Angry Bird Quotes

It's a very small object to be capable of doing many wonderful things, don't you think?" "It does much more that that," Valkyrie said, opening up a game and showing it to him. His eyes widened. "What wonder is this?" "It's called Angry Birds. Now do you believe me?

Here's my library, where I don't do a lot of reading but mostly play Angry Birds on the computer.

There was the girl, screaming like an angry bird, When it finds its nest left empt and little ones gone." - Sentry

What do you think love is- a thing to startle from the heart like a bird at every shout or blow? You can fly from me, high as you choose into your darkness, but you will see me always beneath you, no matter how far away, with my face turned to you. My heart is in your heart. I gave it to you with my name that night and you are its guardian, to treasure it, or let it whither and die. I do not understand you. I am angry with you. I am hurt and helpless, but nothing will fill the ache of the hollowness in me where your name would echo if I lost you.

Y'all probably watched a lot of television." "We didn't have TV." "Nintendo, then?" He shook his head. "Fantasy football? Xbox?" I frowned. "Please tell me you had Angry Birds." "We had a library," he said, "and a few educational magazines." "Huh. Well, that's just tragic.

I have always swung back and forth between alienation and relatedness. As a child, I would run away from the beatings, from the obscene words, and always knew that if I could run far enough, then any leaf, any insect, any bird, any breeze could bring me to my true home. I knew I did not belong among people. Whatever they hated about me was a human thing; the nonhuman world has always loved me. I can't remember when it was otherwise. But I have been emotionally crippled by this. There is nothing romantic about being young and angry, or even about turning that anger into art. I go through the motions of living in society, but never feel a part of it. When my family threw me away, every human on earth did likewise.

The bottom half of the page had descended into a doodle of a tiny man giving the middle finger to a giant, angry eagle with razor-sharp talons. Beneath it, the caption: To Mock a Killing Bird.

She is here now, outside the walls of the villa, where the night has painted its own version of the valley, in bold indigo strokes; where the wind animates this mysterious shaded landscape, setting the trees in motion, flinging night birds up to the blue-black air, driving angry blots across the unreadable face of the firmament.

If you send someone a snarky Tweet, does that make you an Angry Bird?

Mother Nature was one angry slut. She'd try and kill you the first chance she got. You'd screwed with her for so long that she was happy to eliminate you.

... if we walk far but are angry as we journey, we travel nowhere. If we hold grudges as we scale mountains, our view remains the same.

Yes, you were taught to waste your anger. It’s convenient for girls to be angry about nothing. Girls who are angry about something are dangerous. If you want to live, you must learn to use your anger for your own benefit, not the benefit of those who would turn it against you.--Vikram

when Steve Jobs said that the goal of every entrepreneur should be to “put a dent in the universe”—he wasn’t talking about inventing the next Angry Birds.

It wasn’t the most rational move, but I was hungry. I was angry. I hated being taken advantage of, and I didn’t particularly like bald eagles. The blade hit the bird’s back and stuck there like superglue. I tried to pull it away, but it wouldn’t move. My hands were grafted to the sword grip. “Okay, then,” the eagle squawked, “we can play it that way.” He took off through the food court at sixty miles an hour, dragging me along behind him.

You don’t know what it’s like to worry you’ll start to despise the people who help you, the ones you should love, because they’re healthy and you’re not, because they’re kind and you’re this angry, frustrated . . . thing.

No one sighs regretfully on his deathbed and says, “I can’t believe I wasted all that time with my wife and kids,” “volunteering at the soup kitchen,” or “growing in my spirituality.” No one ever says, “I should have spent more time watching TV and playing Angry Birds on my phone.” In my own life, nothing has given my life more meaning and satisfaction than my Catholic faith and the love of my

From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang

She had expected a pistol to seem light and natural-a seamless extension of her angry feral self.

We wanted more. We knocked the butt ends of our forks against the table, tapped our spoons against our empty bowls; we were hungry. We wanted more volume, more riots. We turned up the knob on the TV until our ears ached with the shouts of angry men. We wanted more music on the radio; we wanted beats; we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more.

Your voice is the wildest thing you own,” Brooke says to me. “And you’re giving it away. You can’t see it. Your obsession is blinding you.” He is angry. He is talking in shorthand. “You’re losing yourself.

Are you angry with the bird because he can fly, or angry with the horse for her beauty, or angry with the bear because he has fearsome teeth and claws? Because he’s bigger than you are? Stronger too? Destroying all the things you hate won’t change any of that. You still won’t be a bear or a bird or a horse. Hating men won’t make you a man. Hating your womb or your breasts or your own weakness won’t make those things go away. You’ll still be a woman. Hating never fixed anything. It seems simple, but most things are. We just complicate them. We spend our lives complicating what we would do better to accept. Because in acceptance, we put our energies into transcendence.

I don’t hate my relatives or those whose names fill my address book. But I do not want to have lunch with any of them. It is not personal. I am not angry. Nor is this about being afraid. I am not shy. I do not have terrible manners. Do birds hate lips? Do Fijians detest snowplows? Being a loner is not about hate, but need: We need what others dread. We dread what others need.

Malcolm was the first political pragmatist I knew, the first honest man I’d ever heard. He was unconcerned with making the people who believed they were white comfortable in their belief. If he was angry, he said so. If he hated, he hated because it was human for the enslaved to hate the enslaver, natural as Prometheus hating the birds. He would not turn the other cheek for you. He would not be a better man for you. He would not be your morality. Malcolm spoke like a man who was free, like a black man above the laws that proscribed our imagination.

I took his poor, broken head into my lap and cradled it. 'Your good looks are gone,' I told him. 'But you mustn't worry about it. This unsightly condition is only temporary. Don't be sad. Don't fear. I will place you somewhere where the fish and the birds can strip away all this broken flesh. It will soon be gone. Then you will be a handsome skull and handsome bones. I will put you in good order and you can rest in the Sunlight and the Starlight. The Statues will look down on you with Blessing. I am sorry that I was angry with you. Forgive me.

