Amsterdam Trip Quotes

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During a recent trip to Amsterdam, she sent me a picture of her smoking marijuana for the first time just because I asked her to.
Amy Poehler (Yes Please)
Mmmm,” I said after the waiter left, and Augustus smiled crookedly as he stared down the canal while I stared up it. We had plenty to look at, so the silence didn’t feel awkward really, but I wanted everything to be perfect. It was perfect, I guess, but it felt like someone had tried to stage the Amsterdam of my imagination, which made it hard to forget that this dinner, like the trip itself, was a cancer perk. I just wanted us to be talking and joking comfortably, like we were on the couch together back home, but some tension underlay everything.
John Green (The Fault in Our Stars)
I thought back to Europe, where this journey began, then to Berkeley and even Madison, where the plans were first hatched. I thought about how the road led through Amsterdam, Paris and Greece, how for Guy and Sarah it continued through Central Asia, and how for me it detoured through East Africa. I thought about how many people had started off on this same journey, and how few had made it this far. I thought about how, of all the possible destinations this was the farthest outpost, the most remote spot of all - Kathmandu was the end of the road.
Terry Tarnoff (The Bone Man of Benares: A Lunatic Trip Through Love and the World)
For the rest, however, one might say that Mother is looking particularly well. But there is something that makes me think of what I told you. I don’t think it would be a bad idea at all if Mother made a few trips shortly, to Anna, to Amsterdam, to Cor - especially as she seems to be resolved on it and to long to see them all once more. But it might well be that she herself has a presentiment that at the same time it will be a leave-taking.
Vincent van Gogh (Delphi Complete Works of Vincent van Gogh (Illustrated) (Masters of Art Book 3))
Zo beschrijft hij hoe wijlen burgemeester Bicket het voordelige ambt van vendumeester -- goed voor zesduizend gulden per jaar -- toeschoof aan zijn veertienjarige zoontje Hendrick. Het burgemeesterszoontje Jan Corver Trip was zelfs al op zijn vijfde jaar postmeester op Rotterdam, Delft en Den Haag. Toen hij acht was maakte zijn vader hem postmeester van het Hamburgse Postcomptoir. Toen hij achttien was, werd hij ook nog kerkmeester van de Nieuwe Walenkerk. Toen hij op zijn negentiende overleed -- hij had een leren riem te strak en te lang om zijn lijf geklemd om zijn overtollige vet te camoufleren, waardoor 'zijne edele's partijen, long en lever aan malkander waren gegroeid' -- liet hij een vermogen na van twee ton.
Geert Mak (Amsterdam)
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
John Green (The Fault in Our Stars)
As good architects know, seemingly arbitrary decisions, such as where to locate the bathrooms, will have subtle influences on how the people who use the building interact. Every trip to the bathroom creates an opportunity to run into colleagues, for better or for worse. A good building is not merely attractive, it also works. As we shall see, small and apparently insignificant details can have major impacts on people's behaviour. A good rule of thumb is to assume that everything matters. In many cases, the power of these small details come from focusing the attention of users in a particular direction. A wonderful example of this principle comes from, of all places, the men's rooms at Schiphol airport in Amsterdam. There, the authorities etched the image of a black housefly into each urinal. It seems that men usually do not pay much attention to where they aim, which can create a bit of a mess. But if they see a target, attention, and therefore accuracy, are much increased. According to the man who came up with the idea, it works wonders... Etchings reduced spillage by 80%. The insight that everything matters can be both paralysing and empowering.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)
Margaret Bendroth (The Spiritual Practice of Remembering)
The Netherlands capital of Amsterdam amsterdam cruise is a thriving metropolis and one from the world's popular cities. If you are planning a trip to the metropolis, but are unclear about what you should do presently there, why not possess a little fun and spend time learning about how it's stereotypically known for? How come they put on clogs? When was the wind mill first utilised there? In addition, be sure to include all your feels on your journey and taste the phenomenal cheeses along with smell the stunning tulips. It's really recommended that you stay in a city motel, Amsterdam is quite spread out and residing in hotels close to the city-centre allows for the easiest access to public transportation. Beyond the clichés So that you can know precisely why a stereotype exists it usually is important to discover its source. Clogs: The Dutch have already been wearing solid wood shoes, as well as "Klompen" as they are referred to, for approximately 700 years. They were originally made out of a timber sole along with a leather top or band tacked for the wood. Nevertheless, the shoes had been eventually created completely from wood to safeguard the whole base. Wooden shoe wearers state the shoes are usually warm during the cold months and cool