Anesthesia Sayings Quotes

It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites. We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.

Aye. You gender-malcontent. You otherling,” she said, the fog of anesthesia wearing off. She could see him clearly now. The curl of his lashes. The white flecks of skin over his dry lips. “Me too. I am a boy and a girl and a witch all wrapped into one very strange, flimsy, indecisive body. Do you think my body couldn’t decide what it wanted to be?” “I think it doesn’t matter because we get to decide what our bodies are or are not,” he answered. Aster sat up, and Theo helped her prop two pillows beneath her head. “Is that so? Then I am magic. I say it, therefore it is true,” she said.

I believe that everything happens,” she said. “Period. Or full stop, as you would say. That’s it. Things happen and we have to learn to live with them, as long as suicide is off the table, that is. If we can find meaning in them, fine, but even if we can’t, we still have to live with them. The meaning is an afterthought, an anesthesia. Happens is the only word in that statement that’s empirical. The rest is whatever helps you sleep at night.

Oh, look, the lights are so pretty,” I said dreamily, having just noticed them. I smiled at the way the lights were dancing overhead, pink and yellow and blue. I felt some pressure on my arm and thought, I should look over and see what’s going on, but then the thought was gone, sliding away like Jell-O off a hot car hood. “Fang?” “Yeah. I’m here.” I struggled to focus on him. “I’m so glad you’re here.” “Yeah, I got that.” “I don’t know what I’d do without you.” I peered up at him, trying to see past the too-bright lights. “You’d be fine,” he muttered. “No,” I said, suddenly struck by how unfine I would be. “I would be totally unfine. Totally.” It seemed very urgent that he understand this. Again I felt some tugging on my arm, and I really wondered what that was about. Was Ella’s mom going to start this procedure any time soon? “It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’t try to talk.” “I don’t want my chip anymore,” I explained groggily, then frowned. “Actually, I never wanted that chip.” “Okay,” said Fang. “We’re taking it out.” “I just want you to hold my hand.” “I am holding your hand.” “Oh. I knew that.” I drifted off for a few minutes, barely aware of anything, but feeling Fang’s hand still in mine. “Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word an effort. “Um, no,” said Ella’s voice, somewhere behind my head. “I think I would like a La-Z-Boy,” I mused, letting my eyes drift shut again. “Fang, don’t go anywhere.” “I won’t. I’m here.” “Okay. I need you here. Don’t leave me.” “I won’t.” “Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. I love you sooo much.” I tried to hold out my arms to show how much, but I couldn’t move them. “Oh, jeez,” Fang said, sounding strangled.

Sonny had a quintuple bypass in 2003, when he was fifty-six years old—the last thing he remembered before falling unconscious under the anesthesia was a doctor standing over him saying his mother’s cells were one of the most important things that had ever happened to medicine. Sonny woke up more than $125,000 in debt because he didn’t have health insurance to cover the surgery.

I guess that’s supposed to be deconstruction’s original program, right? People have been under some sort of metaphysical anesthesia, so you dismantle the metaphysics’ axioms and prejudices, show it in cross section and reveal the advantages of its abandonment. It’s literally aggravating: you awaken them to the fact that they’ve been unconsciously imbibing some narcotic pharmakon since they were old enough to say “Momma.” -Interview with Larry McCaffery (1993)

One of the most popular genital surgeries is labia minora reduction. When a similar procedure is performed on healthy girls in some African countries as a coming-of-age rite to control their sexuality, Westerners denounce it as genital mutilation; in the U.S. of A., it's called cosmetic enhancement. But both procedures are based on misogynist notions of female genitalia as ugly, dirty, and shameful. And though American procedures are generally performed under vastly better conditions (with the benefit of, say, anesthesia and antibiotics), the postsurgical results can be similarly horrific, involving loss of sensation, chronic pain, and infection.

What I Should Have Said There's nothing that says you can't call. I spend the weekdays teaching and moving my children from breakfast to bedtime. What else, I feel like a traitor telling someone else things I can't tell to you. What is it that keeps us together? Fingertip to fingertip, from Santa Fe to Albuquerque? I feel bloated with what I should say and what I don't. We drift and drift, with few storms of heat inbetween the motions. I love you. The words confuse me. Maybe they have become a cushion keeping us in azure sky and in flight not there, not here. We are horses knocked out with tranquilizers sucked into a deep deep sleeping for the comfort and anesthesia death. We are caught between clouds and wet earth and there is no motion either way no life to speak of.

