Angel Dust Quotes

We've searched our database for all the quotes and captions related to Angel Dust. Here they are! All 100 of them:

And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust. “By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I believe in good and evil," said Jem. "And I believe the soul is eternal. But I don't believe in the fiery pit, the pitchforks, or endless torment. I do not believe you can threaten people into goodness." Tessa looked at will. "What about you? What do you believe? "Pulvis et umbra sumus," said Will, not looking at her as he spoke. "I believe we are dust and shadows. What else is there?
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
What piece of work is a man, how noble in reason, how infinite in faculties, in form and moving, how express and admirable in action, how like an angel in apprehension, how like a god! The beauty of the world. The paragon of animals. And yet, to me, what is this quintessence of dust?
William Shakespeare (Hamlet)
Pulvis et umbra sumus. It's a line from Horace. 'We are dust and shadows'. Appropriate, don't you think?" Will said. "It's not a long life, killing demons; one tends to die young, and then they burn your body - dust to dust, in the literal sense. And then we vanish into the shadows of history, nary a mark on the page of a mundane book to remind the world that once we existed at all.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Like what you see,Angel? he says. You ain't my type
Moira Young (Blood Red Road (Dust Lands, #1))
Morning. Strawberry sky dusted with white winter powder sugar sun. And nobody to munch on it with
Francesca Lia Block (Missing Angel Juan)
This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?
William Shakespeare (Hamlet)
Yeah, well things change. Now I want to be here." Another long, seconds-ticking pause. Dust danced in one fading gleam of gold coming through a low window, following long lazy swirls down to the ground. "With you.
Lili St. Crow (Betrayals (Strange Angels, #2))
Be careful, Angel, he says. When you stare at a man like that, he’s likely to git any number of number of … innerestin ideas.
Moira Young (Blood Red Road (Dust Lands, #1))
She's Heaven, I'm Hell. When we're together angels cry and Hell freezes over. -Shadow
M.N. Forgy (What Doesn't Destroy Us (The Devil's Dust, #1))
Jem drew the bow back and let the arrow fly; it struck the creature in the side. The massive demon worm writhed in agony, undulating as it swept its great, blind head from side to side, uprooting shrubbery with its thrashings. Leaves filled the air and the boys choked on dust, Gideon backing up with his seraph blade in his hand, trying to see by its light. “It’s coming toward us,” he said in a low voice. And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust. “By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Ah, Los Angeles! Dust and fog of your lonely streets, I am no longer lonely. Just you wait, all of you ghosts of this room, just you wait, because it will happen, as sure as there's a God in heaven.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
The Layers I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.
Stanley Kunitz (The Collected Poems)
They call me the Angel of Death. That’s because I ain’t never lost a fight.
Moira Young (Blood Red Road (Dust Lands, #1))
One night I was sitting on the bed in my hotel room on Buker Hill, down in the middle of Los Angeles. It was an important night in my life, because I had to make a decision about the hotel. Either I paid up or I got out: that was what the note said, the note the landlady had put under my door. A great problem, deserving acute attention. I solved it by turning out the lights and going to bed.
John Fante
(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Like what you see, Angel? He says I step to the fence. Hook my hands into the links, next to his. I lean in close. He's got tiny white lines around his eyes from squintin. Or maybe smilin. He smells of warm dust an sage. You ain't my type, I says
Moira Young (Blood Red Road (Dust Lands, #1))
God preserve you, my dear boy, from ever asking forgiveness for a fault from a woman you love. From one you love especially, however greatly you may have been in fault. For a woman--devil only knows what to make of a woman: I know something about them, anyway. But try acknowledging you are in fault to a woman. Say, "I am sorry, forgive me," and a shower of reproaches will follow! Nothing will make her forgive you simply and directly, she'll humble you to the dust, bring forward things that have never happened, recall everything, forget nothing, add something of her own, and only then forgive you. And even the best, the best of them do it. She'll scrape up all the scrapings and load them on your head. They are ready to flay you alive, I tell you, every one of them, all these angels without whom we cannot live! I tell you plainly and openly, dear boy, every decent man ought to be under some woman's thumb. That's my conviction--not conviction, but feeling. A man ought to be magnanimous, and it's no disgrace to a man! No disgrace to a hero, not even a Caesar! But don't ever beg her pardon all the same for anything...
Fyodor Dostoevsky (The Brothers Karamazov)
What a piece of work is a man! How noble in Reason! how infinite in faculties! in form and moving how express and admirable! In action how like an Angel! in apprehension how like a god! the beauty of the world! the paragon of animals! and yet to me, what is this quintessence of dust? Man delights not me; no, nor Woman neither; though by your smiling you seem to say so.
William Shakespeare (Hamlet)
There is a coldness to the Clave, it is true. We are dust and shadows. But you are like the heroes of ancient times, like Achilles and Jason.” “Achilles was murdered with a poisoned arrow, and Jason died alone, killed by his own rotting ship. Such is the fate of heroes; the Angel knows why anyone would want to be one.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Franny has the measles, for one thing. Incidentally, did you hear her last week? She went on at beautiful length about how she used to fly all around the apartment when she was four and no one was home. The new announcer is worse than Grant - if possible, even worse than Sullivan in the old days. He said she surely dreamt that she was able to fly. The baby stood her ground like an angel. She said she knew she was able to fly because when she came down she always had dust on her fingers from touching the light bulbs.
J.D. Salinger (Raise High the Roof Beam, Carpenters and Seymour: An Introduction)
Still perfect,” he said. “Read to me.” “This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said. “You just named two of my favorite pastimes,” he said. “Okay, read me something else then?” “Um,” I said. “I don’t have anything else?” “That’s too bad. I am so in the mood for poetry. Do you have anything memorized?” “‘Let us go then, you and I,’” I started nervously, “‘When the evening is spread out against the sky / Like a patient etherized upon a table.’” “Slower,” he said. I felt bashful, like I had when I’d first told him of An Imperial Affliction. “Um, okay. Okay. ‘Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question . . . / Oh, do not ask, “What is it?” / Let us go and make our visit.’” “I’m in love with you,” he said quietly. “Augustus,” I said. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.” “Augustus,” I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn’t say it back. I
John Green
It is true that William Blake said that "The Road to excess leads to the palace of wisdom," but they didn't have angel dust back then.
