Andrew Young Quotes

Now climb, young grasshopper, so your Kung Fu won't be weak.

I've never created a riot before. I did cause a brawl at the last formal. A large number of young women there actually arrived with the expectation of seducing me into matrimony, and a couple of their mothers came to blows. It was hilari—I mean, dreadful. Simply dreadful.

Strange to be almost fifty, no? I feel like I just understood how to be young." "Yes! It's like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won't ever be back.

Young men, especially in America, write to me and ask me to recommend “a course of reading.” Distrust a course of reading! People who really care for books read all of them. There is no other course.

It seems that the young woman made some indelicate suggestion of a threesome...When I got there, Miss Nash was standing by the hot tub in a small bikini, pointing the business end of a SIG-Sauer P-226 at her fella and concerned members of the hotel staff, while dunking the scantily clad female's head under the water and asking, "Who's diving for clams now, bitch?

I have spent my spare time studying literature popular with young women of this planet. One should always study the battlefield." Sean glanced at him. "And?" "I suggest you give up now. According to my research, in a vampire-werewolf love triangle, the vampire always gets the girl.

Kate makes good sausage," Jim said. Six pairs of eyes stared at me. Thank you, Mr. Wonderful. Just what I needed. "Oh yeah," Andrea snapped her fingers. "The links? The ones we had the beginning of the month? I didn't know you made those. I thought they were bought. They were so good." Her smile was positively cherubic. Of all the times not to be able to shoot laser beams out of my eyes... "What do you put into your sausage, Kate?" Raphael wanted to know, giving me a perfectly innocent look. Werejaguars with big mouths with a pinch of werehyena thrown in. "Venison and rabbit." "That sounds like some fine sausage," Doolittle said. "Will you share the recipe?" "Sure." "I had no idea you were a sausage expert," Curran said with a completely straight face. Die, die, die, die... Even Derek cracked a smile. Raphael put his head down on the table and jerked a little. "Is he choking?" Dali asked, wrinkling her forehead. "No, he just needs a moment," Curran said. "Young bouda males. Easily excitable.

If you’re really hard up, I can introduce you to my grandmother. She’s a fan.” Adam blinked. “She doesn’t typically sleep with pretty young things, but she would make an exception in your case. You might even learn a trick or two.

Remember, young man, experience is not the best teacher. Other people's experience is the best teacher. By reading about the lives of great people, you can unlock the secrets to what made them great.

Nothing is illegal if one hundred businessmen decide to do it. -Andrew Young, author, civil rights activist, US congressman, mayor, and UN ambassador (b. 1932)

Unless i'm reading an assignment or doing a paper or taking a test, i'm thinking about you.

I look at you, and you’re young. You’ll always be that way for me. But not for anyone else. Arthur, people who meet you now will never be able to imagine you young.

She said nothing, and Sir Andrew, too, was silent, yet those two young people understood one another, as young people have a way of doing all the world over, and have done since the world began.

See, the ‘small stuff’ is what makes up the larger picture of our lives. Many people are like you, young man. But their perspective is distorted. They ignore ‘small stuff,’ claiming to have an eye on the bigger picture, never understanding that the bigger picture is composed of nothing more than-are you ready?- ‘small stuff’.

Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.

Young people," McDonald said contemptuously. "You always think there's something to find out." "Yes, sir," Andrews said. "Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you're ready to die, it comes to you — that there's nothing, nothing but yourself and what you could have done. Only you ain't done it, because the lies told you there was something else. Then you know you could of had the world, because you're the only one that knows the secret; only then it's too late. You're too old." "No," Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. "That's not the way it is." "You ain't learned, then," McDonald said. "You ain't learned yet. . . .

We don’t anticipate accidents, nor do we expect to die young.

Where is the real Less? Less the young man terrified of love? The dead-serious Less of twenty-five years ago? Well, he has not packed him at all. After all these years, Less doesn’t even know where he’s stored.

I am a . . . solitary . . . man, he said. 'I do not suffer fools gladly, and I prefer to spend my time alone with a book and a decanter of brandy.

A sunny disposition is worth more than fortune. Young people should know that it can be cultivated; that the mind, like the body can be moved from the shade into sunshine.

Why should I laugh?' asked the old man. 'Madness in youth is true wisdom. Go, young man, follow your dream, and if you do not find the happiness that you seek, at any rate you will have had the happiness of seeking it.

Go on, glare your eyes at me, and cry and plead, and talk to me about money and what it can buy. But it can't buy back a child once he's dead!

