Anatomy Lab Quotes

We've searched our database for all the quotes and captions related to Anatomy Lab. Here they are! All 25 of them:

Anatomy lab, in the end, becomes less a violation of the sacred and more something that interferes with happy hour, and that realization discomfits. In our rare reflective moments, we were all silently apologizing to our cadavers, not because we sensed the transgression but because we did not.
Paul Kalanithi (When Breath Becomes Air)
For me, hands are hard." She looks up from what she's doing. "Because you're holding this disconnected hand, and it's holding you back." Cadavers occasionally effect a sort of accidental humanness that catches the medical professional off guard. I once spoke to an anatomy student who described a moment in the lab when she realized that the cadaver's arm was around her waist. It becomes difficult, under circumstances such as these, to retain one's clinical remove.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
To understand the cautious respect for the dead that pervades the modern anatomy lab, it helps to understand the extreme lack of it that pervades the field’s history. Few sciences are as rooted in shame, infamy, and bad PR as human anatomy.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
An anatomy lab is as choosy as a pedigreed woman seeking love: You can’t be too fat or too tall or have any communicable diseases.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
(What she perhaps didn’t realize is that the embalming fluid pumped into the veins expands the body’s erectile tissues, with the result that male anatomy lab cadavers may be markedly better endowed in death than they were in life.)
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
The midpoint in medicine between excessive emotional involvement with patients and a complete lack of empathy is not a simple one to locate.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)
Even the most comic moment contains an element of melancholy; even the deepest tragedy harbors a trace of the ironic.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)
One woman confessed that her group had passed comment on the “extremely large genitalia” of their cadaver. (What she perhaps didn’t realize is that the embalming fluid pumped into the veins expands the body’s erectile tissues, with the result that male anatomy lab cadavers may be markedly better endowed in death than they were in life.)
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
One of the seminar organizers joins me. "Is Yvonne giving you a hard time?" Yvonne. My nemesis is none other than the cadaver beheader. As if turns out, she's also the lab manager, the person responsible when things go wrong, such as writers fainting and/or getting sick to their stomach and then going home and writing books that refer to anatomy lab managers as beheaders.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
The traditional gross anatomy lab represented a sort of sink-or-swim mentality about dealing with death. To cope with what was being asked of them, medical students had to find ways to desensitize themselves. They quickly learned to objectify cadavers, to think of the dead as structures and tissues, and not a former human being. Humor--at the cadaver's expense--was tolerated, condoned even.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
The question then becomes, was it necessary, once the likes of Vesalius had pretty much figured out the basics, for every student of anatomy to get right in there and figure them out all over again? Why couldn’t models and preserved prosections be used to teach anatomy? Do gross anatomy labs reinvent the wheel? The questions were especially relevant in Knox’s day, given the way in which bodies were procured, but they are still relevant today.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
In anatomy lab, we objectified the dead, literally reducing them to organs, tissues, nerves, muscles. On that first day, you simply could not deny the humanity of the corpse. But by the time you'd skinned the limbs, sliced through inconvenient muscles, pulled out the lungs, cut open the heart and removed a lobe of the liver, it was hard to recognize this pile of tissue as human. Anatomy lab, in the end, becomes less a violation of the sacred and more something that interferes with happy hour, and that realization discomfits. In our rare reflective moments, we were all silently apologizing to our cadavers, not because we sensed the transgression but because we did not.
Paul Kalanithi (When Breath Becomes Air)
Sigmund Freud was also frustrated here. In a city that later embraced his ideas with particular zeal, being organically inclined towards neurosis, he himself found only failure. He came to Trieste on the train from Vienna in 1876, commissioned by the Institute of Comparative Anatomy at Vienna University to solve a classically esoteric zoological puzzle: how eels copulated. Specialist as he later became in the human testicle and its influence upon the psyche, Freud diligently set out to discover the elusive reproductive organs whose location had baffled investigators since the time of Aristotle. He did not solve the mystery, but I like to imagine him dissecting his four hundred eels in the institute's zoological station here. Solemn, earnest and bearded I fancy him, rubber-gloved and canvas-aproned, slitting them open one after the other in their slimy multitudes. Night after night I see him peeling off his gloves with a sigh to return to his lonely lodgings, and saying a weary goodnight to the lab assistant left to clear up the mess — "Goodnight, Alfredo", "Goodnight, Herr Doktor. Better luck next time, eh?" But the better luck never came; the young genius returned to Vienna empty-handed, so to speak, but perhaps inspired to think more exactly about the castration complex.
