother's arms, and caught a glimpse of my own death. I wept without knowing whether I I rejoiced or mourned. My mother and their mothers were with me as I held my baby.
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Anita Diamant (The Red Tent)
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However, I donβt believe that those who pray are any more or less connected than those who donβt. We all have our own way of recognizing that infinite space within us, and for some it may be prayer. For others, it can be music, art, being in nature, or even pursuing knowledge and technologyβwhatever brings out our passion, creativity and purpose for living. In other words, itβs not prayer in and of itself that makes some of us more aware of our magnificence than others. Rather, itβs choosing to conduct our lives by connecting with our own internal passion, bringing out a Zen-like quality and giving our lives meaning and a feeling of unity.
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Anita Moorjani (Dying to Be Me)
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Q: Most people on a spiritual path believe that the ego impedes spiritual growth and that weβre supposed to shed the ego. Why arenβt you advocating this? A: Because if you deny the ego, it will push back against you harder. The more you reject something, the more it fights back for its own survival. But when you can completely love your ego unconditionally and accept it as part of how you express in this life, youβll no longer have a problem with it. It wonβt impede your growthβon the contrary, it will be an asset.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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There is no magic to immortality.
In Egypt, I loved the perfume of the lotus. A flower would bloom in the pool at dawn, filling the entire garden with a blue musk so powerful it seemed that even the fish and ducks would swoon. By night, the flower might wither but the perfume lasted. Fainter and fainter, but never quite gone. Even many days later, the lotus remained in the garden. Months would pass and a bee would alight near the spot where the lotus had blossomed, and its essence was released again, momentary but undeniable.
Egypt loved the lotus becuase it never dies. It is the same for people who are loved. Thus can something as insignificant as a name-two syllables, one high, one sweet- summon up the innumerable smiles, tears, sighs and dreams of a human life.
If you sit on the bank of a river, you see only a small part of its surface. And yet, the water before your eyes is proof of unknowable depths. My heart brims with thanks for the kindness you have shown me by sitting on the bank of this river, by visiting the echoes of my name.
Blessings on your eyes and on your children. Blessings on the ground beneath you. Wherever you walk, I go with you.
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Anita Diamant (The Red Tent)
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But it was a significant exercise, for it meant that I considered myself worthy, as I had never done before. That change in my consciousness was so bewildering that I looked back on my previous life with a sort of amazed pity. That narrowness, those scruples, that prolonged childhood... I even, and this is a great test, began to consider journeys I might make, for my own pleasure, without him. I had never been to Greece and I thought I might go now, some time soon. And I knew that if I went I should enjoy it, as I had never enjoyed a journey before. Because I should have James to come back to. By the very fact of his existence, he had given the validity to my entire future.
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Anita Brookner (Look at Me)
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I have to clean up first. Iβm still all sweaty and stuff from the crime scene.β I realized he was wearing a white shirt and I might have dried blood on me. It made me draw back and look at the front of him.
βWhat is wrong, ma petite?β
βI may have dried blood and things on me, and youβre wearing white.β
He drew me back into his arms. βI would rather hold you close than worry about my clothes. The shirt will wash, or we can throw it away. I do not care.β
I pushed back just enough to turn my face up, resting my chin on his chest so that I gazed up the line of his body, and he looked down so that our eyes met down the line of his chest. βI know you love me, but when you donβt care about your clothes, I know itβs true love for you.β I grinned as I said it.
He laughed, abrupt, surprised, and for a moment I got to see what he must have looked like centuries ago before being a vampire had taught him to control his face and show nothing for fear it would be used against him by those more powerful than him.
I smiled up at him, held as close to him as I could with clothes and weapons still on, and loved him. I loved that I could make him laugh like that, loved that he felt safe enough to show me this part of him, loved that even when we were ass-deep in alligators, being with each other made it better. The alligators would be chewing on our asses either way, but with each other it was more fun, and we were more likely to be able to make a matching set of alligator luggage out of our enemies rather than end up as their dinner.
I gazed up at him as the laughter filled his face, and just loved him. The day had sucked, but Jean-Claude made it suck a lot less, and that was what love was supposed to do. It was supposed to make things better, not worse, which made me wonder if Asher truly loved anyone. I pushed the thought away, and enjoyed the man in my arms, and the fact that I had made him laugh.