I don't trust tragedies much. It's easy to make a person sad by showing him something tragic. We all recognize when sad things happen: someone dies, someone loses a loved one, young love is crushed. It's much harder to make a man laugh-what's funny to one person isn't funny to another.

Maybe thats because we take criticism best from those we love and those who love us-Ethan

Being young is a kind of warfare in which the great enemy is experience.

Then the old man's face hardened. "What about you young man?" he asked flatly. "Would you like to get what you deserve?" Jones let that question hang in the air for a moment, then sighed, shook his head, and said "Me? I surely don't want what I deserve. I'm hoping for mercy, not justice.

The sensible man,' Crow had said (to Sherlock Holmes), 'don't look to confirm what he already knows -- he looks to deny it. Finding evidence that backs up your theories ain't useful, but finding evidence that your theories are wrong is priceless. Never try to prove yourself right -- always try to prove yourself wrong instead.

He returned her love. He lusted after her sweet young body. He wanted her the way he wanted to breathe the spring air. He had never loved anyone before. He had not known even what this feeling for his tiny slave was. Now in the crisp, clear spring sunlight, he knew.

So. If this was some normal fictional young-adult book, this is the part of the story where after the film, the entire high school would rise to their feet and applaud, and Earl and I would find True Acceptance and begin to Truly Believe in Ourselves and Rachel would somehow miraculously make a recovery, or maybe she would die but we would Always Have Her to Thank for Making Us Discover Our Inner Talent, and Madison would become my girlfriend and I would get to nuzzle her boobs like an affectionate panda cub whenever I wanted. That is why fiction sucks. None of that happened. Instead, pretty much everything happened that I was afraid of, except worse.

I blew that clay pigeon to smithereens. I don't know why Mum got so upset. According to Uncle Andrew she's a crack shot herself. But she says I'm too young. What I'd like to know is how old does a person have to be before they get to do all the fun stuff?

Strange to be almost fifty, no? I feel like I just understood how to be young.

Have you met someone?” “Me? I think maybe I’ll go it on my own. Maybe I’m better that way. Maybe I was always better that way and it was just that when I was young, I was so scared, and now I’m not scared.

If being young is a crime scene,” I said, “the evidence from that night is everywhere.

She is in particular interested in the Ennui predator. She very much likes its demeanor and coloring in the images. She understand she may not get that particular one, but perhaps one that resembles it? A young one?” The Ennui predator. “Where did she find these images?” “On your planet’s holonet,” Nuan Ara said helpfully. We didn’t have holonet. We had internet… Oh. “So, the esteemed grandmother would like a kitten that looks like Grumpy Cat?” I picked up my laptop, typed in the image search for Grumpy Cat, and showed him the picture. “Yes!” “I will see what I can do.

How do you make someone love you? For the very young, there can be nothing harder in the world. You may try as hard as you like: place yourself beside them, cook their favourite food, bring them wine or sing the love songs that you know will move them. They will not move them. Nothing will move them. You will waste days interpreting the simple banalities of a phone call; months staring at their soft lips as they talk; you will waste years watching a body sitting in a chair and willing every muscle to take you across the room and do a simple thing, say a simple word, make them love you and you will not do it; you will waste long nights wondering how they cannot feel this - the urge to embrace, the snow melt in the heart when you are near them - how they can sit in that chair, or speak with those lips, or make a call and mean nothing by it, hide nothing in their hearts. Or perhaps what they hide is not what you want to see. Because surely they love someone. It simply isn’t you.

Grigorii spared a single glance in his brother’s direction. If looks were daggers, that one would’ve sliced straight through the volhv’s heart. “Here it comes. ‘My oldest son . . .’” “Is a doctor,” Evdokia finished in a singsong voice. “And my daughter is an attorney.” Vasiliy raised his chin. “Jealousy is bad for you. Poisons the heart.” “Aha!” Evdokia slapped the table. “How about your youngest, the musician? How is he doing?” “Yes, what is Vyacheslav doing lately?” Grigorii asked. “Didn’t I see him with a black eye yesterday? Did he whistle a tree onto himself?” Oh boy. Curran opened his mouth. Next to him Jim shook his head. His expression looked suspiciously like fear. “He is young,” Vasiliy said. “He is spoiled rotten,” Evdokia barked. “He spends all his time trying to kill my cat. One child is a doctor, the other is an attorney, the third is a serial killer in training.