Jan Morris (Trieste and The Meaning of Nowhere)
As her body empties, I feel more and more hollow. I think I must offer her some explanation, but when I look to her face, there is clear and perfect water swirling from her open mouth, a question in a language I cannot comprehend.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)
For those who must deal with human corpses regularly, it is easier (and, I suppose, more accurate) to think of them as objects, not people. For most physicians, objectification is mastered their first year of medical school, in the gross anatomy lab, or “gross lab,” as it is casually and somewhat aptly known. To help depersonalize the human form that students will be expected to sink knives into and eviscerate, anatomy lab personnel often swathe the cadavers in gauze and encourage students to unwrap as they go, part by part.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
Paul Kalanithi (When Breath Becomes Air)
Pretty much everyone we went to college with has a Hazel Bradford story. Of course, my old roommate Mike has many—mostly of the wild sexual variety—but others have ones more similar to mine: Hazel Bradford doing a mud run half marathon and coming to her night lab before showering because she didn’t want to be late. Hazel Bradford getting more than a thousand signatures of support to enter a local hot dog eating contest/fund-raiser before remembering, onstage and while televised, that she was trying to be a vegetarian. Hazel Bradford holding a yard sale of her ex-boyfriend’s clothes while he was still asleep at the party where she found him naked with someone else (incidentally, another guy from his terrible garage band). And—my personal favorite—Hazel Bradford giving an oral presentation on the anatomy and function of the penis in Human Anatomy.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
But the problem arises when instead of setting aside our natural reactions, they are denied altogether. Then the culture simply becomes superhuman. And thus is the realm of the superhuman there is no room for human frailty, and admission of it by one risks revealing the illusion of the many. So no one speaks up, and as a result each person believes that she is alone in her experience. To that end, we are left in a profession of untouchable greatness and infallibility, but one whose members kill themselves more than others.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)
The most alarming moments of anatomy are not the bizarre, the unknown. They are the familiar.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)
The man had donated his body to science, but, owing to its having been autopsied, science politely declined. An anatomy lab is as choosy as a pedigreed woman seeking love: You can’t be too fat or too tall or have any communicable diseases.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
There I could look at heads cut open in various ways, innumerable ways, the whole machinery drawn and colored with the utmost precision. I especially loved the pictures of brains, whose different coils were distinguished by every color of the rainbow. Many years later, when in an anatomy lab I saw a real brain for the first time, I was surprised (though of course I knew better) that it was so drab a thing.
Stanisław Lem (Highcastle: A Remembrance)
Other research establishes the ability of one person to affect another through these fields. For instance, studies at the Institute of HeartMath in California have shown that one person’s electrocardiograph (heart) signal can be registered in another person’s electroencephalogram (EEG, measuring brain activity) and elsewhere on the other person’s body. An individual’s cardiac signal can also be registered in another’s EEG recording when two people sit quietly opposite one another.89 This interconnectivity of fields and intention is a marriage of subtle energy theory and quantum physics. As Dr. Benor pointed out, Albert Einstein has already proven that matter and energy are interchangeable. For centuries, healers have been reporting the existence of interpenetrating, subtle energy fields around the physical body. Hierarchical in organization (and vibration), these fields affect every aspect of the human being.90 Studies show that healing states invoke at least the subtle biomagnetic fields. For example, one study employed a magnetometer to quantify biomagnetic fields coming from the hands of meditators and yoga and Qigong practitioners. These fields were a thousand times stronger than the strongest human biomagnetic field and were located in the same range as those being used in medical research labs for speeding the healing of biological tissues—even wounds that had not healed in forty years.91 Yet another study involving a superconducting quantum interference device (SQUID) showcased large frequency-pulsing biomagnetic fields emanating from the hands of therapeutic touch professionals during treatments
Cyndi Dale (The Subtle Body: An Encyclopedia of Your Energetic Anatomy)
But gross anatomy lab is not just about learning anatomy. It is about confronting death.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
I feel your body, your sick and scared body. And I feel how it must be different from how it was, and how it is different from mine.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)
And so, just as the humanity of our cadavers asserts itself in nail polish and tattoos, the inverse of humanity emerges in the body's utter lack of response to profound wounds.
Christine Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab)