Ancient Mariner Quotes

Water, water, everywhere, And all the boards did shrink; Water, water, everywhere, Nor any drop to drink.

Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.

Alone, alone, all, all alone, Alone on a wide wide sea! And never a saint took pity on My soul in agony.

He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all.

Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was white as leprosy, The Nightmare Life-in-Death was she, Who thicks man's blood with cold.

Since then, at an uncertain hour, That agony returns: And till my ghastly tale is told, This heart within me burns.

Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows, a frightful fiend Doth close behind him tread.

The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on; and so did I.

The fair breeze blew, The white foam flew, And the forrow followed free. We were the first to ever burst into the silent sea.

He went like one that hath been stunn'd, And is of sense forlorn: A sadder and a wiser man He rose the morrow morn.

Ah! well a-day! what evil looks Had I from old and young! Instead of the cross, the Albatross About my neck was hung.

Swiftly, swiftly flew the ship, Yet she sailed softly too: Sweetly, sweetly blew the breeze - On me alone it blew.

Even the ancient mariner, with his wonderful tale, succeeded in stopping only one of three! No book is for everybody.

An orphans curse would drag to hell A spirit from on high; But oh! How more horrible that that Is the curse in a dead man’s eye!

Oh sleep! it is a gentle thing, Beloved from pole to pole! To Mary Queen the praise be given! She sent the gentle sleep from Heaven, That slid into my soul.

He prayeth best who loveth best, all things both great and small.

Like one who, on a lonely road, Doth walk in fear and dread, And, having once turned round, walks on, And turns no more his head; Because he knows a frightful fiend Doth close behind him tread. - Coleridge's "Ancient Mariner.

About, about, in reel and rout The death-fires danced at night; The water, like a witch's oils, Burnt green, and blue, and white

Day after day, day after day, we stuck nor breath nor motion As idle as a painted ship upon a painted ocean Water, water everywhere and all the boards did shrink Water, water everywhere nor any drop to drink.

I look'd to Heav'n, and try'd to pray; But or ever a prayer had gusht, A wicked whisper came and made My heart as dry as dust.

L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire

A story must be exceptional enough to justify its telling. We storytellers are all ancient mariners, and none of us is justified in stopping wedding guests, unless he has something more unusual to relate than the ordinary experiences of every average man and woman.

I shot the ALBATROSS.

Nothing any man can do will improve that genius; but the genius needs his mind, and he can broaden that mind, fertilize it with knowledge of all kinds, improve its powers of expression; supply the genius, in short, with an orchestra instead of a tin whistle. All our little great men, our one-poem poets, our one-picture painters, have merely failed to perfect themselves as instruments. The Genius who wrote The Ancient Mariner is no less sublime than he who wrote The Tempest; but Coleridge had some incapacity to catch and express the thoughts of his genius - was ever such wooden stuff as his conscious work? - while Shakespeare had the knack of acquiring the knowledge necessary to the expression of every conceivable harmony, and his technique was sufficiently fluent to transcribe with ease.

Whiles all the night, through fog-smoke white, Glimmered the white moonshine. [...] Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.

And I had done a hellish thing, And it would work 'em woe: For all averred, I had killed the bird That made the breeze to blow. Ah wretch! said they, the bird to slay, That made the breeze to blow!

Farewell, farewell! but this I tell To thee, thou Wedding-Guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us He made and loveth all.

I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.

The selfmoment I could pray; And from my neck so free The Albatross fell off, and sank Like lead into the sea.

This guilt was an invisible but heavy albatross hanging around my neck. (That’s a reference to Coleridge’s The Rime of the Ancient Mariner.) I wear that bird like Björk wore her swan dress. I wave from a red carpet leading to hell.

Huxley: "Tell me something Bryce, do you know the difference between a Jersey, a Guernsey, a Holstein, and an Ayershire?" Bryce: "No." Huxley: "Seabags Brown does." Bryce: "I don't see what that has to do..." Huxley: "What do you know about Gaelic history?" Bryce: "Not much." Huxley: "Then why don't you sit down one day with Gunner McQuade. He is an expert. Speaks the language, too." Bryce: "I don't..." Huxley: " What do you know about astronomy?" Bryce: "A little." Huxley: "Discuss it with Wellman, he held a fellowship." Bryce: "This is most puzzling." Huxley: "What about Homer, ever read Homer?" Bryce: "Of course I've read Homer." Huxley: "In the original Greek?" Bryce: "No" Huxley: "Then chat with Pfc. Hodgkiss. Loves to read the ancient Greek." Bryce: "Would you kindly get to the point?" Huxley: "The point is this, Bryce. What makes you think you are so goddam superior? Who gave you the bright idea that you had a corner on the world's knowledge? There are privates in this battalion who can piss more brains down a slit trench then you'll ever have. You're the most pretentious, egotistical individual I've ever encountered. Your superiority complex reeks. I've seen the way you treat men, like a big strutting peacock. Why, you've had them do everything but wipe your ass.

An orphan's curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man's eye! Seven days, seven nights, I saw that curse, And yet I could not die.

They groaned, they stirred, they all uprose, Nor spake, nor moved their eyes; It had been strange, even in a dream, To have seen those dead men rise.

Yea, slimy things did crawl with legs Upon the slimy sea.

Water, water everywhere Nor any drop to drink.

The ship was cheered, the harbor cleared, Merrily did we drop Below the kirk, below the hill, Below the lighthouse top.

God save thee, ancient Mariner! From the fiends, that plague thee thus! — Why look'st thou so?' — With my cross-bow I shot the Albatross.

I readily believe that there are more invisible than visible Natures in the universe. But who will explain for us the family of all these beings, and the ranks and relations and distinguishing features and functions of each? What do they do? What places do they inhabit? The human mind has always sought the knowledge of these things, but never attained it. Meanwhile I do not deny that it is helpful sometimes to contemplate in the mind, as on a tablet, the image of a greater and better world, lest the intellect, habituated to the petty things of daily life, narrow itself and sink wholly into trivial thoughts. But at the same time we must be watchful for the truth and keep a sense of proportion, so that we may distinguish the certain from the uncertain, day from night.

As on many mornings in Marin, there is this sly strip of fog - water in it's most mystical incarnation - slithering over, around, and through the hills, making everything look ancient and unsolved.

Like one who, on a lonely road,    Doth walk in fear and dread, And, having once turn'd round, walks on,    And turns no more his head; Because he knows a frightful fiend    Doth close behind him tread.*  * Coleridge's "Ancient Mariner.

The very deep did rot: O Christ! That ever this should be! Yea, slimy things did crawl with legs Upon the slimy sea.

For the sky and the sea, and the sea and the sky Lay like a load on my weary eye, And the dead were at my feet.

Some people owe everything they have to the bank accounts of their parents. I owe the state. Put simply, the state educated me, fixed my leg when it was broken, and gave me a grant that enabled me to go to university. It fixed my teeth (a bit) and found housing for my veteran father in his dotage. When my youngest brother was run over by a truck it saved his life and in particular his crushed right hand, a procedure that took half a year, and which would, on the open market—so a doctor told me at the time—have cost a million pounds. Those were the big things, but there were also plenty of little ones: my subsidized sports centre and my doctor’s office, my school music lessons paid for with pennies, my university fees. My NHS glasses aged 9. My NHS baby aged 33. And my local library. To steal another writer’s title: England made me. It has never been hard for me to pay my taxes because I understand it to be the repaying of a large, in fact, an almost incalculable, debt. ....The charming tale of benign state intervention described above is now relegated to the land of fairy tales: not just naïve but actually fantastic. Having one’s own history so suddenly and abruptly made unreal is an experience of a whole generation of British people, who must now wander around like so many ancient mariners boring foreigners about how they went to university for free and could once find a National Health dentist on their high street.

He prayeth well, who loveth well Both man and bird and beast.

Instead of the cross, the Albatross About my neck was hung.

O Wedding-Guest! this soul hath been Alone on a wide wide sea: So lonely 'twas, that God himself Scarce seemed there to be.

By thy long grey beard and glittering eye, Now wherefore stopp'st thou me?

The ice was here, the ice was there,   The ice was all around: 60   It cracked and growled, and roared and howled,   Like noises in a swound!

All those tiny ancient marine life forms falling to the ocean floor to come back to life one day as a Disney Fairies Tea Set.

Down dropt the breeze, the sails dropt down, 'Twas sad as sad could be; And we did speak only to break The silence of the sea! All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.

