“
You speak rabbit?” asked Princess Sophie.
“Of course,” said Lady Ariana. “And cat, dog, mouse, pig, and chicken. Fish, too. I am a magician, after all.
”
”
Mike Martin (Princess Sophie and the Christmas Elixir)
“
How do we keep it?” asked Princess Sophie. “How do we keep the spirit of Christmas?”
“That’s the real magic,” said Lady Ariana. “If we love something so much, we have to give it away. When we do that, we get to keep it ourselves, too.
”
”
Mike Martin (Princess Sophie and the Christmas Elixir)
“
Theresa strode over to us in a swish of cloth. "Enough of this, animator. He can't do it, so he pays the price. Either leave now, or join us at our...feast."
Are you having rare Who-roast-beast?" I asked.
What are you talking about?"
It's from Dr. Seuss, How the Grinch Stole Christmas. You know the part, 'And they'd Feast! Feast! Feast! Feast! Feast! They would feast on Who-pudding and rare Who-roast-beast.'"
You are crazy."
So I've been told.
”
”
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
“
For an animal person, an animal-less home is no home at all.
”
”
Cleveland Amory (The Cat Who Came for Christmas (Compleat Cat #1))
“
The pathetic thing I wanted to say to him on the phone – but didn’t – was this: When you're a little kid, you have something. Maybe it's a blanket or a stuffed animal or whatever. For me, it was this stuffed prairie dog that I got one Christmas when I was like three. I don't even know where they found a stuffed prairie dog, but whatever, it sat up on its hind legs and I called him Marvin, and I dragged Marvin around by his prairie dog ears until I was about ten.
And then at some point, it was nothing personal against Marvin, but he started spending more time in the closet with my other toys, and then more time, until finally Marvin became a full-time resident of the closet.
But for many years afterward, sometimes I would get Marvin out of the closet and just hang out with him for a while – not for me, but for Marvin. I realized it was crazy, but I still did it.
And the thing I wanted to say to Tiny is that sometimes, I feel like his Marvin.
”
”
John Green (Will Grayson, Will Grayson)
“
Thanksgiving is the holiday that encompasses all others. All of them, from Martin Luther King Day to Arbor Day to Christmas to Valentine's Day, are in one way or another about being thankful.
”
”
Jonathan Safran Foer (Eating Animals)
“
I had seen other stop-motion animated features, and they were either not engaging or they're just too bizarre. There was one I liked when I was a kid called Mad Monster Party. People thought Nightmare was the first stop-motion animated monster musical, but that was.
”
”
Tim Burton (Burton on Burton)
“
It was high tide, and the sound of the waves
coming in sounded like the breath of an enormous dinosaur.
Round the lighthouse, on the opposite side to Snugs’ room, Mr andMrs Merryweather put down the blinds, and blew out the candle. They
were very tired, and tomorrow was Christmas Eve on The Isle of Wight.
”
”
Suzy Davies (Snugs The Snow Bear (Snugs Series #1))
“
Half the dogs in America will receive Christmas presents this year, yet few of us ever pause to consider the life of the pig-an animal easily as intelligent as a dog-that becomes the Christmas ham.
”
”
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
“
My future, it almost looks like Christmas—red and green—stop and go.
”
”
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
“
Do you know who 'twas that first knew our Lord had caused Himself to be born? 'Twas the cock; he saw the star, and so he said–all the beasts could talk Latin in those days; he cried: 'Christus natus est!' "
He crowed these words so like a cock that Kristin fell to laughing heartily. And it did her good to laugh, for all the strange things Brother Edvin had just been saying had laid a burden of awe on her heart.
The monk laughed himself:
"Ay, and when the ox heard that, he began to low: 'Ubi, ubi, ubi.'
"But the goat bleated, and said: 'Betlem, Betlem, Betlem.'
"And the sheep so longed to see Our Lady and her Son that she baa-ed out at once: 'Eamus, eamus!'
"And the new-born calf that lay in the straw, raised itself and stood upon its feet. 'Volo, volo, volo!' it said.
”
”
Sigrid Undset (Kristin Lavransdatter)
“
Mankind has a mandate to care for the earth and all that is within it, especially the animals, and an animal should never be placed in a position where he needs to be concerned about such things. But this is not that time.
”
”
Tara Pollard (Season's Christmas Quest: The Dog's Story)
“
If you treat an animal right, they don't run away. They're not like us. They run away from people they don't trust; most times we run away from ourselves.
”
”
Glenn Beck (The Christmas Sweater)
“
It was St. Francis who made the first Christmas menagerie, which portrayed the animals coming to kneel before the baby Jesus. Some people think it’s the most beautiful image Christian civilization ever produced.
”
”
Brian Griffith (War and Peace with the Beasts: A History of Our Relationships with Animals)
“
The door jerked open and he glowered at her. "What do you want?"
"Hey! Why are you mad at me? I just want to talk to you."
"I don't want to talk," he said, pushing the door closed.
With inexplicable courage, she put her booted food in it's path. "Then maybe you can listen."
"No!" he bellowed.
"You're not going to scare me!" she shouted at him.
Then he roared like a wild animal. He bared his teeth, his eyes lit like there were gold flames in them, and the sound that came out of him was otherworldly.
She jumped back, her eyes as wide as hubcaps. "Okay," she said, putting up her hands, palms toward him. "Maybe you do scare me. A little."
-Ian and Marcie
”
”
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
“
Assumption Two: God only cares about spiritual things. To be honest, I don't even know what this means, but those elusive spiritual things have been helping Christians cop out of true holiness for centuries.
We are all like accountants with wizard-like abilities, funneling our choices and goals and actions through shell corporations and off-shore banks of unrighteousness. God only cares about spiritual things? His kingdom is a spiritual kingdom? Are you kidding me? God only cares how we emote at him?
That's part of it, sure, but I was pretty sure that He made physical animals and a physical man and gave him a physical job. I was pretty sure that He made a physical tree with physical fruit and told that physical man not to eat it or he would physically die. He physically ate it anyway and now we physically go into the physical ground, physically rot, and become physical plant and physical worm food.
And because of this incredibly physical problem, He made things even more clear when His own Son took on physical flesh to lead a physical life that lead to a physical cross where He physically absorbed our curse, was physically tortured, and bought you and bought me and bought this whole physical world with His physical blood. If He'd wanted a spiritual kingdom, He could have saved Himself a huge amount of trouble (to say nothing of making the Greek philosophers and medieval gnostics a lot happier), by just skipping Christmas and the Crucifixion.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
Goodwill to all.' I know it's techinically 'goodwill to all men,' but in my mind, I drop the 'men' because that feels segregationist/elitist/sexist/generally bad ist. Goodwill shouldn't be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I'd even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they're in, then so are elves, fairies, and gnomes. Heck, since we're already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stuffed animals. I'm sure Santa would agree. 'Goodwill to all.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I don't believe in the god of the Christians who gave his son in order to save mankind. That's a myth. But why should it have arisen if it didn't express some deep-seated intuition in men? I don't know what I believe, because it's instinctive, and how can you describe instinct with words? I have an instinct that the power that rules us, human beings, animals and things, is a dark and cruel power and that everything has to be paid for, a power that demands an eye for an eye and a tooth for a tooth, and that though we may writhe and squirm we have to submit, for the power is ourselves.
”
”
W. Somerset Maugham (Christmas Holiday)
“
Since Christmas they have lived with us,
Guileless and clear,
Oval soul-animals,
Taking up half the space,
Moving and rubbing on the silk
”
”
Sylvia Plath (The Collected Poems)
“
Great. He had a ranch with no power, a burgeoning blizzard, animals depending on him and now, a frightened, felonious elf to look after.
”
”
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
“
There is no better state of mind for man or animal than being what you are and doing what you are meant to do. This harmony of existence and purpose is so rare that we forget it exists.
”
”
Greg Kincaid (A Dog Named Christmas (A Dog Named Christmas #1))
“
I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.”
“Yes, but we don’t have a suitable male,” Orro said. “And only one dog.”
I looked at him.
“What is this Christmas?” Wing asked.
Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.”
Sean stopped what he was doing and looked at Orro.
“The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.”
Sean made a strangled noise.
“At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.”
Sean was clearly struggling, because his head was shaking.
“Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.”
Sean roared with laughter.
”
”
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
“
Sir, I’ve known him ever since he was born! We’ve played snowball, and built snow-houses together, which are called igloos, and once, when one of Santa’s reindeer was sick on Christmas Eve, Snow Bear stepped in to help with the presents, and load them on the sleigh - he’s very kind, and clever, and strong, you know.