Cynthia Heimel
she tried to wash off the angel dust, with only marginal success. Her skin continued to shine but it wasn’t as noticeable. And thankfully, the stuff didn’t, in fact, glow in the dark.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
What a piece of work is a man! How noble is reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me; no, nor woman neither, though, by your smiling, you seem to say so.
William Shakespeare (Hamlet)
Pressing his thumb down on her jaw to part her lips, he kissed her again, angel dust glittering in the air. "Mmm." She rubbed against him. "Did you make a change to your special blend?" Angel dust, he'd told her, was normally rich and exquisite, but not sexual. Elena had only ever tasted Raphael's blend, and it was always oh-so-sexual-today, it also held a dangerous bite. Kisses down her throat. "I wouldn't wish my consort to suffer ennui.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! How noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god! The beauty of the world, the paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me—no, nor woman neither, though by your smiling you seem to say so.
William Shakespeare (Hamlet)
They call me the Angel of Death.
Moira Young (Blood Red Road (Dust Lands, #1))
And when I have that feeling, that feeling like I need a handout, desperate, I want to pull my skin off and turn into dust.I want to throw myself back to the angels and tell them to start over,start over without me cause you put the screws in loose, you put the hinges in wrong.
Andrea Portes (Hick)
The individual who rebels against the arrangements of society is ostracized, branded, stoned. So be it. I am willing to take the risk; my principles are very pagan. I will live my own life as it pleases me. I am willing to do without your hypocritical respect; I prefer to be happy. The inventors of the Christian marriage have done well, simultaneously to invent immortality. I, however, have no wish to live eternally. When with my last breath everything as far as Wanda von Dunajew is concerned comes to an end here below, what does it profit me whether my pure spirit joins the choirs of angels, or whether my dust goes into the formation of new beings? Shall I belong to one man whom I don't love, merely because I have once loved him? No, I do not renounce; I love everyone who pleases me, and give happiness to everyone who loves me. Is that ugly? No, it is more beautiful by far.
Leopold von Sacher-Masoch (Venus in Furs)
It wasn't as if crack was getting great press in the South Bronx in 1999, but it took a particular kind of idiot to wake up one day and say, 'Angel dust is a product I've heard nothing but good about, and it's about time I was involved.
Edward Conlon (Blue Blood by Conlon, Edward (2004) Paperback)
He was never the creator. He was an angel like ourselves—the first angel, true, the most powerful, but he was formed of Dust as we are, and Dust is only a name for what happens when matter begins to understand itself. Matter loves matter. It seeks to know more about itself, and Dust is formed.
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
I had a book of Bible stories when I was a kid. There was a picture I'd look at twenty times every day: Jacob wrestles with the angel. I don't really remember the story, or why the wrestling --just the picture. Jacob is young and very strong. The angel is...a beautiful man, with golden hair and wings, of course. I still dream about it. Many nights. I'm...It's me. In that struggle. Fierce, and unfair. The angel is not human, and it holds nothing back, so how could anyone human win, what kind of a fight is that? It's not just. Losing means your soul thrown down in the dust, your heart torn out from God's. But you can't not lose.
Tony Kushner (Millennium Approaches (Angels in America, #1))
You can't deny we work well together. I could be your sidekick, if you want. Like Superman and Lois Lane. Or Peter Pan and Tinker Bell." "Tinker Bell isn't menacing." "Which proves how much you need me," I insisted. "Fairies are terrifying." He sat up straighter and dusted off his pants. "Fairies don't exist. Neither do Graymasons." "That's what humans say about vampires and werewolves," I argued. "So we're agreed.
Cecily White (Prophecy Girl (Angel Academy, #1))
My name is Bis,” he said, “and I was kicked off the basilica because I was spitting on the people coming in. Suck-up little Glissando thinks she knows angel dust from dirt and tattled on me.
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
When in doubt, when flat on your back, you can look at the ceiling. Who knows what you may see, up there? Funeral wreaths and angels, constellations of dust, stellar or otherwise, the puzzles left by spiders. There's always something to occupy the inquiring mind.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Does the work get easier once you know what you are doing?" "Your lungs grow thick with stone dust and your eyes bleary from the sun and fragments thrown up by the chisel. You pour your lifeblood out into works of stone for Romans who will take your money in taxes to feed soldiers who will nail your people to crosses for wanting to be free. Your back breaks, your bones creak, your wife screeches at you, and your children torment you with open begging mouths, like greedy baby birds in the nest. You go to bed every night so tired and beaten that you pray to the Lord to send the angel of death to take you in your sleep so you don't have to face another morning. It also has its downside.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
They found each other's hands in the dark, and an angel with chipped marble wings watched over them as they slept.
Mindy McGinnis (In a Handful of Dust (Not a Drop to Drink, #2))
My favourite place in the whole city was the Sempere & Sons bookshop on Calle Santa Anna. It smelled of old paper and dust and it was my sanctuary, my refuge.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
The classical anthropological question, What is man?—"how like an angel, this quintessence of dust!"—is not now asked by anthropologists. Instead, they commence with a chapter on Physical Anthropology and then forget the whole topic and go on to Culture.
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Still perfect,” he said. “Read to me.” “This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said. “You just named two of my favorite pastimes,” he said.
John Green (The Fault in Our Stars)
I’ve been lucky enough to cross paths with these angels who seem to brush the dust off my wings so effortlessly. These wonderful people I don’t and will never know. I want to be one of them. I want to be many of them. Radiating, resonating, finding lost souls and then exhaling magic.