during the warm months. The first guild associated with clog designers dates back to a number exceeding 1570 in Holland. When making blockages, both shoes of a set must be created from the same kind of timber, even the same side of a tree, in order that the wood will certainly shrink in the same charge. While most blocks today are produced by equipment, a few shoemakers are left and they normally set up store in vacationer areas near any city hotel. Amsterdam also offers a clog-making museum, Klompenmakerij De Zaanse Schans, that highlights your shoe's history and significance. Windmills: The first windmills have been demonstrated to have existed in Netherlands from about the year 1200. Today, there are eight leftover windmills in the capital. The most effective to visit is De Gooyer, which has been built in 1725 over the Nieuwevaart Canal. Their location in the east involving city's downtown area signifies it is readily available from any metropolis hotel. Amsterdam enjoys its beer and it actually has a brewery right on the doorstep to the wind generator. So if you are enjoying a historic site it's also possible to enjoy a scrumptious ice-cold beer - what more would you ask for? Mozerella: It's impossible to vacation to Amsterdam without sampling several of its wonderful cheeses. In accordance with the locals, probably the most flavourful cheeses are available at the Wegewijs Emporium. With over 50 international cheese and A hundred domestic parmesan cheesse, you will surely have a wide-variety to pick from.
Step Into the Stereotypes of Amsterdam
Amster Park is the best choice if you want your car safely parked for a short trip or long term. Be on time, book online now : http://www.amsterpark.nl
pta amsterdam
Of the computer people the only one who had impressed Robert as an engineer was Clark himself. "Take Lance," Robert said, when Steve popped upstairs. I'd missed Lance on this trip, and his attempt to infuse computer programming with the romantic spirit. "Lance is an unusually intelligent man," said Robert. "Yet the guy can't remember where he left his shoes. And when he goes to Amsterdam for a visit, he gets ripped off. What you need to be a good engineer is a set of skills, in addition to a logical process. Some people have an aptitude for it; some people never will." p231
Michael Lewis (The New New Thing: A Silicon Valley Story)
however, the round trip was a very long one (fourteen months was in fact well below the average). It was also hazardous: of twenty-two ships that set sail in 1598, only a dozen returned safely. For these reasons, it made sense for merchants to pool their resources. By 1600 there were around six fledgling East India companies operating out of the major Dutch ports. However, in each case the entities had a limited term that was specified in advance – usually the expected duration of a voyage – after which the capital was repaid to investors.10 This business model could not suffice to build the permanent bases and fortifications that were clearly necessary if the Portuguese and their Spanish allies* were to be supplanted. Actuated as much by strategic calculations as by the profit motive, the Dutch States-General, the parliament of the United Provinces, therefore proposed to merge the existing companies into a single entity. The result was the United East India Company – the Vereenigde Nederlandsche Geoctroyeerde Oostindische Compagnie (United Dutch Chartered East India Company, or VOC for short), formally chartered in 1602 to enjoy a monopoly on all Dutch trade east of the Cape of Good Hope and west of the Straits of Magellan.11 The structure of the VOC was novel in a number of respects. True, like its predecessors, it was supposed to last for a fixed period, in this case twenty-one years; indeed, Article 7 of its charter stated that investors would be entitled to withdraw their money at the end of just ten years, when the first general balance was drawn up. But the scale of the enterprise was unprecedented. Subscription to the Company’s capital was open to all residents of the United Provinces and the charter set no upper limit on how much might be raised. Merchants, artisans and even servants rushed to acquire shares; in Amsterdam alone there were 1,143 subscribers, only eighty of whom invested more than 10,000 guilders, and 445 of whom invested less than 1,000. The amount raised, 6.45 million guilders, made the VOC much the biggest corporation of the era. The capital of its English rival, the East India Company, founded two years earlier, was just £68,373 – around 820,000 guilders – shared between a mere 219 subscribers.12 Because the VOC was a government-sponsored enterprise, every effort was made to overcome the rivalry between the different provinces (and particularly between Holland, the richest province, and Zeeland). The capital of the Company was divided (albeit unequally) between six regional chambers (Amsterdam, Zeeland, Enkhuizen, Delft, Hoorn and Rotterdam). The seventy directors (bewindhebbers), who were each substantial investors, were also distributed between these chambers. One of their roles was to appoint seventeen people to act as the Heeren XVII – the Seventeen Lords – as a kind of company board. Although Amsterdam accounted for 57.4 per cent of the VOC’s total capital, it nominated only eight out of the Seventeen Lords.