”
”
Suzy Davies (Snugs The Snow Bear (Snugs Series #1))
“
There is Normal Society and then there is the Abnormal Freaks Who Deserve Our Public Pity and Private Ridicule Society. The first is the world of good jobs and Christmas shopping and marriages and vacations and the scent of new cars. And then there is that other world, the world of the glazed eye, of people who chant at the moon and spout conspiracy theories and get sexually aroused by furry animal costumes. Some dress all in black to carry out vampire rituals and others col ect cats until they’re a furry shoulder-to-shoulder flood on every floor of the house. The Abnormal travel among the Normal and leave behind them a trail of sickeningly awkward conversations and stifled laughter, of hidden smirks and rolled eyes. And worst of all, pity.
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
And somehow Hallie thrived anyway--the blossom of our family, like one of those miraculous fruit trees that taps into an invisible vein of nurture and bears radiant bushels of plums while the trees around it merely go on living. In Grace, in the old days, when people found one of those in their orchard they called it the semilla besada--the seed that got kissed. Sometimes you'd run across one that people had come to, and returned to, in hopes of a blessing. The branches would be festooned like a Christmas tree of family tokens: a baby sock, a pair of broken reading glasses, the window envelope of a pension check.
”
”
Barbara Kingsolver (Animal Dreams)
“
Don't worry, Ian. I totally protected your anonymity. I told her you were my brother."
"Great," he pouted."Now she's going to ask me about you. And I told you--I'm friendly and pleasant and then I move on."
"You can do that. She'll find you perfectly understandable."
"Oh? And why's that?"
"Well, she wondered about you. Said you ask for some heavy reading sometimes, but that you didn't make much conversation."
"Oh, really?"
"Yes," Marcie explained. "I said you were brilliant, but not a very social animal. I said she shouldn't expect a lot of chitchat from you, but you were perfectly nice and there was no reason to be shy around you--you're safer than you look."
"Is that so? And how did you convince her of that?"
"Easy. I said you were an idiot savant--brilliant in literature and many other things, but socially you weren't on your game."
"Oh, Jesus Christ!"
-Ian and Marcie
”
”
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
“
I decided to give myself a Christmas present this year. I decided to spend the day only speaking to animals (real and stuffed), select humans as necessary so long as they weren’t my parents or Langston, and a Snarl in a red Moleskine notebook—if he returned it to me.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Lucy Daniels (Animal Ark Pets Christmas Collection: THREE BOOKS IN ONE (Animal Ark: Pets Book 1))
“
1. Santa Claus is real. However, your parents are folkloric constructs meant to protect and foritfy children against the darknesses of the real world. They are symbols representing the return of the sun and the end of winter, the sacrifice of the king and the eternal fecundity of the queen. They wear traditional vestments and are associated with certain seasonal plants, animals, and foods. After a certain age, no intelligent child continues believing in their parents, and it is embarrassing when one professes such faith after puberty. Santa Claus, however, will never fail us.
”
”
Catherynne M. Valente
“
Bacon would not be a choice if the pig had any say in the matter. A lamb, given the gift of speech, would most probably say "no" if you asked if you could eat her leg. Fish would no doubt choose to stay in the water, if they could and I feel pretty sure turkeys must object once their Christmas fête (or should that be fate?) is made clear to them. Chickens are surely protesting from having their eggs systematically stolen and freedoms restricted, and both cows and their calves would be up in arms, if they had any, with the theft of their milk and violent separation. Given the chance, bees will attack and defend ferociously, even sacrificing themselves in the process, in order to protect their precious honey; a sure sign they do not part with it voluntarily.
”
”
Mango Wodzak (Destination Eden - Eden Fruitarianism Explained)
“
As I sat there, the town clock struck twelve, and the sound reminded me of the legend, which affirms that all dumb animals are endowed with speech for one hour after midnight on Christmas Eve, in memory of the animals who lingered near the manger when the blessed Christ Child was born.
”
”
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
“
If you were to condense Earth’s history into a single year, land-dwelling animals come onstage around December 1, and the dinosaurs don’t go extinct until the day after Christmas. Hominids start walking on two feet around 11:50 p.m. on New Year’s Eve, and recorded history begins a few nanoseconds before midnight. And
”
”
Joichi Ito (Whiplash: How to Survive Our Faster Future)
“
There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting.
There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.
”
”
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
“
There are no totally generous acts. All "acts" have an element of calculation. One black ox slaughtered on Christmas does not wipe out a year of careful manipulation of gifts given to serve your own ends. After all, to kill an animal and share the meat with people is really no more than Ju/'hoansi do for each other every day and with far less fan fare.
”
”
Richard B. Lee (The Dobe Ju/'Hoansi (Case Studies in Cultural Anthropology))
“
She turned down her street once more, glaring at the garish lights someone had put up along their house. Might as well light the roof with “Santa Park Here”. Sheesh. The closer she got to home, though, the lower her heart sank. The overly bright house looked suspiciously like... No. Oh, no. He wouldn’t. He had. Light up animated animals were dotted all over her lawn. The circle of life has apparently found our power outlet. And why the fuck is there a Star of David on my roof? She wasn’t exactly the most church-going member of the community, but you’d think Simon would know what religion she was. After all, she knew exactly who was going to officiate at his funeral. She picked up her cell phone and called Emma. “I’m going to kill him.
”
”
Dana Marie Bell (The Ornament: Simon and Becky (Ornament, #2))
“
it is the Mediterranean, specifically Italy, that gave us the poet Ovid, who in the Metamorphoses deplored the eating of animals, and the vegetarian Leonardo da Vinci, who envisioned a day when the life of an animal would be valued as highly as that of a person, and Saint Francis, who once petitioned the Holy Roman Emperor to scatter grain on fields on Christmas Day and give the crested larks a feast.
”
”
Mary Roach (The Best American Science and Nature Writing 2011)
“
You're the only rag dolls I've seen in Dream Town," I comment, seeing myself reflected back in the features of their faces--something I've never known until now.
The seams of Albert's mouth lift into a half smile. "There are a few others. Rag dolls like us, and also several Teddy Bears and Floppy-Eared Rabbits. They are all sleep-weavers, but they spend most of their time in the human world, helping lull children to sleep.
”
”
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
“
When you’re a little kid, you have something. Maybe it’s a blanket or a stuffed animal or whatever. For me, it was this stuffed prairie dog that I got one Christmas when I was like three. I don’t even know where they found a stuffed prairie dog, but whatever, it sat up on its hind legs and I called him Marvin, and I dragged Marvin around by his prairie dog ears until I was about ten. And then at some point, it was nothing personal against Marvin, but he started spending more time in the closet with my other toys, and then more time, until finally Marvin became a full-time resident of the closet. But for many years afterward, sometimes I would get Marvin out of the closet and just hang out with him for a while—not for me, but for Marvin. I realized it was crazy, but I still did it. And the thing I wanted to say to Tiny is that sometimes, I feel like his Marvin.
”
”
John Green (Will Grayson, Will Grayson)
“
Edinburgh was the first designed city in the world. The birth of the Enlightenment. The whole idea that we could plan our futures for ourselves, that we were not dependent on the whims of God, that we could conquer our animal natures, find our place in the world. That from this jumbled”—he swept his arm around at the jammed-together old houses on the up-and-down cobbled streets of the Old Town—“thrown-together world, you could have beauty, order, fresh air. The New Town is philosophy made stone.
”
”
Jenny Colgan (The Christmas Bookshop (The Christmas Bookshop, #1))
“
WikiLeaks told us how keen the Coalition is to exploit the boats. In late 2009, in the dying days of Malcolm Turnbull’s leadership of the Opposition, a “key Liberal party strategist” popped in to the US embassy in Canberra to say how pleased the party was that refugee boats were, once again, making their way to Christmas Island. “The issue was ‘fantastic,’” he said. “And ‘the more boats that come the better.’” But he admitted they had yet to find a way to make the issue work in their favour: “his research indicated only a ‘slight trend’ towards the Coalition.