A certain king had a beautiful garden, and in the garden stood a tree which bore golden apples. These apples were always counted, and about the time when they began to grow ripe it was found that every night one of them was gone. The king became very angry at this, and ordered the gardener to keep watch all night under the tree. The gardener set his eldest son to watch; but about twelve o'clock he fell asleep, and in the morning another of the apples was missing. Then the second son was ordered to watch; and at midnight he too fell asleep, and in the morning another apple was gone. Then the third son offered to keep watch; but the gardener at first would not let him, for fear some harm should come to him: however, at last he consented, and the young man laid himself under the tree to watch. As the clock struck twelve he heard a rustling noise in the air, and a bird came flying that was of pure gold; and as it was snapping at one of the apples with its beak, the gardener's son jumped up and shot an arrow at it. But the arrow did the bird no harm; only it dropped a golden feather from its tail, and then flew away. The golden feather was brought to the king in the morning, and all the council was called together. Everyone agreed that it was worth more than all the wealth of the kingdom: but the king said, 'One feather is of no use to me, I must have the whole bird.

With these words there came the rending scream of a shattered stirk and an angry troubling of the branches as the poor madman percolated through the sieve of a sharp yew, a wailing black meteor hurtling through green clouds, a human prickles.

Fuck romance—Lea was the love of my life. It was beautiful and horrible and messy and angry, but it was also the purest, most innocent kind of love I’ll ever feel.

They tried hard to take comfort from the fact that the boys hadn’t died in vain: they had been part of a magnificent struggle for right. And there were moments where they could believe that and swallow down the angry, desperate screech that wanted to scrape its way out of their gullets like out of a mother bird.

I suppose I knew on an intellectual level that graves weren't especially made for getting out of. I mean, you start with a hermetically sealed casket and then you dump six feet of dirt on top of it. Over time the earth gets compacted, which can't make it easy to dig through. So even if you're a very angry and determined zombie, you've kind of got your work cut out for you just escaping from the grave. Which was, I suppose, why we got hit with an initial wave of zombie bugs, birds and rodents. I bet some people would say if you've never picked undead mosquitoes out of your teeth, you've never lived. Under that definition, I'd be just as happy to have not lived, thanks.

I couldn’t explain how it felt to converse with another human being. To actually converse. I had been reduced to sharing nothing of my innermost thoughts for most of my life. Reduced to throwing things when I was angry. Reduced to tears when I was sad. Reduced to the simplicity of nods and bows, of having people look away from me or become frustrated when they didn’t know what I was trying to communicate. I had been alone for so long with thousands of words I couldn’t express.

Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.

bottom half of the page had descended into a doodle of a tiny man giving the middle finger to a giant, angry eagle with razor-sharp talons. Beneath it, the caption: To Mock a Killing Bird. Sadly, this was the best idea I’d had in weeks.

I respected people who had it all together. But the people who stumbled into school looking like they’d gotten attacked by an angry flock of birds? Those were my people.

Big Bird is now Angry Bird!

Women can often sense when men are angry before they know it themselves. It’s ingrained.

Little birds, striking vipers, and angry bears… These are all wild, resilient things. And a cage could never hold her heart.

Life is an extraordinary gift some people appear not to appreciate. In every breath and scent, every touch and sight we are gifted by new experience and the chance to feel the richness of experience. Every sound we hear, from the song of a bird to the harshness of an angry voice, is a miracle.

I focus on the window between me and my freedom. I want to smash this concrete world into oblivion. I want to be bigger, better, stronger. I want to be angry angry angry. I want to be the bird that flies away.

All emotions have an opposite. Anger and sadness are two of the same. When someone is angry, when they calm down, you may discover they’re actually sad about some part in their life. Do you know what the other side of envy is?” I shook my head. “It’s a lack of confidence, self-esteem. If he envies Silas’s strength, then he’s unsure about his own. If he’s envious of Victor’s wealth and what he can give you, it’s because he’s insecure about his lack of money and ability to give you those material things. Gabriel’s greatest weakness is his own perception of himself.

O Indra, destroy all those lustful people behaving like birds.... angry ones behaving like wolves.... greedy ones behaving like vultures.... enticed ones behaving like owls..... arrogant ones behaivng like eagles and the jealous ones behaving like dogs.

You must be like the mourning bird, do you remember? That it’s in the process of striving for her perfect song that she conquers fear and triumphs. Being brave can’t always put things in black and white, but it can be a pretty good beginning, Elyse—a fresh start.

I sit on an outcropping of rock above the lake and try to be angry, but I can’t hold the feeling. I need erupting volcanoes, hurricanes, massive earthquakes. Were I working on Monstrous Sea right now, Orcus’s monsters would bleed from the page in the search for flesh. I need vindication. I do not need little birds twittering over a wide expanse of shimmering lake and a light wind ruffling my hair. Nature defies my anger. Nature defies every emotion I have. I can’t complain to nature, or appeal to it, or rage at it. Nature doesn’t care about me.

They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they woke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish-–something they heard, something they had picked up in the garden. They had all their little treasures. . . And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and he believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries––perhaps that was it. He had always his work to fall back on.

I can teach them little things that may not be in any of the great books on writing. For instance, I’m not sure if anyone else has mentioned that December is traditionally a bad month for writing. It is a month of Mondays. Mondays are not good writing days. One has had all that freedom over the weekend, all that authenticity, all those dreamy dreams, and then your angry mute Slavic Uncle Monday arrives, and it is time to sit down at your desk.

Line, I love you. I really love you, Line, but I don’t have time to think about that, there are so many things I have to think about, this wind, for example, I have to go out now and walk in the wind. Not with you, Line, don’t be angry. Walking in the wind is something you have to do alone, because there is a tiger and a piano whose music kills birds, and only the wind can banish the fear, it’s a well-known fact, I’ve been aware of it for a long time.