Hillary Wen
Heaven knows we need never be ashamed of our tears, for they are rain upon the blinding dust of earth, overlying our hard hearts.
Anne Rice (Angel Time (The Songs of the Seraphim, #1))
That afternoon the sky was scattered with black clouds galloping in from the sea and clustering over the city. Flashes of lightening echoed on the horizon and a charged warm wind smelling of dust announced a powerful summer storm. When I reached the station I noticed the first few drops, shiny and heavy, like coins falling from heaven...Night seemed to fall suddenly, interrupted only by the lightning now bursting over the city, leaving a trail of noise and fury.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
She walked as if through a forest. The pillars were furrowed like ancient trees, and into the woods the light seeped, colorful and as clear as song, through the stained-glass windows. High overhead animals and people frolicked in the stone foliage, and angels played their instruments. At an even higher, more dizzying height, the vaults of the ceiling arched upward, lifting the church toward God ... The song cut through her like a blinding light. Now she saw how deep in the dust she lay.
Sigrid Undset (Kristin Lavransdatter)
We are dust and shadows.
Cassandra Clare (Clockwork Angel; Clockwork Prince; Clockwork Princess (The Infernal Devices, #1-3))
I believe we are dust and shadows.
Cassandra Clare (Clockwork Angel; Clockwork Prince; Clockwork Princess (The Infernal Devices, #1-3))
My aloneness - my saving grace - only you hear my silent cries, only you carry me through the stasis of a world too real for angels and too unforgiving for dreamers.
Judy Croome (the dust of hope: rune poems)
As soon as he had disappeared Deborah made for the trees fringing the lawn, and once in the shrouded wood felt herself safe. She walked softly along the alleyway to the pool. The late sun sent shafts of light between the trees and onto the alleyway, and a myriad insects webbed their way in the beams, ascending and descending like angels on Jacob's ladder. But were they insects, wondered Deborah, or particles of dust, or even split fragments of light itself, beaten out and scattered by the sun? It was very quiet. The woods were made for secrecy. They did not recognise her as the garden did. ("The Pool")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
It was an excellent coat. It was long, grey, suspiciously blotched, smelt faintly of dust and old curries, went all the way down to my knees and overhung my wrists even when I stretched out my arms. It had big, smelly pockets, crunchy with crumbs, it boasted the remnants of a waterproof sheen, was missing a few buttons, and had once been beige. It was the coat that detectives down the ages had worn while trailing a beautiful, dangerous, presumably blond suspect in the rain, the coat that no one noticed, shapeless, bland and grey - it suited my purpose perfectly.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
Just do your duty in silence. When in doubt, when flat on your back, you can look at the ceiling. Who knows what you may see, up there? Funeral wreaths and angels, constellations of dust, stellar or otherwise, the puzzles of spiders. There's always something to occupy the inquiring mind.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
What is man—and of course the writer means all of us puny little insignificant creatures—what is a mere human being that God who made the immense universe should ever notice?' She chuckled. 'The sky does take you down to size.' Not even big as bugs. Not even a speck of dust to the nearest star,' Angel agreed. But the psalmist answers his own question. "Thou hast made him a little lower than the angels, and hast crowned him with glory and honor..." ' What?' Angel asked, not sure she had heard right. A little lower than the angels, crowned with glory and honor.' The real angels? Do you believe that?' Yes, Angel, I do. When people look down on me, and these days'—she laughed shortly—'these days everyone over the age of five does. When people look down on me, I remember that God looks at this pitiful, twisted old thing that I have become and crowns me with glory.
Katherine Paterson (The Same Stuff as Stars)
At these words I was utterly stupefied and terror-stricken. I thought to myself, “With what tongue shall I address such majesty, seeing that all men ought to tremble in the presence of even an earthly prince? Who am I, that I should lift up mine eyes or raise my hands to the divine Majesty? The angels surround him. At his nod the earth trembles. And shall I, a miserable little pygmy, say ‘I want this, I ask for that’? For I am dust and ashes and full of sin and I am speaking to the living, eternal and the true God.
Martin Luther
By the time I twenty, I was just like everyone else. I still am
Jeremy Robert Johnson (Angel Dust Apocalypse)
Twas battered and scarred, and the auctioneer Thought it scarcely worth his while To waste much time on the old violin, But held it up with a smile. “What am I bidden, good folks,” he cried, “Who’ll start the bidding for me?” “A dollar, a dollar. Then two! Only two? Two dollars, and who’ll make it three?” “Three dollars, once; three dollars, twice; Going for three…” But no, From the room, far back, a grey-haired man Came forward and picked up the bow; Then wiping the dust from the old violin, And tightening the loosened strings, He played a melody pure and sweet, As a caroling angel sings. The music ceased, and the auctioneer, With a voice that was quiet and low, Said: “What am I bid for the old violin?” And he held it up with the bow. “A thousand dollars, and who’ll make it two? Two thousand! And who’ll make it three? Three thousand, once; three thousand, twice, And going and gone,” said he. The people cheered, but some of them cried, “We do not quite understand. What changed its worth?” Swift came the reply: “The touch of the Master’s hand.” And many a man with life out of tune, And battered and scarred with sin, Is auctioned cheap to the thoughtless crowd Much like the old violin. A “mess of pottage,” a glass of wine, A game — and he travels on. He is “going” once, and “going” twice, He’s “going” and almost “gone.” But the Master comes, and the foolish crowd Never can quite understand The worth of a soul and the change that is wrought By the touch of the Master’s hand.
Myra Brooks Welch (The Touch of the Master's Hand)
I will tell you why; so shall my anticipation Prevent your discovery, and your secrecy to the king And queen moult no feather. I have of late--but Wherefore I know not--lost all my mirth, forgone all Custom of exercises; and indeed it goes so heavily With my disposition that this goodly frame, the Earth, seems to me a sterile promontory, this most Excellent canopy, the air, look you, this brave O'erhanging firmament, this majestical roof fretted With golden fire, why, it appears no other thing to Me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! How infinite in faculty! in form and moving how Express and admirable! in action how like an angel! In apprehension how like a god! the beauty of the World! the paragon of animals! And yet, to me, What is this quintessence of dust? man delights not Me: no, nor woman neither, though by your smiling You seem to say so.