”
”
David Marr (Political Animal: The Making of Tony Abbott [Quarterly Essay 47])
“
two things will stop them—Christmas and tragedy. He dismounts his albino steed, the horse’s pinked nostrils flaring, dirty mane matted with ice. The single-rig saddle is snow-crusted as well, its leather and cloth components—the mochila and shabrack—frozen stiff. He rubs George’s neck, speaking in soft, low tones he knows will calm the animal, telling him he did a good day’s work and that a warm stable awaits with feed and fresh water. The mule skinner opens his wallet, collects the pint of bust-head he bought at a bodega in Silverton, and swallows the remaining mouthful, whiskey
”
”
Blake Crouch (Abandon)
“
You know, I understand the way that some people view manual labor. With a kind of sneer, looking down your nose at it, like it’s less. But I’ve never found anything more satisfying than going out and making a change with my own two hands. Seeing a project through from start to finish, knowing that what I did…that it changed something. The shape of an object, the landscape. When you’re fighting fires, that your hands helped put up the blockade that preserved the wilderness. That you dug those trenches, ran those fire lines that saved houses, trees, animals. Lives. There’s no shame in it.
”
”
Maisey Yates (Cowboy Christmas Redemption (Gold Valley, #8))
“
Adopt and rescue a pet from a local shelter. Support local and no-kill animal shelters. Plant a tree to honor someone you love. Be a developer — put up some birdhouses. Buy live, potted Christmas trees and replant them. Make sure you spend time with your animals each day. Save natural resources by recycling and buying recycled products. Drink tap water, or filter your own water at home. Whenever possible, limit your use of or do not use pesticides. If you eat seafood, make sustainable choices. Support your local farmers market. Get outside. Visit a park, volunteer, walk your dog, or ride your bike.
”
”
Atlantic Publishing Group Inc. (The Art of Small-Scale Farming with Dairy Cattle: A Little Book full of All the Information You Need)
“
Snakes are habitually parsimonious with their poison; they parcel it out carefully, innoculating their victims with just the right amount to paralyse them and begin the process of predigestion. Animals that they intend merely to scare away do not normally receive much venom at all, or just enough to make them more careful in the future. If snakes were humans they would be the kind of people who save up small coins and put them into investment accounts, eat chocolates only after lunch on Sundays, beleive in swift corporal punishment to deter criminals, are sceptical about the value of social services, and give pocket handkerchiefs for Christmas presents.
”
”
Louis de Bernières (The Troublesome Offspring of Cardinal Guzmán)
“
It was a Game called Yes and No, where Scrooge’s nephew had to think of something, and the rest must find out what; he only answering to their questions yes or no, as the case was. The brisk fire of questioning to which he was exposed, elicited from him that he was thinking of an animal, a live animal, rather a disagreeable animal, a savage animal, an animal that growled and grunted sometimes, and talked sometimes, and lived in London, and walked about the streets, and wasn’t made a show of, and wasn’t led by anybody, and didn’t live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every fresh question that was put to him, this nephew burst into a fresh roar of laughter; and was so inexpressibly tickled, that he was obliged to get up off the sofa and stamp. At last the plump sister, falling into a similar state, cried out:
“I have found it out! I know what it is, Fred! I know what it is!”
“What is it?” cried Fred.
“It’s your Uncle Scro-o-o-o-oge!”
Which it certainly was. Admiration was the universal sentiment, though some objected that the reply to “Is it a bear?” ought to have been “Yes;” inasmuch as an answer in the negative was sufficient to have diverted their thoughts from Mr. Scrooge, supposing they had ever had any tendency that way.
”
”
Charles Dickens (A Christmas Carol)
“
When she was twenty three years old she met, at a christmas party, a young man from the Erewash Valley. Morel was then twenty-seven years old. He was well-set-up, erect and very smart. He had wavy, black hair that shone again, and a vigorous black beard that had never been shaved. His cheeks were ruddy, and his red moist mouth was noticeable because he laughed so often and so heartily. He had that rare thing, a rich, ringing laugh. Gertrude Coppard had watched him fascinated. He was so full of colour and animation, his voice ran so easily into comic grotesque, he was so ready and so pleasant with everybody... Walter Morel seemed melted away before her. She was to the miner that thing of mystery and fascination, a lady.
”
”
D.H. Lawrence (D.H. Lawrence)
“
Wild animals enjoying one another and taking pleasure in their world is so immediate and so real, yet this reality is utterly absent from textbooks and academic papers about animals and ecology. There is a truth revealed here, absurd in its simplicity.
This insight is not that science is wrong or bad. On the contrary: science, done well, deepens our intimacy with the world. But there is a danger in an exclusively scientific way of thinking. The forest is turned into a diagram; animals become mere mechanisms; nature's workings become clever graphs. Today's conviviality of squirrels seems a refutation of such narrowness. Nature is not a machine. These animals feel. They are alive; they are our cousins, with the shared experience kinship implies.
And they appear to enjoy the sun, a phenomenon that occurs nowhere in the curriculum of modern biology.
Sadly, modern science is too often unable or unwilling to visualize or feel what others experience. Certainly science's "objective" gambit can be helpful in understanding parts of nature and in freeing us from some cultural preconceptions. Our modern scientific taste for dispassion when analyzing animal behaviour formed in reaction to the Victorian naturalists and their predecessors who saw all nature as an allegory confirming their cultural values. But a gambit is just an opening move, not a coherent vision of the whole game. Science's objectivity sheds some assumptions but takes on others that, dressed up in academic rigor, can produce hubris and callousness about the world. The danger comes when we confuse the limited scope of our scientific methods with the true scope of the world. It may be useful or expedient to describe nature as a flow diagram or an animal as a machine, but such utility should not be confused with a confirmation that our limited assumptions reflect the shape of the world.
Not coincidentally, the hubris of narrowly applied science serves the needs of the industrial economy. Machines are bought, sold, and discarded; joyful cousins are not. Two days ago, on Christmas Eve, the U.S. Forest Service opened to commercial logging three hundred thousand acres of old growth in the Tongass National Forest, more than a billion square-meter mandalas. Arrows moved on a flowchart, graphs of quantified timber shifted. Modern forest science integrated seamlessly with global commodity markets—language and values needed no translation.
Scientific models and metaphors of machines are helpful but limited. They cannot tell us all that we need to know. What lies beyond the theories we impose on nature? This year I have tried to put down scientific tools and to listen: to come to nature without a hypothesis, without a scheme for data extraction, without a lesson plan to convey answers to students, without machines or probes. I have glimpsed how rich science is but simultaneously how limited in scope and in spirit. It is unfortunate that the practice of listening generally has no place in the formal training of scientists. In this absence science needlessly fails. We are poorer for this, and possibly more hurtful. What Christmas Eve gifts might a listening culture give its forests?
What was the insight that brushed past me as the squirrels basked? It was not to turn away from science. My experience of animals is richer for knowing their stories, and science is a powerful way to deepen this understanding. Rather, I realized that all stories are partly wrapped in fiction—the fiction of simplifying assumptions, of cultural myopia and of storytellers' pride. I learned to revel in the stories but not to mistake them for the bright, ineffable nature of the world.
”
”
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
“
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
”
”
Carol S. Dweck (Mindset: The New Psychology of Success)
“
When she thinks of Christmastime now she thinks of Carricklea, lights strung up over Main Street, the glowing plastic Santa Claus in the window of Kelleher’s with its animated arm waving a stiff, repetitive greeting. Tinfoil snowflakes hanging in the town pharmacy. The door of the butcher shop swinging open and shut, voices calling out on the corner. Breath rising as mist in the church car park at night. Foxfield in the evening, houses quiet as sleeping cats, windows bright. The Christmas tree in Connell’s front room, tinsel bristling, furniture cramped to make space, and the high, delighted sound of laughter. He said he would be sorry not to see her. Won’t be the same without you, he wrote. She felt stupid then and wanted to cry. Her life is so sterile now and has no beauty in it anymore
”
”
Sally Rooney (Normal People)
“
Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited.
But Pupkin was their leader.