In his play Antigone, Sophocles summed it up: Wonders are many and none more wonderful than man . . . In the meshes of his woven nets, cunning of mind, ingenious man . . . He snares the lighthearted birds and the tribes of savage beasts, and the creatures of the deep seas . . . He puts the halter round the horse’s neck And rings the nostrils of the angry bull. He has devised himself a shelter against the rigours of frost and the pelting rains. Speech and science he has taught himself, and artfully formed laws for harmonious civic life . . . Only against death he fights in vain. But clear intelligence—a force beyond measure— moves to work both good and ill . . . When he obeys the laws and honors justice, the city stands proud . . . But man swerves from side to side, and when the laws are broken, and set at naught, he is like a person without a city, beyond human boundary, a horror, a pollution to be avoided.29 The

Consider that the telephone took 75 years to reach 50 million users, whereas television was in 50 million households within 13 years, the internet in 4,  . . . and Angry Birds in 35 days. In the tech era, the pace is accelerating further: it took Microsoft Office 22 years to reach a billion users, but Gmail only 12, and Facebook 9. Trying

They are angry people. This is why they write.

It's decided then. I'm just going to lie here and have a little pity party for myself because who spends the night of their eighteenth birthday alone in their bedroom playing Angry Birds on a phone where the settings are all in Arabic, wearing a heart-shaped locket their mom gave them? Oh yeah, that's right, someone with no life. And no prospect of ever getting one.

He could make giants feel like cockroaches.” But Strauss was not a student; he was a powerful, thin-skinned, vengeful man easily humiliated. He left the hearing room that day very angry.

Look, back in the old days, ravens used to be gentle and white, like doves, okay? But they were terrible gossips. One time I was dating this girl, Koronis. The ravens found out she was cheating on me, and they told me about it. I was so angry, I got Artemis to kill Koronis for me. Then I punished the ravens for being tattletales by turning them black.” Reyna stared at me like she was contemplating another kick to my nose. “That story is messed up on so many levels.” “Just wrong,” Meg agreed. “You had your sister kill a girl who was cheating on you?” “Well, I—” “Then you punished the birds that told you about it,” Reyna added, “by turning them black, as if black was bad and white was good?” “When you put it that way, it doesn’t sound right,” I protested. “It’s just what happened when my curse scorched them. It also made them nasty-tempered flesh-eaters.” “Oh, that’s much better,” Reyna snarled. “If we let the birds eat you,” Meg asked, “will they leave Reyna and me alone?” “I—What?” I worried that Meg might not be kidding. Her facial expression did not say kidding. It said serious about the birds eating you. “Listen, I was angry! Yes, I took it out on the birds, but after a few centuries I cooled down. I apologized. By then, they kind of liked being nasty-tempered flesh-eaters. As for Koronis—I mean, at least I saved the child she was pregnant with when Artemis killed her. He became Asclepius, god of medicine!” “Your girlfriend was pregnant when you had her killed?” Reyna launched another kick at my face. I managed to dodge it, since I’d had a lot of practice cowering, but it hurt to know that this time she hadn’t been aiming at an incoming raven. Oh, no. She wanted to knock my teeth in. “You suck,” Meg agreed.

As should be obvious by now, surveillance is the business model of the Internet. You create “free” accounts on Web sites such as Snapchat, Facebook, Google, LinkedIn, Foursquare, and PatientsLikeMe and download free apps like Angry Birds, Candy Crush Saga, Words with Friends, and Fruit Ninja, and in return you, wittingly or not, agree to allow these companies to track all your moves, aggregate them, correlate them, and sell them to as many people as possible at the highest price, unencumbered by regulation, decency, or ethical limitation. Yet so few stop and ask who else has access to all these data detritus and how it might be used against us. Dataveillance is the “new black,” and its uses, capabilities, and powers are about to mushroom in ways few consumers, governments, or technologists might have imagined.

Every young man starting life ought to know how to cope with an angry swan, so I will briefly relate the proper procedure. You begin by picking up the raincoat which somebody has dropped; and then, judging the distance to a nicety, you simply shove the raincoat over the bird’s head; and, taking the boat-hook which you have prudently brought with you, you insert it underneath the swan and heave. The swan goes into a bush and starts trying to unscramble itself; and you saunter back to your boat, taking with you any friends who may happen at the moment to be sitting on roofs in the vicinity. That was Jeeves’s method, and I cannot see how it could have been improved upon.

As an example, when Zeus is dallying with the nymph Io, Hera spots them, so he turns Io into a lovely white heifer. Hera, not fooled, seizes the cow and places her under the guard of a giant named Argus Panoptes (“All-Seeing”) because his body is covered with one hundred eyes (making him, quite literally, the first private eye called in by a wife to intervene in a case of adultery). Zeus sends in the god Hermes to tell him a boring, endless story, which gradually puts Argus to sleep, one eye at a time; then Hermes kills him and frees Io. Not done, Hera sends a gadfly to chase Io (an apt choice for hassling a cow), which stings her all the way to Egypt. Hera takes all of the eyes from Argus’ corpse and puts them on the tail of her favorite bird, the peacock. Take away the fanciful elements and the metamorphoses, and you have a classic story of an unfaithful husband confronted by an angry wife who tries to get even with the other woman.

The Nightingale Aria is about more than a bird who is lost in the forest. The nightingale is angry, she is miserable, she is in pain. It is a song of transformation, of transcendence. You see, when her melody returns, it transcends into something new. She finds love amid despair and wretched loneliness; it is this new transformation, this change in her song, that allows her to finally find her way home. It is meant to make the listener weep and feel joy at the same time.

I had no particular problem about getting divorced. For all intents and purposes we already were divorced. And I had no emotional hang up about signing and sealing the official documents. If that's what she wanted, fine. It was a legal formality, nothing more. But when it came to why, and how, things had turned out this way, the sequence of events was beyond me. I understood, of course, that over time, and as circumstances changed, a couple could grow closer, or move apart. Changes in a person's feelings aren't regulated by custom, logic, or the law. They're fluid, unstable, free to spread their wings and fly away. Like migratory birds have no concept of borders between countries. But these were all just generalizations, and I couldn't easily grasp the individual case here-that this woman, Yuzu, refused to love this man, me, and chose instead to be loved by someone else. It felt terribly absurd, a horribly ugly way to be treated. There wasn't any anger involved (I think). I mean, what was I supposed to be angry with? What I was feeling was a fundamental numbness. The numbness your heart automatically activates to lessen the awful pain when you want some-body desperately and they reject you. A kind of emotional morphine.