I took the oars: the Pilot’s boy, Who now doth crazy go, Laughed loud and long, and all the while His eyes went to and fro. ‘Ha! ha!’ quoth he, ‘full plain I see, The Devil knows how to row.

How long in that same fit I lay, I have not to declare; But ere my living life returned, I heard and in my soul discerned Two VOICES in the air. "Is it he?" quoth one, "Is this the man? By him who died on cross, With his cruel bow he laid full low, The harmless Albatross. "The spirit who bideth by himself In the land of mist and snow, He loved the bird that loved the man Who shot him with his bow." The other was a softer voice, As soft as honey-dew: Quoth he, "The man hath penance done, And penance more will do.

The Romantic journey was usually a solitary one. Although the Romantic poets were closely connected with one another, and some collaborated in their work, they each had a strong individual vision. Romantic poets could not continue their quests for long or sustain their vision into later life. The power of the imagination and of inspiration did not last. Whereas earlier poets had patrons who financed their writing, the tradition of patronage was not extensive in the Romantic period and poets often lacked financial and other support. Keats, Shelley and Byron all died in solitary exile from England at a young age, their work left incomplete, non-conformists to the end. This coincides with the characteristic Romantic images of the solitary heroic individual, the spiritual outcast 'alone, alone, all, all alone' like Coleridge's Ancient Mariner and John Clare's 'I'; like Shelley's Alastor, Keats's Endymion, or Byron's Manfred, who reached beyond the normal social codes and normal human limits so that 'his aspirations/Have been beyond the dwellers of the earth'. Wordsworth, who lived to be an old man, wrote poems throughout his life in which his poetic vision is stimulated by a single figure or object set against a natural background. Even his projected final masterpiece was entitled The Recluse. The solitary journey of the Romantic poet was taken up by many Victorian and twentieth-century poets, becoming almost an emblem of the individual's search for identity in an ever more confused and confusing world.

At the time that the telegraph brought the news of his death, I was on the Pacific coast. I was a fresh new journalist, and needed a nom de guerre; so I confiscated the ancient mariner's discarded one, and have done my best to make it remain what it was in his hands—a sign and symbol and warrant that whatever is found in its company may be gambled on as being the petrified truth; how I have succeeded, it would not be modest in me to say.

Like one who, on a lonely road, Doth walk in fear and dread, And, having once turned round, walks on, And turns no more his head; Because he knows a frightful fiend Doth close behind him tread. —COLERIDGE’S ANCIENT MARINER

Farewell, farewell! but this I tell To thee, thou Wedding-Guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us He made and loveth all. The Mariner, whose eye is bright, Whose beard with age is hoar, Is gone: and now the Wedding-Guest Turned from the bridegroom's door.

Harry Truman, after all, in conjunction with Secretary of Defense Louis Johnson, radically cut back American arms following the end of the Second World War. Johnson himself wished to dismantle the Marine Corps and felt nuclear weapons had made all such conventional arms unnecessary.

Studs Terkel was waiting for a number 146 bus alongside two well-groomed business types. "This was before the term yuppie was used," he explains. "But that was what they were. He was in Brooks Brothers and Gucci shoes and carrying the Wall Street Journal under his arm. She was a looker. I mean stunning - Bloomingdales and Neiman Marcus and carrying Vanity Fair." Terkel, who is 95, has long been a Chicago icon, every bit as accessible and integral to the cultural life of the Windy City as Susan Sontag was to New York. He had shared the bus stop with this couple for several mornings but they had always failed to acknowledge him. "It hurts my ego," he quips. "But this morning the bus was late and I thought, this is my chance." The rest of the story is his. "I say, 'Labour Day is coming up.' Well, it was the wrong thing to say. He looks toward me with a look of such contempt it's like Noel Coward has just spotted a bug on his collar. He says, 'We despise unions.' I thought, oooooh. The bus is still late. I've got a winner here. Suddenly I'm the ancient mariner and I fix him with my glittering eye. 'How many hours a day do you work?' I ask. He says, 'Eight.' 'How comes you don't work 18 hours a day like your great-great-grandfather did? You know why? Because four guys got hanged in Chicago in 1886 fighting for the eight-hour day ... For you.

O happy things! no tongue Their beauty might declare: A spring of love gished from my heart, And I blessed them unaware

Water, water, every where And all the boards did shrink; Water, water, every where, Ne any drop to drink.