”
”
Grady Hendrix (How to Sell a Haunted House)
“
What else do you like?” She blew out a breath, her expression considering while Vim used the brush in long strokes from her crown to her hips. It was beautiful hair, thick, lustrous, and gleaming with an indication of basic health and sound living. “I like music,” she said, “and sweets. I am quite partial to sweets.” Vim took this answer for a deliberate and charming prevarication. “I meant, what do you like from your lovers? Shall I kiss you all over? Shall you bind my wrists and have your way with me?” He leaned down and nuzzled her neck, the braid he’d been fashioning forgotten. “Shall you put your mouth on me, Sophie, and make me forget myself utterly?” She sat very still while Vim slid a hand over her shoulder and let it rest there, just above her breast while he pressed his cheek to hers. “My love, are you blushing?” “You are very bold, Mr. Charpentier.” He straightened, feeling it imperative that he braid up her hair, so he might have the pleasure of unbraiding it once they’d gained the bed. “I like your hands on me,” he volunteered. “There’s a particular quality to your touch I can’t quite describe. There’s… meaning in it.” “Meaning?” She regarded him in the mirror, her blush fading. “That’s not the right word. Some people can calm a nervous horse with their touch. They communicate to the animal with hands, tone of voice, and posture in ways more substantial than words. Your hands on me feel that way—more substantial than words.” She turned and pressed her forehead to his midriff. “You must not say such things.” He stroked his palm over her crown, holding her half-finished braid with the other hand. “Why not, Sophie?” “You simply must not.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Villagers all, this frosty tide,
Let your doors swing open wide,
Though wind may flow and snow betide
Yet draw us in by your fire to bide:
Joy shall be yours in the morning.
Here we stand in the cold
and the sleet,
Blowing fingers and stamping feet,
Come from far away, you to greet—
You by the fire and we in the street—
Bidding you joy in the morning.
For ere one half of the
night was gone,
Sudden a star has led us on,
Raining bliss and benison—
Bliss tomorrow and more anon,
Joy for every morning.
Good man Joseph toiled
through the snow—
Saw the star o’er the stable low;
Mary she might not further go—
Welcome thatch and litter below!
Joy was hers in the morning.
And then they heard the angels tell,
“Who were the first to cry Nowell?
Animals all as it befell,
In the stable where they did dwell!
Joy shall be theirs in the morning.”
Kenneth Grahame
The Wind in the Willows
”
”
Thomas Kinkade (I'll Be Home for Christmas (Lighted Path Collection®))
“
other gentlemen had come out with him. One was a low-spirited gentleman of middle age, of a meagre habit, and a disconsolate face; who kept his hands continually in the pockets of his scanty pepper-and-salt trousers, very large and dog’s-eared from that custom; and was not particularly well brushed or washed. The other, a full-sized, sleek, well-conditioned gentleman, in a blue coat with bright buttons, and a white cravat. This gentleman had a very red face, as if an undue proportion of the blood in his body were squeezed up into his head; which perhaps accounted for his having also the appearance of being rather cold about the heart. He who had Toby’s meat upon the fork, called to the first one by the name of Filer; and they both drew near together. Mr. Filer being exceedingly short-sighted, was obliged to go so close to the remnant of Toby’s dinner before he could make out what it was, that Toby’s heart leaped up into his mouth. But Mr. Filer didn’t eat it. “This is a description of animal food, Alderman,” said Filer, making little punches in it, with a pencil-case, “commonly known to the labouring population of this country, by the name of tripe.” The Alderman laughed, and winked; for he was a merry fellow, Alderman Cute. Oh, and a sly fellow,
”
”
Charles Dickens (A Christmas Carol and Other Stories)
“
Are they what? And are who what?' said Steerforth. 'That sort of people. - Are they really animals and clods, and beings of another order? I want to know SO much.' 'Why, there's a pretty wide separation between them and us,' said Steerforth, with indifference. 'They are not to be expected to be as sensitive as we are. Their delicacy is not to be shocked, or hurt easily. They are wonderfully virtuous, I dare say - some people contend for that, at least; and I am sure I don't want to contradict them - but they have not very fine natures, and they may be thankful that, like their coarse rough skins, they are not easily wounded.' 'Really!' said Miss Dartle. 'Well, I don't know, now, when I have been better pleased than to hear that. It's so consoling! It's such a delight to know that, when they suffer, they don't feel! Sometimes I have been quite uneasy for that sort of people; but now I shall just dismiss the idea of them, altogether. Live and learn. I had my doubts, I confess, but now they're cleared up. I didn't know, and now I do know, and that shows the advantage of asking - don't it?' I believed that Steerforth had said what he had, in jest, or to draw Miss Dartle out; and I expected him to say as much when she was gone, and we two were sitting before the fire. But he merely asked me what I thought of her.
”
”
Charles Dickens (Works of Charles Dickens)
“
Precisely how much do you know about hog killing, Mrs. Prescott?” the Captain asked. “I believe the question should be, Captain Winston, how much do I want to know about it?” “And your answer would be?” “As little as possible.” He laughed and she found herself smiling a little, too, sensing an olive branch in his demeanor. “I remember my first hog killing.” He looked down. “My father found me crying behind the barn.” “How old were you?” His brow furrowed. “Twenty-two, I think.” The seriousness of his tone coaxed a laugh from her. And even without addressing the issue wedged squarely between them, she felt the tension between them lessening. “I was about four years old,” he continued. “Maybe five. I don’t remember much more about that day, other than what my father said to me.” She found herself waiting, wanting to hear what he said next. “He told me that, as a boy, he’d had much the same reaction as I’d had. And that while he didn’t cry anymore when it came to the task of the day, he told me it was crucial, before we started anything, that we thank God for those animals’ deaths and what they meant to us as a family. It meant we would eat for the winter. That we wouldn’t go hungry. Although, after that first hog killing, my parents said I refused to eat pork for weeks.” She smiled at the image in her mind of him as a little boy. “But eventually”—a touch of humor tipped one side of his mouth—“bacon won out, and I gave in.” She couldn’t help but laugh. “Bacon is a force to be reckoned with.” “Yes, ma’am, it is. Especially fried up good and crisp.
”
”
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
“
The man was impossible. To her every retort,he had a counter. "A beak you may want to avoid for I will use it."
His dimples turned into craters. "Aye, my lady,that you most certainly are not afraid of using. I think I actually see the small scars along your wrists and hands from where you missed your intended target and clipped yourself."
Edythe opened her mouth,ready to send out another assualt, when the sparkle in his hazel eyes captured her attention. Tyr was not making fun of her. Rather,he was truly enjoying their conversation, and if she was being honest, so was she. Inclining her head in agreement, she curled her lips mischievously and said, "Inflictions all finches must learn to endure."
"Indeed they must," Tyr replied with a bow. "You,Lady Finch,are a genuine surprise. These past few days,your elder sister has been gracious, kind, and all things a lady should be when welcoming a guest, but it seems that only my friend Ranulf can turn her into a fiery tempest. And each time she does, it pulls him farther in.I see now why he is susceptible to such treatment."
Edythe briefly closed her eyes and gave a quick shake to her head. "You enjoy being insulted?"
"You have not insulted me, you couldn't. You don't know me well enough.Nor I you. We just merely sparred and I am finding that I like wit in a woman, a most uncommon trait where I have been. If I were not so decided in my ways,you,dear Finch, would be in trouble."
"Well,then I thank the Lord you are decided, for I am not easily swayed by a pretty face and you have a ways to go before you seem even moderately charming. And before you try to convince me otherwise,I must go see to Lily for she is looking overly animated and all too often the results of such excitement negatively affect me.Excuse me,sir."
Tyr bowed and stared as Edythe left his side and headed toward her younger sister. He had not lied. She was probably the most intriguing woman he had ever encountered.But it changed nothing.Marriage was not for him. Still,a pretty redhead with a cunning mind and a sharp tongue would be fun to pass the time with until he had to leave.
”
”
Michele Sinclair (The Christmas Knight)
“
During homeroom, before first period, I start a bucket list in one of my notebooks.
First on the list?
1) Eat in the cafeteria. Sit with people. TALK TO THEM.
2)
And…that’s all I can come up with for now. But this is good. One task to work on.
No distractions. I can do this.
When my lunch period rolls around, I forgo the safety of my bag lunch and the computer
lab and slip into the pizza line, wielding my very own tray of semi-edible fare for
the first time in years.
“A truly remarkable sight.” Jensen cuts into line beside me, sliding his tray next
to mine on the ledge in front of us. He lifts his hands and frames me with his fingers,
like he’s shooting a movie. “In search of food, the elusive creature emerges from
her den and tries her luck at the watering hole."
I shake my head, smiling, moving down the line. “Wow, Peters. I never knew you were
such a huge Animal Planet fan.”
“I’m a fan of all things nature. Birds. Bees. The like.” He grabs two pudding cups
and drops one on my tray.
“Pandas?” I say.
“How did you know? The panda is my spirit animal.”
“Oh, good, because Gran has this great pattern for an embroidered panda cardigan.
It would look amazing on you.”
“Um, yeah, I know. It was on my Christmas list, but Santa totally stiffed me."
I laugh as I grab a carton of milk. So does he.
