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At seven fifteen the following evening, Christopher Keller was seated at a waterfront café in the Corsican port of Ajaccio, an empty wineglass on the table before him, a freshly lit Marlboro burning between the first and second fingers of his sledgehammer right hand. He wore a pale gray suit by Richard Anderson of Savile Row, an open-neck white dress shirt, and handmade oxford shoes. His hair was sun-bleached, his skin was taut and dark, his eyes were bright blue. The notch in the center of his thick chin looked as though it had been cleaved with a chisel.
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