It is an ancyant Marinere, And he stoppeth one of three: ‘By thy long grey beard and thy glittering eye Now wherefore stoppest me?

The Fall of Rome (for Cyril Connolly) The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.

Can you see that cat?’ ‘Yes, of course.’ ‘Well, until lately I couldn’t have seen it at all. Now it exists, it’s there, and while it’s there I’m not, I just see it and let it be. Do you remember that bit in the Ancient Mariner where he sees the water snakes? “Oh happy living things, no tongue their beauty might declare!” That’s what it’s like, suddenly to be able to see the world and to love it, to be let out of oneself –

The New Héloise" in the field of sentiment and of the relation of the sexes, "The Social Contract" In political theory, and "Émile" in matters of education, were books whose influence upon Coleridge's generation it would be hard to estimate

Farewell, farewell! but this I tell To thee, thou Wedding-Guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all.

...fossil fuels are forms of energy in which great quantities of space and time, as it were, have been compressed into a concentrated form. One way of envisioning this compression is to consider that a single litre of petrol used today needed about twenty-five metric tons of ancient marine life as precursor material, or that organic matter equivalent to all of the plant and animal life produced over the entire earth for four hundred years was required to produce the fossil fuels we burn today in a single year.

The Congregating of Stars They often meet in mountain lakes, No matter how remote, no matter how deep Down and far they must stream to arrive, Navigating between the steep, vertical piles Of broken limestone and chert, through shattered Trees and dry bushes bent low by winter, Across ravines cut by roaring avalanches Of boulders and ripping ice. Silently, the stars have assembled On the surface of this lost lake tonight, Arranged themselves to match the patterns They maintain in the highest spheres Of the surrounding sky. And they continue on, passing through The smooth, black countenance of the lake, Through that mirror of themselves, down through The icy waters to touch the perfect bottom Stillness of the invisible life and death existing In the nether of those depths. Sky-bound- yet touching every needle In the torn and sturdy forest, every stone, Sharp, cracked along the ragged shore- the stars Appear the same as in ancient human ages On the currents of the old seas and the darkened Trails of desert dunes, Orion’s belt the same As it shone in Galileo’s eyes, Polaris certain above The sails of every mariner’s voyage. An echoing Light from the Magi’s star, that beacon, might even Be shining on this lake tonight, unrecognized. The stars are congregating, perhaps in celebration, passing through their own names and legends, through fogs, airs, and thunders, the vapors of winter frost and summer pollens. They are ancestors of transfiguration, intimate with all the eyes of the night. What can they know?

His feeling for the South was not so much historic as it was of the core and desire of dark romanticism--that unlimited and inexplicable drunkenness, the magnetism of some men's blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote The Rime of the Ancient Mariner, beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in "mansions," and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers. Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous intrenchment against all new life--when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe--when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.

Regardless of how scientists may feel about respecting the history of the name, there’s no world in which “killer” sounds like a safe species to swim with. If you’re on their menu, the name is accurate, but if you’re not—and we’re clearly not—it’s an archaic holdover from an ancient era that makes it harder to save this vital species.

Limestone is usually formed of the compressed bodies of marine organisms – crinoids and coccolithophores, ammonites, belemnites and foraminifera-- that died in waters of ancient seas and then settled in their trillions on those seabeds. These creatures once built their skeletons and shells out of calcium carbonate, metabolizing the mineral content of the water in which they lived to create intricate architectures. In this way limestone can be seen as merely one phase in a dynamic earth cycle, whereby mineral becomes animal becomes rock; rock that will in time – in deep time – eventually supply the calcium carbonate out of which new organisms will build their bodies, thereby re-nourishing the same cycle into being again.

Life was transparent, literature opaque. Life was open, literature a closed system. Life was composed of things, literature of words. Life was what it appeared to be: if you were afraid your plane would crash it was about death, if you were trying to get a girl into bed it was about sex. Literature was never about what it appeared to be about, though in the case of the novel cosiderable ingenuity and perception were needed to crack the code of realistic illusion, which was why he had been professionally attracted to the genre (even the dumbest critic understood that Hamlet wasn't about how the guy wanted to kill his uncle, or the Ancient Mariner about cruelty to animals, but it was surprising how many people thought Jane Austen's novels were about finding Mr Right).