He leans in closer. “Come sit with me.”
“At the jock table? Are you kidding?” I hand the cashier my lunch card.
Jensen squints his eyes in the direction of his friends. “We’re skinny-ass basketball
players, Wayfare. We don’t really scream jock.”
“Meatheads, then?”
“I believe the correct term is Athletic Types.” We step out from the line and scan
the room. “So where were you planning on sitting?"
“I was thinking Grady and Marco were my safest bet.”
“The nerd table?”
I gesture to myself, especially my glasses. “I figure my natural camouflage will help
me blend, yo.”
He laughs, his honey-blond hair falling in front of his eyes.
“And hey,” I say, nudging him with my elbow, “last I heard, Peters was cool with nerdy.”
He claps me gently on the back. “Good luck, Wayfare. I’m pulling for ya.
”
”
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare #2))
“
The presence of this extraordinary being caused, as it were, a breath of life to circulate throughout the entire cathedral. It seemed as though there escaped from him, at least according to the growing superstitions of the crowd, a mysterious emanation which animated all the stones of Notre-Dame, and made the deep bowels of the ancient church to palpitate. It sufficed for people to know that he was there, to make them believe that they beheld the thousand statues of the galleries and the fronts in motion. And the cathedral did indeed seem a docile and obedient creature beneath his hand; it waited on his will to raise its great voice; it was possessed and filled with Quasimodo, as with a familiar spirit. One would have said that he made the immense edifice breathe. He was everywhere about it; in fact, he multiplied himself on all points of the structure. Now one perceived with affright at the very top of one of the towers, a fantastic dwarf climbing, writhing, crawling on all fours, descending outside above the abyss, leaping from projection to projection, and going to ransack the belly of some sculptured gorgon; it was Quasimodo dislodging the crows. Again, in some obscure corner of the church one came in contact with a sort of living chimera, crouching and scowling; it was Quasimodo engaged in thought. Sometimes one caught sight, upon a bell tower, of an enormous head and a bundle of disordered limbs swinging furiously at the end of a rope; it was Quasimodo ringing vespers or the Angelus. Often at night a hideous form was seen wandering along the frail balustrade of carved lacework, which crowns the towers and borders the circumference of the apse; again it was the hunchback of Notre-Dame. Then, said the women of the neighborhood, the whole church took on something fantastic, supernatural, horrible; eyes and mouths were opened, here and there; one heard the dogs, the monsters, and the gargoyles of stone, which keep watch night and day, with outstretched neck and open jaws, around the monstrous cathedral, barking. And, if it was a Christmas Eve, while the great bell, which seemed to emit the death rattle, summoned the faithful to the midnight mass, such an air was spread over the sombre façade that one would have declared that the grand portal was devouring the throng, and that the rose window was watching it. And all this came from Quasimodo. Egypt would have taken him for the god of this temple; the Middle Ages believed him to be its demon: he was in fact its soul.
”
”
Victor Hugo (The Hunchback of Notre Dame)
“
As the subject watches the movies, the MRI machine creates a 3-D image of the blood flow within the brain. The MRI image looks like a vast collection of thirty thousand dots, or voxels. Each voxel represents a pinpoint of neural energy, and the color of the dot corresponds to the intensity of the signal and blood flow. Red dots represent points of large neural activity, while blue dots represent points of less activity. (The final image looks very much like thousands of Christmas lights in the shape of the brain. Immediately you can see that the brain is concentrating most of its mental energy in the visual cortex, which is located at the back of the brain, while watching these videos.) Gallant’s MRI machine is so powerful it can identify two to three hundred distinct regions of the brain and, on average, can take snapshots that have one hundred dots per region of the brain. (One goal for future generations of MRI technology is to provide an even sharper resolution by increasing the number of dots per region of the brain.) At first, this 3-D collection of colored dots looks like gibberish. But after years of research, Dr. Gallant and his colleagues have developed a mathematical formula that begins to find relationships between certain features of a picture (edges, textures, intensity, etc.) and the MRI voxels. For example, if you look at a boundary, you’ll notice it’s a region separating lighter and darker areas, and hence the edge generates a certain pattern of voxels. By having subject after subject view such a large library of movie clips, this mathematical formula is refined, allowing the computer to analyze how all sorts of images are converted into MRI voxels. Eventually the scientists were able to ascertain a direct correlation between certain MRI patterns of voxels and features within each picture. At this point, the subject is then shown another movie trailer. The computer analyzes the voxels generated during this viewing and re-creates a rough approximation of the original image. (The computer selects images from one hundred movie clips that most closely resemble the one that the subject just saw and then merges images to create a close approximation.) In this way, the computer is able to create a fuzzy video of the visual imagery going through your mind. Dr. Gallant’s mathematical formula is so versatile that it can take a collection of MRI voxels and convert it into a picture, or it can do the reverse, taking a picture and then converting it to MRI voxels. I had a chance to view the video created by Dr. Gallant’s group, and it was very impressive. Watching it was like viewing a movie with faces, animals, street scenes, and buildings through dark glasses. Although you could not see the details within each face or animal, you could clearly identify the kind of object you were seeing. Not only can this program decode what you are looking at, it can also decode imaginary images circulating in your head.
”
”
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
“
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic.
His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo?
He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude.
A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not.
The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety.
The British Empire spend five hundred years plundering the world.
The word is 'thanks'.
'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?'
'I will have to take him off my Christmas list.'
"Any chance you can recover any of it?'
'You sitting near a window, Gerry?'
'Near a window? Sure, right by a window?'
'Can you see the sky?'
'Uh-huh. Got a clear view.'
'See any pigs flying past?'
To dream of death is good for those in fear, for the death have no more fears.
'...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.'
'..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.'
He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day.
..a guy who had been born angry and had just got even angrier with each passing year.
'...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator.
'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.'
On the screen the MasterChef contestant said, 'Now with a sharp knife...'
Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis.
'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.'
It seems to me the world is in a strange place where everyone chooses to be offended all the time.
'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.'
'Ever heard of knocking on a door?'
'Dunno that film -- was it on Netflix?'
'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.'
No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
”
”
Peter James (Dead at First Sight (Roy Grace, #15))
“
The shelves had been stripped bare and battered to Hell, as if some super-important Christmas toy release had come and gone and an army of Super-Moms had ripped through the store, buying everything up like an all-consuming void. Didn't hurt that many of the shelves were lined with piles of bones both animal and human.
”
”
Chuck Wendig (Double Dead (Tomes of The Dead, #1))
“
Q: What do you get when you cross a pig with a Christmas tree? A: A pork-u-pine.
”
”
Rob Elliott (Laugh-Out-Loud Animal Jokes for Kids (Laugh-Out-Loud Jokes for Kids))
“
It’s people who let you down, not animals, Liv thought bitterly. People like Shane’s dad, and her own father. Their dad had announced last Christmas that he was leaving the family and moving in with another woman, and Liv had felt her trust in people tottering ever since. Maybe it happens to everyone when they get to be thirteen, she thought. You realize not every adult is worth your respect, let alone your love.
”
”
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
“
But,” I asked, “ why insult a man after he has gone to all that trouble to track and kill an animal and when he is going to share the meat with you so that your children will have something to eat?”
“Arrogance,” was his cryptic answer.
“Arrogance?”
“Yes, when a young man kills much meat, he comes to think of himself as a chief or a big man, and he thinks of the rest of us as his servants or inferiors. We can’t accept this. We refuse one who boasts, for someday his pride will make him kill somebody. So we always speak of his meat as worthless. This way we cool his heart and make him gentle.
”
”
Richard B. Lee
“
When my visa finally came, it had been nearly two months, and it felt like Christmas morning. That night we had a good-bye party at the restaurant my sister owned, and my whole family came. Some brought homemade cookies, others brought presents, and we had a celebration. Although I knew I would miss everyone, I was ready to go home.
Home didn’t mean Oregon to me anymore. It meant, simply, by Steve’s side.
When I arrived back at the zoo, we fell in love all over again. Steve and I were inseparable. Our nights were filled with celebrating our reunion. The days were filled with running the zoo together, full speed ahead. Crowds were coming in bigger than ever before. We enjoyed yet another record-breaking day for attendance. Rehab animals poured in too: joey kangaroos, a lizard with two broken legs, an eagle knocked out by poison.
My heart was full. It felt good to be back at work. I had missed my animal friends--the kangaroos, cassowaries, and crocodiles.
