Amy Pond Quotes

We're all stories, in the end.

Amy Pond: 'I thought... well, I started to think you were just a madman with a box.' The Doctor: 'Amy Pond, there's something you better understand about me, 'cause it's important and one day your life may depend on it. [He Smiles] I am definitely a madman with a box.

The Doctor: 'You know when grown-ups tell you everything's going to be fine, but you really think they're lying to make you feel better?' Amelia: 'Yeah...' The Doctor: 'Everything's going to be fine.

Now you see,' said the turtle, drifting back into the pond, 'why it is useless to cry. Your tears do not wash away your sorrows. They feed someone else's joy. And that is why you must learn to swallow your own tears.

So is this how it works Doctor? You never interfere with the affairs of other peoples or planets, unless there are children crying?

Now here's Amy Pond, standing in the freezing ocean, holding the body of her imaginary friend, and shouting at the sea to make him better. Yeah. If only my therapists could see me now.

You know when sometimes you meet someone so beautiful, and then you actually talk to them, and five minutes later they're dull as a brick. But then there's other people, and you meet them and you think 'not bad, they're okay', and then you get to know them, and their face sort of becomes them, like their personality's written all over it, and they just they turn into something so beautiful...

River Song: Use the stabilisers! The Doctor: It doesn't have stabilisers! River Song: The blue switches! The Doctor: The blue ones don't do anything, they're just... blue! River Song: Yes they're blue: they're the blue stabilisers! [presses the button and the TARDIS indeed stabilises] See? The Doctor: Yeah? Well, it's boring now, isn't it? They're boring-ers! They're blue... boring-ers! Amy: Doctor, how come she can fly the TARDIS? The Doctor: You call that flying the TARDIS? [scoffs] Ha! River Song: Okay, I've mapped the probability vectors, done a foldback on the temporal isometry, charted the ship to its destination and... [presses a button, the cloister bell clangs] parked us right alongside. The Doctor: Parked us? But we haven't landed! River Song: Of course we've landed; I just landed her. The Doctor: But it didn't make the noise. River Song: What noise? The Doctor: You know, the... [does an impression of the TARDIS materialisation sound] River Song: It's not supposed to make that noise. You leave the brakes on. The Doctor: Yes, well, it's a brilliant noise. I love that noise.

Amy: Pond and her boys . . . my poncho boys. If we're going to die, let's die looking like a peruvian folk band.

Demons run when a good man goes to war. Night will fall and drown the sun, When a good man goes to war. Friendship dies and true love lies, Night will fall and the dark will rise, When a good man goes to war. Demons run, but count the cost. The battle's won but the child is lost.

wisdom is like a bottomless pond. You throw stones in and they sink into darkness and dissolve. Her eyes looking back do not reflect anything. I think this to myself even though I love my daughter. She and I have shared the same body. There is a part of her mind that is a part of mine. But when she was born she sprang from me like a slippery fish, and has been swimming away ever since. All her life, I have watched her as though from another shore.

he was like water—cold, deep, unpredictable, and, like the pond up the canyon, dangerous, because you could never see what was beneath the surface. And just like I’d done all my life, I jumped in head first, even though I’d been forbidden. But this time, I drowned.

How are you, Rory?' [the Doctor] asked. I [Rory]... answered him. 'It's been odd being you.' 'Isn't it?' The Doctor's smile didn't quite reach his eyes. 'How do you cope?' 'Ah...' The Doctor picked away at a scrap of loose paint on the door. 'Well, I just get as close as I can to a happy ending, then I shut the door behind me and move on.' I nodded. We shut the door behind us and moved on.

He was... wearing a tasselled velvet nightcap that I [Amy] noticed the Doctor eyeing up. If Boris didn't watch out, that'd go missing and we'd never hear the end of 'Nightcaps are cool.

Oh, and I [Amy] may also have told him that I quite fancied Dr Smith [The Doctor]. Which in the 1780s was probably punishable by stoning or corsets.

You see, there's a drill: 1. I [Amy] will say 'Right then, let's go and rescue him [Rory].' 2. The Doctor will say 'Ah yes, but...' 3. And then he'll list the fourteen things that we have to do before we resuce Rory 4. And why they're all more important than rescuing Rory 5. The list normally includes wounded puppies 6. An exploding bus full of grannies 7. You know what I mean 8. So we'll go and do those instead 9. Cos they're all so important 10. And Rory has to come last.

Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends.

I'm not running away. But this is one corner of one country on one continent on one planet that's a corner of a galaxy that's a corner of a universe that is forever growing and shrinking and creating and destroying and never remaining the same for a single millisecond, and there is so much, so much, to see, Amy. Because it goes so fast. I'm not running away from things, I am running to them. Before they flare and fade forever.

Amy: Hey, Paisley, Ever fancied someone you know you shouldn't? Bracewell: What? Amy: Hurts, doesn't it? But kind of a good hurt.

Well, what do you want me to say?' The Doctor was so angry he was almost hovering. 'Well done on marrying the only male nurse not to have a full set of Barbara Streisand records? Why did you pick him, anyway? Were there no flight attendants in your village?' 'Only Jeff,' [Amy replied]. 'Ah.'... 'I picked Rory, always Rory, because he is just like you,' I [Amy] yelled at him. 'He is sweet and understanding and funny and he always tries to do the right thing. Plus you both run the same way.' 'We do not.' 'Do so.

Maria looked at the TARDIS... 'Is that really your carriage?' She asked. 'It is not very good, monsieur. It has no wheels.' 'It doesn't need them,' laughed Amy. 'It's an English carriage. They don't have wheels. 'Does Monsieur Rory push it?' 'When necessary,' laughed Amy.

But Amy Pond. Oh! The Sea had briefly been able to touch her mind — it knew that the Doctor was the most important thing in the world to her, and it had given a copy of him to her. If they spent enough time together, the copy would become every bit as good as the real Doctor. It stood there now, wheeling her down to the beach, one hand resting lightly on her shoulders, drawing all it could from her.

[Amy] pulled a face. 'Honestly, when you grow up you'll learn you may as well try herding cats as keeping men in one place,' she told me solemnly, which I vowed to remember.

Really, awfully, terribly, I had a sudden attack of hiccups. I was staring at the Doctor, murderously angry with him. And hiccuping... 'That's it. I'm going down there. I'm offering myself to them instead. If you're too much of a coward.' The Doctor winced at that last word. I hiccuped again. 'Amy Pond,' he said. 'Try holding your breath.' 'I will not hold my breath! This is important! Rory is having his mind vacuumed and we're just standing here-' 'Hiccuping.' 'Yes.' We stood, glaring at each other. I hiccuped again. 'Seriously,' said the Doctor, patiently. 'I know it's not the best time, but really, try holding your breath.' I stood there. Hiccuping and scowling at him.

I love you,' cooed Fake Amy. 'You dance so much better than the Doctor.' 'Silly.' Real Amy nudged her in the ribs. 'Hippos dance better than the Doctor.

I stole your childhood and now I’ve led you by the hand to your death. But the worst thing is, I knew. I knew this would happen. This is what always happens. Forget your faith in me. I took you with me because I was vain. Because I wanted to be adored. Look at you. Glorious Pond, the girl who waited for me. I’m not a hero. I really am just a mad man in a box. And it’s time we saw each other as we really are. Amy Williams, it’s time to stop waiting.

I've lost the TARDIS as well.' I [Amy] was outraged. Considering my husband was dying and we were stranded in the past, the Doctor seemed fairly calm about things. 'Someone's nicked it!' 'Not so much, no.' The Doctor looked awkward. 'There's a mechanism... thingy. If the TARDIS senses a threat it removes itself from the scene. First sign of danger, it goes and hides behind the curtains.' 'Whose genius idea was that?' The Doctor swallowed, embarrassed. He claims to be the last of the most advanced race in the universe. Sometimes, I'm just not convinced.

You are ice and fire, The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis, The silver of moon-touched magnolias. When I am with you, My heart is a frozen pond Gleaming with agitated torches.

Don't get me started on the whole Doctor-Amy-Rory thing. It's kind of like... I dunno. Suppose you'd always fancied Ryan Reynolds. That's fine, yeah. You meet someone else, who is maybe not Ryan Reynolds, but perhaps he's got the same goofy smile. And you think, 'Yeah, that's it, I'm happy.' Then Ryan Reynolds himself roars up in a camper van and says 'Hey guys! Let's all go on a road trip. Bring the boyfriend! It'll be fun.' Only Ryan Reynolds doesn't save the universe. Well, not at weekends. So I guess that's my life. Crammed in a camper van, sneaking the odd glance at Ryan, squeezing the hand of my lovely husband...

I know how it is to live your life like a dream. To listen and watch, to wake up and try to understand what has already happened. You do not need a psychiatrist to do this. A psychiatrist does not want you to wake up. He tells you to dream some more, to find the pond and pour more tears into it. And really, he is just another bird drinking from your misery. My mother, she suffered. She lost her face and tried to hind it. She found only greater misery and finally could not hide that. There is nothing more to understand. that was China. That was what people did back then. They had no choice. they could not speak up. they could not run away. That was their fate.

LOVE THIS QUOTE 131 You know when sometimes you meet someone so beautiful and then you actually talk to them and five minutes later they're as dull as a brick? Then there's other people, when you meet them you think, "Not bad. They're okay." And then you get to know them and... and their face just sort of becomes them. Like their personality's written all over it. And they just turn into something so beautiful. — Amy Pond (Doctor Who Series)

Amy: Up. Rory: What good's up? Amy: Better than down. -Doctor Who

The Doctor: Amy, what are you doing? Amy: That gravestone, Rory's, there's room for one more name isn't there? The Doctor: What are you talking about? Back away from the Angel. Come back to the TARDIS, we'll figure something out. Amy: The Angel, would it send me back to the same time, to him? The Doctor: I don't know. Nobody knows. Amy: But it's my best shot, yeah? The Doctor: No! River: Doctor, shut up! Yes, yes, it is! The Doctor: Amy— Amy: Well then. I just have to blink, right? The Doctor: No! Amy: It'll be fine. I know it will. I'll be with him like I should be. Me and Rory together. {calling River over} Melody. The Doctor: Stop it! Just, just, stop it! Amy: You look after him. And you be a good girl and you look after him. The Doctor: You are creating fixed time. I will never be able to see you again. Amy: I'll be fine. I'll be with him. The Doctor: Amy. Please. Just come back into the TARDIS, Come along, Pond. Please. Amy: Raggedy Man, goodbye. -Doctor Who

Rory's not my pet dog!' I [Amy] yelled at the Doctor. 'Well, that would be better.' He was truly angry. 'Dogs I can live with.' He paused, suddenly hopeful. 'Quite sure you're not a cat person?' 'This isn't getting him back,' I said. He pulled a face. 'Who said I wanted him back? I was just suggesting a few alternatives. Nice little ginger tom. Have to get it neutered, of course.' He smiled winningly. 'I'd let you name him.' 'We'll find Rory.' I was firm. 'And then neuter him.

[The Doctor] pulled the thing out of Prince Boris's mouth, waving it around. 'Oh. Blimey. This is not a spatula. What is it?' I [Amy] stared at the stubby thing. It looked like the world's chunkiest novelty gift pen... I coughed. 'That, Doctor, is the sonic screwdriver.' 'Ah,' Dr Smith boggled. 'Right. Is it? Oh dear.' Another pause. 'What does it do?' 'Well... it screws things... sonically. On a good day, we fight off monsters with it.' 'Monsters, eh?' Dr Smith nodded gravely and... pointed it at the doorway like a gun and said, hopefully, 'Pew! Pew! Pew!' He turned back to me. 'Like that?' 'Other way up,' I said gently.

Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to. I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes. "You're a..." I tried to find the right thing to say. "Really...hot cop?" "I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit.

That is the problem with modern ink from a bottle. You do not have to think. You simply write what is swimming on the top of your brain. And the top is nothing but pond scum, dead leaves, and mosquito spawn. But when you push an inkstick along an inkstone, you take the first step to cleansing your mind and your heart. You push and you ask yourself, What are my intentions? What is in my heart that matches my mind? I

Rory: Amy. I'm gonna need a little help here. Amy: Just stop it! Rory: Just think it through, this will work. This will kill the Angels. Amy: it will kill you too. Rory: Will it? River said that this place would be erased from time, never existed. If this place never existed what did I fall off? Amy: You think you'll just come back to life. Rory: When don't I? Amy: Rory— Rory: Anyway, what else is there? Dying of old age downstairs, never seeing you again? Amy, please. If you love me, then trust me and push. Amy: I can't. Rory: You have to! Amy: Could you? Could you if it was me? Could you do it? Rory: To save you, I could do anything. Amy: Prove it. Rory: But I can't take you too. Amy: You said we'd come back to life. Money-where-your-mouth-is time. Rory: Amy, but— Amy: Shut. Up. Together. Or not at all -Doctor Who

A psychiatrist does not want you to wake up. He tells you to dream some more, to find the pond and pour more tears into it. And really, he's just another bird drinking from your misery.

Hi!" she said, a bit louder than she meant to. Ian raised one eyebrow and Amy felt the beginnings of a blush. She started to give Ian a hug, but he had already bent forward to kiss her on the cheek. Her sudden movement three him off, and they ended up bumping foreheads. "Sorry," Amy said, turning away so Ian wouldn't see that her face had turned bright red. "Quite all right. I had forgotten you do things differently across the pond." He took a step back to look at Amy. "I take it jeans are the latest in evening wear here in the wild west?" He made an exaggerated show of narrowing her eyes. "Is that a juice stain on your blouse? How fetching.

I run and run and run. Past the hospital, through the garden, past a pond. And to the cold metal wall. I stop, gulping at the air, my heart racing in my ears. I reach up with one hand and touch the wall. My fingers curl into a fist, but it falls weakly to my side. And that's when I realize there is no where to run. 'But', my heart whispers, 'there is Elder.

I said we’re not the same. Here’s why. All my life, every day, I’ve wished I was someone else. I’ve wanted to be Kate, or Sarah Jane Smith, or Amy Pond, or anyone really. But you’re a shape-shifter, you’ve been lots of other people—and you want to be me. I think that makes you a much better Petronella Osgood than I am. I think I’d like to be a better version. If

I looked at her and saw she was crying. And I also began to cry again, that this was our fate, to live like two turtles seeing the watery world together from the bottom of the little pond.

Gesh Doctor, that’s not how you honor the…time death(?)...of your best friends. First you dedicate the following Friday demonstrations to their memory; let’s call it the Friday of the Ponds. Then you and your remaining friends put together a brigade and name it after your companion, Katebat Ansar Amy Pond. Then you wage a guerilla war against the Weeping Angels and…on second thoughts, considering that my way of thinking had helped land me in Tartous, living in a hotel room, maybe sulking on a cloud was the best course of action.

And, sure enough, saturation begins--the staedy work of seeps and springs. Then, suddenly, cottonwoods and willows spring from the sand, their leaves gyrating into a byzantine mosaic of greens. Birds, frogs, and insects trill out brilliant improvisations--a kind of critter jazz. And as the water gathers substance, there is the ballet of tadpoles and water skeeters across the face of clear ponds.

You can never be an artist if your work comes without effort. That is the problem with modern ink from a bottle. You do not have to think. You simply write what is swimming on the top of your brain. And the top is nothing but pond scum, dead leaves, and mosquito spawn. But when you push an inkstick along an inkstone, you take the first step to cleansing your mind and your heart. You push and you ask yourself, What are my intentions? What is my heart that matches my mind?

That night, after Popo told me this, I sat by the pond, looking into the water. And because I was weak, I began to cry. Then I saw this turtle swimming to the top and his beak was eating my tears as soon as they touched the water. He ate them quickly, five, six, seven tears, then climbed out of the pond, crawled onto a smooth rock and began to speak. “The turtle said, ‘I have eaten your tears, and this is why I know your misery. But I must warn you. If you cry, your life will always be sad.’ “Then the turtle opened his beak and out poured five, six, seven pearly eggs. The eggs broke open and from them emerged seven birds, who immediately began to chatter and sing. I knew from their snow-white bellies and pretty voices that they were magpies, birds of joy. These birds bent their beaks to the pond and began to drink greedily. And when I reached out my hand to capture one, they all rose up, beat their black wings in my face, and flew up into the air, laughing. “ ‘Now you see,’ said the turtle, drifting back into the pond, ‘why it is useless to cry. Your tears do not wash away your sorrows. They feed someone else’s joy. And that is why you must learn to swallow your own tears.

SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.

So what’s the story your grandpa told you?” I leaned back against the blanket, propping my head in one hand and looking up at him. “It wasn’t about the pond, I guess. It’s more about the town. I didn’t ever come to Mona when I lived here. I never had reason to - so when I asked my grandpa if there were any good fishing spots around here, and he mentioned this pond, I asked him about the town. He said Burl Ives, the singer, was once thrown in jail here in Mona. It was before his time, but he thought it was a funny story.” “I’ve never heard about that!” “It was the 1940’s, and Burl Ives traveled around singing. I guess the authorities didn’t like one of his songs - they thought it was bawdy, so they put him in jail.” “What was the song?” I snickered. “It was called Foggy, Foggy Dew. My grandpa sang it for me.” “Let’s hear it!” I challenged. “It’s far too lewd.” Samuel pulled his mouth into a serious frown, but his eyes twinkled sardonically. “All right you’ve convinced me,” he said without me begging at all, and we laughed together. He cleared his throat and began to sing, with a touch of an Irish lilt, about a bachelor living all alone whose only sin had been to try to protect a fair young maiden from the foggy, foggy dew. One night she came to my bedside When I was fast asleep. She laid her head upon my bed And she began to weep She sighed, she cried, she damn near died She said what shall I do? So I hauled her into bed and covered up her head Just to keep her from the foggy, foggy dew. “Oh my!” I laughed, covering my mouth. “I don’t think I would have stuck Burl Ives in jail for that, but it is pretty funny,” “Marine’s are the lewdest, crudest, foulest talking bunch you’ll ever find. I’ve heard much, much worse. I’ve sung much, much worse. I tried to remain chaste and virtuous, and I still have the nickname Preacher after all these years - but I have been somewhat corrupted.” He waggled his eyebrows at his ribaldry. “I kind of liked that song…” I mused, half kidding. “Sing something else but without the Irish.” “Without the Irish? That’s the best part.” Samuel smiled crookedly. “I had a member of my platoon whose mom was born and raised in Ireland. This guy could do an authentic Irish accent, and man, could he sing. When he sang Danny Boy everybody cried. All these tough, lethal Marines, bawling like babies

One chalice defeating a monstrous corporation and saving the universe sounds about as solid of a plan as strange women lying in ponds, distributing swords.

[God's] words do not rain down like rocks on those he speaks to; they mount up with wings or leap through brambles or swim blackly in ponds. They sleep hainging from trees, stomachs full of hunted insects, or grow tall and imperious and leafy in the forest. Many, if not most, of his words hope never to be heard—rooting blindly throught their dirt-homes or proliferating on the tops of mountains, they are dismayed when they are discovered, and rush away. His words are not repetitive: the only thing his words have in common with each other is that they are strange and they are themselves—they move on their own, through gutters and caves and swamps and the sky, and some of his words, when they get tired of hearing his name over and over, and wish to hear him speak, escape out the back door, like ferrets, like me.

I drove to Liberty Park, just south of downtown, and within minutes, Henry had his kite out and was urging LeBron James into the air. “He’s done this before,” I said in surprise. “Not in forever. I can’t remember the last time, actually,” Millie replied. “Is he doing it?” “Listen,” I said. “Can you hear it?” I listened with her, straining for a sound that would connect her to the visual. Then the kite dipped, caught the wind again, and lifted, making a soft, wop wop in the air, like laundry on a clothes line, flapping in the breeze. “I hear it!” “That’s Henry’s kite. He’s a natural.” “Will you help me get mine in the air? I could take off running, but that might be dangerous. I don’t want to run head first into the pond. There is a pond, isn’t there?” “Just run away from the sound of the ducks.

The heron must be used to people, and yet it never lets you get too close. Draw parallel to it with the width of one of the marsh’s holding ponds between you, and it will duck its head, eyeing you with suspicion, then fly. I cannot approach the heron, certainly could never touch it; I can only look for it, entranced. This is how I understand the divine, and why I continue to seek it in the resolutely non-human world, with which we nonetheless recognize a numinous kinship. Sometimes, it will turn and lock eyes with you, lifting you out of yourself, changing everything. Other times, it will give you the side-eye and swoop away, leaving you longing for retreating beauty. You might not see it every single time you go looking, or where you expect to find it. No matter how common the experience, every time you stumble across mystery, or independent wild being, it is a surprise and a miracle. And every day, you can look." - Sara Amis, "A Daily Heron

I need to speak with the lord of the village. It’s … it’s urgent.” The man scoffed. “I can tell. You seem to have rolled out of a muddy pond and caught your dress on a hundred branches. Perhaps you also bumped into a fair maiden, making off with her apron.” I forced myself to smile. “Not far off. But the mud is just the color of the dress.” “Of course. It suits you.” “Thanks.

You’re smart then . . . aren’t you, Finn?” I heard the awe in my own voice. It wasn’t a question. I had never been school smart, and marveled at those who were. “I thought you were. I was never any good with numbers. Math has always been like a murky pond, and me, a hillbilly stabbing at the fish with a pokey stick, trying to get lucky.” “That doesn’t make any sense, Bonnie.” Finn laughed softly. “That’s my point, Clyde

The collective failure is complete – and truly abysmal. Dreams are a spume that dances on the surface of a troubled pond or puddle; but sex is oceanic, and covers seven-tenths of the globe. A force so fundamental, so varied, so grand, so rich. And yet its evocation on the page is somehow beyond us. Writers will just have to grin and bear it, and look for comfort where they may. Well, I suppose it magnifies our respect for the act, the act that peoples the world. It does do that. We can bow with honour to what is ineffable, and follow Dickens to the door. But why can’t we describe it? What makes our hands loth and cold?