The United States was born through war, reunited by war, and saved from destruction by war. No future generation, however comfortable and affluent, can escape that terrible knowledge. Our freedom is not entirely our own; in some sense it is mortgaged from those who paid the ultimate price for its continuance. My own life of security, freedom, opportunity, and relative affluence certainly has been made possible because a grandfather fought and was gassed in the Argonne; an uncle in the Marines died trying to stop Japanese imperialism on Okinawa; a cousin in the Army lost his life at twenty-two trying to stop Hitler in France; and my father in the Army Air Force flew forty times over Japan hoping to end the idea of the expansive Greater East Asia Co-prosperity Sphere. I have spent some time these past decades trying to learn where, how, and why they and their generations fought as they did—and what our own obligations are to acknowledge their sacrifices.

Human groups who find themselves hunting in the same territory are almost expected to fight. For the most part, regardless of the continent they’re on or their culture, it’s rare when they don’t battle over land or resources. But the orca culture is more ancient than ours and, apparently, more civilized. Killer whales don’t just share food; they share the same sectors of the seas without challenging each other to determine dominance. This is true for orca families found in every ocean in the world.

I clos’d my lids and kept them close, Till the balls like pulses beat; For the sky and the sea, and the sea and the sky Lay like a load on my weary eye, And the dead were at my feet. The cold sweat melted from their limbs. Ne rot, ne reek did they; The look with which they look’d on me, Had never pass’d away. An orphan’s curse would drag to hell A spirit from on high: Bit O! more horrible than that Is the curse in a dead man’s eye! Seven days, seven nights I saw that curse,
And yet I could not die.

I greet you jar of jam. You glass who once was sand upon the beach, Washed back and forth and bathed in foam and seagull cries, but who are formed into a glass until you once again return to the sea... I hardly give the computer a second glance. I can muster no reflective moment for plastic. It is so far removed from the natural world. I wonder if that's a place where the disconnection began, the loss of respect, when we could no longer easily see the life within the object. And yet I mean no disrespect for the diatoms and the marine invertebrates who two hundred million years ago lived well and fell to the bottom of an ancient sea, where under great pressure of a shifting earth they became oil that was pumped from the ground to a refinery where it was broken down and then polymerized to make the case of my laptop or the cap of the aspirin bottle- but being mindful in the vast network of hyperindustrialized goods really gives me a headache. We weren't made for that sort of constant awareness. We've got work to do.

Day after day, day after day, 115   We stuck, nor breath nor motion;   As idle as a painted ship   Upon a painted ocean. [Sidenote: And the Albatross begins to be avenged.] Water, water, every where, And all the boards did shrink; 120 Water, water, every where Nor any drop to drink. The very deep did rot: O Christ!   That ever this should be!   Yea, slimy things did crawl with legs 125   Upon the slimy sea. About, about, in reel and rout   The death-fires danced at night;   The water, like a witch's oils,   Burnt green, and blue and white. 130

Some people imagine that rhyme interferes with the rational processes of thought by obliging us to distort what we originally had in mind. But are rational processes so important? In many of us, even in poets, they can be dull and predictable. An interruption, a few detours and unexpected turns, might make a trip with them less routine. The necessity of finding a rhyme may jolt the mind out of its ruts, force it to turn wildly across the fields in some more exhilarating direction. Force it out of the world of reason into the world of mystery, magic, and imagination, in which relationships between sounds may be as exciting as a Great Idea.

In the casual opinion of most Americans, I am an old man, and therefore of little account, past my best, fading in a pathetic diminuendo while flashing his AARP card; like the old in America generally, either invisible or someone to ignore rather than respect, who will be gone soon, and forgotten, a gringo in his degringolade. Naturally I am insulted by this, but out of pride I don’t let my indignation show. My work is my reply, my travel is my defiance. And I think of myself in the Mexican way, not as an old man but as most Mexicans regard a senior, an hombre de juicio, a man of judgement; not ruco, worn out, beneath notice, someone to be patronized, but owed the respect traditionally accorded to an elder, someone (in the Mexican euphemism) of La Tercera Edad, the Third Age, who might be called Don Pablo or tio (uncle) in deference. Mexican youths are required by custom to surrender their seat to anyone older. They know the saying: Mas sabe el diablo por viejo, que por diablo - The devil is wise because he’s old, not because he’s the devil. But “Stand aside, old man, and make way for the young” is the American way. As an Ancient Mariner of a sort, I want to hold the doubters with my skinny hand, fix them with a glittering eye, and say, “I have been to a place where none of you have ever been, where none of you can ever go. It is the past. I spent decades there and I can say, you don’t have the slightest idea.