”
”
Terri Irwin (Steve & Me)
“
At the unexpected sight of Spence, Colbie startled hard. How was it that he was the one who needed glasses and yet she’d not seen him standing against the window? “No, I don’t kill a lot of people,” she said cautiously because she was wearing only a towelin front of a strange man. “But I’m happy to make an exception.”
He laughed, a rough rumble that was more than a little contagious but she controlled herself because, hello, she was once again dripping wet before the man who seemed to make her knees forget to hold her up.
“I didn’t mean to scare you,” he said and pushed off the wall to come close.
She froze, but he held up his hands like, I come in peace, and crouched at her feet to scoop up the clothes she hadn’t realized she’d dropped.
Leggings, a long forgiving tee, and the peach silk bra-and-panty set that hadn’t gotten so much as a blink from the TSA guy.
But it got one out of Spence. He also swallowed hard as she snatched them back from him.
“Hold on,” he said and caught her arm, pulling it toward him to look at her bleeding elbow.
“Sit,” he said and gently pushed her down to a weight bench. He vanished into the bathroom and came back out with a first aid kit.
It took him less than two minutes to clean and bandage the scrape. Then, easily balanced at her side on the balls of his feet, he did the same for both her knees, which she hadn’t noticed were also scraped up.
“You must’ve hit the brick coping as you fell in the fountain,” he said and let his thumb slide over the skin just above one bandaged knee.
She shivered, and not from the cold either. “Not going to kiss it better?” she heard herself ask before biting her tongue for running away with her good sense.
She’d raised her younger twin brothers. Scrappy, roughhouse wild animals, the both of them, so there’d been plenty of injuries she’d kissed over the years.
But no one had ever kissed hers. Not surprising, since most of her injuries tended to be on the inside, where they didn’t show. Still, she was horrified she’d said anything at all. “I didn’t mean—”
She broke off, frozen like a deer in the headlights as Spence slowly lowered his head, brushing his lips over the Band-Aid on her elbow, then her knees. When he lifted his head, he pushed his glasses higher on his nose, those whiskey eyes warm and amused behind his lenses. “Better?”
Shockingly better. Since she didn’t quite trust her voice at the moment, she gave a jerky nod and took her clothes back into the bathroom. She shut the door and then leaned against it, letting out a slow, deliberate breath. Holy cow, she was out of her league. He was somehow both cute and hot, and those glasses .
”
”
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
“
some researchers have found that eating resin or oil from Commiphora or guggulu, lowers blood cholesterol levels. Chinese scientists have discovered that C. myrrha can reduce the development of arteriosclerosis —hardening of the arteries —in animals.
”
”
Roger Highfield (The Physics of Christmas: From the Aerodynamics of Reindeer to the Thermodynamics of Turkey)
“
As our little corner of the world prepares for a lengthy winter slumber, many of our animals are already snug in their deep dark burrows sleeping peacefully, while those of us not destined to hibernate remain awake throughout the long dark months that lie ahead.
”
”
Arlene Stafford-Wilson (Lanark County Christmas)
“
A rhyming Nativity narrative.
"The donkey who carried Mary to the Nativity calmly focuses on feelings of wonderment surrounding the child’s birth. With huge eyes...the little donkey is utterly adorable. Lines like “a bit of tingle-my-toes. / That’s how the evergreen / smelled to me, / a bit of fresh pine to my nose” offer opportunities for caregivers to extend the reading to sensory activities, though the scent of pine doesn’t seem historically accurate. An uncluttered stable features friendly, curious barn animals that greet baby Jesus along with the three Wise Men. Told in verse, the tale evokes a tender, pleasant mood. ...“I lifted my head / above His hay bed // …and sang of this morning of grace.” Jesus, referred to as “the Baby” and “the Babe,” is tan-skinned, as are his parents. Two of the Wise Men are light-skinned, while one is darker-skinned. A gentle, spare tale, part bedtime story, part Christmas fare. (Picture book. 2-5)" Kirkus Reviews
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Jacki Kellum (The Donkey's Song: A Christmas Nativity Story)
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Publishers Weekly, September 9, 2022
The Donkey’s Song: A Christmas Nativity Story
"The humble donkey that transported Mary to the Bethlehem stable describes the sights, smells, and sounds it experiences in this peaceful imagining of Jesus’s birth. Using short rhyming stanzas and reiterative phrasing (“A bit of a manger,/ a bit of snug hay,/ a bit of a soft, silent night”), debut author Kellum creates an understated tone matched by Hanson’s pastoral scenes, which are gently washed in light. Friendly-faced farm animals—including the large-headed donkey and a kind, sprightly mouse—fill most of the spreads, leading in closing pages to the donkey’s moving song: “I lifted my head/ above His hay bed...// ...and sang of this morning of grace.” A sweet and gentle introduction to the nativity story". Ages 3–7. (Oct.) - Publishers Weekly
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Jacki Kellum
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Paul Ricœur has two terms that neatly sum up this difference between modern contracts and God’s covenants.12 Contracts obey a logic of equivalence, a regime of strict justice in which unerring calculation determines the just measure of commitment in each case. It is the logic of the transaction and of the market, a reciprocal paradigm in which debts must be paid in full, but no more. The logic of equivalence belongs to a view of the world in which every gift is a trojan horse that requires reciprocation sooner or later: “They invited us round for dinner and baked their own dessert; we will have to do the same!” It is the ethics of a Derrida who ruefully acknowledges that “for there to be gift, there must be no reciprocity, return, exchange, counter-gift, or debt.”13 This is an impossible standard that leads him to conclude that the pure gift is impossible and could not even be recognized as such: gifts always fall back into economies of debt sooner or later, a grim reality that leads Terry Eagleton to remark “one would not have wished to spend Christmas in the Derrida household.”14 The contractual logic of equivalence is the logic of an eye for an eye and a tooth for a tooth. It is a human logic. God’s covenants, by contrast, operate according to a logic of superabundance, a lavish, gracious, loving paradigm of excess. God walks between the animal parts alone; the exodus rescue precedes the Sinai law; Christ lays down his life in the new covenant in his blood. This is the logic of the “how much more” of the Pauline epistles (Rom 5:9, 10, 15, 17; 11:24; 1 Cor 6:3; 2 Cor 3:9) and the letter to the Hebrews (Heb 9:14; 10:29; 12:9), of going beyond the call of duty, beyond what is right and proper, beyond what could reasonably be demanded on a ledger of credit and debt. The logic of superabundance replaces the fear and submission of Hobbes’s Leviathan or the tyranny of Rousseau’s general will with the love and sacrifice of Christ. It is the logic of grace and the gift. It is a divine logic. The
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Christopher Watkin (Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture)
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Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic.
His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo?
He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude.
A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not.
The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety.
The British Empire spend five hundred years plundering the world.
The word is 'thanks'.
'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?'
'I will have to take him off my Christmas list.'
"Any chance you can recover any of it?'
'You sitting near a window, Gerry?'
'Near a window? Sure, right by a window?'
'Can you see the sky?'
'Uh-huh. Got a clear view.'
'See any pigs flying past?'
To dream of death is good for those in fear, for the death have no more fears.
'...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.'
'..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.'
He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day.
..a guy who had been born angry and had just got even angrier with each passing year.
'...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator.
'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.'
On the screen the MasterChef contestant said, 'Now with a sharp knife...'
Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis.
'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.'
It seems to me the world is in a strange place where everyone chooses to be offended all the time.
'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.'
'Ever heard of knocking on a door?'
'Dunno that film -- was it on Netflix?'
'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.'
No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
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Peter James
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The town seemed to be full of oddities. Like the garden of strange snow statues, carved to look like little round men with jaunty black hats and carrots for their noses. And the leafy green bouquets with white berries tied up in bows hanging over archways all around town, often with two people smooching beneath them, as if the leaves were sprinkled with some kind of love potion. And then there was the large rotating contraption of wooden animals spinning round and round as jaunty music played from a hidden speaker. Even stranger, several children were riding on these animals, squealing in delight as they spun.
Looks like fun, Sally couldn't help thinking.
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Mari Mancusi (Sally's Lament)
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Violeta put her head down in her humble way. "I'm certainly able to bray loudly, Bart, dear. But that would attract a lot of attention. I don't like to do that because it is not always a good thing. Besides, braying loudly wastes energy. I don't want to do that unless it's for something very important."
Bart thought that made a lot of sense. The silly goats were always making noises over the littlest things. "Oh, we're being let out now? Buh-uh-uh! Oh, there's a butterfly! Buh-uh-uh!" The lambs and the ewes were only slightly better.