He was always very kind and considerate to anybody below him,” recalled Harold Cherniss. “But not at all to people who might be considered his intellectual equals. And this, of course, irritated people, made people very angry, and made him enemies.” Wendell

That’s the thing I’ve never really understood about emotions. We’re given unhelpful words for them—sad, happy, angry, scared, disgusted—but they’re not accurate and there never seems to be anywhere near enough of them. How could there be? Emotions aren’t binary or finite: they change, shift, run into each other like colored water. They are layered, three-dimensional and twisted; they don’t arrive in order, one by one, labeled neatly. They lie on top of each other, twisting like kaleidoscopes, like prisms, like spinning bird feathers lit with their own iridescence.

The lace curtains fluttered, and the sweet rich smell of Outdoors pushed through the open sash window- eucalyptus and lemon myrtle and overripe mangoes starting to boil on her father's prized tree. Vivien folded the papers back into the drawer and jumped to her feet. The sky was cloudless, blue as the ocean and drum-skin tight. Fig leaves glittered in the bright sunlight, frangipanis sparkled pink and yellow, and birds called to one another in the thick rain forest behind the house. It was going to be a stinker, Vivien realized with satisfaction, and later there'd be a storm. She loved storms: the angry clouds and the first fat drops, the rusty smell of thirsty red dirt, and the lashing rain against the walls as Dad paced back and forth on the veranda with his pipe in his mouth and a shimmer in his eyes, trying to keep his thrill in check as the palm trees wailed and flexed.

great. This is a good description of Rovio, which was around for six years and underwent layoffs before the “instant” success of the Angry Birds video game franchise. In the case of the Five Guys restaurant chain, the founders spent fifteen years tweaking their original handful of restaurants in Virginia, finding the right bun bakery, the right number of times to shake the french fries before serving, how best to assemble a burger, and where to source their potatoes before expanding nationwide. Most businesses require a complex network of relationships to function, and these relationships take time to build. In many instances you have to be around for a few years to receive consistent recognition. It takes time to develop connections with investors, suppliers, and vendors. And it takes time for staff and founders to gain effectiveness in their roles and become a strong team.* So, yes, the bar is high when you want to start a company. You’ll have the chance to work on something you own and care about from day to day. You’ll be 100 percent engaged and motivated, and doing something you believe in. You can lead an integrated life, as opposed to a compartmentalized one in which you play a role in an office and then try to forget about it when you get home. You can define an organization, not the other way around. But even if you quit your job, hunker down for years, work hard for uncertain reward, and ask everyone you know for help, there’s still a great chance that your new business will not succeed. Over 50 percent of companies fail within their first three years.2 There’s a quote I like from an unknown source: “Entrepreneurship is living a few years of your life like most people won’t, so that you can spend the rest of your life like most people can’t.

Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset. It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earthly sense with one fierce flash. Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.

Under a Certain Little Star" My apologies to chance for calling it necessity. My apologies to necessity in case I’m mistaken. May happiness not be angry if I take it for my own. May the dead forgive me that their memory’s but a flicker. My apologies to time for the multiplicity of the world overlooked each second. My apologies to an old love for treating the new one as the first. Forgive me far-off wars for taking my flowers home. Forgive me open wounds for pricking my finger. My apologies for the minuet record, to those calling out from the abyss. My apologies to those in railway stations for sleeping comfortably at five in the morning. Pardon me hounded hope for laughing sometimes. Pardon me deserts for not rushing in with a spoonful of water. And you O hawk, the same bird for years in the same cage, forever still and staring at the same spot, absolve me even if you happened to be stuffed. My apologies to the tree felled for four table legs. My apologies to large questions for small answers. Truth, do not pay me too much attention. Solemnity, be magnanimous to me. Endure, O mystery of being that I might pull threads from your veil. Soul, don’t blame me that I’ve got you so seldom. My apologies to everything that I can’t be everywhere. My apologies to all for not knowing how to be every man and woman. I know that as long as I live nothing can excuse me, because I myself am my own obstacle. Do not hold it against me, O speech, that I borrow weighty words, and then labor to make them light.

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping.

Along with Batman v. Superman and Godzilla vs. Kong, I suppose we’ll get Frankenstein vs. Dracula, and perhaps Transformers vs. G.I. Joe in the HasbroVerse, and Warcraft vs. Angry Birds in the GameVerse — not to be confused with the BoardgameVerse of Battleship vs. Risk and Chutes and Ladders vs. Candy Land. And eventually all of these shared universes will collide with all of the others, including Alien vs. Predator and Freddy vs. Jason, in a Brobdingnagian rumble pitting Jedi against Pirates of the Caribbean, Terminators against Borg, and Muppets against Smurfs, world without end. Even if for some inexplicable reason that doesn’t happen, the LegoVerse will make it happen

There are simply several different paths leading to high intelligence, and only some of these paths involve gaining consciousness. Just as airplanes fly faster than birds without ever developing feathers, so computers may come to solve problems much better than mammals without ever developing feelings. True, AI will have to analyse human feelings accurately in order to treat human illnesses, identify human terrorists, recommend human mates and navigate a street full of human pedestrians. But it could do so without having any feelings of its own. An algorithm does not need to feel joy, anger or fear in order to recognise the different biochemical patterns of joyful, angry or frightened apes.