Darwin is associated, in the popular imagination, with bloody zero-sum competition, with Tennyson’s “nature, red in tooth and claw”—with the motto “survival of the fittest.” But this wasn’t actually his phrase. It was coined by a philosopher and sociologist named Herbert Spencer and his fellow “social Darwinists,” who were promoters of white and upper-class supremacy. For Darwin, says Keltner, “survival of the kindest” would have been a better moniker. Darwin was a gentle and melancholic soul, a doting husband and adoring father of ten, deeply in love with nature from earliest childhood. His father had wanted him to be a doctor, but when at age sixteen he witnessed his first surgery, performed in those days without anesthesia, he was so horrified that for the rest of his life he couldn’t stand the sight of blood. He retreated to the woodlands and studied beetles instead. Later, he described his encounter with a Brazilian forest as “a chaos of delight, out of which a world of future & more quiet pleasure will arise.

I have no idea. You know what’s really scary?” “What?” “No one will tell you.” “Like who?” “Anyone. It’s the damnedest thing. I really want to know what I’m up against. So I ask my best friend, she’s had two. She says, ‘Oh, when you see what you get it’s worth it.’ That’s no answer, right? So I ask someone else who didn’t use any anesthesia. She says, ‘Oh, you’ll forget all about it when you see the baby.’ That’s not an answer either. And my mom was knocked out, old-style, when she had me. So she can’t tell me, and she probably wouldn’t. It’s some kind of mom conspiracy.

It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, “Tell Papa, tell Mama, and we’ll make it right.” The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child’s need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites. We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting a lollipop or a toy bear’s worth of comfort. We make do with it rather than face alone the cavernous reaches of our skulls for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.

William Blake said, “The deeper the sorrow, the greater the joy.” When we send our grief into exile, we simultaneously condemn our lives to an absence of joy. This gray-sky existence is intolerable to the soul. It shouts at us daily to do something about it, but in the absence of meaningful ways to respond to sorrow or from the sheer terror of entering the terrain of grief naked, we turn instead to distraction, addiction, or anesthesia. On my visit to Africa, I remarked to one woman that she had a lot of joy. Her response stunned me: “That’s because I cry a lot.” This was a very un-American sentiment. She didn’t say it was because she shopped a lot, worked a lot, or kept herself busy. Here was Blake in Burkina Faso—sorrow and joy, grief and gratitude, side by side. It is indeed the mark of the mature adult to be able to carry these two truths simultaneously. Life is hard, filled with loss and suffering. Life is glorious, stunning, and incomparable. To deny either truth is to live in some fantasy of the ideal or to be crushed by the weight of pain. Instead, both are true, and it requires a familiarity with both sorrow and joy to fully encompass the full range of being human.

A perkier bit at the beginning of a Three Stooges comedy, Restless Knights (February 20, 1935), has Brennan playing their father, decked out in a large night cap and a fake white beard, lying on his deathbed calling for his sons. He confesses in tremolo that they are of royal blood: “Years ago I was the royal chamberlain of the Kingdom of Anesthesia.” Now, he urges them to offer their swords in service of their imperiled queen. The quality of the writing is best exemplified in Brennan’s telling Curly that his title is “Baron of Grey Matter.” Brennan then says, “Come close my sons so that I may bless you,” and rises enough to give them a sweeping triple slap, as the light fades on his 120-second part in this sixteen minute short.

what are you going to do?” “Do you know anything about twilight sleep?” Nurse Steiner asked. “Not really.” “I started my career working for an ob-gyn doing baby deliveries. In the old days, we’d use morphine and scopolamine as anesthesia. It would produce a semi-narcotic state—the expectant mother would stay awake, but she wouldn’t really remember anything. Some say it dulled the pain. Perhaps it did, but I don’t think so. I think what happened was, the expectant mother forgot the agony she was forced to endure.” She tilted her head, like a dog hearing a strange sound. “Does pain happen if you don’t remember it?” Kat

And I don’t even agree anymore With the expression falling in love It is the one of a world That sees love as a fall I would rather say we rise with love Love is an ascension

I believe that everything happens," she said. "Period. Or full stop, as you would say. That's it. Things happen and we have to learn to live with them, as long as suicide is off the table, that is. If we can find meaning in them, fine, but even if we can't, we still have to live with them. The meaning is an afterthought, an anesthesia. Happens is the only word in that statement that's empirical. The rest is whatever helps you sleep at night.

He came to his discoveries by acquiring enslaved women in Alabama and conducting savage surgeries that often ended in disfigurement or death. He refused to administer anesthesia, saying vaginal surgery on them was "not painful enough to justify the trouble.

He told of visiting Nancy in the recovery room. “She was asleep when Dick and I got there. Suddenly, as we were standing by her bed, there was a little movement of her body. Her eyes didn’t open, but I heard a tiny voice say, ‘My breast is gone.’ Barely conscious because of her anesthesia, Nancy somehow had sensed we were there. She was devastated by the loss of her breast—not because she was worried about herself, but because she was worried about me and how I would feel about her as a woman. ‘It doesn’t matter,’ I said. ‘I love you.’ Then I leaned over and kissed her softly, and repeated that it made no difference to me. But seeing that sadness in her eyes, it was all I could do to avoid breaking up again.