William Shakespeare (Hamlet (Classics Illustrated #99))
I DRANK FOR YEARS, and then I stopped drinking and discovered the sad truth about parties. A sober man at a party is lonely as a journalist, implacable as a coroner, bitter as an angel looking down from heaven. There’s something purely foolish about attending any large gathering of men and women without benefit of some kind of philter or magic dust to blind you and weaken your critical faculties.
Michael Chabon (Wonder Boys)
I took the steps down Angel’s Flight to Hill Street: a hundred and forty steps, with tight fists, frightened of no man, but scared of the Third Street Tunnel, scared to walk through it – claustrophobia. Scared of high places too, and of blood, and of earthquakes; otherwise, quite fearless, excepting death, except the fear I’ll scream in a crowd, except the fear of appendicitis, except the fear of heart trouble, even that, sitting in his room holding the clock and pressing his jugular vein, counting out his heartbeats, listening to the weird purr and whirr of his stomach. Otherwise, quite fearless.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
I held my breath, and refused to blink; he placed his hand on the bed to brace himself as he leaned towards me. Slowly, carefully, his lips--soft, warm, and perfect--found their way to mine. I want to say that it was magical, that I saw rainbows and fairy dust or something fantastic like that, but I couldn't. It was more. Much more. It was as though the world has fallen down around us, and everything was frozen in ice. But I wasn't cold. I was blazing hot, the fire starting where our lips joined, where angel met mortal, and I could feel the flames flickering out towards the limbs that I was fighting with desperately to keep still, not wanting them to latch onto him, not wanting to seem out of control because at that moment, I would have given anything to be just that.
S.L. Naeole
It is a stubble field, where a black rain is falling. It is a brown tree, that stands alone. It is a hissing wind, that encircles empty houses. How melancholy the evening is. A while later, The soft orphan garners the sparse ears of corn. Her eyes graze, round and golden, in the twilight And her womb awaits the heavenly bridegroom. On the way home The shepherd found the sweet body Decayed in a bush of thorns. I am a shadow far from darkening villages. I drank the silence of God Out of the stream in the trees. Cold metal walks on my forehead. Spiders search for my heart. It is a light that goes out in my mouth. At night, I found myself on a pasture, Covered with rubbish and the dust of stars. In a hazel thicket Angels of crystal rang out once more.
Georg Trakl
Dear Patton: I've been feeling blue lately but I wasn't sure if it had anything to do with the amount of rain we've had over the last few weeks. What are your thoughts on that? Ms. Diller Cary, NC Dear Ms. Diller: Rain can have a profound effect on someone inclined toward melancholy. I live in Los Angeles, and, as of this writing, we've just experienced three weeks of unending late-winter storms. The sky has been a limitless bowl of sludgy, hopeless gray. The ground, soaked and muddy, emits burbly, hissing spurts with every step, which sound like a scornful parent who sees no worth, hope, or value in their offspring. The morning light through my bedroom window promises nothing but a damp, unwelcoming day of thankless busywork and futile, doomed chores. My breakfast cereal tastes like being ostracized. My morning coffee fills my stomach with dread. What's the point of even answering this question? The rain--it will not stop. Even if I say something that will help you--which I won't, because I'm such a useless piece of shit--you'll eventually die and I'll die and everyone we know will die and this book will turn to dust and the universe will run down and stop, and dead dead dead dead dead. Dead. Read Chicken Soup for the Soul, I guess. Dead. Dead dead. Patton
Patton Oswalt
He felt as though his brain were on fire. She had come to him, what joy! And then, how she had looked at him! She seemed more beautiful than ever before. Beautiful with a beauty that combined all of the woman with all of the angel, a beauty that would have made Petrarch sing and Dante kneel. He felt as though he were swimming in the deep blue sky. At the same time he was horribly disconcerted, because there was dust on his boots.
Victor Hugo (Les Misérables)
Cement is as impossible to escape as the dust of the earth, you can’t tell where it comes from because it’s already there. And apart from hunger, the only thing in our minds that’s as quick as cement is homesickness. It steals from you the same way cement does, and you can drown in it as well.
Herta Müller (The Hunger Angel)
Always – but especially when suffering - surround yourself with those who inspire you to lose yourself more honestly, to love others more thoroughly, to live life more fully, and to trust God more wholly. Huddle with those who care for you and those who are exemplary in their encouragement, patience and understanding of others. Hang out with those who strive to put God and faith at their center. Pray for peers, friends and mentors who will not only encourage you to be your best independent, strong, and vulnerable self all at the same time – but also sincerely humble. Pray that their angel dust will transcend you when even the smallest flecks of their contagious warmth and permeating beauty fall upon you. Then ever pray that you may have the opportunity to likewise ease and nurture others in such authentic ways; thus honing such a charitable, other-oriented nature of your own, – a miraculous healing balm – a buffer of pain if there ever was one. Know this is the most powerful antidote for fear and sorrow; the most effective – and addictive – cure-all known in all of creation; an elixir for that otherwise, elusive kind of happiness – the kind that weathers, endures and remains in all seasons and conditions.
Connie Kerbs (Paths of Fear: An Anthology of Overcoming Through Courage, Inspiration, and the Miracle of Love (Pebbled Lane Books Book 1))
I tried to lose myself in books. Our house is packed with them, and we keep adding more. Like my mother, I love mystery novels and can plow through one in a single sitting. Some of my recent favorites are by Louise Penny, Jacqueline Winspear, Donna Leon, and Charles Todd. I finished reading Elena Ferrante’s four Neapolitan novels and relished the story they tell about friendship among women. Our shelves are weighed down with volumes about history and politics, especially biographies of Presidents, but in those first few months, they held no interest for me whatsoever. I went back to things that have given me joy or solace in the past, such as Maya Angelou’s poetry: You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. . . .