Niall Ferguson (The Ascent of Money: A Financial History of the World)
EXCEPT for the man who thought Sarphatistraat was the most beautiful place in Europe, I’ve never met anyone more peculiar than the freeloader. The freeloader you found lying in your bed with his dirty shoes on when you came home late; the freeloader who smoked your cigars and filled his pipe with your tobacco and burned your coal and peered into your cupboards and borrowed your money and wore out your shoes and took your coat when he had to go home in the rain. The freeloader who always ordered in someone else’s name, who sat and drank jenever like a prince at the outdoor tables of the Hollandais on other people’s tabs, who borrowed umbrellas and never brought them back, who heated Bavink’s secondhand stove until it cracked, who wore his brother’s double collars and loaned out Appi’s books, and took trips abroad whenever he’d hit up his old man for money again, and wore suits he never paid for. His first name was Japi.
Nescio (Amsterdam Stories (New York Review Books))
I returned to Denmark in 1975 and was part of a group trying to set up an international lesbian front. To my surprise all kinds of new lesbians were “coming out” of the women’s movement. Although we had wanted this to happen it was surprising when it did, and difficult to adjust to. I had known some of the women as heterosexual feminists and it was hard to accept them as the new experts on lesbian political theory. They seemed in some way to lack what I felt was a lesbian identity, though I was unable to analyse quite why. I went to a lesbian conference in Amsterdam, with women who didn’t know and couldn’t have cared that there had been one there ten years before, and how important it had been. I sought out some of the 1965 lesbians and found them now quite anti-political. “We can’t stand all these new lesbians,” they said, “they’re so negative.” I disagreed, of course, on principle, but somehow there was less joy in the air. Unemployment was starting to happen in Europe, political discussions seemed different, we talked more about rape and violence, about men and what they were doing to the world. We talked less and less about sisterhood until finally we didn’t talk about it at all, because none of us could really believe in it quite the way we had when the sun shone and it was always summer, and the whole world was poised on the brink of change. I asked one of the new lesbians to dance at a social after a meeting. Then I tried to kiss her, gently, as we had been doing for the previous five years. She pushed me away roughly and said I was behaving like a man. I felt hurt and didn’t understand. I got drunk in a corner with some twenty-year-olds, crying into the schnapps bottle and trying to explain to them that there was something happening now that wasn’t what I thought I’d fought to achieve. Something uptight, critical, rejecting. Something not quite— lesbian. I was only 35, but I was beginning to feel like an old woman of the movement. Most of the lesbians my age were not to be found in the lesbian movement. Many were back working in the mixed homophile organizations, now changing their names to associations of gay men and women. Or they were branching out to start women’s refuges, getting involved in the peace movement, active in the political women’s movement. I had moved to Norway and found that the only lesbian group I wanted to work in was called The Panthers, involved in social and cultural activites of lesbian poetry, discussions, and sing-alongs. I got involved with the Norwegian F48 and a huge split over Marxist-Leninist politics, which resulted in the formation of the Worker’s Homophile Association (AHF)— which turned out to be not at all marxist anyway. It all made for interesting political intrigues, but I grew tired and began working very hard so that I could spend part of each year back in Aotearoa/New Zealand. My work as a tour guide made saving money easy, especially doing lots of trips through the USSR, where there were few consumer temptations. I did, of course, and dangerously, search for Soviet lesbians whenever I could.
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)
Margaret Bendroth (The Spiritual Practice of Remembering)