Think of me, think of me fondly When we've said goodbye Remember me once in a while Please promise me, you'll try... Recall those days, look back on all those times Think of those things we'll never do There will never be a day When I won't think of you... Can it be? Can it be Christine... Long ago, it seems so long ago How young and innocent we were She may not remember me But I remember her

People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this . . . it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything . . . because, you've never tasted anything better. You're fourteen." It was no time for lying. "I think it's love" You do?" I think maybe it's the only true love." She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works.

Then turn your eyes back on me, and tell me that Cathy and I are still children to be treated with condescension, and are incapable of understanding adult subjects.

Andrew is going to be one of my problems. Dean thinks it's great fun--he knows what is in the wind as well as I do. He is always teasing me about my red-headed young man--my r.h.y.m. for short. "He's almost a rhyme," said Dean. "But never a poem," said I.

Arthur, I look at you, and I still see that boy on the beach with the red toenails. Not at first, but my eyes adjust. I see that twenty-one-year-old boy in Mexico. I see that young man in a hotel room in Rome. I see the young writer holding his first book. I look at you, and you’re young. You’ll always be that way for me. But not for anyone else. Arthur, people who meet you now will never be able to imagine you young. They can never go any further back than fifty. It isn’t all bad. It means now people will think you were always a grown-up. They’ll take you seriously. They don’t know that you once spent an entire dinner party babbling about Nepal when you meant Tibet.

And there is something in the young that rebels when life is made too strict, making us want to do most of all the very things denied to us.

You snatch from life what you can while you are young, for if you wait for better times to come tomorrow, you wait in vain.

Arthur Less is the first homosexual ever to grow old. That is, at least, how he feels at times like these. Here, in this tub, he should be twenty-five or thirty, a beautiful young man naked in a bathtub. Enjoying the pleasures of life. How dreadful if someone came upon naked Less today: pink to his middle, gray to his scalp, like those old double erasers for pencil and ink. He has never seen another gay man age past fifty, none except Robert. He met them all at forty or so but never saw them make it much beyond; they died of AIDS, that generation. Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain?

To summarize what I have said: Aim for the highest; never enter a bar-room; do not touch liquor, or if at all only at meals; never speculate; never indorse beyond your surplus cash fund; make the firm’s interest yours; break orders always to save owners; concentrate; put all your eggs in one basket, and watch that basket; expenditure always within revenue; lastly, be not impatient, for, as Emerson says, “no one can cheat you out of ultimate success but yourselves.” I congratulate poor young men upon being born to that ancient and honourable degree which renders it necessary that they should devote themselves to hard work. A basketful of bonds is the heaviest basket a young man ever had to carry. He generally gets to staggering under it. We have in this city creditable instances of such young men, who have pressed to the front rank of our best and most useful citizens. These deserve great credit. But the vast majority of the sons of rich men are unable to resist the temptations to which wealth subjects them, and sink to unworthy lives. I would almost as soon leave a young man a curse, as burden him with the almighty dollar. It is not from this class you have rivalry to fear. The partner’s sons will not trouble you much, but look out that some boys poorer, much poorer than yourselves, whose parents cannot afford to give them the advantages of a course in this institute, advantages which should give you a decided lead in the race–look out that such boys do not challenge you at the post and pass you at the grand stand. Look out for the boy who has to plunge into work direct from the common school and who begins by sweeping out the office. He is the probable dark horse that you had better watch.

...I'm a fool. I expect too much, then I'm angry because nothing ever works out the way I want. When I was young and full of hopes and aspirations, I didn't know I would get hurt so often. I think I'll get tough and won't ache again, then my fragile shell shatters, and again, symbolically, my blood is spilled with the tears I shed. I pull myself back together again, go on, convince myself there is a reason for everything, and at some point in my life it will be disclosed. And when I have what I want, I hope to god it stays long enough to let me know I have it, and it wont hurt when it goes, for I don't expect it to stay, not now. I'm like a doughnut, always being punch out in the middle, and constantly I go around searching for the missing piece, and on and on it goes, never ending, only beginning...

Arabella squinted back. “You’re almost nine months pregnant. Shouldn’t you be soft, and happy, and glowing? When are we gonna see some glow?” Arabella clearly had a death wish. Nevada finished her pickle spear and licked honey off her fingertips. “I’m the size of a house, the kid inside me keeps kicking me in the kidneys, I have to pee every five minutes, my legs cramp, and I can’t get out of bed by myself. I have to roll to the side like a walrus, which is harder right now since my husband is somewhere in the Russian Empire and he isn’t there to steady me. And how was your day of being young, beautiful, skinny, and carefree? Why aren’t you glowing?