You're right, Violeta. From now on I'm not going to make noise without a good reason, either," said Bart.
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Laurel Guillen (A Bellwether Christmas)
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hear all about the nice warm stable with all the animals breathing, and the sweet-smelling hay—but that doesn’t change the fact that they put Mary in a barn.
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Barbara Robinson (The Best Christmas Pageant Ever)
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Among the animals cited as having a connection to the Wild Hunt, it is quite startling to find the pig, Freyr’s sacred animal (F III), but also a beast that plays a role in Celtic funerary gifts during the Hallstatt (1000–500 BCE) and the La Tene (500–300 BCE) eras. The pig is one of the most often cited ghost animals, and it appears most often around Christmas and during Advent, which is hardly surprising, for we know that the restless dead—sinners, suicides, the sacrilegious, the greedy, and the usurious—often appear in this form21 and that women who slew their children emerged in the shape of a sow accompanied by her piglets.
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Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
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We can also note a marginal sideline of this area: the night is also host to the wandering of demoniacal animals. In southern Sweden, for example, Gloso, the glowing sow,18 appears during the twelve days of Christmas. She has eyes of fire, sparks spring from her bristles, and she travels like a burning flame.
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Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
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The people who didn’t eat meat wondered how to get out of partaking in what was obviously the pièce de résistance of the Rex Yanakakis Christmas Eve Dinner. The animal-rights people cringed, not wanting to voice their objections for fear of pissing off Clea Sheridan Yanakakis, who was very generous to their causes with her husband’s money. The people who did eat meat tried to ignore the jittery noncarnivores surrounding them.
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S.A. Bodeen (The Compound (The Compound, #1))
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Sophie was smiling at the baby, who was making a determined play for the cat’s nose. Vim expected the beast to issue the kind of reprimand children remembered long after the scratches had healed, but the cat instead walked away, all the more dignified for its missing parts. “He must go terrorize mice,” Sophie said, rising with the child in her arms. “You’re telling me that cat still mouses?” Vim asked, taking the baby from her in a maneuver that was beginning to feel automatic. “Of course Pee Wee mouses.” Sophie turned a smile on him. “A few battle scars won’t slow a warrior like him down.” “A name like Pee Wee might.” She wrapped her hand into the crook of his elbow as they started across the alley. “Elizabeth gets more grief over his name than Pee Wee does.” “And rightly so. Why on earth would you inflict a feminine name on a big, black tom cat?” “I didn’t name him Elizabeth. I named him Bête Noir, after the French for black beast. Merriweather started calling him Betty Knorr after some actress, which was a tad too informal for such an animal, and hence he became Elizabeth. He answers to it now.” Vim suppressed the twitching of his lips, because this explanation was delivered with a perfectly straight face. “I suppose all that counts is that the cat recognizes it. It isn’t as if the cats were going to comprehend the French.” “It’s silly.” She paused inside the garden gate, her expression self-conscious. He stopped with her on the path, cradling the baby against his chest and trying to fathom what she needed to hear at the moment. “To the cat it isn’t silly, Sophie. To him, your kindness and care are the difference between life and death.” “He’s just a cat.” But she looked pleased with Vim’s observations. “And this is just a baby. Come.
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Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
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Then came on a thaw for three or four days, with really warm weather, when everything melted; when the streams burst their bonds; when the earth became soft until it seemed to have no bottom and mud reigned supreme. It was everywhere; the roads were almost impassable and it was difficult to haul the rations to camp from the station. A detail of seventy-five was made from the Seventeenth to assist the brigade wagons back to camp.
It was a cheerless task. The heavy army wagons came toiling laboriously along; many became stalled in the mud, the wheels sunken below the hubs, horses straining, the drivers cursing and lashing the poor animals, while a dozen men pushed at each wheel, all and everything covered with the liquid mire; such was December in Virginia.
The Christmas of 1862 was cheerless indeed; the weather was frightful, and a heavy snowstorm covered everything a foot deep. Each soldier attempted to get a dinner in honor of the day, and those to whom boxes had been sent succeeded to a most respectable degree, but those unfortunates whose homes were outside the lines had nothing whatever delectable partaking of the nature of Christmas. Well! it would have puzzled [anyone] to furnish a holiday dinner out of a pound of fat pork, six crackers, and a quarter of a pound of dried apples. We all had apple dumplings that day, which with sorghum molasses were not to be despised.
Some of the men became decidedly hilarious, and then again some did not; not because they had joined the temperance society nor because they were opposed to the use of intoxicating liquors, but because not a soul invited them to step up and partake. One mess in the Seventeenth did not get so much as a smell during the whole of the holidays; and a dry, dismal old time it proved.
We read in the Richmond papers of the thousands and thousands of boxes that had been passed en route to the army, sent by the ladies of Richmond and other cities, but few found their way to us. The greater part of them were for the troops from the far South who were too distant from their homes to receive anything from their own families. The Virginians were supposed to have been cared for by their own relatives and friends; but some of them were not, as we all know.
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Philip van Doren Stern (The Civil War Christmas Album)
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I flew back to the States in December of 1992 with conflicting emotions. I was excited to see my family and friends. But I was sad to be away from Steve.
Part of the problem was that the process didn’t seem to make any sense. First I had to show up in the States and prove I was actually present, or I would never be allowed to immigrate back to Australia. And, oh yeah, the person to whom I had to prove my presence was not, at the moment, present herself.
Checks for processing fees went missing, as did passport photos, certain signed documents. I had to obtain another set of medical exams, blood work, tuberculosis tests, and police record checks--and in response, I got lots of “maybe’s” and “come back tomorrow’s.” It would have been funny, in a surreal sort of way, if I had not been missing Steve so much.
This was when we should have still been in our honeymoon days, not torn apart. A month stretched into six weeks. Steve and I tried keeping our love alive through long-distance calls, but I realized that Steve informing me over the phone that “our largest reticulated python died” or “the lace monitors are laying eggs” was no substitute for being with him.
It was frustrating. There was no point in sitting still and waiting, so I went back to work with the flagging business.
When my visa finally came, it had been nearly two months, and it felt like Christmas morning. That night we had a good-bye party at the restaurant my sister owned, and my whole family came. Some brought homemade cookies, others brought presents, and we had a celebration. Although I knew I would miss everyone, I was ready to go home.
Home didn’t mean Oregon to me anymore. It meant, simply, by Steve’s side.
When I arrived back at the zoo, we fell in love all over again. Steve and I were inseparable. Our nights were filled with celebrating our reunion. The days were filled with running the zoo together, full speed ahead. Crowds were coming in bigger than ever before. We enjoyed yet another record-breaking day for attendance. Rehab animals poured in too: joey kangaroos, a lizard with two broken legs, an eagle knocked out by poison.
My heart was full. It felt good to be back at work. I had missed my animal friends--the kangaroos, cassowaries, and crocodiles.
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Terri Irwin (Steve & Me)
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We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go.
At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?”
Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body.
“Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help.
“Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured.
“Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card.
I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto.
Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here.
As we idled back in to camp, Robert said, “Can I please drive the boat?”
“Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.”
But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand.
“Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible.
Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc.
“I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off.
“Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too.
When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim.
“Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.”
The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
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Terri Irwin (Steve & Me)
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At the corner of the bar, a conversation rose in decibel, becoming animated.
“Yo, Frank, take a look at what just walked in! Is it Christmas already? ‘Cause that sure is a pretty package.”
“You got that right. . . . Wouldn’t mind unwrapping her bows.”
Instinctively, Sean cast a glance over his shoulder and groaned in despair. The scene from Casablanca played in his mind. . .Of all the gin joints in all the towns in all the world, she had to walk into mine.
This could not be happening. This was his turf, his town, his bar. She had no right to trespass.
Okay, so this wasn’t Casablanca. This wasn’t Rick’s Café. Sam’s fingers weren’t summoning the haunting melody, “As Time Goes By,” from the ivories of an old upright piano. There weren’t any ceiling fans with long propeller-like blades slicing through thick clouds of cigarette smoke, nor were the voices that could be heard an exotic mélange of foreign languages and accents.
But those differences were superficial, of no consequence. The only thing that really mattered was that Sean understood exactly how Bogie felt when his eyes lit on Ingrid Bergman. That terrible mix of bitterness, longing, and fury eating away at him.
He groaned again.
At the sound, the two men sitting at the corner of the bar broke off their conversation, eyeing Sean curiously. Just as quickly, they dismissed him and returned to their avid inspection.