Hillary Rodham Clinton (What Happened)
Live knowing that you are already dust, long gone, already outside time and looking in, reviewing life, finally understanding every déja vu, your own guardian angel. Know that the scorched-black demons and the pristine, fluttering seraphs are in some sense naught but you yourself unpacked, unfolded in a higher space from whence the myriad gods unfurl, not bygone legends but your once and future selves, your attributes blossomed into their purest and most potent symbol-forms. And these, with all their beast-heats, crowns and lightings, all their different colors, are become combined into the single whiteness that is godhead. That is all. This, then, is revelation. All is one, and all is deity, this beautiful undying fire of being that is everywhere about us; that we are. O man, o woman, know yourself, and know you are divine. Respect yourself, respect the least phenomenon of your existence as it were the breath of God. Know that our universe is all one place, a single firelit room, all time a single moment. Know that there has only ever been one person here. Know you are everything, forever. Know I love you.
Alan Moore (Promethea, Vol. 5)
She went as through a forest -- the columns were furrowed like ancient trees, and in through the forest flowed the light, many-hued and clear as song, from the pictured windows. High up above her, beasts and men sported among the stone leafage, and angels played -- and yet far, dizzily far higher, the vaulting soared, lifting the church towards God. In a hall that lay to one side, worship was being held at an altar. Kristin sank down on her knees by a pillar. The singing cut into her like a too strong light. Now she saw how low she lay in the dust. ... Pater noster. Credo in unum Deum. Ave Maria, gratia plena.
Sigrid Undset
And there's my poor endeavoring human desk at which I sit so often during the day, facing south, the papers and pencils and the coffee cup with sprigs of alpine fir and a weird orchid of the heights wiltable in one day– My Beechnut gum, my tobacco pouch, dusts, pitiful pulp magazines I have to read, view south to all those snowy majesties– The waiting is long. On Starvation Ridge little sticks Are trying to grow.
Jack Kerouac (Desolation Angels)
Our baby brother, Roman, was born pale as dust. His soft brown curls and eyelashes stop people on the street. Whose angel child is this? they want to know. When I say, My brother, the people wear doubt thick as a cape until we smile and the cape falls.
Jacqueline Woodson (Brown Girl Dreaming)
I dial home. My mother answers. “Hey, Ma,” I say, “Can I talk to Poppa?” She gasps, And then I remember that my father Has been dead for nearly a year. “Shit, Mom,” I say. “I forgot he’s dead. I’m sorry— How did I forget?” “It’s okay,” she says. “I made him a cup of instant coffee This morning and left it on the table— Like I have for, what, twenty-seven years— And I didn't realize my mistake Until this afternoon.” My mother laughs At the angels who wait for us to pause During the most ordinary of days And sing our praise to forgetfulness Before they slap our souls with their cold wings. Those angels burden and unbalance us. Those fucking angels ride us piggyback. Those angels, forever falling, snare us And haul us, prey and praying, into dust.
Sherman Alexie (Face)
The eyes open to a blue telephone In the bathroom of this five-star hotel. I wonder whom I should call? A plumber, Proctologist, urologist, or priest? Who is blessed among us and most deserves The first call? I choose my father because He’s astounded by bathroom telephones. I dial home. My mother answers. “Hey, Ma,” I say, “Can I talk to Poppa?” She gasps, And then I remember that my father Has been dead for nearly a year. “Shit, Mom,” I say. “I forgot he’s dead. I’m sorry— How did I forget?” “It’s okay,” she says. “I made him a cup of instant coffee This morning and left it on the table— Like I have for, what, twenty-seven years— And I didn’t realize my mistake Until this afternoon.” My mother laughs At the angels who wait for us to pause During the most ordinary of days And sing our praise to forgetfulness Before they slap our souls with their cold wings. Those angels burden and unbalance us. Those fucking angels ride us piggyback. Those angels, forever falling, snare us And haul us, prey and praying, into dust.
Sherman Alexie
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
Everything about them is blighted, dead. Feelings flake off & fall in dust. The senses, vitrified, can no longer experience pleasure; they crack at the least provocation. Each of us, within, was as if devoured by conflagration, & our hearts were no more than a pinch of ashes. Our souls were laid waste. For a long time now we had believed in nothing, not even nothingness. The nihilists of 1880 were a sect of mystics, dreamers, the routineers of universal happiness. We, of course, were poles apart from these credulous fools & their vaporous theories. We were men of action, technicians, specialists, the pioneers of a modern generation dedicated to death, the preachers of world revolution, the precursors of universal destruction, realists, realists. And there is no reality. What then? Destroy to rebuild or destroy to destroy? Neither the one nor the other. Angels or devils? No. You must excuse my smile: we were automats, pure & simple. We ran on like an idling machine until we were exhausted, pointlessly pointlessly, like life, like death, like a dream. Not even adversity had any charm for us.
Blaise Cendrars (Moravagine)
Pretty soon there'll be a new kind of murderer, who will kill without any reason at all, just to prove that it doesn't matter, and his accomplishment will be worth no more and no less than Beethoven's last quartets and Boito's Requiem-- churches will fall, Mongolian hordes will piss on the map of the West, idiot kings will burp at bones, nobody'll care and then the earth itself'll disintegrate into atomic dust (as it was in the beginning) and the void still the void won't care, the void'll just go on with that maddening little smile of its that I see everywhere, I look at a tree, a rock, a house, a street, I see that little smile-- That 'secret God-grin' but what a God is this who didn't invent justice?--So they'll light candles and make speeches and the angels rage. Ah but 'I don't know, I don't care, and it doesn't matter' will be the final human prayer.