A far cicada rings high and clear over the river’s heavy wash. Morning glory, a lone dandelion, cassia, orchids. So far from the nearest sea, I am taken aback by the sight of a purple land crab, like a relict of the ancient days when the Indian subcontinent, adrift on the earth’s mantle, moved northward to collide with the Asian landmass, driving these marine rocks, inch by inch, five miles into the skies. The rise of the Himalaya, begun in the Eocene, some fifty million years ago, is still continuing: an earthquake in 1959 caused mountains to fall into the rivers and changed the course of the great Brahmaputra, which comes down out of Tibet through northeastern India to join the Ganges near its delta at the Bay of Bengal.

He had panicked. Tessier cursed his own stupidity. He should have remained in the column where he would have been protected. Instead, he saw an enemy coming for him like a revenant rising from a dark tomb, and had run first instead of thinking. Except this was no longer a French stronghold. The forts had all been captured and surrendered and the glorious revolutionary soldiers had been defeated. If the supply ships had made it through the blockade, Vaubois might still have been able to defend the city, but with no food, limited ammunition and disease rampant, defeat was inevitable. Tessier remembered the gut-wrenching escape from Fort Dominance where villagers spat at him and threw rocks. One man had brought out a pistol and the ball had slapped the air as it passed his face. Another man had chased him with an ancient boar spear and Tessier, exhausted from the fight, had jumped into the water. He had nearly drowned in that cold grey sea, only just managing to cling to a rock whilst the enemy searched the shoreline. The British warship was anchored outside the village, and although Tessier could see men on-board, no one had spotted him. Hours passed by. Then, when he considered it was clear, he swam ashore to hide in the malodorous marshland outside Mġarr. His body shivered violently and his skin was blue and wrinkled like withered fruit, but in the night-dark light he lived. He had crept to a fishing boat, donned a salt-stained boat cloak and rowed out to Malta's monochrome coastline. He had somehow managed to escape capture by abandoning the boat to swim into the harbour. From there it had been easy to climb the city walls and to safety. He had written his account of the marines ambush, the fort’s surrender and his opinion of Chasse, to Vaubois. Tessier wanted Gamble cashiered and Vaubois promised to take his complaint to the senior British officer when he was in a position to. Weeks went past. Months. A burning hunger for revenge changed to a desire for provisions. And until today, Tessier reflected that he would never see Gamble again. Sunlight twinkled on the water, dazzling like a million diamonds scattered across its surface. Tessier loaded his pistol in the shadows where the air was still and cool. He had two of them, a knife and a sword, and, although starving and crippled with stomach cramps, he would fight as he had always done so: with everything he had.

The Fall of Rome - 1907-1973 The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.

There is, of course, a joy to finding confirmation of a suspicion you’ve carried around for half a century. But that satisfaction was tempered by the fact that Matsunaga’s research was sparked by more than just the desire to test an adage. He and his team hoped to explain the mystery behind the widespread collapse of marine ecosystems along the Japanese coast. They showed that clear-cutting on the island nation was what caused the devastation. Cutting so many trees led to a decline in the amount of fulvic acid, created by decomposing leaf fall in the forest, leaching into the groundwater that flows into the sea. This, in turn, reduced the quantity of iron in the island’s coastal waters. The lack of iron stopped the division and multiplication of microscopic marine life, which meant a famine for the sea creatures that depended on that life to survive. Cutting down trees, then, is not exclusively a suicidal act. It is homicidal as well.