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Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
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I am as proud to be called a feminist as I am to be called a Jew, or an American. Feminism is an indivisible part of who I am, and I remain mystified by the stigma that has been attached to the idea that women are human beings.
It sounds so obvious and simple to me, so motherhood and apple pie. And yet the idea that women are human beings remains news, a message that requires constant, clear, and artful reinforcement in a world that continues to undermine the confidence and abilities of girls and women. On the day that the intelligence and talents of women are fully honored and employed, the human community and the planet itself will benefit in ways we can only being to imagine.
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Anita Diamant
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Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, βThatβs interesting. I wonder why my body seems bigger today than it did yesterday. Maybe itβs water weight. Maybe itβs my outfit. Or maybe my eyes are just playing tricks on me.β I know itβs not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beatβand definitely without missing a meal.
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Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
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Another reason I donβt really talk about it is because religion can be divisive, and thatβs never my intention. I much prefer to be inclusive. I experienced us as all being One, knowing that when we die, weβll all go to the same place. To me, it doesnβt matter whether you believe in Jesus, Buddha, Shiva, Allah, or none of the above. What matters is how you feel about yourself, right here and right now, because thatβs what determines how you conduct your life here. Thereβs no time except the present moment, so itβs important to be yourself and live your own truth. Passionate scientists living from their magnificence are as valuable to humankind as a whole room full of Mother Teresas.
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Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
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I don't want to die, Buddy.' She put her head on his chest. 'I know this cancer probably won't kill me. But I think about dying all the time. I dream about it. What do you think? Do I get to see Pat on the other side, or do I just lie there in the dirt forever?'
...Buddy wrapped his arms around her and drew her close. 'I think dead is dead,' he said softly, near her ear. 'But that's not so bad. I think of it as following. Following the rest of them...My mother and father. Your sister. Your mom. But not just them. All of them. All of us. People...Maybe it's just a way to feel less lonesome about the whole thing, but I think of dying as a path we all go down separately at first, but eventually, together.
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Anita Diamant (Good Harbor)
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You are wrong if you think you cannot live without love, Edith.'
'No, I am not,' she said, slowly. 'I cannot live without it. Oh, I do not mean that I go into a decline, develop odd symptoms, become a caricature. I mean something far more serious than that. I mean that I cannot live well without it. I cannot think or act or speak or write or even dream with any kind of energy in the absence of love. I feel excluded from the living world. I become cold, fish-like, immobile. I implode. My idea of absolute happiness is to sit in a hot garden all day, reading or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.'
'You are a romantic, Edith,' repeated Mr Neville, with a smile.
'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
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Anita Brookner (Hotel du Lac)
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DEAR MAMA, Iβm sorry itβs taken me so long to write. Every time I try to write to you and Papa I realize Iβm not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think Iβm foolish to write this letter. I hope theyβre wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that youβll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldnβt have written, I guess, if you hadnβt told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. Iβm sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbeliefβrejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasnβt βrecruited.β No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, βYouβre all right, kid. You can grow up to be a doctor or a teacher just like anyone else. Youβre not crazy or sick or evil. You can succeed and be happy and find peace with friendsβall kinds of friendsβwho donβt give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.β But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who donβt consider sexuality in measuring the worth of another human being. These arenβt radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, itβs all right for you to like me too. I know what you must be thinking now. Youβre asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I canβt answer that, Mama. In the long run, I guess I really donβt care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for itβs the light and the joy of my life. I know I canβt tell you what it is to be gay. But I can tell you what itβs not. Itβs not hiding behind words, Mama. Like family and decency and Christianity. Itβs not fearing your body, or the pleasures that God made for it. Itβs not judging your neighbor, except when heβs crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. Thereβs not much else I can say, except that Iβm the same Michael youβve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please donβt feel you have to answer this right away. Itβs enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
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Armistead Maupin (More Tales of the City (Tales of the City, #2))
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They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her.
"What are we doing here?" Rosie's eyes went wide.
"Just follow me." Josh grinned.
Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises.
Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away.
"This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away."
"They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.
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Anita Hughes (California Summer)