There was an open gate a little way along, and Lyra could have followed him, bit she hung back unwillingly. Pantalaimon looked at her, and then became a badger. She knew what he was doing. Dæmons could move no more than a few yards from their humans, and if she stood by the fence and he remained a bird, he wouldn't get near the bear; so he was going to pull. She felt angry and miserable. His badger claws dug into the earth and he walked forwards. It was such a strange tormenting feeling when your dæmon was pulling at the link between you; part physical pain deep in the chest, part intense sadnessmand love. And she knew it was the same for him. Everyone tested it when they were growing up: seeing how far they could apart, coming back with intense relief. He tugged a little harder. "Don't, Pan!" But he didn't stop. The bear watched motionless. The pain in Lyra's heart grew more and more unbearable, and a sob of longing rose in her throat. "Pan –" then she was through the gate, scrambling over the icy mud towards him, and he turned into a wildcat and sprang up into her arms, and then they were clinging together tightly with little shaky sounds of unhappiness coming from both. "I thought you really would –" "No –" "I couldn't belief how much it hurt–" and then she brushed away the tears angrily and sniffed hard. He nestled in her arms, and she knew she would rather die than let them be parted and face that sadness again; it would send her mad with grief and terror.

But Strauss was not a student; he was a powerful, thin-skinned, vengeful man easily humiliated. He left the hearing room that day very angry. “I remember clearly,” said Gordon Dean, another AEC commissioner, “the terrible look on Lewis’ face.” Years later, David Lilienthal vividly recalled, “There was a look of hatred there that you don’t see very often in a man’s face.

You are trying your best to make sense of a whole new world and a whole new self. It's scary to take steps towards independence and I wish I could help you feel softer towards yourself while you explore what that actually means. The dynamic nature of your experience right now is completely normal and those high highs and low lows are a ride that you will get used to and learn to appreciate. I know you are overwhelmed by your own emotions a lot these days , and that makes you angry with yourself. But a bird's eye view shows that there is a bottleneck building up, shepherding you toward your own discovery of songwriting as a part of your essence, not just a hobby. And you aren't alone. You are about to find a maze of people who share a love of the thing that will be your lifeboat: music.

Are you angry with the bird because he can fly, or angry with the horse for her beauty, or angry with the bear because he has fearsome teeth and claws? Because he’s bigger than you are? Stronger too? Destroying all the things you hate won’t change any of that. You still won’t be a bear or a bird or a horse. Hating men won’t make you a man. Hating your womb or your breasts or your own weakness won’t make those things go away. Hating never fixed anything.

Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft.

It was one of those rare moments where one has a vision of the scope of the wild ocean. Not just small cylinders firing to keep a tiny engine running, but rather the giant, massive gears of nature, each one with its own reasoning, its own meta-logic, spinning in its particular circle in competition or in confluence with the gear below it. We zeroed in on the school, but our progress was painfully slow, It would have been foolish to speed into the tumult-we would have ruined our baits in the process and doomed our chances of hooking a tuna. But luckily, the commotion did not subside. If anything it only grew more frantic and exhuberant on our approach. Beneath the birds, beneath the dolphins, beneath the menhaden, there should have been an equally vast school of giant bluefin tuna, collaborating with vertebrates of the so-called higher orders of life to form the floor of the prey trap, sealing the baitfish in from below, while the dolphins and birds made up the trap's walls and ceiling. A strike from a giant tuna seemed inevitable.....as the boat moved forward, I saw seabirds gathering up ahead into a cloud, the size and violence of which I had never seen before. Gannets - big, albatross-like pelagic birds - flew hundreds of feet above the churning surface of the water. In a flock of many thousands, they whirled in unison and then, as if on command from some brigadier general of bird life, dropped in an arc, bird after bird, into the water beneath. The gyre of gannets turned in a clockwise direction, and down below, spinning counterclockwise, was the largest school of dolphins I'd ever seen. There in the angry blue-green sea, the dolphins had corralled a vast school of menhaden-small herringlike creatures that, when bitten, release globules of oil that float on the surface. Oil slicks flattened the water everywhere as the dolphins swirled around, using their exceptional intelligence and wolf-pack cooperation to befuddle and surround the fish, which in turn whirled in a clockwise direction.

Josephy visited several leading Manhattan bookstores and sadly discovered the explanation [from his agent] to be generally correct; books about Indians were shelved in the back of the stores alongside books about natural history, dinosaurs, plants, birds, and animals rather than being placed alongside biographies and histories of Americans, Europeans, Asians, Africans, and other great world cultures. Puzzled, Josephy began asking bookstore managers for a justification of this marketing tactic and was informed that Indian books had “just always been placed there.” The longer he pondered booksellers’ indifference toward Indians, the more annoyed Josephy became with the realization that bookstore marketing tactics were simply a reflection of the pervasive thinking throughout the United States in 1961: Americans believed Indians to be a vanished people. “Thinking about it made me angry,” Josephy wrote in his autobiography, “and I vowed that someday, some way, I would do something about this ignorant insult.

showered the strixes with an explosion of bushes dotted with green fruits. The birds simply veered around them. “Grapes?” Grover asked. “Gooseberries,” said Meg. “Are you sure?” Grover asked. “The shape of the leaves—” “Grover!” I snapped. “Let’s restrict ourselves to military botany. What’s a—? DUCK!” Now, gentle reader, you be the judge. Was I asking the question What’s a duck? Of course I wasn’t. Despite Meg’s later complaints, I was trying to warn her that the nearest strix was charging straight at her face. She didn’t understand my warning, which was not my fault. I swung my borrowed scimitar, attempting to protect my young friend. Only my terrible aim and Meg’s quick reflexes prevented me from decapitating her. “Stop that!” she yelled, swatting the strix aside with her other blade. “You said cover me!” I protested. “I didn’t mean—” She cried out in pain, stumbling as a bloody cut opened along her right thigh. Then we were engulfed in an angry storm of talons, beaks, and black wings. Meg swung her scimitar wildly. A strix launched itself at my face, its claws about to rip my eyes out, when Grover did the unexpected: he screamed.

The city’s streets coiled around him, writhing like serpents, London had grown unstable once again, revealing its true, capricious, tormented nature, its anguish of a city that had lost its sense of itself and wallowed, accordingly, in the impotence of its selfish, angry present of masks and parodies, stifled and twisted by the insupportable, unrejected burden of its past, staring into the bleakness of its impoverished future. He wandered its streets through that night and the next day, and the next night, and on until the light and dark ceased to matter. He no longer seemed to need food or rest, but only to move constantly through that tortured metropolis whose fabric was now utterly transformed, the houses in the rich quarters being built of solidified fear, the government buildings partly of vainglory and partly of scorn, and the residences of the poor of confusion and material dreams. When you looked through an angel’s eyes you saw essences instead of surfaces, you saw the decay of the soul blistering and bubbling on the skins of people in the street, you saw the generosity of certain spirits resting on their shoulders in the form of birds. As he roamed the metamorphosed city he saw bat-winged imps sitting on the corners of buildings made of deceits and glimpsed goblins oozing wormily through the broken tilework of public urinals for men. As once the thirteenth-century German monk Richalmus would shut his eyes and instantly see clouds of minuscule demons surrounding every man and woman on earth, dancing like dustspecks in the sunlight, so now Gibreel with open eyes and by the light of the moon as well as the sun detected everywhere the presence of his adversary, his—to give the old word back its original meaning—shaitan.

There's no such thing as positive thinking. There is, however, positive acting and positive doing, and positive being. Positive thinking is the reflection of such activities. You can't force yourself to think positively, but merely suppress negativity and get insane while pushing yourself along a river that flows on the opposite direction. Every life challenge is there to show you that you don't want to hit the rocks. It's really that simple when you look at things as they show themselves to you. You flow with the stream and you avoid the rocks along the way. That's positive thinking, even when you are angry about life, even when you're complaining, and even when you feel antagonistic with the world and the ones around you. That's the truth, simply because it will bring you back results. And that, you won't ever get by sitting on the floor and imagining emotions. You have the right to hate the rocks that come your away, as long as you keep paddling and enjoying the journey. There's no point in closing your eyes and pretending the rocks aren't there or trying to make them vanish with wishful thinking, or expecting a big magical bird to save you and take you in his wings for a pleasant flight in the skies.

I happened to mention this to a hypnotist I saw many years ago, and he looked at me very nicely. At first I thought he was feeling around on the floor for the silent alarm button, but then he gave me the following exercise, which I still use to this day. Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft.

When you speak, allow the insight of our collective humanity to speak through you. When you walk, don’t walk for yourself alone; walk for your ancestors and your community. When you breathe, allow the larger world to breathe for you. When you’re angry, allow your anger to be released and to be embraced by the larger community. If you know how to do this for one day, you are already transformed. Be your community and let your community be you. This is true practice. Be like the river when it arrives at the ocean; be like the bees and birds that fly together. See yourself in the community and see the community in you. This is a process of transforming your way of seeing, and it will transform how, and how effectively, you communicate.

I say this—after six million years of evolution, is there anything else more in tune with the planet than the human body? We grow muscles to withstand fourteen pounds of air pressure per square inch at sea level. We develop senses to detect changes in wind patterns and know when a storm is approaching. We can hear threatening footsteps approaching and feel the stares of an angry ex-girlfriend as her eyes burn a hole in our back. We have millions of nerve endings in our skin to feel our environment. In short, we evolve. We become more in tune with the world, like birds that use the Earth’s magnetic field to help guide them on their long migration or mammals that can feel winter coming and prepare for hibernation. So when my body tells me there’s a spirit present, I trust it.

Let me hear from you soon, if you are not angry. I have been reading the Bridgewater treatise, and am now trying to understand Prout upon Chemistry. I shall be worth something at last, shall I not? Who knows but what I may die a glorious death under the pons asinorum after all? Prout (if I succeed in understanding him) does not hold that matter is infinitely divisible; and so I suppose the seeds of matter — the ultimate molecules — are a kind of tertium quid between matter and spirit. Certainly I can’t believe that any kind of matter, primal or ultimate, can be indivisible, which it must according to his view. Chalmers’s treatise is, as to eloquence, surpassingly beautiful; as to matter, I could not walk with him all the way, although I longed to do it, for he walked on flowers, and under shade— ‘no tree on which a fine bird did not sit.

A week after testifying, Rabi ran into Ernest Lawrence at Oak Ridge and asked him what he was going to say about Oppenheimer. Lawrence had agreed to testify against him. He was truly fed up with his old friend. Oppie had opposed him on the hydrogen bomb and opposed the building of a second weapons lab at Livermore. And more recently, Ernest had come home from a cocktail party outraged upon being told that Oppie had years before had an affair with Ruth Tolman, the wife of his good friend Richard. He was angry enough to accede to Strauss’ request to testify against Oppenheimer in Washington. But the night before his scheduled appearance, Lawrence fell ill with an attack of colitis. The next morning, he called Strauss to tell him he could not make it. Sure that Lawrence was making excuses, Strauss argued with the scientist and called him a coward. Lawrence did not appear to testify against Oppenheimer. But Robb had interviewed him earlier and now made sure that the Gray Board

Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft. A writer friend of mine suggests opening the jar and shooting them all in the head. But I think he’s a little angry, and I’m sure nothing like this would ever occur to you.

If you’re hoping for a good meal, you’ve come to the wrong place. Miss Cameron has already attempted to sacrifice herself on the altar of domesticity this morning, and we both narrowly escaped death from her efforts. I’m cooking supper,” he finished, “and it may not be much better.” “I’ll try my hand at breakfast,” the vicar volunteered good-naturedly. When Elizabeth was out of earshot, Ian said quietly, “How badly is the woman hurt?” “It’s hard to say, considering that she was almost too angry to be coherent. Or it might have been the laudanum that did it.” “Did what?” The vicar paused a moment to watch a bird hop about in the rustling leaves overhead, then he said, “She was in a rare state. Quite confused. Angry, too. On the one hand, she was afraid you might decide to express your ‘tender regard’ for Lady Cameron, undoubtedly in much the way you were doing it when I arrived.” When his gibe evoked nothing but a quirked eyebrow from his imperturbable nephew, Duncan sighed and continued, “At the same time, she was equally convinced that her young lady might try to shoot you with your own gun, which I distinctly understood her to say the young lady had already tried to do. It is that which I feared when I heard the gunshots that sent me galloping up here.” “We were shooting at targets.” The vicar nodded, but he was studying Ian with an intent frown. “Is something else bothering you?” Ian asked, noting the look. The vicar hesitated, then shook his head slightly, as if trying to dismiss something from his mind. “Miss Throckmorton-Jones had more to say, but I can scarcely credit it.” “No doubt it was the laudanum,” Ian said, dismissing the matter with a shrug. “Perhaps,” he said, his frown returning. “Yet I have not taken laudanum, and I was under the impression you are about to betroth yourself to a young woman named Christina Taylor.” “I am.” His face turned censorious. “Then what excuse can you have for the scene I just witnessed a few minutes ago?” Ian’s voice was clipped. “Insanity.” They walked back to the house, the vicar silent and thoughtful, Ian grim. Duncan’s untimely arrival had not bothered him, but now that his passion had finally cooled he was irritated as hell with his body’s uncontrollable reaction to Elizabeth Cameron. The moment his mouth touched hers it was as if his brain went dead. Even though he knew exactly what she was, in his arms she became an alluring angel.