whose red painted faces flash from out their peltry wigwams; for leagues and leagues are flanked by ancient and unentered forests, where the gaunt pines stand like serried lines of kings in Gothic genealogies; those same woods harboring wild Afric beasts of prey, and silken creatures whose exported furs give robes to Tartar Emperors; they mirror the paved capitals of Buffalo and Cleveland, as well as Winnebago villages; they float alike the full-rigged merchant ship, the armed cruiser of the State, the steamer, and the beech canoe; they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew. Thus, gentlemen, though an inlander, Steelkilt was wild-ocean born, and wild-ocean nurtured; as much of an audacious mariner as any. And for Radney, though in his infancy he may have laid him down on the lone Nantucket beach, to nurse at his maternal sea; though in after life he had long followed our austere Atlantic and your contemplative Pacific; yet was he quite as vengeful and full of social quarrel as the backwoods seaman, fresh from the latitudes of buckhorn handled Bowie-knives. Yet was this Nantucketer a man with some good-hearted traits; and this Lakeman, a mariner, who though a sort of devil indeed, might yet by inflexible firmness, only tempered by that common decency of human recognition which is the meanest slave's right; thus treated, this Steelkilt had long been retained harmless and docile. At all events, he had proved so thus far; but Radney was doomed and made mad, and Steelkilt—but, gentlemen, you shall hear.

Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.

Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.

Usually, Shakespeare gives me goose bumps. The guy knows everything. Like some ancient angel quill-ing out blueprints life. Hiding it in fiction. And usually I love the sound of the words, the way they dance on the page. Today, they fall flat. My attention bobbing in the cosmos. All free brain-space is marinating in gap month fizz. I chew my pen, candy-cane style. The million possibilities ahead make it hard to care about right now. I write my answers slowly, each letter carved in stone not ballpoint. I’m going to explore the world, find my passion, try everything! The fizz shoots up my spine and a smile sprouts.

Rime of the Ancient Mariner

Major General Howard Conner, “without the Navajos, the marines would never have taken Iwo Jima.

Finally, there was the formidable difficulty of navigation. Making extraordinarily complex spherical trigonometry calculations based on figures taken from a crowd of instruments, navigators groped over thousands of miles of featureless ocean toward targets or destination islands that were blacked out at night, often only yards wide, and flat to the horizon. Even with all the instruments, the procedures could be comically primitive. “Each time I made a sextant calibration,” wrote navigator John Weller, “I would open the escape hatch on the flight deck and stand on my navigation desk and the radio operator’s desk while [the radioman] held on to my legs so I would not be sucked out of the plane.” At night, navigators sometimes resorted to following the stars, guiding their crews over the Pacific by means not so different from those used by ancient Polynesian mariners. In a storm or clouds, even that was impossible.

Braun the AI took his name from a popular character in Welsh mythology. A great warrior and an intrepid mariner, Braun the Blessed was the high king of the Island of the Mighty. Frequenting the famous ancient stories known as the Welsh Triad, Braun was often portrayed as a giant among mortals and a force of great power. The tales of his ocean navigation and the descriptions of his superhuman size inspired the programmers,

You shouldn’t attempt to debate the ignorant, all they do is bludgeon you with their stupidity as they drag you down to their level.

An orphan’s curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man’s eye! Seven days, seven nights, I saw that curse, And yet I could not die. —Samuel Taylor Coleridge, “The Rime of the Ancient Mariner

The face of Capt. Daniel-Hyacinthe-Marie Liénard de Beaujeu is striped in war paint. Primeval forest conceals his French Marines, Canadian militia, and Indian allies as they maneuver into position. Hidden behind boulders and ancient oak trees, they await the massive combined force of the British and colonial armies now marching toward them. Beaujeu’s French and Indians are heavily outnumbered. Unlike the British, they don’t have cannon that can kill and maim dozens with a single blast of canister shot. Instead, their weapons are those of a nimble guerrilla fighting force: muskets, tomahawks, war clubs to bash skulls, and sharp knives for slicing the flesh and hair from a dying man’s head

I thought of a line from The Rime of the Ancient Mariner, “As idle as a painted ship / Upon a painted ocean.

He was Odysseus one moment, the Ancient Mariner the next, an ordinary man like Tom Joad or a seeker like Douglas Adams's hitchhiker. He wandered in search of a past that existed only inside himself. He sought fields of flowers and towering cliffs that jutted out over the ocean and mountaintops that pierced the clouds.