In the suburbs of Delaware, spring meant not young love and damp flowers but an ugly divorce from winter and a second marriage to buxom summer.

Still, we were young, and hope has strong roots in the young, right down to their toes,

I didn't know how I felt, except confused and bewildered, and very, very young. And the world all about us was wise, and old, so old.

You cats mind if I make it a trio?' he asked me, and it was not a huge surprise that a dude of his appearance was speaking in Jazz Voice.

Strange to be almost 50, no? I feel like I just understood how to be young.

an author too old to be fresh and too young to be rediscovered

If too much has been made of the symptoms of Plath’s mental illness, so too little attention has been paid to its possible causes. Sylvia Plath was an angry young woman born in a country and at a time that only exacerbated and intensified her fury.

These new songs that I sing Were islands in the sea That never missed a spring, No, nor a century. A starry voyager, I to these islands come Knowing not by what star I am at last come home.

The door opened after a few moments. Sherlock was looking slightly upwards, expecting Amyus Crowe to be standing inside the doorway, and for a moment he was confused by the empty space. His gaze droped, and he felt his heart stutter as it came to rest on the face of a girl at the same level as his own. Her cloths were dark, and in the shadows of the hall her face seemed to be floating in mid-air.

All he wanted was to be young together and in love. Too much to ask? “Nobody gets that,” she would say. “Nobody. Your problem is you’re convinced you have a type.” He would say of course he had a type, and she would say: “Give that up. Find someone who treats you decently.

the toilet is an intimacy only shared with parents when you are young and once again when they are older and with lovers when say on a Sunday morning stretching into the bathroom you wake to the sound of stream into bowl and go to hug the naked body stood with its back to you and kiss the neck and taste the whole of the night on there and smell the morning’s pale yellow loss and take the whole of him in your hand and feel the water moving through him and knowing that this is love the prone flesh what we expel from the body and what we let inside

You get everything you need?” She squealed like an idiot and whirled around to see him smirking at her. “JeSUS!” She glared at him and brushed past him, ignoring the sparks that shot down her arm where their bodies met. Thumping down on to the sofa, she grabbed at the food tray and began digging in, glaring at him the whole time as he took the seat opposite her. She swallowed when he refused to look away. “You know this is all just a little too Virginia Andrews for my liking.” He raised an eyebrow. “Meaning?” “The clothes, the accessories, the shampoo!” Avery shook her head in disbelief. “It’s creepy, Brennus.

He knew better than to pray that the cloven would transform in a whirl of light into Esben Wingfeather, young and handsome and whole. Those things only happened in stories. So Janner pleaded simply for each beat of the beast's heart.

Chapter 1: Fan Number One Chapter 2: A Portrait of the Author as a Young Girl Chapter 3: Mystery Man Chapter 4: City Kid Chapter 5: The Plot Thickens Chapter 6: Reality Attack Chapter 7: Business Lesson Chapter 8: A Portrait of the Bulldog as a Young Girl Chapter 9: The Agent Chapter 10: The Chosen Grown-Up Chapter 11: Welcome to the Club Chapter 12: In or Out? Chapter 13: Open for Business Chapter 14: Judgment Day Chapter 15: A New Island Chapter 16: Poker, Anyone? Chapter 17: High Stakes, Aces Wild Chapter 18: The Long Arm of the Law Chapter 19: The Red Pencil Blues

I used to pray you know, pray to God that He would somehow stop it. All the nights of listening to my mother scream and things breaking. Of holding my brother and sister and listening to them cry and begging me to stop it.' My voice is slow and steady like a freight train at night. 'I was too young, and we were always told that they'd put us in foster homes where people would rape us if we ever said anything. So we explained away the bruises and my mom wore big sunglasses whenever she left the house. And we invented car accidents if the bruising was too bad to cover with make-up.

Yes, she wanted to make us undone that night, when we were young, innocent, trusting, having known only the sweetest part of living. She wanted to wither our souls and shrivel us small and dry, perhaps never to feel pride again. But she didn't know us.

Strange to be almost 50, no? I feel like I just understood how to be young.” “Yes. It’s like the last day in a foreign country. You finally figure out where to get coffee and drinks and a good steak and then you have to leave. And you won’t ever be back.

What? Oh, of course. Siuria, you mean. No, no, Tinka's leg fell off. Tinka, Siuria's doll. So she brought her to the doctor. As she should. Bright young thing.

Andrew returned to his contemplation of the dirty window with an ache in his heart and in his balls.

