Anatomical Heart Quotes

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I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
What do I want?” His fingers brushed over loose strands of hair near my temple. “I want to call you every five minutes. I want to text you good night every night. I want to make you laugh. And I want you to look at me like you did that first night on the bus.
Jenn Bennett (The Anatomical Shape of a Heart)
You're like ten prismacolors all at once.
Jenn Bennett (The Anatomical Shape of a Heart)
Feeling alive is always worth the risk.
Jenn Bennett (The Anatomical Shape of a Heart)
I don’t want my mistakes to affect everyone else in the room,” I said after a moment. “I want to keep to myself and do as little damage as possible.
Jenn Bennett (The Anatomical Shape of a Heart)
Too weird for jocks, and not weird enough for hipsters, I was neither freak nor geek, and that left me stranded in no-man’s-land.
Jenn Bennett (The Anatomical Shape of a Heart)
He was kissing me like we were both on fire and he was trying to put the flames out, and I kissed him back like an arsonist with a pocketful of matches.
Jenn Bennett (The Anatomical Shape of a Heart)
Hey, Bex?” Jack said as he grated. “Just so we’re clear, if we were alone, I’d probably kiss you right now.” I gave him a swift glance as the hallway laughter made its way back to the kitchen. “Just so we’re clear, I’d probably let you.
Jenn Bennett (The Anatomical Shape of a Heart)
Doing nothing can cause as much damage as doing something.
Jenn Bennett (The Anatomical Shape of a Heart)
Mom says you should never ask for advice you aren’t willing to take. I wasn’t sure I agreed. Having an unbiased pair of eyes point out a sensible solution was helpful. But the sensible thing and the right thing weren’t always the same choice, and no one but you could truly understand the difference.
Jenn Bennett (The Anatomical Shape of a Heart)
And then he was kissing me like we were both on fire and he was trying to put the flames out, and I kissed him back like an arsonist with a pocketful of matches.
Jenn Bennett (The Anatomical Shape of a Heart)
I like the way bones and skin move, and I like seeing how all of the chambers of the heart fit together
Jenn Bennett (The Anatomical Shape of a Heart)
Feeling alive is merely a rush of adrenaline.
Jenn Bennett (The Anatomical Shape of a Heart)
Everything we do in life affects someone else.
Jenn Bennett (The Anatomical Shape of a Heart)
The heart of animals is the foundation of their life, the sovereign of everything within them, the sun of their microcosm, that upon which all growth depends, from which all power proceeds.
William Harvey (An anatomical disquisition on the motion of the heart and blood in animals)
Beatrix Adams," he said. "You know I trust you with everything. The anatomical representation of my heart, my life...even my car." "You must really love me," I said, matching my steps with his. I knew he did, of course. We try not to say it casually too much, because we want it to mean something. Not just a throwaway phrase like "How's it going" or "See you later." But when I'm in his arms, when we're alone, he whispers "I love you," and those three words never stop amazing me. Never.
Jenn Bennett (The Anatomical Shape of a Heart)
Yeah. I guess I’m a color-inside-the-lines girl. Worse, really—I’d rather shade inside the lines with a nice, light 4H pencil. Something dark like a 5B or 6B? That’s me going nuts.” He laughed, stretching out his long legs
Jenn Bennett (The Anatomical Shape of a Heart)
And you’re apparently made of mountain. Are you sure you’re an engineer and not a lumberjack?
Jenn Bennett (The Anatomical Shape of a Heart)
But you know, sometimes people smile when they're sad. And sometimes girls who look sad are really smiling
Jenn Bennett (The Anatomical Shape of a Heart)
I will fix it for you. Hand on my heart, Bex Adams, I will fix it
Jenn Bennett (The Anatomical Shape of a Heart)
Because the way people are built, Hermione, the way people are built to feel inside -" Harry put a hand over his own heart, in the anatomically correct position, then paused and moved his hand up to point toward his head at around the ear level, "- is that they hurt when they see their friends hurting. Someone inside their circle of concern, a member of their own tribe. That feeling has an off-switch, an off-switch labeled 'enemy' or 'foreigner' or sometimes just 'stranger'. That's how people are, if they don't learn otherwise.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
If you want to take me somewhere, give me your wallet
Jenn Bennett (The Anatomical Shape of a Heart)
Why is the vegetarian Buddhist dressed like a jewel thief?
Jenn Bennett (The Anatomical Shape of a Heart)
Do you ride?” That sounded sort of dirty, and the way he looked at me felt sort of dirty, too. No one ever looked at me like that. “Why ‘Ghost’?” I asked. Grasping the top of the car door, he leaned over it and spoke in a dramatic, foreboding voice. “Because she’s so fast she disappears down the streets at night.” “That sounds dangerous.” His dimple appeared. “The best things in life are.
Jenn Bennett (The Anatomical Shape of a Heart)
I’m not sure what I feel. All I know is that I’m tired of being the innocent bystander who gets punched in the gut. It’s their fight—Mom and Dad’s. But how come Heath and I are the ones who end up bruised?” He rearranged one of my braids and wound the loose tail around the tip of his index finger. “Because everything we do in life affects someone else. Buddhists say that inside and outside are basically the same thing. It’s like we’re all trapped together in a small room. If someone pisses in the corner, we all have to worry about it trickling across the floor and getting our shoes wet.
Jenn Bennett (The Anatomical Shape of a Heart)
I'm not one of those cool, creative kids in my art class who make skirts out of trash bags and paint in crazy colours.
Jenn Bennett (The Anatomical Shape of a Heart)
My brother was right about one thing: I didn't really know how to be bad
Jenn Bennett (The Anatomical Shape of a Heart)
I was eighteen, baby! I could finally... vote and buy all those cartons of cigarettes I'd been pining for. Yippee
Jenn Bennett (The Anatomical Shape of a Heart)
Distichiasis. Your eyelashes. A genetic mutation that causes double rows of lashes
Jenn Bennett (The Anatomical Shape of a Heart)
Wow. Snubbed by a homeless guy. My night was getting better and better
Jenn Bennett (The Anatomical Shape of a Heart)
Harriet Lee’s gingerbread is not comfort food. There’s no nostalgia into it, no hearkening back to innocent indulgences and jolly times at nursery. It is not humble, nor is it dusty in the crumb. [...] A gingerbread addict once told Harriet that eating her gingerbread is like eating revenge. ‘It’s noshing on the actual and anatomical heart of somebody who scarred your beloved and thought they’d get away with it,’ the gingerbread addict said. ‘That heart, ground to ash and shot through with dars of heat, salt, spice, and sulfurous syrup, as if honey was measured out, set ablaze, and trickled through the dough along with the liquefied spoon. You are phenomenal. You’ve ruined my life forever. Thank you
Helen Oyeyemi (Gingerbread)
I’ve spent the last three days at the Zen Center trying to get back on my feet, and you just pull me up like it’s nothing.
Jenn Bennett (The Anatomical Shape of a Heart)
I think I’ve been waiting for you all my life,
Jenn Bennett (The Anatomical Shape of a Heart)
It's not like I was breaking into the lab and molesting bodies
Jenn Bennett (The Anatomical Shape of a Heart)
Saint Noah is never wrong
Jenn Bennett (The Anatomical Shape of a Heart)
I'd seen a lot of preserved specimens and even owned a few in small jars, but I'd never actually seen a dead human body. It was more unsettling than I'd expected
Jenn Bennett (The Anatomical Shape of a Heart)
Quería irme a dormir con él y despertarme con él. Quería todo el combo. Quería más.
Jenn Bennett (The Anatomical Shape of a Heart)
Earth to Beatrix: This was the night bus, not a Journey song. Two strangers were not on a midnight train going anywhere. I was going home, and he was probably going to knock over a liquor store. When
Jenn Bennett (The Anatomical Shape of a Heart)
Para ocultar mi sonrisa, fingí mirar a un coche que pasaba. Pero no importó, porque el tranvía se acercaba a la parada. Me subí antes que Jack, dando pequeños brincos. Incluso saludé al conductor. Sí, definitivamente estaba perdida.
Jenn Bennett (The Anatomical Shape of a Heart)
One can't have literary comprehension without real experience, mere grammatical knowledge of the words is useless without recognition of their values, and when you young people want to understand a country and its language you should start by seeing it at its most beautiful, in the strength of its youth, at its most passionate. You should begin by hearing the language in the mouths of the poets who create and perfect it, you must have felt poetry warm and alive in your hearts before we smart anatomizing it.
Stefan Zweig
A gingerbread addict once told Harriet that eating her gingerbread is like eating revenge. "It's like noshing on the actual and anatomical heart of somebody who scarred your beloved and thought they'd got away with it," the gingerbread addict said. "That heart, ground to ash and shot through with darts of heat, salt, spice, and sulfurous syrup, as if honey was measured out, set ablaze, and trickled through the dough along with the liquefied spoon. You are phenomenal. You've ruined my life forever. Thank you.
Helen Oyeyemi (Gingerbread)
As I know only too well, anticipation od happiness can sometimes be as gratifying as its consummation. Even during the first months of my separation, every footstep on the pavement would have me racing to the window, and every ring of the doorbell would set my heart beating as fast as a bird's. But as the months went by without even a word, I gradually had to relinquish my hopes of seeing him again. It was not easy to do so, and I am not sure whether I have managed it entirely; however I did stop waking with that thought in my head, imagining what he was doing every hour of the day, and whether his journey would by chance take him past my door. I tried to tell myself instead that I was fortunate in my neglect; that now I needed have no fear that he would arrive and his gimlet eye start to anatomize the cushions, or the curtains, or the state of the fireplace; that now, at last, my life was my own. But truth to tell, I would have given anything to see him walk with his jaunty step up to my front door and rap out a cheerful rhythm with his silver-topped cane.
Gaynor Arnold (Girl in a Blue Dress)
When the pain and anguish were lifted from Jordan’s shoulders, she made a new life. When the pain and anguish were lifted from Hennessy‘s, there was nothing of her left. She was nothing but the shit other people stepped in. Jordan was the real Jordan Hennessy. Jordan was always trying to make herself better, and Hennessy was always trying to keep from being unhappy. Jordan was succeeding at her task and Hennessy was drowning. She’d lost her childhood ability to make art that kept people awake. She’d probably killed Ronan Lynch by shutting down the ley line. Jordan had escaped her, and Hennessy was glad for her. “Hennessy,” prompted Farooq-Lane. As her eyes burned, Hennessy swiped a thin, bleeding splash of red on one of the index cards, and then, with the marker, suggested the lines needed to show it was an anatomical heart, bleeding paint. Beneath it, she just had time to jot angrily: OF FUCKING COURSE. Her heart was broken, that was why she was really upset, her heart was broken, broken, broken because Hennessy wanted so badly to be as good at living as Jordan was and she never even got close. She flicked the index card across the table at Farooq-Lane. The mouse woke up.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Now when he closes his eyes he can really look at himself. He no longer sees a mask. He sees without seeing, to be exact. Vision without sight, a fluid grasp of intangibles: the merging of sight and sound: the heart of the web. Here stream the different personalities which evade the crude contact of the senses; here the overtones of recognition discreetly lap against one another in bright, vibrant harmonies. There is no language employed, no outlines delineated. When a ship founders, it settles slowly; the spars, the masts, the rigging float away. On the ocean floor of death the bleeding hull bedecks itself with jewels; remorselessly the anatomic life begins. What was ship becomes the nameless indestructible. Like ships, men founder time and again. Only memory saves them from complete dispersion. Poets drop their stitches in the loom, straws for drowning men to grasp as they sink into extinction. Ghosts climb back on watery stairs, make imaginary ascents, vertiginous drops, memorize numbers, dates, events, in passing from gas to liquid and back again. There is no brain capable of registering the changing changes. Nothing happens in the brain, except the gradual rust and detrition of the cells. But in the minds, worlds unclassified, undenominated, unassimilated, form, break, unite, dissolve and harmonize ceaselessly. In the mind-world ideas are the indestructible elements which form the jewelled constellations of the interior life. We move within their orbits, freely if we follow their intricate patterns, enslaved or possessed if we try to subjugate them.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
The human heart weights (on average) eleven ounces and beats (approximately) one hundred thousand times per day. In Ancient Greece, the theory was widely held that, as the most powerful and vital part of the body, the heart acted as a brain of sorts- collecting information from all other organs through the circulatory system. Aristotle included thoughts and emotions in his hypotheses relating to the aforementioned information- a fact that modern scientists find quaint in its lack of basic anatomical understanding. There are reports that long after a person is pronounced dead and a mind and soul gone from its casing, under certain conditions, the heart might continue beating for hours. I find myself wondering if in those instances the organ might continue to feel as well. And, if it does, whether it feels more or less pain than mine at present time.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
-No quiero que mis errores afecten a todo el resto de la habitación -repuse luego de un momento-. Quiero hacer la mía y causar el menor daño posible. -Esa es una manera de vivir, por supuesto. Pero es una vida solitaria, y no hacer nada puede causar tanto daño como hacer algo. Nos guste o no, somos parte de una maquinaria. Si deja de funcionar un pistón, el motor comenzará a andar mal. Por mi parte, prefiero mucho más que me hagas pis sobre el zapato a que te retraigas a un rincón
Jenn Bennett (The Anatomical Shape of a Heart)
Other anatomical changes associated with long-duration space flight are definitely negative: the immune system weakens, the heart shrinks because it doesn’t have to strain against gravity, eyesight tends to degrade, sometimes markedly (no one’s exactly sure why yet). The spine lengthens as the little sacs of fluid between the vertebrae expand, and bone mass decreases as the body sheds calcium. Without gravity, we don’t need muscle and bone mass to support our own weight, which is what makes life in space so much fun but also so inherently bad for the human body, long-term.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
I close my eyes and all I can think of is red. So I get a tube of watercolour, cadmium red dark, and I get a big mop of a brush, and I fill a jar with water, and I begin to cover the paper with red. It glistens. The paper is limp with moisture, and it darkens as it dries. I watch it drying. It smells of gum arabic. In the centre of the paper, very small, in black ink, I draw a heart, not a silly Valentine but an anatomically-correct heart, tiny, doll-like, and then veins, delicate road-map of veins, that reach all the way to the edges of the paper, that hold the small heart enmeshed like a fly in a spiderweb. See, there's his heartbeat.
Audrey Niffenegger (The Time Traveler’s Wife)
There's history books you haven't read," Harry said quietly. "There's books you haven't read yet, Hermione, and they might give you a sense of perspective. A few centuries earlier - I think it was definitely still around in the seventeenth century - it was a popular village entertainment to take a wicker basket, or a bundle, with a dozen live cats in it, and -" "Stop," she said. "- roast it over a bonfire. Just a regular celebration. Good clean fun. And I'll give them this, it was cleaner fun than burning women they thought were witches. Because the way people are built, Hermione, the way people are built to feel inside -" Harry put a hand over his own heart, in the anatomically correct position, then paused and moved his hand up to point toward his head at around the ear level, "- is that they hurt when they see their friends hurting. Someone inside their circle of concern, a member of their own tribe. That feeling has an off-switch, an off-switch labeled 'enemy' or 'foreigner' or sometimes just 'stranger'. That's how people are, if they don't learn otherwise. So, no, it does not indicate that Draco Malfoy was inhuman or even unusually evil, if he grew up believing that it was fun to hurt his enemies -
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
How's your room?" "You could see for yourself if you popped in." "Is that a line?" "I don't know. Is it? Do you feel the compulsion to rush over to room 306 and see me right now? I promise I'll make it worth your while." "Sorry, no compulsion." "Too bad." He lowered his voice. "I'm still sore from hefting all those heavy platters in Auckland, and if you want me at the top of my beefcake game for your shoot tomorrow, you could give me that massage." She laughed, a joyous sound that shot straight to his heart. Head. Gut. Wherever. "Nice try, but I'll pass." "Your loss, sweetheart. Just think, you could be here right now, having me splayed on the bed at your mercy, all that bare skin to explore, running your hands over my pectorals, my biceps, my latissimus dorsi---" "I hope that's not a fancy anatomical term for anything below the waist." He guffawed, enjoying their sparring way too much. "You sure I haven't tempted you?" She hesitated for a moment, before replying. "Maybe a little, but I really have to prep for tomorrow. I'm meeting with the head chef in thirty minutes to run through the dishes, then I'll need a few hours to go through my planning." "Anything I can do to help?" "Just bring the beefcake at eight sharp in the morning." "Yes, ma'am." "And Manny?" "Yeah?" "If I ever lose my mind and decide to give you a massage, I'll be starting at your very impressive gluteus maximus.
Nicola Marsh (The Man Ban (Late Expectations))
The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...
Linda H. Davis (Chas Addams: A Cartoonist's Life)
With his Policraticus (1159), John of Salisbury had become the most famous Christian writer to compare society to a human body and to use that analogy to justify a system of natural inequality. In Salisbury’s formulation, every element in the state had an anatomical counterpart: the ruler was the head, the parliament was the heart, the court was the sides, officials and judges were the eyes, ears and tongue, the treasury was the belly and intestines, the army was the hands and the peasantry and labouring classes were the feet.
Alain de Botton (Status Anxiety)
cause of death as “emetine cardiotoxicity due to or as a consequence of anorexia nervosa.” The anatomical summary listed pulmonary edema and congestion (usually caused by heart failure) first and anorexia second. Third was cachexia, which usually indicates extreme weight loss and an apparent lack of nutrition. The finding of emetine cardiotoxicity (ipecac poisoning) revealed that Karen had poisoned herself with ipecac syrup, a well-known emetic commonly recommended to induce vomiting in cases of overdose or poisoning. A letter detailing National Medical Services’s lab findings was composed March 23, 1983. After testing both blood and liver, it was determined that 0.48 micrograms/g emetine, “the major alkaloidal constituent of ipecac,” was present in the liver. “In the present case,” they explained, “the finding of 0.5 micrograms emetine/g, with none detected in the blood, is consistent with residua of the drug after relatively remote cessation of its chronic use.
Randy L. Schmidt (Little Girl Blue: The Life of Karen Carpenter)
He took a drink of water and then stood up, facing the bed. “I made you something,” he said, reaching into his pocket. “More cookies?” I asked. He smiled and shook his head, then held out a fist. I lifted my hand and he dropped something hard in the palm of my hand. It was a small, flat outline of a heart, about two inches long, carved out of wood. I rubbed my thumb over it, trying not to smile too big. It wasn’t an anatomically correct heart, but it also didn’t look like the hand-drawn hearts. It was uneven and hollow in the middle.
Colleen Hoover (It Ends with Us (It Ends with Us #1))
Harvey's great book, An Anatomical Treatise on the Movement of the Heart and Blood in Animals, published in 1628, has rightly been called the most important book in the entire history of physiology.
Michael H Hart (The 100: A Ranking Of The Most Influential Persons In History)
I’ll say here that we never found out what sex our kids were before they were born. Thank Christ Leah and I both agreed on that. Despite the popularity of finding out beforehand these days, the practice still boggles my mind. WHAT the fuck are you going to do with that information? Practice wiping yellow, liquidy shit off an anatomically correct doll?
Rob Delaney (A Heart That Works)
three simple meditations that can set you on the path of healing: Meditation on the breath. Sit quietly with your eyes closed. Gently put your attention on the tip of your nose. Breathe in and out normally, and as you do, feel the air flowing through your nostrils. Envision your breath as a faint cloud of pale golden light going in and out of your nose. Feel the soft energy being carried by your breath. Let it relax you and still your mind, but easily, without forcing anything to happen. The process will take care of itself. To help keep your attention from wandering, you can add the sound “hoo” as you exhale. Meditation on the heart. Sitting quietly with your eyes closed, rest your attention on your heart. You don’t need to be anatomically precise. Simply find a place in the center of your chest where your attention can rest easily. As you breathe in and out naturally, keep your attention there. Allow any feelings and sensations to arise and pass. If your attention wanders, gently bring it back to rest on your heart. Meditation on the light. Sitting quietly with your eyes closed, envision a soft mixture of white light tinged with gold flowing through your body. See the light come up from your feet and fill your torso. Watch it continue up through your chest and head until it comes out through the crown of your head and goes straight up until it disappears from view. Now envision the same sparkling light descending back down, first entering through the crown of your head. It reverses the upward path from head to chest to torso, exiting the body through the soles of your feet. Once you have mastered this visualization, time it with your breathing. On the inhale, slowly draw the light up from your feet and out the top of your head. On the exhale, draw the light in through the top of your head and out through your feet. Don’t force the rhythm. Breathe slowly and naturally in a relaxed state as you perform the visualization.
Deepak Chopra (Reinventing the Body, Resurrecting the Soul: How to Create a New You)
In Salisbury's formulation, every element in the state had an anatomical counterpart: the ruler was the head, the parliament was the heart, the court was the sides, officials and judges were the eyes, the army was the hands and the peasantry and labouring classes were the feet.
Alain de Botton (Status Anxiety)
The realization that the brain used so many different kind of chemicals, in addition to classical neurotransmitters, to communicate beween neurons was just the first step in a major conceptual shift in neuroscience. Many of these substances are neuropeptides, and most of those affect mood and behavior. The specificity of their effects resides not in the anatomical connectivity between neurons, but in the distribution of receptors within the brain. Different receptors have very different patterns of distribution, and the distributions differ between species in ways that correlate with differences in behavior. The mere fact of a receptor-peptide mismatch in a particular brain area might have no great importance. It might be that many cells are promiscuous in the receptors that they express: If some receptors see no ligand, the cost to the cells is negligible. Profligate receptor expression might contribute to the evolvability of neural systems, and might be common because organisms with a liberal attitude to receptor expression are those most likely to acquire novels functions. Because extrasynaptic signaling does not require precise point-to-point connectivity, it is intrinsically 'evolvable': a minor mutation in the regulatory region of a peptide receptor gene, by altering the expression pattern, could have functional consequences without any need for anatomical rewiring. That peptide receptors have distinctive patterns of expression, and that peptides produce coherent behavioral effects when given quite crudely into the brain, suggests that volume transmission is used as a signaling mechanism by many different populations of peptidergic neurons. We thus must see neuropeptides as 'hormones of the brain'.
Gareth Leng (The Heart of the Brain: The Hypothalamus and Its Hormones)
Superconductivity, since it was quantized, meaning that only discrete bundles of energy exist as opposed to a continuous flow, has not waned in importance. Once Cooper, Bardeen, and Schrieffer figured out how superconductivity worked, others were able to find useful applications for it. Superconductivity is at the heart of magnetic resonance imaging (MRI)-medical scans used to probe anatomical form and function. Some situations, such as tests for tumors, require far more precision than an X-ray scan. Strong and uniform magnetic fields are needed. The efficient electric currents in a superconductor generate the large magnetic fields, which optimize the MRI scanning operation.
Stephon Alexander (The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe)
[Re: Valentine's Day cards] On these little visual interpretations, no emblem is so common as the heart, — that little three-cornered exponent of all our hopes and fears, — the bestuck and bleeding heart ; it is twisted and tortured into more allegories and affectations than an opera hat. What authority we have in history or mythology for placing the head-quarters and metropolis of God Cupid in this anatomical seat rather than in any other, is not very clear ; but we have got it, and it will serve as well as any other. Else we might easily imagine, upon some other system which might have prevailed for any thing which our pathology knows to the contrary, a lover addressing his mistress, in perfect simplicity of feeling, " Madam, my liver and fortune are entirely at your disposal," or putting a delicate question, "Amanda, have you a midriff' to bestow?" But custom has settled these things, and awarded the seat of sentiment to the aforesaid triangle, while its less fortunate neighbours wait at animal and anatomical distance.
Charles Lamb (Essays of Elia and Last Essays of Elia)