Eärendil was a mariner that tarried in Arvernien; he built a boat of timber felled in Nimbrethil to journey in; her sails he wove of silver fair, of silver were her lanterns made, her prow was fashioned like a swan, and light upon her banners laid. In panoply of ancient kings, in chainéd rings he armoured him; his shining shield was scored with runes to ward all wounds and harm from him; his bow was made of dragon-horn, his arrows shorn of ebony; of silver was his habergeon, his scabbard of chalcedony; his sword of steel was valiant, of adamant his helmet tall, an eagle-plume upon his crest, upon his breast an emerald. Beneath the Moon and under star he wandered far from northern strands, bewildered on enchanted ways beyond the days of mortal lands. From gnashing of the Narrow Ice where shadow lies on frozen hills, from nether heats and burning waste he turned in haste, and roving still on starless waters far astray at last he came to Night of Naught, and passed, and never sight he saw of shining shore nor light he sought. The winds of wrath came driving him, and blindly in the foam he fled from west to east and errandless, unheralded he homeward sped. There flying Elwing came to him, and flame was in the darkness lit; more bright than light of diamond the fire upon her carcanet. The Silmaril she bound on him and crowned him with the living light and dauntless then with burning brow he turned his prow; and in the night from Otherworld beyond the Sea there strong and free a storm arose, a wind of power in Tarmenel; by paths that seldom mortal goes his boat it bore with biting breath as might of death across the grey and long forsaken seas distressed; from east to west he passed away.

I wonder how the Bird rises in the Light of my Candle.

Something vast suddenly crossed my field of vision. By the time I had reacted and adjusted the magnification, it had passed out of sight into the works shed. I had a brief memory of bright, almost gaudy metal and a shimmering, flowing robe. ‘What the hell was that?’ I hissed. Midas looked at me, lowering his scope, actual fear on his face. Fischig also looked disturbed. ‘A giant, a horned giant in jewelled metal,’ Midas said. ‘He came striding out of the modular hab to the left and went straight into the shed. God-Emperor, but it was huge!’ Fischig agreed with a nod. ‘A monster,’ he said. The cones above roared again, and a rain of withering ash fluttered down across the settlement. We shrank back into the thorn-trees. Guard activity seemed to increase. ‘Rosethorn,’ my vox piped. ‘Now is not a good time,’ I hissed. It was Maxilla. He sent one final word and cut off. ‘Sanctum.’ ‘Sanctum’ was a Glossia codeword that I had given Maxilla before we had left the Essene. I wanted him in close orbit, providing us with extraction cover and overhead sensor advantages, but knew that he would have to melt away the moment any other traffic entered the system. ‘Sanctum’ meant that he had detected a ship or ships emerging from the immaterium into realspace, and was withdrawing to a concealment orbit behind the local star. Which meant that all of us on the planet were on our own. Midas caught my sleeve and pointed down at the settlement. The giant had reappeared and stood in plain view at the mouth of the shed. He was well over two metres tall, wrapped in a cloak that seemed to be made of smoke and silk, and his ornately decorated armour and horned helmet were a shocking mixture of chased gold, acidic yellow, glossy purple, and the red of fresh, oxygenated blood. In his ancient armour, the monster looked like he had stood immobile in that spot for a thousand years. Just a glance at him inspired terror and revulsion, involuntary feelings of dread that I could barely repress. A Space Marine, from the corrupted and damned Adeptus Astartes. A Chaos Marine.

But though the two young writers are ostensibly concerned with children, they do not only mean children: when Coleridge invokes the imagination of a child, he is yearning for its power for himself. The child might be father to the man, as Wordsworth famously wrote in his ode, 'Intimations of Immortality', but that paternity was, ideally, internal and present and active: the Romantics were the first to conceive of the Inner Child, and to yearn to reinstate the child's sway over the adult. They expressed nostalgia for childhood; but even more acutely, they longed for childlikeness to endure in order to keep their faculties quick and fertile. And between them, Charles Lamb and Coleridge pioneered the idea of the crossover text, the work of fantasy that appeals across generations, such as 'The Rime of the Ancient Mariner', or, as it would turn out, Tales from Shakespeare.

The Ancient Mariner carried his secret, like a dead albatross, around his neck. He knew the only way to get rid of it was to tell others. To unburden himself. So he stopped a stranger, a wedding guest, and told him everything.” “And what was his secret?” asked Gilles. “The mariner had killed an albatross at sea,” said Gamache, stepping into the kitchen and taking the breadbasket to the table. “As a consequence of this cruel act, God took the lives of the entire crew.