Among the young ravens driven to roost awhile on Graydon's ark was James Andrew Manallace - a darkish, slow northerner of a type that does not ignite, but must be detonated. ("Dayspring Mishandled")

Isn't it funny how far we will go to be with someone we think we love. A grown man will behave like a young boy, a young boy will do everything he can to appear like a grown man. We'll risk our reputations, sacrifice our worldly possessions, defy our parents, even our religious beliefs. We'll do illogical and foolish things, things that are impractical, wasteful, just for a moment of what we think is ecstasy on earth.

I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.” “Yes, but we don’t have a suitable male,” Orro said. “And only one dog.” I looked at him. “What is this Christmas?” Wing asked. Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.” Sean stopped what he was doing and looked at Orro. “The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.” Sean made a strangled noise. “At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.” Sean was clearly struggling, because his head was shaking. “Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.” Sean roared with laughter.

The second man I meet is Andrew, and he has dirty fingernails so I can't notice if he is nice or not. I can even eat my brown sugar and butter crêpes because, oy gevalt, I'm so distracted by these fingernails. I mean, what was he doing before he came on this date? Competitive gardening? Burying the last woman he dated?

Farther south, the Plains of Palen Jabh-J were as safe as they were beautiful, except for the ratbadgers that slithered through the tall grass (a farmer from South Torrboro claimed to have seen one as big as a young meep, which is about the size of a full-grown chorkney, an animal that stands about as high as a flabbit).

But, overall, I concluded the young-hack-versus-corporate-corruption thriller had potential. (The Ghost of Sir Felix Finch whines, "But it's been done a hundred times before!" - as if there could be anything not done a hundred thousand times between Aristophanes and Andrew Void-Webber! As if Art is the What, not the How!)

So this is a story about light and goodness and Truth with a capital T. It's about beauty, and resurrection, and redemption. But for those things to ring true in a child's heart, the storyteller has to be honest. He has to acknowledge that sometimes when the hall light goes out and the bedroom goes dark, the world is a scary place. He has to nod his head to the presence of all the sadness in the world; children know it's there from a very young age, and I wonder sometimes if that's why babies cry. He has to admit that sometimes characters make bad choices, because every child has seen their parent angry or irritable or deceitful--even the best people in our lives are capable of evil. But of course the storyteller can't stop there. He has to show in the end there is a Great Good in the world (and beyond it). Sometimes it is necessary to paint the sky black in order to show how beautiful is the prick of light. Gather all the wickedness in the universe into its loudest shriek and God hears it as a squeak at best. And that is a comforting thought. When a child reads the last sentence of my stories, I hope he or she drifts to sleep with a glow in their hearts and a warmth in their bones, believing that all shall be well, and all shall be well, and all manner of things shall be well.

Thus, in that inevitable taking of sides which comes from selection and emphasis in history, I prefer to try to tell the story of the discovery of America from the viewpoint of the Arawaks, of the Constitution from the standpoint of the slaves, of Andrew Jackson as seen by the Cherokees, of the Civil War as seen by the New York Irish, of the Mexican war as seen by the deserting soldiers of Scott’s army, of the rise of industrialism as seen by the young women in the Lowell textile mills, of the Spanish-American war as seen by the Cubans, the conquest of the Philippines as seen by black soldiers on Luzon, the Gilded Age as seen by southern farmers, the First World War as seen by socialists, the Second World War as seen by pacifists, the New Deal as seen by blacks in Harlem, the postwar American empire as seen by peons in Latin America. And so on, to the limited extent that any one person, however he or she strains, can “see” history from the standpoint of others.

There are three lies in life,” Sutherland said to his young companion, whose first night this was in the realm of homosexuality and whose introduction to it Sutherland had taken upon himself to supervise. “One, the check is in the mail. Two, I will not come in your mouth. And three, all Puerto Ricans have big cocks,” he said.

...among a certain generation of people, the work I did as a young man will forever burn brightest... more importantly, it is the memory of the work that is so valuable to people. Because in the memory of those movies exists a touchstone of youth, of when life was all ahead, when the future was a blank slate, when anything was possible.

Having a fling with you doesn’t appeal to me. You’re handsome, but you’re too inexperienced and too arrogant to be good in bed. Having ridden many horses doesn’t make you a good rider; it just proves that you can’t recognize a good one or don’t know how to keep her. You’re too young for me, and in ten years, when you improve, I will be too old for you. So let’s not speak of this again.” A thin, high-pitched sound came from the wall. Miko was snickering.