Jack Kerouac (Desolation Angels)
Every day time stopped and Sobran saw Xas, the sun reflecting off his raised wings, white chest watermarked by tears dried in fine dust; bare skin and colourless nipples, as innocent as a child's; the double signature, seagreen and vermilion, awake and vivid; a whitelipped white face and eyes, abysmal, inimical, like the sea seen through holes in an icefield. It was like being in love, this remembering, because Sobran couldn't put Xas out of his mind. And it was like shame. Because he grew so tired defending himself from the pain of this one recollection, Sobran forgot everything else he knew about the angel.
Elizabeth Knox (The Vintner's Luck (Vintner's Luck, #1))
So they pulled down the statue of the Happy Prince. "As he is no longer beautiful he is no longer useful," said the Art Professor at the University. Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. "We must have another statue, of course," he said, "and it shall be a statue of myself." "Of myself," said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarrelling still. "What a strange thing!" said the overseer of the workmen at the foundry. "This broken lead heart will not melt in the furnace. We must throw it away." So they threw it on a dust-heap where the dead Swallow was also lying. "Bring me the two most precious things in the city," said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird. "You have rightly chosen," said God, "for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.
Oscar Wilde (The Happy Prince)
Slender beams of moonlight enter through the tall trees. As I kneel, always driven, always alone, frozen here, waiting. Angelic forms appear, in gentle fields of land. They shine as the dust dances in the air, forming an image in my mind, Penetrating my naked soul with tears on my face, I raise my head, Now crying out for a tranquil reality of peace.
Peace Gypsy (Souls Deep)
How beautiful, how beautiful you streamed upon my sight, In glory and in grandeur, as a gorgeous sunset-light! How softly, soul-subduing, fell your words upon mine ear, Like low aerial music when some angel hovers near! What tremulous, faint ecstasy to clasp your hand in mine, Till the darkness fell upon me of a glory too divine! The air around grew languid with our intermingled breath, And in your beauty's shadow I sank motionless as death. I saw you not, I heard not, for a mist was on my brain--I only felt that life could give no joy like that again. And this was love--I knew it not, but blindly floated on, And now I'm on the ocean waste, dark, desolate, alone; The waves are raging round me-- I'm reckless where they guide; No hope is left to lighten me, no strength to stem the tide. As a leaf along the torrent, a cloud across the sky, As dust upon the whirlwind, so my life is drifting by. The dream that drank the meteor's light--the form from Heav'n has flown-- The vision and the glory, they are passing--they are gone. Oh! Love is frantic agony, and life one throb of pain; Yet I would bear its darkest woes to dream again.
A. Norman Jeffares (Ireland's Love Poems)
That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?
Robert Westall (The Stones of Muncaster Cathedral)
Amazing. Chamberlain let his eyes close down to the slits, retreating within himself. He had learned that you could sleep on your feet on the long marches. You set your feet to going and after a while they went by themselves and you sort of turned your attention away and your feet went on walking painlessly, almost without feeling, and gradually you closed down your eyes so that all you could see were the heels of the man in front of you, one heel, other heel, one heel, other heel, and so you moved on dreamily in the heat and the dust, closing your eyes against the sweat, head down and gradually darkening, so you actually slept with the sight of the heels in front of you, one heel, other heel, and often when the man in front of you stopped you bumped into him. There were no heels today, but there was the horse he led by the reins. He did not know the name of this horse. He did not bother any more; the horses were all dead too soon. Yet you learn to love it. Isn’t that amazing? Long marches and no rest, up very early in the morning and asleep late in the rain, and there’s a marvelous excitement to it, a joy to wake in the morning and feel the army all around you and see the campfires in the morning and smell the coffee… … awake all night in front of Fredericksburg. We attacked in the afternoon, just at dusk, and the stone wall was aflame from one end to the other, too much smoke, couldn’t see, the attack failed, couldn’t withdraw, lay there all night in the dark, in the cold among the wounded and dying. Piled-up bodies in front of you to catch the bullets, using the dead for a shield; remember the sound? Of bullets in dead bodies? Like a shot into a rotten leg, a wet thick leg. All a man is: wet leg of blood. Remember the flap of a torn curtain in a blasted window, fragment-whispering in that awful breeze: never, forever, never, forever. You have a professor’s mind. But that is the way it sounded. Never. Forever. Love that too? Not love it. Not quite. And yet, I was never so alive.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
She opens her mouth to answer, yet doesn’t say a word. And I realize, I don’t want to hear the answer. I don’t want to hear that she needs anybody else but me. So with my fingers knotted in her matted mess of hair, I kiss her despite my fears. I kiss her so she can taste just how much I want her, how much I need her. Although it’s more than my heart can stand, I kiss that angel as I feel every vital part of me being crumpled into dust.
S.L. Jennings (Taint (Sexual Education, #1))
The little toy dog is covered with dust, But sturdy and stanch he stands; And the little toy soldier is red with rust, And his musket molds in his hands. Time was when the little toy dog was new And the soldier was passing fair, And that was the time when our Little Boy Blue Kissed them and put them there. "Now, don't you go till I come," he said, "And don't you make any noise!" So toddling off to his trundle-bed He dreamed of the pretty toys. And as he was dreaming, an angel song Awakened our Little Boy Blue,-- Oh, the years are many, the years are long, But the little toy friends are true. Ay, faithful to Little Boy Blue they stand, Each in the same old place, Awaiting the touch of a little hand, The smile of a little face. And they wonder, as waiting these long years through, In the dust of that little chair, What has become of our Little Boy Blue Since he kissed them and put them there.
Eugene Field
These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged. But down on Main Street, down on Towne and San Pedro, and for a mile on lower Fifth Street were the tens of thousands of others; they couldn't afford sunglasses or a four-bit polo shirt and they hid in the alleys by day and slunk off to flop houses by night. A cop won't pick you up for vagrancy in Los Angeles if you wear a fancy polo shirt and a pair of sunglasses. But if there is dust on your shoes and that sweater you wear is thick like the sweaters they wear in the snow countries, he'll grab you. So get yourselves a polo shirt boys, and a pair of sunglasses, and white shoes, if you can. Be collegiate. It'll get you anyway. After a while, after big doses of the Times and the Examiner, you too will whoop it up for the sunny south. You'll eat hamburgers year after year and live in dusty, vermin-infested apartments and hotels, but every morning you'll see the mighty sun, the eternal blue of the sky, and the streets will be full of sleek women you never will possess, and the hot semi-tropical nights will reek of romance, you'll never have, but you'll still be in paradise, boys, in the land of sunshine. As for the folks back home, you can lie to them, because they hate the truth anyway, they won't have it, because soon or late they want to come out to paradise, too.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Now, even though it be neither necessity nor caprice, history, for the authentic reactionary, is not, for all that, an interior dialectic of the immanent will, but rather a temporal adventure between man and that which transcends him. His labors are traces, on the disturbed sand, of the body of a beast and the aura of an angel. History is a tatter, torn from man’s freedom, waving in the breath of destiny. Man cannot be silent because his liberty is not merely a sanctuary where he escapes from deadening routine and takes refuge in order to become his own master. But in the free act the radical does not attain possession of his essence. Liberty is not an abstract possibility of choosing among known goods, but rather the concrete condition in which we are granted the possession of new goods. Freedom is not a momentary judgement between conflicting instincts, but rather the summit from which man contemplates the ascent of new stars among the luminous dust of the starry sky. Liberty places man among prohibitions that are not physical and imperatives that are not vital. The free moment dispels the unreal brightness of the day, in order that the motion of the universe which slides its fleeting lights over the shuddering of our flesh might rise up on the horizon of our soul. If the progressive casts himself into the future, and the conservative into the past, the authentic reactionary does not measure his anxiety with the history of yesterday or with the history of tomorrow. He does not extol what the new dawn might bring, nor is he terrified by the last shadows of the night. His spirit rises up to a space where the essential accosts him with its immortal presence. One escapes the slavery of history by pursuing in the wildness of the world the traces of divine footsteps. Man and his deeds are a vital but servile and mortal flesh that breathes gusts from beyond the mountains. To be reactionary is to champion causes that do not turn up on the notice board of history, causes where losing does not matter. It is to know that we only discover what we think we invent; to admit that our imagination does not create, but only lays bare smooth surfaces. It is not to espouse settled cases, nor to plead for determined conclusions, but rather to submit our will to the necessity that does not constrain, to surrender our freedom to the exigency that does not compel; it is to find sleeping certainties that guide us to the edge of ancient pools. The reactionary is not a nostalgic dreamer of a canceled past, but rather a seeker of sacred shades upon eternal hills.
Nicolás Gómez Dávila
Please wait here. "Annoying yet romantic," she said aloud. She sat down on the folding chair and peered inside the paper bag. A handful of tiny jam-filled donuts dusted with cinnamon and sugar sent up an intoxicating scent. The bag was warm in her hands, flecked with little bits of oil seeping through. Luce popped one into her mouth and took a sip from the tiny white cup, which contained the richest, most delightful espresso Luce had ever tasted. "Enjoying the bombolini?" Daniel called from below. Luce shot to her feet and leaned over the railing to find him standing at the back of a gondola painted with images of angels. He wore a flat straw hat bound with a thick red ribbon, and used a broad wooden paddle to steer the boat slowly toward her. Her heart surged the way it did each time she first saw Daniel in another life. But he was here. He was hers. This was happening now. "Dip them in the espresso, then tell me what it's like to be in Heaven," Daniel said, smiling up at her. "How do I get down to you?" she called. He pointed to the narrowest spiral staircase Luce had ever seen, just to the right of the railing. She grabbed the coffee and bag of donuts, slipped the peony stem behind her ear, and made for the steps. She could feel Daniel's eyes on her as she climbed over the railing and slinked down the stairs. Every time she made a full rotation on the staircase, she caught a teasing flash of his violet eyes. By the time she made it to the bottom, he had extended his hand to help her onto the boat. There was the electricity she'd been yearning for since she awoke. The spark that passed between them every time they touched. Daniel wrapped his arms around her waist and drew her in so that there was no space between their bodies. He kissed her, long and deep, until she was dizzy. "Now that's the way to start a morning." Daniel's fingers traced the petals of the peony behind her ear. A slight weight suddenly tugged at her neck and when she reached up, her hands found a find chain, which her fingers traced down to a silver locket. She held it out and looked at the red rose engraved on its face. Her locket!
Lauren Kate (Rapture (Fallen, #4))
Happy those early days! when I Shined in my angel-infancy, Before I understood this place Appointed for my second race1, Or taught my soul to fancy ought But a white, celestial thought; When yet I had not walked above A mile or two from my first love, And looking back—at that short space— Could see a glimpse of His bright face; When on some gilded cloud, or flower, My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity; Before I taught my tongue to wound My conscience with a sinful sound, Or had the black art to dispense A several2 sin to every sense, But felt through all this fleshy dress Bright shoots of everlastingness. Oh how I long to travel back, And tread again that ancient track! That I might once more reach that plain, Where first I left my glorious train3; From whence the enlightened spirit sees That shady city of palm trees4. But ah! my soul with too much stay5 Is drunk, and staggers in the way. Some men a forward motion love, But I by backward steps would move And when this dust falls to the urn, In that state I came, return.
Henry Vaughan
Have you ever heard someone pray in whom God had put his own strength? You have probably heard some of us poor puny souls pray, but have you ever heard a person pray that God had made into a giant? If you have, you will say it is a mighty thing to hear a person like that in prayer. I have seen him as if he had grabbed the angel like Jacob and tried to wrestle him to the ground. I have seen him slip now and then while he was wrestling, but, like a giant, he has regained his footing and seemed to throw the angel to the ground. I have seen that person seize the throne of mercy and declare, “Lord, I will not let you go unless you bless me.” I have seen him, when heaven’s gates have apparently been locked and barred, go up to them, and say, “Gates of heaven, open wide in Jesus’ name;” and I have seen the gates fly open before him, as if the man were God himself; because he is armed with God Almighty’s strength. I have seen that man, in prayer, discover some great mountain in his way; and he prayed it down, until it was only a molehill. He has beaten the hills and made them like dust by the power of his strength.
Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
The Dawning Ah! what time wilt Thou come? when shall that cry, The Bridegroom’s coming! fill the sky; Shall it in the evening run When our words and works are done? Or will Thy all-surprising light Break at midnight, When either sleep or some dark pleasure Possesseth mad man without measure? Or shall these early, fragrant hours Unlock Thy bow’rs, And with their blush of light descry Thy locks crown’d with eternity? Indeed, it is the only time That with Thy glory doth best chime; All now are stirring, ev’ry field Full hymns doth yield; The whole Creation shakes off night, And for Thy shadow looks the light; Stars now vanish without number, Sleepy Planets set and slumber, The pursy Clouds disband and scatter, All expect some sudden matter; Not one beam triumphs but from far That morning-star; O at what time soever thou (Unknown to us,) the heavens wilt bow, And, with Thy angels in the van, Descend to judge poor careless man, Grant, I may not like puddle lie In a corrupt security, Where if a traveller water crave, He finds it dead, and in a grave. But as this restless, vocal spring All day and night doth run, and sing, And though here born, yet is acquainted Elsewhere, and flowing keeps untainted; So let me all my busy age In Thy free services engage; And though (while here) of force I must Have commerce sometimes with poor dust, And in my flesh, though vile and low, As this doth in her channel flow, Yet let my course, my aim, my love, And chief acquaintance be above; So when that day and hour shall come, In which Thyself will be the sun, Thou’lt find me drest and on my way, Watching the break of Thy great day.
Henry Vaughan
On a sleepy morning that I keep waking up to pull my necktie tight And when I pass through my classroom door I can start walking with my chest puffed out just a little The wind blows through such ordinary days I realized I heard it I realized I felt it Now in my chest that started to tremble I realized it was coming already I saw off The millions of stars that were disappearing I waved my hand Saying, "Good for you" I look down at the corner of the hallway in middle of cleaning I think it's a strange thing Even though the time inside of me has stopped It feels like I'm living through different days Dust falls and accumulates like snow I realized you're waiting I realized you're calling Now in this time that started to tremble I realized I found it My lost memories recalled My story Of eternity It's ending I started running before I knew it My hand was being pulled along by you Yesterday was far away, tomorrow was right ahead That natural fact made my heart dance I realized I heard it I realized I felt it Now in my chest that started to tremble I realized it was coming already A new sun overcame thousands of mornings I realized you're waiting I realized you're calling My soul is trembling I realized I found it I saw off The day that's able to disappear like millions of dreams I waved my hand Saying, "Thank you
Lia
Maybe that's where it started and they brought it back from the desert, some kind of contagious psychic wound, guilt based. Maybe it's the dark matter, invisibly making up most of the universe. Maybe it was methane thawing at the bottom of the sea, releasing some ancient spore from the melted icebergs. Maybe it was the hole in the ozone, the collapse of the upper atmosphere. Maybe it was the overload of information, the swarms of data generated by every human gesture. Maybe it was the networking craze, the resurrection of dead friendships and memories meant to be lost, now resurfacing like rusted shipwrecks to reclaim our attention and scramble our sense of time. Maybe it was the death of an artist at the hands of a zealot. Maybe it was the particles made to collide. Maybe the mapping of the genome. Maybe the clashing of gods, the tug-of-war over our souls, not one of them refusing to let go, instead opting to see us sliced in two by Soloman's sword. Maybe it was food becoming a prop for food. Maybe it was a distant comet dusting us with its tail of poisoned ice. Maybe it was someone uttering a combination of syllables that should never be uttered. Maybe it was the emergence of collective intelligence, the flattening of the world. Maybe the game we inhabit had a glitch. Maybe the angel's horn had finally been blown.
Kenneth Calhoun (Black Moon)
praying. There is no Christ without humility. There is no praying without humility. If you would learn well the art of praying, then learn well the lesson of humility. How graceful and imperative does the attitude of humility become to us! Humility is one of the unchanging and exacting attitudes of prayer. Dust, ashes, earth upon the head, sackcloth for the body, and fasting for the appetites, were the symbols of humility for the Old Testament saints. Sackcloth, fasting and ashes brought Daniel a lowliness before God, and brought Gabriel to him. The angels are fond of the sackcloth-and-ashes men. How lowly the attitude of Abraham, the friend of God, when pleading for God to stay His wrath against Sodom! “Which am but sackcloth and ashes.” With what humility does Solomon appear before God! His grandeur is abased, and his glory and majesty are retired as he assumes the rightful attitude before God: “I am but a little child, and know not how to go out or to come in.” The
E.M. Bounds (The Complete Collection of E.M Bounds on Prayer)
When he reached a certain place, he stopped for the night because the sun had set. Taking one of the stones there, he put it under his head and lay down to sleep. He had a dream in which he saw a stairway resting on the earth, with its top reaching to heaven, and the angels of God were ascending and descending on it. There above it stood the LORD, and he said: “I am the LORD, the God of your father Abraham and the God of Isaac. I will give you and your descendants the land on which you are lying. Your descendants will be like the dust of the earth, and you will spread out to the west and to the east, to the north and to the south. All peoples on earth will be blessed through you and your offspring. I am with you and will watch over you wherever you go, and I will bring you back to this land. I will not leave you until I have done what I have promised you.” When Jacob awoke from his sleep, he thought, “Surely the LORD is in this place, and I was not aware of it.” GENESIS 28 : 11 – 16
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
to stay! It was another answer to prayer, and I graciously accepted her offer. When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))