“Does your heart implode into an infinite care for your other?” “Does it explode into a million stars?” “Do you feel warm and hold the desire to harbor?” “Would you fly the biggest plane into war?” “Could you change the direction of the starboard?” “If all you understood could immediately be over?” “The dark blue sky is infinite and fast forward.” “How much do you want to keep him safe from harm?” “Would you cut the wires knowingly to disable a bomb?” “To which or what does your sun revolve?” “What do you call your world?” “How many of its problems would you willingly solve?” “How many flags of pride for him will you unfurl?” “How big is your once broken vestige?” “Can you heal from your fleshwounds?” “To carry him on and on, even covered in scars?” “To be shot for the only, To be the carrier and keep it going.” “Even when the sound of every blackhole in space roars?” “Can you question your unholy gods in the name of love?” “Can you hold on even when you can see the reaper settling in?” “Can you curse those who fly far up and above?” “Would your golden soul settle to make due and amend?” “The river of euphrates flows over the globe.” “White clouds, rainfall coming down, droplets from the overdome.” “Are you to agree that you can set fire and land in the aerodrome?” “Even when the shooting rocks from millions of miles away decay your airspace?” “Would you tense up your strings and hold an angry face.” “One that circles around back to the care you have to display?” “How much can you love one person?” “How instantaneous, like spontaneous combustion.” “Can you see why you care this much in their eyes?” “Can you see the water fall from the skies?” “Can you see the sun rising to revolve around them once more?” “Can you see the falls from the cliff ledges and the birds?” “Can you foresee what the future has in store?” “Every story has only one narrator, Every view sought through two eyes.” “Your care, your love for him is not a disguise.” “It is a ground shaking thing to feel, you fly.” “The tremors, the earth-shattering quakes under the plates.” “You can only care anymore, no longer do you despise.” “All the angry lines are gone from the sands of time.” “Can you wonder, can you tell anyone or even explain why?” “Can you hold true for the next million years, Right by his side?” “Can you lose your fears to continue to try?” “Jump a million worlds, fall a million skies.” “Infinite voids, infinite times.” “For one world’s sunrise.

CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.

I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.

Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.

She did not like it that Jasper should shoot birds; but it was only a stage; they all went through stages. Why, she asked, pressing her chin on James's head, should they grow up so fast? Why should they go to school? She would have liked always to have had a baby. She was happiest carrying one in her arms. Then people might say she was tyrannical, domineering, masterful, if they chose; she did not mind. And, touching his hair with her lips, she thought, he will never be so happy again, but stopped herself, remembering how it angered her husband that she should say that. Still, it was true. They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they awoke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after breakfast, which they did every day of their lives, was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish - something they had heard, something they had picked up in the garden. They all had their little treasures... And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and she believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries - perhaps that was it. He had always his work to fall back on. Not that she herself was "pessimistic," as he accused her of being. Only she thought life - and a little strip of time presented itself to her eyes - her fifty years. There it was before her - life. Life, she thought - but she did not finish her thought.

Go on, ask me another question. I’m rather enjoying this game.” He cocked an eyebrow at her and, although he was certain it was pointless, he said, “Cheep cheep?” The herbalist brayed with laughter, and some of the werecats opened their mouths in what appeared to be toothy smiles. However, Shadowhunter seemed displeased, for she dug her claws into Eragon’s legs, making him wince. “Well,” said Angela, still laughing, “if you must have answers, that’s as good a story as any. Let’s see…Several years ago, when I was traveling along the edge of Du Weldenvarden, way out to the west, miles and miles from any city, town, or village, I happened upon Grimrr. At the time, he was only the leader of a small tribe of werecats, and he still had full use of both his paws. Anyway, I found him toying with a fledgling robin that had fallen out of its nest in a nearby tree. I wouldn’t have minded if he had just killed the bird and eaten it--that’s what cats are supposed to do, after all--but he was torturing the poor thing: pulling on its wings; nibbling its tail; letting it hop away, then knocking it over.” Angela wrinkled her nose with distaste. “I told him that he ought to stop, but he only growled and ignored me.” She fixed Eragon with a stern gaze. “I don’t like it when people ignore me. So, I took the bird away from him, and I wiggled my fingers and cast a spell, and for the next week, whenever he opened his mouth, he chirped like a songbird.” “He chirped?” Angela nodded, beaming with suppressed mirth. “I’ve never laughed so hard in my life. None of the other werecats would go anywhere near him for the whole week.” “No wonder he hates you.” “What of it? If you don’t make a few enemies every now and then, you’re a coward--or worse. Besides, it was worth it to see his reaction. Oh, he was angry!” Shadowhunter uttered a soft warning growl and tightened her claws again. Grimacing, Eragon said, “Maybe it would be best to change the subject?” “Mmm.” Before he could suggest a new topic, a loud scream rang out from somewhere in the middle of the camp. The cry echoed three times over the rows of tents before fading into silence. Eragon looked at Angela, and she at him, and then they both began to laugh.