We're young. We’re supposed to drink too much. We're supposed to have bad attitudes and shag each other's brains out. We were designed to party. We owe it to ourselves to party hard. We owe it to each other. This is it. This is our time. So a few of us will overdose, or go mental. Charles Darwin said you can't make an omelet without breaking a few eggs. That's what it's about - breakin' eggs - by eggs, I mean, getting twatted on a cocktail of class. As. If you could see yourselves... We had it all. We have fucked up bigger and better than any generation that came before us. We were so beautiful... We're screw-ups. I plan on staying a screw-up until my late twenties, or maybe even my early thirties. And I will shag my own mum before I let anyone else take that away from me!

The language of the packers quickly entered the army vocabulary. A skittish, inexperienced young mule had its tail shaved so as to be instantly recognizable to the packers. “Shavetail” soon became the name for every spit-and-polish, greenhorn lieutenant from the East. A

Watch and clock faces, fingernails, military instrument panels, gun sights and even children’s toys glowed with radium, hand-painted in factories by young women working for the United States Radium Corporation. The unsuspecting artisans would lick their brushes - ingesting radium particles each time - to keep the tips pointed during the precision work, but years later their teeth and skulls began to disintegrate.

It is as if a Mohammedan, while recognizing the divine mission of the Arab prophet, were to write for his son a treatise on the ethics of the New Testament as better adapted than the moral system of the Koran for the training and confirming of a young man in the practice of virtue.

Young people," McDonald said contemptuously. "You always think there's something to find out." "Yes, sir," Andrews said. "Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you're ready to die, it comes to you--that there's nothing, nothing but yourself and what you could have done. Only you ain't done it, because the lies told you there was something else. Then you know you could of had the world, because you're the only one that knows the secret; only then it's too late. You're too old." "No," Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. "That's not the way it is." "You ain't learned, then," McDonald said. "You ain't learned yet....look. You spend nearly a year of your life and sweat, because you have faith in the dream of a fool. And what have you got? Nothing. You kill three, four thousand buffalo, and stack their skins neat; and the buffalo will rot wherever you left them, and the rats will nest in the skins. What have you got to show? A year gone out of your life, a busted wagon that a beaver might use to make a dam with, some calluses on your hands, and the memory of a dead man." "No," Andrew said. "That's not all. That's not all I have." "Then what? What have you got?" Andrews was silent. "You can't answer. Look at Miller. Knows the country he was in as well as any man alive, and had faith in what he believed was true. What good did it do him? And Charley Hoge with his Bible and his whisky. Did that make your winter any easier, or save your hides? And Schneider. What about Schneider? Was that his name? "That was his name," Andrews said. "And that's all that's left of him," McDonald said. "His name. And he didn't even come out of it with that for himself." McDonald nodded, not looking at Andrews. "Sure, I know. I came out of it with nothing, too. Because I forgot what I learned a long time ago. I let the lies come back. I had a dream, too, and because it was different from yours and Miller's, I let myself think it wasn't a dream. But now I know, boy. And you don't. And that makes all the difference.

…especially the young ones, come into the canyon for the first time, quiet as deer, some of them, coming to your hand for salt: their dark eyes wide and gleaming with the wonder and the fear we had all felt at seeing for the first time life as our dreams had always imagined it… at seeing so many people with whom they could fall in love. The old enchantment composed of lights, music, people was transfixing them for the first time, and it made their faces even more touching.

Pah…commoners, traders." Ergus made a disparaging gesture. Traders with money, Ergus. Money they put at the disposition of young Tanahkos," Lmachdan said in a dry tone. "Money that turns into soldiers. Soldiers who are used to extort tribute from us. Tribute that is turned into more soldiers. The warlord has a good thing going, I'll say that for him.

We could invent a time machine, my Walloon, and go back and never choose each other. We could go back further still and try it all over again with what we know; try to be young together and in love, the way hardly anybody gets to be. Young and foolish and happy. But I have an easier solution: Just take the ordinary time machine. And try to grow old. Old and foolish and happy.

Having a fling with you doesn’t appeal to me. You’re handsome, but you’re too inexperienced and too arrogant to be good in bed. Having ridden many horses doesn’t make you a good rider; it just proves that you can’t recognize a good one or don’t know how to keep her. You’re too young for me, and in ten years, when you improve, I will be too old for you. So let’s not speak of this again.

So I began, feeling as if I was some elf in a Grim fairy tale climbing the corporate ladder of darkest whimsy, yet somewhere at the top lies the treasure of a pure maiden’s heart. Therefore it was my duty to do whatever it might take to win that pure maiden’s heart by returning that treasure to her hand. By the way, Spicoli, in the movie Fast Times at Ridge Mont High, said that people on ludes shouldn’t drive, that being shortly after crashing a car while he was high on ludes. Therefore, I will say this in advance, people still half drunk and stoned probably shouldn’t climb trees either.

I am here because I am the one that must love Peter so much that he can feel worthy, worthy enough to bear to let the goodness of Young Valentine flow into him, making him whole, making him Ender. Not Ender the Xenocide and Andrew the Speaker for the Dead, guilt and compassion mingled in one shattered, broken, unmendable heart, but Ender Wiggin the four-year-old boy whose life was twisted and broken when he was too young to defend himself. Wang-mu was the one who could give Peter permission to become the man that child should have grown up to be, if the world had been good.

Monsoon Love is a love story with a few comic twists. The idea for this story came to me when I went into the local town of Pokhara with a friend to buy his son a birthday present. We had just arrived at the shops when a heavy down pour began, and as we had arrived on his motorbike and didn’t have raincoats or umbrellas so we had to wait for the rain to stop. We were standing under a awning watching the street while we waited, and I noticed this very beautiful young woman walk past me dressed in a t-shirt and jeans with the cuffs rolled half up her legs, but the way she held her umbrella made it impossible to see her face, though with the nice body she had her face must have been just as lovely. Then I though, imagine some guy stuck working in an office, and seeing a view like that every day of the same woman, and falling in love with her despite not seeing her face.

I was on duty when our submarine went into port in Nassau and tied up at the Prince George Wharf, and I was the officer who accepted an invitation from the governor-general of the Bahamas for our officers and crewmen to attend an official ball to honor the U.S. Navy. There was a more private comment that a number of young ladies would be present with their chaperones. All of us were pleased and excited, and Captain Andrews responded affirmatively. We received a notice the next day that, of course, the nonwhite crewmen would not be included. When I brought this message to the captain, he had the crew assemble in the mess hall and asked for their guidance in drafting a response. After multiple expletives were censored from the message, we unanimously declined to participate. The decision by the crew of the K-1 was an indication of how equal racial treatment had been accepted—and relished. I was very proud of my ship. On leave

Henry Fielding, a highly successful satiric dramatist until the introduction of censorship in 1737, began his novel-writing career with Shamela, a pastiche of Pamela, which humorously attacked the hypocritical morality which that novel displayed. Joseph Andrews (1742) was also intended as a kind of parody of Richardson; but Fielding found that his novels were taking on a moral life of their own, and he developed his own highly personal narrative style - humorous and ironic, with an omniscient narrative presence controlling the lives and destinies of his characters. Fielding focuses more on male characters and manners than Richardson. In doing so, he creates a new kind of hero in his novels. Joseph Andrews is chaste, while Tom Jones in Tom Jones (1749) is quite the opposite. Tom is the model of the young foundling enjoying his freedom (to travel, to have relationships with women, to enjoy sensual experience) until his true origins are discovered. When he matures, he assumes his social responsibilities and marries the woman he has 'always' loved, who has, of course, like a mediaeval crusader's beloved, been waiting faithfully for him. Both of these heroes are types, representatives of their sex. There is a picaresque journey from innocence to experience, from freedom to responsibility. It is a rewriting of male roles to suit the society of the time. The hero no longer makes a crusade to the Holy Land, but the crusade is a personal one, with chivalry learned on the way, and adventure replacing self-sacrifice and battle.

Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm. With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years. “I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.

5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.

To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.

She went around reading everything- the directions on the grits bag, Tate's notes, and the stories from her fairy-tale books she had pretended to read for years. Then one night she made a little oh sound, and took the old Bible from the shelf. Sitting at the table, she turned the thin pages carefully to the one with the family names. She found her own at the very bottom: There it was, her birthday: Miss Catherine Danielle Clark, October 10, 1945. Then, going back up the list, she read the real names of her brothers and sisters: Master Jeremy Andrew Clark, January 2, 1939. "Jeremy," she said out loud. "Jodie, I sure never thought a' you as Master Jeremy." Miss Amanda Margaret Clark, May 17, 1937. Kya touched the name with her fingers. Repeated it several times. She read on. Master Napier Murphy Clark, April 14, 1936. Kya spoke softly, "Murph, ya name was Napier." At the top, the oldest, Miss Mary Helen Clark, September 19, 1934. She rubbed her fingers over the names again, which brought faces before her eyes. They blurred, but she could see them all squeezed around the table eating stew, passing cornbread, even laughing some. She was ashamed that she had forgotten their names, but now that she'd found them, she would never let them go again. Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents' proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans.