“Must be lost or confused. Palm Beach is twenty-five miles north.”
“Let’s be friendly and give her directions. How ‘bout that, Ray?”
“You frigging nuts? The only directions I’m giving her are to the slip where my houseboat’s moored.
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Laura Moore (Night Swimming: A Novel)
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The door jerked open and he glowered at her. “What do you want?” “Hey! Why are you mad at me? I just want to talk to you.” “I don’t want to talk,” he said, pushing the door closed. With inexplicable courage, she put her booted foot in its path. “Then maybe you can listen.” “No!” he bellowed. “You’re not going to scare me!” she shouted at him. Then he roared like a wild animal. He bared his teeth, his eyes lit like there were gold flames in them, and the sound that came out of him was otherworldly. She jumped back, her eyes as wide as hubcaps. “Okay,” she said, putting up her hands, palms toward him. “Maybe you do scare me. A little.” His eyes narrowed to angry slits, and he slammed the door again. She yelled at the closed door. “But I’ve come too goddamn far and gone to too much goddamn trouble to be scared for long!” She kicked the closed door as hard as she could, then yelped and hopped around from the pain in her toes. It
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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I’m going to go see if I can get you some medicine. There’s an old doc in Virgin River—he might have some stuff on hand for cold and flu. It’ll take me almost a half hour to get there, the same coming back.” “Virgin River,” she said dreamily, eyes closed. “Ian, they have the most beautiful Christmas tree… You should see it…” “Yeah, right. I’ll be an hour or so. The fire should more than last, but will you try to keep the blanket on? Till I get back?” “I’m just too warm for it…” “You won’t be in a half hour, when that aspirin kicks in and drops your temperature. Can you just do this for me?” Her eyes fluttered open. “I bet you’re really pissed at me right now, huh? I just wanted to find you, not make so much trouble for you.” He brushed that wild red hair off her brow where a couple of curly red tendrils stuck to the dampness on her face. “I’m not pissed anymore, Marcie,” he said softly. “When you’re all over this flu, I’ll give you what for. How’s that?” “Whatever. You can howl at me with that big, mean animal roar if you want to. I have a feeling you like doing that.” He grinned in spite of himself. “I do,” he said. “I do like it.” Then he stood and said, “Stay covered and I’ll get back as soon as I can.” *
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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Don’t worry, Ian. I totally protected your anonymity. I told her you were my brother.” “Great,” he pouted. “Now she’s going to ask me about you. And I told you—I’m friendly and pleasant and then I move on.” “You can do that. She’ll find it perfectly understandable.” “Oh? And why’s that?” “Well, she wondered about you. Said you ask for some heavy reading sometimes, but that you didn’t make much conversation.” “Oh, really?” “Yes,” Marcie explained. “I said you were brilliant, but not a very social animal. I said she shouldn’t expect a lot of chitchat from you, but you were perfectly nice, and there was no reason to be shy around you—you’re safer than you look.” “Is that so? And how did you convince her of that?” “Easy. I said you were an idiot savant—brilliant in literature and many other things, but socially you weren’t on your game.” “Oh, Jesus Christ!” She
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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Yeah, I had a dog growing up, too. Big dog—Spike, no kidding. He was almost a perfect animal. But he let my sisters dress him up. That used to make me sick, I’m telling you. The way he let himself be humiliated like that.” Ian shot him a look and a big grin. He was picturing a German shepherd in a tutu and a disgruntled teenage boy. A laugh shot out of him. “It wasn’t funny,” Jack said. “I bet it was,” Ian said.
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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Finn slipped an arm around her waist and squeezed. "We've got to keep them, Callie. I'm already attached to the critters."
"We talkin' about Angel and Pistol or the kids?"
"The whole lot of them. Verdie included. A ranch is just dirt without kids and animals even if they knock over Christmas trees and fall in mud and cow shit. But it needs a good woman, too."
"You callin' me a good woman, or are you going to put an ad in the newspaper for one?" she asked.
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Carolyn Brown (Cowboy Boots for Christmas: Cowboy Not Included (Burnt Boot, Texas, #1))
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contrast, people living right on the edge of farmland are understandably eager to see the end of farming that is noisy, smelly and messy, even if it’s all an essential part of a farmer’s livelihood — and even if the farm was there long before their subdivisions were. But deep in the public gut is a feeling that farmland is a community resource, not just a commodity, and one day we all might have to depend on our own local farms to supply a lot more of our food. Fields used for export crops and animals today are our insurance against food insecurity tomorrow. It’s a primal, practical instinct to protect ourselves against food shortages, however disconnected that might be from the reality of what’s being produced on farms on the edges of our cities. That might be horses, Christmas trees, ornamental shrubs, flowers, or produce and livestock for export — all completely unrelated to what we are eating today, but grown on land that could feed us tomorrow if we really needed it.
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Peter Ladner (The Urban Food Revolution: Changing the Way We Feed Cities)
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Christmas music fills our ears with tales of a Palestinian miracle birth, a generous Turkish saint whom the Dutch dressed in a red suit, and a Druid ceremonial tree…
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Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
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One of the chief spiritual lessons of Christmas for Christian believers is the notion of social inversion, the world turned upside down. We can see this in the appearance of the incarnated God in a manger—an animal feeding trough—rather than a palace, and in the angelic first announcement of this miraculous birth to lowly shepherds rather than princes. The
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Gerry Bowler (Christmas in the Crosshairs: Two Thousand Years of Denouncing and Defending the World's Most Celebrated Holiday)
“
Your mommy gave me”—he wracked his brain for the pig’s name— “Porky.” She looked at him “Peppy the pig?”
The faintest hint of a smile touched her adorable heart-shaped face. “Do you want your pig?” he asked, reaching in his pocket.
She gave her head a quick shake, and Liam withdrew his hand from his pocket. He got it. The singed ear was a reminder of what she and her stuffed animal had been through.
”
”
Debbie Mason (Mistletoe Cottage (Harmony Harbor #1))
“
Perfect snowmen with button eyes
Watching you as you pass by
Two sticks for arms and a carrot nose
Magical snowmen love to pose
Snowmen have warm hearts but their literally cold
So animated with life
You would think they had a soul
A dozen snowmen surround my home
They give me company but I'm still alone
”
”
Donald V. Williams (Poems for Christmas Day)
“
He extended a giant weathered hand, and hugged Snugs with an iron grip that almost swallowed the little bear up.
”
”
Suzy Davies (Snugs The Snow Bear (Snugs Series #1))
“
In a lonely place, he stopped, struck by the sight of a long stretch of freshly fallen snow. Unscathed by animal tracks, footprints, or wheel ruts. Untouched by man. Pure white, unblemished, unspoilt, beautiful - perfectly capturing and reflecting the sunlight. What would it be like to be that new, that perfect, that pure, he wondered, when he himself felt sullied - a dark, muddy mess. And what was it about seeing such a sight that made a man want to step foot across it, to claim the virgin territory for himself and make his mark? And too often, end up ruining it? Richard shook his head. Not this time. Not him, not anymore
”
”
Julie Klassen (An Ivy Hill Christmas (Tales from Ivy Hill))
“
Help Us Help Them!
All proceeds from The Great Tree - A Christmas Fable go to support The Last Road Dog Animal Sanctuary a 501 (c)(3) IRS approved public charity for unadoptable, unwanted ands older dogs to live out their lives in paradise.
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Able Barrett (The Great Tree: A Christmas Fable)
“
We’re acting like grown up humans tonight, remember?” “I prefer to be an adolescent animal.
”
”
T.L. Swan (His Christmas List)
“
Nothing beats the feeling of releasing a healed animal back into its natural habitat. It’s awesome! Every release gives me a buzz but, for me, there’s something special about releasing hedgehogs. It’s a combination of having worked solely with them for so long before we expanded the rescue centre, knowing how vulnerable, and totally and utterly adorable they are. I defy anyone to get to know hedgehogs and not to fall in love with them.
”
”
Jessica Redland (Christmas Miracles at Hedgehog Hollow)
“
He looked a little crazy, till you got used to him. He could act as if he had needs barely above the animal kingdom, taking roughing it to the next level. When he was in his working clothes, he looked as if he barely subsisted. He could growl and snarl like a lunatic. But he had intelligent diction, good table manners, and while he might not be terribly social and on the quiet side, he had no trouble being around people. He was perfectly cordial.
”
”
Robyn Carr (A Virgin River Christmas (Virgin River #4))