Wherever you turn your face, you will be fulfilled by love, but not from other humans. You can see a tree and feel all the love coming from the tree to you. You can see the sky, and it’s going to fulfill the needs of your mind for love. You will see God everywhere, and it will no longer be just a theory. God is everywhere. Life is everywhere. Everything is made by Love, by Life. Even fear is a reflection of love, but fear exists in the mind, and in humans, that fear controls the mind. Then we interpret everything according to what we have in our mind. If we have fear, what we perceive will be analyzed with fear. If we are mad, what we perceive will be perceived according to anger. Our emotions act like a filter through which we see the rest of the world. You could say that the eyes are an expression of what you feel. You perceive the outside Dream according to your eyes. When you are angry, you see the world with eyes of anger. If you have eyes of jealousy, your reactions will be different, because the way you see the world is through jealousy. When you have the eyes of madness, everything will bother you. If you have the eyes of sadness, you are going to cry because it’s raining, because there is noise, because of everything. Rain is rain. There is nothing to judge or interpret, but you are going to see the rain according to your emotional body. If you are sad, you see with the eyes of sadness, and everything you perceive will be sad. But if you have the eyes of love, you just see love wherever you go. The trees are made with love. The animals are made with love. The water is made with love. When you perceive with the eyes of love, you can connect your will with the will of another dreamer, and the dream becomes one. When you perceive with love, you become one with the birds, with nature, with a person, with everything. Then you can see with the eyes of an eagle or transform into any kind of life. With your love you connect with the eagle and you become the wings, or you become the rain, or the clouds. But to do this, you need to clean the mind of fear and perceive with eyes of love. You have to develop your will until it is so strong that it can hook the other will and become one will. Then you have wings to fly. Or being the wind, you can come here, you can go there, you can push away the clouds and the sun is shining. This is the power of love. When we fulfill the needs of our mind and our body, our eyes see with love. We see God everywhere.

Would you say that that man is at leisure who arranges with finical care his Corinthian bronzes, that the mania of a few makes costly, and spends the greater part of each day upon rusty bits of copper? Who sits in a public wrestling-place (for, to our shame I we labour with vices that are not even Roman) watching the wrangling of lads? Who sorts out the herds of his pack-mules into pairs of the same age and colour? Who feeds all the newest athletes? Tell me, would you say that those men are at leisure who pass many hours at the barber’s while they are being stripped of whatever grew out the night before? while a solemn debate is held over each separate hair? while either disarranged locks are restored to their place or thinning ones drawn from this side and that toward the forehead? How angry they get if the barber has been a bit too careless, just as if he were shearing a real man! How they flare up if any of their mane is lopped off, if any of it lies out of order, if it does not all fall into its proper ringlets! Who of these would not rather have the state disordered than his hair? Who is not more concerned to have his head trim rather than safe? Who would not rather be well barbered than upright? Would you say that these are at leisure who are occupied with the comb and the mirror? And what of those who are engaged in composing, hearing, and learning songs, while they twist the voice, whose best and simplest movement Nature designed to be straightforward, into the meanderings of some indolent tune, who are always snapping their fingers as they beat time to some song they have in their head, who are overheard humming a tune when they have been summoned to serious, often even melancholy, matters? These have not leisure, but idle occupation. And their banquets, Heaven knows! I cannot reckon among their unoccupied hours, since I see how anxiously they set out their silver plate, how diligently they tie up the tunics of their pretty slave-boys, how breathlessly they watch to see in what style the wild boar issues from the hands of the cook, with what speed at a given signal smooth-faced boys hurry to perform their duties, with what skill the birds are carved into portions all according to rule, how carefully unhappy little lads wipe up the spittle of drunkards. By such means they seek the reputation for elegance and good taste, and to such an extent do their evils follow them into all the privacies of life that they can neither eat nor drink without ostentation. And

The feeling she had in the pit of her stomach wasn’t the feeling of cute little butterflies, but more like angry birds!

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What's surprised me most about seeing my sister dead is the lingering smirk on her face. Her pale lips are turned up ever so slightly, and someone has filled in her patchy eyebrows with a black pencil. The top half of her face is angry - like she's ready to stab someone - and the bottom half is almost smug. This is not the Olga I knew. Olga was as meek and fragile as a baby bird.

In the silence that followed the end of the call to prayer, the songs of the first Delhi birds could suddenly be heard: the argumentative chuckle of the babblers, the sharp chatter of the mynahs, the alternating clucking and squealing of the rosy parakeets, the angry exclamations of the brain fever bird, and from deep inside the canopy of the fruit trees in Zafar’s gardens at Raushanara Bagh and Tis Hazari, the woody hot-weather echo of the koel.

The players rose as one into the air, ignoring the Quaffle and dodging the Blooders. Both Keepers abandoned the goal baskets and joined the hunt. The poor little Snidget shot up and down the pitch seeking a means of escape, but the wizards in the crowd forced it back with Repelling Spells. Well, Pru, you know how I am about Snidget-hunting and what I get like when my temper goes. I ran on to the pitch and screamed, ‘Chief Bragge, this is not sport! Let the Snidget go free and let us watch the noble game of Cuaditch which we have all come to see!’ If you’ll believe me, Pru, all the brute did was laugh and throw the empty birdcage at me. Well, I saw red, Pru, I really did. When the poor little Snidget flew my way I did a Summoning Charm. You know how good my Summoning Charms are, Pru – of course it was easier for me to aim properly, not being mounted on a broomstick at the time. The little bird came zooming into my hand. I stuffed it down the front of my robes and ran like fury. Well, they caught me, but not before I’d got out of the crowds and released the Snidget. Chief Bragge was very angry and for a moment I thought I’d end up a horned toad, or worse, but luckily his advisers calmed him down and I was only fined ten Galleons for disrupting the game. Of course I’ve never had ten Galleons in my life, so that’s the old home gone. I’ll be coming to live with you shortly, luckily they didn’t take the Hippogriff. And I’ll tell you this, Pru, Chief Bragge would have lost my vote if I’d had one. Your loving sister, Modesty