I was very moved by the Gauguin carvings. But then out of nowhere there was Van Gogh. Three self-portraits. I walked up to one; it was protected with glass. I could see my reflection. And I thought: Oh my God.” Less shakes his head, and his eyes widen as he relives the moment. “I look just like Van Gogh.” Javier laughs, his hand to his smile. “Before the ear, I think.” “I thought, I’ve gone crazy,” Less goes on. “But…I’ve already outlived him by over a decade!” Javier tilts his head, a cocker Spaniard. “Arthur, how old are you?” Deep breath. “I’m forty-nine.” Javier moves closer to peer at him; he smells of cigarettes and vanilla, like Less’s grandmother. “How funny. I am also forty-nine.” “No,” Less says, truly bewildered. There is not a line on Javier’s face. “I thought you were midthirties.” “That is a lie. But it is a nice lie. And you do not look close to fifty.” Less smiles. “My birthday is in one week.” “Strange to be almost fifty, no? I feel like I just understood how to be young.” “Yes! It’s like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won’t ever be back.

Pretty speech,” he said. “It’s the only one I’ve got.” “I know what’s really going on here. You’re scared to step into my world. Afraid you can’t hack it. Much better to hide here and be a big fish in a very small pond.” “If that’s the way you see it, fine.” I raised my chin. “I have nothing to prove to you, Rogan.” “But now I have something to prove to you,” he said. “I promise you, I will win, and by the time I’m done, you won’t walk, you’ll run to jump into my bed.” “Don’t hold your breath,” I told him. All of his civilized veneer was gone now. The dragon faced me, teeth bared, claws out, breathing fire. “You won’t just sleep with me. You’ll be obsessed with me. You’ll beg me to touch you, and when that moment comes, we will revisit what happened here today.” “Never in a million years.” I pointed at the doorway. “Exit is that—” He grabbed me. His mouth closed on mine. His big body caged me in. His chest mashed my breasts. His arms pulled me to him, one across my back, the other cupping my butt. His magic washed over me in an exhilarating rush. My body surrendered. My muscles turned warm and pliant. My nipples tightened, my breasts ready to be squeezed, ready for his fingers and his mouth. An eager ache flared between my legs. My tongue licked his. God, I wanted him. I wanted him so badly. He let me go, turned on his toes, and went out, laughing under his breath. Aaargh! “That’s right! Keep . . . walking!” I threw the wrench down. “Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.” I waved my arms and walked away from her before I said something I would regret.

Less is not known as a teacher, in the same way Melville was not known as a customs inspector. And yet both held the respective positions. Though he was once an endowed chair at Robert’s university, he has no formal training except the drunken, cigarette-filled evenings of his youth, when Robert’s friends gathered and yelled, taunted, and played games with words. As a result, Less feels uncomfortable lecturing. Instead, he re-creates those lost days with his students. Remembering those middle-aged men sitting with a bottle of whiskey, a Norton book of poetry, and scissors, he cuts up a paragraph of Lolita and has the young doctoral students reassemble the text as they desire. In these collages, Humbert Humbert becomes an addled old man rather than a diabolical one, mixing up cocktail ingredients and, instead of confronting the betrayed Charlotte Haze, going back for more ice. He gives them a page of Joyce and a bottle of Wite-Out—and Molly Bloom merely says “Yes.” A game to write a persuasive opening sentence for a book they have never read (this is difficult, as these diligent students have read everything) leads to a chilling start to Woolf’s The Waves: I was too far out in the ocean to hear the lifeguard shouting, “Shark! Shark!” Though the course features, curiously, neither vampires nor Frankenstein monsters, the students adore it. No one has given them scissors and glue sticks since they were in kindergarten. No one has ever asked them to translate a sentence from Carson McCullers (In the town there were two mutes, and they were always together) into German (In der Stadt gab es zwei Stumme, und sie waren immer zusammen) and pass it around the room, retranslating as they go, until it comes out as playground gibberish: In the bar there were two potatoes together, and they were trouble. What a relief for their hardworking lives. Do they learn anything about literature? Doubtful. But they learn to love language again, something that has faded like sex in a long marriage. Because of this, they learn to love their teacher.

Meeting the Prince of Wales I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too. ‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place. Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.

Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.